:00:04. > :00:08.On the show tonight, a standup On the show tonight, a standup
:00:08. > :00:18.comedian,. I say, I say. The original Billy Elliot. The
:00:18. > :00:32.
:00:32. > :00:42.Titanic Quarter. Iceberg. Where? Let's start the show.
:00:42. > :00:43.
:00:43. > :00:48.APPLAUSE. Hello everybody. Oh! Good APPLAUSE. Hello everybody. Oh! Good
:00:48. > :00:54.evening everybody. Hello. Hello. Hell yochlt. Yes, we are back for a
:00:54. > :00:58.new season. Hurrah. Welcome back to you, my lovely audience. I tell you,
:00:58. > :01:03.I was worried you wouldn't make out of Dale Farm but you are here.
:01:03. > :01:08.You join us at a sad time, and gentlemen. Westlife have
:01:08. > :01:17.announced they are splitting up. I know. I feel your pain. They have
:01:17. > :01:19.been sex symbols to a generation fans, some of hem are very upset.
:01:20. > :01:23.Cheer up everybody, what a lineup we Cheer up everybody, what a lineup we
:01:23. > :01:30.have to kick off the first show of the new series. Hollywood sensation,
:01:30. > :01:38.Kate Winslet is here. CHEERING. Comedian Rob Brydon is on at the
:01:38. > :01:43.shoch. CHEERING. Star of shoch. CHEERING. Star of Billy
:01:43. > :01:48.Elliot and now Tintin, Jamie Bell is here. And we will of music
:01:48. > :01:55.and the Whale. CHEERING. I know. love them. I love Noah and the
:01:55. > :02:05.Whale. Of course, they shot to fame with their big hit Five Years a
:02:05. > :02:09.time. I wonder where I will be then? Look, they are saving me a seat.
:02:09. > :02:16.What a thrill, Kate Winslet with us tonight. Not just an Oscar winner
:02:16. > :02:20.but six-time Oscar nominee. So many great movies, Revolutionary Road,
:02:20. > :02:24.Eternal Sunshine of the Spotless Mind and of course Titanic. Look at
:02:24. > :02:27.that, what an iconic scene. Every time I see that, I am reminded of
:02:27. > :02:30.the classic theme heart and you go in your own
:02:30. > :02:40.the classic theme term my heart will the classic theme term my heart will
:02:40. > :02:43.
:02:43. > :02:48.go as sung by Celine Dion. Also with us tonight is Jamie Bell.
:02:48. > :02:54.He is the star of the new Tintin movie. It is out next week, Tintin
:02:54. > :03:03.with his loyal friend Snowy. They are always getting into scrapes.
:03:03. > :03:05.Never go think where without each other, a little bit like... Yes.
:03:05. > :03:09.Jamie shot to fame as the star of Jamie shot to fame as the star of
:03:09. > :03:19.the movie, Billy Elliot. I can't remember whether I am a fan of
:03:19. > :03:19.
:03:19. > :03:25.ballet or not. Oh, apparently I am. Oh! And to complete my lineup, who
:03:25. > :03:32.better than Wales's funniest man, Rob Brydon. He is hosting
:03:32. > :03:37.Lie To You, where celebrities tell lies. I am working late tonight,
:03:37. > :03:45.Demi. Yeah. Naughty Ashton Kutcher. It was alleged he cheated on Demi
:03:45. > :03:48.with a woman 20 years younger her. Here is the woman. Let's get
:03:48. > :03:51.guests on. We will have music from Noah and the
:03:51. > :03:55.Whale later. Whale later.
:03:55. > :04:04.First, would I lie to you, no, he is First, would I lie to you, no, he is
:04:04. > :04:10.here, it is Rob Brydon. CHEERING . Hello, sir. Sit yourself down. And.
:04:10. > :04:16.And it is Billy Elliot and Tintin star, Jamie Bell. CHEERING. Hello,
:04:16. > :04:26.sir. Sit yourself down. And star of cot cot, Kiss Me Kate but not on the
:04:26. > :04:35.
:04:35. > :04:39.lips, it is Kate Winslet. CHEERING .
