Episode 17

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0:00:02 > 0:00:04Tonight, one hot young actor, one pop princess,

0:00:04 > 0:00:05one grande dame of British theatre

0:00:05 > 0:00:08and one slightly drunk Irishman to ask them questions.

0:00:08 > 0:00:10What? Oh, that's me. Let's start the show!

0:00:26 > 0:00:28Oh! Oh!

0:00:29 > 0:00:31Oh! Oh!

0:00:31 > 0:00:33Thank you so much!

0:00:34 > 0:00:35Oh!

0:00:35 > 0:00:37All the clapping, applause!

0:00:38 > 0:00:42Beautiful! Thank you, good evening.

0:00:42 > 0:00:45Oh, there must be 800 people here. That's amazing!

0:00:45 > 0:00:47That is fabulous. Hey, welcome all.

0:00:47 > 0:00:49We've got the best of British on the show this week.

0:00:49 > 0:00:52One of the hottest actors around, Dominic Cooper's on the show!

0:00:52 > 0:00:54CHEERING

0:00:54 > 0:00:55Yes!

0:00:55 > 0:00:58One of my favourite guests of all time.

0:00:58 > 0:01:00You're so lucky to be here on a night she's here.

0:01:00 > 0:01:02Miriam Margolyes is on the show!

0:01:02 > 0:01:04CHEERING

0:01:04 > 0:01:05Yes!

0:01:06 > 0:01:09And one of our brightest singing stars, Lily Allen is here!

0:01:09 > 0:01:11CHEERING

0:01:11 > 0:01:13Yes, she is!

0:01:13 > 0:01:15Oh! Isn't that great?

0:01:15 > 0:01:16It's so lovely that Lily's back,

0:01:16 > 0:01:19Lily's back singing after taking time out to have babies.

0:01:19 > 0:01:21Talking of which, hey,

0:01:21 > 0:01:26let's say a huge congratulations to Simon Cowell, who's become a dad.

0:01:26 > 0:01:28Isn't that nice? It's a good thing. It is.

0:01:28 > 0:01:30This is Simon after the birth.

0:01:30 > 0:01:31LAUGHTER

0:01:31 > 0:01:34And this is the baby when he realised just how rich his dad is.

0:01:34 > 0:01:36CASH REGISTER RINGS

0:01:36 > 0:01:37LAUGHTER

0:01:37 > 0:01:39"Mmm, those are some nice nappies!

0:01:41 > 0:01:43"It don't smell!"

0:01:43 > 0:01:45Lily had a big hit at Christmas

0:01:45 > 0:01:48with the song on the John Lewis advert,

0:01:48 > 0:01:49Somewhere Only We Know.

0:01:49 > 0:01:51It was adorable, really.

0:01:51 > 0:01:54About a hare who bought a bear an alarm clock,

0:01:54 > 0:01:56so he wouldn't miss Christmas.

0:01:56 > 0:01:59And, in real life, bears do love hares. Yeah. Um...

0:01:59 > 0:02:00LAUGHTER

0:02:00 > 0:02:03"Thanks for waking me up, you're delicious!"

0:02:05 > 0:02:07"Merry Christmas!"

0:02:07 > 0:02:10No, I'm joking, I'm joking. The bear was very grateful.

0:02:10 > 0:02:13And bears do have a special way of showing their gratitude. Mm-hm.

0:02:13 > 0:02:15LAUGHTER

0:02:15 > 0:02:17APPLAUSE

0:02:21 > 0:02:22I could look at that all day.

0:02:22 > 0:02:24Let's get some guests on!

0:02:24 > 0:02:27She's magnificent, she's marvellous,

0:02:27 > 0:02:30she's Miriam Margolyes!

0:02:30 > 0:02:31CHEERING

0:02:34 > 0:02:38Hello, you gorgeous creature! How lovely to see you!

0:02:38 > 0:02:39Oh, come in and sit down. Do.

0:02:39 > 0:02:42Miriam Margolyes, everybody!

0:02:42 > 0:02:44Thank you.

0:02:44 > 0:02:46Mamma Mia, it's Dominic Cooper!

0:02:46 > 0:02:49CHEERING

0:02:49 > 0:02:52- Hello.- How are you?- I'm very well.

0:02:52 > 0:02:54Sit down, sit down.

0:02:54 > 0:02:57And, get ready to smile, it's Lily Allen!

0:02:57 > 0:02:58CHEERING

0:02:58 > 0:03:00Oh, beautiful!

0:03:00 > 0:03:04Gorgeous! Hello, darling, how are you? Mwah, mwah!

0:03:04 > 0:03:06Sit yourself down.

0:03:09 > 0:03:11Welcome all, welcome all. Are you all right there?

0:03:11 > 0:03:14- Yeah, should I have gone that way? - No, no, you're fine. It's nice.

0:03:14 > 0:03:17- It's intime. - We're correctly spread out.

0:03:17 > 0:03:19- Yes.- So to speak.- Yes.

0:03:19 > 0:03:20LAUGHTER

0:03:20 > 0:03:22All right? Everyone comfortable? Good.

0:03:22 > 0:03:24Now, Miriam has a thing.

0:03:24 > 0:03:27She doesn't like to know who she's coming on with, cos last time,

0:03:27 > 0:03:30you liked Will.i.am, but you didn't know who Will.i.am was, did you?

0:03:30 > 0:03:32I actually didn't.

0:03:32 > 0:03:36And he's charming. He's the most delightful gentleman, really.

0:03:36 > 0:03:39But unknown to me. That was the thing.

0:03:39 > 0:03:42So, how are you doing tonight?

0:03:42 > 0:03:43- Well...- Has no idea.

0:03:43 > 0:03:46LAUGHTER

0:03:46 > 0:03:48Have you ever worked with Dominic?

0:03:48 > 0:03:51- We haven't, darling, have we? - No, we haven't, actually.

0:03:51 > 0:03:53- But I hope we will.- Yes.

0:03:53 > 0:03:56- I think I've seen you in The History Boys.- Yes.

0:03:56 > 0:03:57- I think I saw that.- Good.

0:03:57 > 0:03:59I can't remember you, but I thought you were...

0:03:59 > 0:04:01LAUGHTER

0:04:03 > 0:04:05LAUGHTER DROWNS OUT SPEECH

0:04:05 > 0:04:07- ..very memorable.- No, did you see Mamma Mia?

0:04:07 > 0:04:10He was very good in Mamma Mia. Did you see that?

0:04:10 > 0:04:11That was a dreadful film!

0:04:11 > 0:04:13LAUGHTER

0:04:13 > 0:04:15Did you think that was a good film?

0:04:15 > 0:04:17I can't possibly say.

0:04:18 > 0:04:19Yes!

0:04:19 > 0:04:21It was fun, Miriam!

0:04:21 > 0:04:23It was the film of Mamma Mia!

0:04:23 > 0:04:27- It was a very popular film with people.- Yes!

0:04:27 > 0:04:30That's all we can hope for, Miriam, really.

0:04:30 > 0:04:33We dream of making things that are popular with people.

0:04:33 > 0:04:35LAUGHTER

0:04:37 > 0:04:41Wasn't that the one where the family came to see you making it, Dominic?

0:04:41 > 0:04:43- It was the first time your family came to see you?- Yeah.

0:04:43 > 0:04:46That was the first time they saw me do any filming work

0:04:46 > 0:04:49and the particular point that they came in to... Yes.

0:04:49 > 0:04:52- That monstrosity, I was wearing. - Is that you?

0:04:52 > 0:04:54That is. Do you not remember that bit?

0:04:54 > 0:04:56You'd stopped watching it by then, that happens at the end.

