:00:04. > :00:09.This programme contains strong language.
:00:09. > :00:13.Tonight, one to have biggest names in Hollywood, Indiana Jones himself,
:00:13. > :00:34.I've got the music and the kit. What else do I need?
:00:34. > :00:49.CHEERING AND APPLAUSE. Hello, hello everyone!
:00:49. > :00:53.Everyone survived the boulder. Yeah, well done. What a show we have to
:00:53. > :00:57.start the new series, ladies and gentlemen. We have a line-up that's
:00:57. > :01:04.hotter than a World Cup in Qatar! It's a football joke!
:01:04. > :01:10.Maturing and changing! (No, I'm not) one of the biggest
:01:11. > :01:14.stars in Hollywood, screen ledge end, Harrison Ford is here, ladies
:01:14. > :01:19.and gentlemen. Yeah, how about that. Britain's hottest actor, Benedict
:01:19. > :01:23.Cumberbatch is on the show! Top comedian Jack white haul is
:01:23. > :01:28.here. -- Whitehall is here. Plus music and
:01:28. > :01:37.chat from Mr James Blunt. Yes, we have!
:01:37. > :01:44.So looking forward to meeting Harrison Ford, ladies and gentlemen,
:01:44. > :01:47.I am. He's going to be there! Harrison Ford will be sat right
:01:47. > :01:54.there. He's been in so many great films, Blade Runner, Witness,
:01:54. > :01:58.Mosquito Coast and Star Wars. There he is, Han Solo with Chewbacca.
:01:58. > :02:04.Can't remember the last time I saw something that hairy and
:02:04. > :02:13.frightening. I'm talking about him.
:02:13. > :02:17.In Star Wars, Han Solo ended up with the girl, Princess Leia. That was
:02:17. > :02:22.because the man she really loved turned out to be her brother. There
:02:22. > :02:28.are some far flung corners of the universe where that sort of thing is
:02:28. > :02:42.OK. There will be letters, yeah.
:02:42. > :02:44.Ill ledgible letters. Of course, Harrison's other seminal
:02:44. > :02:50.role was Indiana Jones. Of course, Harrison's other seminal
:02:51. > :02:55.And here is the moment we recreated earlier where Indy is chased by the
:02:55. > :03:02.giant ball of rock. Is there any way that ball could be
:03:02. > :03:08.more terrifying? Awkward!
:03:08. > :03:13.In the film, Indy discovered he had a son. Middle aged and suddenly
:03:13. > :03:19.finding out you're a father. I mean, does that sort of thing happen in
:03:20. > :03:25.real life? Hm? ! Since Simon Cowell announced he's
:03:25. > :03:30.going to be dad, he's been very proactive, insisting the baby be
:03:30. > :03:39.breast-fed. Yes. Don't go hungy.
:03:39. > :03:43.We'll have music from Mr James Blunt later.
:03:43. > :03:48.Some fresh meat on my sofa first, it's Jack Whitehall, everybody.
:03:48. > :03:58.Site down, Jack Whitehall, everybody!
:03:58. > :04:06.Harrison Ford, everybody! Wow.
:04:06. > :04:16.Harrison Benedict Cumberbatch is on his way,
:04:16. > :04:21.he's on a motorbike or something, dashing from a film set, he'll be
:04:21. > :04:26.here. You can snuggle up if you want to, a little close.
:04:26. > :04:30.I'll leave some Benedict room here. How are you, Sir? I'm fine, thank
:04:30. > :04:38.you. We are so, so thrilled you are here. We are delighted you are.
:04:38. > :04:43.CHEERING AND APPLAUSE We are especially grateful you are
:04:43. > :04:48.here. Maybe I'm wrong, but we think you obviously like acting. That's a
:04:48. > :04:52.pleasure. I do. I enjoy it, yes. Is it FA irto say this sort of thing is
:04:52. > :05:04.your least favourite aspect of making a film? No, not yet.
:05:04. > :05:09.You know, it's the endless press thing about having to explain the
:05:09. > :05:12.movie over and over again, talk about yourself, talk about blah blah
:05:12. > :05:17.blah blah blah. We are not going to do that here, are we? No, I'll ask
:05:17. > :05:24.you practically no questions at all for more or less 40 minutes.
