0:00:02 > 0:00:04On the show tonight, one of Britain's favourite double acts.
0:00:04 > 0:00:08- Being in a double act would be fun, wouldn't it, Graham? - Yes, Graham, it would!
0:00:08 > 0:00:11- Looking good, by the way. - Thanks, right back at you.
0:00:11 > 0:00:12LAUGHTER
0:00:12 > 0:00:16- Just one thing, which of us would be the straight man?- Oh...
0:00:16 > 0:00:18Let's start the show!
0:00:18 > 0:00:20APPLAUSE
0:00:33 > 0:00:35CHEERING
0:00:35 > 0:00:37Hello!
0:00:37 > 0:00:39Hello, you! Hello, hello!
0:00:39 > 0:00:41Hello, everybody. Hi, hi, hi!
0:00:41 > 0:00:45Welcome all! We've got a great line-up for you tonight!
0:00:45 > 0:00:49Entertainment superstars, Ant and Dec are here!
0:00:49 > 0:00:51CHEERING AND APPLAUSE
0:00:51 > 0:00:53I know!
0:00:53 > 0:00:57Heart-throb star of The Fall, Jamie Dornan is on the show!
0:00:57 > 0:00:59CHEERING AND APPLAUSE
0:00:59 > 0:01:04From the global TV phenomenon Breaking Bad Aaron Paul is here!
0:01:04 > 0:01:05CHEERING AND APPLAUSE
0:01:05 > 0:01:07Yeah!
0:01:08 > 0:01:12Joining us later, the most super of all the models,
0:01:12 > 0:01:14Naomi Campbell is on the show!
0:01:14 > 0:01:15CHEERING AND APPLAUSE
0:01:15 > 0:01:17Yeah!
0:01:17 > 0:01:21Plus, we've got music from the wonderful Ellie Goulding, everybody!
0:01:21 > 0:01:23CHEERING AND APPLAUSE
0:01:23 > 0:01:25Yeah, yeah!
0:01:27 > 0:01:29Ah, Naomi Campbell...
0:01:29 > 0:01:32Very excited...still hugely in demand as a model.
0:01:32 > 0:01:35Here she is at a Victoria Secret show.
0:01:35 > 0:01:38- HE GASPS - Oh, sexy, I know. She looks amazing!
0:01:38 > 0:01:40But, you've got to be careful modelling lingerie
0:01:40 > 0:01:43because you can get it wrong.
0:01:43 > 0:01:45LAUGHTER
0:01:46 > 0:01:49There must be a story there, somehow.
0:01:49 > 0:01:52Yes, Ant and Dec have so much to chat about with Naomi
0:01:52 > 0:01:54because they too are fashion icons.
0:01:54 > 0:01:55Yeah...
0:01:55 > 0:01:56LAUGHTER
0:01:56 > 0:01:59That sort of look never goes out of style.
0:01:59 > 0:02:01Yeah, cos it was never in style.
0:02:01 > 0:02:03LAUGHTER
0:02:03 > 0:02:05Also, big friends of Simon Cowell.
0:02:05 > 0:02:08Yeah, in fact, they were even at the birth of Simon's baby.
0:02:08 > 0:02:10LAUGHTER
0:02:13 > 0:02:15APPLAUSE
0:02:18 > 0:02:20Ant and Dec are so successful,
0:02:20 > 0:02:24they've won the National Television Award for Best Entertainment Presenters
0:02:24 > 0:02:2713 times in a row, ladies and gentlemen! Yeah!
0:02:27 > 0:02:29APPLAUSE
0:02:29 > 0:02:32That's them winning this year.
0:02:32 > 0:02:35You do wonder if the people who lose manage to keep a convincing
0:02:35 > 0:02:37smile on their face.
0:02:37 > 0:02:39LAUGHTER
0:02:39 > 0:02:41Not really.
0:02:41 > 0:02:43LAUGHTER
0:02:43 > 0:02:45So pleased to welcome Aaron Paul to the show.
0:02:45 > 0:02:47Aaron, of course, known to most people as
0:02:47 > 0:02:49Jesse Pinkman in Breaking Bad.
0:02:49 > 0:02:51All about a teacher who starts producing
0:02:51 > 0:02:54and selling crystal meth, in order to support his family.
0:02:54 > 0:02:57Now, they made the drugs in a kitchen, they did.
0:02:57 > 0:03:01In the kitchen! And to be honest, I'd be worried about my dogs.
0:03:01 > 0:03:02I would, you know.
0:03:02 > 0:03:04I mean, I don't know, would you be able to tell
0:03:04 > 0:03:07if your dog had inhaled crystal meth fumes?
0:03:07 > 0:03:08LAUGHTER
0:03:08 > 0:03:10Yes, you would.
0:03:10 > 0:03:12Let's get some guests on!
0:03:12 > 0:03:13CHEERING AND APPLAUSE
0:03:13 > 0:03:15Later, we'll be chatting to supermodel Naomi Campbell
0:03:15 > 0:03:18and having music from Ellie Goulding...but first,
0:03:18 > 0:03:21he's a genuine class A guest, it's Aaron Paul!
0:03:21 > 0:03:23CHEERING AND APPLAUSE
0:03:23 > 0:03:26Wow! Hello, sir.
0:03:26 > 0:03:28- Hi!- It's so nice to meet you.
0:03:28 > 0:03:30And you. Come in and sit down.
0:03:30 > 0:03:32Aaron Paul!
0:03:32 > 0:03:34You're going to fall for him, it's Jamie Dornan!
0:03:34 > 0:03:37CHEERING AND APPLAUSE
0:03:37 > 0:03:39Hello, sir, nice to meet you.
0:03:39 > 0:03:40Come in, sit down.
0:03:40 > 0:03:42Jamie, Aaron, Aaron, Jamie.
0:03:42 > 0:03:45And they're celebrities, get them out of here, it's Ant and Dec!
0:03:45 > 0:03:48CHEERING AND APPLAUSE
0:03:50 > 0:03:53How are you? How are you? OK, good.
0:03:53 > 0:03:55Come in and sit down.
0:03:58 > 0:04:00CHEERING
0:04:04 > 0:04:07- Nice.- I like that, lots of girls screaming and boys going,
0:04:07 > 0:04:09- "Yeah, it's all right." - LAUGHTER
0:04:09 > 0:04:10It's a sausage fest tonight!
0:04:10 > 0:04:13Oh, I tell you.
0:04:13 > 0:04:15All right.
0:04:15 > 0:04:17Naomi Campbell will be here later.
0:04:17 > 0:04:20Yes, she will...well, I say she will, I'm sure she will.
0:04:20 > 0:04:22She will be here! She will be here!
0:04:22 > 0:04:25And by the way, I feel, if you want to mix it up, you don't
0:04:25 > 0:04:28have to...do you always have to...or do you have to?
0:04:28 > 0:04:30Oh, what, sit this way?
0:04:30 > 0:04:31We kind of do cos if we don't, then people go,
0:04:31 > 0:04:35"I saw you and you weren't sitting the right way around..." People remark on it, so we do it.
0:04:35 > 0:04:38In restaurants and taxis, do you do it like this?
0:04:38 > 0:04:40It ends up being like this, yeah.
0:04:40 > 0:04:42Not consciously but we always end up sitting like this.
0:04:42 > 0:04:45- Yeah, we do, yeah.- We sat like this in the car on the way here.
0:04:45 > 0:04:46We're like this in bed. I'm on this side...
0:04:46 > 0:04:48LAUGHTER
0:04:48 > 0:04:50You just get used to it.
0:04:50 > 0:04:53Is that true that you do have a side of the bed. I mean, not with each other but...
0:04:53 > 0:04:55LAUGHTER
0:04:55 > 0:04:56Thinking about it...yeah.
0:04:56 > 0:04:59- I sleep on my side.- And I sleep on, yeah...- On your side.
0:04:59 > 0:05:00Yeah, yeah, I sleep on my side.
0:05:00 > 0:05:02Oh, so in bed you're on the same side?
0:05:02 > 0:05:05- No, no, in bed we're on...- This side.- Like this, exactly like this.
0:05:05 > 0:05:07Oh, that's weird.
0:05:07 > 0:05:09Aaron and I share a bed as well.
