:00:10. > :00:12.On tonight's show, we have got Beatlemania!
:00:13. > :00:40.Let's start the show! This is it, ladies and gentlemen!
:00:41. > :00:44.This is it! Hello! Good evening! Oh, what a
:00:45. > :00:50.line-up we have for you tonight. THE most famous pop sunger of all-time,
:00:51. > :01:05.Paul McCartney is here! Can you believe that?
:01:06. > :01:11.Yes, he's going to be here. Als Chris Hemsworth is here. The Oscar
:01:12. > :01:21.winning Natalie Portman is on the show! There's more! Comedy Superstar
:01:22. > :01:32.James Corden is here! And, and, if that wasn't enough,
:01:33. > :01:37.global singing sensation, the beautiful Katy Perry is here! I
:01:38. > :01:42.know! Well, that's all we've got time for,
:01:43. > :01:47.I'll see you next week? ! Can you believe it? The music legend
:01:48. > :01:52.that is Paul McCartney on the show, ladies and gentlemen.
:01:53. > :01:57.The Beatles officially the biggest band of all-time and everywhere they
:01:58. > :02:01.went, there was Beatlemania. Look at them there. The fans even
:02:02. > :02:07.had to be kept behind barriers. Do you know, even nowadays they need
:02:08. > :02:16.barriers toer mad groupies for lands like One Direction. Yeah.
:02:17. > :02:21.Harry, Harry, remember me? ! Of The Beatles had the famous mop top
:02:22. > :02:27.hair styles when they first came out. That hair style's still copied.
:02:28. > :02:33.Here is Natalie Portman. Rihanna and Tiddles.
:02:34. > :02:39.Not amused! But of course they produce some of
:02:40. > :02:40.the most iconic album covers ever, like Abbey Road.
:02:41. > :02:47.Took hours getting that shot just right. Mind you, this is the view
:02:48. > :02:51.looking the other way. Bloody hippies!
:02:52. > :02:57.Although they let the traffic go in the end, yeah!
:02:58. > :03:01.Back of the album! The titles of Paul's songs have
:03:02. > :03:07.predicted many other future singing stars which is spooky. Like for
:03:08. > :03:19.instance, there's lady Madonna, yeah, the Froing Corus, Help! And of
:03:20. > :03:28.course, I Am the Walrus. Cuckoo kerchoo!
:03:29. > :03:31.I'll be talking to Natalie Portman and Chris Hemsworth later on. But
:03:32. > :03:37.first, he's in a League of His own, it's Mr James Corden.
:03:38. > :03:42.Hello. Nice to see you. Come in. Sit down,
:03:43. > :03:48.sit down. Get ready to welcome Katy Perry!
:03:49. > :03:51.Get ready to roar! So nice to see you, darling. Have a
:03:52. > :04:01.seat. And it's going to be a night to
:04:02. > :04:03.remember. It is Sir Paul McCartney! Hello. You are so welcome. Paul
:04:04. > :04:19.McCartney! I'm loving this couch. You guys all
:04:20. > :04:26.Noel each other, don't you? We hung out backstage, having a laugh,
:04:27. > :04:32.whatever. Katy, you have sung Paul's songs,
:04:33. > :04:37.haven't you? I sung hey Jude at a benefit. I sing all of his songs,
:04:38. > :04:43.I've sang 'em all my life. I'm sitting next to him, oh, my God. I'm
:04:44. > :04:47.sitting next to Katy! Guys, I'm right here!
:04:48. > :04:53.I mean... CHEERING AND APPLAUSE
:04:54. > :04:56.But you returned the favour with Katy's songs? You were telling me
:04:57. > :05:04.that? Yes, I have a ten-year-old daughter and we love "firework! "
:05:05. > :05:09.It's a great song. It's a fantastic song. I love it. Here is the other
:05:10. > :05:16.odd thing about the sofa tonight. Two pop stars, James Corden and yet
:05:17. > :05:22.they've all had a number one single. Yes.
:05:23. > :05:31.Katy, have you had eight or ten here? A handful, yes. James?... One?
:05:32. > :05:40.Let's not get carried away. It was a terrible song for charity. Paul
:05:41. > :05:48.McCartney, do you want to guess, have a guess how many, Katy and
:05:49. > :05:57.James, how many number ones? Are we talking solo? Not albums, this is
:05:58. > :06:07.number one singles. I think 55. I think 42. Disappointing now OK,
:06:08. > :06:11.it's... Try again lower, yeah. I've only been going five years and I've
:06:12. > :06:23.already had luke ten. CHEERING AND APPLAUSE
:06:24. > :06:27.I've had one, I'm not even a singer. It's not difficult, Graham, that's
:06:28. > :06:33.what we are trying to get across. Is it more than ten? Yes!
