:00:10. > :00:14.On the show tonight: The star of an An Officer and a Gentleman, where a
:00:14. > :00:20.Plain Jane, who has given up on romance is swept off her feet by a
:00:20. > :00:30.hunky man in uniform. I mean, seriously, as if that could
:00:30. > :00:42.
:00:42. > :00:52.happen?! LAUGHTER Let's start the Oh, oh! Oh!
:00:52. > :00:53.
:00:53. > :00:59.CHEERING AND APPLAUSE Oh! Oh! Oh! Fantastic! Oh! Thank
:00:59. > :01:04.you very much. I must remember to send flowers! LAUGHTER Welcome all.
:01:04. > :01:14.What an exciting couch tonight. Hollywood legend, Richard Gere, is
:01:14. > :01:15.
:01:15. > :01:22.on the show. CHEERING I know. Star of Hanna, Atonement and The Lovely
:01:22. > :01:27.Bones, Saoirse Ronan is on the show. Yes, she is. APPLAUSE It's a
:01:27. > :01:34.welcome back for Con Air and In The Line of Fire star, John Malkovich
:01:34. > :01:36.is here. APPLAUSE That's not all. Later on, we will be having music
:01:36. > :01:46.from the fantastic Taylor Swift, everybody.
:01:46. > :01:51.CHEERING AND APPLAUSE I know. On this show, over there! Oh. What a
:01:51. > :01:56.line-up! Thrilled to welcome Richard Gere back. Just on the show.
:01:56. > :02:06.Famous for An Officer and a Gentleman, of course. Oh. APPLAUSE
:02:06. > :02:11.
:02:11. > :02:16.Yes. A man in uniform. When is that not sexy? Huh?! LAUGHTER Richard
:02:16. > :02:23.has starred in many great films, Pretty Woman, American Gigolo and
:02:23. > :02:31.First Knight. There he is on his trusty horse, Ready Meal! LAUGHTER
:02:31. > :02:34.It's already wrapped in foil! It is oven ready! A big welcome to my
:02:34. > :02:37.Irish compatriot, Saoirse Ronan. APPLAUSE What a lovely actress. She
:02:37. > :02:41.starred in Hanna as a 15-year-old. Such a good movie. Look at her
:02:41. > :02:46.there. They grow up so fast. One minute they are watching Peppa Pig,
:02:46. > :02:51.the next they are blowing someone's brains out. Of course, she was
:02:51. > :02:55.Oscar nominated for her role in Atonement. That's her as the young
:02:55. > :03:02.Briony Tallis. In the film you see her character as an old woman.
:03:02. > :03:11.There she is. I wonder what I'll look like when I'm really old.
:03:11. > :03:18.LAUGHTER Hey, let's get some guests on! CHEERING Later, we will have
:03:18. > :03:28.music and chat from Taylor Swift. APPLAUSE But first, time for a
:03:28. > :03:30.
:03:30. > :03:36.dangerous liaison, it is John Malkovich. APPLAUSE John Malkovich.
:03:36. > :03:46.APPLAUSE She's got lovely bones, it is Saoirse Ronan. Oh! APPLAUSE
:03:46. > :03:48.
:03:48. > :03:53.Hello, lovely lady. Sit yourself down. And Mr Richard Gere!
:03:53. > :04:02.# Love lift us up # Where we belong... #
:04:02. > :04:08.CHEERING AND APPLAUSE So nice to meet you.
:04:08. > :04:17.# Love lift us up # Where we belong... #
:04:17. > :04:27.CHEERING AND APPLAUSE # Love lift us up
:04:27. > :05:06.
:05:06. > :05:16.Oh my God! Is he coming back?!
:05:16. > :05:19.
:05:19. > :05:25.CHEERING AND APPLAUSE Oh! I filled ten minutes then!
:05:25. > :05:34.know. It is great. Sit yourself down. Oh dear. Join me next week
:05:34. > :05:44.when my guests include... Just 45 minutes of clapping! What a weird
:05:44. > :05:47.
:05:47. > :05:57.show! Actors don't like that(!) Welcome all to the couch. Sonali
:05:57. > :05:59.
