:00:00. > :00:18.Tonight, the 50ening -- 50th anniver... Oh, no, I think I'm
:00:19. > :00:23.regenerating. CHEERING
:00:24. > :00:31.On the show tonight... Oh, it's happening again.
:00:32. > :00:37.That's better, on the show tonight, we celebrate the 50th anniversary
:00:38. > :00:40.of... Oh, no, blimey, here we go again. I tell you what - let's just
:00:41. > :01:09.start the show! CHEERING AND APPLAUSE
:01:10. > :01:10.Welcome one and all. Lovely to see you.
:01:11. > :01:15.CHEERING That's so nice. Thank you so much.
:01:16. > :01:22.We have a show-and-a-half for you tonight. To help celebrate the 50th
:01:23. > :01:26.anniversary, we will be joined by two doctors. Matt Smith is here,
:01:27. > :01:33.ladies and gentleman! And the gorgeous David Tennant is on the
:01:34. > :01:40.show! Yeah. Oscar-winning Hollywood star, Emma Thompson be here!
:01:41. > :01:46.Hillarious comic Jimmy Carr is on the show! The country's famous
:01:47. > :01:53.singer, Robbie Williams, is here, ladies and gentleman! I'm very
:01:54. > :01:57.excited to tell you that he'll be performing exclusively later in the
:01:58. > :02:07.show, with the one and only Olly Murs! I know. A bit of a dew t.
:02:08. > :02:14.Looking forward to seeing Robbie again. Did you all see Robbie on the
:02:15. > :02:18.X Factor? It was good. Look at that! Do you know what I mean, that is
:02:19. > :02:24.incredible, that set. Hand crafted boat, proper sails, rigging, all to
:02:25. > :02:33.give it that nautical theme. Other people made less of an effort.
:02:34. > :02:40.LAUGHTER "You're a world-class performer. You
:02:41. > :02:44.made it your own, Robbie." Robbie such an entertainer. He has
:02:45. > :02:50.done some out-there routines over the years. You do look at that and
:02:51. > :03:00.think what happened to that girl's bra and nickers? -- knickers. Can't
:03:01. > :03:04.wait to meet Emma Thompson. Recently she played the Queen in the TV drama
:03:05. > :03:07.Walking the Dogs. It's all about when Her Majesty was woken by a
:03:08. > :03:15.strange man trying to get into her bedroom. "Wake up Lizzie, it's our
:03:16. > :03:18.anniversary." LAUGHTER
:03:19. > :03:24.I especially like the scene where she first met Camilla. Do we have a
:03:25. > :03:31.picture? Yeah, we do. LAUGHTER
:03:32. > :03:35.She's out on a Friday! She doesn't watch it. Emma starred with Arnold
:03:36. > :03:41.Schwarzenegger in Junior. Now I don't know if you remember that film
:03:42. > :03:44.was all about a man having a baby. Quite unrealistic, because if a man
:03:45. > :03:52.was actually having a baby, he'd have water retention, get all
:03:53. > :03:58.bloaty, you know... APPLAUSE
:03:59. > :04:04.let's get some guests on! Later we have the two doctors, first fasten
:04:05. > :04:09.your seat belts, it's Mr Jimmy Carr! Suited, booted, lovely.
:04:10. > :04:13.APPLAUSE Let him entertain us, it's Robbie
:04:14. > :04:23.Williams everybody! CHEERING AND APPLAUSE
:04:24. > :04:25.Gorgeous. Hello, Sir. It's the supercalifragilisticexpialidocious
:04:26. > :04:40.Emma Thompson! CHEERING
:04:41. > :04:51.Showbiz kissing all very good. Snake skin as well. Python. Beautiful.
:04:52. > :04:57.That's just one python on each leg. Yes I evicerated them myself. Pull
:04:58. > :05:05.out the body and pull them on. Me and gym yip said, we definitely
:05:06. > :05:07.would. Even I might. LAUGHTER
:05:08. > :05:14.So long as I could see the Oscars from where I was. I could wear them
:05:15. > :05:20.as earrings. That would be nice. Emma Thompson, congratulations
:05:21. > :05:29.because recently, what an honour, because everyone thinks you buy the
:05:30. > :05:33.star in the holly walk of fame. You got the hand prints. I did. They get
:05:34. > :05:38.you to dress up, then they present you with a square yard of wet cement
:05:39. > :05:43.and invite you to stick body parts into it. Don't you think that's
:05:44. > :05:49.eccentric? I think you're on all fours. It seems like quite a solid,
:05:50. > :05:58.steady position. I have found it so, in the past.
