0:00:02 > 0:00:04On tonight's show, two top detectives from Luther
0:00:04 > 0:00:07and Broadchurch. I'd be a great detective.
0:00:07 > 0:00:11Now, madam, where were you on the night of January 17th at 10:35?
0:00:11 > 0:00:16- Sleeping.- No, you're here. - I was here.- You're here. It's now.
0:00:16 > 0:00:18Let's start the show!
0:00:34 > 0:00:38Oh, oh, hello!
0:00:39 > 0:00:40Hello over there!
0:00:40 > 0:00:43Hello back there! Hello to you all!
0:00:46 > 0:00:49A very warm welcome. We have a great line-up for you tonight.
0:00:49 > 0:00:52Star of The Wire, Luther and now the stunning Long Walk To Freedom,
0:00:52 > 0:00:55Idris Elba's here, ladies and gentlemen!
0:00:55 > 0:00:57CHEERING AND APPLAUSE
0:01:00 > 0:01:02Back off, lady, security.
0:01:02 > 0:01:06Britain's newest national treasure, Olivia Colman, is on this show!
0:01:06 > 0:01:07CHEERING AND APPLAUSE
0:01:07 > 0:01:09Yes!
0:01:12 > 0:01:15Creator and star of the hit US sitcom, Girls,
0:01:15 > 0:01:16Lena Dunham is here! Yes!
0:01:16 > 0:01:18CHEERING AND APPLAUSE
0:01:18 > 0:01:22Plus we've got music from the brilliant Keane, ladies and gentlemen. Woo hoo!
0:01:22 > 0:01:25CHEERING AND APPLAUSE
0:01:25 > 0:01:29Very good. I tell you, it'll be a sofa full of exciting, happy people.
0:01:29 > 0:01:32Sort of the exact opposite of this.
0:01:32 > 0:01:33LAUGHTER
0:01:34 > 0:01:37Celebrity Big Brother, isn't it great?
0:01:37 > 0:01:40Tell you, more faded TV stars than a magistrates court.
0:01:40 > 0:01:42LAUGHTER AND APPLAUSE
0:01:42 > 0:01:44What?
0:01:47 > 0:01:49Great to have Idris Elba on the show, star of the brilliant
0:01:49 > 0:01:53new film about Nelson Mandela, Long Walk To Freedom.
0:01:53 > 0:01:56It is a great honour for anyone to have a biopic.
0:01:56 > 0:01:58You do wonder who would play me in a film of my life.
0:01:59 > 0:02:01LAUGHTER
0:02:01 > 0:02:04Stupid. I don't smoke.
0:02:05 > 0:02:08Idris, very cool, ladies and gentlemen, very cool man.
0:02:08 > 0:02:11No matter what role he's playing, he always looks great.
0:02:11 > 0:02:17Whether he's a drug dealer, a policeman, a toasting fork...
0:02:18 > 0:02:20LAUGHTER
0:02:22 > 0:02:25That's a hard look to carry off.
0:02:25 > 0:02:28I'm delighted to welcome Olivia Colman back to the show! Oh!
0:02:31 > 0:02:35She starred in the brilliant Broadchurch, of course, as DS Miller.
0:02:35 > 0:02:39She's up for a National Television Award for best detective.
0:02:39 > 0:02:42And you do think, really? Best detective?
0:02:42 > 0:02:47She didn't spot her husband was the murderer. He's upstairs.
0:02:47 > 0:02:50In the first episode,
0:02:50 > 0:02:53there was the harrowing scene when they removed the body
0:02:53 > 0:02:55from the beach. Always traumatic.
0:02:55 > 0:02:57Heave!
0:02:57 > 0:02:59LAUGHTER
0:02:59 > 0:03:02That's it, that's it. Where did I put my chair?
0:03:04 > 0:03:08I loved Olivia in the Olympic sitcom Twenty Twelve. Oh, yes.
0:03:08 > 0:03:11I enjoyed that one.
0:03:11 > 0:03:14I like that people in the audience go, "Oh, yes,
0:03:14 > 0:03:16"she was very good in that, yes. I did enjoy that, yes."
0:03:16 > 0:03:20Of course, it's the Winter Olympics soon in Russia.
0:03:20 > 0:03:23Been a lot of controversy over how welcome
0:03:23 > 0:03:25gay athletes are going to be,
0:03:25 > 0:03:29but honestly, are there any gay athletes in the Winter Olympics?
0:03:29 > 0:03:32LAUGHTER AND APPLAUSE
0:03:34 > 0:03:36I guess we'll never know.
0:03:36 > 0:03:39The Winter Olympics, very similar to the Summer Olympics.
0:03:39 > 0:03:42In the summer you have the sprint event,
0:03:42 > 0:03:45in the winter you have the sprint event.
0:03:45 > 0:03:48Summer, the jumps, winter, the jumps.
0:03:48 > 0:03:50In the summer, the snatch lifts, and in winter...
0:03:51 > 0:03:53LAUGHTER
0:03:53 > 0:03:56Let's get some guests on!
0:03:56 > 0:04:00Later we'll be having music from Keane.
0:04:00 > 0:04:04But first, she's keen as mustard, it's Olivia Colman!
0:04:04 > 0:04:06CHEERING
0:04:06 > 0:04:08- Oh, oh!- Hello.- So beautiful.
0:04:08 > 0:04:10Hello, darling. So nice to see you.
0:04:10 > 0:04:12Sit yourself down, Olivia Colman.
0:04:14 > 0:04:19She's the hot star of the cool Girls, it's Lena Dunham.
0:04:19 > 0:04:21CHEERING AND APPLAUSE
0:04:21 > 0:04:23Hi!
0:04:23 > 0:04:26Hello, darling. So nice to see you.
0:04:26 > 0:04:28- Thank you.- Sit yourself down.
0:04:28 > 0:04:30And he's taking the long walk to my sofa,
0:04:30 > 0:04:31it's Idris Elba!
0:04:31 > 0:04:34CHEERING AND APPLAUSE
0:04:34 > 0:04:39- Hey, you made it.- How are you? - Really well.
0:04:39 > 0:04:41Lovely to see you. Sit down, sit down, sit down.
0:04:46 > 0:04:49Nice couch, and we often get people on the sofa
0:04:49 > 0:04:51who like and admire each other.
0:04:51 > 0:04:53But Olivia Colman down the end,
0:04:53 > 0:04:55you're like a competition winner tonight.
0:04:55 > 0:04:58I know, I'm so excited.
0:04:58 > 0:05:01I got so excited in the corridor, meeting them both, I nearly weed.
0:05:07 > 0:05:10It would've been so cute if she had.
0:05:10 > 0:05:12A little awkward, though.
0:05:13 > 0:05:15Oh, not that awkward. Um...
0:05:15 > 0:05:17I saw you at the Golden Globes.
0:05:17 > 0:05:20- Did you not meet at the Golden Globes?- No.- No, I looked at him.
0:05:22 > 0:05:24I looked at him extensively.
0:05:24 > 0:05:26Is it true that at the Golden Globes,
0:05:26 > 0:05:29because you're for film, you're for TV, are you separate?
0:05:29 > 0:05:31Um, I think so, yes.
0:05:31 > 0:05:35There's a sort of film section and there's a TV section, I guess.
0:05:35 > 0:05:37That's a very nice way of putting it.
0:05:37 > 0:05:40Basically, it's like all the film people are in a glorious area
0:05:40 > 0:05:43with confetti streaming down and you're drinking champagne,
0:05:43 > 0:05:47and all the TV people are just like in shanties at the back.
0:05:47 > 0:05:51This year I was nominated for both. Not bragging...
0:05:51 > 0:05:53It's just true.
0:05:53 > 0:05:56TV and film. I chose the film section.