:05:24. > :05:29.I should warn you, you are sitting next to a bit of a Harrison Ford
:05:29. > :05:34.fan. Have you embarrassed yourself backstage already? I love Harrison,
:05:34. > :05:39.I'm such a massive fan and I don't want to be fan girlie on the show,
:05:39. > :05:43.but the young chaps my age in the audience, there's a particular film
:05:43. > :05:48.of yours that's kind of a swashbuckling young adventurous chap
:05:48. > :05:54.really defined me as a young man. Your performance in Working Girl.
:05:54. > :06:02.Oh! Love that film. CHEERING AND APPLAUSE
:06:02. > :06:07.Shove up a bit because... Enough! I am allowed to be this close.
:06:07. > :06:10.Benedict on the other hand, he'll have to keep a certain distance.
:06:10. > :06:14.Harrison Ford, you are here, let us celebrate you. This is the bit where
:06:14. > :06:18.I talk for a long time. Please. I'm not really enjoying this.
:06:18. > :06:25.LAUGHTER It's early days. . Whir ouch of the
:06:25. > :06:34.elite. Your films have grossed almost $6 billion worldwide.
:06:34. > :06:41.Here comes a question - when was the... How much of it did I get? !
:06:41. > :06:44.I'm interested in that, but I was wondering, when was the last time
:06:44. > :06:49.you walked in somewhere and people just went "hello, how may I help
:06:49. > :06:58.you? " Are there countries you can go to where they don't know who you
:06:58. > :07:02.are? Yeah. Where? England. We know who you are. In England no-one says
:07:02. > :07:09."mow may I help you" because everyone's so rude.
:07:09. > :07:17.Have you walked through Britain unmolested? No, I've taken a canal
:07:17. > :07:21.boat through Britain and not been noticed and not run into anybody
:07:21. > :07:28.looking. Was that by choice? Was that a holiday? Yes. Never done it,
:07:28. > :07:33.have you? No. How Kewelled it be accidental, like you hail a cab and
:07:33. > :07:41.go like, this is a canal boat, I've done it again!
:07:41. > :07:51.Harrison Canals. Was it not a bit boring? Yes! That's what I like.
:07:51. > :07:55.Hurly-burly. After people come up to me and say, are you Harrison Ford,
:07:55. > :07:58.my usual answer is, I used to be. Takes a while for them to figure it
:07:58. > :08:02.out. At that point you push them in the
:08:02. > :08:08.canal. Was it very cool being a dad? You
:08:08. > :08:10.canal. must have trounced every other
:08:10. > :08:15.father at the school gate because you were Han Solo, Indiana Jones, I
:08:15. > :08:28.mean how amazing that that's your dad? Frankly, my kids couldn'tlet
:08:28. > :08:34.give a shit. And would not Dane to be friends
:08:34. > :08:39.with anybody who did care. Realry? The first parts are absolutely true.
:08:39. > :08:42.They have never cared so much about it because they are growing up, you
:08:42. > :08:52.know, in the sausage factory. My wife is an actress, I'm an
:08:52. > :08:57.actress... LAUGHTER
:08:57. > :09:01.It's doesn't really matter to my kids.
:09:01. > :09:05.So $6 billion. A lot of people would be resting on their laurels, but you
:09:05. > :09:08.are working as hard as ever. Your latest film we'll talk about in a
:09:08. > :09:13.second. That work ethic, does that come from the fact that... ... It
:09:13. > :09:19.comes from the fact that I spent it all and I still have to go to work.
:09:19. > :09:25.No, I like to work. I love working. I can't imagine what I would, you
:09:25. > :09:29.know, what I'd do all day long if I didn't work occasionally.
:09:29. > :09:33.Famously, obviously, you were a carpenter when you started out? I
:09:33. > :09:39.became a carpenter because I didn't like the work I was getting as an
:09:39. > :09:42.actor. Do you still do carpentry? Not so much.
:09:42. > :09:47.I've lost it. Like so many poncy actors like you
:09:47. > :09:52.see and they go after the film, I want to go home and have a bath and
:09:52. > :10:03.read some poetry to unwind. Harrison probably opens a can of beer then
:10:03. > :10:11.builds a fucking shed. CHEERING AND APPLAUSE
:10:11. > :10:18.Yes, that's me. I don't know how I missed this aspect of Harrison Ford.
:10:18. > :10:29.It's not just the shed building. End of October, it seems like that's
:10:29. > :10:34.a very exciting time to be around the Ford-Flockhart household. It's
:10:34. > :10:45.become a big thin for you? No. You push the boat out. Here is you and
:10:45. > :10:51.Calista. You look scarily like a woman I had a one night stand with
:10:51. > :10:57.in Wigan. It was me. It was!