:06:34. > :06:43.Yes! I think 21. That's a good guess. 20. 24. Yes!
:06:44. > :06:51.It is 24. But this is the kicker though. 24 singles, but he has spent
:06:52. > :07:00.98 weeks at number one. Wow. 98 weeks, two years. That is a long
:07:01. > :07:06.time. You know, I love that song Ramon, it's one of my favourite
:07:07. > :07:12.songs of yours that you've ever done. Thank you, it's a little song.
:07:13. > :07:15.Sounds like a ukulele, so sweet. I listen to it with my boyfriend all
:07:16. > :07:21.the time, we love it. Lovely. We do enjoy it when we
:07:22. > :07:29.listen to it together! So much has happened backstage!
:07:30. > :07:34.Stars of Thor will be joining us later but a lot of music to talk
:07:35. > :07:40.about. Your new album is out, Katy. James's new film about the Singapore
:07:41. > :07:48.Pots, but we'll begin with Paul's new album called New.
:07:49. > :07:52.It's out now. . This is your 16th solo album, but the response to this
:07:53. > :07:57.and the reviews have been phenomenal. You must be thrilled? It
:07:58. > :08:01.really has. When you release an album luke this, you kind of hold
:08:02. > :08:07.your breath and don't say anything too soon, but it's really starting
:08:08. > :08:11.to get a lot of very good feedback. Do you think when you are writing
:08:12. > :08:16.these songs, did you, because you are in a very happy place, you are
:08:17. > :08:19.all loved up, it's all good in your life, do you think that's the reason
:08:20. > :08:25.why it's a good album? I think it helps, yes. I mean, I had a thing
:08:26. > :08:31.when I was writing this, Nancy would be in our early days, she'd be in
:08:32. > :08:38.New York, five hours back. So I would drop my little girl, the
:08:39. > :08:42.fireworks fan, off at school and I'd come home and I'd have a few hours
:08:43. > :08:48.where I didn't have anything on, so I would write a song and then I'd
:08:49. > :08:56.ring her "good morning, would you like to hear a song? " She said
:08:57. > :09:00."no". Hung up and that was it. No, so she'd say yeah, so I would play
:09:01. > :09:04.her the song. It became a really great motivation. Have you ever had
:09:05. > :09:07.writers block? Reading about you, it sounds like you have always found
:09:08. > :09:13.the process of song-writing easy? I've been amazingly lucky and I was
:09:14. > :09:22.looking the other day at all the songs John and I wrote together,
:09:23. > :09:26.it's luke nearly 300. Wow. Yeah. I'm not showing off here, but I
:09:27. > :09:30.remembered that I would go to his house or he'd come to mine and we'd
:09:31. > :09:35.sit down for approximately three hours and try to write a song. I
:09:36. > :09:39.realised we never came away without a song.
:09:40. > :09:46.Wow. We got very close one day because I brought in a song called
:09:47. > :09:51.Golden Rings and it was a "I can buy you golden rings" and stuff and we
:09:52. > :09:56.couldn't get anywhere with this. We had a cup of tea, came back to it
:09:57. > :09:59.and I said we should change it to something like drive my car or
:10:00. > :10:07.something, so we changed it. The audience go "oo", like "we know
:10:08. > :10:14.that one! " We nearly got unlucky with that one, but we had a-cum-of
:10:15. > :10:16.tea and what was in the tea? A?! -- a cup of tea. It was the tea that
:10:17. > :10:29.did it. No. No.
:10:30. > :10:41.You must have drunk the whole pot. Pot!
:10:42. > :10:44.So you did 300 with John. Do you ever write a song and go, have I
:10:45. > :10:50.ever written that before? Yes, you have to check it out with people,
:10:51. > :10:56.you know. You get an antennae, you know, have you heard this song
:10:57. > :11:00.before? You wrote it, they'd say. James down the end there, the last
:11:01. > :11:05.time you were here, you told us about your boy band beginnings.
:11:06. > :11:14.LAUGHTER They didn't do covers. Come on. You
:11:15. > :11:23.can't sit me... Shut up. You wrote a song. You cannot make a genuine leap
:11:24. > :11:29.from Paul McCartney going "of course your boy band days". It's
:11:30. > :11:34.ridiculous. Have you given up the song writing?