:04:39. > :04:42.Welcome all. My microphone pack Welcome all. My microphone pack
:04:42. > :04:50.slipped down my bum crack. You are sitting for the rest of the show.
:04:50. > :04:56.That was a good opening, wasn't it? Right into it. My arse. You
:04:56. > :05:02.down on the end. I feel there is racism towards the Welsh. Can I come
:05:02. > :05:10.a bit could closer? Am I allowed to? That's night. Let's have a
:05:10. > :05:16.hug. Look at that. Anyone got a camera. Several. We will stay like
:05:16. > :05:22.that for the rest of the show. Jamie, what are you, 25? 25 now. You
:05:22. > :05:29.have been doing this for 12 years. Are you relaxed on this one? No,
:05:29. > :05:39.terrified. He is not. When you told me you were 25 you seem more mature
:05:39. > :05:41.
:05:41. > :05:47.and together than me. I am 31. What? List Jeb, we are going to talk about
:05:47. > :05:54.the drama of your film, Contagion. But we must touch on the drama of
:05:54. > :05:58.your life. We read about necker island. You saved Richard Branson's
:05:58. > :06:03.life. No. I carried her stairs, the truth of it. Is
:06:03. > :06:06.stairs, the truth of it. That sounds like... It was scary. We did wake up
:06:06. > :06:12.at 4. at 4.30am to hear the sounds of some
:06:12. > :06:16.of Richard's nephews voices yelling there was a fire. I jumped up, and
:06:16. > :06:23.ran immediately towards the fire. Because clearly I thought I could
:06:23. > :06:27.put it out. Hang on. E ran the flames and realised no, another
:06:27. > :06:31.few minutes, we will be dead. I turned around and my children were
:06:31. > :06:35.standing at their bedroom door. said it is a fire, fine, go back
:06:35. > :06:44.inside for two minutes and close the door. Thinking now what do I do? Ran
:06:44. > :06:50.into the bedroom and put on a bra. In disastrous moments, you do the
:06:50. > :06:54.strangest things. That will take long, on went the t-shirt, grabbed
:06:54. > :07:00.children and picked up granny. We were all at the top of very slippery
:07:00. > :07:06.stone steps. We were in the hurricane. It was dramatic, this
:07:06. > :07:13.lashing rain. It felt like being in a movie. I carried eve Branson
:07:13. > :07:19.braless, me, not her, maybe we were both braless. Who knows. I carried
:07:19. > :07:24.her down the stairs. He is didn't come out in the original story, they
:07:24. > :07:30.played down the breast support issue. I will never play that one
:07:30. > :07:38.down, ever. Well done, you. Thank you very much. APPLAUSE. I have to
:07:38. > :07:42.say, I do have to say, though, that Eve Branson is an extraordinary
:07:42. > :07:46.stoic, powerful lady. And she totally could have made it out
:07:46. > :07:50.her own. I just helped for that little tiny bit. Dao feel I need to
:07:50. > :07:58.say that, that is true. You wanted the moment of glory. I will carry
:07:58. > :08:02.you. The truth is I carried everybody out. It sounded more
:08:02. > :08:09.glamorous, just Eve. Down to business. Cot cot, your new movie,
:08:09. > :08:14.out now. It is in cinemas now. Contagion. It is a scary film. But
:08:14. > :08:20.scary in an odd way. Talk us through the premise. It is a thriller. It is
:08:20. > :08:25.about a global pandemic. It is scary because, you know, these are
:08:25. > :08:29.times in which we live. There is a new terrifying virus every year, it
:08:29. > :08:33.seems. People try to develop vaccines as quickly as they can. I
:08:33. > :08:38.play an epidemic service officer, a forensic doctor,
:08:38. > :08:43.a young woman who is sent out into the field to find the pathogen of
:08:43. > :08:47.this particular new killer virus. It was a lot of fun, it was incredible
:08:47. > :08:51.working with Steven Soderbergh. Amazing cast of people. It was a
:08:51. > :08:57.thrill to be part of it. Like watching the film, I watched in a
:08:57. > :09:02.cinema. I can't tell you, two-thirds through, someone sneezed. You could
:09:02. > :09:07.see everyone see everyone thinkingee sus. Did it
:09:07. > :09:13.mess with you are head? Absolutely. You would think twice. Are you
:09:14. > :09:20.elbows on doors lady? E get out a towel, wrap it around if doors. We
:09:20. > :09:24.have a little clip. This is basically trying to find out who
:09:24. > :09:29.patient 0 has been in contact with. Anyone else who might have had
:09:29. > :09:33.contact with her. Everyone. Aaron did. He worked on another floor.