0:04:56 > 0:05:00They came and saw me, then saw that that's where I was heading in life.

0:05:00 > 0:05:02And I'm not sure what they exactly thought of it.

0:05:02 > 0:05:05But I think Pierce, when we were wearing those things,

0:05:05 > 0:05:08felt slightly more uncomfortable, because we were

0:05:08 > 0:05:11in the same building that James Bond was filming, so was Daniel Craig...

0:05:11 > 0:05:14- Oh!- Just on the year they'd sort of changed over.

0:05:14 > 0:05:17So, as we were walking across the parking lot wearing those,

0:05:17 > 0:05:20Daniel Craig was pulling up in an Aston Martin,

0:05:20 > 0:05:23looking particularly cool.

0:05:23 > 0:05:24So I didn't feel quite as bad.

0:05:25 > 0:05:27And Lily Allen, pop star.

0:05:27 > 0:05:30I mean, you will know Lily's songs.

0:05:30 > 0:05:31I promise you you will.

0:05:31 > 0:05:33Darling, I'm 72.

0:05:33 > 0:05:36- I don't know about songs and singing.- That's fine.

0:05:36 > 0:05:39But I know you're highly admired. I do know that.

0:05:39 > 0:05:41See, yes.

0:05:41 > 0:05:42Unlike Dominic, I guess.

0:05:42 > 0:05:44LAUGHTER

0:05:44 > 0:05:46Dominic, nothing. You're in a horrible film,

0:05:46 > 0:05:50I don't remember the other one, but Lily, everyone loves you.

0:05:50 > 0:05:53You'll have heard Lily's song at Christmas on the ads.

0:05:53 > 0:05:55It was on the John Lewis ad.

0:05:55 > 0:05:56You saw that ad, didn't you?

0:05:56 > 0:05:59I was in Amsterdam at Christmas.

0:06:01 > 0:06:04Christmas starts in October.

0:06:04 > 0:06:06Miriam, you played...

0:06:06 > 0:06:09I was going to say a monkey, you played a rabbit in...

0:06:09 > 0:06:12- the Caramel ad. - The Cadbury's bunny, yes.- Yes.

0:06:12 > 0:06:14- A long time ago. - Were you the voice?- Yes.

0:06:14 > 0:06:17- That youthful, smooth, caramel-like voice...- That's it. That's it.

0:06:17 > 0:06:20- Lovely.- That was Miriam.- That was me.

0:06:20 > 0:06:22Was it, "Take it easy, Mr...?"

0:06:22 > 0:06:27- Take it easy, Mr Rabbit. Something like that.- Ohhh!

0:06:27 > 0:06:29In a really creepy poll,

0:06:29 > 0:06:33that rabbit came third sexiest animated character of all time.

0:06:33 > 0:06:36- LAUGHTER - Really?- Yeah.

0:06:36 > 0:06:40- Wow.- I mean, who decided... "We should find out which animated character people find sexiest."

0:06:40 > 0:06:43- Who's number one?- I want to know who beat me.- Betty... Is it Betty Boo?

0:06:43 > 0:06:47- Betty Boop?- Yeah, Jessica Rabbit... - I bet Jessica Rabbit was second

0:06:47 > 0:06:50- and you were third.- Not bad though. - It's not bad. Not bad.

0:06:51 > 0:06:57Talking of ads, Dominic's first ever paid work was an advertisement.

0:06:57 > 0:07:00I was quite proud of being chased down the road by lots of sperm

0:07:00 > 0:07:03- which is what the advert was. - I remember that advert.

0:07:03 > 0:07:07- What were you advertising? - I wasn't sure.

0:07:07 > 0:07:09But I knew I was getting paid to do some work which was incredible.

0:07:09 > 0:07:12- It was for condoms. - It was condoms. I remember.

0:07:12 > 0:07:15- But why were the sperm chasing you? - I couldn't work that bit out.

0:07:15 > 0:07:19I was meeting a girlfriend and then I'd seen the reflection

0:07:19 > 0:07:21of all these huge, great Czechoslovakian sperm

0:07:21 > 0:07:23heading down the street...

0:07:23 > 0:07:25wafting their sperm heads and then...

0:07:25 > 0:07:26But then they all landed in...

0:07:26 > 0:07:28I didn't quite understand what happened.

0:07:28 > 0:07:31As I met her, they all knocked me over and landed on top of her,

0:07:31 > 0:07:34but ended up in the end of a condom.

0:07:34 > 0:07:37LAUGHTER

0:07:37 > 0:07:41Well, if you weren't using protection before...

0:07:41 > 0:07:44I'm not sure it worked, the commercial.

0:07:44 > 0:07:46- I don't think it was a success. - Did you give your opinion?

0:07:46 > 0:07:50What do you mean, it didn't work? People stopped buying condoms?

0:07:50 > 0:07:53Nothing's going to stop those sperm!

0:07:53 > 0:07:57When you're in an ad, do you voice an opinion on the ad or...?

0:07:57 > 0:07:59- Yes.- Oh, you do?- Always.

0:07:59 > 0:08:01- Do they welcome that opinion?- No.

0:08:03 > 0:08:06No, but I mean... I know better than they do,

0:08:06 > 0:08:09that is the truth, and I'm experienced

0:08:09 > 0:08:12and I need to help them sometimes.

0:08:12 > 0:08:13The grammar is often bad.

0:08:16 > 0:08:21- She really doesn't want to listen to my songs.- Yes, I do. I do.

0:08:21 > 0:08:24We'll get notes. We'll get notes later.

0:08:24 > 0:08:27Because, Miriam, you were the voice of a period, weren't you?

0:08:27 > 0:08:30- A menstrual period, yes. - A menstrual period.

0:08:31 > 0:08:34Sorry. My mistake.

0:08:39 > 0:08:44As an actress, how did you find that voice?

0:08:44 > 0:08:45Well...

0:08:45 > 0:08:49- You always go to the text first...- Yes.

0:08:49 > 0:08:54..and the text was, "You didn't expect to find me on your holidays."

0:08:56 > 0:08:59So I thought, well...

0:09:00 > 0:09:05..that's got to be a naughty schoolgirl, so I went...

0:09:05 > 0:09:07SHE GIGGLES

0:09:07 > 0:09:12- IN A HIGHPITCHED VOICE: - You didn't expect to find me on your holidays, did you?

0:09:14 > 0:09:16Beautiful. What were you selling?

0:09:16 > 0:09:18- Sanitary towels or something? - It was...

0:09:18 > 0:09:21It was for sanitary protection, yes.

0:09:21 > 0:09:24- Lovely.- Yes, for sanitary protection.

0:09:24 > 0:09:26Sales went up, I imagine. Yes.

0:09:26 > 0:09:29I have actually got a menstrual story for you, if you like.

0:09:29 > 0:09:31LAUGHTER

0:09:31 > 0:09:34CHEERING

0:09:35 > 0:09:37Off you go, Miriam Margolyes.

0:09:37 > 0:09:41Did I tell you last time about when I did an audition for Crossroads?

0:09:41 > 0:09:43- No, I don't think so.- Right. Well...

0:09:43 > 0:09:46for those of you who may remember, Crossroads was...

0:09:46 > 0:09:48- I know it.- I remember Crossroads.

0:09:48 > 0:09:50..a soap opera which took place in Birmingham

0:09:50 > 0:09:54and I went for the audition and...

0:09:54 > 0:09:57I'm pouring this all over myself. It's rather exciting.

0:09:58 > 0:10:02As I was waiting for my turn to do the audition,

0:10:02 > 0:10:05my periods started and I thought...

0:10:05 > 0:10:07Periods!

0:10:09 > 0:10:11Don't you call it that?

