:00:08. > :00:10.One of tonight's guests was in the hit movie Twins, about two twins
:00:10. > :00:14.who were completely different. Isn't that right, Little Graham?
:00:14. > :00:19.Yes, Big Graham, it certainly is. Who's a cute little Graham then? Do
:00:19. > :00:29.do do do do do do do. He's so sweet, I want to tickle him. Stop it, stop
:00:29. > :01:00.
:01:00. > :01:10.Hello and welcome to the show. From both of us. It's going to be a
:01:10. > :01:19.great show tonight. Hollywood Voice of the Valleys, Charlotte
:01:19. > :01:25.Church is here. Welsh comedy great Rhod Gilbert is on the show. And
:01:25. > :01:35.we've got music from - can you guess the name of the band? Yes,
:01:35. > :01:39.
:01:39. > :01:45.Now, Charlotte Church of course shot to fame when she sang for the
:01:45. > :01:53.Pope. Then she went on to become a sexy rock chick. But the Pope was
:01:53. > :02:01.still interested. And our sports- packed summer continues apace. Is
:02:01. > :02:11.everyone enjoying Wimbledon? You've got no jobs, you're watching
:02:11. > :02:14.
:02:14. > :02:17.Wimbledon! I love the way some players can be really vocal during
:02:17. > :02:20.a game. That approach can have its drawbacks if you're not ready for
:02:20. > :02:25.the serve. Andy Murray of course is Britain's number one. And there
:02:25. > :02:32.have been signs this year that he's been more nervous than ever. Let's
:02:32. > :02:42.get some guests on. Later we'll be having music from Fun. Boy oh boyo,
:02:42. > :02:46.
:02:46. > :02:56.it's my favourite Welsh comedian, My prayers have been answered, it's
:02:56. > :03:20.
:03:20. > :03:30.Oh, Danny boy, the couch, the couch Good to see you. They are kissing
:03:30. > :03:36.
:03:36. > :03:40.Get it down you. You are all very welcome. You are working really
:03:40. > :03:45.hard at the moment so it is very kind of you to find the time.
:03:45. > :03:50.pleasure to be here. What is odd about the couch is that I assumed,
:03:50. > :03:55.Charlotte and Rhod, you would know each other. See each other down the
:03:55. > :04:00.supermarket! Charlotte and Danny, you know each other. Yes. When was
:04:00. > :04:10.it? Charlotte came to my house in Beverly Hills. We hung out. How old
:04:10. > :04:10.
:04:10. > :04:18.were you? 13. Where is this story going? There were other... Not just
:04:18. > :04:24.a two... I was working on a movie, I'm still working on this idea to
:04:24. > :04:29.make a movie about a 13-year-old girl. It is called The True
:04:30. > :04:36.Confessions Of Charlotte Doyle. It is a wonderful book. At the time, I
:04:36. > :04:40.was just beginning to work on it. I heard Charlotte saying and I saw
:04:40. > :04:45.her talking with some folks on a show like this and I thought she
:04:46. > :04:51.was really great but I thought, I'd like to meet her and since I'm a
:04:51. > :05:01.big and powerful producer, I can get anything I want! And you didn't
:05:01. > :05:07.
:05:07. > :05:12.It is funny, that idea if you, Charlotte, going to these parties
:05:12. > :05:21.at 13. Didn't you go to a Britney Spears party? Yes, I was 15 then.
:05:21. > :05:25.Where our! The grand old age of 15. Britney Spears was there. Her PA
:05:25. > :05:30.came up to me and she had a really brought Texas accent, she said hey,
:05:30. > :05:36.dull, Britney is a massive fan and she would like to meet you. I said
:05:36. > :05:43.OK. I went over and Britney just went, hello. And carried on. I
:05:43. > :05:49.thought, OK. Her PA said, that was so amazing for Britney, she loved
:05:49. > :05:56.it. All over the world, Danny DeVito, you are a massive star, big
:05:56. > :06:03.producer. But in Wales, I give you royalty. Now we are talking.
:06:03. > :06:08.two of them! I almost spat that out! Did you guys see that Jubilee
:06:08. > :06:13.thing on TV? I thought that was a killer. That poor woman was out
:06:13. > :06:19.there for how many hours in the rain? Standing there like a trooper.