:09:33. > :09:43.There were documents she needed to sign. He picked up her up from the
:09:43. > :09:45.
:09:45. > :09:49.airport. Where is he? Hello? Mr Barnes, this is mere mere. Hi. I
:09:49. > :09:53.believe you may have had contact with Beth last week. Yeah. I
:09:53. > :10:00.with Beth last week. Yeah. I picked her up at the airport. How are
:10:00. > :10:05.feeling. Pretty cruddy. I picked up a bug. Where are you? On the
:10:05. > :10:15.heading to work. Get off immediately. What is going on?
:10:15. > :10:17.
:10:17. > :10:21.is the bus, Aaron? Lake and Lynn Dale. It is possible you are highly
:10:21. > :10:25.conteenage us. Do you understand? I want you to get off, stay away
:10:25. > :10:31.other people. Don't talk to anyone, don't touch anyone. That is the
:10:31. > :10:41.important thing. We will send somebody to meet the bus. OK. I am
:10:41. > :10:47.
:10:47. > :10:51.Anyone getting the bus home? Listen, Anyone getting the bus home? Listen,
:10:51. > :10:54.Kate Winslet, obviously, you won an Oscar for the Reader, nominated more
:10:54. > :11:00.times than anyone your age certainly, probably more than
:11:00. > :11:08.anyone. Maybe Merrill. The bitch. Stop it, Graham. She finish and you
:11:08. > :11:14.will take her off. Yeah, yeah she held the record, yes. But you take
:11:14. > :11:17.your job seriously. Reading about the way you work. , it sounds
:11:17. > :11:22.you are not serious. You have to have - it is about working together
:11:22. > :11:26.as a team. You know that. It is about really sort of pulling
:11:26. > :11:29.everyone together. It doesn't matter whether you are an actor or the guy
:11:29. > :11:33.behind the camera. You behind the camera. You are doing the
:11:33. > :11:39.same job. It is important to boost morale and have the odd joke. I was
:11:39. > :11:44.lying there in a rather comatose, meant to be slightly comatose state.
:11:44. > :11:51.I am sliing there and dead still, should not be moving my eyes all.
:11:51. > :11:56.Did I look thin in that? I am so sorry, it was something I may have
:11:56. > :12:02.eaten. Lots of moments like that. You have to. I heard you tell a
:12:02. > :12:10.really - I enjoyed the story, you encountering an actor who doesn't
:12:11. > :12:16.work in the same way as you. When you were in Holy Smoke. You did the
:12:16. > :12:21.improvisation with Harvey cartel. Who is completely incredible. He
:12:21. > :12:24.likes to do improvising. I go in one morning, Jane says, "
:12:24. > :12:27.morning, Jane says, "Beautiful people, so what are we going to
:12:27. > :12:29.today, improve" today, improve". Harvey said, "
:12:29. > :12:34.today, improve". Harvey said, "I have been thinking about the level
:12:34. > :12:37.of intimacy in the movie. I wanted to maybe work on something together
:12:37. > :12:47.with you, Kate" with you, Kate". Yeah, fine, it is
:12:47. > :12:48.
:12:48. > :12:53.Harvey, anything you want, God. I said yeah, OK. He said so I am a dog
:12:53. > :12:58.and you are my owner. You are helping me to die. I have been hit
:12:58. > :13:03.by a truck. You are helping me die. I am going, "
:13:03. > :13:09.die. I am going, "And the hidden camera is where? What is my name?"
:13:09. > :13:19.camera is where? What is my name?". Harvey (whimpers)
:13:19. > :13:29.Harvey (whimpers). Deadly serious. Gets on the floor. And I am standing
:13:29. > :13:34.