0:10:11 > 0:10:14MIMICS MIRIAM: Period.

0:10:14 > 0:10:18- Don't you call it that? - No, I just say, "I'm on the rag."

0:10:18 > 0:10:20LAUGHTER

0:10:20 > 0:10:23- This is terrible.- On the rag?! - I feel very in-between this.

0:10:23 > 0:10:25How are you doing, Dominic?

0:10:26 > 0:10:29- All good, there? Yeah? OK. - Really comfortable.

0:10:29 > 0:10:33- OK.- You don't want to talk about periods?- No, I do.

0:10:33 > 0:10:35- I don't mind periods. - It's all right. It's all right.

0:10:35 > 0:10:40So, meanwhile, back in Birmingham, Miriam's just had her period.

0:10:40 > 0:10:44I went... I went to the ladies' room and in those days, there was

0:10:44 > 0:10:49a long box on the wall, Dr Southall Sanitary Towels.

0:10:49 > 0:10:53And you put in two pennies and pulled the little drawer

0:10:53 > 0:10:56and got out the carton. Am I right? You remember all this, some of you?

0:10:56 > 0:11:00People applauding. "Oh, yes!"

0:11:00 > 0:11:04So, I put in my 2p, pulled out the little drawer

0:11:04 > 0:11:08and it snapped back with my finger in it,

0:11:08 > 0:11:10so it was really painful.

0:11:10 > 0:11:15It tore a great gash in my finger which was so sore.

0:11:15 > 0:11:17Bleeding all over the place.

0:11:17 > 0:11:21I managed to pull open the drawer and extract my finger.

0:11:21 > 0:11:24I rushed into the loo and fixed myself up,

0:11:24 > 0:11:30came out again and went in and started to read for the audition.

0:11:30 > 0:11:35And I noticed that the script was covered in blood

0:11:35 > 0:11:39and the people I was auditioning for noticed it too

0:11:39 > 0:11:43and they looked, I saw them looking and I said,

0:11:43 > 0:11:46"Oh, I'm so sorry.

0:11:46 > 0:11:48"You see, my period started..."

0:11:48 > 0:11:51GROANING AND LAUGHTER

0:11:59 > 0:12:04- Did you get the job?- I did, actually.- You got the job?! Yay!

0:12:04 > 0:12:07Right. Now, Lily Allen, very exciting,

0:12:07 > 0:12:12- you are singing for us later. - Yes. Sadly, for you.- No!

0:12:12 > 0:12:15- I love that song. It's getting loads of radio play.- I know.

0:12:15 > 0:12:18Just been put on the A list, whatever that means.

0:12:18 > 0:12:21- It means it's being played a lot and it's called Air Balloon.- Yes.

0:12:21 > 0:12:23It's very good. Now, we're thrilled you're back,

0:12:23 > 0:12:26all the new stuff you've brought out has done really well.

0:12:26 > 0:12:28But I'm not wrong, you did say...

0:12:28 > 0:12:30You did say goodbye.

0:12:30 > 0:12:32- You said, "No more."- Yeah.

0:12:32 > 0:12:35- Changed your mind.- Yep.- Fair enough.

0:12:35 > 0:12:38Well, actually, I didn't really. I had two babies,

0:12:38 > 0:12:41I was very busy with them and...

0:12:41 > 0:12:45I had two babies. Two babies.

0:12:45 > 0:12:48Ethel and Marnie. Hi. Love you guys.

0:12:48 > 0:12:51I really hope they're NOT watching this.

0:12:51 > 0:12:56- They're always in bed by seven. - That's all right then. Fine.

0:12:56 > 0:12:59- What time is it now?- Late. It's about half ten.- Of course.

0:12:59 > 0:13:02Anyway... So, yeah...

0:13:02 > 0:13:04LAUGHTER

0:13:08 > 0:13:13But anyway, long story short, or short story really long...

0:13:13 > 0:13:17erm, I decided that I wanted to go back to work,

0:13:17 > 0:13:19but realised I had no qualifications

0:13:19 > 0:13:22- for anything except for... - Singing.- ..being a pop star.

0:13:22 > 0:13:25- Obvious choice. - And you're working...

0:13:25 > 0:13:27What is the story with the album?

0:13:27 > 0:13:30There's been a lot of talk of this album, but no sign of it as yet.

0:13:30 > 0:13:34- Is it finished?- It is finished. - So, is there a release date?

0:13:34 > 0:13:37End of spring. This year.

0:13:37 > 0:13:39- Is that the end of March or the end of April?- I don't know.

0:13:39 > 0:13:43I said, "Can I say a date?" The record company said, "No. End of spring is your line."

0:13:43 > 0:13:45- OK. End of spring.- End of spring. - Does it have a title yet?

0:13:45 > 0:13:48- It does.- Oh! Then you can tell us.

0:13:48 > 0:13:50OK.

0:13:50 > 0:13:52LAUGHTER

0:13:52 > 0:13:55She doesn't seem that confident with her title choice.

0:13:55 > 0:13:58- It's a confident title choice. - What have you called it?

0:13:58 > 0:13:59Sheezus.

0:13:59 > 0:14:01Sheezus, as in...

0:14:01 > 0:14:04She... She... Oh, wait. Is it like Yeezus?

0:14:04 > 0:14:08I mean, obviously it's like Jesus, but is it the Kanye thing as well?

0:14:08 > 0:14:10- It's a little nod to Kanye.- To whom?

0:14:10 > 0:14:12- Kanye West.- You've yet to meet him.

0:14:12 > 0:14:15Another week.

0:14:15 > 0:14:19- I obviously don't know who that is.- You will meet him.

0:14:19 > 0:14:23- Yeah, stick with us.- Yeah, so Sheezus.- Sheezus, it's a good title.

0:14:23 > 0:14:26- Subtle.- Yeah, it's good. Sheezus. Now we know.

0:14:26 > 0:14:28Feel free to social media that.

0:14:28 > 0:14:31No! I completely forgot about that element of things.

0:14:31 > 0:14:35- No, it will be on telly tomorrow. - No, it's fine.

0:14:35 > 0:14:39Those are cameras. I know it is all dark and everything, but yeah.

0:14:39 > 0:14:41We are filming this.

0:14:44 > 0:14:48Now, the video for Air Balloon, you did some extraordinary things.

0:14:48 > 0:14:51We've seen you on the zebra. This next picture.

0:14:51 > 0:14:55- Is that a stuffed cheetah? - It's a real cheetah.

0:14:55 > 0:14:57Isn't that incredibly dangerous?

0:14:57 > 0:14:59I have this weird thing.

0:14:59 > 0:15:03Obviously I get pitched stuff all the time where work is concerned

0:15:03 > 0:15:07and I've got this inability to look past the next hour and a half.

0:15:07 > 0:15:09So I get a treatment of a video and

0:15:09 > 0:15:13I'm like, "Yeah, cool, cheetahs, zebras. That sounds exotic and fun."

0:15:13 > 0:15:18I find myself on the side of a hill with someone rubbing steak on my face

0:15:18 > 0:15:20so that the cheetah would lick me.

0:15:20 > 0:15:25It's like, "Actually, what am I doing here?"

0:15:25 > 0:15:28That sounds like madness!

0:15:28 > 0:15:31Yeah. It was a two-day shoot and that was on the second day.

0:15:31 > 0:15:33On the first day, someone came up to me and said,

0:15:33 > 0:15:38"Oh, Lily, by the way, don't eat any steak tonight,

0:15:38 > 0:15:41"just in case you burp and the cheetah smells it."

0:15:41 > 0:15:44LAUGHTER

0:15:44 > 0:15:46But you're allowed to be covered in steak?

