Episode 10

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0:00:00 > 0:00:08This programme contains some strong language.

0:00:08 > 0:00:18These people want want to see Madonna. These people are about to

0:00:18 > 0:00:28

0:00:28 > 0:00:34APPLAUSE Oh. Oh. Oh.

0:00:34 > 0:00:41CHEERING AND APPLAUSE Hello everybody.

0:00:41 > 0:00:45CHEERING AND APPLAUSE Oh. Yeah! There is a lot of

0:00:45 > 0:00:55excitement in the studio because yes, the one, the only Madonna is

0:00:55 > 0:01:03here. CHEERING AND APPLAUSE

0:01:03 > 0:01:05I said excitement. This is me when I heard I was going to meet Madonna.

0:01:05 > 0:01:10LAUGHTER And this is Madonna when she heard

0:01:10 > 0:01:13she was going to meet me! LAUGHTER

0:01:13 > 0:01:20Madonna is in town for the opening of her new film W.E..

0:01:20 > 0:01:25A lavish film about the life of Wallace Simpson and Edward VIII. Do

0:01:25 > 0:01:28we have the picture of palace? LAUGHTER

0:01:28 > 0:01:32-- Wallace? Its ears are right! Madonna

0:01:32 > 0:01:37directed the film and she cast two of Britain's hottest young actors

0:01:37 > 0:01:43as Wallace and Edward and I will be meeting them, James DArcy and

0:01:43 > 0:01:46Andrea Riseborough. APPLAUSE

0:01:46 > 0:01:48I know, they are not Madonna, but well done!

0:01:48 > 0:01:53LAUGHTER W.E. Is such a good story. Wallace

0:01:54 > 0:02:03Simpson was a divorced woman who married The Prince of Wales. I

0:02:04 > 0:02:12

0:02:12 > 0:02:14believe Madonna went to see Camilla for advice, yes, she did!

0:02:14 > 0:02:17LAUGHTER Madonna, of course, as I'm sure you

0:02:17 > 0:02:23know, she is down to earth, very down to earth, never looks down her

0:02:23 > 0:02:24nose when she meets people who have less money than her!

0:02:24 > 0:02:28LAUGHTER The Queen must have been so

0:02:28 > 0:02:31confused. "but I'm Madge." Sex came with that amazing metal cover, do

0:02:31 > 0:02:41you remember that? AUDIENCE: Yes.

0:02:41 > 0:02:49

0:02:49 > 0:02:50Everyone was desperate to get a copy, yes!

0:02:50 > 0:02:52LAUGHTER Madonna has taken her inspiration

0:02:52 > 0:02:59for her looks from people throughout history, you know, here

0:02:59 > 0:03:05is a Marilyn Monroe look. She likes Minnelli in car in cabaret and then

0:03:05 > 0:03:14this look based on a 300-year-old queen.

0:03:14 > 0:03:24Let's get our guest on, Sandbanks peninsula, Emeli Sande, but first

0:03:24 > 0:03:49

0:03:49 > 0:03:55it is Madonna. CHEERING AND APPLAUSE

0:03:55 > 0:04:01All right. All right. We're here for a while. I don't know how to

0:04:01 > 0:04:06sit on this couch. It is like a hot dog bun.

0:04:06 > 0:04:12You are a lovely filling. Thank you for being here. There is a lot of

0:04:12 > 0:04:16excitement in the room. CHEERING AND APPLAUSE

0:04:16 > 0:04:26The thing that struck me thinking about you is, obviously you can

0:04:26 > 0:04:34

0:04:34 > 0:04:36remember, you know, when you weren't Madonna.

0:04:36 > 0:04:38LAUGHTER You know what I mean, the per sown

0:04:38 > 0:04:40narks the persona, can you remember what that felt like felt like?

0:04:40 > 0:04:44enjoy when I am in environments when I feel anonymous.

0:04:44 > 0:04:47When does that happen? When I was on my skiing holiday actually

0:04:47 > 0:04:50because I was wearing a mask covering my face and goggles and so

0:04:50 > 0:04:54I could ride the ski lift and nobody knew it was me.

0:04:54 > 0:05:00So all the people watching this now... Like the people cutting in

0:05:00 > 0:05:10front of me in the lines and hitting me with their ski pole.

0:05:10 > 0:05:15

0:05:15 > 0:05:18It was a holiday for you! LAUGHTER

0:05:18 > 0:05:21Jtsds you When I am at home with my children, they don't give a F who I

0:05:21 > 0:05:23am. I hear the complaints and the moaning and I still have to

0:05:23 > 0:05:26threaten to kill them if they don't do their homework!