:11:35. > :11:42.What are you talking about? ! It's a gift, James.
:11:43. > :11:52.You shouldn't walk away fla! Shut up! It was so bad. We had songs like
:11:53. > :12:01.girlie, ready and time can't stop us now. Sounds nice. And then a big
:12:02. > :12:12.song actually about these golden rings. We couldn't find a way to put
:12:13. > :12:17.it together. That process though, like ringing um
:12:18. > :12:20.Nancy, that must be the nicest feeling in the world, having
:12:21. > :12:25.someone, particularly Paul McCartney write you a song. Because you have
:12:26. > :12:30.used lots of names. There's Eleanor, Jude, Lizzie, Sadie, lots and I
:12:31. > :12:35.guess some names are better for songs than others. We have got three
:12:36. > :12:37.creative minds on the sofa, all song-writers, I don't care what you
:12:38. > :12:42.say! This is so ridiculous.
:12:43. > :12:46.All song-writers. So does anyone in the audience think they have a name
:12:47. > :12:48.that they can't think of a rhyme for? Obviously everyone in the
:12:49. > :12:54.audience has a name. A lady is putting her hand up, does anyone
:12:55. > :13:00.have a name and she's like "yes, me, I do! " Lady over there in the
:13:01. > :13:09.Corner. Can we get the thing all the way over there. What is your name?
:13:10. > :13:17.Shisamiso. Do you want to share a miso? ! You
:13:18. > :13:22.should be so... Lucky! Yes. Shisamiso, you should be so lucky to
:13:23. > :13:27.come with me and share a miso. See!
:13:28. > :13:32.See. Let's try another one. Anyone else?
:13:33. > :13:40.There's a lady there with her hand up by the wall. Summer.
:13:41. > :13:44.Bit of a bummer. That tends to be the problem. And
:13:45. > :13:53.dumber. Come on, James. Summer, we'd listen
:13:54. > :14:02.to Joe Strummer, but I had to leave her cos she wouldn't let me bum her.
:14:03. > :14:09.Top song writer! Do you want a pen? Do you want to
:14:10. > :14:18.write some of these ideas down. This is gold. Paul McCartney and
:14:19. > :14:26.Katy Perry, bummer - no! A lady with short... Let's do the glittery lady,
:14:27. > :14:36.actually. Lorna Jean. No, let's not do that. Lady with the glasses. Ula.
:14:37. > :14:43.What is it? Ula. Where are you from? Finland. Ula from Finland. Come on,
:14:44. > :14:49.James. What are you saying, come on James, for? Don't trust in my
:14:50. > :14:58.lyrics. Come on, guys? Kickedn't fool her. -- you couldn't fool her.
:14:59. > :15:06.She's much cooler. Be Nice. You missed that. She's cooler
:15:07. > :15:12.than a plastic ruler. Well done. Thank you, very good.
:15:13. > :15:17.Very good. I look it. Not the only new album in town, no.
:15:18. > :15:26.Yours is in shops now, but on the 21st October, is the release of
:15:27. > :15:30.Prism! You have said in interviews that
:15:31. > :15:34.this is a slight change of direction, is it slightly less pop
:15:35. > :15:39.Princess, more personal? Yes. I think the last record was very
:15:40. > :15:43.highly conaccept Schulz and cartoony and over the top and this one, I
:15:44. > :15:48.guess I'll still be over the top in some ways, especially visually, but
:15:49. > :15:53.this is more vulnerable and raw and a lot more present. I think I'm OK
:15:54. > :15:57.with accepting the information that I'm finally a grown-up and I think
:15:58. > :16:02.that that is represented on the record.
:16:03. > :16:06.The first single Roar, I think it's the best thing you've ever done.
:16:07. > :16:08.It's great. Thank you.
:16:09. > :16:12.CHEERING AND APPLAUSE The only thing I don't like about it
:16:13. > :16:22.is it's very hard to sing, you know when you are driving. I can't enjoy
:16:23. > :16:32.it because I know I'm so sheet. To do the roar bit is hard.
:16:33. > :16:34.We have got a clip of the video which I also love. Jane of the
:16:35. > :16:53.jungle. Very. Have a look. # I got the eye of the tiger
:16:54. > :16:58.# Fire # Dancing through the fire
:16:59. > :17:03.# Cos I am a champion # And you are gonna hear me roar...