0:05:09 > 0:05:10LAUGHTER
0:05:10 > 0:05:12It's beautiful, it's beautiful.
0:05:12 > 0:05:15Now, Jamie Dornan, I was expecting more of a beard.
0:05:15 > 0:05:17- I'm working on it, yeah. - LAUGHTER
0:05:17 > 0:05:18You need to work harder, I think,
0:05:18 > 0:05:21cos The Fall starts really soon, doesn't it?
0:05:21 > 0:05:23I start filming next week but I've just come off something else,
0:05:23 > 0:05:25so I have two weeks to grow a beard.
0:05:25 > 0:05:27So, I'm...
0:05:27 > 0:05:28HE GROANS
0:05:28 > 0:05:30LAUGHTER
0:05:30 > 0:05:31I've tried that and it doesn't work!
0:05:31 > 0:05:33I have tried it.
0:05:33 > 0:05:34Like Play-Doh hair.
0:05:35 > 0:05:37LAUGHTER
0:05:39 > 0:05:42And, Aaron Paul, I saw you last night at the screening
0:05:42 > 0:05:45of Need For Speed but even there you could not resist
0:05:45 > 0:05:48doing your Breaking Bad catch phrase.
0:05:48 > 0:05:50It's true, you know, I'm just giving what people want.
0:05:50 > 0:05:52LAUGHTER
0:05:52 > 0:05:53- You know.- Yeah.
0:05:53 > 0:05:56I get called "bitch" every day.
0:05:56 > 0:05:57LAUGHTER
0:05:57 > 0:06:00All day long and so, you know, I just threw it out there.
0:06:00 > 0:06:02And is it true the thing about people coming up
0:06:02 > 0:06:04and asking you to say it to their wives and things?
0:06:04 > 0:06:07Oh, yeah! I mean, a grandmother came up to me and she had to be pushing,
0:06:07 > 0:06:11I mean, past 90 easily and she asked me to call her a bitch.
0:06:11 > 0:06:12LAUGHTER
0:06:12 > 0:06:14So, I did. I felt very...
0:06:14 > 0:06:15LAUGHTER
0:06:15 > 0:06:18I felt like I was doing something incredibly wrong but, erm...
0:06:18 > 0:06:20- But it felt so right. - But it felt so right.
0:06:20 > 0:06:22LAUGHTER
0:06:24 > 0:06:25APPLAUSE
0:06:29 > 0:06:32I would urge you not to say it when Naomi's here.
0:06:32 > 0:06:33OK, no, I won't.
0:06:33 > 0:06:34LAUGHTER
0:06:34 > 0:06:36- It won't end well. - No, no, no, no.
0:06:36 > 0:06:38It won't end well, don't do it, don't do it.
0:06:38 > 0:06:41Now, Ant and Dec, as you all know, back on our screens,
0:06:41 > 0:06:42Saturday Night Takeaway.
0:06:42 > 0:06:45- Mhm.- And you're taking Takeaway on the road.
0:06:45 > 0:06:49- Yeah.- All around the UK. It's crazy, 33 dates.
0:06:49 > 0:06:51Yeah, we're going all around the UK, taking it to arenas
0:06:51 > 0:06:53and taking... Saturday Night Takeaway, for us,
0:06:53 > 0:06:55is the show that people stop us on the street and go,
0:06:55 > 0:06:57"Oh, I'd love to be in the audience for that."
0:06:57 > 0:06:59So, we came up with the idea...
0:06:59 > 0:07:02we can only fit a couple of hundred people in, why don't we take it to arenas.
0:07:02 > 0:07:05Take it around the country, so anybody can come along, every show will be different.
0:07:05 > 0:07:07Erm, we'll do hits on the audience,
0:07:07 > 0:07:09get people to set each other up in the arena.
0:07:09 > 0:07:11And we do all the elements that are in the show,
0:07:11 > 0:07:13so we'll do Ant versus Dec and stuff, so it's
0:07:13 > 0:07:16basically like coming to watch the TV show but an arena version.
0:07:16 > 0:07:20Now, the thing is, you're Ant and Dec now, you're huge stars.
0:07:20 > 0:07:21LAUGHTER
0:07:21 > 0:07:22You know what I mean.
0:07:22 > 0:07:25I'm sensing, in this tour there might be a helicopter.
0:07:25 > 0:07:27You know, it'll be very nice.
0:07:27 > 0:07:28It'll be better than when we used to tour
0:07:28 > 0:07:31when we were in the music business, yeah, yeah.
0:07:31 > 0:07:34- It won't be Travelodges and...- Ginsters pasties.
0:07:34 > 0:07:37- Yeah, there were a lot of pasties, wasn't there?- A lot of pasties.
0:07:37 > 0:07:40Jamie, do you remember PJ and Duncan?
0:07:40 > 0:07:43I wasn't...I was doing that face with the Ginsters...it
0:07:43 > 0:07:46wasn't like PJ and Duncan.
0:07:46 > 0:07:47LAUGHTER
0:07:47 > 0:07:49Let's not talk about all that.
0:07:49 > 0:07:51I forgot they were PJ and Duncan. I'm sorry I said yes now.
0:07:51 > 0:07:54LAUGHTER
0:07:54 > 0:07:57- They were a pop duo, Aaron.- That's fantastic!
0:07:57 > 0:07:59Don't concern yourself with it too much.
0:07:59 > 0:08:02- I want to hear some stuff. - No, you wouldn't.- No, you won't.
0:08:02 > 0:08:05LAUGHTER
0:08:05 > 0:08:07Goodness, gracious!
0:08:07 > 0:08:09- That is beautiful. - Oh, God, that hair!
0:08:09 > 0:08:10That hair is amazing.
0:08:10 > 0:08:13- I think it's amazing.- There can't have been a stylist involved!
0:08:13 > 0:08:15LAUGHTER
0:08:15 > 0:08:17That must be - hair, model's own.
0:08:17 > 0:08:21I remember, at the time, going back to Newcastle and me mam going, "Your hair looks stupid!
0:08:21 > 0:08:24"What you playing at?" And I was thinking, "Oh, she doesn't know."
0:08:24 > 0:08:27And now you look at that picture...Mam, you were right all along, I'm sorry.
0:08:27 > 0:08:32It looks like the same hair as the girl from Aqua, remember Aqua?
0:08:32 > 0:08:34- Oh, yes.- And Barbie Girl, remember her?- Yes, yes.
0:08:34 > 0:08:36She had that exact horrible hair.
0:08:36 > 0:08:39Wow, what a very uncool reference, Jamie.
0:08:39 > 0:08:40LAUGHTER
0:08:42 > 0:08:44AARON: I appreciated it.
0:08:44 > 0:08:46APPLAUSE
0:08:49 > 0:08:52Yes, he's now looking for allies, "You remember them, right?"
0:08:52 > 0:08:53LAUGHTER
0:08:53 > 0:08:55It wasn't Aqua, it wasn't Aqua, it was some other one.
0:08:55 > 0:08:57- "Some indie-punk thing, yeah." - LAUGHTER
0:08:57 > 0:08:58"I got confused."
0:08:58 > 0:09:02Anyway, it's all behind you now cos Takeaway's going from strength to strength.
0:09:02 > 0:09:05And continues at seven o'clock on Saturday.
0:09:05 > 0:09:08- And you're doing your undercover things again.- Yeah.
0:09:08 > 0:09:12- I think we've got a clip from tomorrow night's show.- Oh, great.
0:09:12 > 0:09:16- Brilliant.- And this is the two of you with Gordon Ramsay.
0:09:16 > 0:09:19It doesn't need any other set-up, does it?
0:09:19 > 0:09:22Well, yeah, just disguised as handymen...inept handymen.
0:09:22 > 0:09:26To, kind of, ruin his day on the set of MasterChef US.
0:09:26 > 0:09:28Buenos dias, Senor Ramsay.
0:09:28 > 0:09:30Yeah, can we just open the door, please, bud.
0:09:30 > 0:09:32Have you seen my son?
0:09:32 > 0:09:34Yes, he's in here.
0:09:34 > 0:09:38- Ah, I need the key to the van for a tool.- Oh, this is a joke!
0:09:38 > 0:09:41Will you ask my son for the key to the van.
0:09:41 > 0:09:43Yeah, here you go.
