:00:59. > :01:01.We are at Wimbledon, isn't it Oh, no, it is raining. How can we
:01:01. > :01:02.Oh, no, it is raining. How can we Oh, no, it is raining. How can we
:01:02. > :01:07.entertain ourselves now? entertain ourselves now?
:01:07. > :01:17.# We are on going on a summer # No more working for a week
:01:17. > :01:27.
:01:27. > :01:32.two... APPLAUSE.
:01:32. > :01:35.Oh! Oh! It is exciting. Good Oh! Oh! It is exciting. Good
:01:35. > :01:43.Oh! Oh! It is exciting. Good evening, everybody. Welcome to the
:01:43. > :01:45.It is a good one tonight. Yes, he's It is a good one tonight. Yes, he's
:01:45. > :01:52.Oh! Oh! It here, the one and only Sir Mark
:01:52. > :01:56.Richardson is on the show. . And if a sir wasn't enough, we
:01:56. > :02:06.have a Lord, Apprentice supremo, Lords Alan Sugar is here.
:02:06. > :02:06.
:02:06. > :02:11.. I know. East End funny man, Flanagan is here. SCREAMING. And
:02:11. > :02:16.shouting and singing, X Factor's finest, Kelly Rowland is with us.
:02:16. > :02:19.Love her. SCREAMING. She Love her. SCREAMING. She is my
:02:19. > :02:26.favourite. That is a lineup, isn't it, ladies and gentlemen, a pop
:02:26. > :02:30.Princess, a night and Flanagan. Delighted Kelly Rowland is
:02:30. > :02:39.returning to the show. One of favourites. I know she is a big fan
:02:39. > :02:43.of Lord sugar. She is. No stranger to hearing the word you're fired.
:02:43. > :02:53.Oh, pour Frankie Cocozza. Who knew Oh, pour Frankie Cocozza. Who knew
:02:53. > :02:54.
:02:54. > :02:58.Frankie Cocozza was Italian for head. I didn't know. I did not know.
:02:58. > :03:00.I know she is a fan of Sir Mark I know she is a fan of Sir Mark
:03:00. > :03:08.Richardson. All the songs have meaning for her, Devil
:03:08. > :03:15.Bachelor Boy, and of Talk Anymore. Chiefer that, wasn't
:03:15. > :03:23.Cliff has been in show business for Cliff has been in show business for
:03:23. > :03:29.over 50 years. I know! APPLAUSE. And finally, he agreed to come on my
:03:29. > :03:37.show. Essentially, run out of excuses. Cliff keeps so active.
:03:37. > :03:45.Loves skiing. You do wonder, is it hard to play the guitar and
:03:45. > :03:48.the same time? I guess it is. Of course, Cliff had a huge hit
:03:48. > :03:55.the film Summer Holiday where he spent all summer on a bus with sexy
:03:55. > :04:02.young girls. I tell you, I hear they are making a sequel, Cliff is in the
:04:02. > :04:08.lead and they have the sexy young girls back. Yeah. At least this
:04:08. > :04:12.they won't have to pay for the bus fares. How exciting to have Lord
:04:12. > :04:16.Sugar, host of the Apprentice. What a great show. Did you know
:04:16. > :04:26.winner of the last series still has an important position in the
:04:26. > :04:29.boardroom? He does. Of course, Lord Sugar's proudest achievement was
:04:30. > :04:35.being made the Lord. Here he is in his finery. Marvellous. And of
:04:35. > :04:40.course, we all know he for a deal. And I believe he got
:04:40. > :04:43.that white fur trim at a bargain price.
:04:43. > :04:52.Let's get the guests on. Later, I Let's get the guests on. Later, I
:04:52. > :04:57.will be talking to Alan Sugar. First, up it is Micky Flanagan.
:04:57. > :04:59.APPLAUSE. Very smart, sir. Sit APPLAUSE. Very smart, sir. Sit
:04:59. > :05:09.yourself down. It is my favourite Kelly off at the telly, it is Kelly
:05:09. > :05:11.
:05:11. > :05:19.Rowland. APPLAUSE. Wow! Welcome back. We are delighted to see you.
:05:19. > :05:28.Wow! And he is the original Bachelor Boy, it is the one and only Sir Mark
:05:28. > :05:38.Richardson. SCREAMING. Nice to see you, sir.
:05:38. > :05:41.
:05:41. > :05:44.Welcome all. All right, calm down. Welcome all. All right, calm down.
:05:44. > :05:50.You are very welcome. Sir Mark Richardson, your first time on
:05:50. > :05:55.show. Yes. What happened? I don't know. I tried so hard to stay off.