:06:19. > :06:24.You take your hat off to that woman. The next day, I find they are that
:06:24. > :06:33.Philip was in hospital. No wonder he's in hospital, he's 90 years
:06:33. > :06:42.old! Of a sunk him! Or of the network's loved that. -- all of the
:06:42. > :06:52.networks. Look at that boat! Whereas that boat from? She is
:06:52. > :06:54.
:06:55. > :06:59.doing that. How does she do that? It is amazing. Even more amazing
:06:59. > :07:04.was the handshake yesterday with the IRA guy. Wasn't that Karel?
:07:04. > :07:14.That was incredible. She is having quite the year! We just have to
:07:14. > :07:24.keep Philip going, that guy is cool. She really has had a busy year.
:07:24. > :07:33.
:07:33. > :07:39.Somebody's got me! -- somebody stop me. I am not hearing Sir Danny!
:07:39. > :07:43.was hoping she would come to see the play. The Sunshine Boys. An
:07:43. > :07:48.open invitation to Her Majesty, please come. Write her a letter.
:07:48. > :07:53.Her I wrote to her already. Danny DeVito, you're in the West End, The
:07:54. > :07:58.Sunshine Boys, Savoy Theatre. I saw it last night. It is astonishing,
:07:58. > :08:05.so good. Such a privileged to see you and the rest of the cast do
:08:05. > :08:09.that play. I'm having a great time. I have got it until July the 28. I
:08:09. > :08:15.am savouring every moment. I've never been on the stage in the West
:08:15. > :08:20.End. The last time I was on stage was in 1972 in you walk -- New York
:08:20. > :08:25.doing One flew Over the Cuckoo's nest. This is 40 years later. Talk
:08:25. > :08:31.about royalty, Richard Griffiths is amazing. He is a national treasure.
:08:31. > :08:39.He has a wonderful actor. It is you and Richard, you play an old
:08:39. > :08:45.vaudeville act with tensions. Estranged. We have a lot of fights,
:08:45. > :08:51.big conflict on stage. There's something inherently funny about us.
:08:51. > :08:56.Look at us together, that is just right there! The last play, One
:08:56. > :09:01.flew Over the Cuckoo's Nest, the movie of that... That was your big
:09:01. > :09:08.break. Yes. Michael Douglas was one of the producers. Yes. You lived
:09:08. > :09:14.together. Michael and I did. We were in New York in 1968 and we
:09:14. > :09:20.shared an apartment. I was the vague magnet. That was it. -- at
:09:20. > :09:28.Babe Magnet. It was a symbiotic relationship with the tie on the
:09:28. > :09:33.door. If you have a small apartment, if somebody is shagging a girl, put
:09:33. > :09:40.the tie on the door and if you see the tide, you go for a walk. You
:09:40. > :09:46.notice the way I said she had? Really crazy. I like that the
:09:46. > :09:51.shagging was so it unexciting that you could not hear at a peak. -- a
:09:51. > :10:01.peep. You don't want to walking on that. Talking about time passing
:10:01. > :10:02.
:10:02. > :10:12.and getting older, you don't look... Your passport. -- you have passed
:10:12. > :10:12.
:10:12. > :10:21.40. No way! That was sarcastic. Is it a big deal? Who did that? That
:10:21. > :10:31.was your twin brother! Who did that sarcastic no? Cheeky bastard! I
:10:31. > :10:36.
:10:37. > :10:41.past 40 years ago. How odd are you? 44. Danny is 38! Was at a big deal?
:10:41. > :10:46.What are you on about, it was four years ago! Of course it is a big
:10:46. > :10:54.deal. You are nowhere near that. I've got 14 years yet. You are
:10:54. > :10:59.still so young. 26. Christ, that's unbelievable. You look much older
:10:59. > :11:07.than that! Just that you've been around... Donkey's years. A more
:11:07. > :11:11.than 26 years! You've been around longer than you have existed! Of
:11:11. > :11:21.celebrity longer than you've been a person. I remember sitting on the
:11:21. > :11:25.toilet when I hit 40. I haven't been since! I can remember looking
:11:26. > :11:35.down, this is a weird thought, looking down at my own Venus,
:11:36. > :11:43.thinking, that his 40 years old. That is 40 years... It has been
:11:43. > :11:52.dangling for 40 years. That thought blew my mind. I know all of my body,
:11:52. > :11:58.but it was just that one bit. It is older than Sydney Opera House!