:17:04. > :17:19.# CHEERING AND APPLAUSE
:17:20. > :17:37.# And you're gonna hear me roar... # # You're gonna hear me roar... #
:17:38. > :17:47.CHEERING AND APPLAUSE Love it. Love it.
:17:48. > :17:51.Very nice backing vocals. The Katy fans were in fine voice there, very
:17:52. > :17:55.good! He's had fans like that all of his
:17:56. > :18:00.life, they probably don't stop screaming. Could have sleep? I did a
:18:01. > :18:05.show recently in New York which was at a school. We just wanted to do an
:18:06. > :18:12.offbeat thing, we were there for the week and this was the Frank Sinatra
:18:13. > :18:17.School which was started by Tony Benn forget, and the great thing
:18:18. > :18:22.was, it was 13-18-year-olds, it was a high school. A lot of them were
:18:23. > :18:28.girls. We came on, they showed their enthusiasm and it was just like The
:18:29. > :18:36.Beatles, like "argh... .." I said "I know that sound". It was very cool.
:18:37. > :18:40.That video, because you know that thing about working with animals.
:18:41. > :18:45.That monkey liked you a lot? Oh, my gosh, he did this one thing called
:18:46. > :18:51.self-anointing, so when you meet the monkey...
:18:52. > :18:53.LAUGHTER Ist it's not just monkeys that do
:18:54. > :19:00.that! No, no, but his name was... That
:19:01. > :19:03.reminds me, I haven't self-anointed today.
:19:04. > :19:09.His name was Ripley and basically you hold it and it burrows into your
:19:10. > :19:14.skin. I loved to smell nice because I'm a girl. Good, I'm glad. I
:19:15. > :19:20.smelled pretty good and the monkey's like that, so it basically caresses
:19:21. > :19:26.my whole body and puts it all over, licks its hands and puts it all over
:19:27. > :19:30.its skin and calls itself anointing. It's really trying to get it
:19:31. > :19:34.everywhere, you know. You have said somewhere that you
:19:35. > :19:40.think your image has to be more demure from now on? Well, I didn't
:19:41. > :19:44.say that, I think maybe that the question was is if I was going to...
:19:45. > :19:49.I don't know, I mean I just like clothes to stay on for right now
:19:50. > :19:55.until... I already took my clothes off in Teenage Dream. My point was
:19:56. > :19:59.that you are not wearing a lot in that.
:20:00. > :20:02.Actually, what's funny is that, you don't wear much in the jungle if you
:20:03. > :20:08.are the only human. Of course, it's like a document write. Yes.
:20:09. > :20:16.No, but that costume, speaking of Halloween, is actually available, we
:20:17. > :20:20.remade it and you can be in that Roar costume if you want to.
:20:21. > :20:23.Talking about dressing up for Halloween, because you love it? I've
:20:24. > :20:31.never been truck or treating. Do you do that here? Yes. Never been trick
:20:32. > :20:37.or treating once in my life. I wasn't allowed to celebrate it
:20:38. > :20:41.because we came from a very religious househol Me too, I came
:20:42. > :20:47.from the same background. And we turned out all right, right? Yes. In
:20:48. > :20:52.Halloween, we'd shut the door and blinds and bring the dog in so he
:20:53. > :20:59.wouldn't be sacrificed. All crazy stuff goes down on Halloween. I
:21:00. > :21:08.still yet have to find time to go to trick or treat. You sat in the dark?
:21:09. > :21:12.We had a prayer meeting. To be fair, we didn't do that. To be fair, mine
:21:13. > :21:16.are probably more interesting. Here is the thing, Katy Perry, I mean you
:21:17. > :21:20.must be the hottest female artist in the world right now. Are you
:21:21. > :21:24.enjoying the moment? Are you along for the ride or do you look at
:21:25. > :21:28.someone like Paul and think, I would like that legacy, people to be
:21:29. > :21:31.singing my songs in the next 40 years? Of course. I think that's the
:21:32. > :21:38.correct answer. I'm in it for the long haul. I hope to have half the
:21:39. > :21:43.career that you have. I would be so grateful. I think you have been
:21:44. > :21:47.doing this for longer, you know, that I've even before alive and you
:21:48. > :21:54.have been doing it so incredibly well. The fact that you are still
:21:55. > :21:55.here today in 2013... LAUGHTER
:21:56. > :22:02.No! Hold on, hold on, hold on. Bring it
:22:03. > :22:07.back, Katy, bring it back. Hold on, the fact that you are still here
:22:08. > :22:12.today and you are... You said that! The fact that you're not dead. I'm
:22:13. > :22:17.not talking in that sense, I'm talking as a performer, he's about
:22:18. > :22:20.to be on this stage, just released an incredible record. Not everybody
:22:21. > :22:24.does that. There's a handful of people that still can do that well.
