:00:02. > :00:06.Sutherland, but a great day for heading into the hills or going out
:00:06. > :00:10.and about generally, if you don't mind that Jill. Winds easing off
:00:10. > :00:15.through the afternoon. Feeling quite pleasant here, temperatures
:00:15. > :00:21.at six or seven degrees typically. Three or four in the east, adding
:00:21. > :00:24.in the wind chill it will feel more like temperatures below freezing.
:00:24. > :00:28.Fantastic rugby weather. Tomorrow afternoon I will be torn between
:00:28. > :00:33.the sofa and getting into the sunshine. A chilly wind at
:00:33. > :00:37.Twickenham, but winds light at the Millennium Stadium.
:00:37. > :00:42.This ridge comes in on Saturday evening, briefly dipping into frost.
:00:42. > :00:46.But temperatures rising again as the weather front topples in,
:00:46. > :00:51.producing cloudier skies for Sunday. Notice temperatures significantly
:00:51. > :00:56.higher, perhaps even 10 or 11 degrees, across the south-west.
:00:56. > :01:00.As we go into next week, very strong winds for a time across the
:01:00. > :01:05.north of the UK, but turning gradually to the north. It will get
:01:05. > :01:15.colder again, we are likely to see snow and certainly widespread
:01:15. > :01:15.
:01:15. > :03:47.Apology for the loss of subtitles for 151 seconds
:03:47. > :03:57.overhead frost. More details online, Tonight I'm talking to the new film
:03:57. > :04:06.
:04:06. > :04:16.about Alfred Hitchcock. Let's start CHEERING AND APPLAUSE
:04:16. > :04:24.Oh. Too kind. Ladies and gentlemen, we have got a frighteningly good
:04:24. > :04:34.show for you tonight. She is acting royalty, Dame Helen Mirren is here.
:04:34. > :04:34.
:04:34. > :04:40.Yes, she is! Plus, we've got two stars from the Knocked Up sequel,
:04:40. > :04:44.This Is 40. Paul Rudd is on the show. With him is his co-star,
:04:44. > :04:54.Leslie Mann, ladies and gentlemen. Plus, we've got music from the
:04:54. > :05:03.
:05:03. > :05:08.fantastic Little Mix. Little Mix. Little Mix. Little Mix won X fact -
:05:08. > :05:18.- X Factor last year. Simon Cowell loved them because of the sound
:05:18. > :05:18.
:05:18. > :05:22.they generate. (TillRINGS). Paul and Leslie appeared together in the
:05:22. > :05:27.comedy Knocked Up all about someone who was surprised about delighted
:05:27. > :05:33.to find out they were having a baby. Elton has two kids now. Elijah and
:05:33. > :05:38.Zachary. I saw a picture of Zach ree recently and he really does
:05:38. > :05:43.have Elton's hair. Paul and Leslie's new movie is all about
:05:43. > :05:50.turning 40. You know particularly for women it can be hard hitting
:05:50. > :05:54.their 40s. Worry about their looks and can they find a man who still
:05:54. > :06:03.fancies them? Yes, they can. Dame Helen will be here chat being her
:06:03. > :06:10.new film where she plays the wife of Alfred Hitchcock. Steady girls.
:06:10. > :06:15.The movie was set when Hitchcock was making Psycho. Such a brilliant
:06:15. > :06:20.film. Best-known for the iconic shower scene. There's Janet Leigh.
:06:20. > :06:24.What could she have seen in a hotel bathroom that would have scared her
:06:24. > :06:30.that much? Don't mind me, love. Helen has been in so many great
:06:30. > :06:39.movies and winning an Oscar when she standard in The Queen. She does
:06:39. > :06:45.look a lot like her Her Majesty. -- Her Majesty. Here is Helen with a
:06:45. > :06:51.corgi. Here is the Queen with a corgi. Here is Helen meeting Tony
:06:51. > :07:01.Blair. Here is the Queen meeting Tony Blair. Spot on. Here is Helen
:07:01. > :07:10.with some bananas. Surely we haven't. OK. Here is the Queen with
:07:10. > :07:19.some bananas. Phew. Let's get some guests on. Later, we will be having
:07:19. > :07:29.music from Little Mix. But first, man alive, it's Leslie Mann. You
:07:29. > :07:39.sit down there. Ruddy hell, it's Paul Rudd, everybody.
:07:39. > :07:50.
:07:50. > :07:55.CHEERING AND APPLAUSE Sit yourself down. Welcome all. Now,
:07:55. > :08:00.have you just come back from America, Helen? No. I'm working on
:08:01. > :08:07.a play here. When did you get your star on the Walk of Fame? That was
:08:07. > :08:17.three weeks ago. An age ago. are you beside, with? I'm very
:08:17. > :08:21.