:05:59. > :06:13.LAUGHTER Yet, this happened. Because I was
:06:14. > :06:16.mucking about as usual. Because the press suck any moment of joy out of
:06:17. > :06:21.those moments, they said she's fallen over, when they knew fine
:06:22. > :06:28.well, I was doing it you know, oh, my God. You're not a big fan of LA.
:06:29. > :06:31.You don't like spending that much time there. I like LA, but it's a
:06:32. > :06:38.funny old place. It's a strange place. As soon as you get there you
:06:39. > :06:42.think, oh, my God, my bum looks big in this, meaning LA. It's true. This
:06:43. > :06:49.is the problem. I've lived there for a long time. They say if you sit in
:06:50. > :06:56.a bar bore shop for long -- barber shop for long enough you're going to
:06:57. > :06:59.get a hair cut. If you live in LA for long enough you are going to
:07:00. > :07:05.have surgery. I've had a thatch done. I didn't even need it. I had
:07:06. > :07:13.three months off, I got bored. It's like, oh, well, I'll go in. Is that
:07:14. > :07:17.new hair? No, I've got some round the side. Because they've got the
:07:18. > :07:21.colour wrong in the front. I've got some round the side done and I
:07:22. > :07:25.didn't need it. That's what I'm saying about Los Angeles. They're
:07:26. > :07:30.very conscious of how everybody looks. Yeah. They all look the same.
:07:31. > :07:33.There's a hierarchy. There's the star system thing, which we don't
:07:34. > :07:37.really have here, thank goodness. I don't like that. They'll always find
:07:38. > :07:42.a way of making you feel bad. There's always some VIP in
:07:43. > :07:47.closure... That you're not in. You think you're in an important bit and
:07:48. > :07:52.you're not in the most important bit or your ticket is green, when the
:07:53. > :07:55.really important ticket is pink. They find ways of making you feel
:07:56. > :07:59.less than or more than all the time. I don't approve of that. The amount
:08:00. > :08:05.of times I've turned up to places and the look on people's faces and
:08:06. > :08:09.they realise I'm not Robin Williams...
:08:10. > :08:16.LAUGHTER Seriously. No, sorry, it's me. All
:08:17. > :08:20.the time. We knew you in this country as an actress. Then you went
:08:21. > :08:24.to Hollywood and we saw you in what seemed at the time surprising films,
:08:25. > :08:29.like you showed up in Junior with Arnold Schwarzenegger. That was fun,
:08:30. > :08:33.actually. Was that fun to do? He was actually orange, Arnold. He was
:08:34. > :08:40.truly orange. I believe there are a lot of them about here, now. I blame
:08:41. > :08:48.Simon Cowell. He was very nice. Very courtly in a way, Austrian and
:08:49. > :08:55.courtly. Can he act? No, no, no. APPLAUSE
:08:56. > :09:01.But he was very honest about that. Your new film, Saving Mr Banks, I've
:09:02. > :09:06.seen it. It's just brilliant. Oh, thanks. So good. Thank you very
:09:07. > :09:18.much. It opens next Friday, November 29. Yes. You're playing PL Travers
:09:19. > :09:24.who wrote Mary Poppins. Tom hanks plays Walt Disney. Here are you at a
:09:25. > :09:34.premiere. You see! I can't help it. LAUGHTER
:09:35. > :09:39.I just can't, you know. Put the banana down. I thought these
:09:40. > :09:45.would be good props for later. Lovely. They look good on you. Do
:09:46. > :09:50.you want one, darling? Thank you. It's a story of getting Mary Poppins
:09:51. > :09:56.to the screen, but also the story of where the Mary Poppins story came
:09:57. > :10:00.from. Sort of thing, yes. How long had Disney been asking for the
:10:01. > :10:05.rights? 20 years they asked and she was incredibly snobby, thought film
:10:06. > :10:09.was rubbish, thought everything that Walt Disney had done was rubbish,
:10:10. > :10:13.hated cartoons and hated Hollywood and didn't want Mary Poppins to be
:10:14. > :10:18.turned into a pretty woman who sang, which is of course what happened.
:10:19. > :10:24.She just was very attached to the character because she'd had a
:10:25. > :10:28.horrible childhood and I think a lot of child authors have wounded
:10:29. > :10:36.children inside that they're trying to help. Then there's this weird,
:10:37. > :10:41.very 21st century paranoia about her in that she insisted that all the
:10:42. > :10:45.meetings with the writers were taped. Yes, I had to listen to them.
:10:46. > :10:49.It was like poking hot forks into my ears. It was endless. She was vile
:10:50. > :10:55.to them and they hated her. They really did hate her. The existed
:10:56. > :10:58.Sherman brother talks about how she was vile. She was. It's a
:10:59. > :11:03.fascinating character to play. She's in the a wife or a mother. She's a
:11:04. > :11:09.very powerful biddy who has turned up in Hollywood in a good pair of
:11:10. > :11:12.shoes and gone "No, I think you're all rubbish. " To someone who got
:11:13. > :11:16.everything he wanted all the time. It's a great clash of personalities.