:05:59. > :06:03.Shah -- Saoirse Ronan, that's how they say it? Yes. In Ireland,
:06:03. > :06:12.people say it differently. I don't think I pronounce my name the
:06:12. > :06:17.correct way. I say Saoirse, but people say you are saying that
:06:17. > :06:26.wrong. John, are you hearing the subtle difference?! I'm wondering
:06:26. > :06:32.what she says when they tell her she says her name wrong?! Your
:06:32. > :06:36.middle name is unexpected, Richard? Something is going to happen now, I
:06:36. > :06:46.know. LAUGHTER Nothing bad. Your middle name is Tiffany? It is
:06:46. > :06:49.
:06:49. > :06:54.Tiffany. LAUGHTER What is so funny about that?! LAUGHTER It's not THE
:06:54. > :07:00.Tiffany's! This was my mother's side. Her maiden name is Tiffany.
:07:00. > :07:09.It came through Belgium somehow. I'm guessing you kept that quiet in
:07:09. > :07:17.school? I almost used it as my stage name. No?! Richard Tiffany --
:07:18. > :07:22.Gere. -- Richard Tiffany - Gere. Richard, you are on presenting
:07:22. > :07:27.duties. You have been reunited with the cast of Chicago? That's true.
:07:27. > :07:31.Are you singing? No, we are just presenting. That is very nice of
:07:31. > :07:39.you. In Chicago you were snubbed...? Thank you so much for
:07:40. > :07:45.bringing that up(!) Were you sitting by the phone thinking,
:07:45. > :07:51."Surely, I will."? We were opening in Paris and we were in the same
:07:51. > :07:55.hotel, I can't remember what hotel, but we were next to each other and
:07:55. > :07:58.the - I don't know what time it would have been - in LA they were
:07:58. > :08:02.making the announcements. All the doors were open because we were
:08:02. > :08:07.going off to do interviews and stuff. So we could hear it down the
:08:07. > :08:12.hallway. This one gets nominated. That one gets nominated. That one
:08:12. > :08:18.gets nominated. I did feel - and it went right past me! LAUGHTER That
:08:18. > :08:23.one got nominated. The next one got nominated. The movie got nominated.
:08:23. > :08:33.Photography got nominated. You are probably talked about the most
:08:33. > :08:34.
:08:34. > :08:41.because you didn't get nominated! Every cloud! Then, Saoirse, you are
:08:41. > :08:48.13, nominated for an Oscar, which is an amazing thing. You pop on
:08:48. > :08:53.your frock, off you go, now it's - oh! That's a while ago. It seems
:08:53. > :09:02.cruel to do that to a 13-year-old girl and not give you the prize.
:09:02. > :09:11.know. Did you have a big tantrum? threw my shoes off! I was 13 at the
:09:11. > :09:18.time so it was - it was the first- ever awards ceremony I went to. It
:09:18. > :09:24.was lovely. I knew I wasn't going to win. Tilda Swinton won. She is
:09:24. > :09:31.all right?! She was good as the White Witch. John, you have been
:09:31. > :09:36.nominated twice. Did you go both times? Did you like it? I missed
:09:36. > :09:46.the second one, Graham. The first one I went, all I really remember
:09:46. > :09:54.of it, it was at the Pavilion then, which has an enormous foyer. It was
:09:54. > :09:59.just about eight or ten people with massive kind of snow shovels
:09:59. > :10:04.following the elephants from Passage to India, wo were doing
:10:05. > :10:10.their -- who were doing their thing in the foyer. LAUGHTER While
:10:10. > :10:20.waiting to go on stage, the elephant. And that's really all I
:10:20. > :10:25.remember about it. That's showbusiness! Now, going back to
:10:25. > :10:31.awards, congratulations, Richard, Golden Globe Best Actor nomination
:10:31. > :10:36.for Arbitrage. Thank you. Out March 1st. The movie is excellent. Thanks.
:10:36. > :10:40.The story, it is not based on the Bernie Madoff Ponzi scheme. Is it
:10:40. > :10:46.inspired by that? No, it is that world for sure. It's not Bernie.