:08:21. > :08:28.close to Sylvester Stallone. Nice. It's a broad church. Are you guys...
:08:28. > :08:34.Do you have the star bit? No. yet. Any minnow. I don't know.
:08:34. > :08:43.Little Mix are on the Hollywood Walk of Fame. The big one, which is
:08:43. > :08:47.such an honour. You are in the Chie -- Chinese Theatre. I am. Are you
:08:47. > :08:51.double jointed? I wanted to do everything back to front. It looked
:08:51. > :08:56.like my hands and feet were weirdly back to front. I did. I crossed my
:08:56. > :09:02.legs over like this. I will show off now. I don't know if I can do.
:09:02. > :09:10.It I crossed my legs over like this. I wanted my hands to go like that.
:09:10. > :09:14.Oh! That wasn't a very good idea. Mystery marks. Cut that bit out.
:09:14. > :09:21.Mystery marks in the cement. What is that? I want people to look at
:09:21. > :09:26.that going, "that's weird, how did that work?". I'm there and
:09:26. > :09:33.incredibly proud. Paul, you have an affinity to Britain, is your family
:09:33. > :09:38.all British? Yes, both my parents are from London. You are ours! Yeah.
:09:38. > :09:42.I'm the first American in my family. So... I have been coming here my
:09:42. > :09:46.whole life. I feel very, very much at home. This is old hat. No sense
:09:46. > :09:51.of excitement at all? No, not at all. This is very exciting. Even
:09:51. > :10:01.more so. Even more so. Where is your family from. Which part of the
:10:01. > :10:02.
:10:02. > :10:09.world in England? My dad was Edgware. London boy. That got an,
:10:09. > :10:16."oh !" My mum was from Surrey. Chiswick. I was born there.
:10:16. > :10:24.Surbiton is huge. It's lovely to have you here Leslie. Why you are,
:10:24. > :10:31.didn't a psychic tell you not to travel? Yes, a psychic told me not
:10:31. > :10:40.to fly, text and drive or drive on curvy roads. While texting. Sounds
:10:40. > :10:46.like a very bad psychic. Don't jump off a cliff. She really scared me.
:10:46. > :10:51.I didn't want to leave the house. Now, I feel like, you know, like I
:10:51. > :10:58.want to rebell against the psychic and just do all these things and be
:10:58. > :11:05.like, "screw you, psychic" I'm going to stphrie. I feel if I talk
:11:05. > :11:15.about it enough it won't happen. You have to fly home yet! So far,
:11:15. > :11:20.so good. This programme is dedicated to... I'm glad I'm on a
:11:20. > :11:29.different flight. I thought, Paul, you would look more - you are
:11:29. > :11:36.preparing for anchor man. I was wondering where you were going for
:11:36. > :11:43.that. More clean cut. Or a little more... Put together. The anchor
:11:43. > :11:49.man hair is quite an event. start shooting Anchor Man 2. I'm
:11:49. > :11:57.trying to recapture that, unfortunately. Is that all your
:11:57. > :12:01.hair All my hair, sideburns. did they get it so... Fabulous?
:12:01. > :12:05.That was all real. I have been trying... We are going to start
:12:05. > :12:09.shooting in a few weeks. Are you all back together in it? Yeah.
:12:09. > :12:14.it true the last time you were on the show you did a spoiler for the
:12:14. > :12:22.first one? The last time, yes, we spoke and I was on your show, I was
:12:22. > :12:29.here talking about Anchor Man I had this story, I say in the movie that
:12:29. > :12:36.I have a nickname for my... So weird to say it out loud. A
:12:36. > :12:45.nickname for my penis. I also have a nickname for my testicles, the
:12:45. > :12:55.left one is James Westfall the right one is Dr Kenneth Noisewater.
:12:55. > :13:02.
:13:02. > :13:06.Quite a mouthful! You said it, not me! James Westfall was my roommate
:13:06. > :13:10.in college. I thought I will say that, and I'm not going to tell him.
:13:10. > :13:18.When he sees the movie on opening day, which I knew he would, that
:13:18. > :13:23.will be a nice surprise for him. Yeah. So I told the story, not
:13:23. > :13:28.really putting it together that the show would air the night before the
:13:28. > :13:33.movie opened, the show aired and everybody started calling James,
:13:33. > :13:38.did you watch Graham Norton he was talking about you. I felt I was
:13:38. > :13:43.carrying a football and fumbled on the one-yard line. I timed it
:13:43. > :13:47.poorly. A lot of guests forget they are going to be on television. I
:13:47. > :13:53.forget I'm going to air. It seems so unlikely. We have two great
:13:53. > :13:58.films, Hitchcock and This Is 40. Helen, Hitchcock. Congratulations
:13:58. > :14:04.on the nominations. BAFTA is the next one. Is that in a week and a
:14:04. > :14:11.bit? Sunday week. Is the gown choosen? Yes, it is. All about the
:14:11. > :14:18.gown. Nothing else matters. That is all it has become about. It is a
:14:18. > :14:21.lot of pressure? It is. It's unfair for us girls. So uncomfortable.