:05:55. > :05:59.No, we are delighted you are here. I am delighted. You say that now. You
:05:59. > :06:04.will have a lovely evening. you. And Micky Flanagan, you
:06:04. > :06:10.have been here before. I said yes straight away. No hesitation. I
:06:10. > :06:15.there. Exciting for you on Friday night. I have not been out on a
:06:15. > :06:19.Friday night for years. I reached the point if I queue to get up in a
:06:19. > :06:21.nightclub and the bouncer says you can't come in, I say "
:06:21. > :06:29.can't come in, I say "thanks, mate" can't come in, I say "thanks, mate".
:06:29. > :06:32.My feet are killing me. And Kelly, SCREAMING Unk thank you. We are very
:06:32. > :06:36.excited, you will be singing the single. Absolutely. Down For
:06:36. > :06:41.Whatever later. Yes. I am so excited. Dancers and all sorts,
:06:41. > :06:50.ladies and gentlemen. I will be doing the bagging. All right.
:06:50. > :06:58.long as you know how to shake your booty. I can do that. Is that any
:06:58. > :07:05.good. It is good. Mickey, do you watch the X Factor? Sometimes I do.
:07:06. > :07:10.And sometimes you don't. You don't have to worry about it. I don't. I
:07:10. > :07:16.looked once, there was a bloke like that with his hair just crying. And
:07:17. > :07:26.I thought no, I r that's not the show for me. You are all right,
:07:27. > :07:28.
:07:28. > :07:33.Mickey, he is gone. He said I have had sex with 10,000 women. Has
:07:33. > :07:38.anybody got any Charlie. It is not the show for me, Cliff. Listen,
:07:38. > :07:44.because people will be - won't be able to relax until I ask you a
:07:44. > :07:53.couple of questions. Got it. Frankie, gone. He is gone. And
:07:53. > :07:59.that... APPLAUSE. Oh! I do sorry, he is only 18. He is a
:08:00. > :08:04.young man. I feel bad. One of your acts is coming back. You don't care.
:08:04. > :08:10.How will I look at gAir Barlow this? I am excited about Amelia
:08:10. > :08:15.coming back. She is amazing. She is everybody's favourite. She is the
:08:15. > :08:20.one you let go. Just to my defence, that was a hard one. That really
:08:20. > :08:24.was. For the judges to make a decision, you know... Is there
:08:24. > :08:28.rift there? Was that all made up? I love Tulisa. We did have a little
:08:28. > :08:36.bit of a tiff because she you know, against one of my girls.
:08:36. > :08:42.Misha B, the bully. BOOING. Militia is
:08:42. > :08:49.Misha B, the bully. BOOING. Militia is not a bully. Your old friend
:08:49. > :08:52.Louis told you that. Misha B is from a bully, she a sweetheart. When
:08:52. > :08:55.I watch X Factor, which I do sometimes, I think it is one of
:08:55. > :09:01.best things that happened. There people that come out of that show
:09:01. > :09:05.that you could two weeks before be shopping in a supermarket with. It
:09:05. > :09:13.gives people a opportunity. It does. Two weeks
:09:13. > :09:17.later most of them are again. In Asda. Sir Mark Richardson,
:09:17. > :09:26.cover your ears to spare your blushes. I want to remind people how
:09:26. > :09:35.successful this man is. He has sold, listen to this, Kelly, 250 million
:09:35. > :09:42.albums. Plus. Over! Over 250 million. They are still selling.
:09:42. > :09:47.Wow! Can I borrow a pound? I can give you a few records. All right.
:09:47. > :09:57.This is another good one, if you add up every week that Cliff has
:09:57. > :10:03.in the charts, he has been in the charts solidly for 20 years. Wow!
:10:03. > :10:07.That is amazing. Wow! It goes without saying highest selling
:10:07. > :10:15.artist in the UK of all time. Mark Richardson, ladies and
:10:15. > :10:19.gentlemen. APPLAUSE. It is amazing. You must - I mean, obviously, you
:10:19. > :10:25.are getting on with it, you brought out a new album, been on tour. Yes,
:10:25. > :10:32.all right. She is a bit slow. Who is that, Sir Mark Richardson? I love
:10:32. > :10:38.him. There must be moments as you sit in bed with sheets with a high
:10:38. > :10:42.thread count, I imagine. You ponder your success and your long Jit. I
:10:42. > :10:48.do. What answer do you come up with. I find it hard to believe because
:10:48. > :10:50.when the Shadows and I got kicked off, we were one-hit wonders, here
:10:50. > :10:57.today, gone tomorrow. The about
:10:57. > :11:02.about selling the records is you did sell millions of bits of plastic.