0:05:56 > 0:05:58It's the right choice.
0:05:58 > 0:06:02No-one's going to visit the TV section if they don't have to.
0:06:02 > 0:06:05- Is it one party at the end? Did you dance?- Yeah.
0:06:05 > 0:06:08- I didn't go to the party.- No?
0:06:08 > 0:06:10Did you go to the party?
0:06:10 > 0:06:13I did, I went to, like, six.
0:06:13 > 0:06:17- The last time I saw you, you were behind the decks.- Yeah, yeah.
0:06:17 > 0:06:21You were doing all this stuff. One on, one off.
0:06:22 > 0:06:25He was so good, they had to tell him to stop dancing.
0:06:25 > 0:06:27- It's true, isn't it?- It is, yeah.
0:06:27 > 0:06:30It was one of these buildings that is sort of a heritage building.
0:06:30 > 0:06:34There were so many people dancing because I'm a great DJ.
0:06:34 > 0:06:36The floor was shaking, literally,
0:06:36 > 0:06:38and they thought nothing was going to cave in,
0:06:38 > 0:06:39so I had to get on the mic,
0:06:39 > 0:06:42this is a first, to tell people, "Stop dancing, please."
0:06:42 > 0:06:44That was the first time I've ever done that.
0:06:44 > 0:06:48- And then you did your Carpenters mix.- Yeah.
0:06:48 > 0:06:50Carpenters, a bit of Jay-Z.
0:06:50 > 0:06:54- Do you talk when you DJ? - Back in the day I did.
0:06:54 > 0:06:57- I was a mics man, on the mic. - You did all that?
0:06:57 > 0:06:59"Ladies in the house!" All that stuff?
0:06:59 > 0:07:01LAUGHTER
0:07:01 > 0:07:04Easy, Graham Norton, what's gwannin'?
0:07:04 > 0:07:07- That's called the hype man, right? - That's right. I was that guy.
0:07:07 > 0:07:10- Well done.- Cool.
0:07:10 > 0:07:13And you're young, so obviously dancing, it's your world.
0:07:13 > 0:07:17I love to dance. I love to express myself through dance.
0:07:18 > 0:07:22I express myself all over my home through dance.
0:07:22 > 0:07:24I have to say, I did feel for you.
0:07:24 > 0:07:27- There was that episode of Girls, by the way, I'm a big fan...- Thank you.
0:07:27 > 0:07:32There's an episode of Girls where you're high on substances
0:07:32 > 0:07:34- and you go clubbing.- Yeah.
0:07:34 > 0:07:37Which was weird, because I've never actually been clubbing
0:07:37 > 0:07:39so I had to get really method
0:07:39 > 0:07:42and ask a lot of people what clubbing was like.
0:07:42 > 0:07:47- But you were in a club with people. - I was, but it was like 10am.- Oh, OK.
0:07:47 > 0:07:50That same club three days later was where Chris Brown
0:07:50 > 0:07:53- and Drake got in a fight over Rihanna.- Wow.
0:07:53 > 0:07:55And I like to think I have something to do with it.
0:07:55 > 0:07:58LAUGHTER
0:07:58 > 0:08:02I felt because of your character was a bit out of her head
0:08:02 > 0:08:03so she swapped her top...
0:08:03 > 0:08:05With a handsome gay man.
0:08:05 > 0:08:08- But you ended up in a string vest and no bra.- It's true.
0:08:08 > 0:08:10For the whole episode.
0:08:10 > 0:08:12Which seemed like the funniest idea in the writer's room.
0:08:12 > 0:08:15"Oh, my God, my nipples are going to be out for the entire episode."
0:08:15 > 0:08:18Then the reality of having my nipples out
0:08:18 > 0:08:20for the entire episode...
0:08:20 > 0:08:22The worst was that by the end it was normal.
0:08:22 > 0:08:24In the end my breasts had lost...
0:08:24 > 0:08:28If they hadn't already lost all their power, it had just gone.
0:08:29 > 0:08:33Olivia, as an actress, where do you stand on the whole kit off thing?
0:08:33 > 0:08:35I'd rather not.
0:08:35 > 0:08:38- You'd rather not take your shirt off, you mean?- Yes.
0:08:38 > 0:08:39That's a totally respectable choice.
0:08:39 > 0:08:43In fact, it might be THE respectable choice.
0:08:43 > 0:08:45Those days have long gone.
0:08:45 > 0:08:50Early on, what was the audition where you dressed all sexy?
0:08:50 > 0:08:52Yes, that was, yeah...
0:08:53 > 0:08:57It was very early on, so my third or fourth ever audition.
0:08:57 > 0:09:00I was going to see a really well-known, well-respected
0:09:00 > 0:09:04theatre casting director. I was so excited.
0:09:04 > 0:09:06I had this script sent through.
0:09:06 > 0:09:09The character was quite a raunchy hooker.
0:09:09 > 0:09:12So I bought some fishnets and I had my top as low as I dared
0:09:12 > 0:09:16and a short skirt, and I wore a big duffel on the way there.
0:09:16 > 0:09:21When I got there, I took it off and she sort of looked at me.
0:09:21 > 0:09:24I was thinking that wasn't the reaction I was hoping for.
0:09:24 > 0:09:25Then she was saying,
0:09:25 > 0:09:29"What did you think about the character of Matilda?" or something.
0:09:29 > 0:09:33I was thinking, "I don't think that's the character I was looking at."
0:09:33 > 0:09:37There was half an hour of trying to pretend I knew
0:09:37 > 0:09:40what she was talking about, and then she realised I hadn't got
0:09:40 > 0:09:43the same script that she had, and passed over the real script,
0:09:43 > 0:09:44which was about nuns.
0:09:44 > 0:09:47LAUGHTER AND APPLAUSE
0:09:47 > 0:09:49Wow.
0:09:49 > 0:09:51I've never been in to see her again.
0:09:51 > 0:09:53Wondered what I was doing.
0:09:53 > 0:09:56That's the best story I've ever heard.
0:09:56 > 0:09:58I didn't get the job.
0:09:58 > 0:10:01Idris, the weird thing is I haven't seen you do many sex scenes,
0:10:01 > 0:10:03and I have looked.
0:10:05 > 0:10:06They're not out there.
0:10:07 > 0:10:09I did one.
0:10:09 > 0:10:11I did a sex scene with Beyonce.
0:10:11 > 0:10:13- Did you?!- I didn't see that. - What was that?
0:10:13 > 0:10:16- In a film called Obsessed. - I didn't see that.
0:10:16 > 0:10:18So going to buy that now.
0:10:18 > 0:10:20- I'll be out there googling. - It wasn't a sex scene, we just...
0:10:20 > 0:10:23Netflix are going to see a surge this evening.
0:10:23 > 0:10:25- We just had a kiss, we played husband and wife.- Oh, yeah.
0:10:25 > 0:10:27I tend not to do sex scenes that often.
0:10:27 > 0:10:29I don't get the romantic lead very often.
0:10:29 > 0:10:31I hear you've got a sexy look, you've perfected it.
0:10:31 > 0:10:33- For when the call comes. - Oh, yeah, man.
0:10:33 > 0:10:36- You've got your sexy look. - Oh, yeah.
0:10:36 > 0:10:38OK, do the sexy look down there.
0:10:38 > 0:10:40LAUGHTER
0:10:42 > 0:10:46- How's that?- Olivia? - What, have I got to do a look?
0:10:46 > 0:10:49No, I just thought you might be peeing.
0:10:49 > 0:10:50Oh!
0:10:53 > 0:10:54- It works.- It would work.
0:10:54 > 0:10:56It renders them speechless.
0:10:56 > 0:11:00Listen, Idris, huge congratulations to you.
0:11:00 > 0:11:02Mandela, Long Walk To Freedom.
