:00:47. > :00:55.This programme contains adult humour. Tonight on the show, Daniel
:00:55. > :01:05.Radcliffe is here to talk about his new scary film. Huh, I don't find
:01:05. > :01:21.
:01:21. > :01:27.movies scary at all. Aagh!, let's Oh! Oh! Hello. Hello, everyone. Oh,
:01:27. > :01:31.you're very welcome. Hello, one and all. We've got a great show for you
:01:31. > :01:41.tonight. Britain's most successful actor, Daniel Radcliffe is here.
:01:41. > :01:42.
:01:42. > :01:50.Yes, he is. Comedian, actor and belly-dancer,, Omid Djalili is on
:01:50. > :01:53.the show. Oscar-winning actor, Cuba Gooding Jr is here. And, as if that
:01:53. > :01:58.wasn't enough, we've got music from the very lovely Sinead O'Connor,
:01:58. > :02:07.ladies and gentlemen. CHEERING AND APPLAUSE
:02:07. > :02:12.Yes. Now, Daniel is here to tell us about his scary ghost film. It's a
:02:12. > :02:17.ghost story, The Woman in Black. Yes. I know. The film is a classic
:02:17. > :02:25.of the genre. You know, an abandoned house. An angry ghost
:02:25. > :02:30.trying to drive him away. It's based on an original story. Spoiler
:02:30. > :02:39.alert! The Woman in Black turns out to be the janitor in a rubber mask.
:02:39. > :02:42.I might have got away for it too if it hadn't been for you pesky, Harry
:02:42. > :02:50.Potter. People do love going to the sin mab to be terrified, don't
:02:50. > :02:56.they? One good way of scaring yourself. Fill up a bag with a pick
:02:56. > :03:01.n pick and see how much it costs! I tell you, the music score, the
:03:01. > :03:09.music score in The Woman in Black is fantastic. Very spooky. Very
:03:09. > :03:19.spooky. Music can be evocative in films. When when I see this I think
:03:19. > :03:19.
:03:19. > :03:25.PSYCHO THEME TUNE. When I see this I think JAWS THEME TUNE when I see
:03:26. > :03:35.this I think. Later we will get music from Sinead O'Connor. But
:03:36. > :03:49.
:03:49. > :03:59.He's as good as it gets, it's Cuba Gooding Jr.
:03:59. > :04:03.
:04:03. > :04:06.CHEERING AND APPLAUSE . And, he's frighteningly talented,
:04:06. > :04:16.it's Daniel Radcliffe. CHEERING AND APPLAUSE
:04:16. > :04:22.
:04:22. > :04:32.Hey, why did they give the black man a big glass of wine. What the
:04:32. > :04:33.
:04:33. > :04:39.hell! Can I get a brown paper bag. You asked gor it? I know, it's
:04:39. > :04:45.genetics. That's all I'm saying. You are not drinking alone. It's a
:04:45. > :04:50.sophisticated looking couch. We all you knew we would be on television.
:04:50. > :04:54.I'm proud, Daniel is all grown up. He is playing a father himself now.
:04:54. > :04:59.Yes, I am. You are a dad. playing a dad. It's bizarre. I
:04:59. > :05:03.thought to myself, everyone having seen me in a schoolboy out fit for
:05:04. > :05:10.ten years, it will be a leap to see me as a dad much I asked James to
:05:10. > :05:15.audition my real-life God son. What would sell it it was if the
:05:15. > :05:20.relationship between my son and I seem real. My real-life godson
:05:20. > :05:23.plays my son. He is really good. At the time I was obsessed with him
:05:23. > :05:32.not crying and not being cold on a night shoot. It was horrible. This
:05:32. > :05:37.was a fill nm which the kids are really not all right. They are more
:05:37. > :05:42.than disturbed. You see stuff happen to kids which you don't
:05:42. > :05:47.normally see happen to kids in films. Do you see dead people?