:11:58. > :12:08.Longer than last of the Summer Wine. I'm hitting 50 soon. Tell me about
:12:08. > :12:22.
:12:22. > :12:26.it! I'm 49. No way! Is that it I must mention something else which
:12:26. > :12:35.is going to please a lot of people. They've just announced there will
:12:35. > :12:42.be a sequel to Twins. Yes. Very happy. We're going to call it
:12:42. > :12:49.Triplets. I'm not joking! Arnold and I got together and we talked
:12:49. > :12:54.about it. We wanted to bring something new to the table. We
:12:54. > :13:00.decided to go to Eddie Murphy and see if he would be our brother. We
:13:00. > :13:05.will see how it works out. first one was in 1988. What has
:13:05. > :13:10.taken so long? He became governor of California. That was the
:13:10. > :13:14.stupidest thing in the world. I'm always pitching ideas, trying to
:13:14. > :13:24.get some movies made or whatever, and I had him over my house for
:13:24. > :13:25.
:13:25. > :13:30.lunch. I have this idea for a Twins 2. We were talking and he said to
:13:30. > :13:36.me, people have been asking him... He may run for governor of
:13:36. > :13:42.California. I got so depressed, I said this is ridiculous, why?
:13:42. > :13:47.Firstly, I was thinking, I wasn't really thinking about the state and
:13:47. > :13:52.how could this guy run the state of California. I was thinking about
:13:52. > :13:56.how much money it would cost me if he doesn't do this movie! I said to
:13:56. > :14:01.him, Arnold, you are going to do this, get up in the morning and
:14:01. > :14:05.have a breakfast meeting. If you are Governor. You will have a
:14:05. > :14:09.branch meeting. Then lunch. Then a meeting in the afternoon, then you
:14:09. > :14:17.have to figure this out. All of this stuff by the time you come
:14:17. > :14:27.home. You will be a dead man. I said look at this. Twins to.
:14:27. > :14:39.
:14:39. > :14:44.Now, Danny DeVito, very exciting, because you are also in a new movie.
:14:44. > :14:52.The Lorax. It opened in the States a few months ago. It is a big hit.
:14:52. > :14:58.It is. It's a Dr Suess story. A wonderful writer. This is a
:14:58. > :15:05.terrific film. I play the voice of the Lorax. I speak for the trees.
:15:05. > :15:14.It was a blast to do. I did it in English and then I did it in German
:15:14. > :15:19.and I did it in Italian and I did it in Spanish, twice. Then I did it
:15:19. > :15:24.in Russian. So my voice... If you speak any of those languages, my
:15:24. > :15:29.voice is actually in the movie in all those places. It is mad! I have
:15:30. > :15:36.never heard it done before. Do you speak those languages? Yes, two of
:15:36. > :15:42.them. Yes, all those languages! No, I had coaches and we did it, it
:15:42. > :15:48.took a month or a month-and-a-half to do all the languages. Could you
:15:48. > :15:58.do it in Welsh? Do you speak Welsh? Do you like green eggs and ham.
:15:58. > :16:08.
:16:08. > :16:14.Could you do that in Welsh? No. right it is... SPEAKS WELSH
:16:14. > :16:19.Say again. It is good though. is how you do it. They write it out
:16:19. > :16:24.fon netically. We do it over and over again until we get the
:16:24. > :16:31.pronunciation right. Then make sure the performance is up to what it
:16:31. > :16:39.was in the movie n the American version. I cheated a bit. SPEAKS
:16:39. > :16:47.WELSH It is bacon. It is bacon. That is a great word
:16:47. > :16:55.for bacon. It means pigmeat. I was too embarrassed to say what ham was.
:16:55. > :17:00.What is that? Ham is ham! I was worried about changing the bacon.