:11:17. > :11:27.If you go to watch the film, stay to the end, of course, you will... Yes,
:11:28. > :11:36.do try and stay till the end. Stay to the end, Graham Norton. During
:11:37. > :11:41.the end credits, they actually play some of the real tapes. We've got a
:11:42. > :11:47.clip. This is from the movie, which opens next Friday, the 29th. This is
:11:48. > :11:52.you working with the Sherman brothers and being objectionable.
:11:53. > :12:03.Giver it a whir. What's happening? What are you doing? All right ladies
:12:04. > :12:09.and gents, a poem suitable for the occasion, thought up before your
:12:10. > :12:13.very eyes. All right, here we go. # A room here for everyone
:12:14. > :12:22.# Gather around # Constables responstible... No,
:12:23. > :12:35.responstible is not a word. We made it up. Well, unmake it up.
:12:36. > :12:44.APPLAUSE It's really good.
:12:45. > :12:49.Was Mary Poppins famous before that then, was it a hit before? Yeah,
:12:50. > :12:54.yeah. Absolutely it was famous. That's a real perm by the way. Did
:12:55. > :12:59.you have to walk around with that? I had to walk around with that for
:13:00. > :13:05.months. We think it really suits you. You look better there.
:13:06. > :13:11.I look like a baby woolly mammoth. There are parallels to Miss
:13:12. > :13:16.Thompson's life in that you too have created a magical nanny, Nanny
:13:17. > :13:21.McPhee. As my husband said, "You've written about a magical nanny and
:13:22. > :13:27.now you're playing someone who has written a magical nanny. I wonder
:13:28. > :13:34.behind every magical nanny there's a rancid, bitter, can tank Russ old
:13:35. > :13:38.nag." To do that, to be in Nanny McPhee, how long does that take?
:13:39. > :13:45.Slightly less long than it takes me to look like this.
:13:46. > :13:50.APPLAUSE Upsettingly.
:13:51. > :13:55.You're in Hollywood now, you're getting Oscars and things, do you
:13:56. > :14:02.have to do things? What do you do to maintain the whole thing? Look at me
:14:03. > :14:08.- I don't do anything. I'm normal. I wouldn't do anything really. You're
:14:09. > :14:12.very lucky normal. It's psychotic having your body opened up by
:14:13. > :14:16.someone and putting things into it. That's not psychotic, that's a
:14:17. > :14:22.Saturday night. Injecting yourself with poison and opening your body up
:14:23. > :14:27.to other people - come on. Can I get an eye lash off here. Go on then.
:14:28. > :14:35.That's pretend. I think it's a lycra eye lash. Make a wish. You can wish
:14:36. > :14:42.on lycra. Now Robbie, what are you singing later? I Wanna be Like You.
:14:43. > :14:50.I know that's a duet. You're not singing alone. No, I'm not. I'm with
:14:51. > :14:58.somebody I love very much. Can you sing, by the way? No, I can't. At
:14:59. > :15:07.all? No. It's never stopped me. LAUGHTER
:15:08. > :15:14.Mr Olly Murs! The song is from the new album, which is Swings Both
:15:15. > :15:19.Ways. It's such a good title. A really good title. It's in shops and
:15:20. > :15:25.on computers and things now. The songs, you wrote a lot of the songs
:15:26. > :15:29.around the time that Ida was pregnant and after Teddy was born.
:15:30. > :15:43.Do you have more of a sense of your legacy, what your daughter will
:15:44. > :15:49.think of daddy? I think I'm quite an unconscious Persian! ? This is
:15:50. > :15:55.daddy. Daddy is always going to be say first and think second. Sorry.
:15:56. > :16:05.Yeah we were writing about the time she was born. I always see songs as,
:16:06. > :16:12.certain songs that I write as being promise that's I make. I made one
:16:13. > :16:17.promise to Ida on a promise on a song called I Won't Do That To You,
:16:18. > :16:24.about not breaking her heart. As soon as I sung it that was sealed.
:16:25. > :16:27.Then I wrote Go Gentle for Teddy, for all your days and nights I'm
:16:28. > :16:34.going to be there. That's my seal and my promise. I was always... I've
:16:35. > :16:40.been really self, a pop star since I was 16. I've of everything done for
:16:41. > :16:43.me. I know relatively little. Now I have to look after this little
:16:44. > :16:47.person. I was terrified I wouldn't be up to it. Dads really connect
:16:48. > :16:53.with the song. More than any other song that I've ever done, people
:16:54. > :16:56.stop in the cars, roll down the window. It feels like the song has
:16:57. > :17:00.reached its destination, because dads look at me with that knowing
:17:01. > :17:07.look in their eyes. I know they've got it. Was Teddy born here? Yes,
:17:08. > :17:11.she was. You at the hello Teddy moment, for the birth? Yes, I was.