:11:02. > :11:07.And nowadays people download. You can be number within with 35,000
:11:07. > :11:13.sells, we sold 80,000 a day. I don't know - I got in early. He could say
:11:13. > :11:18.these nice things about me. Most of the people I hear singing, even the
:11:18. > :11:22.losers sound unbelievably great. The other thing is, because your
:11:22. > :11:27.mainstream and you have been in our homes for 53 years, when you started
:11:27. > :11:31.out, you were shocking. People were shocked by you. They said I was. You
:11:31. > :11:37.know the media. The media were desperate to have somebody that
:11:37. > :11:47.could compete with Elvis. I used to go like this. They thought I was the
:11:47. > :11:53.big sex symbol, one journal it said that the TV show Oh Boy. I Did,
:11:53. > :12:00.that the TV show Oh Boy. I that the TV show Oh Boy. This crude
:12:00. > :12:05.exhibitionist. Please, me. You are beautiful. Look at you. The enemy
:12:05. > :12:14.said "is this new boy singer too sexy for Britain". I didn't say
:12:14. > :12:19.wasn't sexy. No. You look there. Girls loved you so much, but
:12:19. > :12:24.the boyfriend didn't like you, led to problems. The Drifters before
:12:24. > :12:34.the Shadows. I played in London. they had one of these resolving
:12:34. > :12:41.stages. We were going to play Elvis's Baby I Don't Care. Then all
:12:41. > :12:51.these cheese rolls came flying up. I never sang a note. The thing
:12:51. > :12:53.
:12:53. > :12:59.Somebody says I threw that cheese Somebody says I threw that cheese
:12:59. > :13:04.roll. Remember that one. We look at that picture. Beautiful back then.
:13:04. > :13:08.Isn't there a moment, Cliff, when you let yourself go, you are a
:13:08. > :13:12.success, you are eating? The time I went to the States, it was so
:13:12. > :13:18.early. We could not believe early. We could not believe we were
:13:18. > :13:22.on the show the Biggest show of Stars and it was the people that we
:13:22. > :13:28.loved. I went over there and six weeks, I put on a stone. The
:13:28. > :13:34.food you have in the States, we were arriving at towns at 4am, something
:13:34. > :13:42.open. We would have cornflakes with half and half. Half and half.
:13:42. > :13:50.and half. Very good. I worked in the restaurant and had to do the coffee,
:13:50. > :13:56.do you want half and half and all. His wife had it. Do you want half
:13:56. > :14:02.and half aall. He went, "I don't know what you are saying, man". I
:14:02. > :14:09.say half and half because I am biling wam.
:14:09. > :14:09.Do you what started my first diet Do you what started my first diet
:14:09. > :14:10.Do you what started my first diet was watching Coronation Street, one
:14:10. > :14:11.was watching Coronation Street, one was watching Coronation Street, one
:14:11. > :14:15.Do you what of the characters says "
:14:15. > :14:18.of the characters says "I love that chubby Cliff Richard"
:14:18. > :14:23.chubby Cliff Richard". That is a smack in the face. A smack in the
:14:23. > :14:31.stomach. I went to the diet and have been on diets ever since. Kelly, you
:14:31. > :14:37.look amazing. Thank you. APPLAUSE. You walked out and it is like wow.
:14:37. > :14:44.Thank you. Do you do exercise. I do like to exercise. How many situps do
:14:44. > :14:50.you do a day? Honestly? I do like to do 200 situps at night. Yes. At
:14:50. > :14:58.night. 200? Not all through the night. No. It would take me
:14:58. > :15:01.night to do 200. 6am, nearly finished. About 200 a night.
:15:01. > :15:06.would be surprised how simple and things like that make you
:15:06. > :15:11.better. I like the fact that exercise makes me feel good. It is
:15:11. > :15:20.not about size. People say she went for a walk and that's what she looks
:15:20. > :15:27.like. Yeah. A long walk. A brisk walk. Power walking. Mickey, have
:15:27. > :15:34.you considered the gym? Have you considered... I have considered it.
:15:34. > :15:41.You shouldn't laugh that hard. You look good. I am not one of those men
:15:41. > :15:46.that - men don't, you know, if you are an egg on legs, you might start
:15:46. > :15:53.panicking. Even then, look at my calves, babe, they are beautiful. I
:15:53. > :16:03.did go to a gym a couple of years ago. I laid down on the mat to do
:16:03. > :16:03.