0:11:02 > 0:11:04It's a career-defining performance.
0:11:04 > 0:11:06- Thank you, man. - It puts you on a different level.
0:11:06 > 0:11:08- Thank you very much. - It's just phenomenal.
0:11:08 > 0:11:10If you haven't seen it yet, it's still out,
0:11:10 > 0:11:12- it's still playing everywhere.- Yes.
0:11:12 > 0:11:14- Ladies, have you seen it? - Yes, I have.
0:11:14 > 0:11:15I have too, it's beautiful.
0:11:15 > 0:11:17- Thank you very much.- Beautiful.
0:11:17 > 0:11:19Look at them!
0:11:19 > 0:11:22I've been rendered slightly mute.
0:11:22 > 0:11:24We're both, like... "Yes, I have."
0:11:24 > 0:11:26No, I really have.
0:11:26 > 0:11:29What's extraordinary about this film is the timing.
0:11:29 > 0:11:30It's gone from being a biopic
0:11:30 > 0:11:35into being this amazing celebration of a life and of his achievements.
0:11:35 > 0:11:39- Yeah.- That night - nothing could have prepared you for that night,
0:11:39 > 0:11:41- because it was the night of the premiere.- I know.
0:11:41 > 0:11:44It was crazy, because it was this moment -
0:11:44 > 0:11:46being back home in England, with a film like this,
0:11:46 > 0:11:49and a character like that, it was the biggest moment of my life.
0:11:49 > 0:11:51I had 30 members of my family there.
0:11:51 > 0:11:54You know, came out to Leicester Square
0:11:54 > 0:11:56and there I was on a poster, and London had come out.
0:11:56 > 0:11:58It was just a wicked moment.
0:11:58 > 0:12:01And then of course the Royal family were there, and that was great.
0:12:01 > 0:12:04Then, of course, the night ended with this moment of...
0:12:04 > 0:12:07you know, announcing to the audience that Mr Mandela had passed.
0:12:07 > 0:12:09And that... You can't write that stuff.
0:12:09 > 0:12:10It was so... It was just weird.
0:12:10 > 0:12:13- You had to announce to the audience? - Yeah.- I just got chills.- Mm.
0:12:13 > 0:12:16- Yeah.- I went onstage with the producer to announce it,
0:12:16 > 0:12:18you know, I was literally in tears,
0:12:18 > 0:12:20and so was Anant Singh, the producer.
0:12:20 > 0:12:22The audience were stunned into silence.
0:12:22 > 0:12:25- I mean, it was just so weird.- Wow.
0:12:25 > 0:12:28And the film, it's brought you to the White House?
0:12:28 > 0:12:30- There was a screening at the White House?- Yeah.
0:12:30 > 0:12:33Wow, that's... Like, I'm sure you've been to amazing places
0:12:33 > 0:12:36- but that must still be quite a cool thing.- It was, yeah...
0:12:36 > 0:12:39- IMITATES OBAMA:- I went to see President Obama...
0:12:40 > 0:12:44..who said, "Idris is a very cool guy."
0:12:44 > 0:12:46- That's amazing.- Thank you.
0:12:47 > 0:12:49That's another role I'm preparing for.
0:12:52 > 0:12:54Do it, do it.
0:12:55 > 0:12:57Black president, it'll be a series.
0:13:00 > 0:13:02And the crazy thing is, it brought you all this success,
0:13:02 > 0:13:05but you did turn it down. You weren't going to do this.
0:13:05 > 0:13:07Yeah, I was nervous about it.
0:13:07 > 0:13:09I thought it was a joke - I thought Roger, my agent,
0:13:09 > 0:13:11was taking the piss.
0:13:11 > 0:13:14- It would've been like, "Do you want to play God?"- Exactly.
0:13:14 > 0:13:17I was like, "God? No, I'm all right."
0:13:17 > 0:13:19But no, really, I thought he was taking the piss,
0:13:19 > 0:13:21and I was like, "Come on, Roger, seriously,
0:13:21 > 0:13:23"Morgan Freeman must be available."
0:13:24 > 0:13:26Why are you calling me with this?
0:13:26 > 0:13:29And then I was really nervous about taking the role.
0:13:29 > 0:13:31You know that kind of feeling, like, "If I mess this up,
0:13:31 > 0:13:34"then good night, it's curtains for Idris." You know?
0:13:34 > 0:13:36I did turn it down. But...
0:13:36 > 0:13:40- Not so much turned it down, but took my time to answer.- Yeah.
0:13:40 > 0:13:43And then I said, "Of course I will. Yes, please."
0:13:43 > 0:13:44And, you know, the performance is great.
0:13:44 > 0:13:47We knew you were really good - the American accent,
0:13:47 > 0:13:49because Stringer Bell in the Wire is flawless.
0:13:49 > 0:13:52But this is more than an accent. It's such a recognisable voice.
0:13:52 > 0:13:55- Yeah, yeah. - So was it just you locked in a room
0:13:55 > 0:13:59- with newsreels and footage?- I mean, I listened to his voice a lot.
0:13:59 > 0:14:03You know, I say this all the time, but my late dad had a voice
0:14:03 > 0:14:05that was similar, in my head, anyway,
0:14:05 > 0:14:08to what I think Mr Mandela's sounded like in real life -
0:14:08 > 0:14:10I hadn't met him.
0:14:10 > 0:14:12And I had two voice coaches with me,
0:14:12 > 0:14:15someone that helped me with Xhosa, which is the language he speaks,
0:14:15 > 0:14:17and then English and the technical stuff.
0:14:17 > 0:14:19So I kind of learned what his voice was doing
0:14:19 > 0:14:22and trying to figure out a way to make my voice sound like his.
0:14:22 > 0:14:25I also learned his cadence.
0:14:25 > 0:14:27You know, it's an interpretation of his voice.
0:14:27 > 0:14:30I don't think it's exactly perfect. But I certainly wanted to...
0:14:30 > 0:14:33Because I look like Mr Mandela so much...
0:14:33 > 0:14:34LAUGHTER
0:14:34 > 0:14:36It's uncanny.
0:14:36 > 0:14:38No, but because I don't,
0:14:38 > 0:14:41I really wanted to give the audience something they could hold on to,
0:14:41 > 0:14:42and the voice was it, I think.
0:14:42 > 0:14:45All right, well, let's have a look at your performance.
0:14:45 > 0:14:49This is you at the end of the trial before you're sent to Robben Island.
0:14:49 > 0:14:50Yeah.
0:14:50 > 0:14:53A just share in the whole of South Africa.
0:14:53 > 0:14:57We want equal political rights.
0:14:57 > 0:14:59One man, one vote.
0:14:59 > 0:15:03I have dedicated myself to this struggle of the African people.
0:15:03 > 0:15:07I have fought against White domination.
0:15:07 > 0:15:11I have fought against Black domination.
0:15:11 > 0:15:16I have cherished the ideal of a free, democratic society,
0:15:16 > 0:15:21where all persons live together in harmony with equal opportunities.
0:15:21 > 0:15:27It is an ideal which I hope to live for and achieve,
0:15:27 > 0:15:30but if needs be,
0:15:30 > 0:15:36it is an ideal for which I am prepared to die.
0:15:36 > 0:15:39- APPLAUSE - Wow.
0:15:41 > 0:15:45If that had played for one more second, I would have sobbed.
0:15:50 > 0:15:54- Beautiful.- I know. Great voi... and such an extraordinary story.
0:15:54 > 0:15:58I suppose, what struck me is that because - some of those scenes,
0:15:58 > 0:16:00you are performing in front of hundreds,
0:16:00 > 0:16:01I'm sure sometimes thousands,
0:16:01 > 0:16:06of South African extras, so, like, you're getting instant feedback.