0:05:26 > 0:05:33Now, 2012, what a great year for you, not just the movie... But the

0:05:33 > 0:05:36end of the world. Is it? No. What are we doing here?

0:05:36 > 0:05:40Isn't that what everyone says, it is the last year as life as we know

0:05:40 > 0:05:43it. But things could get better. Things are changing rapidly.

0:05:43 > 0:05:46Yes, they are. Some for the better, some for the

0:05:46 > 0:05:50worse. One of the good things, back to my

0:05:50 > 0:05:56point... Yes. One of the good things, unless the

0:05:56 > 0:06:02world ends will be happening is you are back on tour. Well, we are

0:06:02 > 0:06:06going out with a bang, baby. CHEERING AND APPLAUSE I'm thrilled

0:06:06 > 0:06:13you're going on tour. They're thrilled you're going on tour. But

0:06:13 > 0:06:18you, Madonna, how can you be arsed going on tour? Well, I just spent

0:06:18 > 0:06:20the last three years making a film. OK, so will this be more fun?

0:06:20 > 0:06:25it is just that I have to pay the rent.

0:06:25 > 0:06:28Oh, I see. Now I hear you. I wasn't getting it at all. Is that what

0:06:28 > 0:06:34motivates you? A girl has to make a living.

0:06:34 > 0:06:39Well, I do enjoy it, truthfully. I enjoy putting the show together. I

0:06:39 > 0:06:44enjoy the first two weeks and I enjoyted last two weeks.

0:06:44 > 0:06:48So are the bits in the middle... There are great things along the

0:06:48 > 0:06:53way, it is like doing a show every night, it is really hard. It is

0:06:53 > 0:06:59hard work, but you know, for me it is the most rewarding of my jobs. I

0:06:59 > 0:07:04love writing songs and I love, I loved making my film. I love all

0:07:04 > 0:07:09the things that I do, but to be able to stand on a stage and feel

0:07:09 > 0:07:19that very visceral connection with human beings and that thing that

0:07:19 > 0:07:23

0:07:23 > 0:07:25only music can do with other humans is, there is nothing like it.

0:07:25 > 0:07:29APPLAUSE And, a new album, quite soon, a new

0:07:29 > 0:07:36album? Yeah. When is the new album? Soon. I mean

0:07:36 > 0:07:39depending on how soon people download it, hack it my server and

0:07:39 > 0:07:44leak it. Do people really do that? It is

0:07:44 > 0:07:49terrible. It is just terrible. Can't people just wait and like

0:07:49 > 0:07:55wait and let me finish it. It is fans that do it, isn't it?

0:07:55 > 0:08:02keep saying to my manager, "Are they really my fans? If they love

0:08:02 > 0:08:06me so much, why don't they let me put it out when I want to put it

0:08:06 > 0:08:09out?" It is confusing behaviour, hackers, you know.

0:08:09 > 0:08:15They arrested one of them, didn't they? Yes.

0:08:15 > 0:08:21Have you seen him? I haven't. Should I? He is here.

0:08:21 > 0:08:25No, he is not. No, he is in jail. What he has done

0:08:25 > 0:08:34is a criminal offence. The album is out soon so does it

0:08:34 > 0:08:44have a name? Yes. Why don't you ask my hacker? What's it called? Do you

0:08:44 > 0:08:47

0:08:47 > 0:08:49know what it is called? Can you tell us? Oh, go on.

0:08:49 > 0:08:54APPLAUSE Oh, go on.

0:08:54 > 0:09:04Well, the only reason I hesitated because I could change my mind, I

0:09:04 > 0:09:08

0:09:08 > 0:09:18am known to do that. You might not like it. They like it, trust me.

0:09:18 > 0:09:23

0:09:23 > 0:09:29Mm, well I'm into initials... No, I was going to call it M DNA

0:09:29 > 0:09:34Very good. Actually that points to the whole

0:09:34 > 0:09:38thing about your music is you are quite, you are always ahead of the

0:09:38 > 0:09:42trend? OK. Earlier in your career that must have been easier because

0:09:42 > 0:09:49you were out in the clubs, you were setting the trends and you were

0:09:49 > 0:09:56seeing people voguing... I send me daughter out. Seriously... No. She

0:09:56 > 0:10:00is 14. Reconnaissance. How do you stay in

0:10:00 > 0:10:03touch? With the real world. With the trends and what the kids...

0:10:03 > 0:10:09I go out. Do you really? Yes.

0:10:09 > 0:10:19You have got so much energy. LAUGHTER

0:10:19 > 0:10:24

0:10:24 > 0:10:26I will just wait for your album? have friends in in low places!

