0:00:02 > 0:00:03Tonight, we've got the new Doctor Who.
0:00:03 > 0:00:05I wonder if his TARDIS is really bigger on the inside?
0:00:05 > 0:00:07Let's have a look.
0:00:07 > 0:00:09- HE GASPS - Yes, it is!
0:00:09 > 0:00:10CHEERING
0:00:10 > 0:00:12Let's start the show!
0:00:26 > 0:00:29- CHEERING AND APPLAUSE - Oh! Oh! Oh!
0:00:29 > 0:00:32Hello-ho-ho!
0:00:32 > 0:00:34Hello!
0:00:34 > 0:00:37Hello, everybody.
0:00:37 > 0:00:38Thank you very much.
0:00:38 > 0:00:42We are back and how I've missed you, ladies and gentlemen.
0:00:42 > 0:00:44And I tell you, we're back with a big bang -
0:00:44 > 0:00:48from across time and space, the new Doctor Who, Peter Capaldi, is here.
0:00:48 > 0:00:49CHEERING AND APPLAUSE
0:00:49 > 0:00:52He's good, isn't he? He's good.
0:00:52 > 0:00:54Bond girl and graduate of St Trinian's,
0:00:54 > 0:00:56Gemma Arterton, is on the show.
0:00:56 > 0:00:58CHEERING AND APPLAUSE
0:00:58 > 0:00:59We love Gemma.
0:00:59 > 0:01:01And Hollywood's come a-calling -
0:01:01 > 0:01:03Oscar-winning star of Training Day and Philadelphia,
0:01:03 > 0:01:05Denzel Washington is here!
0:01:05 > 0:01:07CHEERING AND APPLAUSE
0:01:07 > 0:01:08Yeah!
0:01:09 > 0:01:12Plus, we've got music from hot new singer-songwriter
0:01:12 > 0:01:14George Ezra, ladies and gentlemen.
0:01:14 > 0:01:15CHEERING AND APPLAUSE
0:01:15 > 0:01:17Oh-ho-ho! He a baby!
0:01:17 > 0:01:19He a little baby!
0:01:19 > 0:01:21He's just like a child.
0:01:23 > 0:01:27Now Denzel Washington, of course, famous for his action films -
0:01:27 > 0:01:29Unstoppable with that runaway train,
0:01:29 > 0:01:32Flight with a crashing plane in it.
0:01:32 > 0:01:34Deja Vu, with the exploding ferry.
0:01:34 > 0:01:35Basically what I'm saying is,
0:01:35 > 0:01:38if he sits next to you on the bus, get off it!
0:01:38 > 0:01:39Just get off!
0:01:39 > 0:01:43I will be talking to Denzel about his new film, The Equalizer.
0:01:43 > 0:01:47Mm. Now, he plays a retired soldier who's now working in a DIY store.
0:01:47 > 0:01:50Now, it's more exciting than that makes it sound, I'll tell you.
0:01:50 > 0:01:52More happens, the story unfolds.
0:01:52 > 0:01:53Now, there he is, there he is.
0:01:53 > 0:01:55He's just attacked someone with a hammer.
0:01:55 > 0:02:00Why would you attack somebody you've just seen in a DIY store, hm?
0:02:03 > 0:02:05APPLAUSE
0:02:05 > 0:02:07"Keep moving! Keep moving! Keep moving!"
0:02:09 > 0:02:12Gemma Arterton. Gemma Arterton - she'll be telling us
0:02:12 > 0:02:16all about her new role in the West End musical, Made In Dagenham.
0:02:16 > 0:02:21Now, it's set in the '60s, at the Ford factory in Dagenham, Essex.
0:02:21 > 0:02:23And, of course, back then, Essex was famous
0:02:23 > 0:02:26for churning out Escorts in a production line.
0:02:26 > 0:02:27Well...
0:02:29 > 0:02:32- APPLAUSE - ..it sort of still is!
0:02:32 > 0:02:34You can get any colour you want.
0:02:34 > 0:02:35As long as it's orange!
0:02:37 > 0:02:39Made In Dagenham is a lively musical romp,
0:02:39 > 0:02:41set in the Swinging Sixties.
0:02:41 > 0:02:43Here's Dagenham in the '60s.
0:02:45 > 0:02:47Yeah, the only thing swinging there was this...
0:02:49 > 0:02:53Can I say - kudos to the team for finding a picture of a wrecking ball
0:02:53 > 0:02:55that didn't have Miley Cyrus glued to it!
0:02:57 > 0:03:00Gemma - Gemma always looks so glamorous on the red carpet.
0:03:00 > 0:03:03The thing is, not everyone can pull off an outfit
0:03:03 > 0:03:06that has a nude-coloured stripe through the middle.
0:03:06 > 0:03:09Did you see the ladies' Colombian cycling team?
0:03:11 > 0:03:13APPLAUSE
0:03:13 > 0:03:15HE LAUGHS
0:03:15 > 0:03:19Just standing there - "Our humiliation is complete."
0:03:21 > 0:03:22Yeah, Colombian...
0:03:22 > 0:03:23with a hint of Brazilian!
0:03:26 > 0:03:29Hey, and a big first-time welcome to Peter Capaldi. Yeah!
0:03:29 > 0:03:31CHEERING
0:03:31 > 0:03:34I tell you... There he is - the new Doctor!
0:03:34 > 0:03:38Looking so cool there, isn't he? Very cool.
0:03:38 > 0:03:41But I will be posing the question, "What were you thinking?"
0:03:41 > 0:03:45when we look at some of his early modelling pictures.
0:03:46 > 0:03:47WHOOPING
0:03:47 > 0:03:51That is a genuine picture from his portfolio - that's casual wear.
0:03:51 > 0:03:54There's also formal wear, ladies and gentlemen.
0:03:56 > 0:03:59Well, that isn't awkward at all, is it(?)
0:03:59 > 0:04:01HE LAUGHS
0:04:01 > 0:04:03Have you all been watching the new Doctor Who series?
0:04:03 > 0:04:05- You watching it, yeah? - AUDIENCE: Yes!
0:04:05 > 0:04:06It's good, isn't it?
0:04:06 > 0:04:09I tell you, the first episode - oh! So much action!
0:04:09 > 0:04:11Ah! Look at that!
0:04:11 > 0:04:13A dinosaur, loose in Victorian London.
0:04:13 > 0:04:16Mind you, it does look ridiculously out of place.