:14:21. > :14:26.Uncomfortable and stress making. They tell you look crap anyway.
:14:26. > :14:31.After all that. After all that, exactly. You play the wife of the
:14:31. > :14:37.great Alfred Hitchcock, Alma. It's not a biopic it's a specific point
:14:37. > :14:41.in time? Yes. It's the making of psycho. Originally, the film was
:14:41. > :14:44.called Hitchcock and the making of Psycho. It's about that period of
:14:45. > :14:48.time. They made this movie that nobody wanted to make. They
:14:48. > :14:55.believed in. They mortgaged their house to pay for. It they paid for
:14:55. > :15:00.it themselves. Boy, did that pay off in the end, big time! Yeah.
:15:00. > :15:05.It's an interesting point in a marriage. Interesting point in an
:15:05. > :15:08.artist's life, a film-makers life. It's an interesting point of film
:15:08. > :15:13.history as well. In an extraordinary kind of thing, you
:15:13. > :15:19.met Hitchcock? I did, yes, when I was very, very, very young. A child.
:15:19. > :15:24.A child. A child. No, when he came to England, London, to make his
:15:24. > :15:29.last movie Frenzy. Was it his last movie? Yes, I was an actress sent
:15:29. > :15:33.off to meet him. He hated me. Absolutely didn't like me at all. I
:15:33. > :15:39.didn't like him either. How did that manifest itself? In what way.
:15:39. > :15:45.How did you know he didn't like you? I don't know. He just wasn't...
:15:45. > :15:50.He was just so the of Hitchcockish. He was big, sitting behind his desk.
:15:51. > :15:56.I was very intimidated. Anyway, I was arrogant and stupid. I didn't
:15:56. > :16:00.realise he was a great genius. wasn't for you? No, I wanted to be
:16:00. > :16:09.in move with Jack Nicholson. I didn't want to do a Hitchcock movie.
:16:09. > :16:17.I mean, I was an idiot. Obviously, Anthony Hopkins does the full Iron
:16:17. > :16:21.Lady treatment. That is incredible. Pros thet -- prosthetics make-up is
:16:21. > :16:28.incredible what they do. Absolutely amazing. I mean, I was this close
:16:28. > :16:34.to him. I couldn't see... Absolutely real. Incredible.
:16:34. > :16:38.you forget? The make-up artist got nominated for an Academy Award.
:16:38. > :16:43.Quite rightly. Would you forget he was in there? No. Totally. I would
:16:43. > :16:47.forget that Tony was in there. At the end of the day, he did this...
:16:47. > :16:53.He did this alarming thing. By then he was frustrated with the make-up
:16:53. > :16:57.he put his hand up and rip it off his face. Like one of those horror
:16:57. > :17:05.movies. There would be Anthony Hopkins. It was like, "what the
:17:05. > :17:09.hell are you doing here?" You are in this movie, really? He was
:17:09. > :17:14.Anthony Hopkins became a stranger. I only knew him as Hitchcock.
:17:14. > :17:20.opens here on 8th February, next Friday. We have got a scene, this
:17:20. > :17:24.is you and Hitch discussing the plot of their new movie Psycho.
:17:24. > :17:33.Think of the shock value. Killing off your leading lady half way
:17:33. > :17:41.through. I mean, you are intrigued, are you not, my dear? Come on,
:17:41. > :17:46.admit it. Admit it? Actually, contingency's a huge mistake. You
:17:46. > :17:56.shouldn't wait until half way through, kill her off after 30
:17:56. > :17:58.