:05:47. > :05:52.There are a lot of dead people. don't play that. Man, we are a
:05:52. > :05:58.religious family. I don't play that. I get scared easy. Do you get
:05:58. > :06:05.scared easy? Quiet your mouth. you get scared? I don't. I scream a
:06:05. > :06:12.lot. If I... I don't know why. Because you are scared. I have got
:06:12. > :06:17.to merchandise at 5.55 am and they say, "we don't open up 6.00 am" and
:06:17. > :06:23.I scream for no reason. Single dads who push their kids in prams and
:06:23. > :06:27.they think about their life and go, ah, ah, that kind of screaming.
:06:27. > :06:32.do. When you have kids you see the more horrific things happening to
:06:32. > :06:39.them. You think, what if I drop them now. You think, my goodness,
:06:39. > :06:45.no. It's a built in thing. When the kid is in bed and you lie on them,
:06:45. > :06:50.or you are nearly on top of them. It's like ah, ah! Our first child
:06:50. > :06:55.was laying between us, he was only one. I was sleeping. In my dream I
:06:55. > :07:02.got in a fight, right. So, seriously. I did one of these. His
:07:02. > :07:12.little forehead was right here. I went. Oh, I woke up. I turned the
:07:12. > :07:14.
:07:14. > :07:22.light on the other hand and he's like this... BABY SCREAMING. MY
:07:22. > :07:29.WIFE WAS LIKE, "WHAT THE HELL". I WAS LIKE "I HIT THE BABY". I TURNED
:07:29. > :07:35.THE LIGHT ON SKCHES AND IT WAS HIS FACE. THERE A MOMENT WHERE THEY GET
:07:35. > :07:42.HURT. FIVE SECOND WHEN THEY PROCESS IT AND REALISE AND GO MENTAL..
:07:42. > :07:48.Daniel, have you been through the experience of your in laws. I met
:07:48. > :07:52.my girlfriend's parents. We are a little way of off them being the
:07:52. > :07:56.inlaws. It's a nerve-wracking experience when you meet your
:07:56. > :08:01.girlfriend's family. Was your girlfriend not there She wasn't
:08:01. > :08:05.there. That seems cruel. Absolutely not. When I was in New York doing
:08:05. > :08:14.the show I did out. There I lived with my parents moved back in with
:08:14. > :08:19.me at the beginning of the year. Spongers. I know. She was with me
:08:19. > :08:23.over there as well. There goes that relationship. She was living with
:08:23. > :08:27.me out there as well. And, she spent months with my parents just
:08:27. > :08:34.her and them in the house. Her parents came over to New York, I
:08:34. > :08:42.took them out to lunch. It was lovely. Hello Jill, hello Malcolm.
:08:42. > :08:46.I turned around and said, "have I passed?" You are not going to phone
:08:46. > :08:50.Rosie and go, "he's terrible. You can't see him again, he's the most
:08:50. > :08:57.awful person I have met". That didn't happen. We are still going
:08:57. > :09:02.out. I guess that OK -- is OK. are pleased for you. Wonderful.
:09:02. > :09:09.When I met Jill and Malcolm that was weird. They were confused as to
:09:10. > :09:17.why you were at their house. That was strange. Malcolm and Jill
:09:17. > :09:21.adopted me in the 1970s to heal the wounds from my childhood. The two
:09:21. > :09:27.of you, funny, funny. He has to go back and talk to them after this.
:09:27. > :09:32.They will be fine. They have a good sense of humour. Fingers crossed.
:09:32. > :09:36.Huge congratulations The Woman in Black, a big hit? Well, yes. So far.
:09:37. > :09:41.Not just here but in America? amazingly in America. Everyone pays
:09:41. > :09:47.a lot of attention to box office stuff over there. You hear a lot of
:09:47. > :09:51.it. Apparently, the film was predicted to make �million and it
:09:51. > :09:56.made �21 million, which is awesome. What is awesome about that. It's
:09:56. > :10:01.always, kind of, possible to just see those figures. It seems quite
:10:01. > :10:04.cold how much money the film made. What that meant is that a tonne of
:10:04. > :10:09.people went to see it. When you make a film all you want is people
:10:09. > :10:14.to see it. They did, so thanks. an industry you are seen as a
:10:14. > :10:19.bankable star not that guy part of a franchise you can sale movie by
:10:19. > :10:24.yourself? It's a good start. I wasn't under the illusion that
:10:24. > :10:30.people would see this film and say, he is not Harry Potter any more,
:10:30. > :10:34.and it has changed my opinion. I look different. There will never be
:10:34. > :10:40.one part that separates me from those ten years of my life. It's a
:10:41. > :10:48.matter of getting people accustomed to seeing me in other films and
:10:48. > :10:58.keeping busy. I saw Daniel in the West End. Was terrifying. He got
:10:58. > :10:59.