:10:46. > :10:50.When we started to make the film, he was the poster boy for
:10:50. > :10:59.everything wrong with the financial world. But this character is not a
:10:59. > :11:05.socio-path like John would have played. LAUGHTER Not only would I
:11:05. > :11:12.have played it, I invested with him! Oh no. Did you invest
:11:12. > :11:17.early...? You were one of the guys that made money? No! LAUGHTER But
:11:17. > :11:22.the odd thing is that your character - he appeared to be a
:11:22. > :11:30.villain, but he's rather sympathetic. He is not one of those
:11:30. > :11:35.guys. He is a very powerful - he's got the money, the plane, the car,
:11:35. > :11:39.everything is in place. We deconstruct him in the process of
:11:39. > :11:46.the movie. He's made some very bad financial bets. Now he has to fix
:11:46. > :11:49.it. As you saw the movie, some other things happen which also put
:11:49. > :11:54.pressure on the man. There is a ticking clock. He has to fix
:11:54. > :11:59.everything quickly and in the process we see what is inside this
:11:59. > :12:06.guy. My job in this was to make him a human being and not a villain
:12:06. > :12:15.with a a capital V. I never met a simple person in my life. Well,
:12:15. > :12:20.there are some! LAUGHTER We have a clip, Richard. This is a scene with
:12:20. > :12:26.you and your daughter, she's discovered at this point what you
:12:26. > :12:29.have been doing. Thanks to you, we may all be arrested. No-one is
:12:29. > :12:34.getting arrested. That is why I borrowed the money from Jeffrey.
:12:34. > :12:40.Plugged the hole, they see the books are fine, transfer the
:12:40. > :12:47.company, I pay back Jeffrey with interest, I make all of our
:12:47. > :12:53.investors whole and what's left we keep. Everybody wins? Yes. If we
:12:53. > :12:57.sell the company? If I lie for you? We don't have to lie. What do you
:12:57. > :13:02.think they will say at the deposition, she didn't know?! They
:13:02. > :13:06.will take away my brokerage licence. What do you want me to do? Did you
:13:06. > :13:12.want me to let our investors go bankrupt? You wanted people to get
:13:12. > :13:17.really hurt? What gives you the audacity to think...? It is my job!
:13:18. > :13:23.It is illegal. It is illegal. I am your partner. You are not my
:13:23. > :13:33.partner. You work for me. That's right, you work for me. Everybody
:13:33. > :13:35.
:13:35. > :13:40.works for me. APPLAUSE Oh. You are so good in this film. Really good.
:13:40. > :13:45.Thanks. I read in one interview you were talking about this film is
:13:45. > :13:50.almost like a riposte to how money is seen in Pretty Woman? I never
:13:50. > :13:55.said that. Did you not? Everyone tries to get me to say that. Sorry.
:13:55. > :14:00.Is it because at the time of Pretty Woman you were talking about how
:14:00. > :14:06.you were nervous of how it did say if you have money it is all fine?
:14:06. > :14:12.don't know what you are talking about! In reading old interviews,
:14:12. > :14:17.in preparing - I prepare - talking about Pretty Woman at the time. I
:14:17. > :14:25.remember you saying you were nervous of how - it basically said
:14:25. > :14:33.if you have the cash, it is a panacea? No. I don't know what you
:14:33. > :14:38.are talking about. Can I borrow a pen? It is like a fictitious biog
:14:38. > :14:43.has been passed to me. I don't know where this is coming from. I don't
:14:43. > :14:46.know either. Keep trying. Shall I keep trying? Yes, please. Because
:14:47. > :14:51.of the way films came out in Ireland, they take ages to come out.
:14:51. > :14:56.In one weekend, I remember I went to see American Gigolo and An
:14:56. > :15:06.Officer and a Gentleman in one weekend. Wow. I knew your body
:15:06. > :15:07.
:15:07. > :15:14.better than my own at the end of it! CHEERING This was Ireland. Oh
:15:14. > :15:23.my God! I wish I still had that body! It is in there! In American
:15:23. > :15:33.Gigolo, is it true the suits were, they were made for John Travolta?
:15:33. > :15:43.No. No. No, what happened... Were you in An Officer and a Gentleman?
:15:43. > :15:43.
:15:43. > :15:50.Yes. Yes. You can stop now. You have a yes. We are back on track.
:15:50. > :15:54.You have been in all these iconic films. So you are famous presumably
:15:54. > :15:58.all over the world? Is it Borneo, this is another one of these that
:15:58. > :16:02.is going to be no, I have never been to Borneo! I never intend to
:16:02. > :16:12.go to Borneo. I didn't know that country existed. I have never heard
:16:12. > :16:13.
:16:13. > :16:16.of Borneo! Did you go to Borneo? This is true. Thank God for that!