0:16:06 > 0:16:09- You know, you know whether you've nailed this or not.- Oh, yeah.
0:16:09 > 0:16:12So you must have got properly nervous.
0:16:12 > 0:16:17Mate, you know, South African crews, they won't let you lie.
0:16:17 > 0:16:19There's no lying, you know?
0:16:19 > 0:16:21You either be Mr Mandela or you walk out of here.
0:16:21 > 0:16:24I remember walking out and there was like 600 extras
0:16:24 > 0:16:26and this one guy came round and he goes...
0:16:26 > 0:16:30And I started to speak and I forgot my line,
0:16:30 > 0:16:33and all I heard was, "Come on, Stringer Bell."
0:16:36 > 0:16:38I was like, "Agh..."
0:16:38 > 0:16:42So, you know, I had to really put my foot into that part
0:16:42 > 0:16:46because this is about a very famous man
0:16:46 > 0:16:48that's very important to South Africans.
0:16:48 > 0:16:53- So they wouldn't let me just mess around with it.- Yeah.
0:16:53 > 0:16:56The Robben Island scenes, were they filmed on Robben Island?
0:16:56 > 0:16:58Some of them, yeah. Some of them.
0:16:58 > 0:17:02We re-created a prison and made a replica of his cell in a studio.
0:17:02 > 0:17:05- And you spent the night on Robben Island?- Yeah.
0:17:05 > 0:17:08- I won't do that again.- No!
0:17:08 > 0:17:12- That sounds like a good actor idea, but terrible human idea.- Stupid.
0:17:12 > 0:17:15It was terrifying. The place is haunted, it's awful.
0:17:15 > 0:17:16I mean - the security guard...
0:17:16 > 0:17:18they said, "Look, you have to take this phone."
0:17:18 > 0:17:20I was like, "I don't need the phone."
0:17:20 > 0:17:21They was like, "No, you have to take it,
0:17:21 > 0:17:23"just in case you really want to leave."
0:17:23 > 0:17:26You know? So, "Take the phone, all right? And call us." You know?
0:17:26 > 0:17:28The security guard was about a mile away
0:17:28 > 0:17:31from where I was being stationed inside the prison.
0:17:31 > 0:17:33Anyway, so I've gone, "Oh, take the phone.
0:17:33 > 0:17:34"I don't need the phone."
0:17:34 > 0:17:37Sat in the prison cell and, like, picked up the phone.
0:17:37 > 0:17:40And then, there was no service, of course.
0:17:42 > 0:17:44And I was like, "Wow, I'm really going to stay here the night."
0:17:44 > 0:17:47We're so lucky that you made this movie, thank you.
0:17:47 > 0:17:49- Thank you very much, I appreciate that.- It's gorgeous.
0:17:49 > 0:17:50And of course, Olivia Colman,
0:17:50 > 0:17:53you were in the last big political biopic. The Iron Lady.
0:17:53 > 0:17:55- No, that is true! - Sorry, didn't mean the giggle.
0:17:55 > 0:17:57No, but you were in it! I'm not making this up!
0:17:57 > 0:17:59It feels a bit silly compared to that.
0:17:59 > 0:18:02It's a little hard to move on from that clip
0:18:02 > 0:18:04and say anything funny, I have to say.
0:18:04 > 0:18:07- You play Carol Thatcher. - SHE CHUCKLES
0:18:07 > 0:18:09So, how much preparation goes into...
0:18:09 > 0:18:12- Well, obviously you put a nose on. - I did have a nose.
0:18:12 > 0:18:16But what else goes on, preparing for Carol Thatcher?
0:18:16 > 0:18:19I should make up some shit, but um...
0:18:22 > 0:18:26Er...I watched I'm A Celebrity Get Me Out Of Here.
0:18:26 > 0:18:28LAUGHTER AND APPLAUSE
0:18:35 > 0:18:37Guys, can we make a promise here and now
0:18:37 > 0:18:39that neither of you will ever go on that show.
0:18:39 > 0:18:41Or any reboot of I'm A Celebrity Get Me Out Of Here?
0:18:41 > 0:18:44- I promise, faithfully.- No. I want to do Big Brother.
0:18:44 > 0:18:47- OK.- Do you?- No.
0:18:47 > 0:18:50LAUGHTER
0:18:50 > 0:18:52God forbid.
0:18:52 > 0:18:55But when you're playing something like a detective, do you do...?
0:18:55 > 0:18:57Like for Broadchurch, did you do preparation?
0:18:57 > 0:19:00No.
0:19:00 > 0:19:01Sorry.
0:19:01 > 0:19:05David did. And I could ask him questions.
0:19:06 > 0:19:08It seems silly doubling up.
0:19:08 > 0:19:11I-I... To defend my actions,
0:19:11 > 0:19:16I don't think my character spoke in the same rhythms as detectives,
0:19:16 > 0:19:21so I thought it would be better if I didn't have that influence.
0:19:21 > 0:19:23Good answer.
0:19:23 > 0:19:26Now I feel really stupid for staying the night in prison.
0:19:27 > 0:19:29- APPLAUSE - You won't do it again.
0:19:32 > 0:19:34But talking about real people...
0:19:34 > 0:19:37Are you playing yourself in Girls?
0:19:37 > 0:19:40A version of myself. Not my exact self.
0:19:40 > 0:19:42I definitely - you have two very accomplished people
0:19:42 > 0:19:44who've played historical figures,
0:19:44 > 0:19:46and I just play a kind-of-like-myself person,
0:19:46 > 0:19:48who gives hand jobs.
0:19:48 > 0:19:52So...I probably shouldn't be here.
0:19:52 > 0:19:54I feel ashamed.
0:19:54 > 0:19:56Aww. Listen, this show, Girls,
0:19:56 > 0:19:59if you haven't seen this show, Girls,
0:19:59 > 0:20:03it is just a huge hit in the States, it's on HBO.
0:20:03 > 0:20:04Here it's on Sky Atlantic.
0:20:04 > 0:20:07Series three starts next Monday at 10pm.
0:20:07 > 0:20:09But series one and two are available as box sets,
0:20:09 > 0:20:12- or you can also get them on demand. - Thank you, Graham.
0:20:12 > 0:20:16Yeah - I want people to see Girls. I love it. It's a great show.
0:20:16 > 0:20:17That's so nice of you to say.
0:20:17 > 0:20:21And if people aren't familiar with the show - tell us about it.
0:20:21 > 0:20:24It's about four girlfriends in New York City
0:20:24 > 0:20:25trying to figure it out.
0:20:25 > 0:20:28I don't know if that sounds familiar to anybody.
0:20:28 > 0:20:29- COUGHS:- Sex And The City.
0:20:31 > 0:20:33It's so funny, because we've done three years
0:20:33 > 0:20:36and at this point people have realised the differences
0:20:36 > 0:20:38with Sex And The City. It's just unavoidable -
0:20:38 > 0:20:41they are and always will be the four-girls-in-New-York-City show,
0:20:41 > 0:20:43and we bow down to them.
0:20:43 > 0:20:45But, yeah, it's about four friends
0:20:45 > 0:20:49who think they are better people than they actually are
0:20:49 > 0:20:52and the challenges and collisions of being young
0:20:52 > 0:20:54and trying to make your life work.
0:20:54 > 0:20:57- It's just brilliantly observed. - Thank you.- It's really funny,
0:20:57 > 0:20:59and it's the social awkwardness...
0:20:59 > 0:21:01We've got a flavour of what it's like.
0:21:01 > 0:21:05- This is a clip from the first episode of season three.- Yes.
0:21:05 > 0:21:10So, one of your friends has broken up. Your boyfriend...