:17:58. > :18:04.minutes. Well! That is all true. I mean, she was
:18:04. > :18:07.very hands on in the making of the film? All of his movies, yes,
:18:07. > :18:12.absolutely. From early script development through the shoots,
:18:12. > :18:18.through the costumes and through the casting. Not so much she wasn't
:18:19. > :18:23.on the set. She did do what we show in the movie during the making of
:18:23. > :18:30.Psycho she did go in in and took over. When he was shooting she
:18:30. > :18:37.would stay back. One of the films that drew you to the fact that you
:18:37. > :18:42.are married to a very successful director? Yes. It made me
:18:42. > :18:46.understand certain elements in the script. I mean, when I first went
:18:46. > :18:50.to Hollywood and got with Taylor I completely, I don't know if you are
:18:50. > :18:57.experienced this, Leslie, people walking through you to get to your
:18:57. > :19:02.husband. Because the great and famous, in my case it was Taylor
:19:02. > :19:11.Hackford when I arrived. In Hollywood people can be pretty
:19:11. > :19:18.brutal. It's a strange relationship. In what way? I can relate. Leslie
:19:18. > :19:23.Mann is married to Judd Apatow. You work with Judd a lot? Yes. We have
:19:23. > :19:27.worked together, yeah... Has he directed you? Yes. It's weird. It's
:19:27. > :19:32.a different relationship. What happens at home. What happens there.
:19:32. > :19:37.It's really different thing. I found when I was being directed by
:19:37. > :19:46.Taylor I moved towards the cast. It was like, you know, I'm with them.
:19:46. > :19:50.I'm not with you. Right. These are my peeps. You're not my peep.
:19:50. > :19:57.you have been directing all day to come home it must be hard to stop
:19:57. > :20:00.and not be like, "not like that, we're losing light, first
:20:00. > :20:08.positions." Do you have to remind the director when he comes home he
:20:08. > :20:16.is not the director any more? in general. I sometimes do. Yeah,
:20:16. > :20:21.Judd gets really bossy. I have to... And demanding. Yeah, I do have to
:20:21. > :20:28.shut that down when we get home. feel like I know so much about your
:20:28. > :20:34.live. Judd has written and directed This Is 40. It's called a sort of
:20:34. > :20:38.sequel to Knocked Up. We remember you from Knocked Up. Where is the
:20:38. > :20:43.couple now? Obviously about to turn 40. It's about five years later. We
:20:43. > :20:49.are turning 40 within the same week. We kind of... Are going through a
:20:49. > :20:58.little crisis. A little crisis. Reassessing things. The kids are
:20:58. > :21:04.older. We, kind of, look at it as an opportunity to, reevaluate. Are
:21:04. > :21:08.we doing a good job as parents? Are we doing a good job as a married
:21:08. > :21:13.couple. Are we doing a good job in relating with our own parents and
:21:13. > :21:17.what can we do to make things better. Working on the script you
:21:17. > :21:23.did it through your own marriage, is that right? Sometimes we would
:21:23. > :21:28.have little arguments through the characters, Pete and Debbie. Saying
:21:28. > :21:38.things through the character that is we might be afraid to say to one
:21:38. > :21:43.another. OK. Things like that. was Debbie I maigt say this...
:21:43. > :21:48.Judd might say, "wouldn't it be fun to have a scene where, you know,
:21:48. > :21:56.Debbie is really crazy and controlling?" I would say, "yeah,
:21:56. > :22:01.it would be create to have a scene where Pete admits that he's a big
:22:01. > :22:09.dick." We would do that. Did you get a chance to put in the things
:22:09. > :22:17.that annoy you about Judd? A lot of things annoy me about Judd. Don't
:22:17. > :22:26.they, after a long time of being married? The coughing thing didn't
:22:26. > :22:33.make it in? The morning snot? that every day? Every day. He say
:22:33. > :22:41.it is's allergies. My husband does the same thing. Disgusting!
:22:41. > :22:46.second he wakes up it's like a Fawcett of snott. He snorts and
:22:47. > :22:54.snorts and doesn't think to blow his nose until I tell him. He will
:22:54. > :23:02.take a paper towel from the kitchen. Not use the whole paper towel. He
:23:02. > :23:07.will rip-off a little corner and blow his nose into the bit of paper
:23:07. > :23:13.towel. It's not big enough to hold it all. He will take the corner of
:23:13. > :23:16.it and clean up in there. Then, it starts all over again. It's like
:23:16. > :23:20.never-ending. I don't know what that. Is I feel like there is
:23:20. > :23:27.something he should take or a surgery he should get or something
:23:27. > :23:32.to cure that. Or is that... That is never going to go away? It's an
:23:33. > :23:39.infection. Is it? It sounds unbearable. I would leave him. I
:23:39. > :23:46.would pack up the kids and get out. Leave him some tissues and just go.
:23:46. > :23:52.Yeah. But he is also a genius. A snotty genius. The other thing
:23:52. > :23:56.about my husband, he is absolutely finds it impossible put dishes in
:23:56. > :24:00.the dish dish washer. He cannot do. It very weird. There is the sink.