:16:16. > :16:23.Graham Norton, ladies and gentlemen! Take a bow! Ladies and
:16:23. > :16:33.gentlemen. I'm so sorry. It is not normally like this. Someone will be
:16:33. > :16:36.
:16:36. > :16:41.fired! They are hiding. They are gone! You did go to Borneo? This is
:16:41. > :16:45.- do you want the long story or the short story? How much time do we
:16:45. > :16:54.have? We have just cut a lot of questions there, so we are nearing
:16:54. > :17:04.the end now! Shall I go to the audience again? CHEERING No, no. Do
:17:04. > :17:05.
:17:05. > :17:12.that later. I'm in Borneo and I found a flight that got me to the
:17:12. > :17:16.capital of Borneo. I arranged with a missionary pilot to take me all
:17:16. > :17:22.the way into the centre, way up into the jungle. So we went up
:17:22. > :17:27.there and it was just before the monsoon, which - I could stretch
:17:27. > :17:31.this story out. This could go forever. This is a dinner story.
:17:31. > :17:36.Can we order dinner for everybody here?
:17:36. > :17:42.AUDIENCE: Yes! I haven't told this story fully in about five years.
:17:42. > :17:51.I'm willing to do it. Let's go. Pizza for everybody! Who is
:17:51. > :17:55.ordering? So we flew into this very short strip and it was a one-prop
:17:55. > :17:59.plane, me and my Brazilian girlfriend and it slammed right
:17:59. > :18:09.down. We had 100 feet for this to happen and it was one of the few
:18:09. > :18:13.
:18:13. > :18:18.pilots who could do it. We got off. It was along a river. The tribe
:18:18. > :18:24.that have bones, the flesh of the ears were hanging down, they were
:18:24. > :18:31.naked, a dug-out canoe, so the missionary pilot has to take off.
:18:31. > :18:34.We are left there. We go up river, we come to this longhouse and it is
:18:34. > :18:39.all hand gestures and whatever and we start to walk up to the
:18:39. > :18:47.longhouse and the whole tribe comes out and they start going, "An
:18:47. > :18:54.Officer and a Gentleman! An Officer and a Gentleman!" That's a true
:18:54. > :19:00.story. APPLAUSE When the pizza comes, I will tell you how we got
:19:00. > :19:05.out of there! John, you kind of shunned the limelight and I sort of
:19:05. > :19:15.get it because was it you found a woman in your garden once, is that
:19:15. > :19:18.
:19:18. > :19:25.right? Yes. Yes. A very big woman. And was dressed maybe a little too
:19:25. > :19:29.provocatively and I was at our house in France and I was talking
:19:29. > :19:39.to my producing partner out in Los Angeles and I turned around and
:19:39. > :19:43.
:19:43. > :19:47.there was this kind of like a Michelin woman about... LAUGHTER
:19:47. > :19:56.She wanted to be my assistant and I said I didn't think that was a good
:19:56. > :20:01.idea. And then she said she also wanted me to read her screenplay.
:20:01. > :20:11.And I looked at the title of it which had kind of looked like it
:20:11. > :20:12.
:20:12. > :20:22.had been maybe scratched in with a bloody nail, or the claw of a
:20:22. > :20:23.
:20:23. > :20:30.hammer. LAUGHTER And it was in French and it meant she kills. I
:20:30. > :20:38.thought - I said that seems very interesting. What's it about? She
:20:38. > :20:48.explained that it was about an out of work woman who kills a well-
:20:48. > :20:51.
:20:51. > :20:55.known actor. LAUGHTER Saoirse, because every time we see you in a
:20:55. > :21:00.movie you have grown up so you look incredibly different every time we
:21:00. > :21:06.see you. Do you get recognised that much? I don't really, to be honest.
:21:06. > :21:11.I do in Ireland. I think... Everybody knew you anyway, it is a
:21:11. > :21:15.small country! Graham and I are cousins! I mean, outside of Ireland,
:21:15. > :21:19.not so much. Every now and again, I would get people who will come up
:21:19. > :21:26.to me abroad and they will ask me to sign an autograph with my face
:21:26. > :21:32.on it and I'm signing it and they are, "So what films are you in?"