0:21:10 > 0:21:13One of my friends has been brutally dumped
0:21:13 > 0:21:16and my boyfriend has run into the guy who brutally dumped her
0:21:16 > 0:21:19and has promised to keep it a secret from her.
0:21:19 > 0:21:20Here we go.
0:21:20 > 0:21:22- You saw Charlie?- Yeah.
0:21:22 > 0:21:24Why didn't you tell me?
0:21:24 > 0:21:26You know, it wasn't...
0:21:26 > 0:21:28We're not really friends.
0:21:28 > 0:21:29Did you know?
0:21:29 > 0:21:33No, he did not tell me that he ran into Charlie on Bedford Avenue.
0:21:33 > 0:21:35- Did he ask about me?- Of course not.
0:21:35 > 0:21:38Yeah, actually. He said, "How's Marnie?"
0:21:38 > 0:21:41- What did you say? - I said, "She's good. She's good.
0:21:41 > 0:21:43"She seems very clean."
0:21:43 > 0:21:47He said you had a new job, he said you had a new boyfriend from Spain.
0:21:47 > 0:21:49Did he seem like he had a girlfriend?
0:21:50 > 0:21:52You all look very gorgeous this evening.
0:21:52 > 0:21:55Thank you. Why don't we have some chips?
0:21:55 > 0:21:58I didn't buy these chips for my health. You know what I'm saying?
0:22:01 > 0:22:03- Cheers to your...book, Hannah, really.- Thank you so much,
0:22:03 > 0:22:06but Marnie, we're not going to talk about my book right now.
0:22:06 > 0:22:07This isn't the appropriate time
0:22:07 > 0:22:10to discuss my incredibly exciting professional endeavour.
0:22:10 > 0:22:12No, it is the time, it's totally the time.
0:22:12 > 0:22:15We should also talk about how...good this taco is, huh?
0:22:15 > 0:22:16Am I right?
0:22:18 > 0:22:19I'm sorry...
0:22:21 > 0:22:23APPLAUSE
0:22:24 > 0:22:25Thank you!
0:22:25 > 0:22:27I think we can all admit that looks like a real sack of crap
0:22:27 > 0:22:29after the Mandela thing.
0:22:29 > 0:22:31- No, no, that's looks great. - Thank you.
0:22:31 > 0:22:32My favourite thing.
0:22:32 > 0:22:35- We need different shows, we need different things.- Yeah.
0:22:35 > 0:22:38But what's weird is, it's probably not FOR me,
0:22:38 > 0:22:40but I really enjoy it. I love it.
0:22:40 > 0:22:42I'm so glad. I hope it's for everyone,
0:22:42 > 0:22:45because no matter what your age or sex,
0:22:45 > 0:22:48- you can always relate to being a douche bag.- Yeah.
0:22:48 > 0:22:53Also you can relate - I do remember what being that age was, just about.
0:22:53 > 0:22:55But I've heard you talking -
0:22:55 > 0:22:57you know, you're an award-winning writer,
0:22:57 > 0:23:01and yet I've heard you say that you still find it hard composing texts.
0:23:01 > 0:23:04Yeah, it's the most stress... I mean, now...
0:23:04 > 0:23:06In my single days,
0:23:06 > 0:23:08I was extraordinarily bad at composing texts.
0:23:08 > 0:23:11And I'm lucky that I'm with someone who thinks it's OK
0:23:11 > 0:23:15when I write them the worst three-paragraph texts
0:23:15 > 0:23:17about my emotions consistently throughout the day.
0:23:17 > 0:23:21But that doesn't work as well when you're in the single flirting phase.
0:23:21 > 0:23:25In college once, I hooked up with a guy,
0:23:25 > 0:23:27didn't hear from him for a couple of months,
0:23:27 > 0:23:29which was not unusual for me.
0:23:29 > 0:23:31And then he sent me a text that said, "Happy new year."
0:23:31 > 0:23:33And I said, "Happy new year. I'm pregnant."
0:23:35 > 0:23:39I thought it was the funniest thing that had ever happened.
0:23:39 > 0:23:41He did not.
0:23:41 > 0:23:43I remember after a one-night stand once,
0:23:43 > 0:23:45in the morning, you know, there was a kind of text...
0:23:45 > 0:23:48I texted back, "I love you." Because I thought it was hilarious.
0:23:48 > 0:23:50- It is hilarious.- Nothing.
0:23:50 > 0:23:53It's so funny.
0:23:53 > 0:23:55That's the kind of joke where if someone gets it...
0:23:55 > 0:23:57Then you might fall in love with them.
0:23:57 > 0:24:00Yeah, because they'd be so cool and chillin' with it.
0:24:00 > 0:24:03My husband - we text each other "I love you" and things,
0:24:03 > 0:24:06and every now and again he'll write back, "Who is this?"
0:24:07 > 0:24:09That's so funny!
0:24:09 > 0:24:11I bet Idris is good at texting.
0:24:11 > 0:24:14- Mm...no.- No?
0:24:14 > 0:24:15I would say...
0:24:15 > 0:24:18I don't know what time of night, there comes a time of night
0:24:18 > 0:24:20when someone should just take Idris' phone away.
0:24:20 > 0:24:21Yes.
0:24:21 > 0:24:24Because did you mean to send this to the world?
0:24:24 > 0:24:25Oh, no, don't do it!
0:24:25 > 0:24:26Agh.
0:24:29 > 0:24:31- No...- Did you tweet that?
0:24:31 > 0:24:34I did, man. I had this phone...
0:24:34 > 0:24:38- I'm so glad you said that. - I was sending it to this chick.
0:24:38 > 0:24:40I was like, "It's late," you know what I'm saying,
0:24:40 > 0:24:43"Come over, this is me."
0:24:43 > 0:24:44Was it meant to be a text?
0:24:44 > 0:24:46And, then, you know, I was scrolling down,
0:24:46 > 0:24:49I looked away for a second, looked back
0:24:49 > 0:24:51- and it has gone Twitter - send.- Oh!
0:24:51 > 0:24:53And you now that bar that goes, "Doo-doo - sending."
0:24:53 > 0:24:55And I was like, "Argh!"
0:24:55 > 0:24:58- Can I just say, that could have been much worse.- Oh, yeah.
0:24:58 > 0:25:01It could've been a picture of my nuts or something.
0:25:01 > 0:25:02- You know what I mean?- Yes.
0:25:02 > 0:25:05It could've been awful. "I'm coming round later."
0:25:05 > 0:25:09LAUGHTER
0:25:09 > 0:25:13I'm so glad that everyone got to see that.
0:25:13 > 0:25:15I'm not.
0:25:15 > 0:25:21Listen, we wonder, anybody in the audience have a good flirty text?
0:25:21 > 0:25:24Anyone at all? Oh, look, people are putting - oh, look.
0:25:24 > 0:25:26- Wow!- Very proud of themselves.
0:25:26 > 0:25:27Anyone else?
0:25:27 > 0:25:29- Are you in a relationship?- I am.
0:25:29 > 0:25:31- Are you in a relationship?- Yes.
0:25:31 > 0:25:32Do you have any in yours?
0:25:32 > 0:25:35Well, I'm in a relationship, so I should say no.
0:25:37 > 0:25:39Wow. Anyone else?
0:25:39 > 0:25:41Here's a lady. Hello. Hi, what's your name?
0:25:41 > 0:25:45- Thea. Thea.- Hello...- Hello.
0:25:49 > 0:25:51- Where are you from, Thea? - I'm from Norway.
0:25:51 > 0:25:54- Do you live here now? - Yes, live here now.
0:25:54 > 0:25:57OK. The text you're going to show me, is it in English?
0:25:57 > 0:25:58Yes, it's in English.
0:25:58 > 0:26:01Good. Otherwise it'll be quite dull.
0:26:01 > 0:26:04Hilarious for our Scandinavian viewers, but...