:17:12. > :17:17.Down the business end? Yeah, I was. Well done. It was like my favourite
:17:18. > :17:38.pub burning down. LAUGHTER
:17:39. > :17:45.Very little tread left on that tyre. Have you rebuilt her? We haven't
:17:46. > :17:50.bothered rebuilding it yet. Because there might be another one on the
:17:51. > :17:53.way. We don't want to go about it twice.
:17:54. > :18:05.I think best to live with the ruins for now. This feels like overhearing
:18:06. > :18:14.something at a doctor's surgery. Which camera, sorry Ida! You have a
:18:15. > :18:22.beautiful foo, yeah. LAUGHTER
:18:23. > :18:27.Robbie. Radio last Saturday, and he was going, "I say things I shouldn't
:18:28. > :18:32.on chat shows." I was going, "No, no, you'll be fine." I'm terrified
:18:33. > :18:36.because I end up having to apologise to somebody or send a bunch of
:18:37. > :18:41.flowers to somebody. Let me ask you this question: Have you ever
:18:42. > :18:47.offended somebody and then sent them flowers? I've never sent flowers.
:18:48. > :18:55.I've sent letters. Hand written? Yeah. How was it taken? Never really
:18:56. > :19:01.heard again. I thought I'd done the right thing.
:19:02. > :19:06.Same question for you? I've done terrible, terrible things. Flowers
:19:07. > :19:11.is the way forward. Other-wise put dog sheet through the letter box.
:19:12. > :19:16.The other way is to burn the bridge entirely and go, there's no coming
:19:17. > :19:21.back from that. I offend entire cities and towns. I've offended the
:19:22. > :19:26.Isle of Man. Arnold Schwarzenegger a few minutes ago. Constantly writing
:19:27. > :19:31.letters. To the Isle of Man? Yes, I offended the Isle of Man. How?
:19:32. > :19:35.Something about inbreeding. It wasn't, actually. I think it was
:19:36. > :19:39.about whipping homosexuals on the beach or shooting Scotsmen or
:19:40. > :19:44.something. I had to write a letter of apology. I got a nice letter back
:19:45. > :19:52.from the council of the Isle of Man inviting me over. They might have
:19:53. > :19:57.had something in mind. I imagine a wicker man on the beach waiting for
:19:58. > :20:02.you. I was on stage, I can't remember where it was, Stuttgart, or
:20:03. > :20:09.somewhere that Hitler had done all his speeches from, 80,000 people in
:20:10. > :20:19.front of me and - yeah, right... Robbie, life in Nuremberg. It was
:20:20. > :20:23.Nuremberg! It was! Go on. Any way, when you're having, when you're
:20:24. > :20:26.singing, you can be singing, but also at the same time, having a bit
:20:27. > :20:29.of dialogue with yourself, words come out, performance happens.
:20:30. > :20:36.Sometimes when you're that comfortable you're going, check them
:20:37. > :20:41.out, she's fit. Look at her boobs. She's seen you looking at the boobs,
:20:42. > :20:45.it's OK, you're Robbie, she likes you. You're being baudy. This
:20:46. > :20:49.particular time, 80,000 people in front of me. I'm singing Angels or
:20:50. > :20:53.whatever it is, in the back of my mind I went, look at these lot, they
:20:54. > :20:57.really like me. I really like them too. It's amazing, you know, because
:20:58. > :21:01.we're brought up with the German thing and my grandma used to have a
:21:02. > :21:06.Gerry under the bed that she peed in. Now look at all of these lot
:21:07. > :21:10.loving me. I love them. It's fantastic here. I'll show them my
:21:11. > :21:15.appreciation after I finish seeing this song. This is while I'm
:21:16. > :21:32.singing. Angels finished and I go, # Goich utschland --
:21:33. > :21:38.# Deutschland, Deutschland... # 80,000 people booed me.
:21:39. > :21:48.It could have been worse if they'd gone, "Finally, a leader."
:21:49. > :21:51.APPLAUSE An international incident nearly
:21:52. > :22:00.occurred. Wow, wow, wow. Where would we be
:22:01. > :22:04.without a sense of humour? Germany. Hopefully that won't happen later.