0:10:26 > 0:10:33LAUGHTER Because Lourdes is 14... Wait a

0:10:33 > 0:10:41minute, she is 15. She is 16, but she is very sophisticated. Do you

0:10:41 > 0:10:46get things off her? I don't ask her. I get her opinion. I play her songs

0:10:46 > 0:10:51and clothes, other artists, she is very opinionated.

0:10:51 > 0:10:54You did a really cute thing online, you and her were working together

0:10:54 > 0:11:04on Material Girl and you are looking for a new face for Material

0:11:04 > 0:11:14Face. We will show a clip of you and Lourdes together.

0:11:14 > 0:11:18

0:11:18 > 0:11:28Material Girl. I will talk to my girls. They don't say that anymore.

0:11:28 > 0:11:30

0:11:30 > 0:11:40I will say it in my world. I will say what I want in the timeless

0:11:40 > 0:11:44

0:11:44 > 0:11:47world. I think you are an ageist. You are loo looksist and an ageist.

0:11:47 > 0:11:51APPLAUSE That is our relationship.

0:11:51 > 0:11:56Completely and utterly sums up our relationship.

0:11:56 > 0:11:58I hear she is quite bossy as well? That's an under statement.

0:11:59 > 0:12:04Where did she get it from? I don't know.

0:12:04 > 0:12:08That's the other thing, I suppose. You have got four kids, how hard is

0:12:08 > 0:12:14it to be a strict parent given that they know that you have broken

0:12:14 > 0:12:17every rule in the book? You made a career out of doing that? Yes, but

0:12:17 > 0:12:20there is two things I say to them. You can't cheat, you have to work

0:12:20 > 0:12:24hard for everything and that is a really important thing in our house

0:12:24 > 0:12:29and that includes all areas, where it is an after school activity or

0:12:29 > 0:12:34your school work. No cheating, work hard, that's how you get ahead in

0:12:34 > 0:12:39the world. If I see them, you know, being slackers then I can stand by

0:12:39 > 0:12:47that and no one can say, I didn't work hard for what I did. If I say

0:12:47 > 0:12:57to my daughter, "That outfit is too risque and revealing." And my

0:12:57 > 0:13:10

0:13:10 > 0:13:11daughter looks at me and says, "That's rich coming from you."

0:13:11 > 0:13:14APPLAUSE But I say, you know, I'm, you know,

0:13:14 > 0:13:16when you're 15, you're going to have to allow me to guide you in

0:13:16 > 0:13:19the dressing dressing department and when you get older, you can

0:13:19 > 0:13:21make make decisions for yourself. We have lots of discussions and I

0:13:21 > 0:13:23say, "Trust me on this." We have discussion between separating the

0:13:23 > 0:13:31artest me with the parent me. Yes.

0:13:31 > 0:13:33That's important too. And sometimes you just have to say, "Because I

0:13:33 > 0:13:36said so." That's it. You can't have anymore discussions about it.

0:13:36 > 0:13:37Now, we must talk about why you're here. A new movie, W.E. Out.

0:13:37 > 0:13:40Congratulations. I have seen it twice? You have.

0:13:40 > 0:13:44I've really enjoyed T the story is really well told. You must be

0:13:44 > 0:13:49pleased with it? I'm super proud of it. Three years of my life.

0:13:50 > 0:13:53And you were, I mean, you were incredibly hands on? Well, I wrote

0:13:53 > 0:14:00it, but if I start from the writing process and the research up until

0:14:00 > 0:14:04this moment, it has been three years of my life. The story is

0:14:04 > 0:14:10familiar to a lot of people in Britain. You tell the story through

0:14:10 > 0:14:15a prism of a modern love story. Well, the story is told through the

0:14:15 > 0:14:19eyes of and the eyes, the brain, the consciousness of a modern day

0:14:20 > 0:14:24woman who is looking at the story and thinking, "Oh my goodness, what

0:14:24 > 0:14:29must it be like to be loved so much that someone would give up the

0:14:29 > 0:14:32throne for you?" It is her journey, but you end up learning about the

0:14:32 > 0:14:37story of Wallace Simpson and Edward VIII.

0:14:37 > 0:14:47We are meeting the actors later. Here is a clip with Abbie Cornish

0:14:47 > 0:14:57

0:14:57 > 0:15:03and Oscar Isaac setting up the London crowds stand stunned at the

0:15:03 > 0:15:08almost unbelievable news. What are you thinking about? What it must

0:15:08 > 0:15:18feel like to be loved that much. And what is your definition of

0:15:18 > 0:15:21

0:15:21 > 0:15:27love? He gave up everything for her. APPLAUSE

0:15:27 > 0:15:29I suppose, the juicy parallels between you and Wallace...