:13:34. > :13:44.Oh, no, poor dog. Poor Harvey, Oh, no, poor dog. Poor Harvey,
:13:44. > :13:49.
:13:49. > :13:57.shush, Harvey dog. Oh, no, look, it is Harvey dog dead. That was
:13:57. > :14:02.helpful. I got a lot of intimacy from that improvisation. There are
:14:02. > :14:09.quirky ones out there. Jamie, worked with inquiry people. A few in
:14:09. > :14:15.my time. There was a set you worked on where... This guy that was
:14:15. > :14:23.controversial, likes to walk around naked a lot of the time. Slightly
:14:23. > :14:33.difficult when you are trying to do a scone, this guy doing this. Is
:14:33. > :14:50.
:14:50. > :15:00.this distracting? Naked? Naked. Genius. Kind
:15:00. > :15:00.
:15:00. > :19:22.Apology for the loss of subtitles for 261 seconds
:19:22. > :19:29.They have given you a necklace made They have given you a necklace made
:19:29. > :19:35.out of leftover teeth. Oh! And is the final, yes, there is one of you.
:19:35. > :19:41.It is awful. OK. I am actually thrilled. I want it to be really
:19:41. > :19:45.bad. It is as bad as you could possibly wish. Here you are in your
:19:45. > :19:55.full loveliness. Brace yourselves. Quickly, do it. It is like ripping
:19:55. > :20:04.
:20:04. > :20:07.APPLAUSE. Where does the time go? We APPLAUSE. Where does the time go? We
:20:07. > :20:16.Get rid of must talk about Tintin. And
:20:16. > :20:21.celebrate Tintin. It is out next Friday. Is it. I have seen it. It is
:20:21. > :20:30.fantastic. I can't wait to see it. Thank you. I enjoyed it. I can
:20:30. > :20:38.imagine kids just loving it. Yeah. It is just fantastic. It is like
:20:38. > :20:42.Steven Spielberg was thrown back to the 80s, adventure. It is comedy and
:20:42. > :20:46.adventure. We strayed through to the books. What we intended to do is
:20:46. > :20:52.wanted to pause the movie at any point and take that screen capture
:20:52. > :20:57.off and drop it back into the comics successfully. As an adult,
:20:57. > :21:03.lovely. The technology allowed do that. It is exciting. Just
:21:03. > :21:09.quickly, everything in it you did. Yes. People will see it thinking it
:21:09. > :21:15.is very clever an makes. It is. you did it all. Yes. It is a similar
:21:15. > :21:21.process to that that they used Lord of the Rings. Andy Serkis
:21:21. > :21:25.played Captain Haddock in our movie, they used it on avatar and King
:21:25. > :21:29.Kong. We are acting everything. Everything you see
:21:29. > :21:34.Everything you see is a human performance that is animated on top.
:21:34. > :21:42.When you watch it, do you watch it like an audience member and
:21:42. > :21:47.you are in it? We made the in room. The movie is in an ocean,
:21:47. > :21:53.desert and Morocco. Amazing. We desert and Morocco. Amazing. We are
:21:53. > :21:57.dorg. That bit. Yeah. It is crazy. It is not me but yet it is me.
:21:57. > :22:02.People will see the ticks the stuff that I do naturally. Let's
:22:02. > :22:12.see if you can see Jamie Bell in it. You have a clip? Introduce the
:22:12. > :22:14.
:22:14. > :22:18.Graham. OK. Do it really well. Do it really well. No pressure. This
:22:19. > :22:28.Jamie Bell in Tintin, it is a scene with Captain Haddock. Gosh it is
:22:29. > :22:38.
:22:38. > :22:48.Get me a flare. Captain, get down. Get me a flare. Captain, get down.
:22:48. > :22:56.
:22:56. > :23:06.Full ahead. Full speed. Got you now. Full ahead. Full speed. Got you now.
:23:06. > :23:13.
:23:13. > :23:15.John Williams music is what it is John Williams music is what it is
:23:15. > :23:19.Full ahead. Full about. It is in 3D as well. That's
:23:19. > :23:26.true. You will be Tintin for while, we are hoping. Hopefully,
:23:26. > :23:34.yeah. I think if audiences embrace it, yeah. The rest of my life.