:17:00. > :17:04.It opens on 27th July. We have a clip. This is you, performing in
:17:04. > :17:09.English. Yes. Question, what are they doing here?
:17:09. > :17:13.Follow up, if I may, what are you doing here?
:17:13. > :17:17.Well, after the incident last night, we found one of your socks and came
:17:17. > :17:22.here to return it. When we got here, you were asleep.
:17:22. > :17:28.Exactly and sleeping is the body's way of telling other people to go
:17:28. > :17:34.away. I know. But you looked so cosy. It was cold outside. We just
:17:34. > :17:42.fell asleep. No harm done. No harm done! No harm done! OK! OK, I put
:17:42. > :17:50.my lips on the... Well, I used to, any way!
:17:50. > :17:56.Did you just... In my bowl? That's why you have one of these!
:17:56. > :18:00.You don't even have a moustache. course, that's it. OK, I thought we
:18:00. > :18:06.made a deal last night! We did. I said I would not chop down any more
:18:06. > :18:08.trees. I said I'd keep an eye on you. I'm starving. What's for
:18:08. > :18:18.breakfast? The breakfast is overrated!
:18:18. > :18:18.
:18:18. > :18:25.Very good. Now, Charlotte Church, every time
:18:25. > :18:29.you're on the show I seem to be going, "You're back." Yes, I know.
:18:29. > :18:34.You do this thing, you go away and you just get on with your life.
:18:34. > :18:38.Isn't this how this show works? They go away and come back. Or do
:18:38. > :18:43.you stay here the whole time? are back with new material and you
:18:43. > :18:48.are planning a tour? Yeah. In the past we had the opera, then you
:18:48. > :18:57.went to pop. The last stuff was more rocky. What sort of stuff are
:18:57. > :19:02.you working on now? It's different again. The reason I go out of the
:19:02. > :19:05.limelight is not only because I have two little babies, but I get
:19:05. > :19:11.disillusioned with the music industry and think I've been doing
:19:11. > :19:19.it for donkey's years. I think, I can't do this any more. Then I get
:19:19. > :19:24.the bug. I miss it. I love singing. It's in my blood. It's what I've
:19:24. > :19:28.always done. You can download The Rise, it's on my website. Have a
:19:28. > :19:38.listen, see what you think. Sure, I will.
:19:38. > :19:42.And some of the new material, you have done one which is about the
:19:42. > :19:46.Leveson Inquiry? It is written around when I was going to the
:19:46. > :19:52.Leveson Inquiry. It's about kind of those faceless journalists who have
:19:52. > :19:56.the power to be able to kind of make a huge impact in whatever they
:19:56. > :20:01.are saying. They are very powerful people. It's Murdoch and all his
:20:01. > :20:05.many people and people who don't work for him necessarily. Your
:20:05. > :20:09.phone was hacked? I read that somewhere. I gave a statement to
:20:09. > :20:13.the Leveson Inquiry. Is that what you're talking about? OK. There
:20:13. > :20:17.were lots of revelations at the Leveson Inquiry, but the stuff that
:20:17. > :20:23.happened to you was really shocking, and it was shocking because you
:20:23. > :20:28.were a child. To be fair, I had a good rant. I had a good rant.
:20:28. > :20:33.off to you - I thought it was really good. APPLAUSE
:20:34. > :20:37.It was important... It was a weird time. I was happy to be a part of
:20:37. > :20:41.it. I think it's really important for this nation. I think a lot of
:20:41. > :20:49.people are coming out and saying, oh, well what about the freedom of
:20:49. > :20:54.the press? It's so important to democracy and so on and so forth. A
:20:54. > :20:57.freer press - are you telling me the press is that free with that
:20:57. > :21:01.many corporations basically controlling, being in with the
:21:01. > :21:07.Government and stuff. That's not a free, that's not a free press. Yeah,
:21:07. > :21:17.Graham! APPLAUSE
:21:17. > :21:17.
:21:17. > :21:23.The tour - and the artwork - quite arresting the artwork. Is that
:21:23. > :21:31.barbed wire? It is kind of like string. A dreadful flossing
:21:31. > :21:35.accident. It is a lyric in one of the songs. When I am crushed, mouth
:21:35. > :21:40.sown. It says a lot of things. It is however you want to interpret it.