0:15:29 > 0:15:34LAUGHTER Well, I am not as skinny as she is.

0:15:34 > 0:15:37Don't go on about that! I have no sympathy at all. I'm just

0:15:37 > 0:15:44kidding. Well, to a certain extent, there

0:15:44 > 0:15:48are many aspects to her life that I could relate to in that I feel like

0:15:48 > 0:15:58people reduced to her a couple of personality traits which weren't

0:15:58 > 0:15:58

0:15:58 > 0:16:02complimentary and she was labelled ambitious and conniving and quite

0:16:02 > 0:16:12one dimensional and I thought that was unfair and, you know, sometimes

0:16:12 > 0:16:14

0:16:14 > 0:16:18being a celebrity one finds themselves being reduced to

0:16:18 > 0:16:24adjectives that that aren't true. . Talk us through some of the

0:16:24 > 0:16:29things you found. When Wallace Simpson walked into my bedroom one

0:16:29 > 0:16:32night? Yes, that one. I had gone through lots of trials

0:16:32 > 0:16:36and tribulation to say get the rights about her and I couldn't get

0:16:36 > 0:16:40that and it seemed problematic and too many challenges and I thought,

0:16:40 > 0:16:46"What am I doing, I am writing a story about the Royal Family, are

0:16:46 > 0:16:52they going to hate my guts for telling this story? It is Wallace

0:16:52 > 0:17:02Simpson and people are polarized about their opinion of her. One day

0:17:02 > 0:17:05

0:17:05 > 0:17:11the doorbell rang and I answered it in my pie in my pyjamas and there

0:17:11 > 0:17:21was no one there, but there was a height removals -- white removals

0:17:21 > 0:17:25van and it said Montague Removals. She was Montague before she was

0:17:25 > 0:17:29married. The universe is trying to tell me something.

0:17:29 > 0:17:36The real oddness about that story is that you answered your own door.

0:17:36 > 0:17:42You don't always answer your door, do you? Well, when my bloody staff

0:17:42 > 0:17:47don't answer it! The ringer is going on and on. It

0:17:47 > 0:17:52triggers the phone. So the phone is ringing and ringing and you are

0:17:52 > 0:17:57like... LAUGHTER

0:17:57 > 0:18:01I answered it myself. We kind of see it as the greatest love story

0:18:01 > 0:18:06ever told, but your angle is different? I thought it was too.

0:18:06 > 0:18:10Once I started reading and watching the documentaries, and when I got

0:18:10 > 0:18:15to the letters because the letters are revealing, I realised whilst

0:18:16 > 0:18:20there was great love between them, they both made huge sacrifices and

0:18:20 > 0:18:27many compromises and they suffered because after they married they

0:18:27 > 0:18:30were exiled. They lived in exiled and that pained Edward greatly.

0:18:30 > 0:18:36Once you are the king, you can't get a job as a waiter, right?

0:18:36 > 0:18:42will find that. Your way tretting days are behind

0:18:42 > 0:18:46you, Madonna. I know, but you do have to think about these things

0:18:46 > 0:18:56when things go tits up. LAUGHTER

0:18:56 > 0:19:00

0:19:00 > 0:19:02I do have other talents. APPLAUSE

0:19:02 > 0:19:05Remind me about your mindset, you talked about you don't believe in

0:19:05 > 0:19:09perfect love anymore? Well, it is not that I ever believed in perfect

0:19:09 > 0:19:13love, it is just from the outside, you know, if you are a romantic

0:19:13 > 0:19:18like me, and every girl I know is. Every girl wants to be swept off

0:19:18 > 0:19:24her feet by a knight in shining armour, unfortunately we are raised

0:19:24 > 0:19:29on those fairytales and even if we are evolved human beings, we still

0:19:29 > 0:19:37in the back of our mind think that Mr Right is going to come along and

0:19:37 > 0:19:44sweep us off our feet and take us into the sunset and live happily

0:19:44 > 0:19:47ever after. Am I right, ladies? AUDIENCE: Yes.

0:19:47 > 0:19:52Am I right, ladies and gentlemen? AUDIENCE: Yes.

0:19:52 > 0:19:58OK and then, you know, in the back of my mind we believe that, but in

0:19:58 > 0:20:03the front of our mind we keep being reminded that it is not true. So we

0:20:03 > 0:20:07keep getting disappointed. What you are saying is... It is a paradox,

0:20:07 > 0:20:11isn't it? Because you want that, but on the other hand if if you

0:20:11 > 0:20:16have got half a brain, you know it doesn't really exist.