:23:34. > :23:44.Because of the drawing, you could be 75. Yeah, yeah. 45. Still dialling
:23:44. > :23:48.
:23:48. > :23:54.Not just me, love, it is him as Not just me, love, it is him as
:23:54. > :24:00.well. I am older than you. Yeah know, that is the point I am making.
:24:00. > :24:07.Consoling hand reaches out to you. There are wheels on this chair. I
:24:07. > :24:12.will be going. You said you have done animation, Rob. Me? Yes. Have
:24:12. > :24:20.you done anything like that? No. Good Lord, no. Would you like to?
:24:20. > :24:25.Well, yeah. Because... If you to offer, yes. We have some
:24:25. > :24:32.equipment out the back which would you could turn yourself into a
:24:32. > :24:42.cartoon. All right. Do you fancy it? I am game for a laugh. If you skip
:24:42. > :24:47.
:24:47. > :24:50.through there. Do I have to skip? I love it. Go on. Mind your head.
:24:50. > :24:56.While he is gone, is it true it took While he is gone, is it true it took
:24:56. > :25:00.from preproduction to now something like six years? I don't know. The
:25:00. > :25:04.movie was long Jesstating. The guy who created Tintin is only Steven
:25:04. > :25:09.Spielberg should make this film, he died before they met. It is a
:25:09. > :25:15.time in getting it up and running. At first it was a live action, then
:25:15. > :25:23.the technology he has done in New Zealand has gotten so good, it was
:25:23. > :25:30.decided to use an makes. Titanic took... Forever. You kept reading,
:25:30. > :25:34.still not finished. That is right. Was it Mexico? We were in Baja,
:25:34. > :25:42.California, just across the border. The studio is still there. They have
:25:42. > :25:49.built upon it. I have been in it. Every big movie has been filmed
:25:49. > :25:59.there. You are not in Titanic, are you? No. I went to the theatre eight
:25:59. > :26:02.
:26:02. > :26:06.times to see it. Of course, it huge. I have only seen it once.
:26:06. > :26:11.Eight times, that is a lot of Eight times, that is a lot of
:26:11. > :26:19.commitment. My mum let me out of school to see it actually. Oh, I
:26:19. > :26:29.love you. Amazing. I love you, too. Is anyone trying to tell me is Rob
:26:29. > :26:33.
:26:33. > :26:41.is ready. God, I completely forgot about him. There he is.
:26:41. > :26:47.Who is that man? Hi. I am being Who is that man? Hi. I am being
:26:47. > :26:56.calibrated. It is not painful, Ed a preimmediate. I feel great actually.
:26:56. > :27:06.Don't touch me there. Are we ready Don't touch me there. Are we ready
:27:06. > :27:13.
:27:13. > :27:23.to see Rob now? There is Rob back there. Then this is Rob as a
:27:23. > :27:23.
:27:23. > :29:59.Apology for the loss of subtitles for 261 seconds
:29:59. > :30:04.It is like an actoff, the four of It is like an actoff, the four of
:30:04. > :30:11.you are brilliant. Roman is - this is a stab in the dark. I think he is
:30:12. > :30:15.78. OK. I think he is 7. That is old. That old. But he is wonderful.
:30:15. > :30:22.It was incredible working with This is the kind of director he is.
:30:22. > :30:27.He came up and said - after a "You know there are two ways to say
:30:27. > :30:34.that line". I know there are two ways. I tried them both. Yes, you
:30:34. > :30:40.have tried them both. It is still shit. That is not helpful funnily
:30:40. > :30:45.enough. Could you go over there. It is a really funny film. It is out on
:30:45. > :30:51.3 February. It is a while away. Months away. Just remember. Here to
:30:51. > :30:57.whet your appetite is the trailer. Yeah. Enough with the cellphone. The
:30:57. > :31:03.here and now, God dammit. The victim and the criminal are not the same. I
:31:04. > :31:09.am glad our son kicked the shit of your son. And I wipe my arse with
:31:09. > :31:15.your human rights. Wow. I believe in the God of carnage, whose rule has
:31:15. > :31:22.been unchallenged. I have no patience for this. I am a short
:31:22. > :31:31.tempered son of a bitch. Do something. Allen do something.