0:09:43 > 0:09:47- Are these the keys to the van? - Don't...mate, I don't know.
0:09:47 > 0:09:49Could you speak to my son?
0:09:49 > 0:09:50- Yeah.- Yes, please.
0:09:50 > 0:09:56- This is crazy! Young man?- Hello. - What are you doing in there?
0:09:56 > 0:09:57Erm...
0:09:57 > 0:09:58LAUGHTER
0:09:58 > 0:10:01I've got a pretty bad stomach.
0:10:01 > 0:10:03You've got a bad stomach?
0:10:03 > 0:10:06I think I have food poisoning.
0:10:06 > 0:10:07Oh, man!
0:10:09 > 0:10:10LAUGHTER AND APPLAUSE
0:10:13 > 0:10:18So, we basically, we've locked him in his...he's on his lunch hour,
0:10:18 > 0:10:21we've locked him in his dressing room, from the outside
0:10:21 > 0:10:23and I'm locked in his toilet,
0:10:23 > 0:10:25doing a doo.
0:10:25 > 0:10:28And he can't get out, so there's somebody, me,
0:10:28 > 0:10:31in his bathroom, he can't get out, erm, and then, eventually,
0:10:31 > 0:10:34we have to kind of axe the door down and he, I mean,
0:10:34 > 0:10:37the bleepometor, the bleep machine goes into overdrive.
0:10:37 > 0:10:38LAUGHTER
0:10:38 > 0:10:41The whole clip is still with the lawyers now, so we need to work
0:10:41 > 0:10:44out how many bleeps we can show on tomorrow night's show.
0:10:44 > 0:10:46- He loses it completely.- Oh, OK.
0:10:46 > 0:10:48It's brilliant!
0:10:48 > 0:10:49LAUGHTER
0:10:49 > 0:10:51You always give good prizes on the show.
0:10:51 > 0:10:54But, Aaron Paul, you must be so bored of this.
0:10:54 > 0:10:55My advice to you is to buy this footage,
0:10:55 > 0:11:00so it never gets seen again. Cos, have you seen it? You must have seen this footage umpteen times!
0:11:00 > 0:11:02What, what footage? LAUGHTER
0:11:02 > 0:11:04- Oh, you do know.- Oh, I think I know what you're talking about.
0:11:04 > 0:11:07Yeah, get ready if you haven't seen it because it's fascinating.
0:11:07 > 0:11:11Well, we haven't seen it. I'm sure it's been shown a lot in the States.
0:11:11 > 0:11:12I hadn't seen it before.
0:11:12 > 0:11:15- Right, this is a very young Aaron Paul...- Yeah.
0:11:15 > 0:11:20- ..on The Price is Right.- Some of my finest work, my finest.
0:11:20 > 0:11:22This is real, this is real.
0:11:22 > 0:11:25Who's our next player? See what we can do for Aaron Sturtevant.
0:11:25 > 0:11:27Come on down!
0:11:28 > 0:11:31Aaron, you're the next contestant on The Price is Right!
0:11:31 > 0:11:34Wait for it, wait for it!
0:11:34 > 0:11:36CHEERING
0:11:38 > 0:11:41Look at the CBS bumper sticker on my back.
0:11:41 > 0:11:43You're the man, Bob!
0:11:43 > 0:11:46You're the man!
0:11:46 > 0:11:49Amazing!
0:11:49 > 0:11:51APPLAUSE
0:11:52 > 0:11:54Thank you, thank you.
0:11:56 > 0:11:58- I'm going to finish my drink now. - We know you're a very good actor.
0:11:58 > 0:12:01I mean, were you...you can't have been that excited?
0:12:01 > 0:12:05Erm, you know what? That was actually a full blown character.
0:12:05 > 0:12:08I was honestly, I was on six or seven cans of Red Bull.
0:12:08 > 0:12:10I mean, it looks like I was on some serious drugs there
0:12:10 > 0:12:12but it was just Red Bull.
0:12:12 > 0:12:15Erm, I could not sit still but I knew they wanted,
0:12:15 > 0:12:19I knew they would pick people with high energy and they interview you
0:12:19 > 0:12:24before you get into the audience and so, I was out of my mind...clearly!
0:12:24 > 0:12:26LAUGHTER
0:12:26 > 0:12:29- Erm, and yeah, so they picked me. - And that's him being picked.
0:12:29 > 0:12:33Here he is, will he win something? Here we go!
0:12:35 > 0:12:37An elegant flattop desk.
0:12:37 > 0:12:38CHEERING
0:12:40 > 0:12:42Aaron, what do you bid on that?
0:12:42 > 0:12:43HE SCREAMS: 1,200 bucks!
0:12:43 > 0:12:48Actual retail price, 1797!
0:12:49 > 0:12:51CHEERING
0:12:53 > 0:12:55Did you get the desk?
0:12:55 > 0:12:56APPLAUSE
0:12:56 > 0:12:59- You got the desk? - They gave me the desk.
0:13:00 > 0:13:03- They gave me the desk.- And was that it? You got a flattop desk?
0:13:03 > 0:13:06Erm, that's actually all I won on the show.
0:13:06 > 0:13:07LAUGHTER
0:13:07 > 0:13:10And that thing was so unbelievably heavy!
0:13:10 > 0:13:11LAUGHTER
0:13:11 > 0:13:13Yeah, it's pretty exciting.
0:13:13 > 0:13:17Now, Jamie Dornan, you're here to talk about your new Channel 4 show.
0:13:17 > 0:13:19Before we get to that, we just want to quickly mention,
0:13:19 > 0:13:24cos you've been in many of the papers, erm, 50 Shades of Grey.
0:13:24 > 0:13:26Now, when is that...it comes out next year?
0:13:26 > 0:13:27CHEERING
0:13:27 > 0:13:29See, already, they're whooping and cheering!
0:13:29 > 0:13:33Those three bums on seats up there.
0:13:33 > 0:13:35Is that going to change your life?
0:13:36 > 0:13:38I've no idea, no idea.
0:13:38 > 0:13:41It's very hard to imagine or prepare...
0:13:41 > 0:13:44But the buzz about it is, you know, you must have noticed,
0:13:44 > 0:13:46there's a lot of interest in that movie?
0:13:46 > 0:13:49Yeah...I mean, look, we're in a very powerful position,
0:13:49 > 0:13:52like, 90 plus million people have read the book,
0:13:52 > 0:13:59so you know, if a third of that....a hundredth of those people,
0:13:59 > 0:14:01that's successful if they see the film.
0:14:01 > 0:14:03So, it's a nice position to be in
0:14:03 > 0:14:05but I've no idea what it's going to do.
0:14:05 > 0:14:08- It's out next year?- It's out on Valentine's Day next year, yeah.
0:14:08 > 0:14:10LAUGHTER
0:14:10 > 0:14:13- Yeah.- Oh, yeah...- That's perfect.
0:14:13 > 0:14:15Can you imagine, "Oh, you're a 50 Shades of Grey baby."
0:14:15 > 0:14:17LAUGHTER
0:14:19 > 0:14:21When were you born? Oh...
0:14:21 > 0:14:23LAUGHTER
0:14:23 > 0:14:24I get it.
0:14:24 > 0:14:26The weird thing is, in terms of changing your life,
0:14:26 > 0:14:28it did change your life physically?
0:14:28 > 0:14:30Did it? Yes, it did, I know what you mean, yes.
0:14:30 > 0:14:32It isn't as creepy as it sounds.
0:14:32 > 0:14:33LAUGHTER
0:14:33 > 0:14:35Erm, yeah, OK, right.
0:14:35 > 0:14:41So, look...bascially, I have always had a complex with the way I walk.
0:14:41 > 0:14:43Erm, and I've always been told,
0:14:43 > 0:14:47throughout every point of my life, that I've...not always been
0:14:47 > 0:14:50told that I've got a bad walk but somebody's commented on my walk.
0:14:50 > 0:14:53It's always been like, "Oh, right, that's the way you walk?"
0:14:53 > 0:14:56LAUGHTER
0:14:56 > 0:14:57That's how you walk, OK.
0:14:57 > 0:14:59Is that you walking?
0:14:59 > 0:15:00From school, also...