:16:03. > :16:10.situps. I woke up two hours later. I felt fantastic. APPLAUSE. Cliff, of
:16:10. > :16:15.course the highlight of any Cliff Richard fan every year is the annual
:16:15. > :16:24.release of the Cliff Richard calendar. SCREAMING. I have to
:16:24. > :16:28.honest. I have only been collecting them since 1982. Wow! Prior to that,
:16:28. > :16:34.my mother wouldn't let me buy them. They only last a year, they are a
:16:34. > :16:41.waste of money. What is amazing about these, you are timeless. The
:16:41. > :16:47.only way to gauge what year they are is from the fashions or how it is
:16:47. > :16:51.shot. Good game, Mickey and Kelly. Take this one, a classic. It is very
:16:51. > :16:59.hard to guess. I will give you multiple choice, I don't know
:16:59. > :17:03.you did to mini. She looks surprised.
:17:03. > :17:13.You probably know the answer. You probably know the answer.
:17:13. > :17:16.
:17:16. > :17:26.don't. Is this 1984, 1996 or 2001? I am going to go with - oh. Do that
:17:26. > :17:36.
:17:36. > :17:46.again. Oh! I am going to go for 96. 96. I will go for 84. All the Cliff
:17:46. > :17:55.fans got it wrong. This is December 1996. Yes. This next one, is this
:17:55. > :18:01.older than 96 or newer than 96. I will say older. Older,. February
:18:01. > :18:06.2000. Now, how long had you had that jacket? You could not have bought
:18:06. > :18:13.that jacket in February 2000. don't remember the jacket. Really?
:18:13. > :18:19.You had it a while. Oh, no. Wait. I bought this at an auction. They
:18:19. > :18:24.it was yours. Broad shoulders, don't think so. You hang on to
:18:24. > :18:30.clothes, you keep clothes. I find it hard to throw them away. I am trying
:18:30. > :18:38.hard. That is why this game is hard. Is this older or newer than
:18:38. > :18:47.this one? I think that one is older. You are wrong. It is October 2004.
:18:47. > :18:52.It is newer than this one. Was that your tour of duty of Afghanistan?
:18:52. > :18:57.Stylish. This one is easy. Older or Stylish. This one is easy. Older or
:18:57. > :19:02.newer. February 1994. And finally, look at this hunk of man. SCREAMING
:19:02. > :19:11.What year was this? I don't know. Because I have been sucking at this
:19:11. > :19:17.game. I wondered what you were going to say there. That is such a
:19:17. > :19:24.different game you shall talking about. I will tell you, that is
:19:24. > :19:32.October 2011, ladies and gentlemen. Last month. That is amazing. That's
:19:32. > :19:35.a great shot. You look good. Thank you. You are welcome. When we
:19:35. > :19:39.about gym and stuff, there are certain people that will never look
:19:39. > :19:45.like Arnold Schwarzenegger. I of those. When I saw that, I thought
:19:45. > :19:50.maybe doing the gym helps because it gets rid of a little something. Do
:19:50. > :19:54.you only eat one meal a day. That's not right. I did for a while. I
:19:54. > :20:04.didn't like that very much. The regime I am on now lets me have
:20:04. > :20:06.
:20:06. > :20:13.three good meals a day, I have to eat the right stuff. Not nan doughs.
:20:13. > :20:16.Kelly, NANDOS and a brisk walk. Kelly, NANDOS and a brisk walk.
:20:16. > :20:23.200 steps. Down to business. You still are working and getting out
:20:23. > :20:31.there. New album, Soulicious. A lot of you went to the tour, I am sure.
:20:31. > :20:36.Yes. Very good. This album, it went in at Number 10 in the charts. Is
:20:37. > :20:39.fair to say you don't get that much radio air play with your stuff?
:20:39. > :20:44.Things have changed greatly. understand what the policies are
:20:44. > :20:49.more. I fought a lot of battles trying to make sure we had our music
:20:49. > :20:55.played to the public. The thing I can't win. I make projects. This is
:20:55. > :21:02.a project. I got a chance to sing with the Temptations, the
:21:02. > :21:07.Styleistics, Freda Payne. All these people joined me. In a way, you have
:21:07. > :21:14.to bypass radio. It is a shame. To me, radio and rock 'n' roll are hand
:21:14. > :21:19.in glove. If something is a hit, like the Millennium Prayer, your
:21:19. > :21:23.public and your fans love your music. They buy your music. What is
:21:23. > :21:27.the disparity between them and musical executives? I don't know.