:31:31. > :31:37.There. Oh my God. Way to go. This is what I think. I think I will vomit
:31:37. > :31:44.again. Nightmare. Watch it he has on the edge. What the hell are we
:31:44. > :31:51.doing there? I hope you are kidding. APPLAUSE.
:31:51. > :31:56.Very good. There is Rob back. Very good. There is Rob back.
:31:56. > :32:00.APPLAUSE. I don't know about you. I thought the panda thing did very
:32:00. > :32:09.well. It was sweet and lovely. It puts Tintin into perspective,
:32:09. > :32:16.doesn't it? You realise. How good it is. First, you as a panda, now you
:32:16. > :32:21.give us a book. Yes. With his big panda paws, he has been typing this,
:32:21. > :32:25.Small Man in a Book. If you can find a book shop, and it
:32:25. > :32:32.a book shop, and it is online. Apparently, it is an amazing e-book.
:32:32. > :32:40.Do you know what that is. Yes. With you being 48 and all. You will know.
:32:40. > :32:45.You watch it on a tablet device, we are not meant to name them. OK. You
:32:45. > :32:49.watch it object a tablet device. Bail you get the book in its textual
:32:50. > :32:54.form and flick the pages. But we have done more for it, done
:32:54. > :33:00.interviews with people like David Walliams, people I worked with, also
:33:00. > :33:06.my dad and school teachers. You get lots of extra tough. I am proud of
:33:06. > :33:11.it. You should be very proud of it. Yes. Thank you, Graham. No pandas in
:33:11. > :33:16.there, I should make it clear. It is your life to 2000. What happened
:33:16. > :33:25.then, short-term memory loss? Mostly about the struggling and the rubbish
:33:25. > :33:31.jobs I did. Were you 13 Ben you made your radio debut? I was a big fan of
:33:31. > :33:37.radio. The local station is still there Swansea sound, in Swansea. Of
:33:37. > :33:44.course. My voice hadn't broken. don't know when yours went, Kate,
:33:44. > :33:49.but mine went later. And the DJ as a classic DJ. And all he wanted
:33:49. > :33:56.talk about whether I had girl friend. We have Robert as a junior
:33:56. > :34:03.DJ, you got any girlfriends yet. I still have the cassette, no, not
:34:03. > :34:08.really. Why not, you are a good looking boy? Oh! They must be
:34:08. > :34:13.chasing after you. No, they are really not. Please Leigh me alone.
:34:13. > :34:20.It was terrifying. Didn't put me off. That's where I started, working
:34:20. > :34:24.in radio. I bought a house on at the strength of it. And new editor came
:34:24. > :34:28.in, didn't renew my contract. I had financial outgoings. I tell
:34:28. > :34:33.story, it is a shocking thing. Her nape was Megan. Shoe es alovrzly
:34:33. > :34:41.woman, please, Kate, no, she is a lovely woman. Please. You would
:34:41. > :34:45.carry her out of a burning building, you would. Does she wear bras? I
:34:45. > :34:49.remember - I will not say that. I was coming to the end. I would have
:34:49. > :34:54.no money, I had a couple of shows left. I was on air talking to a
:34:54. > :35:04.listener and said who do we have. Lovely to talk to you. In the
:35:04. > :35:04.
:35:04. > :35:14.background I heard a took. It was Harvey. I said you love the method
:35:14. > :35:19.actors. That sounded like does tip Hoffman. He always runs the same
:35:19. > :35:23.in movies, like this. I have to my son. That is
:35:23. > :35:29.my son. That is nothing to do with the story. I am on the air. The lady
:35:29. > :35:35.is saying and the dog. Is there a dog there? Yes, it is my dog. I say
:35:35. > :35:41.what's it called? Bear in mind Megan decided to let me go. That is
:35:41. > :35:47.important, otherwise, the story went r won't work. She said it is Megan.