0:15:00 > 0:15:02LAUGHTER
0:15:02 > 0:15:04- FROM THE AUDIENCE:- Show us your walk!
0:15:04 > 0:15:05Back off.
0:15:05 > 0:15:07We might go there, we might go there.
0:15:07 > 0:15:09Erm, yeah, so I remember a mate of mine
0:15:09 > 0:15:14at school said cos I've...this won't happen
0:15:14 > 0:15:17but I've quite pronounced calf muscles, erm,
0:15:17 > 0:15:20I always thought it was a hereditary thing but I remember my mate,
0:15:20 > 0:15:24once we were talking about it...we didn't just sit around and talk about that all day.
0:15:24 > 0:15:25LAUGHTER
0:15:25 > 0:15:28- You've got beautiful calves, Jamie!- Oh, amazing!
0:15:28 > 0:15:32We have great nights just staring at them, drinking.
0:15:32 > 0:15:35Erm, and he said, "You know why you have big calves?"
0:15:35 > 0:15:38I said, "No, I think it's cos my dad does, it's hereditary."
0:15:38 > 0:15:40He said, "No, no, it's cos you walk on your tiptoes."
0:15:40 > 0:15:42So, I was like, is that a weird thing?
0:15:42 > 0:15:44Anyway, a couple of jobs I've done,
0:15:44 > 0:15:46the first day that we did The Fall and I had to walk
0:15:46 > 0:15:49and the director, the producer, writer, Allan Cubitt came up
0:15:49 > 0:15:53and said, "Is that a character thing or..."
0:15:53 > 0:15:54LAUGHTER
0:15:54 > 0:15:56"..or is that your walk?"
0:15:56 > 0:15:59I was like, "Uh-oh." I could try and be clever my way out of it
0:15:59 > 0:16:01but then I thought, that is how I walk.
0:16:01 > 0:16:03So, we started working on things
0:16:03 > 0:16:07and he started talking about why don't you, maybe, take longer strides.
0:16:07 > 0:16:09LAUGHTER
0:16:09 > 0:16:13Erm, honestly, so then my wife and I would walk around where we live in
0:16:13 > 0:16:18London and cos I'm on my tiptoes
0:16:18 > 0:16:21I'm quite high, I'm quite bouncy.
0:16:21 > 0:16:24So, my wife said, "Why don't you try leaning back?"
0:16:24 > 0:16:27Right, honestly, so I'm literally walking...we'd go out for walks,
0:16:27 > 0:16:31erm, and I'd literally...I'll show you my old walk, right.
0:16:31 > 0:16:32Here's the old walk.
0:16:32 > 0:16:34Oh, I'm so excited!
0:16:34 > 0:16:35Don't get that excited.
0:16:35 > 0:16:36LAUGHTER
0:16:36 > 0:16:39This is my old walk. I'm so out of sync now.
0:16:39 > 0:16:40I'll do it, this is my old walk.
0:16:43 > 0:16:48Right...and this is the walk we tried, right, with my wife.
0:16:48 > 0:16:50LAUGHTER
0:16:50 > 0:16:53Remember those commercials for Mr Soft?
0:16:53 > 0:16:56LAUGHTER
0:16:57 > 0:16:59APPLAUSE
0:17:01 > 0:17:05And then...this is what we settled on
0:17:05 > 0:17:07and I'll tell you how we got there.
0:17:07 > 0:17:09Oh, shit, I can't...
0:17:09 > 0:17:11LAUGHTER
0:17:11 > 0:17:15Then my new one, you'll see my new one, it's fine.
0:17:15 > 0:17:17LAUGHTER AND APPLAUSE
0:17:20 > 0:17:22How did you get to the new one?
0:17:22 > 0:17:27OK, so, how I got there was I have to dance...just a little
0:17:27 > 0:17:30bit of dancing in 50 Shades of Grey and I can't dance at all.
0:17:30 > 0:17:33They asked me if I can dance and I was like,
0:17:33 > 0:17:35- "Yeah, I dance all the time..." - LAUGHTER
0:17:35 > 0:17:36I can't dance.
0:17:36 > 0:17:38So, I had dance lessons and it was like foxtrot
0:17:38 > 0:17:40and it was very classic.
0:17:40 > 0:17:43The dance teacher, I was really struggling with it
0:17:43 > 0:17:45and the dance teacher said, "You know what you need to do.
0:17:45 > 0:17:48"Just think about it as walking." I was like, "Oh, dear!"
0:17:48 > 0:17:50LAUGHTER
0:17:53 > 0:17:56I was like, "I'm 31 years old, literally,
0:17:56 > 0:17:59"the first thing you do in life is to walk."
0:17:59 > 0:18:02I was like, "It's funny, I'm not a great walker."
0:18:02 > 0:18:03LAUGHTER
0:18:03 > 0:18:08An he said, "Just think when you walk, heel-to-toe, heel-to-toe."
0:18:08 > 0:18:10And I was like, "Heel-to-toe?"
0:18:10 > 0:18:12LAUGHTER
0:18:12 > 0:18:13No-one ever told me that!
0:18:13 > 0:18:14LAUGHTER
0:18:14 > 0:18:16I literally went toe to more toe!
0:18:16 > 0:18:18LAUGHTER
0:18:18 > 0:18:19I didn't know.
0:18:19 > 0:18:22So, now I just apply that every day when I'm walking around.
0:18:22 > 0:18:24APPLAUSE
0:18:28 > 0:18:30Yeah, thank you.
0:18:30 > 0:18:34So, now tell us, in your latest TV drama on Channel 4,
0:18:34 > 0:18:39New Worlds, will this be the last outing of your old walk?
0:18:39 > 0:18:40LAUGHTER
0:18:40 > 0:18:45OK, so what's brilliant about this is I pretty much run everywhere.
0:18:45 > 0:18:46LAUGHTER
0:18:46 > 0:18:51- Oh!- I've got a decent run.- Is that you running?- I've got a decent run.
0:18:51 > 0:18:53- Oh, that's running?- Yeah.
0:18:53 > 0:18:54LAUGHTER
0:18:54 > 0:18:57If I run...I try to run as much as I can...
0:18:57 > 0:18:59LAUGHTER
0:18:59 > 0:19:03I'm like, "Why don't we try this scene with me sprinting around?"
0:19:03 > 0:19:06It's like, when you're really sad in the scene and I'm like,
0:19:06 > 0:19:09- "I'll just sprint over there." - LAUGHTER
0:19:09 > 0:19:12- And then I cry.- Does that mean you're early for everything?
0:19:12 > 0:19:15But New Worlds is on Channel 4, when does it start?
0:19:15 > 0:19:17I think, sometime towards the end of March.
0:19:17 > 0:19:19Towards the end of March and it's, sort of,
0:19:19 > 0:19:21a sequel to The Devil's Whore, is that right?
0:19:21 > 0:19:24Yeah, they're a bit reluctant to call it a sequel to Devil's Whore
0:19:24 > 0:19:25but you've already done that, so...
0:19:25 > 0:19:27LAUGHTER
0:19:27 > 0:19:30I will go with that. I see it as a sequel to Devil's Whore, which I loved!
0:19:30 > 0:19:35OK, and it's a world...it's got, new world refers to America,
0:19:35 > 0:19:37- settlers in America.- Yeah.
0:19:37 > 0:19:39But also the change of order in Britain, as well.
0:19:39 > 0:19:42Yeah, it's like butchering the Native Indians in America and
0:19:42 > 0:19:46that side and making, you know, a new world, a new England over there.
0:19:46 > 0:19:49Then, on my story, I play a character called Abe Goff,
0:19:49 > 0:19:52who is in England and the similar situation in England where
0:19:52 > 0:19:58they're trying to get the tyrannical rule of Charles II
0:19:58 > 0:20:00off the throne and Devil's Whore is about Charles I
0:20:00 > 0:20:03and his beheading and leading up to that.
0:20:03 > 0:20:05This picks it up, I think, 30 years later
0:20:05 > 0:20:09and I'm trying to rally support to fight against Charles II.
0:20:09 > 0:20:15- Well, you're very convincing. This scene is you...- Hope so!
0:20:15 > 0:20:20Well, no, actually, I hope so cos you are wearing a big face mask.
0:20:20 > 0:20:21So, I'm pretty sure it's you.