:24:00. > :24:04.There is the dish washer. He will put things in the sink and just
:24:04. > :24:09.won't put them in the dish washer. I take them out and I put them in
:24:09. > :24:13.the dish washer. I think, no, he has to learn. I take them out of
:24:13. > :24:17.the dish washer and put them in the sink. I think, I can't stand them
:24:17. > :24:22.in the sink. Put them in the dish washer. No, if you leave them in
:24:22. > :24:30.the dish washer he will never learn that he didn't put them in the dish
:24:30. > :24:39.washer. I take them in and out 20 times. Is he really hairy? Is he
:24:39. > :24:49.what? Is he what, hairy. Hairy? Taylor? Not particularly. Since we
:24:49. > :24:55.
:24:55. > :24:59.are complaining about husbands. Judd very hairy? Very hairy. Do you
:24:59. > :25:06.trim him? Yes. I don't know why I do. This I want to pass it on to my
:25:06. > :25:14.daughter, teach her to do. It I have to shave his... His His...
:25:14. > :25:19.Quickly now. His neck. His neck. OK. But. There is a special trick to it.
:25:20. > :25:26.You have to do like a fade. So it's not a line because then it will be
:25:26. > :25:34.like a hair shirt. You have to do like clean from the bottom of the
:25:34. > :25:39.hair line. Blend it in. Yeah. Then blend. Yeah. Fashionable look these
:25:39. > :25:45.days. I know. Anything else. are doing well. You should get
:25:45. > :25:55.someone in to do that. Like the gardener! Leave him on the lawn,
:25:55. > :26:03.face down. They will take care of it. Right, This Is 40 opens on the
:26:03. > :26:07.14th February what an a lovely inexpensive Valentine's Day treat
:26:07. > :26:13.for somebody. This is a clip. This is the two of you in bed having a
:26:13. > :26:17.nice time. Why do we fight. makes no sense at all. It makes no
:26:17. > :26:22.sense. I feel like you want to kill me. I do want to kill you.
:26:22. > :26:28.would you do that? I would poison your cupcake that is you pretend
:26:28. > :26:34.not to eat every day and put enough to slowly weaken you. I would enjoy
:26:34. > :26:39.our last few months together. too. You would be weak and sweet I
:26:39. > :26:44.would take care of you while killing you. You can still surprise
:26:44. > :26:49.me. I thought you would do me with one swell swoop of poison, but you
:26:49. > :26:57.could extend it over a series of months. Have you thought about
:26:57. > :27:07.killing me? Sure. A wood chipper. wood chipper. Wow. Did you see
:27:07. > :27:07.
:27:07. > :27:14.Fargo? Yeah. Phew! CHEERING AND APPLAUSE
:27:14. > :27:20.Happy Valentine's Day's, hon. Sitting there going, "oh, this is
:27:20. > :27:25.our lives." it's all good. Your husband is directing you, he keeps
:27:25. > :27:34.in every movie encouraging you to cop off with other people. I know!
:27:34. > :27:39.What is that about? I don't know. He does encourage that. Fascinating
:27:39. > :27:47.psychological study. I heard you talking and you were honest about
:27:47. > :27:57.how excited you were to kiss ZachEfron. Yeah. What a great thing.
:27:57. > :27:58.
:27:58. > :28:05.Not in a creepy way. We all get it. He was very young at the time. My
:28:05. > :28:11.daughter... He was weak. I could pin him down. Oh. I had a steamy
:28:11. > :28:15.sex scene in Love Ranch that Taylor directed. How was that? You know
:28:15. > :28:20.what those scenes are like. They are so technical. There are 120
:28:20. > :28:25.people on the set anyway. You know, it's... It's something... No, don't
:28:25. > :28:31.put your leg there. Put your hand here. I will shoot it this way. It
:28:31. > :28:38.just becomes just, what is the word, a mathematical thing to work out. I
:28:38. > :28:42.know that the actor was absolutely mortified, you know. He was really
:28:42. > :28:47.worried about it. Of course, it was absolutely fine. It must be, kind
:28:47. > :28:53.of, in terms of going to work, it's quite a nice thing to do, isn't it,
:28:53. > :28:58.sometimes? Here is the thing. get to kiss a Hollywood actor.
:28:58. > :29:06.hear actors saying what you say, it's technical, there is a crew.
:29:07. > :29:14.That is just what we say. I say, "that's not true at all, it's
:29:14. > :29:21.awesome. It's not too bad." Your kids were thrilled about the Zac
:29:21. > :29:29.Efron thing? Zac kissed me. My daughter Maude ran up to me and
:29:29. > :29:34.licked my face. That was so she could taste Zac's spit. His minty
:29:34. > :29:41.spit. His minty spit. Helen, you talked about your least favourite
:29:41. > :29:47.kisser was. Who was your best? Please, don't go there! The best
:29:47. > :29:52.kisser. Oh, gosh, what a difficult question. You mean stage, theatre...