:10:57. > :11:05.I should have known! CHEERING AND APPLAUSE
:11:05. > :11:15.We went back to your boat and it was a lovely night. We made some waves.
:11:15. > :11:19.Did months of planning go into this? a lovely night. We made some waves.
:11:19. > :11:22.Does it look like? ! Well, some planning went into this.
:11:22. > :11:31.Look at you there. That is a pea pod Well, some planning went into this.
:11:31. > :11:37.isn't it? I'm the one on the left. Let's see the picture again. The
:11:37. > :11:43.full uncensored version. That's what I'm talking about. I'm the one on
:11:43. > :11:49.the left and that's Calista artily disguised as a... She'll be annoyed
:11:49. > :11:54.if you don't remember what her costume was. We just threw it
:11:54. > :11:59.together at the last minute. We are living in Los Angeles. You
:11:59. > :12:09.can find a pea pod costume pretty easily. It's all that's left. But
:12:09. > :12:14.our 12-year-old son, you know, he likes to go trick or treating, we
:12:14. > :12:19.just turn him out in the street alone. So you go door-to-door? We
:12:19. > :12:24.maybe wait a respectful distance away from the door, we are not in it
:12:24. > :12:29.for the candy. CHEERING AND APPLAUSE
:12:29. > :12:36.Or the peas! And I hope to be, I mean the point
:12:36. > :12:38.is, I hope to be unrecognised. I think you might be unrecognised in
:12:38. > :12:47.is, I hope to be unrecognised. I this one. You probably are
:12:47. > :12:51.unrecognisable. LAUGHTER
:12:51. > :13:06.It was the wine that gave me away. Were you smoking then? I hadn't
:13:06. > :13:11.gotten that far. Before Halloween, Ender's Game opens
:13:11. > :13:15.on 25th October. It's your return to space. I think that's not what the
:13:16. > :13:18.buzz is about. The buzz is about the fact that there are a lot of loyal
:13:18. > :13:22.buzz is about. The buzz is about the fans of a book this is based on. The
:13:22. > :13:28.author of that book predicted 28 years ago the Internet, touch screen
:13:28. > :13:34.technology that we use all the time now, drawn warfare, so it was quite
:13:34. > :13:42.a clever book. It's got excitement and also moral
:13:42. > :13:48.issues in it? It does. It's got some very important themes which don't
:13:48. > :13:52.spoil the movie. No, they don't. They are kind of knit in. You might
:13:52. > :13:58.not even notice if you don't care about that sort of thing. I did. You
:13:58. > :14:13.saw the movie? Yes. Yes I did. You did? Yes. Free? Yes.
:14:13. > :14:19.(Shit) You, as part of this film, must have
:14:19. > :14:28.been like the arrival of Jesus. Just because he's a carpenter.
:14:28. > :14:34.CHEERING AND APPLAUSE Did you have security surrounding
:14:34. > :14:41.you at all times? Oh, yeah. Legions of storm troopers.
:14:41. > :14:46.It's really... I'm very proud of the movie, there are wonderful actors in
:14:46. > :14:58.it, Sir Ben Kingsley and I have owe loo Davies and this young fellow,
:14:58. > :15:06.Acor Butterfield the title, Ender. I play the recruiter, the trainer of
:15:06. > :15:13.this young man who's meant to be our commander of the international
:15:13. > :15:19.fleet. Young people, because of their capacity to integrate complex
:15:19. > :15:28.information quickly and evolve strategies, which mostly comes out
:15:28. > :15:32.of their experienced gaming, video gaming. I like the way we both do
:15:32. > :15:41.the same mime for that like we've never done it. I haven't. I can't
:15:41. > :15:45.figure it out at all. Like the Xbox... It's based on a real
:15:45. > :15:54.psychological reality that they got, you know, nimble minds. But this is
:15:54. > :16:00.a warfare that's practised row remotely, but with drones. Let's say
:16:00. > :16:04.no more. I don't want to spoil it. Let's look at a clip. This is you
:16:04. > :16:09.with Enders, as your star pupil, and you are running the battle school
:16:09. > :16:14.and I think that's all we need to know going into this.
:16:15. > :16:19.Highest battle room ratings. You have a habit of upsetting your
:16:19. > :16:22.commander. I find it hard to respect someone just because they outrank
:16:22. > :16:29.me, Sir. Puts you in a difficult position, doesn't it? Yes, Sir.