0:20:21 > 0:20:23It's that one, good, cheers.
0:20:23 > 0:20:25It literally could be anyone.
0:20:25 > 0:20:26LAUGHTER
0:20:26 > 0:20:27It's your eyes.
0:20:27 > 0:20:31- OK, yeah.- It's your eyes, they shine through.- Yeah, yeah. - LAUGHTER
0:20:31 > 0:20:32It's definitely his walk.
0:20:32 > 0:20:34He does walk in the beginning.
0:20:34 > 0:20:36LAUGHTER
0:20:36 > 0:20:38This is the old walk.
0:20:38 > 0:20:42It's the old walk. This is Jamie Dornan doing his old walk.
0:20:42 > 0:20:44We're so excited!
0:20:44 > 0:20:46LAUGHTER
0:20:46 > 0:20:48New Worlds, here we go.
0:20:49 > 0:20:51# What do we fear?
0:20:51 > 0:20:55# The day is ours... #
0:20:55 > 0:20:59Your mistake, sir. The day is ours and so must your jewels be.
0:21:03 > 0:21:06- What?- You shall not touch her.
0:21:06 > 0:21:08Step aside.
0:21:08 > 0:21:10Do you know who I am?
0:21:10 > 0:21:13Yes, I do. How dare you do this!
0:21:13 > 0:21:15We do it not for ourselves.
0:21:17 > 0:21:20It is your birthday, you shall keep your gems.
0:21:24 > 0:21:25And now...
0:21:25 > 0:21:28will you cut my throat?
0:21:28 > 0:21:30APPLAUSE
0:21:30 > 0:21:33Oh, stirring stuff!
0:21:35 > 0:21:39- Now, Aaron Paul, you're here with a brand-new movie!- Yeah!
0:21:39 > 0:21:42A big wired for sound movie.
0:21:42 > 0:21:45Erm, Need for Speed...and it must be nice for you to be in this
0:21:45 > 0:21:47and inhabit a new world because,
0:21:47 > 0:21:50how many years did Breaking Bad go on for, in filming terms?
0:21:50 > 0:21:54Erm, in filming terms, from pilot to end, it was just under seven years.
0:21:54 > 0:21:58So, you know, I was playing a character for a very long time,
0:21:58 > 0:22:02who was just so unbelievably tortured and lonely and sad
0:22:02 > 0:22:06and it was nice to jump from that to...it was incredibly fun to do
0:22:06 > 0:22:08but it was nice to just jump into something that was just
0:22:08 > 0:22:10a little bit lighter and fun.
0:22:10 > 0:22:12Cos people watch Breaking Bad in a very modern way.
0:22:12 > 0:22:14I mean, people did watch it as it went out.
0:22:14 > 0:22:17- Right.- But equally, people have been watching it on Netflix,
0:22:17 > 0:22:19box sets, so you must constantly meet people
0:22:19 > 0:22:21who are in a different bit of your journey.
0:22:21 > 0:22:26Yeah, I meet people on a daily basis that are just now starting the show.
0:22:26 > 0:22:30We had a solid core audience from the very beginning,
0:22:30 > 0:22:33but it was very small, but they were very passionate,
0:22:33 > 0:22:37and that's really why the show stayed on the air.
0:22:37 > 0:22:39And people are obsessed by it as well and they really love it.
0:22:39 > 0:22:42Yeah, they're obsessed by it. You know what?
0:22:42 > 0:22:45It's strange because there's such incredible television coming
0:22:45 > 0:22:46out of the UK,
0:22:46 > 0:22:51but the UK was really one of the only places on the planet that
0:22:51 > 0:22:55Breaking Bad never really found its home, and I didn't really
0:22:55 > 0:22:59understand that, but now finally people are catching on.
0:22:59 > 0:23:02But also, people are gorging themselves on it,
0:23:02 > 0:23:06- because it's all there. Cos where...?- You've just started.
0:23:06 > 0:23:10Yeah, I'm just like, 3 eps in on the first season.
0:23:10 > 0:23:12I haven't watched any and I apologise,
0:23:12 > 0:23:15but the only reason is, when it first started, we've got
0:23:15 > 0:23:17a friend and he said, "You've got to watch this,
0:23:17 > 0:23:19"it's the greatest television show I've ever seen."
0:23:19 > 0:23:21And just to piss him off, I didn't watch it.
0:23:21 > 0:23:25The thing is, we get that all the time. No, I refuse!
0:23:25 > 0:23:29And now I kind of feel like I'm left out of a party that everyone's enjoying.
0:23:29 > 0:23:31- You're the same, aren't you, Jamie?- What?
0:23:31 > 0:23:35No, I was laughing at what Ant said. We have a friend and then didn't...
0:23:35 > 0:23:37Just like, they have one friend...
0:23:40 > 0:23:43We do, we don't need any more than that.
0:23:44 > 0:23:48I had the exact same thing where I was so sick of people talking about
0:23:48 > 0:23:52the finale of Breaking Bad and we had never seen it, my wife and I,
0:23:52 > 0:23:53and then we watched it.
0:23:53 > 0:23:56I just told you, I've got four episodes to go of the whole thing.
0:23:56 > 0:23:59- Ooh!- We watched it all over Christmas, um...
0:23:59 > 0:24:01We had a really exciting Christmas.
0:24:03 > 0:24:07- It was a very heavy, intense Christmas.- Family-friendly Christmas.
0:24:08 > 0:24:11And actually, what's great, the finale really doesn't disappoint it.
0:24:11 > 0:24:15- It ends in such a beautiful, great way.- La, la, la!
0:24:15 > 0:24:17Nothing, nothing from me.
0:24:17 > 0:24:20But, I suppose, in having that character for that many years,
0:24:20 > 0:24:23- you know, it is a dark place to be. - Yeah.
0:24:23 > 0:24:27Was it hard for Aaron Paul to live like that?
0:24:27 > 0:24:31Yeah, the first couple of seasons, I kind of just lived and breathed
0:24:31 > 0:24:36Jesse Pinkman, kind of 24/7, and I learned from Brian Cranston who
0:24:36 > 0:24:42played Walter White, he said, "It's OK to leave that character on set."
0:24:42 > 0:24:44Cos, Jamie Dornan, you did kind of a similar thing with The Fall
0:24:44 > 0:24:49playing a sexy... All day we've been saying sexy serial killer, it's such a... Why is that...?
0:24:52 > 0:24:54You know, he plays the sexy serial killer.
0:24:56 > 0:24:57The hot one you wouldn't mind.
0:25:00 > 0:25:02Don't kill me yet!
0:25:06 > 0:25:09Sorry, but it must be, you know, I read you in interviews
0:25:09 > 0:25:13saying how on set it gets pretty bad.
0:25:13 > 0:25:16Yeah, I mean, it's a brutal headspace to maintain.
0:25:16 > 0:25:18I don't think it's healthy.
0:25:18 > 0:25:21Look, I mean, Jesus, we did five hours in the first series,
0:25:21 > 0:25:24he did seven years, so it's a slightly different thing,
0:25:24 > 0:25:28but I made a point of getting out of that headspace when I could
0:25:28 > 0:25:30and trying to get out of character when I could,
0:25:30 > 0:25:33because you just don't want to take it home.
0:25:33 > 0:25:36I didn't want to take it home. Maybe you would want to take it home...
0:25:38 > 0:25:40You definitely don't want to take it home, sorry.
0:25:40 > 0:25:42You DEFINITELY don't want to take it home.
0:25:42 > 0:25:45But I heard you used to apologise to the actresses after you'd
0:25:45 > 0:25:47- done horrible things to them. - Yeah, yeah.
0:25:49 > 0:25:53Yeah, man, you've literally got some poor, very lovely,
0:25:53 > 0:25:56very naked actress, um...
0:25:56 > 0:25:59And you're literally doing the creepiest things imaginable.
0:25:59 > 0:26:03- And getting paid for it. - And getting paid for it, yeah.
0:26:03 > 0:26:04Yeah, yeah. So...
0:26:09 > 0:26:12See, I take my work home with me, but he's called Dec,
0:26:12 > 0:26:13and he only lives four doors away, so...
0:26:15 > 0:26:20Well, listen, the Need For Speed, it opens on the 12th of March and it's
0:26:20 > 0:26:23based on a... Cos I'm so clueless, is it a video game, computer game?