:29:52. > :29:58.I mean acting kiss? It's all kissing! No, it's not all kissing.
:29:58. > :30:05.That is what we... You know, we so often as actors, more in the
:30:05. > :30:10.theatre, also in auditions for film things. You walk in and, OK, and
:30:10. > :30:15.you have to immediately be very intimate if it's not kissing it's
:30:15. > :30:19.touching, hugging with someone you have met 30 seconds ago. We get to
:30:19. > :30:24.be able to do that. Things that other people would just feel so
:30:24. > :30:29.embarrassed and weird. We have to be able to go there very quickly.
:30:29. > :30:34.It's really hard. It's really awful, isn't it? Just terrible. It's
:30:34. > :30:41.strange. It's like you are done kissing somebody. It's like, "hi,
:30:41. > :30:48.I'm Paul." it's weird. Paul, your longest screen kiss was with
:30:48. > :30:55.someone unlikely? The most kisses I had in a movie was with your hero
:30:55. > :31:04.Jack Nicholson. You kissed Jack. Many, many times. Can I lick your
:31:04. > :31:12.face? Please, please do. Yeah, I was... He played my faither in a
:31:12. > :31:17.film called How Do You Know. The relationship we had, James Brooks
:31:17. > :31:20.wanted was that of a loving father and son. No matter what stress we
:31:20. > :31:30.were under or conflict in our relationship was we would kiss each
:31:30. > :31:35.
:31:35. > :31:41.other, hello and goodbye. James Brooks films a scene 730 -- 70
:31:41. > :31:50.times. On the lips? Yes. It was great. When I first met him I was
:31:50. > :31:54.going to rehearse with Jack Nicholson, I was very nervous. I
:31:54. > :32:00.had never seen him in person. I was a huge fan. He walked in, looked at
:32:00. > :32:10.me, grabbed me. Do it to me. Do it. Wait, wait. So you don't get
:32:10. > :32:20.lipstick on you. This is... This is what Jack Nicholson did. You are me,
:32:20. > :32:30.
:32:30. > :32:40.I will be JackNicholson. Excuse me, CHEERING AND APPLAUSE
:32:40. > :32:41.
:32:41. > :32:51.. You have lipstick on you. Thank you, very much. I feel bad for
:32:51. > :32:55.Leslie. You don't want my disease. You have a cold, back off lady!
:32:55. > :33:03.old were you? This was just a couple of years ago. It was one of
:33:03. > :33:09.the greatest moments of my life. Yeah, I bet it was. Now,...
:33:09. > :33:16.mine! And mine right there. Now, Helen we must talk about your
:33:16. > :33:23.return to the stage. Oh, yes. Right. What? Yeah. It's quite soon. You
:33:23. > :33:28.are back on the stage in the West End The Audience. It's your return
:33:28. > :33:34.to the role of Her Majesty the Queen. Absolutely. You are doing a
:33:34. > :33:42.big span of time? The whole, you know, not the whole of her reign.
:33:42. > :33:46.Told through the story of this audience. It's the audience she has
:33:46. > :33:51.with all Prime Ministers. Churchill was her first Prime Minister. It's
:33:51. > :33:58.told, it goes backwards and towards in time. We start with Churchill
:33:58. > :34:06.and go to Cameron. It gets all the way to Cameron? Cameron. Yes.
:34:06. > :34:10.Because it goes over the space of time. It is on the stage. What are
:34:10. > :34:16.they doing? Quick changes. Amazingly fast changes that can
:34:16. > :34:22.happen. I mean, obviously somewhat to do with acting. Changes that
:34:22. > :34:26.happen within, hopefully, 15 seconds. So, theatre magic. I think
:34:26. > :34:31.I read you in an interview talking about how her voice. You think of a
:34:31. > :34:38.Queen as a constant. Her voice has changed? Absolutely from when she
:34:38. > :34:43.was with Churchill. She talked like that (high pitched tone) I did too
:34:43. > :34:48.when I was about 22. I talked terribly like that. It was the way
:34:48. > :34:57.you spoke in those days. Drama school thing. Drama school thing
:34:57. > :35:03.thing. All of our voices change. Hers has changed substantially
:35:03. > :35:08.(deep voice) now she talks like that! In terms of approaching the
:35:08. > :35:16.stage, do you still suffer from stage fright? Yes. Of course. You
:35:16. > :35:25.have just come off the stage, I understand. Yeah. Even up until the
:35:25. > :35:29.last show I would get nervous to start. That, "five minutes,
:35:29. > :35:34.places." Hearing "places" is the worst feeling in the world when you
:35:34. > :35:38.are waiting in the wings. Have you done stage, Leslie? I haven't. We
:35:38. > :35:43.were nervous to come out here. Every time you go before an
:35:43. > :35:48.audience is nerve-wracking. People have told me about things that have
:35:48. > :35:55.gone wrong on stage and gone wrong in the audience. The place you did
:35:55. > :36:01.Grace. There was an audience incident what a problem. You may
:36:01. > :36:05.pray this doesn't happen. Tell me what. I was about to start a
:36:05. > :36:10.monologue I heard some, there were three of us on stage. There was a
:36:10. > :36:15.commotion. I thought, did somebody's cell phone go off? The
:36:15. > :36:22.commotion dies down. It didn't die down. It was getting louder. People
:36:23. > :36:27.started arguing and saying things in full voice. In the audience?