:21:40. > :21:50.Rather than me saying, this is what the music is, I want people to come
:21:50. > :21:54.
:21:54. > :22:04.to shows. I'm going all over the country, in Oxford to lan did know.
:22:04. > :22:12.It is a Clan... And two children. How old are they?
:22:12. > :22:18.Three and four. Are you from the Home Office?
:22:18. > :22:21.Now, listen, Danny DeVito, it is funny, reading your book, you have
:22:21. > :22:27.given interviews, I am reading half the stories thinking that didn't
:22:27. > :22:31.happen. Is the story about you, the cigar and the plane true? Yeah, I
:22:31. > :22:37.was going to promote a movie in Europe. I was in New York, about to
:22:37. > :22:44.get on a plane. I'm with my buddy and we're having a great meal. They
:22:44. > :22:52.feed you like crazy. I drink like a fish, drinking like cog knack and I
:22:52. > :23:01.start to feel... I'm in the middle of the Atlantic. I felt I was dying
:23:01. > :23:07.for a stogy. This is like a double- edged sword. Cigars can till you.
:23:07. > :23:12.Do you like cigars? There we go. He was like, they
:23:12. > :23:16.won't let you smoke on the plane. I said to the flight attendant is
:23:16. > :23:23.there any way I can? She went to the captain. I was first class.
:23:23. > :23:28.There were not that many people up there. And he says if you could
:23:28. > :23:33.talk to every single person on the plane and get their permission,
:23:33. > :23:37.I'll let you smoke one. So, I went all - from the entire
:23:37. > :23:41.plane. I went from the beginning all the way through, downstairs,
:23:41. > :23:47.wherever they were. I spoke to everybody.
:23:47. > :23:55.And I got everybody's permission to smoke one. I went back up to the
:23:55. > :24:02.first class. And there was a guy who was asleep in the back. I said,
:24:02. > :24:08.he said you have to have everyone. I woke him up. I said, Excuse me,
:24:08. > :24:15.Sir. I want to smoke" I told him the story. He did a really great
:24:15. > :24:25.moment. He says "There is no way I am going to let you smoke a stogy
:24:25. > :24:25.
:24:26. > :24:30.on this plane, unless you give me one too." So we both had one.
:24:30. > :24:36.Now.... And this is the thing, I mean, like I know everybody, I dig
:24:36. > :24:43.you all and you all dig me, but don't give me my way all the time!
:24:43. > :24:49.OK! All my guests are used to touring the world. You have got
:24:49. > :24:55.dogs. Do you do that stupid thing of talking to your dogs on Skype?
:24:55. > :25:00.Why do you call it stupid? I do it. They look around. They don't really
:25:00. > :25:06.focus. They look around and - I've done that. Leaving your pets at
:25:06. > :25:12.home unattended, there are some perils to it. On the web there are
:25:12. > :25:21.pictures of what can happen. One of the websites is called my pets
:25:21. > :25:29.ruined. -- Shit My Pets Ruined.
:25:29. > :25:35.Like somebody has ruined my pet? That dog's ruined. No, they have
:25:35. > :25:43.ruined stuff. Here are some dog ones. Now, those three are blaming
:25:43. > :25:51.that dog. That dog is a problem dog!
:25:51. > :25:56.There were five dogs originally! It just exploded. My dog's blown up.
:25:56. > :26:02.No, there was never another one. Obviously, dogs are kind of smart,
:26:02. > :26:09.so they kind of think, well I might get in trouble, I have wrecked
:26:09. > :26:15.something. I know - I'll hide. I can't see them.
:26:15. > :26:21.Pretty sure they can't see me. I love this dog. This dog obviously
:26:21. > :26:27.decided to use the cat-flap. He was a bit big for the cat-flap.
:26:27. > :26:36.I like his face, going, no, no... Me! No, I don't remember using the
:26:36. > :26:46.cat-flap. I have no idea. Finally, it's not just dogs - check this
:26:46. > :26:50.
:26:50. > :26:56.cat... Never leave me alone again. Well done all of them. Brilliant!