:16:29. > :16:32.Don't like taking orders? No, Sir. Perhaps you would prefer to give
:16:32. > :16:38.them yourself? How'd you like to lead your own army? Sir, never heard
:16:38. > :16:45.of a dragon Army? We discontinued the name four years ago. No dragon
:16:45. > :16:50.Army ever won a battle. Then why not, Sir? We already have the
:16:50. > :16:56.uniforms. Who'll been in the Army? Misfits like you who might be
:16:56. > :17:02.brilliant with the right commander. CHEERING AND APPLAUSE
:17:02. > :17:06.Oh, oh, oh! Ladies and gentlemen, ladies and
:17:06. > :17:15.gentlemen, I smell motorcycle oil and cheap Cologne, I deduce that the
:17:15. > :17:24.star Sherlock, Mr Benedict Cumberbatch is here! Yes, he is.
:17:24. > :17:37.CHEERING AND APPLAUSE After all that...
:17:38. > :17:43.CHEERING AND APPLAUSE They are pleased to see you. Nice to
:17:43. > :17:48.see them too. Sorry, the traffic was terrible. Were you working? Yes, the
:17:48. > :17:56.helicopter wasn't working. I was working. I'm doing a film in
:17:56. > :18:01.Bletchley Park. I ran and was taking my costume off getting on a
:18:01. > :18:06.motorcycle. Where was that, many Madrid? A motorbike from Bletchley?
:18:06. > :18:13.I wasn't driving it. If I was, it might have happened faster. Who was
:18:13. > :18:21.driving it, Mr Magoo? Seriously, I don't feel so bad that I
:18:21. > :18:27.mispronounced your name. I was like please welcome meememme
:18:27. > :18:40.Cumberbatch". You didn't dress like that on the motorcycle? I got
:18:40. > :18:45.dressed as I was on the motorcycle. Jack loves you, Benedict also a huge
:18:45. > :18:50.Harrison Ford fan. Have you met before? Embarrassingly, I met you at
:18:50. > :18:57.our agent's party at UTA in Los Angeles. Our agent? Our agent. We
:18:57. > :19:05.don't have the aim agent, but we have the same... Was he dressed as a
:19:05. > :19:16.pea? I've got to catch up. Did you talk to each other? I made a tit of
:19:16. > :19:20.myself. I came up and went "I'm a real big fan, I used to fantasise
:19:21. > :19:28.about you". I meant I used to fantasise about being Han Solo. I
:19:28. > :19:33.took it wrong. You took it really well and went "it takes all sorts".
:19:33. > :19:38.CHEERING AND APPLAUSE You were very nice.
:19:38. > :19:42.The other strange thing that may bond people on the couch is of
:19:42. > :19:45.course Gee carts are fluttering. There is going to be a new Star Wars
:19:45. > :19:52.film. CHEERING AND APPLAUSE
:19:52. > :20:02.Now, you're nit, you are definitely in it, aren't you? Are you not in
:20:02. > :20:06.it? Huh? Benedict knows because he's mates with Julian Assange now and
:20:06. > :20:15.he's seen the script. You are in it. Hasn't it been announced? No...
:20:15. > :20:23.Er... Yeah... . Let's not lose the tempo here.
:20:23. > :20:27.Before you arrived, he was really fluent.
:20:27. > :20:33.Are you playing Chewbacca this time? I didn't get a chance to tell you
:20:33. > :20:40.what a big fan I am of yours. Oh, thank you very much. Wow. That's a
:20:40. > :20:43.bit of a moment, thank you very much.
:20:43. > :20:49.Sherlock Holmes is amazing. CHEERING AND APPLAUSE
:20:49. > :20:56.Very good. I can retire now, I'm going.
:20:56. > :21:08.Are you in the new Star Wars film? Instead of me? ! You were being so
:21:08. > :21:15.hesitant... Yeah... I'll give you a revelation, I'm in it. That is an
:21:15. > :21:23.exclusive fact. And I push Sherlock off the roof.
:21:23. > :21:29.It hurt: . Are you and Princess Leia an old married couple now running a
:21:29. > :21:33.bed-and-breakfast in Llandudno? That's why I've not quite made the
:21:33. > :21:36.choice. The love affair in the oral national Star Wars film who we all
:21:36. > :21:41.remember it was so beautiful. The famous scene in the Empire Strikes
:21:41. > :21:45.Back, where you are not turned into stone, but something else? Something
:21:45. > :21:52.else. Yes, I don't remember what it was. Sorry. We have the lovely
:21:52. > :22:00.moment where it's about to happen. Here it is.