:21:27. > :21:34.was the biggest selling British single of that year, but we couldn't
:21:34. > :21:44.get the air play. It is unfair, it borders on ageism, now that I am
:21:44. > :21:44.
:21:44. > :21:48.50... I love her. I am like OK. It is one of those things. We have
:21:48. > :21:52.learn to live with us, including X Factor people. There come a point
:21:52. > :21:56.when you won the competition, everybody is hot for you, you make
:21:56. > :22:03.records. When you are trying to going that you need that kind of
:22:03. > :22:13.help. All right. The DVD I hope make up for everything. The DVD,
:22:13. > :22:18.yes. I have it here. Yeah, yeah. is all in hand. I appear to be on
:22:18. > :22:28.idiot, I know what I am dock. Here is a taste of you on tour
:22:28. > :22:30.
:22:30. > :22:40.# But she just wasn't it # But she just wasn't it
:22:40. > :22:53.
:22:53. > :23:02.# For me the girl was all # The girl in the window...
:23:02. > :23:03.That is in shops from Monday, 14 November.
:23:03. > :23:05.November. November.
:23:05. > :23:13.That is in Very good. I tell you what, I am a
:23:13. > :23:23.little overknighthoods now, I will see you Sir and raise you a Lord.
:23:23. > :23:33.
:23:33. > :23:40.Please welcome Lord Sugar. APPLAUSE Hello, sir. How nice to see you. Oh!
:23:41. > :23:47.APPLAUSE. SCREAMING. How are you, Sir? How are you, Lords Sugar? I
:23:47. > :23:54.mean, I am a bit frightened, Graham, the last time I came on you accused
:23:54. > :24:01.me of aupsetting one of your guests. I saw you with Alex on the One Show,
:24:01. > :24:06.who is the worst guest, that Lord Sugar. You said I upset a
:24:07. > :24:15.somebody or other. She was talking about the chemistry on the sofa. And
:24:15. > :24:24.I said: Sometimes it doesn't work. Pot, kettle. Two weeks ago, we had
:24:24. > :24:33.Nancy Dallaglio and you go, Nancy, what do you do? Then she went off
:24:33. > :24:37.and said, Sven, pasta, you said no, no, what do you actually do? Pot,
:24:37. > :24:43.kettle. Don't you think? You are not going to upset any gets. Are
:24:43. > :24:48.fan of Sir Cliff. What a legend to be sitting next to. Great guy. Have
:24:48. > :24:53.you been to the concerts. The wife has and threatened not to let me in
:24:53. > :25:00.the house unless I bring back a signed thing from Cliff and he has
:25:00. > :25:10.given me one. I am OK. You get home and hear Devil Woman from the
:25:10. > :25:11.
:25:11. > :25:17.lounge? Yeah. She loves him. Now, your book, your new book, the Way I
:25:17. > :25:23.See It, is it a Jeremy Clarksonesque collection of rants? Who is
:25:23. > :25:27.Clarkson? Who is he? Small show BBC Two. It is letting off steam,
:25:27. > :25:33.bit of a rant here and there. It is also advice because the
:25:33. > :25:40.Cliff, you take your appearance very seriously. You do, though. You
:25:40. > :25:44.exercise like mad. Not like mad. Cliff, you play tennis, right. I do.
:25:44. > :25:54.I don't know about you. The knees are having trouble. I am fine.
:25:54. > :25:59.Pounding on the court. The back. You play doubles, though? No. Singles.
:25:59. > :26:09.You used to put on a great tennis tournament once a year. I did. Never
:26:09. > :26:14.invited me. It is happening again. I will stand right here. So I
:26:14. > :26:19.pound on the courts any more. I gone into cycling. I ride bikes.
:26:19. > :26:27.Also, you have a clever diet plan which you go into. Yeah. Talk us
:26:27. > :26:34.through it. It is called - yeah. No, it is a good idea. It is a
:26:34. > :26:39.idea. It happened in America. I was in America in that fla. Near Miami.
:26:39. > :26:45.And a guy gave me collapse and they had the little fork with collapse,
:26:45. > :26:53.pick them out. I thought I would embark upon eating main course using
:26:53. > :26:58.this little fork. My wife looked at me like mad. What are you doing? I
:26:58. > :27:04.am working on something here. I am eating with this little fork. And it
:27:04. > :27:09.occurred to me that it took me ages to get halfway through the plate of
:27:09. > :27:17.food, by which time the brain was telling me you are full up. It is a
:27:18. > :27:23.little fork diet. I take a little fork around with me. You try it.