:21:32. > :21:41.What have you done? Why have you printed out my face?! So I have got
:21:41. > :21:46.that quite a bit. Nobody knows who I am. Stop it! I don't mind. Don't
:21:46. > :21:53.encourage her. It is going to change. You are in The Host which
:21:53. > :21:59.is the new movie from the writer of the Twilight series. Yes. This is
:21:59. > :22:03.going to be huge. It might be, yeah. There is a lot of buzz around it,
:22:03. > :22:07.which has been exciting. Do they sit you down and talk to you about
:22:07. > :22:11.what is going to happen when this movie hits? Have you met the
:22:11. > :22:15.Twilight kids? I haven't. I went to the last premiere in LA. I didn't
:22:15. > :22:19.get to talk to them. I didn't meet any of them. They had to fly off
:22:19. > :22:25.somewhere else. They were rude and unfriendly, that is what you are
:22:25. > :22:32.saying! I didn't want to meet them then. They were up themselves. Good
:22:32. > :22:40.luck, Twilight cast! You are not in The Host. They are finished!
:22:40. > :22:44.Twilight, the sun has set! It is night now! I didn't get to meet
:22:44. > :22:52.them. That's all right. In this movie, you play two people, but
:22:52. > :23:00.they are both, they share your body? Yes. So, basically, it's
:23:00. > :23:08.about our planet being taken over by aliens. Keep going. It is good,
:23:08. > :23:13.honestly. It is a movie. It is not real. They are taken over by these
:23:13. > :23:17.foreign bodies and their goal is to perfect any planet that they
:23:17. > :23:22.inhabit so when they come to Earth what they do is they will capture a
:23:22. > :23:28.human and they put a soul inside of them and the soul takes over the
:23:29. > :23:32.human body so I play the host of the body and the soul and it was
:23:32. > :23:41.great, like, there were loads of scenes where I got to talk to
:23:41. > :23:47.myself the whole time! It was great. The Host opens on 29th March. We
:23:47. > :23:56.have a taster clip of your character and the movie. Barely a
:23:56. > :24:06.bone not broken, or organ ruptured. When we occupy this host, her
:24:06. > :24:08.
:24:08. > :24:18.memories will lead us to the resistance. Her name is Melanie
:24:18. > :24:18.
:24:18. > :24:23.Stryder. Her family escaped the initial waves of colonisatin.
:24:23. > :24:33.is happening? It is important you stay in control of this host.
:24:33. > :24:36.
:24:36. > :24:41.God! Good driving. Pretty intense. The action sequences, are you
:24:41. > :24:46.action-ready after all the training you did for Hanna? I don't have
:24:46. > :24:52.much action to do in The Host. I like doing that kind of stuff. I
:24:52. > :24:58.like training for films beforehand physically and... Hanna - you were
:24:58. > :25:02.fighting Eric Bana? He is huge. I had been training and got into the
:25:02. > :25:10.martial arts. We started to do our choreography every day. He was
:25:10. > :25:15.holding back and I really went for it. According to him, I was
:25:15. > :25:19.surprisingly strong. I did punch him a few times in the face. Which
:25:19. > :25:24.he was a bit shocked by. Yes. happened a few times. I probably
:25:24. > :25:33.took advantage of it because I knew he was going to hold back and I
:25:33. > :25:37.wasn't going to. Instinct took over. I knew. He said you were very good
:25:37. > :25:43.at the punching? Yes, apart from the times that I hit him in the
:25:43. > :25:48.face. Can you show us a fake punch? An air movie punch? Yes. What kind
:25:48. > :25:57.of a punch? I don't know. If you punch my face, why am I suggesting
:25:57. > :26:05.this?! If I - if you do a... Shall I do a cross? You need to get into
:26:05. > :26:10.your stance. You look really scared. I am! Bend your knees a bit. You
:26:10. > :26:20.ready? Yes. I'm not doing anything? No. You need to react to it. You
:26:20. > :26:25.
:26:25. > :26:33.will get punched. One, two, three... Argh! I nearly broke my back there!
:26:33. > :26:38.Very good. Talking of action, and I'm hesitant to ask Richard a
:26:38. > :26:45.question because it is probably not true. It is not true. In An Officer
:26:45. > :26:51.and a Gentleman, it looked like you did all... Pick up Debra Winger.
:26:51. > :26:59.definitely did that. All the press- ups, did you do all that? You do it
:26:59. > :27:06.the first take, right? You do 100 push-ups, second one you do 50.
:27:06. > :27:16.Then on the third or fourth, you start at 90 and you go 91, 92...