0:26:23 > 0:26:26- Is that the same thing? - Yeah, it's based on a video game.
0:26:26 > 0:26:28They've made, I think, 18 of them.
0:26:28 > 0:26:29- Yeah, 18 video games.- Wow!
0:26:29 > 0:26:31And when I first saw the script,
0:26:31 > 0:26:37Need For Speed, I was very hesitant to even read the script if I was
0:26:37 > 0:26:40to be honest, but once I started reading it, I loved the story.
0:26:40 > 0:26:43It's such a fun, honest thrill ride
0:26:43 > 0:26:47and the fact that our director wanted to do
0:26:47 > 0:26:53the entire film without CGI or green screen was incredibly brave.
0:26:53 > 0:26:56He wanted to do a throwback to films that really kind of started
0:26:56 > 0:26:59the genre, such as Bullitt and Vanishing Point and those titles.
0:26:59 > 0:27:01There's references to those movies in the movie.
0:27:01 > 0:27:04- Yeah, throughout the entire thing, yeah.- Listen, we've got a clip.
0:27:04 > 0:27:06This is you in action with Imogen Poots.
0:27:06 > 0:27:08Does it need more set-up than that, or...?
0:27:08 > 0:27:12Um, no, it's actually my character's trying to scare her
0:27:12 > 0:27:14out of the car cos I just don't want her to be there,
0:27:14 > 0:27:16so, yeah, that's pretty much it.
0:27:16 > 0:27:18TYRES SCREECH
0:27:19 > 0:27:20HORN BLARES
0:27:20 > 0:27:22- You see the bus, right?- What's that?
0:27:22 > 0:27:23The bus!
0:27:23 > 0:27:25HORN BLARES
0:27:25 > 0:27:26The bus, the bus, the bus!
0:27:26 > 0:27:28Go two, now.
0:27:29 > 0:27:30TYRES SCREECH
0:27:32 > 0:27:36Looks like a scene out of Speed down there. Hard left at three, Keanu.
0:27:37 > 0:27:44- OVER PHONE:- Ha ha ha, my man! You got the skills, boy. You know you bad!
0:27:44 > 0:27:45Know you bad.
0:27:46 > 0:27:48I love that at the end.
0:27:50 > 0:27:52It's a little too late for that.
0:27:53 > 0:27:56After all that, "Well, I'm going to put my seat belt on now.
0:27:56 > 0:27:57"He's clearly crazy."
0:27:59 > 0:28:02Ladies and Gentlemen, I hear the pitter-patter of beautiful feet.
0:28:02 > 0:28:05She approaches, she is nigh, she is the most successful
0:28:05 > 0:28:07supermodel the world has ever seen.
0:28:07 > 0:28:10Ladies and gentlemen, please welcome Naomi Campbell.
0:28:10 > 0:28:13Oh, wow!
0:28:15 > 0:28:16Wow! You look amazing!
0:28:18 > 0:28:20Sit down, sit down.
0:28:22 > 0:28:26Jamie, Aaron, Naomi. Sit down there.
0:28:26 > 0:28:29Supermodel, meet boys. Boys, meet supermodel.
0:28:29 > 0:28:30ALL: Hi!
0:28:30 > 0:28:33I feel like it's a really good edition of Blind Date.
0:28:36 > 0:28:37Question number one...
0:28:38 > 0:28:41- By the way, congratulations. I was at the NTA this year.- Oh, thank you.
0:28:41 > 0:28:45- Thank you very much.- That was fun to see all the soaps.
0:28:45 > 0:28:46I was in heaven.
0:28:46 > 0:28:50- Yeah, it was an amazing night. - And it's your 13th.- 13, yeah.
0:28:50 > 0:28:53- Excuse us, Graham. - Yeah, it was a great night.
0:28:55 > 0:28:58- One of the best nights of my life. - Were you there, Graham?
0:28:58 > 0:29:00- Was he there?- We beat him.
0:29:00 > 0:29:02Aw, Graham!
0:29:07 > 0:29:09Naomi, that was cold.
0:29:11 > 0:29:14You look fabulous! Just amazing. Wonderful!
0:29:14 > 0:29:17- Thank you for being here. - Thank you. Thanks for having me.
0:29:17 > 0:29:20So, a model, now a TV mogul, but you are still doing the catwalk.
0:29:20 > 0:29:21Was it last week you were in Milan?
0:29:21 > 0:29:26- On Sunday. On Sunday, I did the catwalk.- And look at you there!
0:29:26 > 0:29:29- Cowgirl.- Cowgirl, yeah.
0:29:29 > 0:29:32Cos you took a big gap, didn't you, from catwalk?
0:29:32 > 0:29:33And then you sort of came back.
0:29:33 > 0:29:36No, it's not really a gap, I just work for...
0:29:36 > 0:29:40- I can't say what I really want to say now. I just, I just...- Say it, go on.
0:29:40 > 0:29:45- Say it!- No! I just work for the desi...my friends.
0:29:45 > 0:29:49- Oh, you work for people you like. - Yeah, and I do, like, one per season.
0:29:49 > 0:29:53- OK.- One per season, opposed to when I used to do, like, 30 shows in Milan.
0:29:53 > 0:29:55Oh, my God! The airmiles!
0:29:55 > 0:30:00And I do feel for the girls now that do...
0:30:00 > 0:30:02like, you know, the shoes are tough.
0:30:02 > 0:30:05- Really tough. - You never did catwalk, did you?
0:30:05 > 0:30:07I know, it's a stupid question.
0:30:11 > 0:30:13I just thought I'd ask.
0:30:14 > 0:30:15Just thought I'd ask.
0:30:17 > 0:30:18In terms of fashion,
0:30:18 > 0:30:20I know you want to mention the Vogue Festival at the end of March.
0:30:20 > 0:30:23Yeah, I'm going to speak at the Vogue Festival.
0:30:23 > 0:30:26- And tickets for that are online? - They're online, yeah.
0:30:26 > 0:30:30Now, really, we must talk about The Face, cos there's been a
0:30:30 > 0:30:33- lot of press around it, and I know you've seen some of this press. - Oh, yeah.
0:30:33 > 0:30:36- And it's annoyed you.- It really has.
0:30:36 > 0:30:41In fairness, there's a thing in the New York Daily News.
0:30:41 > 0:30:44They've gone all out on it, ladies and gentlemen, all out!
0:30:44 > 0:30:49- Now, they're claiming it all comes from show insiders.- Yeah.
0:30:49 > 0:30:53So, according to this, and I'm only reading it cos it's here,
0:30:53 > 0:30:56- "She's taping her face skin back." - Yeah.
0:30:56 > 0:30:58"And hiding the evidence with her fabulous wigs."
0:30:58 > 0:31:00What does that even mean?
0:31:00 > 0:31:03Well, basically, they've seen tape in my make-up room,
0:31:03 > 0:31:06- so they assume that I'm taping my face.- What does that even mean?
0:31:06 > 0:31:08- Never.- What is taping your face?
0:31:08 > 0:31:11- I'm going to tell you a secret, hold on.- OK, OK.
0:31:11 > 0:31:14The secret is everyone thinks I've had big boobs for many years,
0:31:14 > 0:31:17and have always said, "Oh, we thought they were bigger,"
0:31:17 > 0:31:19when they met me in person. I'm like, "No, they're not."
0:31:19 > 0:31:23Because I tape them. Am I taped now? Yes. That's my secret.
0:31:23 > 0:31:26So, instead of them saying, you know, instead of them saying,
0:31:26 > 0:31:31"Well, maybe...I'm taping my face." I'm not that old.
0:31:31 > 0:31:34You don't know how hard that was for four boys not to go like that...
0:31:36 > 0:31:38- We've all done it. - No, mustn't. Mustn't. Mustn't.
0:31:38 > 0:31:42We've all done a Jennifer Lopez. We've all done it. We all do it.
0:31:42 > 0:31:44We do it...
0:31:44 > 0:31:47I mean, it's like, you know, I don't want to fall out on your show
0:31:47 > 0:31:50and I don't want to embarrass myself, so I tape my boobs.
0:31:50 > 0:31:53OK, that I understand, just.
0:31:54 > 0:31:56If somebody tapes their face, what do they do?