:22:00. > :22:44.CHEERING AND APPLAUSE Chewy seems more upset than present
:22:44. > :22:48.Cesc lay ya. Yeah. Was that your line? That wasn't in the script, was
:22:48. > :22:58.it? Well, it was, you know, it became my line. There was a process
:22:58. > :23:04.of negotiation. Well, maybe there wasn't.
:23:04. > :23:12.No, the line that was typed left unsaid was "I love you too" which
:23:12. > :23:18.seemed a little out of character. There is an awful lot of people in
:23:18. > :23:23.the audience who love you. Love you, Harrison. Calm down. Going to give
:23:23. > :23:27.some of them an opportunity to say "I love you". There is a blue hand
:23:27. > :23:33.right up there. You already did it, didn't you? What's your name? Anna.
:23:33. > :23:38.Stand up. Where are you from? Surrey. I love Harrison. That's the
:23:38. > :23:44.point. We got that. There he is. He's not
:23:44. > :23:47.getting any nearer. OK. Look him in this eyes and tell him. Wait for the
:23:47. > :23:49.music. Wait for the music. Look him in the
:23:49. > :24:09.eyes and tell him. I love you. I know.
:24:09. > :24:15.CHEERING AND APPLAUSE Harrison, can someone else have a
:24:15. > :24:31.go? Do you mind? Yeah, sure. Stand up, what's your name? Yoker.
:24:31. > :24:37.Yoker? Yoko. Yoko? Leave her alone. Do you live here now? I don't. You
:24:37. > :24:42.are here on holiday from Belgium? I came from Belgium for this. To see
:24:42. > :24:47.Mr Ford? Yes. CHEERING AND APPLAUSE
:24:47. > :24:59.So music, there he is, there he is, there he is. I love you.
:24:59. > :25:07.Thank you. Very good! Beautiful, beautiful, beautiful.
:25:07. > :25:12.It gives people such a joy. What if one of them was a stalker and he
:25:12. > :25:15.said "I know". He wouldn't have been lying. You have made that very
:25:15. > :25:25.clear. Over the years.
:25:25. > :25:28.Cumberbatch, you are so hot right now!
:25:28. > :25:31.#12k3w4r CHEERING AND APPLAUSE
:25:31. > :25:36.Do you even know how many films you have got coming out? You have got so
:25:36. > :25:44.many? Yes, I have. Remind me. I don't know. I have the Fifth Estate
:25:44. > :25:49.coming out this Friday. We are talking about that. You are on
:25:49. > :25:54.message, very good. I haven't seen the first four, but that looks
:25:54. > :25:58.awesome. Go straight to that up with. You are working back-to-back
:25:58. > :26:03.at the moment, aren't you, nonstop? Kind of, yes. I have vague weekends
:26:03. > :26:10.and days between, but yes, it's been a wonderful wave, is a wonderful
:26:10. > :26:17.wave, so I'm enjoying it. Julian Assange story, so everyone knows who
:26:17. > :26:22.he is. He was big in America. Who? Julian Assange. Yes, I know. Well I
:26:22. > :26:28.didn't want to be rude and start talking about someone and you start
:26:28. > :26:35.going, who are you talking about. You don't look much like him. Thank
:26:35. > :26:41.you. I mean... You could have no credit rating for ever if you looked
:26:41. > :26:46.like him. He has bigger frish to fry. Did you contact him? I e-mailed
:26:46. > :26:50.him before we started filming which was quite sort of scary. He e-mailed
:26:50. > :26:56.back saying, don't do the film on the day that we were starting pretty
:26:56. > :26:59.much, so that was... Really? That was interesting. I completely
:26:59. > :27:06.respect why and he was articulate and considerate and polite about it
:27:06. > :27:16.and I wrote an equally hopefully considerate and articulate reply as
:27:16. > :27:20.to why we were doing the story. Now that you have done the film, you
:27:20. > :27:24.have immersed yourself in the world of Julian Assange and what he's
:27:24. > :27:31.done, where do you stand? Do you see him as a revolutionary of new
:27:31. > :27:40.journalism, or a bit of a nob with a laptop? He is a revolution. It comes
:27:40. > :27:46.after the fact that he shook up things and made us question the rule
:27:46. > :27:50.of law and power structures that were either corrupt and needed
:27:50. > :27:53.investigating and he served democracy a great turn. This is a
:27:53. > :28:01.clip of you as Julian Assange having a row with the man he worked with so
:28:01. > :28:06.closely towards the middle to end. OK.