0:26:04 > 0:26:08- So, who is this now? - It's an English guy that I met.
0:26:08 > 0:26:10- Oh, yes.- Yes.- Is it nice? Is it sweet?
0:26:10 > 0:26:13- It's nice, yeah.- Oh...
0:26:13 > 0:26:16OK. Oh, hang on. It's gone a bit dark.
0:26:16 > 0:26:19Who is saying, "What are you up to?" Is that him?
0:26:19 > 0:26:22- Yes.- OK. "What you up to?
0:26:22 > 0:26:25"Hey stranger, sorry I've been so absent."
0:26:25 > 0:26:27This is useless, isn't it?
0:26:27 > 0:26:30When somebody says "I've been so absent."
0:26:30 > 0:26:33Is he studying psychology or something?
0:26:33 > 0:26:35That would be a worrying sign, but no, he's not.
0:26:35 > 0:26:37OK, OK.
0:26:37 > 0:26:38"Sorry I've been so absent,
0:26:38 > 0:26:41"something came up and then I ran away to Scotland for Christmas..."
0:26:41 > 0:26:42Oh, what a loser.
0:26:44 > 0:26:49"If you're out and about, you should come home via Pimlico and see me."
0:26:50 > 0:26:52OK, can I just say,
0:26:52 > 0:26:53that is not sweet.
0:26:55 > 0:26:58I just realised that's a bit sad, if that's the best text I got.
0:27:00 > 0:27:01Have you replied to this yet?
0:27:01 > 0:27:04- No.- We could reply to it.
0:27:04 > 0:27:06APPLAUSE
0:27:06 > 0:27:08Do you know - what's his name?
0:27:08 > 0:27:09It's James.
0:27:09 > 0:27:11I love the friend, "JAMES!"
0:27:13 > 0:27:14Can I borrow your phone?
0:27:14 > 0:27:18I'll take it back to experts, and we'll reply.
0:27:20 > 0:27:21Wow!
0:27:21 > 0:27:23What are we going to say?
0:27:23 > 0:27:24Let's do it.
0:27:24 > 0:27:26Do you want me to come over to you?
0:27:26 > 0:27:27No, no. I can type.
0:27:27 > 0:27:31Here's what I'd write. "I'm slightly unimpressed by your manoeuvres."
0:27:31 > 0:27:33Slow down.
0:27:35 > 0:27:39This is going to be good for you, I promise.
0:27:39 > 0:27:41You're adorable and you can do better.
0:27:42 > 0:27:46- Manoeuvres may be spelt wrong. But anyway...- That's OK.
0:27:46 > 0:27:48- She's not from here.- Yeah!
0:27:48 > 0:27:52"I'm slightly unimpressed by your manoeuvres. Try again."
0:27:52 > 0:27:55Oh, I like that! "Try again."
0:27:55 > 0:27:58- Can I add a bit?- Yeah, go. - Pass the phone.- No, I'll do it.
0:27:58 > 0:28:00- Going to do a photo?- Unless you're going to take a picture.
0:28:00 > 0:28:02Yeah. "Here's a picture of my boyfriend."
0:28:02 > 0:28:05Oh, let's do it!
0:28:05 > 0:28:06Let's do it!
0:28:09 > 0:28:11That's really good!
0:28:11 > 0:28:13APPLAUSE
0:28:14 > 0:28:16All right.
0:28:17 > 0:28:22I'll... I'll hang on to your phone.
0:28:22 > 0:28:24If James replies...
0:28:24 > 0:28:28She's in a private hell right now.
0:28:28 > 0:28:30Thank you very much, Thea.
0:28:30 > 0:28:34Now, in terms of romance, February 14th, Valentine's Day,
0:28:34 > 0:28:37Olivia Colman, what will you be doing on Valentine's Day?
0:28:37 > 0:28:38Oh...
0:28:38 > 0:28:40Er...
0:28:40 > 0:28:41LAUGHTER
0:28:41 > 0:28:45- WHISPERS: Is this about the film? - Yes.
0:28:45 > 0:28:47I'll be watching a film.
0:28:47 > 0:28:49LAUGHTER
0:28:49 > 0:28:53- Your film comes out on February 14th.- OK...
0:28:53 > 0:28:58- No, I know...- Oh, my God, it's like pulling teeth.
0:28:58 > 0:29:01Wait - cos I thought you meant... The premiere's before that,
0:29:01 > 0:29:03so I won't actually be watching it on that day.
0:29:03 > 0:29:05I thought you meant what would I be doing?
0:29:05 > 0:29:08I was thinking, I don't know if I want to tell you what I'd be doing.
0:29:08 > 0:29:10Only as a...bit of whimsy,
0:29:10 > 0:29:12saying, "Well, I'll be sitting with millions of others in a cinema
0:29:12 > 0:29:15"watching my new film Cuban Fury."
0:29:15 > 0:29:16So sorry. I see what you did, now.
0:29:16 > 0:29:18- Yeah.- Thank you.
0:29:18 > 0:29:21This is Cuban Fury, a new British comedy,
0:29:21 > 0:29:26- with yourself and Nick Frost... - Yeah, I'm not on the poster.
0:29:26 > 0:29:27..and Chris O'Dowd. Isn't that...?
0:29:27 > 0:29:29Oh, no, but it could be you, with the leg in the air.
0:29:29 > 0:29:32Yeah. Now, I can safely say, ladies and gentleman,
0:29:32 > 0:29:33without fear of contradiction,
0:29:33 > 0:29:39it is the best British-based, salsa rom-com I have ever seen.
0:29:39 > 0:29:41- Thank you.- That can go on the poster.
0:29:41 > 0:29:43Yeah. For sure.
0:29:43 > 0:29:45No, it's a really funny, sweet film.
0:29:45 > 0:29:48- It is a lovely film. - Now, who are you?
0:29:48 > 0:29:51Um, I can't actually remember the name of my character, but I...
0:29:51 > 0:29:52LAUGHTER
0:29:54 > 0:29:56It was a while ago.
0:30:01 > 0:30:03Do you dance a lot, though?
0:30:03 > 0:30:06Yes, thank you for saving me. I do.
0:30:06 > 0:30:08In that... Um...
0:30:08 > 0:30:10Well, Nick Frost is the lead guy.
0:30:10 > 0:30:12And he...as a child...
0:30:12 > 0:30:14Oh, I'm his sister, that's it! I'm his sister
0:30:14 > 0:30:17- And...- Well remembered.- Thank you.
0:30:17 > 0:30:21And as children he was salsa champion,
0:30:21 > 0:30:23endless cups and awards and things.
0:30:23 > 0:30:26And we used to go off and do competitions,
0:30:26 > 0:30:27and I was his dance partner.
0:30:27 > 0:30:30And then something happened and his life changed
0:30:30 > 0:30:33and salsa wasn't for him after that moment.
0:30:33 > 0:30:36And then cut to Nick Frost, present day,
0:30:36 > 0:30:42or whatever his character's called... And, um... Bruce! He's called Bruce!
0:30:42 > 0:30:45APPLAUSE And...
0:30:45 > 0:30:49I can't believe people are applauding you
0:30:49 > 0:30:54for remembering the names of people in your own film.
0:30:54 > 0:30:56It was ages ago.
0:30:56 > 0:30:59You know this feeling, you film something, two years ago...
0:30:59 > 0:31:00Nelson Mandela.
0:31:02 > 0:31:05"I play this bloke, um..."
0:31:06 > 0:31:08OK, so you play - he's a dancer.
0:31:08 > 0:31:11So he's... Yeah, and for the film....
0:31:11 > 0:31:14So, he falls in love with Rashida Jones.
0:31:14 > 0:31:16Got the name!