:10:59. > :11:05.naked and we saw his willy. No-one knew if it was him or the horse!
:11:05. > :11:14.Malcolm and Jill. Tell me they never saw it? They never did.
:11:14. > :11:21.He got that shit from his daddy. Stop it. I like how you are talking
:11:21. > :11:28.about a small opening, and big, Harry Potter made hundreds of
:11:28. > :11:34.dollars you arnt aren't worried about money any more, man.
:11:34. > :11:38.thing is, people so often people... Huge star, mother. That fame thing.
:11:38. > :11:43.Fame doesn't last. Fame is a by- product. It is fleeting. It's a by-
:11:44. > :11:50.product of good work. I know... do good work. Thank you, sir.
:11:50. > :11:56.are an artist. I hate that word. Don't say that to him! I hate actor
:11:56. > :12:06.the calling... You can't paint. Because I can't paint. I have a
:12:06. > :12:07.
:12:07. > :12:14.problem who say, "artist who --" when they are not near an easel. It
:12:14. > :12:19.makes me murderous. Let's move on. I have some questions here. I'll
:12:19. > :12:24.use one of these. I'll use one of these. It's interesting. In press
:12:24. > :12:31.for The Woman in Black we found out a lot more about you. You know, you
:12:31. > :12:36.talked about your girlfriend and problems with alcohol and the fans.
:12:36. > :12:39.All those, I didn't know. That was that deliberate, or was it because
:12:40. > :12:46.you could. Presumably during Harry Potter someone would have killed
:12:46. > :12:49.you if you told these stories at all. They let me go to the West
:12:49. > :12:55.End. They were OK with stuff. In the last year I came to the
:12:55. > :12:59.conclusion that the easest way to be, if you're well-known is to have
:12:59. > :13:03.as little gap, as little difference between how people perceive you and
:13:03. > :13:08.how you actually rfplt I do interviews like this and I feel I'm
:13:08. > :13:12.lying or hiding stuff. It ease's easier if I don't, if... For me I
:13:12. > :13:16.find it easier if I don't feel I have to do that. That is why I
:13:16. > :13:20.talked about, well I talked about Rosie pictures came out and people
:13:20. > :13:26.were like, "who is she?" I needed to tell them much I talked about
:13:26. > :13:35.the drinking thing it came up as well it felt better to be honest.
:13:35. > :13:38.It seems like you made bold choices. Big Broadway musical, a classic
:13:38. > :13:43.gothic horror. They are the things that have come along. I have been
:13:43. > :13:47.lucky. You have to show people you are willing to take risks. You have
:13:47. > :13:50.to show people... When you are in a big franchise people expect to you
:13:51. > :13:55.do nothing. In terms of the money thing thaw mentioned, Cuba,
:13:55. > :14:00.everyone says, "you don't need to work again". What they never ask, I
:14:00. > :14:06.have worked every day sense since I was ten. I didn't know how to do
:14:06. > :14:16.anything else. I didn't mean. I meant you accomplished everything
:14:16. > :14:20.
:14:20. > :14:25.else. That's ought -- August all So do you take time off? I am
:14:25. > :14:31.having three weeks off in about two weeks. I'm very excited. I haven't
:14:31. > :14:41.taken that time off in four years. Try shopping and lying down. It's
:14:41. > :14:41.