0:04:16 > 0:04:18- PING! - Oh, that's better.
0:04:18 > 0:04:21That's all to come, plus more of your stories in the big red chair.
0:04:21 > 0:04:23Let's get some guests on!
0:04:23 > 0:04:24CHEERING AND APPLAUSE
0:04:24 > 0:04:27Later, we'll have music from the brilliant George Ezra.
0:04:27 > 0:04:28CHEERING AND APPLAUSE
0:04:28 > 0:04:32But, first, Norton hears a Who - it's Peter Capaldi!
0:04:32 > 0:04:35- CHEERING AND APPLAUSE - Oh!
0:04:35 > 0:04:37Hello, sir. So dapper!
0:04:37 > 0:04:39Hello. Hi.
0:04:39 > 0:04:41Peter Capaldi, everybody!
0:04:41 > 0:04:43CHEERING AND APPLAUSE
0:04:43 > 0:04:45She'll be Strawberry Fields for ever -
0:04:45 > 0:04:47it's Gemma Arterton!
0:04:47 > 0:04:48CHEERING AND APPLAUSE
0:04:48 > 0:04:50Wowser! Whoo!
0:04:50 > 0:04:53You look so beautiful. Hello, darling. Mwah! Mwah!
0:04:53 > 0:04:55- Welcome back.- Thanks, Graham.
0:04:55 > 0:04:57Peter, Gemma.
0:04:57 > 0:05:01And I'm in a state of excitement - it's Denzel Washington!
0:05:01 > 0:05:03CHEERING AND APPLAUSE
0:05:03 > 0:05:07Hello. Come in, sit down, sit down.
0:05:08 > 0:05:10It's Denzel.
0:05:10 > 0:05:11Whoo!
0:05:11 > 0:05:13- Oh!- To business.
0:05:13 > 0:05:15They are loving that couch.
0:05:15 > 0:05:17- Er, welcome back, sir.- Thank you.
0:05:17 > 0:05:18Welcome back, Gemma.
0:05:18 > 0:05:19And, of course, it's a tradition -
0:05:19 > 0:05:22a first-time welcome to the new Doctor Who, Peter Capaldi. Yay!
0:05:22 > 0:05:24Thank you very much.
0:05:24 > 0:05:26CHEERING AND APPLAUSE Thank you.
0:05:27 > 0:05:30- Are you familiar with the whole Doctor Who fuss?- No.
0:05:30 > 0:05:33- The fuss about Doctor Who?- No. - Well, let me explain. Er...
0:05:33 > 0:05:36So Peter wasn't Doctor Who, now he is Doctor Who.
0:05:36 > 0:05:39- And obviously you talked to previous Doctor Whos...- Uh-huh.
0:05:39 > 0:05:44..but nothing can prepare you, so are you enjoying being Doctor Who?
0:05:44 > 0:05:46I love being Doctor Who. It's absolutely amazing.
0:05:46 > 0:05:48I wake up in the morning and I'm Doctor Who.
0:05:48 > 0:05:52I go out to the shops and buy a pint of milk, I'm Doctor Who.
0:05:52 > 0:05:54I go and get the papers, I'm Doctor Who.
0:05:54 > 0:05:55Everywhere I go, I'm Doctor Who.
0:05:55 > 0:05:57People smile at me and are pleased to see Doctor Who,
0:05:57 > 0:06:00who's far more interesting and exciting than I am.
0:06:00 > 0:06:05- But, actually, Denzel's new movie is set in a big DIY superstore.- Yes.
0:06:05 > 0:06:06Didn't you go...?
0:06:06 > 0:06:08Was it one of those shops you went to the next day?
0:06:08 > 0:06:09Um, I was...
0:06:09 > 0:06:13Denzel, charmingly, doesn't know anything at all about Doctor Who
0:06:13 > 0:06:15and was asking me what the TARDIS was.
0:06:15 > 0:06:18- Or-or-or... What is it? TARDIS? - TARDIS, yes.
0:06:18 > 0:06:19It sounds wrong when you say it.
0:06:19 > 0:06:21- ENGLISH ACCENT:- TARDIS.
0:06:21 > 0:06:23But, the day after I was announced as Doctor Who,
0:06:23 > 0:06:27which is a big deal in this country, I went to buy a light bulb.
0:06:27 > 0:06:31Because a light bulb had obviously, er, gone wrong in my house.
0:06:31 > 0:06:34It was an old hardware store, like the old....
0:06:34 > 0:06:36- Do you know the four candles kind of sketch?- Oh, yes.
0:06:36 > 0:06:39One of those ones. I went in there to buy this light bulb.
0:06:39 > 0:06:42And a bloke came out from behind the counter,
0:06:42 > 0:06:45with a sink plunger stuck to his head like that!
0:06:46 > 0:06:49LAUGHTER AND APPLAUSE
0:06:49 > 0:06:51APPLAUSE DROWNS SPEECH
0:06:51 > 0:06:55Can I say just, though, because you were in The Thick Of It...
0:06:55 > 0:06:56Yeah, yeah.
0:06:56 > 0:06:59..as Malcolm Tucker, you were quite sweary and out there,
0:06:59 > 0:07:03so do you have to be careful meeting people in the street now?
0:07:03 > 0:07:05Yes, of course. Yes, because Doctor Who doesn't...
0:07:05 > 0:07:10I played a character who was a spin doctor for the Prime Minister.
0:07:10 > 0:07:12Who swore all the time.
0:07:12 > 0:07:16- And really used very, very, very rich language.- The worst.
0:07:16 > 0:07:18- Yeah, the worst sort of language. - Mm.
0:07:18 > 0:07:21But fans of the show would come up to me in the street and say,
0:07:21 > 0:07:24"Swear at me. Please, please, swear at me."
0:07:24 > 0:07:25So I'd have to stand in the street
0:07:25 > 0:07:27and abuse them in the worst possible language,
0:07:27 > 0:07:30and sign their autographs and say, "Get lost! Go and get a life!"
0:07:30 > 0:07:33I'd love to do that with people in the street.
0:07:33 > 0:07:35It's quite fun.
0:07:35 > 0:07:38- You could!- I could, but I'd get in trouble.
0:07:38 > 0:07:40- But now you have to be squeaky-clean.- Yes.
0:07:40 > 0:07:41Well, I AM squeaky-clean.
0:07:41 > 0:07:44Are you contractually obliged not to swear at people in the street?