:36:27. > :36:31.the audience. I didn't know whether or not to stop the play. I thought
:36:31. > :36:36.maybe somebody... It was a medical emergency. I didn't... I didn't
:36:36. > :36:44.know what to do. I just kept talking and pretended it wasn't
:36:44. > :36:50.happening. It was very clear that I was getting thrown, as we all were.
:36:50. > :36:53.Michael Shannon, who was in the play with me, he got to his section
:36:53. > :36:59.and started screaming his lines in the direction of the noise. It had
:36:59. > :37:02.been going on for a full minute. He is such a terrifying figure anyway.
:37:02. > :37:07.He scared everybody. It got very quiet. I then, at the end of the
:37:07. > :37:17.scene, went off stage to ask what happened. It turned out that
:37:17. > :37:21.
:37:21. > :37:27.somebody in the front row was drunk and went "yuk" and threw up on 20
:37:27. > :37:36.people. The commotion were the people standing up covered in vomit.
:37:36. > :37:42.Oh. Wondering how they were going to... Disgusting. Oh, mymaltessers
:37:42. > :37:49.are warm! It was a first. Right. It's time for music now. These
:37:49. > :37:59.girls have gone from prize-winners to top charters. Performing their
:37:59. > :38:11.
:38:11. > :38:15.new single, Change Your Life. # She captures her reflection and
:38:15. > :38:21.she throws the mirror to the floor # Her imagine is distorted
:38:21. > :38:23.screaming, "is it worth it any more?"
:38:23. > :38:30.# No-oh-oh # Are you scared of the things that
:38:30. > :38:36.they might put you through? # Does it make you wanna hide the
:38:36. > :38:42.inner you? # You're not the only one, so let
:38:42. > :38:45.them criticise # You're untouchable when you
:38:45. > :38:53.realise # Ooooh
:38:53. > :38:59.# Change, change your life, take it # We're gonna stick together, Noel'
:38:59. > :39:06.get through it all # Change, change your life, take it
:39:06. > :39:09.# Take it all # You're gonna use it to become
:39:09. > :39:14.what you've always known # Become what you've always known
:39:14. > :39:18.# His body starts to flicker like nobody wants to know his name
:39:18. > :39:23.# Just another soul with feelings but nobody's there to feel the pain
:39:23. > :39:29.# No, no, no # They can rip you, bring you down,
:39:29. > :39:32.down to their size # But they will never get to the
:39:32. > :39:38.heart you hold inside # Oh-oh
:39:38. > :39:43.# You're not the only one, so let them criticise
:39:43. > :39:46.# Ooh # You're untouchable when you
:39:46. > :39:49.realise # Ooh-oh-oh
:39:49. > :39:54.# Change, change your life, take it # Take it all
:39:54. > :39:59.# We're gonna stick together, Noel' get through it all
:39:59. > :40:06.# I Noel' get through it all # Change, change your life, take it
:40:06. > :40:10.# Take it all # You're gonna use it to become
:40:10. > :40:14.what you've always known # Become what you've always known
:40:14. > :40:21.# Change, change your life, take it # Change your life and take it all
:40:21. > :40:25.# Change, change your life, take it # Change your life and take it all
:40:26. > :40:32.# You got the right to show the world
:40:32. > :40:42.# Something never seen # We wanna hear you scream it out
:40:42. > :40:46.
:40:46. > :40:50.# You're not alone # Oh, whoa, oh, yeah
:40:50. > :40:56.# Change, change your life, take it # Take it all
:40:56. > :41:02.# We're gonna stick together, Noel' get through it all
:41:02. > :41:09.# Change, change your life, take it # Change your life and take it all
:41:09. > :41:19.# You're gonna use it to become what you've always known
:41:19. > :41:21.
:41:21. > :41:29.# Become what you've always known. Beautiful. Little Mix, everybody.