:28:06. > :28:09.14 pages in the Guard-on, 12 in the New York Times, more coverage than
:28:09. > :28:13.all the leaks we have had combined. We are winning an information war
:28:13. > :28:17.which goes beyond any short-term alliance we have with the
:28:17. > :28:24.mainstream. Up to throw it all away because you feel a US Government
:28:24. > :28:28.informer might come to harm. He's a human being. His lives are at stake.
:28:28. > :28:32.What about the lives to have civilians, soldiers involved in
:28:32. > :28:36.this. Unreported civilian casualties, countless incidents of
:28:36. > :28:39.friendly fire. This is the information the world needs to know.
:28:39. > :28:42.The next time you find yourself lickturing me about this
:28:43. > :28:49.organisation, please try to remember why I created it -- lecturing me.
:28:49. > :28:59.And also why I hired you to help me. CHEERING AND APPLAUSE
:28:59. > :29:02.It's uncanny. Wow.
:29:02. > :29:08.Stating the obviouser but Benedict is pretty good at acting.
:29:08. > :29:25.I know! At the screening, the guy, the real
:29:25. > :29:29.guys from The Guardian were at it being asked questions. They knew
:29:29. > :29:36.Julian Assange well and they were saying how uncannily accurate your
:29:36. > :29:42.performance is. Are you a good study? The last time you did me and
:29:42. > :29:48.you were very good. You did my laugh very well.
:29:48. > :29:58.You do lots of people. Are you one of those actors? No. Yes. A few,
:29:58. > :30:09.yes, but I think a lot of us hear the music or it's voices or
:30:09. > :30:16.whatever. I used to muck around with dictaphones at school. It's like
:30:16. > :30:21.part of having an ear. Even if we want to have empathy. You were doing
:30:21. > :30:29.Chewbacca in time with the clip. That's one of my favourite Chewbacca
:30:29. > :30:38.moments. Just that arrrrrr... CHEERING AND APPLAUSE
:30:38. > :30:43.Did I take you back? Very quickly Benedict, are people
:30:43. > :30:47.still comparing you to an otter? I don't know, are they? They are.
:30:47. > :30:56.There are some new ones. Have you seen them? No. This is an Internet
:30:56. > :31:02.thing. So here is Benedict. You think that's a boy, doesn't look
:31:02. > :31:10.like an otter? Yes, he does. Look at it. He strikes a pose, a thoughtful
:31:10. > :31:17.pose. Otters don't think that much. Yet, they do. They do.
:31:17. > :31:22.I'm the one not doing the pose properly. That is the correct
:31:22. > :31:26.steeple of fingers underneath the chin. Mine is in front of my face so
:31:26. > :31:30.I'll take notes from my men. Is one person posting these. Surely to post
:31:30. > :31:38.these you would have to see a lot of otters. You know where otters hang
:31:38. > :31:44.out. Canals. CHEERING AND APPLAUSE
:31:44. > :31:51.You, as Julian Assange. Otter Julian Assange.
:31:51. > :31:54.Then the final one, here you are waving goodbye and you think otters
:31:54. > :32:02.don't have arms, how do they do that? Yes, they do.
:32:02. > :32:11.Genius. Well done with otters. Must crack on. Everyone, Jack white
:32:11. > :32:16.Liverpool is on tour, yes, he is. It's called Jack Whitehall Get
:32:16. > :32:18.Around. You start on 5th March next year, then you go around the country
:32:18. > :32:25.and finish on 16th March. year, then you go around the country
:32:25. > :32:30.You don't go around a lot? It's a very compact tour, but I'm going to
:32:30. > :32:37.lots of places. It is the biggest tour I've ever done. It is!
:32:37. > :32:44.And I'm doing The Round, which is new. I start in Aberdeen and then I
:32:44. > :32:50.end in Wembley and it's sold quite well... In some places. Not in
:32:50. > :32:53.Aberdeen. So that's the kind of main thrust is, if anyone is watching
:32:53. > :32:58.from Aberdeen, I just need to sell one more ticket and there'll be more
:32:58. > :33:02.people in the audience than there are on stage.