:22:05. > :22:10.Even in the huge gigs you do, you do use the audience. In the Take the
:22:11. > :22:13.Crown tour, there was one bit that you got someone on stage. You know
:22:14. > :22:20.the bit I'm talking about? Yeah, yeah. This was in Sweden, you found
:22:21. > :22:30.a girl who had written a sign. You are so nice. You actually found her
:22:31. > :22:33.and as luck would have it, a very pert bottom. That didn't go
:22:34. > :22:39.unnoticed on the evening. Did she get the tattoo? I think she did. She
:22:40. > :22:46.looked a bit like Kate Moss. She was gorgeous. Name Lone Martinsen. The
:22:47. > :22:52.weird thing is that was in Sweden. But apparently she lives in Norway.
:22:53. > :23:01.She got the tattoo and the other thing she has got is Skype. Oh. Let
:23:02. > :23:10.me just call it up now. There she is! Hi!
:23:11. > :23:27.APPLAUSE Is it Lone? You got it right.
:23:28. > :23:32.There's Mr Williams, can you see him in the distance there? Hello,
:23:33. > :23:38.darling, nice to see you again. Did you do it? Yeah, I got it on the day
:23:39. > :23:43.after. Now, I feel a bit like Dr Christian in Embarrassing Bodies...
:23:44. > :23:50.LAUGHTER If you'd like to ease your pants
:23:51. > :23:53.down. This does not sound like the kind of
:23:54. > :24:00.thing a BBC presenter should be saying.
:24:01. > :24:17.APPLAUSE Do you mind showing us? No, OK. This
:24:18. > :24:19.is like every webcam experience I've ever had. It's the other side. There
:24:20. > :24:29.it is. ever had. It's the other side. There
:24:30. > :24:34.it Lovely. Thank you very much. Bye darling, take care.
:24:35. > :24:42.Bye. Well done.
:24:43. > :24:46.APPLAUSE That is another level of fame.
:24:47. > :24:51.That's a crazy level of fame. Is it true that you're very popular in
:24:52. > :24:55.Norway, Jimmy? I don't think... I thought they bought your DVDs or
:24:56. > :25:00.something? A lot of people that come to gigs here from all over Europe.
:25:01. > :25:03.But they learn English through comedy DVDs. Because it's like if
:25:04. > :25:07.you get the learn English books, they're dull. If you get the comedy
:25:08. > :25:10.DVDs, you know whether you've understood it or not. If you laugh
:25:11. > :25:14.at the end of the joke, you've got it. If you don't laugh, you go, I
:25:15. > :25:23.have to watch again and look it up. Much excitement because Mr Jimmy
:25:24. > :25:29.Carr has a new DVD out. It is called Laugh if -- Laughing and Joking.
:25:30. > :25:35.It's very, very funny, but it is quite rude. Yeah, it's unacceptable
:25:36. > :25:40.is what it is. I'd like to apologise to Robbie's wife. Here's my question
:25:41. > :25:45.then: Given that it is very rude, why the hell have they asked you to
:25:46. > :25:49.do the Royal Variety Show? The DVD is about two hours long and I have
:25:50. > :25:53.to do six minutes on the royal variety and there are six minutes of
:25:54. > :25:56.clean jokes for that show. It was a long phone conversation where they
:25:57. > :25:59.went, "You can't say that. You obviously can't say that. That's the
:26:00. > :26:03.worst thing in the world. I don't know why people would laugh at
:26:04. > :26:08.that." Then we found a few minutes of jokes. The royal variety is fun
:26:09. > :26:13.to do. Who is the royal this year? It's Charles. He can take a joke I
:26:14. > :26:18.think. You have experience of it... Stop it! It's not the worse thing. I
:26:19. > :26:22.got booked for the big Jubilee thing at the Palace. You did that. The big
:26:23. > :26:27.thing outside the front of the Palace. I got there like five hours
:26:28. > :26:30.early. They said security will be tough. It will be difficult to get
:26:31. > :26:35.in. There was an armed police officer on the gates of Buckingham
:26:36. > :26:41.Palace with a machine gun in case anyone tried to steal the Queen to
:26:42. > :26:45.photocopy her head and make money, they told me to bring three forms of
:26:46. > :26:52.ID, I walked up to the policeman armed with a gun and said, "I'm here
:26:53. > :26:59.for the concert." He went, "Are you Al-Qaeda? I said no. He went, "Go on
:27:00. > :27:08.then." That was it. He didn't even go, "Do you promise? Jimmy's DVD is
:27:09. > :27:14.out now. We haven't found a clip we can show have we? We have. This is
:27:15. > :27:18.dedicated to Ida. I don't understand the vajazzle. I
:27:19. > :27:26.know what it is. They whip away your hair from your foo-foo and they
:27:27. > :27:31.diamante it. I say get a pit stick and have a crack yourself. Have a
:27:32. > :27:36.sparkly crack yourself. I don't know who that's for. I never met a man
:27:37. > :27:45.who said, "I love vaginas, I wish they were a bit more zhooshy. A few
:27:46. > :27:54.sparkles wouldn't go a miss. I want a glamour pus, a showbiz entrance."