0:07:44 > 0:07:46No, I can swear in my own time, obviously -
0:07:46 > 0:07:48you know, for my own entertainment.
0:07:48 > 0:07:50But, er, I haven't sworn for about two years now.
0:07:52 > 0:07:53I so don't believe you!
0:07:53 > 0:07:55Listen, we'll talk more about Doctor Who later,
0:07:55 > 0:07:57plus about Gemma's new musical.
0:07:57 > 0:07:59But let's start tonight with Denzel's new movie,
0:07:59 > 0:08:00- The Equalizer.- Yes.
0:08:00 > 0:08:02- I've seen it - it's fantastic. - Thank you.
0:08:02 > 0:08:04It's one of those movies - it must be a pleasure to talk about,
0:08:04 > 0:08:07- cos it is such a crowd-pleaser. - Yeah.
0:08:07 > 0:08:10It's a proper, big, people punching the air and cheering at the end...
0:08:10 > 0:08:12- Yeah.- It's fantastic.
0:08:12 > 0:08:14And now, it borrows the name, really, from the...
0:08:14 > 0:08:16- Basically, yeah. - ..from the TV series.
0:08:16 > 0:08:20And the basic idea that he... helps people who need help.
0:08:20 > 0:08:23And I'm guessing that there's more planned.
0:08:23 > 0:08:25We've got to get this one out first.
0:08:25 > 0:08:28You know, they talked about that, but that is up to the people.
0:08:28 > 0:08:31- The people decide. - "The people"!- Well, it is.
0:08:31 > 0:08:33That's the last part of a movie or a play,
0:08:33 > 0:08:36is the audience, or like your show -
0:08:36 > 0:08:39I mean, you couldn't just do it, you know, by yourself.
0:08:39 > 0:08:41LAUGHTER
0:08:43 > 0:08:45APPLAUSE
0:08:47 > 0:08:48I think it might be easier!
0:08:48 > 0:08:50Yeah, it might be easier!
0:08:51 > 0:08:54But, listen, if people aren't aware of what the premise
0:08:54 > 0:08:57of The Equalizer is, tell the people.
0:08:57 > 0:08:59He helps people who need his help.
0:08:59 > 0:09:02And he does what he needs to do
0:09:02 > 0:09:05to get them out of whatever trouble they're in.
0:09:05 > 0:09:08And, when he says that, it's not helping old ladies cross the road.
0:09:08 > 0:09:10No. If they need it - I'm not above that.
0:09:10 > 0:09:13Yeah, but you would KILL the guy in the car.
0:09:15 > 0:09:17No, cos it's pretty full-on violence.
0:09:17 > 0:09:19It's-it's... Well... He... They...
0:09:19 > 0:09:21Yes.
0:09:22 > 0:09:28But he's a quiet man with OCD, who lives alone,
0:09:28 > 0:09:31lives a quiet life and this girl needs his help
0:09:31 > 0:09:34and he helps her and people get in his way
0:09:34 > 0:09:37and he uses various...instruments from the...
0:09:37 > 0:09:39What do you call it? "The D-I...?"
0:09:39 > 0:09:41- DIY.- The DI...?
0:09:41 > 0:09:43- BOTH: Do-it-yourself... - ..store.
0:09:43 > 0:09:46- You know, power tools and... - LAUGHTER
0:09:46 > 0:09:47You've learnt so much today - Doctor Who...
0:09:47 > 0:09:49- I know - TARDIS?- TARDIS.
0:09:49 > 0:09:52- TARDIS, Doctor Who...- DIY.- DIY.
0:09:52 > 0:09:53- DIY.- Wow.- Four candles.
0:09:53 > 0:09:55BOTH: Four candles.
0:09:55 > 0:09:58- You didn't tell him that backstage! - No, no. I don't know what that is.
0:09:58 > 0:10:02Actually, talking of jokes, this has been annoying us all day,
0:10:02 > 0:10:04and I think Peter Capaldi might know. Maybe you know.
0:10:04 > 0:10:06In the office... We can't remember what it is...
0:10:06 > 0:10:08- Edward Woodward...- The original...? - Yeah.- Yes?
0:10:08 > 0:10:11So it's a joke. And the punch line is...
0:10:11 > 0:10:13- Is Edward Woodward?- Would.
0:10:13 > 0:10:14- Oh, without the letters?- Yes!
0:10:14 > 0:10:16What is Edward...? How do you...? What is it?
0:10:16 > 0:10:20How do you say Edward Woodward without the D?
0:10:20 > 0:10:22No, that's not a joke, though.
0:10:22 > 0:10:23"Ewar Woowar" is the answer.
0:10:23 > 0:10:25- How do you...? - Say it without the Ds, right?
0:10:25 > 0:10:28Is it, "Why does he need so many Ds in his name?"
0:10:28 > 0:10:29- Is that the joke? - Something like that.
0:10:29 > 0:10:31There's also something about farting in a bath...
0:10:31 > 0:10:33Someone must know in the audience.
0:10:33 > 0:10:35- SILENCE - Oh, there you have it.
0:10:35 > 0:10:37Useless!
0:10:37 > 0:10:39I told you! I told you!
0:10:39 > 0:10:40Useless!
0:10:40 > 0:10:44Is there not a "Who would Edward Woodward wood?"
0:10:44 > 0:10:47Oh, there is another! Yes! That's another joke.
0:10:47 > 0:10:49It's a kind of rather racy situation that is posited.
0:10:49 > 0:10:52Do you have this in England - "How much wood would a woodchuck chuck
0:10:52 > 0:10:54- "if a woodchuck could chuck wood?" - Yeah.
0:10:54 > 0:10:56"He'd chuck as much wood as a woodchuck could
0:10:56 > 0:10:59if a woodchuck could chuck wood, but he can't."
0:10:59 > 0:11:00APPLAUSE
0:11:00 > 0:11:01I'm just asking.
0:11:01 > 0:11:04You know, we got a couple of things in America.
0:11:04 > 0:11:05I'm so impressed.
0:11:05 > 0:11:07Do you say that here?
0:11:07 > 0:11:10- You've had a long day of press. - That's all I've got!
0:11:10 > 0:11:13I'm amazed that you can string any words together at all.
0:11:13 > 0:11:16We've got a clip from The Equalizer.
0:11:16 > 0:11:19By the way, The Equalizer is open tonight.
0:11:19 > 0:11:20It's open nationwide tonight.