0:15:46 > 0:15:50No, they just wiped it on me so that he smelt it and licked my face.

0:15:50 > 0:15:52And then take a chunk?

0:15:52 > 0:15:57If I'd eaten steak the night before and I'd burped next to him,

0:15:57 > 0:16:01then he would have gone, "RAAR!" and eaten me or something.

0:16:01 > 0:16:03Yeah, I'm not a zoologist or anything,

0:16:03 > 0:16:05but I think there's some weak thinking there.

0:16:05 > 0:16:07LAUGHTER

0:16:07 > 0:16:09- On my part or their part? - No, on their part.

0:16:09 > 0:16:13They could've lost you. That was a crazy thing to do.

0:16:13 > 0:16:15Working with animals is very difficult.

0:16:15 > 0:16:21We have some very good examples of dogs spoiling photographs.

0:16:21 > 0:16:24We found them on theladbible.com.

0:16:24 > 0:16:27So this is some children playing on the beach. Lovely.

0:16:27 > 0:16:29We'll want to remember that forever.

0:16:29 > 0:16:32We'll take a picture of our children. There it is.

0:16:32 > 0:16:35LAUGHTER

0:16:36 > 0:16:40This next one, I love this for the expression on the dog's face.

0:16:40 > 0:16:43So you've got the whole family. Look at the baby, everything.

0:16:43 > 0:16:45Now look at the dog.

0:16:45 > 0:16:47LAUGHTER

0:16:49 > 0:16:50I love his face.

0:16:50 > 0:16:52"Am I in this?

0:16:52 > 0:16:55"Am I in shot here?

0:16:55 > 0:16:57"Sorry, sorry."

0:17:00 > 0:17:03Animals always look so much more vulnerable than humans

0:17:03 > 0:17:05when they are crapping, don't you think?

0:17:05 > 0:17:09Oh, darling, we all look vulnerable when we're crapping!

0:17:09 > 0:17:11LAUGHTER

0:17:11 > 0:17:16- We can lock the door.- Terrified. - They look so scared, don't they?

0:17:16 > 0:17:19- I think it's a vulnerable moment. - It is.

0:17:19 > 0:17:23Here's some young people having fun, jumping in the air. There they are.

0:17:23 > 0:17:26LAUGHTER

0:17:29 > 0:17:31They always look like they're forcing it out.

0:17:31 > 0:17:33Yeah, it's like, "I don't want to!"

0:17:33 > 0:17:35But the next picture, the number

0:17:35 > 0:17:38of things that needed to all happen at the same time are incredible.

0:17:38 > 0:17:43A dragonfly lands on a man's finger.

0:17:43 > 0:17:45It can't have been there for long.

0:17:45 > 0:17:49So he was able to have it on his finger, get his camera out

0:17:49 > 0:17:52and take a picture of all of this.

0:17:52 > 0:17:54There's the dragonfly.

0:17:54 > 0:17:57LAUGHTER

0:18:00 > 0:18:02That one is comfortable. He's having a nice time.

0:18:02 > 0:18:05He doesn't know he's being watched!

0:18:06 > 0:18:09My favourite ones are people trying to be romantic.

0:18:09 > 0:18:13There's a couple reclining on the grass. It's really, really lovely.

0:18:13 > 0:18:15LAUGHTER

0:18:16 > 0:18:18I love how old that dog looks.

0:18:18 > 0:18:23"You're young. You've got your whole lives."

0:18:23 > 0:18:26Well done, all the pooing dogs! Very good.

0:18:26 > 0:18:29APPLAUSE

0:18:30 > 0:18:35Dominic Cooper, flying high at the moment on Sky in Fleming,

0:18:35 > 0:18:39- playing the James Bond creator, Ian Fleming.- Yes.

0:18:39 > 0:18:42- Now, it's a four-parter.- Yes.

0:18:42 > 0:18:45It's a biopic, but not really?

0:18:45 > 0:18:47It kind of is.

0:18:47 > 0:18:51We've used two biographies, which are very specific about his life

0:18:51 > 0:18:54and who he was, and we have made it into more of a fantasy,

0:18:54 > 0:18:57or perhaps how he would have liked people to have perceived his life.

0:18:57 > 0:19:01He was quite a complex, dark character.

0:19:01 > 0:19:05In this, I suppose we've made him out to be the character he created,

0:19:05 > 0:19:06more of the James Bond character.

0:19:06 > 0:19:09He was desperate to be a spy.

0:19:09 > 0:19:12There is one section in the next episode

0:19:12 > 0:19:14where he goes through the tests to see whether

0:19:14 > 0:19:16he could be in the secret services and fails

0:19:16 > 0:19:19because he's not capable of perhaps...

0:19:19 > 0:19:21I'm about to give it all away!

0:19:21 > 0:19:24I think we might see that in the clip in a minute.

0:19:24 > 0:19:27When you speak to people who knew of his family and know about him,

0:19:27 > 0:19:32they mention to you through gritted teeth that he was the real deal

0:19:32 > 0:19:34and he was apparently involved in that world

0:19:34 > 0:19:38but we have absolutely lied our way through it.

0:19:39 > 0:19:42What's nice is, for Bond fans, if they come to see the show,

0:19:42 > 0:19:46there are lots of Bond references, Bond origin bits.

0:19:46 > 0:19:50Yes, that was always a difficult conversation,

0:19:50 > 0:19:52about how far we could go with those.

0:19:52 > 0:19:55In the first episode, asking for the Martini,

0:19:55 > 0:19:57which was made very specifically,

0:19:57 > 0:20:00and everyone knows that to be James Bond's drink.

0:20:00 > 0:20:02But it's done in a way, hopefully,

0:20:02 > 0:20:06that's tongue-in-cheek enough for it to be not cringeworthy, I hope.

0:20:06 > 0:20:10Fleming continues on Wednesday at 9.00pm on Sky Atlantic HD

0:20:10 > 0:20:12and we have an exclusive clip from next week's episode.

0:20:12 > 0:20:15I'm thinking, now that you've said what you said,

0:20:15 > 0:20:17that this is part of your test?

0:20:17 > 0:20:19Yes, it's the K Protocol Test,

0:20:19 > 0:20:21where he sees whether he can make it into...

0:20:21 > 0:20:24After being behind his desk working for the Admiralty,

0:20:24 > 0:20:26they put him on this.

0:20:26 > 0:20:28They see if he is capable of doing this certain thing that

0:20:28 > 0:20:31- he's about to try and do.- Maybe it isn't the test?- Maybe it's not.

0:20:31 > 0:20:37- I don't know what it is!- Let's watch it and talk about it afterwards.

0:20:37 > 0:20:39Hey, here it is.

0:21:16 > 0:21:18APPLAUSE

0:21:18 > 0:21:22- You live.- Always good when there is no speaking.- That was exciting.

0:21:22 > 0:21:25No, he lives, he lives. Yeah, he lives. He lives through that.

0:21:25 > 0:21:29Terrifying, filming that, because that man, I think I get beaten by

0:21:29 > 0:21:34him in a moment and the stuntmen were not so trained in stunting.

0:21:34 > 0:21:38- Where's there?- Where were we? Budapest.

0:21:38 > 0:21:41He absolutely beat me up quite badly after that.

0:21:41 > 0:21:44- Not to sound pathetic.- Ow!

0:21:44 > 0:21:46LAUGHTER

0:21:46 > 0:21:50- So that is the test he goes under. - And fails.

0:21:50 > 0:21:53That is a spoiler, so let's not say that again. He MIGHT fail.

0:21:53 > 0:21:55LAUGHTER

0:21:57 > 0:21:59And talking of Bond, have you ever...