:27:23. > :27:31.you are finding it difficult to follow the little fork diet, Lord
:27:31. > :27:37.Sugar provides the difference between a large and small fork. No
:27:37. > :27:44.stone let unturned. The attention to detail, I think it is called. Do you
:27:44. > :27:49.have any knife as well? Americans, as you will know, don't use a
:27:49. > :27:55.as well. They use the fork to mess around. That is it. Some of them
:27:55. > :28:00.a shovel. And bucket. Yeah. In the book, there is advice in there,
:28:00. > :28:06.there is life advice. Also things that annoy you. Yeah. As you see,
:28:07. > :28:12.is a thick book. Let's go some of the things. There is a
:28:12. > :28:17.chapter on mere low which is about you you are not a fan of pretentious
:28:17. > :28:20.restaurants. Well, I am awfully sorry. I don't want to be accused of
:28:21. > :28:26.upsetting one of your guests. Please don't. I have only frequented
:28:26. > :28:31.America for the past 40 years in the state of Florida. That may
:28:31. > :28:35.tell all. OK. It is not representative of the whole country.
:28:35. > :28:41.It isn't. I pleaded fifth there. In that state, I have
:28:41. > :28:45.across lots of restaurants, Italian restaurants, where there isn't an
:28:45. > :28:54.Italian waiter, the guy is not from Italy, never been near Italy, they
:28:54. > :28:59.make up all these names for Italian food that the Italians never heard
:28:59. > :29:09.of. Never heard of it. Then they purport to know about wine. And they
:29:09. > :29:14.come out offering me all sorts all that. I don't know anything. It
:29:14. > :29:23.annoys me. It can go the other way. I was in an Italian and ordered the
:29:23. > :29:32.bruschetta. The bloke says said and I said it is 8.
:29:32. > :29:41.I said it is 8.50 for tomato and toast. Waiter beware. I love what
:29:41. > :29:50.you do, if you don't like a meal. Well, I actually write the message
:29:50. > :29:56.on the plate using the food. For example, it was mash potato left
:29:56. > :30:06.over. You can move it armed with a knife and write little messages. It
:30:06. > :30:08.
:30:08. > :30:14.can't be a long word. Crap isn't long. The waiter comes back. He
:30:14. > :30:19.looks at it like that. Mash potato is good to do that with. If you get
:30:19. > :30:25.string beans, they short-circuit it, you can make a long A and L with
:30:25. > :30:32.that rather having to skull p the potato. You know what is perfect for
:30:32. > :30:40.that, alphabet spaghetti. Some of the meals would be better off
:30:40. > :30:44.that. You love the wine, Sir Cliff Richard. I enjoy it. You make
:30:44. > :30:48.own. I don't make it. I have a good wine maker that comes from
:30:49. > :30:56.Australia, plus the guy that lives in Portugal. This is too much. I
:30:56. > :31:06.have a Sir, Lord, you are making your own own wine. I am piss poor.
:31:06. > :31:13.Do you feel better? You stick me, sister. That's great. Not that
:31:13. > :31:18.bad at the moment. Very good year. You did well. What do you actually
:31:18. > :31:24.do? I am a waiter. I am here to have a go at him. It wasn't that bad,
:31:24. > :31:33.that mash, Alan. Then, it is like Christmas, ladies and gentlemen.
:31:33. > :31:41.Micky Flanagan has a DVD out. APPLAUSE. Easy to wrap. This is a
:31:41. > :31:50.tour you just finished. The Out Out tour. I can't say it. Out Out. You
:31:50. > :31:56.are like a pop star. You have hit bits that people love. I do. Are you
:31:56. > :32:00.familiar with the Out Out stuff? If anyone isn't, this is a taste of it,
:32:00. > :32:06.explain. In the UK, we have different levels of being out,
:32:06. > :32:10.haven't we? You can go out, end up out, and then you can end up out,
:32:10. > :32:17.out. Everybody knows what they are. You will find yourself saying to
:32:17. > :32:22.people: I can't come out. I didn't even come out. I only popped out.
:32:22. > :32:32.They will go but you will come out. I will come out but I am not coming
:32:32. > :32:40.Talking about Out Out, that is out Talking about Out Out, that is out
:32:40. > :32:46.on the 14 November. See you in charts. Y. It is hard to choose,
:32:46. > :32:52.isn't it, Kelly, in the DVD What shall I buy. Kelly won't
:32:52. > :32:58.understand a word of it. I have been to America. You don't understand
:32:58. > :33:08.Cockneys. Can I tell you a story of a faux pas. In America, they all air
:33:08. > :33:08.