0:11:20 > 0:11:24This is basically you showing off some of your special skills.
0:11:24 > 0:11:28- This is a... You know, a "Don't mess with Denzel."- Uh-oh.
0:11:28 > 0:11:31Is it just you, or are we waiting for someone else?
0:11:32 > 0:11:34What's that? What?
0:11:34 > 0:11:35Your hands.
0:11:35 > 0:11:38If you really work the power lines, your hands wouldn't look like that.
0:11:38 > 0:11:41I know we gotta be waiting for somebody else.
0:11:41 > 0:11:43HE CHUCKLES
0:11:45 > 0:11:46Hands where I can see 'em.
0:11:48 > 0:11:51We'll take a little walk across the street, me and you. Like Denali.
0:11:51 > 0:11:53Here we go.
0:11:53 > 0:11:57You vary from these instructions, I'm going to kill you. Understand?
0:11:57 > 0:11:58SLOW MOTION: Stand up.
0:12:05 > 0:12:07Let's go!
0:12:07 > 0:12:09No witnesses.
0:12:09 > 0:12:11What the hell is this guy doing?
0:12:13 > 0:12:18CHEERING AND APPLAUSE
0:12:22 > 0:12:24And I actually read the book!
0:12:25 > 0:12:30You know, we had Navy SEAL guys, expert...killers
0:12:30 > 0:12:33and we were using everything - books and, you know, like...
0:12:33 > 0:12:34power tools.
0:12:34 > 0:12:36So it was all real, the Navy SEALS trained...?
0:12:36 > 0:12:40Yeah, they showed me what to do with the book, and how to...
0:12:40 > 0:12:41That was impressive.
0:12:44 > 0:12:46You flapped me to death!
0:12:50 > 0:12:52Listen. Gemma Arterton, beside you,
0:12:52 > 0:12:56we've seen you, you know, in films, being kick-ass and doing stuff.
0:12:56 > 0:12:59But, in life, you're quite... you're quite...
0:12:59 > 0:13:01Well, I was going to say "rough" but not in THAT way...
0:13:01 > 0:13:03Thanks(!)
0:13:03 > 0:13:06- Like, the horse riding thing sounds amazing.- Yeah.
0:13:06 > 0:13:08So tell us what you can do on the horse.
0:13:08 > 0:13:11I can do trick riding and stunt riding.
0:13:11 > 0:13:12How long did this take, by the way?
0:13:12 > 0:13:16Um, so I learned to ride in... I did sort of like a month's training.
0:13:16 > 0:13:18And then I got a bit obsessed with it
0:13:18 > 0:13:21and started, you know, doing trick riding.
0:13:21 > 0:13:24So, I guess, within a couple of months.
0:13:24 > 0:13:27So, Prince Of Persia, you do all that horse riding yourself?
0:13:27 > 0:13:30Yeah. There was a riding double for REALLY dangerous stuff,
0:13:30 > 0:13:33but I did do a big stunt, which I'm really proud of.
0:13:33 > 0:13:34Tell us about it.
0:13:34 > 0:13:36- SHE SIGHS - So...
0:13:36 > 0:13:41there's a bit where a horse - a massive big old black horse -
0:13:41 > 0:13:42is galloping towards me,
0:13:42 > 0:13:46and I pull myself on to the horse whilst it's in gallop from standing.
0:13:46 > 0:13:50Um, so basically, you hold on to the horse's reins,
0:13:50 > 0:13:54and you, while it's galloping, jump up onto it and gallop off.
0:13:54 > 0:13:56And, um, I trained for it for a long time -
0:13:56 > 0:13:59you know, for days and days and days and weeks.
0:13:59 > 0:14:02And then, when it came down to it, it was this big Disney movie,
0:14:02 > 0:14:03so it's very expensive.
0:14:03 > 0:14:05I said, "You know, I can do that stunt. I've practised it,"
0:14:05 > 0:14:07- to the producers.- Uh-oh.
0:14:07 > 0:14:10And they went, "No way. You're not doing it - it's too dangerous."
0:14:10 > 0:14:11I was like...
0:14:11 > 0:14:13- BRATTY VOICE: - "I've been practising for WEEKS!"
0:14:13 > 0:14:14I had a BIG hissy fit.
0:14:16 > 0:14:18And they were like, "For God's sake! All right, she can do it",
0:14:18 > 0:14:21and I did and it's in the movie.
0:14:21 > 0:14:24Obviously, everyone thinks it's the stunt double, usually,
0:14:24 > 0:14:27unless you do something like this. Gallop, gallop...
0:14:27 > 0:14:29LAUGHTER
0:14:29 > 0:14:30APPLAUSE
0:14:30 > 0:14:33So, you know... There you go.
0:14:33 > 0:14:36- Because you are now going to be doing this?- A Western? Yeah.
0:14:36 > 0:14:38Are you learning to ride now?
0:14:38 > 0:14:41October 1st, I start, five or six months of riding.
0:14:41 > 0:14:42Wow! You're going to be great!
0:14:42 > 0:14:46- It's such a great opportunity. - I got a...- I'll come and help.
0:14:46 > 0:14:47That's the one!
0:14:47 > 0:14:48LAUGHTER
0:14:48 > 0:14:50The Magnificent Seven!
0:14:50 > 0:14:51LAUGHTER
0:14:51 > 0:14:53You know what to do, Denzel!
0:14:53 > 0:14:55- We're going to look for that move. - I'm going to do it!
0:14:55 > 0:14:59It may not make the film! You get the credit, absolutely.
0:14:59 > 0:15:00LAUGHTER
0:15:01 > 0:15:04And you know, someone told me, too, in the old days,
0:15:04 > 0:15:08they would put little trampolines for guys in the Westerns,
0:15:08 > 0:15:11and they'd bounce off it and jump up on the horse to make it look like...
0:15:11 > 0:15:14- Oh!- So, that's why they just match it.- Yeah, yeah.
0:15:14 > 0:15:16- Hm!- So, you'll see that as well!
0:15:16 > 0:15:17LAUGHTER
0:15:20 > 0:15:22APPLAUSE
0:15:23 > 0:15:25We look forward to that!
0:15:27 > 0:15:28Peter Capaldi,
0:15:28 > 0:15:32you've done some very dangerous things over the years.
0:15:32 > 0:15:34Wasn't it quite recently you had an injury?