0:31:16 > 0:31:19- That's Quincy Jones' daughter, right?- Yes!
0:31:19 > 0:31:22- She's beautiful.- She IS beautiful. - She's LOVELY.
0:31:22 > 0:31:26And, um...he discovers that... Am I giving away the plot?
0:31:26 > 0:31:27- Yes.- I can't tell anything...
0:31:27 > 0:31:29I think maybe you've told us enough now.
0:31:29 > 0:31:30- OK.- I'm going to stop you now.
0:31:30 > 0:31:32- He dances again...- Yes. - ..and he's amazing.
0:31:32 > 0:31:35- But so do you, so do you.- Yes.
0:31:35 > 0:31:37We know you're big into preparation,
0:31:37 > 0:31:40- but you must have had some dance lessons.- We had to, I was forced to.
0:31:40 > 0:31:43Because I had to dance onscreen, so I had to practise.
0:31:43 > 0:31:45You look good, though.
0:31:45 > 0:31:49Well, there is... As you know, they have people who actually can dance,
0:31:49 > 0:31:54who... Because I can only spin three times before I vomit. So...
0:31:54 > 0:31:56We do have a picture of you in rehearsals,
0:31:56 > 0:31:58where it doesn't look like it's going that well.
0:32:02 > 0:32:05That's the best thing I've ever seen.
0:32:05 > 0:32:09I also love that you're wearing like a full sweat suit and heels.
0:32:09 > 0:32:12They're Christian Louboutins, as well. Wow!
0:32:12 > 0:32:16No, I think that's the glow of a heater or something on the sole.
0:32:16 > 0:32:19- No...- Did you get good?- Well, um...
0:32:20 > 0:32:22I don't know.
0:32:22 > 0:32:25The choreographer would probably be laughing.
0:32:25 > 0:32:26I got much better.
0:32:26 > 0:32:29- Show us a move, go on. One move. - No, don't make me do that.
0:32:29 > 0:32:30- Dance, dance, dance!- No!
0:32:30 > 0:32:33You can't do that!
0:32:33 > 0:32:36- Get naked, naked, naked, naked! - You can't make me do that!
0:32:36 > 0:32:38- I can't do it!- Go on, just one move! - Look.
0:32:38 > 0:32:40Ahh.
0:32:40 > 0:32:43I tell you what, we'll have a compromise.
0:32:43 > 0:32:46Can I just say, Olivia - you owe me.
0:32:46 > 0:32:49- We'll watch a clip where you dance. - I'm so excited.
0:32:49 > 0:32:52That was very convincing.
0:32:52 > 0:32:54- We'll watch a clip where you dance. - Thank you.
0:32:54 > 0:32:56OK. Here you go.
0:32:56 > 0:32:58- You're wasting your life. - What do you know?
0:32:58 > 0:33:01You are 35 years old and you are working as a hula girl.
0:33:01 > 0:33:04Oh, sorry, no hula woman. Ooh! Ugh!
0:33:09 > 0:33:12- Good shot.- Thanks.
0:33:12 > 0:33:14Musica, maestro.
0:33:15 > 0:33:17What about these guys?
0:33:17 > 0:33:19What about these guys?
0:33:19 > 0:33:21HE TRILLS
0:33:21 > 0:33:24SALSA MUSIC PLAYS
0:33:31 > 0:33:32Let's go!
0:33:36 > 0:33:38Come on!
0:33:42 > 0:33:43Hooray!
0:33:43 > 0:33:45APPLAUSE
0:33:47 > 0:33:49- Oh! - That makes me want to dance, now.
0:33:49 > 0:33:52- Woo!- Woo!
0:33:54 > 0:33:56CHEERING
0:33:56 > 0:33:59OK... It's time for some music.
0:33:59 > 0:34:02They are one of the most successful British bands in recent years,
0:34:02 > 0:34:04and they've just released their greatest hits.
0:34:04 > 0:34:07Performing Everybody's Changing, it is Keane!
0:34:12 > 0:34:14MUSIC: "Everybody's Changing" by Keane
0:34:32 > 0:34:37# You say you wander
0:34:37 > 0:34:41# Your own land
0:34:43 > 0:34:50# When I think about it I don't see how you can
0:34:53 > 0:34:55# You're aching
0:34:55 > 0:34:58# You're breaking
0:34:58 > 0:35:03# And I can see the pain in your eyes
0:35:03 > 0:35:08# Says everybody's changing and I don't know why
0:35:14 > 0:35:18# So little time
0:35:18 > 0:35:21# Try to understand
0:35:21 > 0:35:28# That I'm trying to make a move just to stay in the game
0:35:28 > 0:35:34# I try to stay awake and remember my name
0:35:34 > 0:35:40# But everybody's changing and I don't feel the same
0:35:54 > 0:35:57# You're gone from here
0:35:57 > 0:35:59# Soon you will disappear
0:35:59 > 0:36:04# Fading into beautiful light
0:36:04 > 0:36:10# Cos everybody's changing and I don't feel right
0:36:15 > 0:36:20# So little time
0:36:20 > 0:36:22# Try to understand
0:36:22 > 0:36:30# That I'm trying to make a move just to stay in the game
0:36:30 > 0:36:35# I try to stay awake and remember my name
0:36:35 > 0:36:40# But everybody's changing and I don't feel the same
0:37:00 > 0:37:04# So little time
0:37:04 > 0:37:07# Try to understand
0:37:07 > 0:37:15# That I'm trying to make a move just to stay in the game
0:37:15 > 0:37:21# I try to stay awake and remember my name
0:37:21 > 0:37:29# But everybody's changing and I don't feel the same
0:37:30 > 0:37:38# Oh, everybody's changing and I don't feel the same. #
0:37:40 > 0:37:42APPLAUSE
0:37:46 > 0:37:47Keane, everybody!
0:37:47 > 0:37:50Come on over. Yes!
0:37:50 > 0:37:53- Thank you.- Beautiful job, sir.
0:37:53 > 0:37:56- Have a seat beside Olivia. Well done.- Hello!
0:37:56 > 0:38:01- Hello.- All right?- Yeah, good.
0:38:01 > 0:38:02Hi, it's a pleasure.
0:38:02 > 0:38:04- Well done.- Beautiful.
0:38:04 > 0:38:09Sit down - Tom, Tom and Tim representatives of Keane on Earth.
0:38:09 > 0:38:11- You've all met and that's all very good.- Apart from the other two.
0:38:11 > 0:38:14Well, they're stepping off to the bar and they're happy.
0:38:14 > 0:38:16- No, they're hanging around. - They're waving.
0:38:16 > 0:38:17Losers!
0:38:19 > 0:38:21That's from the greatest hits album.
0:38:21 > 0:38:24- Best selling greatest hits album last year.- I believe.
0:38:24 > 0:38:25- Really?- Yeah, someone told me.
0:38:25 > 0:38:28You should check that, but apparently that's true.
0:38:28 > 0:38:31Now, the thing about a greatest hits album,
0:38:31 > 0:38:35is you do think, "Ooh, that possibly means goodbye Keane.
0:38:35 > 0:38:36"Keane not so keen."
0:38:36 > 0:38:39- So is this the end of Keane? - Never heard that joke before.
0:38:39 > 0:38:42I know. Well, you called the band Keane, come on.
0:38:42 > 0:38:44What is happening?
0:38:44 > 0:38:46Well, we're going to take a bit of a break.
0:38:46 > 0:38:49- Ohh...- Yeah.
0:38:49 > 0:38:50I like it, sympathy.
0:38:51 > 0:38:54Maybe that's enough to keep carrying on.
0:38:54 > 0:38:56- So it's over for a while.- Yeah.
0:38:56 > 0:39:00Well, I've got a few things I'd like to do this year.