:14:41. > :14:46.great. I think you will like it! He may never get back up again. He is
:14:46. > :14:53.blessed. If I love it. Talking about the Woman In Black, it is
:14:53. > :14:59.fantastic, it is proper old- fashioned Gothic art. It makes you
:15:00. > :15:05.gasp. It does. There is no call for blood, it is not like that. But
:15:06. > :15:14.there are things that will make you scare -- scared of the dark. It is
:15:14. > :15:19.creepy, chilling, suspenseful. on set, presumably you tried to
:15:19. > :15:24.frighten each other? He has, it was very useful on this film because I
:15:24. > :15:29.actually had an actress there who plays the Woman In Black, and the
:15:29. > :15:33.main scare comes from the fact that me and my body double, who has been
:15:33. > :15:43.doubling me since the fourth Harry Potter because that is the last
:15:43. > :15:46.
:15:46. > :15:48.time I grew! No, it's true. We got into a thing where we would try to
:15:48. > :15:53.scare each other round the set randomly, and he eventually won
:15:53. > :15:57.because I was going home one night and he had hit himself in the foot
:15:58. > :16:07.while of the passenger seat side of the car, and I just opened the door
:16:08. > :16:11.
:16:11. > :16:21.and he leapt at May, and I was terrified. It could have been a
:16:21. > :16:23.
:16:23. > :16:29.black on black crime. I knocked him out! Did. We are going to watch a
:16:29. > :16:39.clip, so deep breaths, everybody. You may want to hold hands. This is
:16:39. > :16:39.
:16:39. > :17:54.Apology for the loss of subtitles for 75 seconds
:17:54. > :18:04.you alone in the house, and you are Know, that wasn't scary. A change
:18:04. > :18:11.
:18:11. > :18:17.of underwear. -- no that wasn't Nothing happens right after that.
:18:17. > :18:20.The rocking chair features quite heavily. Anyone who has seen the
:18:20. > :18:30.play will know the rocking chair features quite heavily. Cuba
:18:30. > :18:31.
:18:31. > :18:35.Gooding Jr, you have just had a big hit. We are going to talk about it
:18:35. > :18:39.in a minute, but in a way, you have had a similar experience to Daniel
:18:40. > :18:46.in that you had something so successful that it doesn't leave
:18:46. > :18:56.you alone. Is it true that still you get the show me the money thing.
:18:56. > :19:02.
:19:02. > :19:07.Yes, all the time. I wish I could have it again so I can say, bam!
:19:07. > :19:14.There must be days when it is so hard. Yes, especially in a bar when
:19:14. > :19:21.some drunk comes up you and spits it in your face. Were they want you
:19:21. > :19:25.to say it, and they say, no, say it like in the movie! And did you have
:19:25. > :19:35.to bang your father from visiting the set again after Jerry Maguire?
:19:35. > :19:37.
:19:37. > :19:45.Is that true? Why, because when I introduced him to Tom Cruise...?
:19:45. > :19:55.Yes, the answer is yes, I told him, no more visits to my set. What did
:19:55. > :20:03.
:20:03. > :20:13.he say? He was like, Tom, I love I almost fainted. I was like,
:20:13. > :20:15.
:20:15. > :20:25.please, Lord, let me disappear. what did he say? Thank you, Tom.
:20:25. > :20:26.
:20:26. > :20:33.Get back in the car he! One of those moments in life. And was your
:20:33. > :20:39.father...? Mentally ill! That is why I do stand up, to heal the
:20:39. > :20:45.wounds of my childhood. Being from an Iranian background, he would say
:20:45. > :20:49.things like, you have to take opportunities, because some people
:20:49. > :20:58.if you put opportunity in a test- tube and shove it up their arse,
:20:58. > :21:02.they farted out. You know when you shoot a cat up your arse, it took
:21:02. > :21:12.me a while to understand, this is the Iranian version of the saying
:21:12. > :21:21.
:21:21. > :21:30.Thank you so much. I feel healed. Healing through laughter. Red tails,
:21:30. > :21:36.a big hit in the States, so talk us through it. It is about the fighter
:21:36. > :21:41.pilots in World War Two who were bomber escorts for the big bombers.