0:21:59 > 0:22:02You would make a very good Bond villain, I think, Miriam.

0:22:02 > 0:22:04It's a good idea, isn't it?

0:22:04 > 0:22:08I'd have loved to have been Rosa Klebb, was one of the Bond villains,

0:22:08 > 0:22:13played by Bertolt Brecht's wife in the film.

0:22:13 > 0:22:16Yeah, I'd have loved to have been.

0:22:16 > 0:22:19There's something magic about James Bond.

0:22:19 > 0:22:22- But you were in Harry Potter, weren't you?- I was.- That's magic.

0:22:22 > 0:22:25- That's actually magic. - That was terrific.

0:22:25 > 0:22:28And she's also worked with the biggest action star of them all,

0:22:28 > 0:22:31Sylvester Stallone, not Sylvester Stallone...

0:22:31 > 0:22:33Arnold Schwarzenegger!

0:22:33 > 0:22:35Yes, I worked with Arnold Schwarzenegger,

0:22:35 > 0:22:37which was a horrible experience.

0:22:37 > 0:22:39LAUGHTER

0:22:41 > 0:22:44Why so horrible, Miriam?

0:22:44 > 0:22:49Well, the real reason is because,

0:22:49 > 0:22:53A, because he did not fancy me, he didn't think I mattered

0:22:53 > 0:22:56and I really resent that attitude.

0:22:56 > 0:22:59And, secondly, because he farted in my face.

0:22:59 > 0:23:02LAUGHTER

0:23:02 > 0:23:07That was when I was lying on the ground, in the part.

0:23:07 > 0:23:10I was playing my role.

0:23:10 > 0:23:15I was Satan's sister, and I had to be killed lying on the floor

0:23:15 > 0:23:19- with a glass table slicing my throat.- Yes.

0:23:19 > 0:23:22So I was doing all that, and it's difficult.

0:23:22 > 0:23:26- You can't get out of the way when you're stuck like that.- No.

0:23:26 > 0:23:30He thought it was hysterical.

0:23:30 > 0:23:32LAUGHTER

0:23:32 > 0:23:33He did it on purpose?

0:23:33 > 0:23:37- He just squatted in your face and farted?- Absolutely on purpose!

0:23:37 > 0:23:39LAUGHTER

0:23:39 > 0:23:42Ooh, and he eats nothing but protein.

0:23:42 > 0:23:45AUDIENCE GROANS

0:23:45 > 0:23:47APPLAUSE

0:23:47 > 0:23:50True. It was very unpleasant.

0:23:53 > 0:23:57Let's draw a veil. I'll ask him about it next time he's on the show.

0:23:59 > 0:24:02Was it this year or last year,

0:24:02 > 0:24:06you had a really lovely honour from your school. Was it Oxford?

0:24:06 > 0:24:08- Oxford High School. - Did you go there?

0:24:08 > 0:24:12- I went there from 1945 to 1959.- Wow.

0:24:12 > 0:24:14It's the best school in the world.

0:24:14 > 0:24:17That is why I talk as I talk, clearly.

0:24:17 > 0:24:19LAUGHTER

0:24:19 > 0:24:21LILY MIMICS MIRIAM: Clearly!

0:24:21 > 0:24:24I hardly ever use the word "like".

0:24:28 > 0:24:33And they named a theatre space after me, which was a real thrill.

0:24:33 > 0:24:36They actually wanted Maggie Smith,

0:24:36 > 0:24:40because she was at the school as well, Dame Maggie.

0:24:40 > 0:24:43And they asked me to ask Dame Maggie

0:24:43 > 0:24:46if she would like to give her name

0:24:46 > 0:24:49to this space in the school,

0:24:49 > 0:24:53and I asked her on their behalf, would you, and she said,

0:24:53 > 0:24:56- MIMICS MAGGIE SMITH: - "No, I don't want to do that!

0:24:56 > 0:25:02"I didn't like school at all. Why don't you do it?

0:25:02 > 0:25:04"You'd like that, wouldn't you? You do that."

0:25:04 > 0:25:05LAUGHTER

0:25:05 > 0:25:08So they asked me and I said yes.

0:25:08 > 0:25:11LAUGHTER AND APPLAUSE

0:25:11 > 0:25:13Very nice.

0:25:17 > 0:25:21And it is extraordinary that you've become so established.

0:25:21 > 0:25:23You do lots of work for charities, I know.

0:25:23 > 0:25:27When you get to my age, you sort of do that sort of thing.

0:25:27 > 0:25:30Not everybody can do it, but I don't work all the time,

0:25:30 > 0:25:35so in the spare moments I have, I do things for breast cancer

0:25:35 > 0:25:38and kidney transplants and Stroke Association

0:25:38 > 0:25:40and all those different things.

0:25:40 > 0:25:44I love doing stuff for charity. I get a kick out of it.

0:25:44 > 0:25:47Some of you may have seen me on Loose Women recently,

0:25:47 > 0:25:50- talking about breast cancer. - That's not a charity.

0:25:50 > 0:25:52Well, it was, it was.

0:25:52 > 0:25:54Don't interrupt, darling!

0:25:54 > 0:25:56LAUGHTER AND APPLAUSE

0:25:56 > 0:25:58Ooh, it's like Question Time!

0:26:04 > 0:26:07But here's the thing, Miriam,

0:26:07 > 0:26:10you are very embraced by the establishment

0:26:10 > 0:26:13but you've always been quite a wild child, I would say.

0:26:13 > 0:26:17- A little bit, yes. Naughty. I was naughty.- Yes.

0:26:17 > 0:26:20You brought our attention to this photograph. What is going on?

0:26:20 > 0:26:25This was the 1970s. Is this one of your first jobs?

0:26:25 > 0:26:27Girls Of Slender Means.

0:26:27 > 0:26:34I'm in the front. Behind me is Mary Tamm, Patricia Hodge

0:26:34 > 0:26:37and Jane Cussons, who I think is here tonight.

0:26:37 > 0:26:42- Where's Jane Cussons?- There she is. - There's Jane Cussons! Wow!

0:26:42 > 0:26:44APPLAUSE

0:26:44 > 0:26:46Are you all in the nip?

0:26:46 > 0:26:47Yes, what happened was,

0:26:47 > 0:26:51we had to have a scene in which everybody stripped naked,

0:26:51 > 0:26:53and we were a little bit shy about it.

0:26:53 > 0:26:54They closed the studio, of course,

0:26:54 > 0:27:00and we insisted that the cameramen took off their clothes as well.

0:27:00 > 0:27:02LAUGHTER

0:27:02 > 0:27:06And we had a photograph of ourselves covered up, because it was

0:27:06 > 0:27:08just coming up to Valentine's Day,

0:27:08 > 0:27:11and then they did one as well for us.

0:27:11 > 0:27:14And we've got that picture as well. This is unbelievable they did this.

0:27:14 > 0:27:17This is the crew.

0:27:17 > 0:27:20LAUGHTER AND APPLAUSE

0:27:20 > 0:27:23Fantastic.

0:27:23 > 0:27:27My favourite one, if you pay attention, look how cocky John is.

0:27:27 > 0:27:30LAUGHTER

0:27:33 > 0:27:35I think that's John Henshall,

0:27:35 > 0:27:38who is responsible for getting us all together again.

0:27:38 > 0:27:41I should mention our director, Moira Armstrong.

0:27:41 > 0:27:43It was just the most wonderful experience.

0:27:43 > 0:27:481976 and we are still all great friends.

0:27:48 > 0:27:52- We love each other, don't we, Jane? - Yes.- It is such a wonderful...

0:27:52 > 0:27:53APPLAUSE

0:27:53 > 0:27:55Lovely to see you, Jane.