0:31:56 > 0:31:59I have no idea, cos I've never taped my face.
0:32:00 > 0:32:02- Who tapes their face? - To their boobs!
0:32:08 > 0:32:11That sounds like something off your show.
0:32:12 > 0:32:18It says, "You've banned staffers greeting you until you say hi first."
0:32:18 > 0:32:21- Crap.- OK. That's crap.
0:32:21 > 0:32:22Do you...
0:32:22 > 0:32:27OK, when I'm on set as a model, as an executive producer,
0:32:27 > 0:32:30as a mentor, I don't speak.
0:32:30 > 0:32:33I still work with photographers now that I worked with
0:32:33 > 0:32:37since I was 16, 28 years. We can talk all day long.
0:32:37 > 0:32:40For me, in order to have that boundary, cos we've got work to do, I
0:32:40 > 0:32:46don't speak until lunchtime or break time when we're off camera, you know.
0:32:46 > 0:32:48I understand, that's very professional, all I would say
0:32:48 > 0:32:52is if you came on set and went, "Hiya," then you wouldn't get this.
0:32:52 > 0:32:54I say hello to everybody.
0:32:54 > 0:32:58Listen, I'm nice to my sound guy, my lighting guy,
0:32:58 > 0:33:01because I know they can mess me up totally.
0:33:01 > 0:33:02- So, you know...- What's the story?
0:33:02 > 0:33:05Cos there's a whole big thing in here about the judges
0:33:05 > 0:33:07- in the first series...- Yes.
0:33:07 > 0:33:09- ..Coco and Carolina...- Yes.
0:33:09 > 0:33:12- They're not back. - Nothing to do with me.
0:33:12 > 0:33:15- OK.- Nothing to do with me.- It says here it's all to do with you.- No.
0:33:15 > 0:33:17LAUGHTER
0:33:17 > 0:33:19We will change, each season, new mentors.
0:33:19 > 0:33:21I've met you several times over the years
0:33:21 > 0:33:24and you're always lovely, you're always really friendly and charming,
0:33:24 > 0:33:27but you are still...
0:33:27 > 0:33:30You missed one part out, the part of...
0:33:30 > 0:33:31that they say I'm a diva.
0:33:31 > 0:33:33And they said that I do my own make-up,
0:33:33 > 0:33:37but I can tell you, a real diva would never do her own make-up.
0:33:37 > 0:33:40So...that part is also ridiculous.
0:33:40 > 0:33:42APPLAUSE
0:33:42 > 0:33:46I'm not going to go to work... At six in the morning I'm like this...
0:33:46 > 0:33:50and just be like, "Do my make-up..." No way.
0:33:50 > 0:33:53- I'm half dead in the morning. - So...- I'm not a morning person.
0:33:53 > 0:33:55- So you don't do it or you do do it? - I do not do it.
0:33:55 > 0:33:57- I do not.- I do not touch this face.
0:33:57 > 0:33:58How dare you even suggest it!
0:33:58 > 0:34:01I've got great make-up artists and great friends, like family,
0:34:01 > 0:34:03that I love and I trust to sit in a chair.
0:34:03 > 0:34:06All I was going to say was, whenever I meet you,
0:34:06 > 0:34:07you are very friendly and nice.
0:34:07 > 0:34:11But at the time same, there is a kind of intimidating...
0:34:11 > 0:34:12But that's on you. That's not on me.
0:34:12 > 0:34:14It's coming from you though.
0:34:14 > 0:34:17LAUGHTER
0:34:17 > 0:34:19That's coming from you. You feel...
0:34:19 > 0:34:23- I'm just a girl from South London... - Maybe that's it.
0:34:23 > 0:34:26LAUGHTER
0:34:26 > 0:34:28I'm exactly the same.
0:34:28 > 0:34:32That's just it. It's what you think I'm going to be like.
0:34:32 > 0:34:36- How...? When you meet men...- Yes. I have this question all the time.
0:34:36 > 0:34:40Are they intimated by you? How would a man impress you?
0:34:40 > 0:34:41There's four men there.
0:34:41 > 0:34:44The ones who are intimidated by me I'm never going to know.
0:34:44 > 0:34:46I love that.
0:34:46 > 0:34:49I'll never know them and our paths will never pass.
0:34:49 > 0:34:52But what impresses you when you meet a man?
0:34:52 > 0:34:55It's... I don't know. They have to have a great sense of humour.
0:34:55 > 0:34:57They can't take themselves too seriously.
0:34:57 > 0:35:00- Yeah. - LAUGHTER
0:35:00 > 0:35:02Tick. Tick.
0:35:02 > 0:35:04Life is too short and I want to have fun.
0:35:04 > 0:35:07In fairness, in terms of impressing a lady...
0:35:07 > 0:35:09Aaron Paul on the end,
0:35:09 > 0:35:12you did something fabulous to impress your wife.
0:35:12 > 0:35:15- I think you did it to impress your wife.- What did I do?
0:35:16 > 0:35:18The thing with cherries.
0:35:18 > 0:35:20Oh, God! You want to see it?
0:35:20 > 0:35:23- I've got some cherries.- Oh, God. - Have I?
0:35:23 > 0:35:27- There's some. There's some. - No... OK.
0:35:27 > 0:35:30- Come on.- OK, let's do it. - Can you do it?- Yeah.
0:35:30 > 0:35:34- Do it with the pineapple. - LAUGHTER
0:35:34 > 0:35:35Whatever it is.
0:35:35 > 0:35:38You want to do this with me? It's just...
0:35:38 > 0:35:41- Is it hard to do or easy? - It's just... I don't know.
0:35:41 > 0:35:45I never felt it was hard to do. It's just tying a stem...
0:35:45 > 0:35:47with your tongue.
0:35:47 > 0:35:49That sounds difficult. I think you'll be impressed, Naomi.
0:35:49 > 0:35:51Well, well, I...
0:35:54 > 0:35:57LAUGHTER
0:35:57 > 0:35:58Oh, no.
0:36:02 > 0:36:05- AUDIENCE MEMBER:- Woo! - Oh, my... It's a knot!
0:36:05 > 0:36:08- You can see the... Yeah. - Wow!
0:36:08 > 0:36:11Thank you. APPLAUSE
0:36:11 > 0:36:14- It's so impressive, yeah! - It is.- Yeah.
0:36:14 > 0:36:18My wife was quite excited about that. LAUGHTER
0:36:18 > 0:36:22I don't know why, but, yeah. GRAHAM LAUGHS
0:36:22 > 0:36:26- Now tie the banana. - LAUGHTER
0:36:26 > 0:36:28Thank you very much to Naomi and all my guests.
0:36:28 > 0:36:30It's time for music.
0:36:30 > 0:36:33This woman has just won a Brit Award for Best British Female.
0:36:33 > 0:36:37Performing Goodness Gracious, please welcome Ellie Goulding.
0:36:37 > 0:36:39APPLAUSE
0:36:51 > 0:36:55# I lost a signal and put you away
0:36:55 > 0:37:00# Swore upon my sun I'd save you for a rainy day
0:37:00 > 0:37:03# Loosened the noose then let go of the rope
0:37:03 > 0:37:08# I know if it's never coming back it has to go
0:37:08 > 0:37:10# I keep calling your name
0:37:10 > 0:37:12# I keep calling your name
0:37:12 > 0:37:16- # I wanna hold you close - But I never wanna feel ashamed
0:37:16 > 0:37:18# So I keep calling at night
0:37:18 > 0:37:20# I keep calling at night
0:37:20 > 0:37:24- # I wanna hold you close - I just never wanna hold you tight
0:37:24 > 0:37:28# Goodness gracious I can't seem to stop
0:37:28 > 0:37:30# Calling you up
0:37:30 > 0:37:33# Calling you up just to keep crawling to your arms
0:37:34 > 0:37:36# I can't seem to stop
0:37:36 > 0:37:38# Calling you up
0:37:38 > 0:37:45# Calling you up just to keep crawling to your arms
0:37:49 > 0:37:54# I found the weakness and put it to play
0:37:54 > 0:37:58# Swore upon the stars I'd keep you till the night was day
0:37:58 > 0:38:02# Shake my head dizzy so I'll never know
0:38:02 > 0:38:06# You said if you're never coming back you have to go
0:38:06 > 0:38:08# I keep calling your name
0:38:08 > 0:38:11# Keep calling your name
0:38:11 > 0:38:12# I wanna hold you close
0:38:12 > 0:38:14# But I never wanna feel ashamed
0:38:14 > 0:38:17# So I keep calling at night
0:38:17 > 0:38:19# I keep calling at night
0:38:19 > 0:38:20# I wanna hold you close
0:38:20 > 0:38:23# I just never wanna hold you tight
0:38:23 > 0:38:26# Goodness gracious I can't seem to stop
0:38:26 > 0:38:28# Calling you up
0:38:28 > 0:38:32# Calling you up just to keep crawling to your arms
0:38:32 > 0:38:35# I can't seem to stop
0:38:35 > 0:38:37# Calling you up
0:38:37 > 0:38:42# Calling you up just to keep crawling to your arms
0:38:45 > 0:38:50# Calling you up just to keep crawling to your arms
0:38:50 > 0:38:51# Woah
0:38:54 > 0:38:56- # Calling you up - Just to keep crawling to your...