0:20:16 > 0:20:26Can you see yourself walking down the aisle again in an, "I do"

0:20:26 > 0:20:28situation? I could actually, yes. APPLAUSE

0:20:28 > 0:20:33I want want to talk about music and your career?

0:20:33 > 0:20:39The people, the people must. Now, I don't want to kind of go

0:20:39 > 0:20:46through all the statistics about 250 million albums. We have a nice

0:20:46 > 0:20:53visual way... I hope it is nice. This is lovely. We are showing it

0:20:53 > 0:20:58through the artistic prowess of two Italian men and they have made all

0:20:58 > 0:21:03these dolls of you, I know this this sounds lame, these are really

0:21:03 > 0:21:07good. You don't believe me, do you? Let me pick a good one. No, I'm

0:21:07 > 0:21:14sorry. These are good. These are good. Where are the guys who made

0:21:14 > 0:21:24them. There they are. What are your names? Hi.

0:21:24 > 0:21:29

0:21:29 > 0:21:39Their names are hi and hi! You have got your mike pack on and

0:21:39 > 0:21:40

0:21:40 > 0:21:47everything. That's Vogue. Sort of. Sort of. This is good. Not bad.

0:21:47 > 0:21:55We're getting there! They are good, aren't they? Yeah, she is cute. Let

0:21:55 > 0:21:59me see that one. The detail, I think, is amazing. You made me look

0:21:59 > 0:22:04like a supermodel. When we said we would like tosses

0:22:04 > 0:22:14your dolls and they were coming to the show, they then, see specially

0:22:14 > 0:22:17for us, they made this, this is you at the Venice Film Festival. Well,

0:22:18 > 0:22:22you don't have the glasses, you forgot the sunglasses. Oh, you have

0:22:22 > 0:22:27them. Look at that, isn't that good?

0:22:27 > 0:22:28APPLAUSE Well

0:22:28 > 0:22:28Well done.

0:22:28 > 0:22:28Well done. Thank

0:22:28 > 0:22:32Well done. Thank you.

0:22:32 > 0:22:32Well done. Thank you. Do

0:22:32 > 0:22:32Do I

0:22:32 > 0:22:32Do I get

0:22:32 > 0:22:42Do I get to

0:22:42 > 0:22:51

0:22:51 > 0:22:54Do I get to keep any of those? The other one is the only way to

0:22:54 > 0:23:02have you at my home. That's a good one.

0:23:02 > 0:23:12This is for her. Oh, that's why it is in a box. Thank you so much.

0:23:12 > 0:23:13

0:23:13 > 0:23:17Can I have the sunglasses too? Come on, hurry up.

0:23:17 > 0:23:23Thank you very much. Oh, look, they are adorable. Oh,

0:23:23 > 0:23:29this is amazing, look at these... Put them on. Put them on. Look at

0:23:29 > 0:23:37the detail. They open and everything. Isn't that amazing?

0:23:37 > 0:23:46That is really impressive. APPLAUSE

0:23:47 > 0:23:51They are not exactly the shape! Oh. Oh. Now, the thing is when I

0:23:51 > 0:24:01was saying to people that you were coming on the show, a lot of my

0:24:01 > 0:24:06friends said, "Are you going to ask Madonna about Lady Gaga?"

0:24:06 > 0:24:12Well, what am I supposed to ask. What do people ask you about Lady

0:24:12 > 0:24:20Gaga? I'm not saying. You have seen them come, you have

0:24:20 > 0:24:26seen them go. When you see Lady Gaga, due do you think good luck to

0:24:26 > 0:24:30you girl? When I saw her, I saw her performing in a small club in

0:24:30 > 0:24:34Manhattan a few years ago, maybe it was three years ago, I was really

0:24:34 > 0:24:41impressed by her. I thought she was really cool and she did remind me

0:24:41 > 0:24:45of me back in the day. There was something fresh about her and the

0:24:45 > 0:24:50way she spoke to the audience and it sounded like she had a similar

0:24:50 > 0:25:00sense of humour and quite ironic and I liked her. I liked her. I

0:25:00 > 0:25:02

0:25:02 > 0:25:05think she is very talented. APPLAUSE

0:25:05 > 0:25:08I think it is more important that we discuss the fact that you have

0:25:08 > 0:25:15named your dog after me. No, I didn't name my dog after you.

0:25:15 > 0:25:19I heard you did. My dog is called Madge, but...