:26:56. > :27:04.Now Rhod Gilbert you are touring the country. I know on 5th and 6th,
:27:04. > :27:12.no 5th to 7th. Is Hammersmith Apollo. We will record the DVD.
:27:12. > :27:19.There are 130 dates. We're doing Hammersmith Apollo, we end up in
:27:19. > :27:24.Cardiff. So you end with a big arena. 130 days. I like the Cardiff
:27:24. > :27:32.arena. It is smaller than the others. I thought I would finish
:27:32. > :27:38.there as a big finish. It is called The Man With The Flaming Battenberg
:27:39. > :27:44.Tattoo. That is not real, is it? Yes.
:27:44. > :27:50.you like it? You will be a good mother. When they are old enough to
:27:50. > :27:56.have tattoos, you will be like why? I am not as bad as I used to be. I
:27:56. > :28:01.do a programme called Work Experience. I was a tattoo artist.
:28:01. > :28:07.The producers were like, if you are going to tattoo someone you have to
:28:07. > :28:12.have a tattoo. I was like, I don't want one, I'm in my 40s. In tend, I
:28:12. > :28:21.went and said I would have one. To show you how pointless they are I
:28:21. > :28:26.will show you how pointless they can be. It was a battenberg with a
:28:26. > :28:30.flame from it. I said, do you see how pointless they are. I won that
:28:30. > :28:35.argument! It is real. It is real. It was for
:28:35. > :28:43.a TV show. You saw it done. My girlfriend hit the roof. Hit the
:28:43. > :28:48.roof. Why are you nodding. Damn right. We are not tattoo people.
:28:48. > :28:54.Why would she care? This is typical woman this is. She went through the
:28:54. > :28:57.roof for a reason that there is no logic. If she said you have a
:28:57. > :29:02.battenberg on your back, you have a tattoo on your back which is
:29:02. > :29:07.meaningless to you. She was annoyed for two reasons which have nothing
:29:07. > :29:12.to do with it. A, she doesn't like marsy pan. That's the first logic
:29:12. > :29:21.thing. She does not like one of the ingredients of my tattoo. And the
:29:21. > :29:26.other one, she said, why didn't you get one to remind you of me.
:29:26. > :29:36.should have just had a name. would not be pointless. It would be
:29:36. > :29:37.
:29:37. > :29:46.a meaningful tattoo. The point was Have you got a tattoo, Danny?
:29:46. > :29:52.You must know you are a tattoo. that again? If somebody had done
:29:52. > :29:57.this, I'm surprised you have not seen these before. I'm really
:29:57. > :30:03.looking forward to it. You must have seen these. Someone has
:30:03. > :30:13.tattooed youth on their arm. -- you. You must have seen that. A day in
:30:13. > :30:14.
:30:14. > :30:20.think I've seen that. There's another one. Frank Butcher! I think
:30:20. > :30:30.that his armpit hair up there. I think it is in there somewhere.
:30:30. > :30:35.
:30:35. > :30:40.cool! I did not pose for those. also were a drag queen. Drier
:30:40. > :30:50.artist is the preferred term! is incredible. Look at that man.
:30:50. > :30:52.
:30:52. > :30:57.Now look at him as a woman. You could host Daybreak! It is good. Is
:30:57. > :31:06.this the one where you had every bit of hair come off? Of course it
:31:06. > :31:09.was this one! You're in boots and a skirt. I was meeting her drag
:31:09. > :31:16.artist mentor the following day. I thought the first day I would go
:31:16. > :31:19.and get ready. I went to a company that can make Brian Blessed look
:31:19. > :31:24.like Audrey Hepburn. I thought I would go there and fame whacks me
:31:24. > :31:34.from head to foot. They plucked might eyebrows. I was almost in
:31:34. > :31:38.
:31:38. > :31:46.tears. I went in looking like Sue Then they put me in those clothes,
:31:46. > :31:55.I had fake tips and adjustable Nepal's. -- Nick Boles. I looked
:31:55. > :32:01.like a demented pastry chef. They folded my man Fanny in two a... And
:32:01. > :32:11.then dressed like that I had to go to a local pub and do a pub quiz. I
:32:11. > :32:13.
:32:13. > :32:23.became Rachel. It was very difficult. He would? -- who would?