0:38:56 > 0:39:00# Oh, my goodness, here I go again
0:39:00 > 0:39:02# Pulling you back to me
0:39:02 > 0:39:05# Pulling you back into my arms so selfishly
0:39:06 > 0:39:08# I don't think I understand
0:39:08 > 0:39:10# Cos I don't really know myself
0:39:10 > 0:39:12# I keep calling you up
0:39:12 > 0:39:15# Calling you up
0:39:16 > 0:39:18# Calling you up
0:39:18 > 0:39:20# Calling you up
0:39:20 > 0:39:23# Calling you up
0:39:25 > 0:39:30# So I can go
0:39:30 > 0:39:33# Goodness gracious I can't seem to stop
0:39:33 > 0:39:35# Calling you up
0:39:35 > 0:39:39# Calling you up just to keep crawling to your arms
0:39:39 > 0:39:42# I can't seem to stop
0:39:42 > 0:39:43# Calling you up
0:39:43 > 0:39:51# Calling you up just to keep crawling to your arms
0:39:51 > 0:39:58# Calling you up just to keep crawling to your arms
0:40:00 > 0:40:05# Calling you up just to keep crawling to your arms. #
0:40:08 > 0:40:11APPLAUSE
0:40:12 > 0:40:15Ellie Goulding, everybody!
0:40:15 > 0:40:16Beautiful!
0:40:16 > 0:40:19Come and join us. Oh, lovely, lovely, lovely.
0:40:19 > 0:40:21Ellie Goulding!
0:40:21 > 0:40:24- Beautiful job, my dear.- Thank you.
0:40:24 > 0:40:27You sit there beside Aaron. Is there room for everyone?
0:40:27 > 0:40:29ALL TALK OVER EACH OTHER
0:40:29 > 0:40:32All scrunch down. All scrunch down. Very, very, very good.
0:40:32 > 0:40:38And that is the single. That is out now on the album Halcyon Days,
0:40:38 > 0:40:39- which is also out now.- Yes.
0:40:39 > 0:40:42- And listen, congratulations on the Brit Awards.- Thank you.
0:40:42 > 0:40:45- I mean, that was a big deal.- It was.
0:40:45 > 0:40:47I didn't really think I was going to win.
0:40:47 > 0:40:51I genuinely... I know people say that, but I didn't prepare anything.
0:40:51 > 0:40:54And I was really, really nervous. I was shaking.
0:40:54 > 0:40:56Prince...presented it.
0:40:56 > 0:40:58I know. That's like a prize in itself.
0:40:58 > 0:41:01I didn't even know about that, and then he was there and...
0:41:01 > 0:41:04Yeah. It was all very...scary, but...very, very cool.
0:41:04 > 0:41:08Can I just say? It's so nice to have a Brit winner on the couch
0:41:08 > 0:41:11because all evening we've just been looking at Brit nominees.
0:41:11 > 0:41:13LAUGHTER
0:41:14 > 0:41:16Oh, dear.
0:41:16 > 0:41:18APPLAUSE
0:41:18 > 0:41:20What...?
0:41:20 > 0:41:22- When was it? '95?- '95.
0:41:22 > 0:41:25- And what were you nominated for? - Best Newcomer.
0:41:25 > 0:41:28And... And this is good. Who won?
0:41:28 > 0:41:30HE LAUGHS Oasis.
0:41:30 > 0:41:32LAUGHTER
0:41:32 > 0:41:34- Oh, God! It was very close. - Whatever happened to them?
0:41:34 > 0:41:36Very close.
0:41:36 > 0:41:38- LAUGHTER - It was awful.
0:41:38 > 0:41:39Before we go tonight,
0:41:39 > 0:41:43let's see if we can squeeze in a story on the red chair.
0:41:43 > 0:41:45Who is there?
0:41:45 > 0:41:46- Hello.- Hi, Graham.
0:41:46 > 0:41:47- What's your name?- Eleanor.
0:41:47 > 0:41:49Lovely. And what do you do, Eleanor?
0:41:49 > 0:41:51- I'm retired.- Ooh, right.
0:41:51 > 0:41:54- What did you do? - I was a local government officer.
0:41:54 > 0:41:58You've retired now. Just own it with pride. No-one knows what you did.
0:41:58 > 0:42:01You could be responsible for the fortnightly bin collection
0:42:01 > 0:42:03but we don't know.
0:42:04 > 0:42:05You know, you're retired now.
0:42:05 > 0:42:09You got off. You got away with it. Er... OK.
0:42:09 > 0:42:11Off you go. Off you go with your story.
0:42:11 > 0:42:16Summer, 1959, August, it's boiling hot. I'm seven months' pregnant.
0:42:16 > 0:42:18I'm wearing a very diaphanous dress.
0:42:18 > 0:42:21What? What?
0:42:21 > 0:42:23- Diaphanous. Floaty. - I thought it was a design.
0:42:24 > 0:42:27And...because it was so hot and I was at home,
0:42:27 > 0:42:29I didn't wear any knickers.
0:42:29 > 0:42:33- Anyway...- Leave it. Leave it. LAUGHTER
0:42:33 > 0:42:35Leave it. Leave it.
0:42:35 > 0:42:37APPLAUSE
0:42:39 > 0:42:42- Do you want me to carry on? - Carry on. Carry on. Carry on.
0:42:42 > 0:42:43Then what happened?
0:42:43 > 0:42:47During the afternoon I had a terrible thirst
0:42:47 > 0:42:51and I needed to have lemonade, so off I toddled to the local shop,
0:42:51 > 0:42:55bought two great big bottles of lemonade, one under each arm.
0:42:55 > 0:42:57I'm toddling home, happy,
0:42:57 > 0:43:02and a gust of wind blew up and my dress came right up over my face...
0:43:02 > 0:43:05front and back. Commando!
0:43:05 > 0:43:06APPLAUSE
0:43:06 > 0:43:08ALL TALK OVER EACH OTHER
0:43:10 > 0:43:16- Yay! - ALL TALK OVER EACH OTHER
0:43:16 > 0:43:19Jamie was really impressed by that walk. He was like, "Wow!
0:43:19 > 0:43:21"Look at her go."
0:43:21 > 0:43:22Well done, everyone.
0:43:22 > 0:43:25If you'd like to join us on the show and have a go in the red chair,
0:43:25 > 0:43:28you can contact us via our website at this address.
0:43:28 > 0:43:31Thank you so much to my guests tonight.
0:43:31 > 0:43:33- Ellie Goulding! - APPLAUSE
0:43:33 > 0:43:35- Aaron Paul! - APPLAUSE
0:43:35 > 0:43:37- Jamie Dornan! - APPLAUSE
0:43:37 > 0:43:40- Ant and Dec! - APPLAUSE
0:43:40 > 0:43:42- And Naomi Campbell! - APPLAUSE
0:43:44 > 0:43:48We're taking a short break, but we will be back on the fourth of April
0:43:48 > 0:43:51with screen siren Cameron Diaz, Oscar-winning actor Russell Crowe,
0:43:51 > 0:43:53and queen of the disco Kylie Minogue.
0:43:53 > 0:43:55I'll see you then. Good night, everybody. Bye-bye!