:21:41. > :21:45.At the time, it was a segregated military, so they refused entry,
:21:45. > :21:51.and finally when they were allowed to fight, they had exemplary
:21:51. > :21:57.records. They really were exceptional. That is amazing,
:21:57. > :22:01.because you from that in Prague? Yes, in an abandoned Russian air
:22:01. > :22:05.base in the Czech Republic. It was interesting because you really felt
:22:05. > :22:09.like you are backing 1943, because the whole air base was we done into
:22:09. > :22:17.that time period, and I don't know if you have never been to Prague,
:22:17. > :22:25.there are not many black people. And on the set it was all black
:22:25. > :22:35.faces. And remember the first time we went to the set, we would say,
:22:35. > :22:36.
:22:36. > :22:46.this is amazing! And they didn't understand people, and oh, you are
:22:46. > :22:46.
:22:46. > :22:56.not American. They bossed people in. African Americans don't like
:22:56. > :22:59.
:22:59. > :23:04.Africans? No, that's not true. people come and to cure people and
:23:04. > :23:14.to accuse someone else, 500 years later, a few Africans turn up in
:23:14. > :23:15.
:23:15. > :23:20.America, with briefcases and watches. If you is the same with
:23:20. > :23:25.Spanish and Mexicans, if you go to Spain and say, are you Mexican, I
:23:25. > :23:30.will fight you! And George Lucas was passionate about this, he put
:23:30. > :23:40.his own money in. Was he around for the film? Heeded and directed, he
:23:40. > :23:43.
:23:43. > :23:53.produced it. He produced it, but his hands were on it. And, action!
:23:53. > :24:03.Waiters second, stay there. It is so funny, because the first time I
:24:03. > :24:04.
:24:04. > :24:08.walked on the set, he looks at you, and he said, got more dialogue than
:24:08. > :24:13.the stormtroopers, hey? And he breaks into this story, and the
:24:13. > :24:21.whole set stops. You don't realise how much power this man has. He is
:24:21. > :24:26.a film icon. Some of those big actors, there is something
:24:26. > :24:31.charismatic, Berwick -- they are quite presidential. I worked with
:24:31. > :24:36.Robert Redford, and whenever he walked on set, everyone stood up.
:24:36. > :24:42.You realise these people are so quick. I was introduced to him, and
:24:42. > :24:49.are thought I would do a joke, I said Mr Redford, you're a big fan,
:24:49. > :24:54.I love Hawaii Five-O. And he looked at me and said, thanks, you were
:24:55. > :25:01.great in Dr Zhivago, but you let yourself go. So he is very quick.
:25:01. > :25:11.Never try to outwit them. What was he like? Presidential, as I just
:25:11. > :25:17.said a few moments ago. You were too busy playing with you sure long.
:25:17. > :25:24.Yes, every time the camera cut away from me. Focus, everyone! We are
:25:24. > :25:34.about to see a clip - sorry I was hoping for a nice introduction than
:25:34. > :25:42.
:25:42. > :25:51.this. Just go to the clip! Role the What was your question? What we do,
:25:51. > :25:56.how well we do it. Does it matter? You sign up, you get shiny boots
:25:56. > :26:03.and a uniform and you think that would be the end of bigotry? You
:26:03. > :26:07.are coloured men in a white man's Army, and you thought that you
:26:07. > :26:13.would be equal? Any of you want to wash yourselves out? Feel free to
:26:13. > :26:21.do so. I will have you on the next thing back home to make room for
:26:21. > :26:31.those who want to stay and fight. Get your head up, son. You are
:26:31. > :26:41.
:26:41. > :26:44.fighter pilots. Watch the rest of That's what I'm talking about!
:26:44. > :26:47.Vancouver that, and I'm very excited for you all to see it.
:26:47. > :26:51.Let's talk about your film career, because you have been in so many
:26:51. > :26:58.films, and I have many fears, so for me, and watching one of these
:26:58. > :27:08.films, and then suddenly, Omid Djalili is in it! I am a comeback
:27:08. > :27:09.
:27:09. > :27:19.specialist. And I can talk up here, or down here. I can do whatever you
:27:19. > :27:25.
:27:26. > :27:35.I get confused. But yes, it has been an interesting career.
:27:36. > :27:37.