0:25:19 > 0:25:22LAUGHTER But... What does that mean? It was

0:25:22 > 0:25:27a rescue dog... LAUGHTER

0:25:27 > 0:25:32Wait. It was a rescue dog and when I went to the rescue place they had

0:25:32 > 0:25:36already called her Madonna and I thought I can't have a dog called

0:25:36 > 0:25:40Madonna so I called her Madge. that help you separate those

0:25:40 > 0:25:46things? I have got two two dogs, what am I

0:25:46 > 0:25:56going to call the other one Madonna. What's your other dog's name?

0:25:56 > 0:25:57Bailey. Not Not Ga Ga?

0:25:57 > 0:26:01APPLAUSE Now, here is a weird thing. You

0:26:01 > 0:26:05know we were talking about coincidences earlier. This is a bit

0:26:05 > 0:26:09spooky, it may freak you out, but the other two guests on the show

0:26:09 > 0:26:18tonight, they are only in the same film you directed. Yes, they play

0:26:18 > 0:26:26Edward and Mrs Simpson in W.E. Please welcome James DArcy and

0:26:26 > 0:26:36Andrea Riseborough. CHEERING AND APPLAUSE

0:26:36 > 0:26:36

0:26:36 > 0:26:41Sit yourselves down. There you go. What a very smart

0:26:41 > 0:26:49couch it is now. Don't they look handsome.

0:26:49 > 0:26:58Gorgeous, tall and slender. Can we call him, His Royal Highness.

0:26:58 > 0:27:06Madonna does and I think you should. That was a mistake at first, I sent

0:27:06 > 0:27:10her a mistake. I sent her an e-mail and I said, "I hope you are God." I

0:27:10 > 0:27:14thought I will just leave it. This must be beyond anything else

0:27:14 > 0:27:18you have experienced being in a movie with Madonna at the helm?

0:27:18 > 0:27:23It is unlike anything else I have experienced.

0:27:23 > 0:27:29Do you meet? Did you have a face- to-face auditiony type type thing

0:27:29 > 0:27:31or were they meetings? For my part Madonna had seen me playing

0:27:31 > 0:27:37Margaret Thatcher in something I made.

0:27:37 > 0:27:43That was really good. Have you seen the new one, have you seen the Iron

0:27:43 > 0:27:47Lady one? You were robbed. And so had sent me the script and I

0:27:47 > 0:27:51thought it was very unique and wonderful and I wanted to hear

0:27:51 > 0:27:56about it and hear what fuelled her passion for it and I went to meet

0:27:56 > 0:27:58her and I rr thinking she was very graceful and fine boned and

0:27:58 > 0:28:03delicate and she sat down and started getting passionate about

0:28:03 > 0:28:09the subject. It was infectious and fortunately, she liked me and

0:28:09 > 0:28:12then... I thought she was fine boned and delicate too. And then we

0:28:12 > 0:28:18spent every day together for seven months really.

0:28:18 > 0:28:28And what about yourself? Well, Madonna had seen me play Margaret

0:28:28 > 0:28:35Thatcher and we met on Skype, I was in... Was that a coincidence or...

0:28:35 > 0:28:39Do you go on Chat Roulette? What is that? I just stay away from

0:28:39 > 0:28:46the internet full stop. You should.

0:28:46 > 0:28:54Except from when she she Skyped me to say hello and tell me about the

0:28:54 > 0:28:57pro project. I don't know if you know this. She froze in a slightly

0:28:57 > 0:29:03unflattering, well you didn't strike a pose and I didn't know

0:29:03 > 0:29:07what to say and I spent the next 20 minutes thinking, "I suspect I also

0:29:07 > 0:29:12froze and I'm looking like a gargoyle and I don't think I'm

0:29:12 > 0:29:22going to get this job.". It was when I met him that I felt let

0:29:22 > 0:29:22

0:29:22 > 0:29:27down! APPLAUSE

0:29:27 > 0:29:33James, you learned new skills for this film, didn't you? I did, yeah.

0:29:33 > 0:29:39Madonna wrote it into the film that I had to play the bagpipes. I cut

0:29:39 > 0:29:43the scene. I don't remember that. He really learned how to play them

0:29:43 > 0:29:46and it is really hard. And then you cut it.

0:29:46 > 0:29:56You learned how do dance. You cut that.

0:29:56 > 0:29:57

0:29:57 > 0:30:03The dance was with you and Andrea. The big dance has gone.

0:30:03 > 0:30:08These are stills you have for life! We have got a clip on this is

0:30:08 > 0:30:18Wallace meeting Edward and you are doing beautiful dancing. Feast your

0:30:18 > 0:30:31

0:30:31 > 0:30:41I love it, except for the lack of central heating.

0:30:41 > 0:30:41

0:30:41 > 0:30:51You need somewhere to keep you warm. Isn't that what husbands are for?