0:27:55 > 0:27:57Jane looks better now.

0:27:57 > 0:28:01- They were all very beautiful girls. - Thank you, Graham.- Yes, you do.

0:28:01 > 0:28:03Fabulous, yes.

0:28:03 > 0:28:06She's actually single, so if anybody's interested...

0:28:06 > 0:28:08LAUGHTER

0:28:10 > 0:28:12Actually, here's the odd thing because Dominic,

0:28:12 > 0:28:14you've exposed yourself as well.

0:28:14 > 0:28:17AUDIENCE WHOOPS

0:28:17 > 0:28:21- Yes.- We don't have a picture, sadly. Calm down, everyone.

0:28:21 > 0:28:23Actually, if we could find the women involved in the story,

0:28:23 > 0:28:25how brilliant, but we haven't, but go.

0:28:25 > 0:28:30Was this me working in that rather grubby cafe,

0:28:30 > 0:28:33- being a greasy teenager?- Yeah.

0:28:33 > 0:28:37Wearing my very tight black jeans

0:28:37 > 0:28:43and entering the bakery early in the morning from a late night out.

0:28:43 > 0:28:47Having just learned how to make cappuccinos...

0:28:47 > 0:28:49- Cappuccinos had just arrived in England.- Yeah.

0:28:49 > 0:28:52So I used to make them terribly big and frothy,

0:28:52 > 0:28:56not how you are meant to make them. They were repulsive and undrinkable.

0:28:56 > 0:29:00And I remember two lovely ladies coming into the cafe.

0:29:00 > 0:29:03I had just learned how to hold two cappuccinos in one hand which

0:29:03 > 0:29:05I was very impressed by.

0:29:05 > 0:29:09I had some revolting, greasy croque something. What's it called?

0:29:09 > 0:29:11Monsieur.

0:29:11 > 0:29:13I had these terrible old jeans

0:29:13 > 0:29:16with a big hole in them.

0:29:16 > 0:29:19I was placing them down shaking feeling rather sweaty and anxious.

0:29:19 > 0:29:25My thing just fell out and just dangled and rested on the edge.

0:29:25 > 0:29:27I wasn't aware of it at the time.

0:29:27 > 0:29:28LAUGHTER

0:29:28 > 0:29:31Awful, awful look. THAT look!

0:29:31 > 0:29:33LAUGHTER

0:29:33 > 0:29:36The two of them doing that exact expression!

0:29:36 > 0:29:38APPLAUSE

0:29:38 > 0:29:41And it was just neatly resting on the end and I pulled it in.

0:29:41 > 0:29:43It was a horrible moment.

0:29:43 > 0:29:47You mean your cock fell out of your trousers?

0:29:47 > 0:29:49Actually fell out?

0:29:49 > 0:29:51It did. It fell out and dangled and rested on the edge.

0:29:51 > 0:29:54There was nothing I could do cos I was holding the cappuccinos.

0:29:54 > 0:29:57Did anyone mention it?

0:29:58 > 0:30:00Well, they were repulsed by it.

0:30:00 > 0:30:02It was meant to be a...

0:30:02 > 0:30:05It was a patisserie of high class sophistication.

0:30:06 > 0:30:10- Did you at least go, "Excuse I."? - I don't know what I...

0:30:10 > 0:30:13I just backed off. We were all so repulsed.

0:30:14 > 0:30:15Enjoy! And then I went off.

0:30:15 > 0:30:17LAUGHTER

0:30:17 > 0:30:21Awful. It was really pathetic and not very good either.

0:30:21 > 0:30:22It didn't look good.

0:30:24 > 0:30:26But it fell out?!

0:30:27 > 0:30:29I can't... I don't... I mean...

0:30:29 > 0:30:31- I know. I don't know...- How is it not...?

0:30:31 > 0:30:35- Kept in?- Yeah. - Well, you mentioned it earlier.

0:30:35 > 0:30:37That was because I saw it.

0:30:37 > 0:30:39LAUGHTER

0:30:39 > 0:30:43- I didn't see it out on the table, sure.- You didn't, you didn't.

0:30:43 > 0:30:46But I don't... I think... We wore...

0:30:46 > 0:30:47What happened earlier?

0:30:49 > 0:30:51She gave me some very good advice.

0:30:55 > 0:30:58And mentioned my penis.

0:30:58 > 0:31:00He's beautifully...

0:31:00 > 0:31:01No!

0:31:01 > 0:31:03LAUGHTER

0:31:03 > 0:31:04Hung.

0:31:06 > 0:31:08It wasn't like that.

0:31:12 > 0:31:15I loved it, I loved it. I loved it.

0:31:15 > 0:31:18- She loved it.- I wasn't repelled.

0:31:18 > 0:31:19The word is...

0:31:19 > 0:31:22- The word is repelled, not repulsed.- No.- No.

0:31:23 > 0:31:26I left you alone in make up for ten minutes.

0:31:30 > 0:31:33I was very impressed you'd noticed it all together.

0:31:33 > 0:31:38The funny thing is, when you're gay - as I am - and you never see

0:31:38 > 0:31:44a cock from, you know, Martinmas to Christmas, erm...

0:31:44 > 0:31:47You're very aware of them. You're very aware.

0:31:49 > 0:31:53They're hanging all around all the time.

0:31:53 > 0:31:55And I'm very short and...

0:31:55 > 0:31:58LAUGHTER

0:31:58 > 0:32:02- I was standing, yes, I was standing up.- You were standing up.- I was standing.

0:32:02 > 0:32:04- So there you go.- I was standing.

0:32:04 > 0:32:05Oh, dear.

0:32:05 > 0:32:09My dear, shall we have some music? Shall we hear a track off the new album

0:32:09 > 0:32:12- that we've talked about so much? - Yeah.- OK, so...

0:32:12 > 0:32:16CHEERING AND APPLAUSE DROWNS OUT SPEECH

0:32:19 > 0:32:22They'll wire you for sound and all sorts. Very good.

0:32:22 > 0:32:23Erm, right.

0:32:23 > 0:32:26In a moment we'll have some stories from the famous red chair

0:32:26 > 0:32:30but now, performing Air Balloon, it is Miss Lily Allen!

0:32:35 > 0:32:40# Somebody remind me where I am Miami or Timbuktu?

0:32:40 > 0:32:45# Did I ever tell you my uncle's monkey ran away from the zoo?

0:32:45 > 0:32:47# Would you tell me what this all means?

0:32:47 > 0:32:50# What happens if I go through that door?

0:32:50 > 0:32:55# Cos I'm looking up at the ceiling, but it's turning into the floor

0:32:55 > 0:32:57# Ooh

0:32:57 > 0:33:02# When I'm bored, I kinda drift away

0:33:02 > 0:33:07# I'm not sure, quite, why we work all day

0:33:07 > 0:33:12# I've been thinking and I've got this plan

0:33:12 > 0:33:15# Let's go right now

0:33:15 > 0:33:18# Come meet me in the sky I'll be waiting for you

0:33:18 > 0:33:20# And we can't hear what they say

0:33:20 > 0:33:25# Up in my air balloon, air balloon, air balloon

0:33:25 > 0:33:29- #- Ha!- Sing, sing along, along any song you want to

0:33:29 > 0:33:31# Now we're so high, it can't rain

0:33:31 > 0:33:35# Up in my air balloon, air balloon, air balloon

0:33:35 > 0:33:37- #- Ha!

0:33:37 > 0:33:39# Na na na-na-na na na

0:33:39 > 0:33:41# Na na na-na-na, Mmmm

0:33:41 > 0:33:44# Na na na-na-na na na

0:33:44 > 0:33:46# Na na na-na-na, Mmmm

0:33:46 > 0:33:51# I don't like dropping names but Kurt Cobain is all in my face

0:33:51 > 0:33:56# How the hell am I gonna tell him Elvis already took first base?