:27:37. > :27:44.money, Sex And The City, Gladiator, James Bond. I did play Picasso in
:27:44. > :27:48.one film. I was very overweight, and they asked me to lose four
:27:49. > :27:53.stone in six weeks, and I couldn't, so I was losing weight as we went
:27:53. > :28:02.along, and then at the Film Festival, they were asking
:28:02. > :28:05.questions, can you explain, Picasso was overweight. And they said, in
:28:05. > :28:13.between the rows period and the blue period, there was the fast
:28:13. > :28:20.food period. And if you notice Picasso's painting with doughnuts...
:28:20. > :28:27.And they bought it! I was the first fat Picasso. And touring around the
:28:27. > :28:35.world, stand-up tours, a lot of people tonight will know you from
:28:35. > :28:44.the adverts, the money supermarket. It is interesting, because I had a
:28:44. > :28:54.mother come up to me and said, my eight-year old loves me in those
:28:54. > :28:55.
:28:55. > :29:05.ads, and I said to him, do you like me in those ads, and he started
:29:05. > :29:07.
:29:07. > :29:14.singing and he sang go compare, and I said no! And I said no, I am not
:29:14. > :29:24.sign anything for this kid, he thinks I am in the other advert. I
:29:24. > :29:28.
:29:28. > :29:38.am not a meerkat! And I am not Stavros flatly! And does anyone
:29:38. > :29:45.
:29:45. > :29:52.ever get recognised as him of Daniel, do you still get taken for
:29:52. > :29:58.Elijah Wood? Not as often, but still quite a lot. You don't look
:29:58. > :30:08.quite so alike any more. Oh, I take it back! I thought that was a
:30:08. > :30:09.
:30:09. > :30:16.I was fortunate enough to meet Elijah, and he is a lovely guy. It
:30:16. > :30:23.is much more disturbing for him, because he was being recognised as
:30:23. > :30:28.me when I was 13 and he was in his twenties. I signed a photo once in
:30:28. > :30:32.Japan, because somebody gave me a photo on the red carpet of Elijah
:30:32. > :30:39.Wood, and there is no time to explain to the male language that
:30:39. > :30:49.is not their first in that moment but it is not me, so I just wrote,
:30:49. > :30:50.
:30:50. > :30:55.I am not LIG would, and Daniel Radcliffe. -- I am not Elijah Wood.
:30:56. > :31:02.Some of these lookalikes are very good. Dobby is Prime Minister
:31:02. > :31:07.Vladimir Putin. Yes, and one of the funniest things about that is
:31:07. > :31:16.apparently it makes him really angry. You would think that other
:31:16. > :31:25.things would PC off. And they did very well with Hagrid. He looks a
:31:25. > :31:34.bit like the guy from Lost. But not everyone using this website got the
:31:34. > :31:44.concept. Somebody put in Voldemort, and they suggested he looked eerily
:31:44. > :31:55.
:31:55. > :31:58.Omid Djalili your tour is coming to a big climax. Yes. It's called Tour
:31:58. > :32:04.of Duty. You brought the dancing back into the show. You didn't want
:32:04. > :32:09.it do it for a while. Yes. People said, sing and dance more. I got
:32:09. > :32:15.deaf threats. There was a card that said, "we heard you are not dancing,
:32:15. > :32:21.you better dance or die" it was dance or die. It was like a wedding
:32:21. > :32:28.invitation. Ironic. It only happens to me. You started dancing again?
:32:28. > :32:33.did. Believe me, I dance the whole bloody show. It's more than a dance
:32:33. > :32:38.routine. Like a movement art piece. Fantastic. Can I encourage you to
:32:39. > :32:44.do a little bit for us. No, sorry, I don't dance.
:32:44. > :32:52.CHEERING AND APPLAUSE . The only thing I would say...
:32:52. > :32:58.Come on. Kueb ya is an amazing dancer. Daniel Radcliffe won the
:32:58. > :33:08.Fred Astire award. I didn't win. It I was nominated. Some loser is good
:33:08. > :33:09.
:33:09. > :33:19.at dancing in America. Who cares. If you dance, we compete the trio.
:33:19. > :33:23.
:33:23. > :33:25.I'm sorry. Even if I played music. Sorry. Cue the music.