:27:55. > :27:59.APPLAUSE Let's get my final guests out here.
:28:00. > :28:04.There must be a tear in the fabric of time because we have not one, but
:28:05. > :28:07.two, doctors in the house. Please welcome Matt Smith and David
:28:08. > :28:26.Tennant! CHEERING AND APPLAUSE
:28:27. > :28:38.You guys shove down a little bit. They go there.
:28:39. > :28:43.Good doctors. Sit. Hello. Hi. Banana? A bit of protein. Oh,
:28:44. > :28:51.David... What? Your hair is so stupid. I like it.
:28:52. > :29:00.LAUGHTER Nothing wrong with a plait down a
:29:01. > :29:05.man's back. Are you playing Heidi at the moment? It's nice. Thank you. Is
:29:06. > :29:09.it always in a plait or do you let it loose? It's for a play. I didn't
:29:10. > :29:15.choose to do this for my private life. In the play, it is unleashed.
:29:16. > :29:22.I unleash the beast. But the rest of the time, it's kept neatly back
:29:23. > :29:26.there. All that bit is false as well? There's sticky bits up there.
:29:27. > :29:30.That's on the whole time? That's it. This is my life. I saw pictures of
:29:31. > :29:35.you, and you had less hair than that. This is on the way back. Yeah
:29:36. > :29:45.I'm growing it back. Why did you you your hair? I did a film and I had to
:29:46. > :29:49.shave it. Bald in a film. Oh! Is the thing about the musical of American
:29:50. > :29:57.psycho is that true? Yeah I'm rehearsing it now. It's that soon?
:29:58. > :30:00.Yeah, I go into tech next week. I have questions for you, Robbie,
:30:01. > :30:02.about singing. I'm not the best for that.
:30:03. > :30:08.We know why we're here, we're here to celebrate the 50th anniversary of
:30:09. > :30:15.Doctor Who. Is that why we're here? ! I thought we were here to talk
:30:16. > :30:20.about hair. Night BBC One, 7. 50pm. Maybe I'm naive, I knew Doctor Who
:30:21. > :30:26.was a big deal here. I didn't know, this is nuts, it is being beamed
:30:27. > :30:34.live in 3D to something like 80 countries. It's a global thing. I'm
:30:35. > :30:38.glad I learned my lines. You're both in it? Yeah. Didn't you take his
:30:39. > :30:44.job? I don't want to create an argument. I know you're the reason
:30:45. > :30:48.he's growing his hair and in a play. That's part of the joy of Doctor Who
:30:49. > :30:53.though. How could you both be in it? You have to tune in hand find out,
:30:54. > :30:58.Jimmy! You're here right now and you could just tell us. When I heard
:30:59. > :31:04.they were both in it. I thought Matt, I get it. You're contract
:31:05. > :31:08.wally obliged. You're still Doctor Who. You didn't have to. Did you
:31:09. > :31:13.jump at the chance? I'm an old whore, I'll turn up for anything.
:31:14. > :31:17.There is a bit of a precedent in Doctor Who, down the years, on the
:31:18. > :31:22.big anniversaries some of the old doctors have returned and shaken
:31:23. > :31:30.hands with the current version. Was there an etiquette, oh, no, please
:31:31. > :31:39.you. There was a bit of that on my TARDIS. "My TARDIS". David has his
:31:40. > :31:43.TARDIS. And I had to ask if you - it sounds stupid - but if you wanted to
:31:44. > :31:53.fly it. Do you want to do a bit of flying in this bit? You don't want
:31:54. > :31:59.to be proprietorial. Surely there should only be one TARDIS? Yes, but
:32:00. > :32:03.the TARDIS regenerates in the same way the doctor does. It's unique to
:32:04. > :32:06.each doctor. Oh, I thought they just redecorated it. Well, they do. But
:32:07. > :32:10.it's changed through time. When I was in the TARDIS, it looked
:32:11. > :32:15.different to the one that Matt's in now. Matt knocked through. It looks
:32:16. > :32:24.nice now. It's bigger. Things go round and yeah. I liked your TARDIS
:32:25. > :32:28.though. Thanks. It's cool. Retro. Yours is lovely as well. Do you have
:32:29. > :32:34.your own sonic screwdrivers. Yes. His is bigger than mine. Mine is
:32:35. > :32:38.bigger. His has a bit that comes up the end and lights up. Basically,
:32:39. > :32:43.you can't tell us anything about it, but we can watch a clip now. The
:32:44. > :32:47.people at Doctor Who, very excisingly, have given us an
:32:48. > :32:52.exclusive clip, which I imagine is going to be amazing and many plot
:32:53. > :32:57.spoilers in it. If you don't want to know what happens, do look away.