0:30:51 > 0:31:00

0:31:00 > 0:31:06don't know. You might have to find out.

0:31:06 > 0:31:10A stunning couple. Congratulation on the score, Golden Globe

0:31:10 > 0:31:13nominations. Are you doing press for this all over the world? Yes,

0:31:13 > 0:31:18we are best friends now. Of course, you are. Are you doing

0:31:18 > 0:31:22lots of global press, you guys, are you talking to journalist from

0:31:22 > 0:31:25around the world? Yes, we are talking to journalist from around

0:31:25 > 0:31:29the world, you you being one of them. It is like obvious that we're

0:31:29 > 0:31:35doing it! APPLAUSE

0:31:35 > 0:31:39It is going somewhere. Oh. Oh yes. You are not stalling for time.

0:31:39 > 0:31:49This is going somewhere because I thought I could give you a little,

0:31:49 > 0:31:58

0:31:58 > 0:32:04well a little sort of warning... SNORING

0:32:04 > 0:32:09You should have got an Oscar for Evita. You gave an interview in

0:32:09 > 0:32:13English to an Hungarian journalist and it got translate nood Hungarian

0:32:13 > 0:32:18and they put it through a translation computer site to get it

0:32:19 > 0:32:26back into English... What I supposedly said.

0:32:26 > 0:32:31I thought we would re-create it and Andrea, if you could give us your

0:32:31 > 0:32:36Madonna, you have studied the lady for sometime, I am expecting a

0:32:36 > 0:32:41marvellous performance. You are an unnamed Hungarian journalist. I am

0:32:41 > 0:32:48so sorry to give you so little to work with. I would would lean on

0:32:48 > 0:32:58accent. OK, very good actors. Re- creating your interview in an

0:32:58 > 0:33:00

0:33:00 > 0:33:10Hungarian magazine. Action! Madonna, did you have a visit that

0:33:10 > 0:33:20was agreeable? Are you in good order? Thank you for saying these

0:33:20 > 0:33:24

0:33:24 > 0:33:26come compliments. APPLAUSE

0:33:26 > 0:33:28Please, stop taking sensationalist photographs until I have removed my

0:33:28 > 0:33:34garments for all the scene. LAUGHTER

0:33:34 > 0:33:39This is a joke I have made. Madonna, let's cut to the hunt. Are you a

0:33:39 > 0:33:42bold hussy woman who feasts on men who are toys?

0:33:42 > 0:33:47Yes! Yes! This is certainly something that brings to the

0:33:47 > 0:33:50surface my longings. LAUGHTER

0:33:50 > 0:34:00Don't make this up. In America is not considered to be

0:34:00 > 0:34:00

0:34:00 > 0:34:04mentally ill when a woman advances on her prey in a discotech setting.

0:34:04 > 0:34:14LAUGHTER OK. These are questions from Left

0:34:14 > 0:34:17

0:34:17 > 0:34:20Space. What was your book Slut about?

0:34:20 > 0:34:30APPLAUSE My book was called Sex. Not in

0:34:30 > 0:34:35

0:34:35 > 0:34:40Hungary. Here it was called Slut. CHEERING AND APPLAUSE

0:34:40 > 0:34:46Right, it is time for our music act tonightment this lady has just won

0:34:46 > 0:34:56the Brits Critic's Choice Award and now she is going to sing for

0:34:56 > 0:35:16

0:35:16 > 0:35:24Madonna. Performing Next To Me, # Rolling dice staying out to three.

0:35:24 > 0:35:32# You won't find me unfaithful # You you won't find him Next To Me

0:35:32 > 0:35:41# # You won't find him trying to chase the devil

0:35:41 > 0:35:50# For money, power and greed # You won't ever find him

0:35:50 > 0:36:00# You will find him Next To Me # Next To Me

0:36:00 > 0:36:05

0:36:05 > 0:36:10# You will find him, you will find him Next To Me

0:36:10 > 0:36:19# When the money is spent and all my friends have vanished

0:36:19 > 0:36:24# And I can't seem to find no help # I know there is no need for me to

0:36:24 > 0:36:29panic because I'll find him, I'll find him Next To Me

0:36:29 > 0:36:33# When the skies are grey and all the doors are closing

0:36:33 > 0:36:40# And the rising pressure makes it hard to breathe

0:36:40 > 0:36:49# When all I need to stop the tears from falling, I will find him, I

0:36:49 > 0:36:59will find him Next To Me # Next To Me

0:36:59 > 0:37:04

0:37:04 > 0:37:14# I will find, I will find him Next To Me

0:37:14 > 0:37:15

0:37:15 > 0:37:21# When the end has come and the building is falling down fast

0:37:21 > 0:37:25# When everyone lass lost their heads around us

0:37:25 > 0:37:34# I will find him, I will find him Next To Me

0:37:34 > 0:37:42# Next To Me # # Next To Me

0:37:42 > 0:37:50# Next To Me # I will find him, I will find him

0:37:50 > 0:38:00Next To Me # Next To Me

0:38:00 > 0:38:10# # Next To Me # Next To Me

0:38:10 > 0:38:17

0:38:17 > 0:38:27# I will find him, I will find him Ladies and gentlemen, Emeli Sande.