:22:25. > :22:32.Yeah. It's true. You brought it back, you brought it back.
:22:33. > :22:37.Here is the thing though. Talking of legacy, famously, Paul, you don't
:22:38. > :22:44.own a big chunk of your own legacy in that you don't have the rights to
:22:45. > :22:48.a lot of your songs? No. The early Beatles stuff, it was a carve-up, we
:22:49. > :22:57.didn't know anything about any of that, so we got ripped off, but hey,
:22:58. > :23:02.what the heck. What we all remember reading in the papers about Michael
:23:03. > :23:07.Jackson buying The Beatles catalogue, but that was kind of your
:23:08. > :23:11.fault? It was a strange one, yes. I was working with Michael at that
:23:12. > :23:18.time. Why, because he just rang me up. It was over Christmas and I just
:23:19. > :23:22.heard this little voice say "hi". I thought "oh, my God, don't recognise
:23:23. > :23:28.this voice, who's got my private number" at home. So I said "yeah,
:23:29. > :23:34.hello" and it was like "hi, it's Michael" and he goes "wanna make
:23:35. > :23:40.some hits" and I goes "yeah" so we got together and Michael said, "have
:23:41. > :23:46.you got any advice" and I said yes, "you are really hot, it's just
:23:47. > :23:51.starting" he'd just had Off the Wall and I said "you have to make great
:23:52. > :23:57.videos" so he went off and made Thriller. I told him he needed a
:23:58. > :24:01.good manager, I said it will all be coming in and it could all go out. I
:24:02. > :24:10.said, you ought to think about getting into song publishing. He
:24:11. > :24:20.said "I'm gonna buy yours". And I was laughing. Until he did!
:24:21. > :24:24.So when you do a concert or a show, sometimes you have to pay people to
:24:25. > :24:28.play your own songs? I have to pay. That must be a knife in your
:24:29. > :24:34.stomach? You know what, it used to be very annoying, but after a while,
:24:35. > :24:39.you just think, you know, what are you gonna do? You are fine. You are
:24:40. > :24:45.doing all right: . I'm all right. In your new movie, James, the Paul
:24:46. > :24:52.Potts thing, we think we know the story, but actually, my God, that
:24:53. > :24:56.man had like such terrible luck his whole life. I felt exactly the same
:24:57. > :25:02.as I think everybody else does when they hear it's a film which is where
:25:03. > :25:09.you go, really, sounds lake a terrible idea. And then I read it
:25:10. > :25:14.and I met the director called David Frankel who made the Devil Wears
:25:15. > :25:18.Prada and Hope Springs and he asked me to read it because he said I
:25:19. > :25:21.think you will see that we are not making a film about Britain's Got
:25:22. > :25:25.Talent, we are making a film about a boy from an industrial steel town
:25:26. > :25:30.who dreams of being an opera singer in a world where no-one even listens
:25:31. > :25:35.to opera and through endless setbacks and adversity, you know,
:25:36. > :25:40.never gives up. He achieves his dream. Once I read it, I was like oh
:25:41. > :25:47.yeah, because that film sort of stops at the very moment he audition
:25:48. > :25:50.ed for Britain's Got Talent. There's no actor like Sa Simon Cowell
:25:51. > :25:55.saying, I'll make you a star, you know. It's a very sweet, uplifting
:25:56. > :25:59.story. We have a clip. Again, it's him coming out of one setback. I
:26:00. > :26:05.think we told you the clip story? OK, so he had a terrible operation.
:26:06. > :26:09.He had appendicitis and couldn't perform in an opera and then says,
:26:10. > :26:13.no, I'm a local amateur opera and it's the day before and he says, no,
:26:14. > :26:20.I absolutely want to and he does it and the stitches burst on stage.
:26:21. > :26:25.When he gets into the hospital, they find an abscess on his adrenaline
:26:26. > :26:29.gland which means he probably won't be able to sing again and this is
:26:30. > :26:33.sort of around that moment I think. Yes, six months down the line.
:26:34. > :26:37.LAUGHTER I don't really know what the clip
:26:38. > :26:42.is, Graham, to be honest! It's qha he said. It's what he said.