:32:58. > :33:02.This clip will probably reveal a vast amount.
:33:03. > :33:05.400 years is that all it takes? I moved on. Where? Where can you be
:33:06. > :33:11.now that you can forget something like that? Spoilers. No, no. For
:33:12. > :33:23.once, I would like to know where I'm going. No, you really wouldn't.
:33:24. > :33:30.APPLAUSE Well that explained everything! They
:33:31. > :33:36.gave you a cracker there. Here's the thing, Whovians have come to London
:33:37. > :33:40.to celebrate this amazing anniversary. I sound like I'm making
:33:41. > :33:43.this up, but it's true. They really have. You're looking at me like
:33:44. > :33:48."really? Y?" . What we're doing is we are going to let some of those
:33:49. > :33:52.people ask the two doctors questions, see if you can answer
:33:53. > :33:56.them. They will need somewhere comfortable to sit to ask the
:33:57. > :34:02.questions. So behold the red chair, ladies and gentleman.
:34:03. > :34:07.Someone's travelled across Europe to sit in the red chair. Even Europe,
:34:08. > :34:17.global. They have followed the TARDIS across the skies. Who's up
:34:18. > :34:22.first? Hi. Hi. Was your name? David. Very good. Now I believe you are a
:34:23. > :34:24.Doctor Who fan. I am. No, I really do believe it.
:34:25. > :34:36.LAUGHTER They're not laughing at you, David.
:34:37. > :34:41.David, is it a question to the doctors? Yeah, it's about the
:34:42. > :34:47.episode. Please. Basically, during the filming and what was released,
:34:48. > :34:51.there wasn't much seen of Billy Piper as Rose Tyler putting into
:34:52. > :34:56.doubt how much involvement she had. During the trailer and the poster,
:34:57. > :34:59.there are mentions of bad wolf and the moment. Of course. Can you tell
:35:00. > :35:07.us about her involvement and how it weaves into the plot of the episode?
:35:08. > :35:19.Nothing. LAUGHTER
:35:20. > :35:25.If he wants to see more of Billy piper, Secret Diary Of A Call Girl
:35:26. > :35:33.is what he wants. Hello. Hello. Oh, my God! He looks more like you than
:35:34. > :35:40.you do. That's where your hair went. What's
:35:41. > :35:45.your name? Matt. No!No! ! Made yourself look like
:35:46. > :35:54.Matt Smith? No, I think I was born this way.
:35:55. > :36:00.Where do you live? Bristol. So close to car differ. Yes. -- Cardiff. Yes.
:36:01. > :36:05.Do you have a question? In the clip that was shown David Tennant wears
:36:06. > :36:15.the Fez, I was wondering any more hats were involved and did you get
:36:16. > :36:24.the Fez on John Hurt? Sorry, Matt. Sorry buddy.
:36:25. > :36:35.If you stood face to face, you would look like a vase. Have you seen him
:36:36. > :36:43.before? No. Who's next? Oh, there's one.
:36:44. > :36:56.LAUGHTER One more. Hi. Hole re. What's your
:36:57. > :37:01.name? Stefan. Where are you from? Los Angeles. Have you known in for
:37:02. > :37:05.this? Yeah, I did. I've been flying around the world, not to outdo the
:37:06. > :37:09.girl earlier, I've been working on a Doctor Who tattoo and I've been
:37:10. > :37:15.having all the doctors sign my arm and have it tattooed over the idea
:37:16. > :37:24.to get them all. Oh, Christ. Since we're talking about it. Hold on. Did
:37:25. > :37:30.I sign your arm at come con. I ambushed you in a hotel lobby. I
:37:31. > :37:37.said be careful because I was drunk. You did it? Matt is here and then
:37:38. > :37:42.sill vester McCoy is here and Peter Davidson. I'm missing David. We have
:37:43. > :37:47.a spot specifically for you to sign. OK. What's your name again? Stefan.
:37:48. > :37:54.Someone will show you how to get into the studio. Run in quick,
:37:55. > :38:01.quick, quick. Leave your jacket. Tell him about Lone, maybe he could
:38:02. > :38:08.sign it somewhere else. Oh, yes! We've had a lady, why not a man.