:33:25. > :33:35.APPLAUSE Beautiful. Thank you very much,
:33:35. > :33:35.
:33:35. > :33:39.Right, it's time for our music act now. My next guest is one of the
:33:39. > :33:42.greatest musical exports Ireland has ever produced much we are
:33:42. > :33:48.thrilled to have her back on the show. Ladies and gentlemen, would
:33:48. > :33:58.you, please, put your hands together for Sinead O'Connor. Hello.
:33:58. > :34:05.
:34:05. > :34:10.Very good. Welcome to the boys club. Great pleasure to meet you. One of
:34:10. > :34:14.my children had many imaginary baths with you. I have bathed you
:34:14. > :34:18.often with one of my children. to get better acquainted. I thought
:34:18. > :34:22.I felt something. I didn't recognise you with your clothes on.
:34:22. > :34:27.There is a difference. Under a cloak of invisibility. You don't
:34:27. > :34:30.want him in the bath with your children. Sinead O'Connor,
:34:30. > :34:33.congratulations you are singing The Wolf Is Getting Married, I think
:34:33. > :34:43.it's the best thing you have done in years. It's fantastic. I'm
:34:43. > :34:44.
:34:44. > :34:52.playing it on the roofplt it's very good. It's off the album. I rushed
:34:52. > :34:59.out earlier and bought it. that's not it! That's not the could
:34:59. > :35:05.have been of my record. Where did you buy that? There is an inside
:35:05. > :35:15.sleeve. Don't. No, no. No. That is not going to go well. No. There
:35:15. > :35:15.
:35:15. > :35:23.isn't even one it! CHEERING AND APPLAUSE
:35:23. > :35:27.I must have left it in the car! Great come back. Thank you, very
:35:27. > :35:33.much. It's still at the radio station where it's being played
:35:33. > :35:38.constantly. It's on a loop. How are you? Are you all right? Are you
:35:38. > :35:42.well. People worry about you. Reread all these things about you.
:35:42. > :35:46.Bla, bla. I don't know how I should answer those questions. In one way
:35:46. > :35:50.I want to talk about music. The only thing that bothers me about my
:35:50. > :35:55.stuff is that I have dealt with 25 years like this with everyone
:35:55. > :35:59.treating me like a crazy person. It's a great source of
:36:00. > :36:04.entertainment. We live in a world where crazy is an abuse. I think it
:36:04. > :36:08.should be outlawed. I know you don't mean. That I adore you.
:36:08. > :36:14.really don't mean you any harm. are lovely. Absolutely. It's a
:36:14. > :36:18.weird question. People go, "are you all right?" How do I prove I am.
:36:19. > :36:22.You prove you are all right by being here and smiling. I'm a
:36:22. > :36:28.nervous wreck about interviews, to be honest. I have a record company
:36:28. > :36:32.going, "don't is a anything" on the other hand I'm.... Don't worry.
:36:32. > :36:41.That is why I'm saying. It what you see now before you is what I sing.
:36:41. > :36:45.When you see me singing I make sense. Look. Sinead O'Connor, go
:36:46. > :36:52.and sing. Go sing, baby. All right. In a minute, we will have this
:36:52. > :36:58.week's storys in the famous Red Chair. First performing her new
:36:59. > :37:08.single, The Wolf Is Getting Married it is Sinead O'Connor.
:37:09. > :37:17.
:37:17. > :37:27.CHEERING AND APPLAUSE # I used to have no wolves around
:37:27. > :37:34.
:37:34. > :37:44.# I was too free, if that's possible to be$$NEWLINE# No safety,
:37:44. > :37:46.
:37:46. > :37:56.is what I mean # No solid foundation to keep me
:37:56. > :37:56.
:37:56. > :38:06.# But the sun's peeping out of the # Where there used to be only gray
:38:06. > :38:17.
:38:17. > :38:27.# The wolf is getting married # And he'll never cry again
:38:27. > :38:35.
:38:35. > :38:45.# Your smile, makes me smile # Your laugh, makes me laugh
:38:45. > :38:54.