:26:43. > :26:46.Yes. So he's been told he'll never sing again. Yes, he's been told he's
:26:47. > :26:51.never going to sing again. Six months down the line. So he's gone
:26:52. > :26:55.back to his job in the Carphone Warehouse. Did you do this film? I'm
:26:56. > :26:58.in it! Goes back to Carphone Warehouse and then this happens.
:26:59. > :27:02.It's out on the 25th October. Roll the clip there.
:27:03. > :27:09.Our little shop's had the highest sales in all of Wales. The highest
:27:10. > :27:14.sales in all of Wales. Amazing. In the six months since I got back from
:27:15. > :27:20.my surgery in which times I've kept the shop open 10-6 and I put the ad
:27:21. > :27:25.in the paper and online. I'm trying to tell you you are getting a raise
:27:26. > :27:31.as well. Am I? A couple of quid an hour. The highest sales in all of
:27:32. > :27:42.Wales. Oh, my God. Oh, my God I can sing. I
:27:43. > :27:55.can sing. You can sing. The highest hills in all of Wales.
:27:56. > :28:01.The highest sales in all of Wales. I can sing. Mrs Evans, I can sing.
:28:02. > :28:23.Jolly good. Tell your mam I'll see her at bingo. Will do. All of Wales.
:28:24. > :28:27.Jules, I can sing. What? I can sing. CHEERING AND APPLAUSE
:28:28. > :28:35.Very quickly, Britain's Got Talent, big show on TV, huge all over the
:28:36. > :28:40.world, but talent shows, The Beatles used to enter them? Yes. Did you
:28:41. > :28:46.ever win one? No. Serious Loye? We didn't. There was
:28:47. > :28:51.one in Liverpool. The first one we ever entered, there was this woman
:28:52. > :29:02.who could play the spoons. It was an old lady. She always beat us.
:29:03. > :29:12.LAUGHTER She was bloody good though, you
:29:13. > :29:23.know. She's still around. Guess what els is exciting. That.
:29:24. > :29:27.It's my Thorhamer, yes. -- ThorHammer. Stop now. It went off
:29:28. > :29:34.in my hand. What? !
:29:35. > :29:39.Please welcome, Chris Hemsworth. We are about to meet the stars of Thor,
:29:40. > :29:47.The Dark World, ladies and gentlemen, please welcome Natalie
:29:48. > :29:54.Portman and Chris Hemsworth. Hello. Hi.
:29:55. > :30:01.Hello. Come in, sit down. CHEERING AND APPLAUSE
:30:02. > :30:07.Sit yourselves down. CHEERING AND APPLAUSE
:30:08. > :30:13.It's good tonight, right, it's good. This is good, this is good.
:30:14. > :30:17.You, Natalie, you've been in videos, I was going to say in Paul, but that
:30:18. > :30:23.would be wrong. You've been in Paul's videos? We
:30:24. > :30:26.worked together, yes, she was very lovely.
:30:27. > :30:29.He was my director too in one of them.
:30:30. > :30:38.Chris, that's Paul McCartney, that's cool, right? Pretty awesome, right.
:30:39. > :30:42.I just keep touching you. There you go.
:30:43. > :30:50.Are you friends? No, but we were just saying, they are so pretty.
:30:51. > :30:56.Mutual, mutual. Don't lie.
:30:57. > :31:00.We were just talking backstage and my daughter recently has started
:31:01. > :31:05.dancing and I swear to God in the last two weeks, the TV would be on
:31:06. > :31:09.and all of a sudden she'd break out into a little dance and we are like,
:31:10. > :31:15.what is she listening to and your song, Roar, is on the TV and you've
:31:16. > :31:20.kicked off a whole dance career for her. Get 'em while they are young.
:31:21. > :31:25.Now now she wants a monkey. You are here to tell us about Thor,
:31:26. > :31:32.The Dark World. Yes. It opens on 30th October and it's the follow-up,
:31:33. > :31:36.so this is the bit where I go, and then you tell us things about it And
:31:37. > :31:42.act out a scene. You can do that if you want to. It's a continuation
:31:43. > :31:45.from all the films that have blended into one another. As far as our
:31:46. > :31:49.relationship picks up, Thor has some work to do and some patching up of
:31:50. > :31:53.the relationship where it was left which was basically he exit and
:31:54. > :32:01.didn't call her, didn't write, didn't Tweet and text, Facebook,
:32:02. > :32:06.nothing. Men! I know. I like that the Avengers movie happened. Your
:32:07. > :32:10.character knows what went on in New York. She saw him on TV and that was
:32:11. > :32:18.further evidence that he was around and didn't think to call.