0:33:56 > 0:34:01# In and out of the blue this cruise is losing altitude, all we need

0:34:01 > 0:34:06# Is a little more elevation, take me back to where I can breathe.

0:34:06 > 0:34:07# Ooh

0:34:07 > 0:34:13# When I'm bored, I kinda drift away

0:34:13 > 0:34:17# I'm not sure, quite, why we work all day

0:34:17 > 0:34:23# I've been thinking and I've got this plan

0:34:23 > 0:34:26# Let's go right now

0:34:26 > 0:34:29# Come meet me in the sky I'll be waiting for you

0:34:29 > 0:34:31# And we can't hear what they say

0:34:31 > 0:34:35# Up in my air balloon, air balloon, air balloon

0:34:35 > 0:34:39- # Ha!- Sing, sing along, along any song you want to

0:34:39 > 0:34:41# Now we're so high, it can't rain

0:34:41 > 0:34:46# Up in my air balloon, air balloon, air balloon

0:34:46 > 0:34:47- #- Ha!

0:34:47 > 0:34:50# Na na na-na-na na na

0:34:50 > 0:34:52# Na na na-na-na, Mmmm

0:34:52 > 0:34:55# Na na na-na-na na na

0:34:55 > 0:34:57# Na na na-na-na, Mmmm

0:34:57 > 0:35:00# Na na na-na-na na na

0:35:00 > 0:35:02# Na na na-na-na, Mmmm

0:35:02 > 0:35:05# Na na na-na-na na na

0:35:05 > 0:35:08# Na na na-na-na, Mmmm

0:35:08 > 0:35:10# Shake it, sh-shake it, shake it now

0:35:10 > 0:35:13# Gimme, gi-gimme, gimme some

0:35:13 > 0:35:15# Sailing, sa-sailing through the clouds

0:35:15 > 0:35:18# Trippin' trip trip trip trippin' out

0:35:18 > 0:35:20# Shake it, sh-shake it, shake it now

0:35:20 > 0:35:23# Gimme, gi-gimme, gimme some

0:35:23 > 0:35:25# Sailing, sa-sailing through the clouds

0:35:25 > 0:35:29# Trippin' trip trip trip trippin' out

0:35:32 > 0:35:34# Na na na-na-na na

0:35:37 > 0:35:40# Come meet me in the sky I'll be waiting for you

0:35:40 > 0:35:42# And we can't hear what they say

0:35:42 > 0:35:46- # Up in my air balloon, - air balloon, air balloon

0:35:46 > 0:35:50- #- Ha!- Sing, sing along, along any song you want to

0:35:50 > 0:35:52# Now we're so high, it can't rain

0:35:52 > 0:35:56# Up in my air balloon, air balloon, air balloon

0:35:56 > 0:35:58- #- Ha!

0:35:58 > 0:36:00# Na na na-na-na na na

0:36:00 > 0:36:03# Na na na-na-na, Mmmm

0:36:03 > 0:36:07- #- Air balloon,- air balloon, air balloon

0:36:07 > 0:36:08- #- Ha!

0:36:08 > 0:36:11# Na na na-na-na na na

0:36:11 > 0:36:13# Na na na-na-na, Mmmm

0:36:13 > 0:36:17- #- Air balloon,- air balloon, air balloon

0:36:17 > 0:36:19- #- Ha!- #

0:36:19 > 0:36:23CHEERING AND APPLAUSE

0:36:26 > 0:36:28Lily Allen, everybody!

0:36:28 > 0:36:31Come on back, come on back, Lily. Beautiful job.

0:36:33 > 0:36:38- Those shoes are amazing. - Thank you.- They are. Lilly!

0:36:38 > 0:36:41Up, up, up. And around and around.

0:36:41 > 0:36:44Back to your phone, back to your phone, there we go.

0:36:44 > 0:36:47We're running, we're running, we're running. Oh, very good.

0:36:47 > 0:36:51- And that is out on the second of March, I believe.- Don't ask me.

0:36:51 > 0:36:54OK, well, I'm telling you it's the second of March.

0:36:54 > 0:36:57- And the album will be out in the spring.- Late spring.

0:36:57 > 0:37:02Late spring to be precise. Erm, right.

0:37:02 > 0:37:05It's time for a story or two in the red chair. Who's there?

0:37:05 > 0:37:10- Hi.- Hello, hi.- Hi.- What's your name? - Orla.- Orla, lovely.

0:37:10 > 0:37:12Are you from the old country? Yeah, I'm from Ireland.

0:37:12 > 0:37:14Oh, she's from Ireland.

0:37:14 > 0:37:18- Whereabouts?- Northern Ireland, near Belfast.- Oh, right, very good.

0:37:18 > 0:37:20- And what do you do, Orla? - I'm a nurse.

0:37:20 > 0:37:23- Oh, right, any particular sort of nurse?- Cardiac nursing, so...

0:37:23 > 0:37:24- Oh.- ..hearts.- Oh, right.

0:37:24 > 0:37:27Have you got a pager on you at the moment or anything?

0:37:27 > 0:37:30- No, I'm good to go, yeah. - Screw them.

0:37:30 > 0:37:33LAUGHTER

0:37:33 > 0:37:35I'm having a good time, yeah.

0:37:35 > 0:37:36I don't care.

0:37:38 > 0:37:41"Where's nurse Orla?" "I've no idea. Oh, look, the television's on."

0:37:41 > 0:37:43Oh, no!

0:37:43 > 0:37:44Oh, Lily Allen!

0:37:44 > 0:37:47Lily, she's a nurse, she's in the caring profession!

0:37:47 > 0:37:49I know, she needs to get back.

0:37:49 > 0:37:50LAUGHTER

0:37:50 > 0:37:53People with bad, dodgy hearts, they needed help.

0:37:53 > 0:37:55Oh, poor Orla.

0:37:55 > 0:37:57OK, who's up next, who's up next?

0:37:57 > 0:38:00- Hello.- Hello.- That was a really bitchy thing to do.

0:38:00 > 0:38:03CHEERING AND APPLAUSE

0:38:06 > 0:38:09- It was, it felt like a bitchy thing. - It was terrible. She feels bad, she feels bad.

0:38:09 > 0:38:13I thought it was positioned here and it was my... I was meant to do that.

0:38:13 > 0:38:17- Yeah, well you can, it's available for it.- OK.- But hang on.

0:38:17 > 0:38:19- There's a time and a place. - Yeah, a time and a place, yeah.

0:38:19 > 0:38:23OK. Sorry. I didn't mean it, I got the wrong end of the stick.

0:38:23 > 0:38:26Shall we get Orla...? No, we've got this one now, let's do this one.

0:38:26 > 0:38:28I say this one, how rude?

0:38:29 > 0:38:33Let's finish this one off and then we might get Orla back for her story.

0:38:33 > 0:38:36- What's your name?- It's Elizabeth Friendship.- Elizabeth Friendship?

0:38:36 > 0:38:40- Yes.- OK, and where are you from Elizabeth Friendship?

0:38:40 > 0:38:43- South East London.- Oh, right, very good and what do you do, Elizabeth Friendship?

0:38:43 > 0:38:46I send out toners for printers.

0:38:46 > 0:38:48LAUGHTER

0:38:48 > 0:38:50I wondered who did that.

0:38:51 > 0:38:55And it's Elizabeth Friendship and toners are very expensive. Leave it!

0:38:55 > 0:38:59- Leave. I can see Lily's eyes, they're just like...- It's not me.