:27:16. > :27:26.The fourth take you call your agent! Talking of action. John you
:27:26. > :27:27.
:27:27. > :27:32.have finished filming Red 2 where you are all retired - sorry. It
:27:32. > :27:42.does look like there was a fire and you had to grab the first thing.
:27:42. > :27:43.
:27:43. > :27:50.Yes. Is that a plot point? Yes. Because - does that change the
:27:50. > :28:00.stunts they write for you? There is is a limit to what a lot of us can
:28:00. > :28:00.
:28:00. > :28:10.achieve stunt-wise. Like if we can walk to the car, we feel OK. We are
:28:10. > :28:15.
:28:15. > :28:20.like we really nailed that one! We still shoot well. Yes. Mary, Louise
:28:20. > :28:24.and I had a fantastic scene where there is a car chase and the car
:28:24. > :28:34.Mary-Louise is driving keeps being hit so they are spinning around in
:28:34. > :28:44.circles. At the end of this sequence, we were able to vomit out
:28:44. > :28:45.
:28:45. > :28:49.the window in tandem. For us, that's a stunt. That classifies you
:28:49. > :28:55.getting hazard pay. That makes me want to see the film, that one
:28:55. > :29:03.scene. I hope it will be fun. thing is, on-screen, you seem like
:29:03. > :29:06.a very intense actor. You wear it quite lightly, I think. Was it
:29:06. > :29:14.Places of the Heart where you were playing a blind man and the
:29:14. > :29:22.director expected you to do a lot of research? Yes, they asked me to
:29:22. > :29:28.go really every day to the Lighthouse for the Blind in Dallas
:29:29. > :29:38.and I went once and talked to a couple of people. But all the other
:29:39. > :29:42.
:29:42. > :29:52.days I was looking for a used car. Then when Robert said to me one day,
:29:52. > :30:00."We are going to shoot the scene where this character I played where
:30:00. > :30:06.he reads Braille "and I said, "OK." Then my then wife, who happened to
:30:06. > :30:12.be in the room, said, "I bet he doesn't know how to read Braille."
:30:12. > :30:20.And they said, "But of course he knows he's been going to the
:30:20. > :30:26.Lighthouse for the Blind every day." Then my wife said, "I bet he
:30:26. > :30:31.went once." Then they said, "That's not true, is it?" I said, "Yes, it
:30:31. > :30:37.is absolutely true." Then they said, "You were going every day." I said,
:30:37. > :30:42."But not to the Lighthouse for the Blind. I was going to look for a
:30:42. > :30:52.used car." Then they said, "You do know how to read Braille, don't
:30:52. > :30:52.
:30:52. > :31:01.you?" "Of course not." "What are we going to do?" "Call someone who
:31:01. > :31:08.reads Braille and then just tell me." I'm supposed to fly a jet
:31:08. > :31:17.plane in Red. You don't want me to fly a jet plane. I don't have time
:31:17. > :31:20.to learn how to do that. It's dangerous for the passengers.
:31:20. > :31:28.might have done that once, but he is the actor who learns how to do
:31:28. > :31:33.stuff, that is for sure. Some I do. It depends. If it is a skill you
:31:33. > :31:38.want to learn. It doesn't depend on that. It depends on if it is
:31:38. > :31:45.important for what is going to be seen in a frame. Then, of course,
:31:45. > :31:55.you have to learn to do all kinds of stuff. If it doesn't really
:31:55. > :32:00.
:32:00. > :32:05.matter, you know, like fly a jet. Drive a car. LAUGHTER Richard, what
:32:06. > :32:15.you did for Looking for Mr Goodbar, that sounded extreme? What did I
:32:16. > :32:18.
:32:18. > :32:23.do? The character had lost everything. Who told you this
:32:23. > :32:33.stuff?! Where is your researcher? This sounds true. You lost
:32:33. > :32:38.everything and you had $1,000... This is true. Thank you very much.
:32:38. > :32:45.This is 40 years ago. You are going way back. I wouldn't know this crap
:32:45. > :32:49.either but I happened to read it! didn't have any money. I might have
:32:49. > :32:52.had 1,200 bucks to my name. The character had lost everything. I
:32:52. > :32:56.went to Las Vegas and played Black Jack and lost everything. I knew
:32:56. > :33:00.what it was like to have lost everything. I did not have a penny
:33:00. > :33:04.to my name. What would have happened if you had won? I would
:33:04. > :33:14.have kept playing until I lost. That definitely would happen.