0:15:34 > 0:15:36Oh, yes. I was in the Three Musketeers,
0:15:36 > 0:15:38which has lots of sword fighting,
0:15:38 > 0:15:41and, you know, guys are jumping off horses,
0:15:41 > 0:15:44and hitting each other, and everyone had broken shoulder blades
0:15:44 > 0:15:47and stuff like that. I played Cardinal Richelieu,
0:15:47 > 0:15:49who was a more waspish character,
0:15:49 > 0:15:52and I had to grab a lady and get her into trouble
0:15:52 > 0:15:54and throw her against a wall, and as I was doing it,
0:15:54 > 0:15:57I suddenly internally screamed with agony,
0:15:57 > 0:15:59and looked down and my thumb was caught in her frock.
0:15:59 > 0:16:00LAUGHTER
0:16:00 > 0:16:03It was Maimie McCoy. My thumb was on back to front.
0:16:03 > 0:16:05AUDIENCE GROANS
0:16:05 > 0:16:08That's what you get if you put your thumb in ladies' frocks.
0:16:08 > 0:16:09LAUGHTER
0:16:10 > 0:16:12You were lucky that's all that happened!
0:16:12 > 0:16:14If you'd done that to Gemma, boof!
0:16:14 > 0:16:15LAUGHTER
0:16:15 > 0:16:17Just snapped it back into place.
0:16:17 > 0:16:19- Ooh!- It was really some...
0:16:19 > 0:16:21And to this day, I can't open a packet of crisps.
0:16:21 > 0:16:23- No!- It's awful for me.
0:16:23 > 0:16:25Oh, gosh.
0:16:25 > 0:16:27- Cheese and onion! - You're looking great.
0:16:27 > 0:16:28LAUGHTER
0:16:28 > 0:16:30He used to be much heavier.
0:16:30 > 0:16:32LAUGHTER
0:16:32 > 0:16:34But talking of finger injuries,
0:16:34 > 0:16:37we were going through pictures before the show.
0:16:37 > 0:16:40- We found this picture... - Oh, you found my pinkie?!
0:16:40 > 0:16:43- Oh, don't show it.- No, this is... - It's not nice.
0:16:43 > 0:16:44- This is amazing.- It's not nice.
0:16:44 > 0:16:46AUDIENCE GROANS
0:16:46 > 0:16:49It look likes Meryl Streep has just gone,
0:16:49 > 0:16:51"Tell me I did that by accident."
0:16:51 > 0:16:54She's just like.. Look at that. She's like... What did you do?
0:16:54 > 0:16:55I had it rebuilt.
0:16:57 > 0:16:59I'd injured it so many times playing American football.
0:16:59 > 0:17:01- It's that one?- Yeah. But it's fine now.
0:17:01 > 0:17:03But it's like a gummy bear in there.
0:17:03 > 0:17:06Like a little piece of rubber candy something.
0:17:06 > 0:17:07So, what was that thing?
0:17:07 > 0:17:09I went up for a pass, playing American football,
0:17:09 > 0:17:13and dislocated it, and it's happened so many times over the years,
0:17:13 > 0:17:16that if I just open my hand like that, it would pop that far.
0:17:16 > 0:17:17AUDIENCE GROANS
0:17:17 > 0:17:19Aw...
0:17:19 > 0:17:20Do people...
0:17:20 > 0:17:21LAUGHTER
0:17:21 > 0:17:23Do people in films have to shoot around it?
0:17:23 > 0:17:24No. I'm constantly...
0:17:24 > 0:17:26You can probably see me in other films just going,
0:17:26 > 0:17:28"Yeah. Mm..."
0:17:28 > 0:17:30LAUGHTER
0:17:30 > 0:17:32"That way." I was always fixing it.
0:17:32 > 0:17:34When my kids were young, they would ask me,
0:17:34 > 0:17:36"Daddy, could you show my friends the magic finger?"
0:17:36 > 0:17:38LAUGHTER
0:17:40 > 0:17:41That doesn't sound right, does it?
0:17:41 > 0:17:43LAUGHTER AND APPLAUSE
0:17:44 > 0:17:45Wait a minute!
0:17:45 > 0:17:46No! You went there!
0:17:46 > 0:17:50- I didn't go there! You went there. - You went there!- No, I didn't!
0:17:50 > 0:17:53So, I would do like this and do like this,
0:17:53 > 0:17:55and they'd run, "Argh!"
0:17:55 > 0:17:56LAUGHTER AND APPLAUSE
0:18:00 > 0:18:03Now. Gemma Arterton, award-winning actress, kick-ass movie star,
0:18:03 > 0:18:06and now treading the boards in a new musical,
0:18:06 > 0:18:09which is so exciting! Brand-new musical.
0:18:09 > 0:18:12It's Made In Dagenham, which, sometimes you hear about things
0:18:12 > 0:18:15being made into musicals and you think, "Is that a good idea?"
0:18:15 > 0:18:17But this is clearly a very good idea.
0:18:17 > 0:18:20- It is.- It's such a rousing, great story.- Yeah. I...
0:18:20 > 0:18:23Well, it's because it's based on real events and it's about
0:18:23 > 0:18:27these women that are so normal and charming and real
0:18:27 > 0:18:30and did something extraordinary.
0:18:30 > 0:18:33They got the Equal Pay Act into the system,
0:18:33 > 0:18:37and they're just these lovely ladies from Essex.
0:18:37 > 0:18:39I should tell people, by the way, it opens in the West End
0:18:39 > 0:18:43- on the 5th of November, that's the big glitzy night.- Officially.
0:18:43 > 0:18:45But then the previews are from the 9th of October.
0:18:45 > 0:18:47So, I've said all the good thing.
0:18:47 > 0:18:51In the real story, they get equal pay in the Ford factory
0:18:51 > 0:18:55in Dagenham, but does that open up for women across the country?
0:18:55 > 0:18:58Well, what happens in our story is slightly different
0:18:58 > 0:19:02- to what happened in real life. - They sing.
0:19:02 > 0:19:03LAUGHTER
0:19:03 > 0:19:06I'm sure the girls sang as well in real life.
0:19:06 > 0:19:08But it really opened it up.
0:19:08 > 0:19:11They were the first to get equal pay in the workplace.
0:19:11 > 0:19:14It set up the whole equal pay for equal work act,
0:19:14 > 0:19:18which was already instrumental in America at the time, but not the UK.
0:19:18 > 0:19:21So, if a man's doing the same job as a woman,
0:19:21 > 0:19:23they should be getting equal pay.