:33:08. > :33:15.ass, where I come from, we call it a house. I took a girl out, on the way
:33:15. > :33:25.home, I stopped her and said when we get out what are the chances of me
:33:25. > :33:28.
:33:28. > :33:34.coming in your (ass) house? APPLAUSE It was a genuine mistake. I know she
:33:34. > :33:38.said: Oh, yeah, you can come. I had to reassure her. I won't try to
:33:38. > :33:41.you, you know. That is the short of mistake you can make over there.
:33:41. > :33:49.They cannot understand a words. The Americans are so nice. You are
:33:49. > :33:54.speaking to them and they say: I am sorry? Vent Julily they go like
:33:54. > :34:02.this. You know they don't understand a words. OK, fine, yeah, I will see,
:34:02. > :34:12.take care. Kelly, you will be singing for us. Absolutely. APPLAUSE
:34:12. > :34:13.
:34:13. > :34:22.Thank you. Lord Sugar, you tweet about X Factor all the time. Yeah.
:34:22. > :34:28.Yeah. You do, though. What happens is the wife likes to watch it. I
:34:28. > :34:35.drive the Sky plus. You might not understand what that means, being
:34:35. > :34:45.American. I understand what you are saying, OK. I drive the Sky Plus.
:34:45. > :34:45.
:34:45. > :34:51.Artist comes on, sing, sing. Push, push forward. Panel, panel, adverts.
:34:51. > :34:55.Kissing, everybody hugging, sod off. Go through that. And I loved you,
:34:55. > :35:04.Simon, want to be here all my life. Through all that stuff. We manage to
:35:04. > :35:08.get an hour and a half programme down to 25 minutes. Yeah. I read
:35:08. > :35:12.somewhere, Cliff, that you said you entered, you wouldn't get
:35:12. > :35:16.through the first audition. I don't think so. Not the way things are. If
:35:17. > :35:20.we were starting at the same time, I might have stood a chance. The kids
:35:20. > :35:23.that sing, they have had 60 years of influence. They don't know
:35:23. > :35:27.are influenced by. It before they were born. It is all
:35:28. > :35:36.there. They come out and sing fantastically. When we started off,
:35:36. > :35:43.there had only been... Have you been watching this week? I think you
:35:43. > :35:50.should enter. The over25 category is piss poor. We have kitty. Don't. She
:35:50. > :35:56.makes you go oh, not yeah! I think would get further in X Factor than
:35:56. > :36:06.on the Apprentice. Because I don't do Mondays. You know why? Because
:36:06. > :36:12.you can't sing. How would you feel about somebody saying: I don't do
:36:12. > :36:17.Mondays. I have 3,000 of them already. They wake up on
:36:17. > :36:22.Tuesday. Are you going to come next year? We will see. I don't
:36:22. > :36:28.know. Yes. Why wouldn't you. That is so nice. Britain has embraced you.
:36:28. > :36:32.The new album, it seems to me, because it has a lot of dance stuff
:36:32. > :36:37.on it, which is more European, more British, do you think your career is
:36:37. > :36:44.more here now? No. I just came off of a number one for seven weeks in
:36:44. > :36:48.America. I am happy. I can go both. It is a blessing. Not only that, to
:36:48. > :36:52.be so far away from home, you still feel like you are at home,
:36:52. > :36:58.appreciate the love I am getting here. Thank you. APPLAUSE. We are
:36:58. > :37:08.about to love you musically. Thank you. You are giving us Down For
:37:08. > :37:08.
:37:08. > :37:15.Whatever. Down For Whatever. It is a racy title. You said with. I am down
:37:15. > :37:22.with whatever you said. You For Whatever. It is released on 21
:37:23. > :37:32.November. If you would like to and get ready. There she goes.
:37:33. > :37:34.
:37:34. > :37:44.APPLAUSE. Nandos and a brisk walk everybody. Stories in the red chair
:37:44. > :37:46.
:37:46. > :37:54.but first singing Down For Whatever, it is Kelly Rowland. APPLAUSE.
:37:54. > :38:01.# I'm down for # Baby let's get creative
:38:01. > :38:08.# I'm down for whatever # There's no place I
:38:08. > :38:17.# Tonight I'm ready to take # Imamazed by you
:38:17. > :38:21.# You bring out a side I didn't # And I'll do
:38:22. > :38:26.# Can't say no to # It ain't
:38:26. > :38:33.# Mixed with # No baby every
:38:33. > :38:37.# I'm down for whatever # When it comes to
:38:37. > :38:42.# I could make love on the floor # I'm down for whatever
:38:42. > :38:48.# Baby let's get creative # Cause with you I
:38:48. > :38:55.# I'm down for whatever # I could make love on the
:38:55. > :39:02.# I'm down for # Baby let's get creative
:39:02. > :39:07.# Cause with you I # I'm down for whatever
:39:07. > :39:17.# I'm down for whatever # I'm down for
:39:17. > :39:19.