:35:47. > :35:52.I said on air "really, we have a bitch called Megan here as well"
:35:52. > :35:57.bitch called Megan here as well". APPLAUSE. I am not praud of
:35:57. > :36:05.am no the praud of that. It was behaviour p and we met since, she is
:36:05. > :36:07.the - one of the greatest women I have ever met. So, listen, that
:36:07. > :36:14.the book. It is out now. You the book. It is out now. You are on
:36:14. > :36:18.tour with it. Yes. Doing signings and evenings in the theatre.
:36:18. > :36:23.Fantastic. It is now time for music. And I am genuinely thrilled. I have
:36:23. > :36:25.been begging this band to come the show. Finally, they are here.
:36:25. > :36:35.Singing their smash L.I.F.E.G.O.E.S.O.N.
:36:35. > :36:45.
:36:45. > :36:51.L.I.F.E.G.O.E.S.O.N.. It the Whale.
:36:51. > :37:01.# She is a rock 'n' roll survivor with pendulum hips. She got deep
:37:01. > :37:03.
:37:03. > :37:11.# Seen it all. Working in a # The barman used to call her
:37:11. > :37:19.# She went down on almost # Till the challenges
:37:19. > :37:27.# She said L.I.F.E.G.O.E.S.O.N. #
:37:27. > :37:30.your own way # L.I.F.E.G.O.E.S.O.N.
:37:30. > :37:32.# sense, my friend
:37:32. > :37:42.# your own way
:37:42. > :37:52.
:37:52. > :37:55.# Some people wear their history # Some people wear their history
:37:55. > :38:00.like a map on their #
:38:00. > :38:06.living out of case # But his best word was his letters
:38:06. > :38:08.# # The chorus girls were the closest
:38:08. > :38:08.# But to a writer, the truth is no big
:38:08. > :38:08.# But to a writer, the truth is no big deal
:38:08. > :38:12.big deal #
:38:12. > :38:16.#
:38:16. > :38:16.# Through
:38:16. > :38:17.# Through the
:38:17. > :38:21.# # Through the weekend
:38:21. > :38:23.# You go L.I.F.E.G.O.E.S.O.N. #
:38:23. > :38:28.sense, my friend You've got heart and you go in your own
:38:28. > :38:28.sense, my friend You've got heart and you go in your own way
:38:28. > :38:28.and you go in your own way #
:38:28. > :38:30.and you go in your own way # L.I.F.E.G.O.E.S.O.N.
:38:30. > :38:33.# L.I.F.E.G.O.E.S.O.N. #
:38:33. > :38:34.# What you don't have now will come back
:38:34. > :38:35.back again #
:38:35. > :38:39.# You've got heart and you go in your own
:38:39. > :38:39.# You've got heart and you go in your own way
:38:39. > :38:41.# You've got heart and you go in your own way.
:38:42. > :38:42.your own way. #
:38:42. > :38:43.your own way. # On
:38:43. > :38:44.your own way. # On the
:38:44. > :38:49.sense, my # On the last night on
:38:49. > :38:52.# I won't look to the # I'll just
:38:52. > :38:57.# And blink in the #
:38:57. > :39:02.# My last night # I'll pay a high
:39:02. > :39:07.# To have no regrets # And be done with my
:39:07. > :39:09.# L.I.F.E.G.O.E.S.O.N. #
:39:09. > :39:17.sense, my friend #
:39:17. > :39:18.your own way # L.I.F.E.G.O.E.S.O.N.
:39:18. > :39:21.back again #
:39:21. > :39:23.# You've got heart and you go in your own
:39:23. > :39:23.# You've got heart and you go in your own way
:39:23. > :39:27.# You've got heart and you go in your own way.
:39:27. > :39:27.your own way. #
:39:27. > :39:27.your own way. # L.I.F.E.G.O.E.S.O.N.
:39:28. > :39:31.# L.I.F.E.G.O.E.S.O.N. #
:39:31. > :39:33.# You've got more than money and sense, my
:39:33. > :39:33.# You've got more than money and sense, my friend
:39:33. > :39:33.sense, my friend #
:39:33. > :39:37.# You've got heart and you go in your own
:39:37. > :39:38.# You've got heart and you go in your own way
:39:38. > :39:38.your own way #
:39:38. > :39:39.your own way # L.I.F.E.G.O.E.S.O.N.