:32:23. > :32:27.
:32:27. > :32:33.Anyone? This guy here. One? Really? Even he is having second thoughts!
:32:33. > :32:43.That is cold. What was the voice you used? We took a while to get
:32:43. > :32:44.
:32:44. > :32:50.that right. But I did some role- play. I tried to talk like this.
:32:50. > :32:56.Could you do the walk? Once they put you in that stuff, they put you
:32:56. > :33:04.in us -- in a corset and then put you in this stuff. My arm won't
:33:04. > :33:10.like that. -- won't like that. I said, what's happened? I looked
:33:10. > :33:20.down and my leg was like that. It was just because they changed my
:33:20. > :33:21.
:33:21. > :33:25.shape and made me more feminine. Could you start over there? Say
:33:25. > :33:31.you're a guest on the show and say I'm really happy to be here and
:33:31. > :33:41.give him a hug and kiss? I'm ready. Ladies and gentlemen, put your
:33:41. > :33:46.
:33:46. > :33:56.hands together for Richard -- So nice to see you, have a seat.
:33:56. > :33:56.
:33:56. > :34:04.Very nice to see you. This is what it's like being a woman! This is
:34:04. > :34:13.what you have to put up with, or perverts like him! By the way, you
:34:13. > :34:16.really don't need the power past. It is music time. I am thrilled
:34:16. > :34:20.with tonight's song. It is the best-selling single this year, it
:34:20. > :34:30.has been number one for weeks on both sides of the Atlantic.
:34:30. > :34:31.
:34:31. > :34:35.Performing, We Are Young, it is # Give me a second.
:34:35. > :34:37.# I need to get my story straight. # My friends are in the bathroom
:34:37. > :34:41.getting higher than the Empire State.
:34:41. > :34:46.# My lover, she's waiting for me. # Just across the bar.
:34:46. > :34:50.My seat's been taken by some sunglasses asking about a scar.
:34:50. > :34:56.And I know I gave it to you months ago.
:34:56. > :34:58.# I know you're trying to forget. # But between the drinks and subtle
:34:58. > :35:02.things. # Though holes in my apologies, you
:35:02. > :35:07.know I'm trying hard to take it back.
:35:07. > :35:17.# So if by the time the bar closes. # And you feel like falling down.
:35:17. > :35:19.
:35:19. > :35:29.# I'll carry you home. # Tonight, we are young.
:35:29. > :35:41.
:35:42. > :35:46.# So let's set the world on fire. # We can burn brighter than the sun.
:35:46. > :35:54.# Tonight, we are young. # So let's set the world on fire.
:35:54. > :35:59.# We can burn brighter than the sun. # Now I know that I'm not all that
:35:59. > :36:03.you got. # I guess that I, I just thought.
:36:03. > :36:08.# Maybe we could find new ways to fall apart.
:36:08. > :36:12.# But our friend isn't back. # So let's raise a cab.
:36:12. > :36:22.# Cause I found someone to carry me home.
:36:22. > :36:24.
:36:24. > :36:34.# Tonight, we are young. # So let's set the world on fire.
:36:34. > :36:43.
:36:43. > :36:53.# Carry me home tonight. # Just carry me home tonight.
:36:53. > :36:55.
:36:55. > :37:00.# Carry me home tonight. # Just carry me home tonight.
:37:00. > :37:06.# The world is on my side. # I have no reason to run.
:37:06. > :37:10.# So will someone come and carry me home tonight.
:37:10. > :37:15.# The end is never right. # But I can hear the choir.
:37:15. > :37:25.# So will someone come. # Carry me home.
:37:25. > :37:27.
:37:27. > :37:37.# Tonight, we are young. # So let's set the world on fire.
:37:37. > :37:42.
:37:42. > :37:52.# We can burn brighter than the sun. # So if by the time the bar closes.
:37:52. > :38:03.
:38:03. > :38:13.# And you feel like falling down. Way our! Fun, ladies and gentlemen!
:38:13. > :38:24.