0:39:00 > 0:39:02- What? - LAUGHTER
0:39:02 > 0:39:04Go on a 12-month holiday?
0:39:04 > 0:39:06Solo.
0:39:06 > 0:39:09Yeah, maybe. Maybe that. Yeah, a few things, personal things.
0:39:09 > 0:39:12Now, Christmas, of course, was all about another Keane hit,
0:39:12 > 0:39:16because of course the John Lewis ad was a Keane song,
0:39:16 > 0:39:19- Lily Allen's version...- I love that! - ..of Somewhere Only We Know.
0:39:19 > 0:39:22Now, I just assumed, "Oh, that's good for Keane."
0:39:22 > 0:39:24But it was mostly good for Tim.
0:39:27 > 0:39:29- Royalties-wise, you mean.- Yeah.
0:39:29 > 0:39:32Er... Yeah, I don't know.
0:39:32 > 0:39:35- Well, didn't you write that song? - I did, yes. Absolutely.
0:39:35 > 0:39:38- So that was a really good Christmas for you.- Yeah.
0:39:38 > 0:39:40Nice little bonus.
0:39:40 > 0:39:43Especially after the greatest hits. Pretty good Christmas.
0:39:43 > 0:39:47Forget Jingle Bells. That's like ker-ching.
0:39:47 > 0:39:50- LENA:- Is that a big ad... I'm not from this country.
0:39:50 > 0:39:53It was a big Christmas ad, but also Lily Allen was singing it,
0:39:53 > 0:39:55it also became the Christmas number one...
0:39:55 > 0:39:56No, it wasn't Christmas number one,
0:39:56 > 0:39:59- it was number one leading up to Christmas for weeks.- Wow.
0:39:59 > 0:40:01- Yeah, so, like... - Lily Allen is a singer.
0:40:01 > 0:40:04I know who Lily Allen is!
0:40:04 > 0:40:05Thank you.
0:40:05 > 0:40:07But there was a lot of discussion about the ad.
0:40:07 > 0:40:12Because it was about a bear and... was that a hare or rabbit?
0:40:12 > 0:40:14- Hare, yeah.- That were friends.
0:40:14 > 0:40:18And a lot of people pointed out that that was unlikely in nature.
0:40:20 > 0:40:23There's so much about that advert that's unlikely.
0:40:23 > 0:40:24Yeah!
0:40:24 > 0:40:28They're not going to buy each other presents from John Lewis.
0:40:28 > 0:40:29That's unlikely.
0:40:29 > 0:40:32- That's true.- And bears like to use rabbits to wipe their arses
0:40:32 > 0:40:34after they've taken a shit.
0:40:35 > 0:40:36Something else to remember.
0:40:36 > 0:40:39And an alarm clock is never an acceptable gift.
0:40:39 > 0:40:40It's a terrible gift.
0:40:40 > 0:40:41I don't know if you remember,
0:40:41 > 0:40:43before Christmas Private Eye did a cover
0:40:43 > 0:40:48which reflected a lot of people's worries about the ad.
0:40:48 > 0:40:51Can we zoom in on there, and what the bear is saying?
0:40:52 > 0:40:54LAUGHTER
0:40:59 > 0:41:02Yeah, don't wake a bear.
0:41:02 > 0:41:04Well, good luck with the greatest hits album,
0:41:04 > 0:41:05and I hope it's not the end of Keane.
0:41:05 > 0:41:08- I hope there's more Keane. - Yeah, more.- Yeah.- Yeah.- Yeah.
0:41:08 > 0:41:10They're so like, "Yeah..."
0:41:12 > 0:41:16The minute this show is over, I'm never going to see this man again.
0:41:16 > 0:41:20Right, before we go tonight, just time for a story in the red chair.
0:41:20 > 0:41:22So, who be there? Who be there?
0:41:22 > 0:41:24- Hello.- Hi!- Hi!
0:41:24 > 0:41:27- Are you very tall?- Yes, very. - How tall are you?
0:41:27 > 0:41:29- Er, 5'11".- Oh, is that all?
0:41:29 > 0:41:32You look like you're seven feet tall!
0:41:32 > 0:41:36- Are you on a cushion or something? - No. Well, just the one on the chair.
0:41:36 > 0:41:38Obviously, yes.
0:41:39 > 0:41:42- Bizarre. What's your name, nice lady?- Rachel.
0:41:42 > 0:41:44- And where are you from, Rachel? - I'm from Stoke-on-Trent.
0:41:44 > 0:41:46Oh, lovely. What do you do up there?
0:41:46 > 0:41:49- I'm a mobile hairdresser. - A mobile hairdresser!
0:41:49 > 0:41:51So you come to them?
0:41:51 > 0:41:53- Yes, I go to people's houses. - Oh, my God!
0:41:53 > 0:41:55Do you have one of those hairdryers
0:41:55 > 0:41:58that's like a spaceman's helmet on a stand?
0:41:58 > 0:41:59No, I don't, actually,
0:41:59 > 0:42:03but I do have a bird table that I have to use to put all my stuff on.
0:42:03 > 0:42:04You bring a bird table?
0:42:04 > 0:42:06LAUGHTER
0:42:09 > 0:42:11Do you have a name on the side of your van?
0:42:11 > 0:42:15On my van?! I don't drive a van!
0:42:15 > 0:42:17How do you transport your bird table?
0:42:17 > 0:42:20- I just stick it in the boot. - Oh, OK, fair enough.
0:42:20 > 0:42:22She's very mobile.
0:42:22 > 0:42:24OK, off you go with your story, Rachel.
0:42:24 > 0:42:26Well, a couple of years ago,
0:42:26 > 0:42:29I had a boyfriend who had long hair and a beard.
0:42:29 > 0:42:33We were driving one day to work, and someone crashed in the back of us.
0:42:33 > 0:42:35So we got out of car and it was actually a nun who got out car
0:42:35 > 0:42:37that had crashed into the back of us.
0:42:37 > 0:42:40She took one look at my boyfriend and started shouting,
0:42:40 > 0:42:42"Oh, my God, the Lord's come for me."
0:42:42 > 0:42:44Thought he was Jesus...
0:42:44 > 0:42:47so, ran, jumped back in the car
0:42:47 > 0:42:50and drove off and left us on this roundabout in shock.
0:42:50 > 0:42:53So, we managed to get her licence plate
0:42:53 > 0:42:55and we had to report it to the police.
0:42:55 > 0:42:57So we had to ring work and tell them we were going to be late
0:42:57 > 0:42:59cos this nun had crashed into us,
0:42:59 > 0:43:01and the police had to go and track this nun down
0:43:01 > 0:43:04and she got arrested for leaving the scene of the accident.
0:43:04 > 0:43:06- Good story.- Good story!
0:43:06 > 0:43:10You can walk. Well done.
0:43:10 > 0:43:12APPLAUSE
0:43:12 > 0:43:14Well, if you'd like to join us on the show
0:43:14 > 0:43:16and have a go in the red chair, you can.
0:43:16 > 0:43:19Just contact us via our website, at this very address.
0:43:19 > 0:43:22Thank you to all my guests tonight - Keane, ladies and gentlemen.
0:43:23 > 0:43:26Olivia Colman.
0:43:27 > 0:43:29Lena Dunham...
0:43:30 > 0:43:33..and Mr Idris Elba.
0:43:35 > 0:43:37Join me next week with comedian Lee Mack,
0:43:37 > 0:43:39musical guest Katy B,
0:43:39 > 0:43:42- football star Thierry Henry... - AUDIENCE: Woo!- I know!
0:43:42 > 0:43:44Oscar-nominated actress Keira Knightley
0:43:44 > 0:43:47and actor-director Sir Kenneth Branagh.
0:43:47 > 0:43:49I'll see you then. Good night, everybody, goodbye!