:33:14. > :33:19.
:33:19. > :33:23.is how that works. How did you get home? That's another story. Listen,
:33:23. > :33:27.it is time for music. This singer has won multiple Grammy Awards,
:33:27. > :33:31.sold millions of records and is one of the biggest singing stars in the
:33:31. > :33:39.world right now. Performing I Knew You Were Trouble, it is Taylor
:33:39. > :33:42.Swift. # Once upon a time a few mistakes
:33:42. > :33:48.# I was in your sights, you got me alone
:33:48. > :33:51.# You found me, you found me, you found me
:33:51. > :33:55.# I guess you didn't care, and I guess I liked that
:33:55. > :34:04.# And when I fell hard you took a step back
:34:04. > :34:11.# Without me, without me, without # And he's long gone when he's next
:34:11. > :34:18.to me # And I realise the blame is on me
:34:18. > :34:24.# 'Cause I knew you were trouble when you walked in
:34:24. > :34:28.# So shame on me now # Flew me to places I'd never been
:34:28. > :34:33.# 'Til you put me down, oh # I knew you were trouble when you
:34:33. > :34:39.walked in # So shame on me now
:34:39. > :34:43.# Flew me to places I'd never been # Now I'm lying on the cold hard
:34:43. > :34:53.ground # Oh, oh, trouble, trouble, trouble
:34:53. > :34:55.
:34:55. > :34:58.# No apologies, he'll never see you # Pretend he doesn't know that he's
:34:58. > :35:05.the reason why # You're drowning, you're drowning,
:35:05. > :35:09.you're drowning # Now I heard you moved on from
:35:09. > :35:13.whispers on the street # A new notch in your belt is all
:35:13. > :35:23.I'll ever be # And now I see, now I see, now I
:35:23. > :35:25.
:35:25. > :35:30.# He was long gone when he met me # And I realise the joke is on me,
:35:30. > :35:35.yeah! # I knew you were trouble when you
:35:35. > :35:42.walked in # So shame on me now
:35:42. > :35:45.# Flew me to places I'd never been # 'Til you put me down, oh
:35:45. > :35:51.# I knew you were trouble when you walked in
:35:51. > :35:55.# So shame on me now # Flew me to places I'd never been
:35:55. > :36:05.# Now I'm lying on the cold hard ground
:36:05. > :36:07.
:36:07. > :36:13.# Oh, oh, trouble, trouble, trouble # And the saddest fear comes
:36:13. > :36:22.creeping in # That you never loved me or her,
:36:22. > :36:26.or anyone, or anything, yeah # I knew you were trouble when you
:36:26. > :36:32.walked in # So shame on me now
:36:32. > :36:36.# Flew me to places I'd never been # 'Til you put me down, oh
:36:36. > :36:41.# I knew you were trouble when you walked in
:36:41. > :36:45.# So shame on me now # Flew me to places I'd never been
:36:45. > :36:54.# Now I'm lying on the cold hard ground
:36:54. > :36:57.# Oh, oh, trouble, trouble, trouble # I knew you were trouble when you
:36:57. > :37:04.walked in # Trouble, trouble, trouble
:37:04. > :37:14.# I knew you were trouble when you walked in
:37:14. > :37:14.
:37:14. > :37:24.# Trouble, trouble, trouble. # CHEERING AND APPLAUSE
:37:24. > :37:27.
:37:27. > :37:37.Oh! Taylor Swift, everybody. Come and join us. Taylor Swift. Oh.
:37:37. > :37:38.
:37:38. > :37:48.Hello, my dear. Hi. Thank you. How are you? So nice to meet you. A
:37:48. > :37:53.huge fan of yours. Richard you know. Richard has been up and dancing.
:37:53. > :37:59.Can you sit down again? No. You all right? I'm fine. Taylor Swift, that
:37:59. > :38:04.single is out now, off the album which is out now, which contains 16
:38:04. > :38:08.brand-new songs. It says on the sticker on the front of it! I'm no
:38:08. > :38:17.fool. And congratulations on the BRITs this week. That was fun.
:38:17. > :38:24.Great performance. Thank you. Really. APPLAUSE Really good. She
:38:24. > :38:34.put on a show. She put on a show. She is in that dress, we won't
:38:34. > :38:37.