:38:24. > :38:31.It is Fun! Do you call each other in the morning and say are going to
:38:31. > :38:37.wear the white shirt and the black- tied? We are like monkeys. It they
:38:37. > :38:43.do it. Thank you for coming in and playing the song. It is off your
:38:43. > :38:48.new album. Are you kind of nervous because that has been such an
:38:48. > :38:53.enormous hit? I'm nervous that we are sitting on a couch with Sir
:38:53. > :39:02.Danny DeVito. He that has been removed. It is not going to happen
:39:02. > :39:08.now. Dr? Do you off to Milwaukee tomorrow. The excitement continues
:39:08. > :39:14.for Fun. That is mad that you are zipping all over the world, but
:39:14. > :39:18.thank you for doing it. We've got very little time, but before we go,
:39:18. > :39:27.let's have the last red chairs of this series. Who's in the chair
:39:27. > :39:31.tonight? Hello! What's your name? Julia. We or are you from? I live
:39:31. > :39:35.in London, I came from San Francisco. A what do you do in
:39:35. > :39:41.London? I work for Google and I live with my husband, who is
:39:41. > :39:45.British. Not too many details, don't block us down! Off you go
:39:45. > :39:48.with your story. It was my twenty- ninth birthday and all of my
:39:48. > :39:55.friends and I had gone camping along the river in northern
:39:55. > :39:58.California. We were celebrating with a big barbecue that night. For
:39:58. > :40:04.I accidentally tripped and fell right into the camp fire and
:40:04. > :40:09.thought, my God, I'm on fire. 14 of my friends came to my rescue while
:40:09. > :40:14.my best friend in the world round in the opposite direction, grabbed
:40:14. > :40:24.her camera and documented the entire thing. My God! They hate
:40:24. > :40:26.
:40:26. > :40:35.I was hoping it would go somewhere else. I was hoping everyone pissed
:40:35. > :40:39.on her to put her out. I was hoping for the third degree burns. Sounds
:40:39. > :40:49.really stressful. That put me in a weird place. She fell in the fire!
:40:49. > :40:55.
:40:55. > :41:02.I was concerned for her safety. , OK. Who's next? That was shocking.
:41:02. > :41:08.The audience love you. What is your name? Rosy. Very popular. Very
:41:08. > :41:14.popular in the room, you look great. It is going really well. You have
:41:14. > :41:24.got a matching watch, trousers, lipstick. And my shoes! And your
:41:24. > :41:24.
:41:24. > :41:33.name is Rose! Rosie, we have high hopes. A nation waits for your
:41:33. > :41:41.story. I'm from Killarney, a very popular town in Ireland. Right near
:41:41. > :41:50.my house is a big field where a donkey lives. This is a great story
:41:51. > :41:55.so far! Let me crabber pen. -- grab a pen. The donkey lives there
:41:55. > :42:03.happily. He has since passed away, but this happened a few years ago.
:42:03. > :42:13.I understand. When I was six, my brothers decided they would do a
:42:13. > :42:15.
:42:16. > :42:23.spot of entrepreneurial staff. Keep going! He is dead now. He is happy,
:42:23. > :42:27.you are 6, the brothers are working. Go! They decided to bring you out
:42:27. > :42:37.of defence where the donkey liked to stand. They brought some sugar
:42:37. > :42:37.
:42:37. > :42:42.cubes and a bucket. And they brought a sign. Is this a novel?
:42:42. > :42:46.They put me standing with the bucket and a sign saying donkey
:42:46. > :42:55.pool is 50p for an entire day. About 500 people took pictures of
:42:55. > :43:05.me. Guess how much money I made? How much? �200! Good story. Good
:43:05. > :43:06.
:43:06. > :43:10.ending. You can walk. Very good! Was the donkey did in the story?
:43:11. > :43:20.died afterwards. It wasn't dead with her... That would be a great
:43:21. > :43:23.
:43:23. > :43:31.story. Pictures of a dead donkey... How did she not get... It is one of
:43:31. > :43:35.the worst stories I have ever heard? That's it! Well done to
:43:35. > :43:45.everybody. You can have a go on there were red chair if you contact
:43:45. > :43:51.us on the website. Thank you to my guests, Fun! Rhod Gilbert!
:43:51. > :43:54.Charlotte Church! And Danny DeVito! That's it for this series. Join me