:38:54. > :39:04.# Your joy, gives me joy # Your hope, gives me hope
:39:04. > :39:05.
:39:05. > :39:15.# And the sun's peeping out of the # Where there used to be only gray
:39:15. > :39:18.
:39:18. > :39:23.# The wolf is getting married # And he'll never cry again
:39:23. > :39:27.# Never cry again # Even when something terrible is
:39:27. > :39:33.happening # You laugh and that's the thing I
:39:33. > :39:38.love about you most # Even when something terrible is
:39:38. > :39:48.happening # You laugh and that's the thing I
:39:48. > :39:50.
:39:50. > :40:00.love about you most # Your smile, make -- makes me
:40:00. > :40:00.
:40:00. > :40:08.smile # And your hope, gives me hope
:40:08. > :40:18.# And the sun's peeping out of the # Where there used to be only gray
:40:18. > :40:20.
:40:20. > :40:30.# The wolf is getting married # And he'll never cry again
:40:30. > :40:34.
:40:34. > :40:39.# Never cry again # Oh-oh #
:40:39. > :40:46.CHEERING AND APPLAUSE Sinead O'Connor, come on back and
:40:46. > :40:51.join us. That was so fantastic. Come and sit there. We will do the
:40:51. > :40:54.Red Chair and we'll all go home. You sit there. It's a lovely song,
:40:54. > :41:00.isn't it? CHEERING AND APPLAUSE
:41:00. > :41:05.They are liking the singing. Seriously, I think it's the best
:41:05. > :41:09.thing you have done in years. I really love it. Congratulations.
:41:09. > :41:15.I'm glad you love it. Then the talent comes out. You should do
:41:15. > :41:19.what you do and don't do nothing else really. Lessons are learnt.
:41:19. > :41:29.Right, before we go tonight just time for a story or two in the Red
:41:29. > :41:32.Chair, who is up first? Hello. Hi. I can imagine what this story
:41:32. > :41:36.is going to be. I apologise in advance for anything that might
:41:36. > :41:42.have happened to you in your life. What is your name? Stephen. I think
:41:42. > :41:52.we know the story, off you go. or three times a week I get
:41:52. > :41:57.
:41:57. > :42:02.mistaken for one of your guests on Do something with your eyebrows.
:42:02. > :42:10.That's what's doing it. Only this town is big enough for one set of
:42:10. > :42:14.eyebrows like this. He has to do something about them. Do you pluck
:42:14. > :42:19.in between? I occasionally have to. For everyone else's sake really.
:42:19. > :42:27.It's not an attractive thing. I wondered, you brought tup. I did.
:42:27. > :42:36.thought I would ask while we were talking. What is your name? Garo.
:42:36. > :42:42.Yes? All right. Where are you from? Mexico. Mexico. They are loving the
:42:42. > :42:49.Mexico. What do you do in Mexico? Well, I'm studying abroad here.
:42:49. > :42:59.What are you studying here in the United Kingdom? I go to NYU. I'm
:42:59. > :43:02.
:43:02. > :43:12.doing a semister... I'm studying here. NYU... Do you want to go with
:43:12. > :43:13.
:43:13. > :43:21.the next one. Yeah, I do. Sit up here. Excellent. Let's see who is
:43:21. > :43:31.up next. Good luck. CHEERING AND APPLAUSE
:43:31. > :43:32.
:43:32. > :43:40.Right! Shall we try one more? Let's try one more. OK. What is your
:43:40. > :43:47.name? Josie. Where are you from? Norwich. What do you do in Norwich?
:43:47. > :43:57.I don't do it in Norwich I do it in London. She is a hooker. Aim' a
:43:57. > :43:59.
:43:59. > :44:02.journalist. NO! She said she was a journalists. In fairness... I had
:44:02. > :44:06.better move again. Well done everyone in the Red Chair, very
:44:06. > :44:11.good. If you would like to join us on the show and have a go in the
:44:11. > :44:13.Red Chair, good luck, contact us at our website. Thank you to our
:44:13. > :44:23.guests tonight, Sinead O'Connor, Omid Djalili, Cuba Gooding Jr and
:44:23. > :44:26.