:38:37. > :38:45.mention her dandruff! And then that went into this. Two outfits on top
:38:45. > :38:50.of each other. It was very hard. In a minute. A bit like 123, -- 13,
:38:50. > :38:59.she was off to the Oscar. In Hanna, I wanted to learn how to fight.
:38:59. > :39:05.will teach you. Girl on girl action! You carried that whole
:39:05. > :39:12.movie. It was just you. Fantastic. Thanks. A bit of a love-in.
:39:12. > :39:22.didn't realise it was so me. went to the Golden Globes. We did.
:39:22. > :39:22.
:39:22. > :39:31.We sat next to each other. She said, "Why are you here?" It was one of
:39:31. > :39:35.those times... I'm nominated. For what? Best Actor? I really put my
:39:35. > :39:40.foot in my mouth. Then I was absolutely freaked out because I
:39:40. > :39:46.met your wife who - I said, it is so good to see you again. She is,
:39:46. > :39:50.like, in her head, I know she is thinking, "I have never met this
:39:50. > :40:00.woman before." She was my favourite District Attorney and I see her
:40:00. > :40:01.
:40:01. > :40:11.every week. It was a good night for me. I was really on(!) Was your son
:40:11. > :40:14.
:40:14. > :40:18.there? Or was he happy to hear you met Taylor? What are you talking
:40:18. > :40:23.about? He wasn't there. People get around Richard Gere, they start
:40:23. > :40:28.making mistakes. It happened to you just then. He makes you do it.
:40:28. > :40:34.is his fault. What are you talking about? Thank you very much for
:40:34. > :40:40.doing that. Fantastic. Lovely. Thank you. But before we go tonight,
:40:40. > :40:47.let's have a visit to the Big Red Chair. You are very excited. I'm so
:40:47. > :40:53.excited. Who is up first? Hello. Hello. Hi. I have to ask you, are
:40:53. > :40:59.you a Judi Dench fan? Of course. that seriously what that T-shirt
:40:59. > :41:07.means? No. What does it mean? some, the kids these days, the
:41:07. > :41:13.urban slang, Graham. OK. Does it mean anything? It doesn't mean
:41:13. > :41:23.anything. I thought he swore then! What is your name? Harris. That is
:41:23. > :41:26.
:41:26. > :41:31.your first name? Yes. I'm just going to do it! Oh! It is like...
:41:31. > :41:40.Is that all right? You are channelling Hanna again! She is in.
:41:40. > :41:49.I feel like I have made it now! My life is complete now. His name is
:41:49. > :41:57.Harris. He could have had the best story in the world. Says Saoirse!
:41:57. > :42:03.What is your middle name again? Tiffany! Who is up next? Hello.
:42:03. > :42:10.What is your name? Kelly. I think Kelly will tell a good story.
:42:10. > :42:19.is nice. She is lovely. Everyone loves you. Lovely. Thank you.
:42:19. > :42:25.What do you do? I love in London. I'm from South Africa. Leave it.
:42:25. > :42:32.Off you go. So, it was my first date and I was really nervous. The
:42:33. > :42:37.guy comes, he was gorgeous. And he... He sits down and he takes a
:42:37. > :42:41.cigarette and I thought I was so cool and I offered to light it for
:42:41. > :42:47.him. Yes? Don't know why. Don't know what possessed me. I light
:42:47. > :42:53.this cigarette and he turns his face and his hair suddenly caught
:42:53. > :42:57.on fire. So I tried to distract him, look, look, there is your mum, or
:42:57. > :43:02.whatever, and he looks. I was trying to blow it out. Then he was
:43:02. > :43:08.wearing so much gel in his hair it started to smell and sparks were
:43:08. > :43:13.flying. And I literally, it was like in flames by this point. He
:43:13. > :43:23.was so, he didn't realise and I did what any normal person would do, I
:43:23. > :43:25.
:43:25. > :43:32.ran! LAUGHTER You ran away? Can she walk? Yes. You can walk. Go on.
:43:32. > :43:41.Very good. Well done, everybody. If you would like to have a go on the
:43:41. > :43:44.Big Red Chair, you can. Go to the website. Thank you to my guests,
:43:44. > :43:52.Taylor Swift, John Malkovich, Saoirse Ronan and Mr Richard Gere.