:33:02. > :33:07.Please, I love Aberdeen as well. Can I just take this opportunity to say
:33:07. > :33:13.I'm a big fan of the city, I love it, Fish Trawler Port, the big nest
:33:13. > :33:18.Europe. Oh, you're good. It's that local stuff. I love the fact that in
:33:18. > :33:22.Aberdeen more medieval coin haulages have been found than anywhere else
:33:22. > :33:29.in the UK. 4,000 feet... The River Dee rises at
:33:29. > :33:32.approximately 4,000... This one's good.
:33:32. > :33:36.CHEERING AND APPLAUSE What else is great about Aberdeen
:33:36. > :33:49.and why Ypres really looking forward to going there is, where else would
:33:49. > :33:57.you find a city where... Sold out!
:33:57. > :34:03.What a perfect place to start my tour. Jack wrote this book with his
:34:03. > :34:07.father. I wrote all of it. He wrote his bits but he doesn't use a
:34:07. > :34:12.computer so I had to type it all out because he's very old-fashioned,
:34:12. > :34:16.he's geriatric. I took my dad to McDonald's for the first time two
:34:16. > :34:22.years ago. He asked for his Big Mac to be cooked medium rare.
:34:22. > :34:29.That's the generation I'm talking about. He asks to see a wine list in
:34:29. > :34:36.KFC. No, Harrison, I wouldn't even go there, but he could be in
:34:36. > :34:51.Expendables 4. Are you doing The Expendables 3? I have done. Yeah!
:34:51. > :34:58.There's a bit Boro Jean-Claude Van Dam kicks a knife in to a guy's
:34:58. > :35:03.chest. You walk out the cinema and you are so pumped that you want to
:35:03. > :35:09.burn something or... Argh. There is a scene in Expendables 1 where
:35:09. > :35:15.Sylvester Stallone and mickey Rourke have a five-minute conversation, I
:35:15. > :35:19.challenge the best linguistics expert to tell me what they say. BBC
:35:19. > :35:27.Two very late at night, the guy doing the sign language just gave
:35:27. > :35:32.up. Is it true that you would do another
:35:32. > :35:41.Indiana Jones if there was another one? In a New York minute, yes.
:35:41. > :35:46.Brilliant. I don't think it's about Indiana
:35:46. > :35:52.Jones being an old fart. It's OK. We have seen him at all stages of his
:35:52. > :35:56.life. When I'm old enough, we need Connery you know.
:35:56. > :36:01.I'll be old enough to play my own father!
:36:01. > :36:08.Writing out a will, joining Bewl that, you know. See your
:36:08. > :36:13.grandchildren. Shopping for a walk-in bath.
:36:13. > :36:22.CHEERING AND APPLAUSE Before we have our music, Mr Ford,
:36:22. > :36:26.you have to leave the land? I do. You have to be in other places. Has
:36:26. > :36:31.this been hell or all right? It's been great. I'm delighted with the
:36:31. > :36:33.company. Come and see us again. Ladies and gentlemen, Mr Harrison
:36:33. > :36:37.Ford. Thank you so much.
:36:37. > :36:46.Thank you. CHEERING AND APPLAUSE
:36:46. > :36:54.There he goes! What a nice man. Budge up now.
:36:54. > :37:00.What a lovely man. Very good. I like Harrison Ford.
:37:00. > :37:04.He's so cool. He's so cool. Let's talk about Harrison Ford for a
:37:04. > :37:12.while. . Chat show in Belgium now. We are going to make someone feel
:37:12. > :37:14.very stupid. The singer song writer sold 17
:37:14. > :37:18.very stupid. million of his first three albums
:37:18. > :37:22.and is back with a fabulous fourth, singing his new single, Bonfire
:37:22. > :37:39.Heart, please welcome, Mr James Blunt.