:32:19. > :32:24."Up to my eyes with hammer work, I can't! " It's weird for me because
:32:25. > :32:28.where we are shooting our film now at Shepperton Studios because there
:32:29. > :32:36.is a lot of famous people in our film, my room might not be the best
:32:37. > :32:39.and - it's nice, but, you know - and from Shepperton, did you shoot your
:32:40. > :32:44.film there because there's a huge bill board of you with a hammer but
:32:45. > :32:51.from my window I'm very close to it and it's just your crutch. From my
:32:52. > :32:56.one doe. Every day I sort of open the blind and it's like right there
:32:57. > :33:05.and I'm like, is that the hammer or... Oh, no.
:33:06. > :33:10.It's delicious. Now, we are going to see a clip.
:33:11. > :33:30.This is the two of you, harking back to what you were talking about, her
:33:31. > :33:34.not being happy. . She's kissed. Where were you? I was right here
:33:35. > :33:39.where you left me, waiting and then I was crying and then I went out
:33:40. > :33:46.looking for you. You said you were coming back. I know. There was
:33:47. > :33:54.chaos, wars with were raging. I had to put an end to the slaughter. As
:33:55. > :33:57.excuses go, it's not terrible. I saw you on TV, you were in New York.
:33:58. > :34:06.Jane, I fought to protect you from the dangers of my world, but I was
:34:07. > :34:09.wrong, I was a fool. I believe that fate brought us together.
:34:10. > :34:18.CHEERING AND APPLAUSE That bit at the end where you are
:34:19. > :34:27.doing that lovely thing looking into each other's eyes, were you on a box
:34:28. > :34:34.or something? Thanks! Or were you in a hole? I was mainly
:34:35. > :34:39.cast because I can make anyone look huge. Extraordinarily short. They
:34:40. > :34:44.usually had some sort of ramp that I could like walk up and somewhere
:34:45. > :34:49.near his face. Shall we stand up and show it. I had
:34:50. > :34:57.very high heels on and I do right now.
:34:58. > :35:00.That's quite a high ramp! Yes.
:35:01. > :35:07.A steep incline. Yes. Listen, of course, with great
:35:08. > :35:16.action heroes come great action figures, ladies and gentlemen.
:35:17. > :35:20.We have got some here. Have you seen this yet? Not that particular one.
:35:21. > :35:23.But it's the likeness which is incredible.
:35:24. > :35:30.It's uncanny isn't it, ladies and gentlemen? !
:35:31. > :35:39.Slightly sedated version. You press here and you talks. Lightning shall
:35:40. > :35:51.strike you down. He's angry. There's you and we'll get Natalie's action
:35:52. > :35:53.figure. They are almost... LAUGHTER
:35:54. > :36:02.Children will have hours of fun playing with those.
:36:03. > :36:10.They are going to have a great time. What are you doing with those doll
:36:11. > :36:19.That's not a hammer. You look a bit distraught.
:36:20. > :36:31.You are not the only two people to be dolls. No. It's not an action
:36:32. > :36:37.figure but it is... LAUGHTER
:36:38. > :36:46.Oh, my God. All the work we did to the face, not so much into the
:36:47. > :36:51.outfit. . It's him on an off day. Like care in
:36:52. > :36:58.the community really. We have dressed him. Paull just
:36:59. > :37:06.pottering around Homebase. And packaging not great. It's in a
:37:07. > :37:10.zip lock. There's a nice sensible shoe. If you are driving a long
:37:11. > :37:16.distance, you know. It's soft. Is it a for sale doll? You think we bought
:37:17. > :37:27.it, didn't we? It's a lady who makes them? It's a sideline of my Auntie
:37:28. > :37:30.Valerie. We are thrilled you are here with us
:37:31. > :37:34.and very excited because you are going to perform live for us. So,
:37:35. > :37:37.Paul, if you would like to go and join your band.
:37:38. > :37:42.I would. There he goes. ?