:41:29. > :41:39.Come and join me. If you squeeze up. Two in the front, two at the back.
:41:39. > :41:40.
:41:40. > :41:47.Look at you. Disabled by fashion! There you go. Two in upper class
:41:47. > :41:53.and two in premium and economy. Just wash in, wash out. Are you
:41:53. > :41:59.feeling the cold? I'm all right. Nice beanie hat. Two at the back,
:41:59. > :42:05.you can hardly see there over the big hat. We didn't expect a hat.
:42:06. > :42:11.That islet third single off the album DNA which has done so well.
:42:11. > :42:16.Thank you. APPLAUSE
:42:16. > :42:22.You and, more importantly Simon Cowell, must be thrilled. For Uncle
:42:22. > :42:26.Simon you are on tour now? We are on tour. It's amazing. It's
:42:26. > :42:30.incredible that it is your tour? That is what is strange. To see
:42:30. > :42:37.everybody there for us was overwhelminging much we cried.
:42:37. > :42:43.were like, "they are all there for us." amazing. How very showbusiness.
:42:43. > :42:49.You were a DJ, Paul? Well, you know when you say I was a DJ, that
:42:49. > :42:58.sounds a cool thing. I wasn't a cool DJ. Would you have played that
:42:58. > :43:07.song? That is a floor filler. I was a DJ for Bar Mitzvahs. Are you all
:43:07. > :43:15.right there? I'm fine. I'm fine! Shall we move up. It was a while
:43:15. > :43:25.ago. I was more MCHammer. If I was doing it now, for sure. Yes. Have
:43:25. > :43:26.
:43:26. > :43:33.you ever heard of MCHammer. What about Right Said Fred? No. That was
:43:33. > :43:38.really big. You have never heard of him? Heard of him. Oh, yeah. Wow.
:43:38. > :43:43.It's like you have come on to make us all feel old. We are all having
:43:43. > :43:49.a great night and we are like - we are so old! Before we go tonight,
:43:49. > :43:54.let's have a visit to the big Red Chair. Who have we got? Oh, they
:43:54. > :44:00.love you. What is your name? Samantha. What do you do? I work in
:44:00. > :44:07.a GP surgery. Doing what? Reception work mainly. Mainly. Yeah. Yeah. A
:44:07. > :44:15.bit of security as well! Yeah. Yeah. Lovely. Yeah. Nice. Yeah. You there,
:44:15. > :44:24.move! All right. Off you go with your story. So, I went for my very
:44:24. > :44:34.first Hollywood wax a few years ago. Little Mix have been for some! OK.
:44:34. > :44:43.Little Mix are... It's a Hollywood wax. Is that when they put a "H" in
:44:43. > :44:53.it? It's everything, isn't it? that when they put a, "H" in it?
:44:53. > :44:54.
:44:54. > :45:04.everything is off. I don't know much about down there. A "H" will
:45:04. > :45:11.
:45:11. > :45:16.be hard to do! Did someone give you an, "H." You went for a Hollywood
:45:16. > :45:21.wax. Does anyone know what it is? No. Leslie lives in Hollywood he
:45:21. > :45:27.doesn't know what it is. Basically, they remove every hair from down
:45:27. > :45:31.there. Everything? Everything is gone. Everything absolutely gone.
:45:31. > :45:36.Everything. Everything! They clear the area. Yeah. I'm there laying on
:45:37. > :45:41.the bed. She is ripping way at me. I'm gripping the bed with physical
:45:41. > :45:51.pain. Of course. She's finally getting to the very end. I'm at the
:45:51. > :45:51.
:45:51. > :45:57.end of my tether and I peed myself. Oh! I don't know whether it's a
:45:57. > :46:06.good story or not. Shall we let her walk, if she can? Shall we let her
:46:06. > :46:16.walk? You can walk, lovely lady. There we go. One more. This is it.
:46:16. > :46:18.
:46:18. > :46:24.This is it. OK. Here is our final one. Hello. Hi. What is your name?
:46:24. > :46:32.Drew. Lovely. Are you from abroad? Yes. I'm studying here. Where
:46:32. > :46:40.abouts in America. Kansas. That is where I'm from. I know. Where in
:46:40. > :46:50.Kansas. Leighwood. Same here. this a Paul Rudd story. You did go
:46:50. > :46:52.
:46:52. > :46:58.to high school with my parents CHEERING AND APPLAUSE
:46:58. > :47:03.You beat me to it! You beat me to it. Well done. If you would like to
:47:03. > :47:08.join us on the show and have a go in the Red Chair you can go to our
:47:08. > :47:16.website at this address: Thank you so much to all my guests tonight's,