0:19:23 > 0:19:26So, that's what these women did. It's huge.
0:19:26 > 0:19:28Have you been back to Essex? Have you met the women?
0:19:28 > 0:19:31- Are they around?- The women are actually here tonight.
0:19:31 > 0:19:34- Oh!- Come and wave your hands, ladies.
0:19:34 > 0:19:36- There they are!- Oh!
0:19:36 > 0:19:37CHEERING
0:19:39 > 0:19:40That's amazing!
0:19:41 > 0:19:43It's Gwen, Eileen and Vera.
0:19:43 > 0:19:46- So, is it Gwen, Eileen, Vera? - Yes.
0:19:46 > 0:19:48Yeah. And presumably, you saw the movie.
0:19:48 > 0:19:50Have you seen any of the workshops to the musicals yet?
0:19:50 > 0:19:52- Yes.- A part of it, yeah.
0:19:52 > 0:19:53LAUGHTER
0:19:54 > 0:19:57Eileen doesn't seem that keen!
0:19:57 > 0:19:59"I saw a bit of it, yeah...
0:19:59 > 0:20:01"Not sure I'd sit through the whole thing!"
0:20:01 > 0:20:03LAUGHTER
0:20:05 > 0:20:07Did you like the musical? You're on television, say yes!
0:20:07 > 0:20:08- Oh, yes!- Yeah? Good.
0:20:08 > 0:20:10LAUGHTER
0:20:10 > 0:20:12Say yes, you'll get free tickets and a taxi home!
0:20:12 > 0:20:13LAUGHTER
0:20:13 > 0:20:18So, at the time, was there a big fuss?
0:20:18 > 0:20:21Were you in the papers and did it seems like a big deal at the time?
0:20:21 > 0:20:24At the time, yeah. But...
0:20:24 > 0:20:27after it was all over, it was all forgotten.
0:20:27 > 0:20:30So, that was a double surprise when the movie came out?
0:20:30 > 0:20:31When?
0:20:31 > 0:20:33LAUGHTER
0:20:33 > 0:20:35"Movie? What movie?!"
0:20:35 > 0:20:36LAUGHTER
0:20:36 > 0:20:38"What is that man talking about?!
0:20:39 > 0:20:42"It's a musical! We've seen a bit of it."
0:20:44 > 0:20:48Do you stay in touch because of the movie and things?
0:20:48 > 0:20:51Has that brought you back together or have you been friends for years?
0:20:51 > 0:20:52- All the time.- All the time.
0:20:52 > 0:20:54- Aw!- Isn't that sweet?
0:20:54 > 0:20:56- That's fantastic!- They've just gotten back off holiday.
0:20:59 > 0:21:01- They go on holiday together. - Oh, really?
0:21:01 > 0:21:03Fantastic!
0:21:03 > 0:21:07- Gemma was just saying you go on holiday together?- Yes.
0:21:07 > 0:21:08With all your extra pay!
0:21:08 > 0:21:09LAUGHTER
0:21:09 > 0:21:12"Put it in the holiday fund, didn't we? Yeah!"
0:21:13 > 0:21:15- Now, the singing.- Yeah.
0:21:15 > 0:21:18I feel like we should have known you were a singer by now.
0:21:18 > 0:21:20How did this happen? Have you always been a singer?
0:21:20 > 0:21:23Yes, but it's, erm...
0:21:23 > 0:21:24The right thing has not come along.
0:21:24 > 0:21:26I've always wanted to do a musical,
0:21:26 > 0:21:28but I wanted to do something that was original
0:21:28 > 0:21:30and never been done before.
0:21:30 > 0:21:33You know, I have sung in films, but not really.
0:21:33 > 0:21:36Yeah, so, this is the first time in public.
0:21:36 > 0:21:39Not to put you on the spot, but to put you on the spot...
0:21:39 > 0:21:40No, no, not to sing a whole song.
0:21:40 > 0:21:42- Are there any bits?- Little bits?
0:21:42 > 0:21:43Can you do a little bit?
0:21:43 > 0:21:46There's a song called Busy Woman, which starts the show.
0:21:46 > 0:21:49It's all the girls in the house doing their housework. It goes...
0:21:49 > 0:21:51# If you want something done
0:21:51 > 0:21:53# Ask a busy woman
0:21:53 > 0:21:58# Cos your wasting your time asking a man
0:21:58 > 0:22:01# She can do in an hour what he can't do in ten
0:22:01 > 0:22:04# It's the basic effing difference between us and effing them
0:22:04 > 0:22:08# If you want it done then ask a busy woman. #
0:22:08 > 0:22:09Wow!
0:22:09 > 0:22:10CHEERING AND APPLAUSE
0:22:13 > 0:22:14Eileen's smiling now.
0:22:15 > 0:22:18She's going, "Oh, yeah! Effing Eileen."
0:22:19 > 0:22:20Oh, yeah.
0:22:20 > 0:22:22Eileen's like, "Oh, it's better than I remember!
0:22:22 > 0:22:26"It's quite good! Oh, it's come on, it's come on!" Yeah.
0:22:26 > 0:22:29You haven't seen that one, have you?
0:22:29 > 0:22:30No.
0:22:30 > 0:22:32LAUGHTER
0:22:32 > 0:22:35They don't remember the entire film, Gemma, I really wouldn't go...
0:22:35 > 0:22:37I wouldn't go on individual songs.
0:22:37 > 0:22:41So, here is the thing, Gemma and Peter have something in common,
0:22:41 > 0:22:45because Gemma was in a band. What was the name of your band?
0:22:45 > 0:22:46Violent Pink.
0:22:46 > 0:22:49- Was this when you were in school? - When I was in Gravesend.
0:22:49 > 0:22:53- Yeah, we were a four-part girl band. - Were you kind of punky?
0:22:53 > 0:22:55Yeah. It was a kind of like...
0:22:55 > 0:23:01Angsty, Alanis Morrisette kind of stuff with harmonies.
0:23:01 > 0:23:04I think Violent Pink is a good name for a band.
0:23:04 > 0:23:06- Yeah?- Peter Capaldi's band...
0:23:06 > 0:23:08I would say...
0:23:08 > 0:23:10a less good name.
0:23:10 > 0:23:12What was your band called?
0:23:12 > 0:23:14Er... The Dream Boys.