:37:43. > :37:47.CHEERING AND APPLAUSE So, in a moment, we'll have some
:37:48. > :37:50.more stories from the famous red chair, but first, performing New,
:37:51. > :38:01.it's Paul McCartney! # Don't look at me
:38:02. > :38:04.# It's way too soon to see # What's gonna be
:38:05. > :38:08.# Don't look at me # All my life
:38:09. > :38:11.# I never knew # What I could be
:38:12. > :38:15.# What I could do # Then we were new
:38:16. > :38:19.# You came along # And made my life a song
:38:20. > :38:30.# One lucky day # You came along
:38:31. > :38:34.# Just in time # Well I was searching for a rock
:38:35. > :38:41.# You came along # Then we were new
:38:42. > :38:45.# We can do what we want # We can live as we choose
:38:46. > :38:55.# You can see there's no guarantee # We got nothing to lose
:38:56. > :38:59.# Don't # Don't look at me
:39:00. > :39:02.# I can't deny the truth # It's plain to see
:39:03. > :39:05.# Don't look at me # All my life
:39:06. > :39:09.# I never ew # What I could be
:39:10. > :39:14.# What I could do # Then we were new
:39:15. > :39:22.# # We can do qha we want
:39:23. > :39:34.# We can live as we choose # You see there's no guarantee
:39:35. > :39:38.# We got nothing to lose # Don't look at me
:39:39. > :39:42.# It's way too soon # To see
:39:43. > :39:46.# Don't look at me # All my life
:39:47. > :39:56.# I never knew what I could be # What I could do
:39:57. > :39:56.# Then we were new Ooh-ooh
:39:57. > :40:13.# Then we were new # We were new
:40:14. > :40:15.# Ooh-ooh...
:40:16. > :40:23.# CHEERING AND APPLAUSE
:40:24. > :40:32.Thank you. Paul McCartney, everybody!
:40:33. > :40:38.Come back and join us. How cool is that? Paul McCartney,
:40:39. > :40:43.live. You can downin with the red chair
:40:44. > :40:50.bit at the end there. There you go. You sit in there.
:40:51. > :40:53.That did sound different. We have had lots of live bands in, but that
:40:54. > :40:59.was like a wall of sound. Sounded brilliant. Just fantastic. Oh, good,
:41:00. > :41:02.thank you. It's good.
:41:03. > :41:08.Hey, tonight, just time for a story in the red chair. Who there?
:41:09. > :41:13.Hello, Sir? Hello, I'm Robert: . I'm tempted to do it immediately. Be of-
:41:14. > :41:17.Of all the clothing choices to wear, when you are going to be flipped
:41:18. > :41:27.backwards. This has got to be the worst!
:41:28. > :41:32.This story better be good. Robert, are you Scottish?
:41:33. > :41:42.I'm from Glasgow. Do you live down here? I've lived here for 42 years.
:41:43. > :41:47.Still haven't got new clothes. OK. What do you do down here, Robert?
:41:48. > :41:55.I'm a musician. Like traditional? No, no. What sort of music? '70s,
:41:56. > :42:05.60s, bits of The Beatles. Are we more more offing into a
:42:06. > :42:11.story? It begins in Germany -- morphing into a story. I'm coming
:42:12. > :42:16.home from the pub, slightly enekeryiated, I decided I needed a
:42:17. > :42:23.wee. I stopped, started to have a wee, then found out that they've got
:42:24. > :42:30.electric fencing in Germany. And it threw me back two metres.
:42:31. > :42:34.To land on my bottom. I weed down my leg so it was a very uncomfortable
:42:35. > :42:39.walk home and it made me completely sober.sober.
:42:40. > :42:48.- We have to flip him though. We have to flip you. We have to flip
:42:49. > :42:53.you. CHEERING AND APPLAUSE
:42:54. > :42:57.I've done that, it's really sore. Have you ever done that? No, but if
:42:58. > :43:04.I ever get drunk enough and I want to sober up, I'm going to. Have you
:43:05. > :43:10.done it? No. Is it just me and Robert? I think it's pretty much
:43:11. > :43:14.just you two. At school it used to be a thing. What school did you go
:43:15. > :43:20.to where they had electric fences? It's quite a rough area, James.
:43:21. > :43:25.APPLAUSE If you would like to join us on the
:43:26. > :43:28.show or have a go on the red chair, you can, contact us on the website.
:43:29. > :43:35.Thank you to all my guests tonight, what a line-up. Please thank James
:43:36. > :43:40.Corden. Katy Perry.
:43:41. > :43:45.Natalie Portman. Chris Hemsworth.
:43:46. > :43:50.And, Sir Paul McCartney. Wow.
:43:51. > :43:56.Downme next week with Hollywood actors Michelle Pfeiffer, Jennifer
:43:57. > :44:01.Saunders, Robert de Niro and the one and only Cher. Good night.