:39:19. > :39:22.# Let's Exmoor, see what # I'm waiting for you to
:39:22. > :39:25.# No restraints # No restraints
:39:25. > :39:29.# No regrets # No regrets
:39:29. > :39:37.# Just give me your eye, I won't # Say
:39:37. > :39:46.# And I'll do anything, can't say # It ain't juice, mixed
:39:46. > :39:50.# No, baby every # I'm down for whatever
:39:50. > :39:56.# When it is comes to # I could make love on the floor
:39:56. > :40:01.# I'm down for whatever # Baby let's get creative
:40:01. > :40:09.# Cause with you I # I'm down for whatever.
:40:09. > :40:13.# I could make love on the # I'm down for whatever.
:40:13. > :40:23.get creative # Cause with you I am
:40:23. > :40:31.
:40:31. > :40:38.# I'm down for whatever. # I'm down for whatever. Tonight
:40:39. > :40:47.you're making everything feel # Tonight shall I wanna get high and
:40:47. > :40:48.touch # I'm down for whatever. When is
:40:48. > :40:56.comes to # I could make love on the
:40:56. > :41:00.# I'm down for whatever # Baby let's get creative
:41:00. > :41:04.# Cause with you I # I'm down for whatever
:41:04. > :41:10.# When it # floor
:41:10. > :41:20.# I'm down for whatever. # Baby let's get creative
:41:20. > :41:22.
:41:22. > :41:27.# Cause with you I am # I'm down for whatever. APPLAUSE.
:41:27. > :41:31.Kelly Rowland, everybody. Sers APPLAUSE.
:41:31. > :41:38.Come back here. That was fabulous. Come back here. That was fabulous.
:41:39. > :41:43.Come back here. That was fabulous. Kelly Rowland. APPLAUSE. They love
:41:43. > :41:45.Kelly Rowland. APPLAUSE. They love Kelly Rowland. APPLAUSE. They love
:41:45. > :41:51.Come back here. her. Thank you so much. Singing and
:41:51. > :42:01.dancing. That single is from This Is Me which is out on 28 November. Etc
:42:01. > :42:02.
:42:02. > :42:06.LAUGHTER. Before we go, let's have a LAUGHTER. Before we go, let's have a
:42:06. > :42:11.story in the red chair. Who is up first? I would like one much these
:42:11. > :42:20.for my board room. It would be good. Imagine like that and the
:42:20. > :42:25.of the room. With regret. Who is up first? It is like your boardroom.
:42:25. > :42:32.What is your name? Mark. You must have a proper job, Mark. I am a
:42:32. > :42:37.barrister. Are you really? Yes. You are doing this? Regretting
:42:37. > :42:47.already. See, if you were one of his compliance, I recognise him. What
:42:47. > :42:47.
:42:47. > :42:57.the hell? What sort of law do do? Employment discrimination.
:42:57. > :43:02.
:43:02. > :43:06.LAUGHTER. We have time for one more. Hello, nice lady. How are you. I am
:43:06. > :43:12.very well. What is your name, smilely lady. Michelle from
:43:12. > :43:16.Galloway. Michelle from Galloway. It is a long name but still. What do
:43:16. > :43:26.you do Michelle from Galloway. I started a new job on Monday. What is
:43:26. > :43:32.it? It is doing PA. Doing PA. Is that a drug? Being a PA. You are a
:43:32. > :43:38.PA. Not to anyone on the couch. I wish. Right. Your new employer might
:43:38. > :43:42.be watching this. I am not sure made a clever decision. All right,
:43:42. > :43:45.Michelle from Galloway, off you go. Basically, I moved here in the last
:43:45. > :43:51.three weeks. I was visit anything March of this year. I bought
:43:51. > :43:54.pair of very, very cheap high shoes, went over on my ankle walking to a
:43:54. > :44:01.theatre. I couldn't walk, the theatre was five seconds away, I had
:44:01. > :44:06.to get a taxi and basically we were going to Dirty Dancing. I had to be
:44:06. > :44:16.carted in a wheelchair to show. We paid �100 each for the
:44:16. > :44:19.
:44:19. > :44:23.tickets. The king of nice. I so wanted to be a baddie. Well done,