:39:39. > :39:42.# L.I.F.E.G.O.E.S.O.N. #
:39:42. > :39:42.# What you don't have now will come back
:39:42. > :39:45.back again #
:39:45. > :39:46.# You've got heart and you go in your own
:39:46. > :39:46.# You've got heart and you go in your own way
:39:46. > :39:56.# You've got heart and you go in your own way.
:39:56. > :40:04.
:40:04. > :40:04.APPLAUSE
:40:04. > :40:09.APPLAUSE.
:40:09. > :40:17.APPLAUSE. Know
:40:17. > :40:19.APPLAUSE. Know know, ladies and Noah and the Whale. Marvellous. Sit
:40:19. > :40:26.Noah and the Whale. Marvellous. Sit Noah and the Whale. Marvellous. Sit
:40:26. > :40:35.back down, too. There you go. Shove up.
:40:35. > :40:40.Whale. Thaug for playing that. That is off Last Night On Earth. You can
:40:40. > :40:47.still buy it. It is still available. You are in the middle of a tour.
:40:47. > :40:52.That is right. Halfway through. is it going? Brilliantly. Amazing. I
:40:52. > :40:58.love Noah and the Whale. I am not a fan of many people, obviously a fan
:40:58. > :41:03.of all of you. Very good. Listen, we nearly out of time. Before we go, it
:41:03. > :41:08.is time for a store or two in the big red chair. Who is up first?
:41:08. > :41:17.Hello, sir. Hello. What is name. Joseph. What do you do? I
:41:17. > :41:23.for a charity. Right. Where, down here or the homeland. Waterloo. In
:41:23. > :41:29.Waterloo. Close. He hasn't travelled far. Really, he just fell in the
:41:29. > :41:35.door. You can fall out again. Joseph, delight us with your tale. I
:41:35. > :41:42.was in New Zealand, working in a small Home Office and my boss one
:41:42. > :41:50.night take the care home. And... Wait. Sorry. I am apologising. There
:41:50. > :42:00.is a bloodlust spreading through the audience. Show one man, throw him
:42:00. > :42:01.
:42:01. > :42:06.bone. Off you go. I was in New Zealand. No. APPLAUSE.
:42:06. > :42:08.We are genuinely interested. We are genuinely interested.
:42:08. > :42:09.We are genuinely interested. wanted to know what happened.
:42:09. > :42:10.wanted to know what happened. wanted to know what happened.
:42:10. > :42:17.We are genuinely works in Waterloo, drive around
:42:17. > :42:24.area, you will find him. Who is next. Hello. For a frightening
:42:24. > :42:33.moment I thought you didn't have a top on. But you do. She has
:42:33. > :42:37.with nude. It is very on trend, Kate. Nude. What is your name. I am
:42:37. > :42:40.Cariss a. From Australia. Are you visiting? I have been here
:42:40. > :42:45.months. What do months. What do you do to fill
:42:45. > :42:54.time. I am in the market for a pattern cutting job. Pattern
:42:54. > :43:00.cutting. Anyone? If she had only told me yesterday. All right, off
:43:00. > :43:05.you go. I was at the big day out, which is a music festival. We know
:43:05. > :43:11.what it is. Re live here. Sorry. I was in the crowd watching the
:43:11. > :43:17.Killers. The crowd was trout and getting packed. I grabbed my bag and
:43:17. > :43:23.started jumping up and down. The guy next to me gave me a hey wink, nod.
:43:23. > :43:31.What? I looked down to see that I had a hold of the crotch of his
:43:31. > :43:35.shorts jumping up and down. Not my handbag at all. You can walk. Nice
:43:35. > :43:40.one. Well done one. Well done everyone. If you
:43:40. > :43:42.Thank you so much to my gets Thank you so much to my gets
:43:42. > :43:44.Thank you so much to my gets tonight, Noah and the Whale.
:43:44. > :43:45.tonight, Noah and the Whale. tonight, Noah and the Whale.
:43:45. > :43:51.Thank you so much APPLAUSE. Rob Brydon APPLAUSE. Jamie