0:23:14 > 0:23:15LAUGHTER
0:23:19 > 0:23:22This was at a time before the Chippendales
0:23:22 > 0:23:26and acts like that, and remember, we were all just kids at art school,
0:23:26 > 0:23:30so we thought that we were being Kafkaesque and arty and dark.
0:23:30 > 0:23:32But of course, people didn't think that.
0:23:32 > 0:23:34They thought they were booking a bunch of guys
0:23:34 > 0:23:36to come up and take their clothes off,
0:23:36 > 0:23:39which we didn't do, but we would if people paid us!
0:23:39 > 0:23:41Before that we were called...
0:23:41 > 0:23:45Our first name was the Bastards From Hell...
0:23:45 > 0:23:49which was more appropriate to the punk ethos that we were clinging to.
0:23:49 > 0:23:50LAUGHTER
0:23:51 > 0:23:54Denzel, have you ever dabbled in musicals?
0:23:54 > 0:23:56No.
0:23:56 > 0:23:58But in Denzel's new movie, you bust a move!
0:23:58 > 0:24:00Oh, I got my little, er...
0:24:00 > 0:24:02What do you call it? Gladys Knight And The Pips.
0:24:02 > 0:24:04Look at him go! Yeah!
0:24:04 > 0:24:06Was that choreographed or was that all in you?
0:24:06 > 0:24:08That's all me! All me!
0:24:08 > 0:24:09I YouTubed them,
0:24:09 > 0:24:12and I stood in front of the computer and I'm like, "OK..."
0:24:12 > 0:24:14LAUGHTER
0:24:14 > 0:24:17Do you want a little bit of music? Let's hear some music.
0:24:17 > 0:24:19# I'll be with him
0:24:19 > 0:24:21# I know you will
0:24:21 > 0:24:23# On that midnight train to Georgia
0:24:23 > 0:24:27# Leaving on the midnight train to Georgia
0:24:27 > 0:24:29# Whoo! Whoo!
0:24:29 > 0:24:31# I would rather live in his world... #
0:24:31 > 0:24:33CHEERING AND APPLAUSE
0:24:35 > 0:24:39And that's as violent as the film gets.
0:24:39 > 0:24:40LAUGHTER
0:24:40 > 0:24:41He lies!
0:24:41 > 0:24:44Now, Peter Capaldi, new Doctor Who, I had no idea.
0:24:44 > 0:24:47Your career is extraordinary. So... No, no.
0:24:47 > 0:24:48Let's start with Doctor Who.
0:24:48 > 0:24:54Every Doctor Who always says, "I was a fan when I was a kid growing up."
0:24:54 > 0:24:57This man... I mean, you were beyond a fan!
0:24:57 > 0:24:58Oh, gosh!
0:24:58 > 0:24:59LAUGHTER
0:24:59 > 0:25:01None of this would have come out.
0:25:01 > 0:25:04None of this would've come out, my total geekness,
0:25:04 > 0:25:08my total anorak-ness, as a child, a teenager,
0:25:08 > 0:25:09would've been left to...
0:25:09 > 0:25:13- But the good thing is, your letters...- Oh, no!
0:25:13 > 0:25:14No, no, no! There's a letter...
0:25:14 > 0:25:15LAUGHTER
0:25:15 > 0:25:17No! No, we don't have... No.
0:25:17 > 0:25:20There was a sweet letter you sent to the Radio Times,
0:25:20 > 0:25:22we won't read that one, that was you saying how much you liked
0:25:22 > 0:25:25the Doctor Who Special. There's this weird thing, right?
0:25:25 > 0:25:28So, there's a Doctor Who fan club, and the guy who ran that,
0:25:28 > 0:25:31Keith Miller, he put... This is volume one.
0:25:31 > 0:25:33Can you imagine the size of his anorak?
0:25:33 > 0:25:35This is volume one of the...
0:25:35 > 0:25:37This isn't the story of Doctor Who,
0:25:37 > 0:25:41this is the story of the fan club, volume one.
0:25:41 > 0:25:43LAUGHTER
0:25:43 > 0:25:45- So, Peter decided he was...- No!
0:25:45 > 0:25:48No, there was a fan club, and Peter decided
0:25:48 > 0:25:53- he should be the head of the fan club.- Oh, no! No, no, no!
0:25:53 > 0:25:56So, he wrote to Sarah Newman, at the Doctor Who office.
0:25:56 > 0:25:59This is proper. This is a woman that really works at the BBC.
0:25:59 > 0:26:01- I can't even remember.- How old were you?
0:26:01 > 0:26:03Don't even... 21.
0:26:03 > 0:26:05LAUGHTER
0:26:05 > 0:26:07This is the reply to you,
0:26:07 > 0:26:10"Dear Peter, thank you for your letter.
0:26:10 > 0:26:13"The pictures aren't ready yet, and secondly, I'm afraid,
0:26:13 > 0:26:15"we have an official Doctor Who fan club secretary.
0:26:15 > 0:26:17"I'm passing your letter on to him and I expect he will send you
0:26:17 > 0:26:20"something himself. Yours sincerely, Sarah Newman."
0:26:20 > 0:26:22See, that's all very nice. That's very nice.
0:26:22 > 0:26:26Then in another letter, to the guy who is the secretary
0:26:26 > 0:26:31of the fan club, she writes, "No, no, no. You're not by any means
0:26:31 > 0:26:33"worse than Peter C."
0:26:33 > 0:26:34LAUGHTER
0:26:35 > 0:26:38"I had a very sad letter back from him today.
0:26:38 > 0:26:41"I think I better write back and apologise.
0:26:41 > 0:26:44"I think it's the end, and I wish the Daleks would exterminate him
0:26:44 > 0:26:45"or something to that effect."
0:26:45 > 0:26:46She worked for the BBC?!
0:26:48 > 0:26:50Where is she now?
0:26:50 > 0:26:52She's here tonight!
0:26:52 > 0:26:53LAUGHTER
0:26:54 > 0:26:55And I'm Doctor Who!
0:26:57 > 0:26:58Take that!
0:26:58 > 0:27:00CHEERING AND APPLAUSE
0:27:04 > 0:27:08That's terrible. I can't imagine the BBC let that happen.
0:27:08 > 0:27:11But how annoying must you have been?
0:27:11 > 0:27:12LAUGHTER
0:27:13 > 0:27:16"I wish something would kill him."
0:27:16 > 0:27:18Despite all of that stuff of being a kid,
0:27:18 > 0:27:20I loved Doctor Who when I was a kid,
0:27:20 > 0:27:22and then you reach an age when you get involved
0:27:22 > 0:27:25in sex and drugs and rock'n'roll and you move on and you have a life.