:37:39. > :37:45.# Your mouth is a revolver firing bullets in the sky # Your love is
:37:45. > :37:47.like a soldier, loyal till you die # And I've been looking at the stars
:37:47. > :38:08.for a long, long time. # Days like these
:38:08. > :38:17.# Lead to nights like this # Lead to love like ours
:38:17. > :38:21.# You light the spark in the bonfire heart
:38:21. > :38:30.# People like us # We don't need them much
:38:30. > :38:36.# Just some sparks that start the spark in the bonfire hearts
:38:36. > :38:44.# This world is getting colder # Strangers passing by
:38:44. > :38:51.# No-one offers you a shoulder # No-one looks you in the eye
:38:51. > :38:56.# I've been looking at you # For a long, long time
:38:56. > :39:01.# Just trying to break through # Trying to make you mine
:39:01. > :39:06.# Everybody wants a flame # They don't wanna get burnt
:39:06. > :39:13.# Well today is our turn # Days like these
:39:13. > :39:19.# Lead to nights like this # Lead to love like ours
:39:19. > :39:26.# You light the spark in the bonfire heart
:39:26. > :39:33.# People like us # We don't need them much
:39:33. > :39:40.# Just someone that starts, starts a spark in our bonfire hearts
:39:40. > :39:53.# Our bonfire hearts # Our bonfire hearts
:39:53. > :39:57.# You light the spark # People like us
:39:57. > :40:00.# We don't need that much # Just someone that starts
:40:00. > :40:03.# We don't need that much # Starts a spark in our bonfire
:40:03. > :40:09.hearts # Days like these
:40:09. > :40:16.# Lead to nights like this # Leads to love like ours
:40:16. > :40:20.# You light a spark # Days like these
:40:20. > :40:29.# Lead to nights like this # Lead to love like ours
:40:29. > :40:31.# You light the spark in the bonfire heart
:40:31. > :40:38.# People like us # We don't
:40:38. > :40:45.# Need them much # Just some one that starts, starts
:40:45. > :40:55.the spark in the bonfire heart # People like us
:40:55. > :41:03.# We don't need them much # Just someone that sparks, starts
:41:03. > :41:09.the spark in the bonfire heart... # CHEERING AND APPLAUSE
:41:09. > :41:16.Thank you. I thought you were great.
:41:16. > :41:17.Mr James Blunt, everybody! Fantastic.
:41:17. > :41:20.James blunt. Thank you so much. Have a seat. Have
:41:20. > :41:32.a seat. I feel bad now you have missed
:41:32. > :41:35.Harrison Ford. I flown in all the way from Australia just to meet him.
:41:36. > :41:38.I wanted to tell him that I loved him to music.
:41:38. > :41:44.There you go. We love that song. Such a catchy
:41:44. > :41:50.song. Fantastic. It's off the album Moon Landing, out on 21st October.
:41:50. > :41:56.Very glad you got it. Well, I do. I didn't pay for that either!
:41:56. > :42:01.I went to a gig you did. Thank you so much for coming. Which? Was
:42:01. > :42:07.lovely. It was really intimate, but you still managed to do a stage
:42:07. > :42:10.dive? Yes, on a bunch of middle aged women.
:42:10. > :42:14.You warned them you were coming. You stood on top of the piano and kind
:42:14. > :42:19.of went all right and they gathered round and braced themselves.
:42:19. > :42:23.Yes. I have learnt that I have to warn people you are doing that,
:42:23. > :42:28.because the first time I jumped into the audience, I ran in and the crowd
:42:28. > :42:33.parted and lots of my friends were watching and I just smacked the
:42:33. > :42:37.ground and really hurt myself and looked like a prick in front of my
:42:37. > :42:41.friends. It's gone wrong several times. In Chicago, I jumped off the
:42:41. > :42:47.stage and ran towards the audience and a large security guard didn't
:42:47. > :42:56.recognise me. He tackled me to the ground I was shouting "I'm the
:42:56. > :43:01.fucking singer". Imagine a cart went by and a bicycle's knocked over your
:43:01. > :43:05.best friend and you don't see the landing and a bicycle could have
:43:05. > :43:10.knocked over your best friend. Please tell me what happened? !
:43:10. > :43:16.CHEERING AND APPLAUSE I'm very sorry to say we have run
:43:16. > :43:20.out of time. We have run out of time. No time for Red Chair, it will
:43:20. > :43:25.be back next week. All right, it's just some people in a chair. These
:43:26. > :43:31.people and Harrison Ford, come on. A lady from Weybridge.
:43:31. > :43:37.Why don't you just get the sofa to tip back. That's all we have got
:43:37. > :43:42.time for, beef! -- boof! Please say thank you to my
:43:42. > :43:48.fantastic guests tonight. Mr James Blunt. Jack Whitehall, Benedict
:43:48. > :43:55.Cumberbatch and of course, the great Harrison Ford. Join me next week for
:43:55. > :44:04.the Oscar-winning actress, Natalie Portman, James Corden, Katy Perry
:44:04. > :44:11.and Sir Paul McCartney. See you next week, bye-bye!
:44:11. > :44:14.Natalie's costar is also on the show.