0:38:59 > 0:39:01OK, so Elizabeth Friendship, you send the toners

0:39:01 > 0:39:03for printers from South London.

0:39:03 > 0:39:06I think I know everything about you. Off you go with your story.

0:39:06 > 0:39:10OK, so I was a learner driver and I asked my friend if I could drive her car

0:39:10 > 0:39:15and she said only if you drive it in your underwear. And I said, OK.

0:39:15 > 0:39:17So I drove the car round and...

0:39:17 > 0:39:20LAUGHTER AND APPLAUSE

0:39:21 > 0:39:24- Yeah. - That was every shade of stupid.

0:39:28 > 0:39:31- Let's get Orla back.- Let's get Orla back.- Orla's having a reprieve.

0:39:31 > 0:39:34CHEERING AND APPLAUSE

0:39:34 > 0:39:36I'm sorry, Orla!

0:39:36 > 0:39:40Look how quick Orla... "Yeah, I'm back. I'm back.

0:39:40 > 0:39:42"Stupid driving your car in your underwear.

0:39:42 > 0:39:45"Wait till you hear my story.

0:39:45 > 0:39:47"I save lives!"

0:39:48 > 0:39:51OK, Orla, before anything happens, off you go with your story.

0:39:51 > 0:39:53OK, I was on holiday once

0:39:53 > 0:39:55and in the middle of the night I just disappeared.

0:39:55 > 0:39:57So my friends went looking for me

0:39:57 > 0:40:00and somebody said, "Oh, there's a girl sleepwalking." And they found me

0:40:00 > 0:40:03having - running a bath in someone's room with no clothes on.

0:40:03 > 0:40:05LAUGHTER

0:40:05 > 0:40:06Whose room?

0:40:06 > 0:40:09I don't know, I just walked in to someone's room and started running a bath

0:40:09 > 0:40:11and I didn't have any clothes on and I was asleep.

0:40:11 > 0:40:14Can I just say, Lily, you have great instincts.

0:40:14 > 0:40:16LAUGHTER AND APPLAUSE

0:40:16 > 0:40:18It's like you're psychic.

0:40:18 > 0:40:21You are... You are a working mum of two, you're just like,

0:40:21 > 0:40:23"I have no time to waste, come on.

0:40:23 > 0:40:25"This story is going to be awful, Orla out."

0:40:25 > 0:40:28That was really bad. Let's try one more, let's try one more. OK, this is the one.

0:40:28 > 0:40:32- Hello.- Hello.- Hi, what's your name? - I'm Marion Shay.- Hello, Marian.

0:40:32 > 0:40:35- OK, and where are you from, Marion? - I'm from Southend-on-Sea in Essex.

0:40:35 > 0:40:38Lovely. Nothing.

0:40:38 > 0:40:41- OK, what do you do there, Marion? - Erm, I'm a senior neonatal sister.

0:40:41 > 0:40:45- Wow.- That's the best, they are the best.- All right.

0:40:45 > 0:40:48- Brilliant people. - Wait till you have a heart attack.

0:40:48 > 0:40:51LAUGHTER AND APPLAUSE

0:40:57 > 0:40:59All right, Marian, you're doing very well so far.

0:40:59 > 0:41:00Off you go with your story.

0:41:00 > 0:41:03OK, when I got promoted to a sister, basically

0:41:03 > 0:41:05I had to chair a meeting at work

0:41:05 > 0:41:08and basically I wanted to impress the consultant who was there.

0:41:08 > 0:41:12So I took the names down of everyone present and asked one lady her

0:41:12 > 0:41:15name and she said Tracey Withernee, went to the next person, etc, etc.

0:41:15 > 0:41:18When the consultant came in, I started chairing the meeting,

0:41:18 > 0:41:22was trying to act as professional as possible introducing every one and

0:41:22 > 0:41:25said this is Tracey Withernee, went to the next person, introduced them.

0:41:25 > 0:41:30Went round in turn and when I said Tracey Withernee, the lady that was taking the minutes for the meeting,

0:41:30 > 0:41:34she was laughing, her shoulders were going up and down. I thought, "Oh, don't put me off."

0:41:34 > 0:41:36Just ignore her, didn't know why she was laughing.

0:41:36 > 0:41:40Got through the meeting and after said why were you laughing,

0:41:40 > 0:41:41I though it went really well?

0:41:41 > 0:41:45And she said no, her name wasn't Tracey Withernee, her name was

0:41:45 > 0:41:48Tracey and she was trying to explain it was Tracey with an E.

0:41:48 > 0:41:51Not that her surname was Withernee. So that was it.

0:41:52 > 0:41:56- So...- Borderline. - I like that, I think it's great.

0:41:56 > 0:41:59- The rest of the couch aren't convinced.- I didn't quite get it.

0:41:59 > 0:42:02It's two against one, you're out, you're out.

0:42:03 > 0:42:06- I like her.- What did she say?

0:42:06 > 0:42:09What did she actually say?

0:42:09 > 0:42:14- Tracey with an E, not Tracy Withernee.- She thought the name was Withernee. Or the other way round.

0:42:14 > 0:42:17- It was just with an E.- Tracey with an E.- With an E in the Tracey.

0:42:17 > 0:42:21- Rather than a Y.- Yeah. But she though her name was Tracey Withernee.

0:42:21 > 0:42:26- Yeah.- Yes.- But she was just saying her name was Tracey with an E.

0:42:26 > 0:42:28Basically, she's an idiot, but erm...

0:42:30 > 0:42:34No-one thought that was her name, we all knew it was Tracey with an E.

0:42:34 > 0:42:36- Shall we have one more? - AUDIENCE: Yeah!

0:42:36 > 0:42:39- OK, on more, one more, one more. Hello.- Hello, there.

0:42:39 > 0:42:42Firstly, Graham, I hurt my back, so even if my story's rubbish,

0:42:42 > 0:42:44you can't flip the chair, I'm sorry.

0:42:44 > 0:42:46Oh, yeah? No, no, don't!

0:42:46 > 0:42:48Well, bugger you! I don't think you can say that.

0:42:48 > 0:42:52- Well, she's got a bad back. I can't flip her.- Health and safety.

0:42:52 > 0:42:55- Health and safety.- Well, then she shouldn't be in the chair.

0:42:55 > 0:42:57LAUGHTER AND APPLAUSE

0:42:57 > 0:42:59APPLAUSE DROWNS OUT SPEECH

0:43:01 > 0:43:03I'm better than you.

0:43:03 > 0:43:07- What do we do? What do we do?- It's a conundrum.- Where is she?

0:43:07 > 0:43:09We're saying you can walk. You can walk.

0:43:09 > 0:43:12- Oh, you don't want to hear my story? - No.

0:43:12 > 0:43:13Be gone.

0:43:19 > 0:43:23- Miriam, you know what...- That was you.- That was you but also...

0:43:24 > 0:43:27- She wasn't fit for purpose.- Exactly.

0:43:29 > 0:43:30Well done, everyone.

0:43:30 > 0:43:33If you'd like to join us on the show and have a go in the big red chair,

0:43:33 > 0:43:37you can just contact us on our website at this very address.

0:43:37 > 0:43:39Ladies and gentleman, thank you so much to my guests tonight,

0:43:39 > 0:43:41Miriam Margolyes!

0:43:43 > 0:43:46Dominic Cooper!

0:43:46 > 0:43:48And Lily Allen!

0:43:48 > 0:43:51Join me next week with heartthrob actor Jamie Doyle

0:43:51 > 0:43:55and Breaking Bad star Aaron Paul and TV legends, Ant and Dec!

0:43:55 > 0:43:57I'll see you then. Goodnight and goodbye!