0:38:27 > 0:38:28

0:38:28 > 0:38:34Hello, lovely lady. Congratulations. Sit down.

0:38:34 > 0:38:37That was really beautiful. Oh. Was that a little nerve-

0:38:37 > 0:38:45wracking and cruel to do to you? Yes, a little bit.

0:38:45 > 0:38:55Did you like it, Madonna? Yeah, I loved it. You sung great. Nice hair.

0:38:55 > 0:38:56

0:38:56 > 0:39:04That's off Emeli Sande's album and it is called M DNA - no, the title

0:39:04 > 0:39:09has gone. Our Version Of Events. Wow, it is very small writing.

0:39:09 > 0:39:19Isn't it true, your actual name is Adel? Yes.

0:39:19 > 0:39:23How annoying is that? Three years ago I made the big decision to be

0:39:23 > 0:39:26Emeli. Congratulations and best of luck with the future. A gorgeous

0:39:26 > 0:39:35song. Before we go, it is a red chair

0:39:35 > 0:39:41special because this week only stories are that involve Madonna.

0:39:41 > 0:39:44Your gloves would look very good on herment I'm just saying. I'm I'm

0:39:44 > 0:39:47just saying. I'm not saying anything.

0:39:47 > 0:39:54Who is up first. Who is up first.

0:39:54 > 0:40:00Hi, how are you? What's your name, sir? It is John.

0:40:00 > 0:40:07What do you do, John? I work as a commercials producer. I make ads.

0:40:07 > 0:40:13He makes odds! Wait. Wait, what is an ad? It is

0:40:13 > 0:40:21like an ad in Ireland. He looks like he is preparing to tip over.

0:40:21 > 0:40:27He should be preparing! Off you go. When I was 11 I asked

0:40:27 > 0:40:37for In Bed with Madonna for Christmas and I got Michael

0:40:37 > 0:40:37

0:40:37 > 0:40:43Bolton's greatest hits. I saved up my pocket money and my mother came

0:40:43 > 0:40:47home and said what is this and Madonna climbed into bed and began

0:40:47 > 0:40:52to touch herself and there was silence and then I was asked to go

0:40:52 > 0:40:57to bed. Think it gave my mother two years of hope that I might one day

0:40:57 > 0:41:05give her grandchildren. APPLAUSE

0:41:05 > 0:41:08Well done, John. Wow.

0:41:09 > 0:41:18John was very fashion forward there, wasn't he?

0:41:18 > 0:41:22That is not a January look! LAUGHTER

0:41:22 > 0:41:30Time for one more. Hello. What's the deal with the yellow?

0:41:30 > 0:41:35is big, isn't it?. Your name, I'm guessing isn't Fred Mello.

0:41:35 > 0:41:40My name is Lucan. I have got a message for Madonna.

0:41:40 > 0:41:47The story is when she came to Romania, we had to write a message

0:41:47 > 0:41:51and I won the contest and I won a signed photo for her, thank you,

0:41:51 > 0:41:53Madonna. That's what they gave you for

0:41:53 > 0:41:56writing the welcome message for a country.

0:41:56 > 0:42:01It was just a contest. This is the winning entry? Yes,

0:42:01 > 0:42:05this is the winning entry. I changed it. Dear Madge, I know

0:42:05 > 0:42:09you're going to hear this message. I'm nervous and it takes a lot of

0:42:09 > 0:42:17courage. This is my way to say say how much you mean to me and after

0:42:17 > 0:42:21reading this, you will know just how I feel.

0:42:21 > 0:42:26Shush. Wait. This could be could be Shakespeare.

0:42:26 > 0:42:32I have been a fan of yours since I was very young. Your music is like

0:42:32 > 0:42:42a drug. The rhythm and the beat makes me feel high. Sometimes it

0:42:42 > 0:42:51

0:42:51 > 0:42:52makes me cry. Finally.

0:42:52 > 0:42:52APPLAUSE If

0:42:52 > 0:42:52If you

0:42:52 > 0:42:52If you want