:38:09. > :38:15.I'm just saying. . Come on in. Now this is David Tennant. Nice to meet
:38:16. > :38:26.you. You too. Nice to see you again. Where did you get all this stuff? I
:38:27. > :38:31.was in Debenhams. I have to go in here? That was made for you. Mr
:38:32. > :38:37.Jimmy Carr wants to ask you a question. What do you think it's
:38:38. > :38:39.going to be nice to touch a girl? I'm married to the Dalek.
:38:40. > :38:53.Of course you are! Good answer.
:38:54. > :38:59.I don't want to go over the lines. That's OK. I'm kind of nervous.
:39:00. > :39:09.Beautifully done. Thank you David. Well done, Sir.
:39:10. > :39:14.APPLAUSE Now, Robbie, do you want to go and
:39:15. > :39:21.get ready with the band. Yes, please. There he goes.
:39:22. > :39:26.The day of the doctor is tomorrow night at 7. 50pm and around the
:39:27. > :39:31.world in 3D. Do not miss it. Now time for music, Robbie, are you
:39:32. > :39:36.ready? I'm ready, mate. OK and it is a duet. I believe you
:39:37. > :39:40.have a singing partner. He's my showbiz brother, please go wild for
:39:41. > :39:57.Mr Olly Murs! APPLAUSE
:39:58. > :40:04.# I'm the King of the swingers. # Oh, the jungle VIP.
:40:05. > :40:07.# I've reached the top and I had to stop.
:40:08. > :40:12.# And that's what botherin' me. # I wanna be a man, mancub.
:40:13. > :40:16.# And stroll right into town. # And be just like them other men
:40:17. > :40:21.I'm tired of monkeyin' around. # Oh, oobee doo.
:40:22. > :40:26.# I wanna be like you. # I wanna walk like you.
:40:27. > :40:32.# Talk like you, too. # You'll see it's true.
:40:33. > :40:52.# An ape like me. # Can learn to be human too.
:40:53. > :40:58.# Now don't try to kid me, mancub. # I made a deal with you.
:40:59. > :41:02.# What I desire is man's red fire. # To make my dream come true.
:41:03. > :41:06.# Now, give me the secret, mancub. # C'mon, clue me what to do.
:41:07. > :41:08.# Give me the power of man's red flower.
:41:09. > :41:11.# So I can be like you. # Oh, oubee doo.
:41:12. > :41:15.# I wanna be like you. # I wanna walk like you.
:41:16. > :41:22.# Talk like you, too. # You'll see it's true.
:41:23. > :41:27.# An ape like me. # Can learn to be human too.
:41:28. > :41:35.# Come on. # Skippedooooo.
:41:36. > :41:49.# Skippedoooay. # Oh.
:41:50. > :41:51.# Now I'm the King of the swingers oh.
:41:52. > :41:54.# The jungle VIP. # I've reached the top and had to
:41:55. > :41:59.stop. # Coz that's what botherin' me.
:42:00. > :42:03.# I wanna be a man, mancub. # And stroll right into town.
:42:04. > :42:22.# Be just like the other men. # We're tired of monkeyin' around!
:42:23. > :42:27.# Swing to the left, # swing to the right.
:42:28. > :42:29.# Put your hands up if you're lovin' life.
:42:30. > :42:32.# Rob I'm lovin' life. # I'm lovin' life Olly.
:42:33. > :42:34.# Oh? I'm lovin' life yeah. # Swing to the left,
:42:35. > :42:37.# swing to the right. # Put your hands up if you're
:42:38. > :42:40.feelin' nice. # Feelin' nice.
:42:41. > :42:45.# Feelin' nice, yeah. # Oh, oobee doo.
:42:46. > :42:50.# I wanna be like you. # I wanna walk like you.
:42:51. > :42:55.# Talk like you, too-oo-oo. # You'll see it's true.
:42:56. > :43:00.# An ape like me. # Can learn to be like someone like
:43:01. > :43:05.you, yeah. # Can learn to be like someone like
:43:06. > :43:09.you. # Oh can learn to be like someone
:43:10. > :43:13.like? you! # Yeah.
:43:14. > :43:16.# I want to be like you, you know # # Of course you do, Ollie!
:43:17. > :43:31.CHEERING AND APPLAUSE Mr Robbie Williams and Olly Murs!
:43:32. > :43:42.Fantastic. That's it for this week. Thank you to my guests, Olly Murs
:43:43. > :43:50.and Robbie Williams! Mr Jimmy Carr, Emma Thompson, Matt Smith, and David
:43:51. > :43:55.Tennant. Join me next week with music from Arcade Fire, Jeremy
:43:56. > :43:59.Clarkson, Jo Brand, Sharon Osbourne and Hollywood heartthrob, Colin
:44:00. > :44:05.Farrell. See you then, good night everybody, bye-bye.