0:27:25 > 0:27:28Let's just say I spent a lot of time drinking.
0:27:28 > 0:27:29LAUGHTER
0:27:29 > 0:27:33A lot of time drinking and eating curries and getting confused,
0:27:33 > 0:27:35- which is where the modelling comes from.- Weird.
0:27:35 > 0:27:37The modelling. I so don't understand the modelling.
0:27:37 > 0:27:39So, this picture, I sort of do.
0:27:40 > 0:27:42I kind of... That one...
0:27:42 > 0:27:46Awful as it is, it sort of makes sense. This next one...
0:27:46 > 0:27:47Was the cameraman blind?
0:27:47 > 0:27:51What... What... That is not a pose at all!
0:27:51 > 0:27:56I know! I can't even put my elbow on the stool!
0:27:56 > 0:27:57Something's gone wrong there, totally.
0:27:57 > 0:28:00That is just being an idiot.
0:28:00 > 0:28:02That's just being... You don't know anything.
0:28:02 > 0:28:05Nobody gives you a book to say, "This is how to become an actor."
0:28:05 > 0:28:07This is what you do. You're just an idiot!
0:28:07 > 0:28:10Drinking lager and having curry, and people say...
0:28:10 > 0:28:12Did you send those pictures out to people?
0:28:12 > 0:28:16They were nothing to do with me. It was a popular daily newspaper.
0:28:16 > 0:28:19- So, they were published?- Yes!
0:28:19 > 0:28:20LAUGHTER
0:28:22 > 0:28:25- I just assumed that was you trying to be a model.- No, no!
0:28:25 > 0:28:28- They were published?!- Obviously, I was a style icon!
0:28:28 > 0:28:31LAUGHTER
0:28:31 > 0:28:34Then, so, you look at that picture, and you think,
0:28:34 > 0:28:38"Clearly, he will never be troubled by success."
0:28:38 > 0:28:39LAUGHTER
0:28:39 > 0:28:42You could put a big stamp guarantee, "loser" on it.
0:28:42 > 0:28:43LAUGHTER
0:28:43 > 0:28:47What an amazing moment, then, all these years later, when you are
0:28:47 > 0:28:53sitting in a dressing room waiting to walk on the set to be Doctor Who.
0:28:53 > 0:28:57- That must have been mind-blowing? - It was amazing. It was wonderful.
0:28:57 > 0:29:00It's a great gift and privilege, and great fun.
0:29:00 > 0:29:01It's brilliant.
0:29:01 > 0:29:03Didn't you have to pretend not to know how to use the TARDIS
0:29:03 > 0:29:06when you got the part? Weren't people trying to explain
0:29:06 > 0:29:08- to you how to do it? - Well, everybody...
0:29:08 > 0:29:10See, all the stuff that you've just read out,
0:29:10 > 0:29:12they didn't know, so I go on the set and guys say to me,
0:29:12 > 0:29:15"Turn that switch there, this, that and the other."
0:29:15 > 0:29:17I said, "I know how to work this."
0:29:17 > 0:29:18LAUGHTER
0:29:19 > 0:29:22"You don't have to tell me how to work it. I know."
0:29:22 > 0:29:24And what's that...
0:29:24 > 0:29:27This is, again, one of those weird coincidence-type stories.
0:29:27 > 0:29:30You're in the Czech Republic when you find out.
0:29:30 > 0:29:32What's that sweet story about?
0:29:32 > 0:29:36The story is that it's very secret when you become Doctor Who,
0:29:36 > 0:29:41cos Matt Smith, who was wonderful, he was still being Doctor Who,
0:29:41 > 0:29:44so they keep it a secret when there's a new Doctor Who.
0:29:44 > 0:29:48But I knew I was cast, but I wasn't allowed to tell anybody.
0:29:48 > 0:29:52I happened to be Cardinal Richelieu in The Musketeers
0:29:52 > 0:29:54in the Czech Republic, and we moved...
0:29:54 > 0:29:57We were filming and then we moved to the north of the Czech Republic
0:29:57 > 0:29:58to a place called Moravia.
0:29:58 > 0:30:00To a very small town there.
0:30:00 > 0:30:03Er, and we were filming this scene.
0:30:03 > 0:30:08I was in all of my resplendent kind of Richelieu dark cloak,
0:30:08 > 0:30:11and there was a little lad who was playing a pageboy.
0:30:11 > 0:30:14He started to talk to me and he couldn't speak English very well.
0:30:14 > 0:30:17He said, "I love you as Doctor Who."
0:30:17 > 0:30:21I said, "You love me as Doctor Who?"
0:30:21 > 0:30:25He said, "Yeah, I love you as..." I thought, "How can he know?
0:30:25 > 0:30:28"Here? I can't even tell anybody on the production."
0:30:28 > 0:30:32He said, "I loved you in the episode about Pompeii."
0:30:32 > 0:30:35And what he was saying was he loved me in an episode of Doctor Who,
0:30:35 > 0:30:38cos I had been in an episode with David Tennant,
0:30:38 > 0:30:41playing a character in Pompeii.
0:30:41 > 0:30:45I said, "Do you like Doctor Who?" He said, "I love it."
0:30:45 > 0:30:47He said, "I'm a Whovian." And I thought,
0:30:47 > 0:30:50"I've stumbled upon the only person in the Czech Republic...
0:30:50 > 0:30:53"who knows this show and he loves it,
0:30:53 > 0:30:56"and he's standing next to the new Doctor Who and he doesn't know."
0:30:56 > 0:30:58- Did you tell him?- I was going to say, did you tell him?
0:30:58 > 0:31:03So I said nothing. I said, "Have you a phone with a camera?"
0:31:03 > 0:31:06He said, "I haven't got it on me."
0:31:06 > 0:31:08I said, "Go and get it, you should have your picture taken with me."
0:31:08 > 0:31:09Er...
0:31:11 > 0:31:12Oh!
0:31:14 > 0:31:16That is so sweet.
0:31:16 > 0:31:17He wasn't very interested in doing that.
0:31:21 > 0:31:25Now, listen, Peter continues as Doctor Who on Saturdays
0:31:25 > 0:31:28at 8.30 on BBC One and, yes, we have a very exclusive...
0:31:28 > 0:31:32This isn't from tomorrow's episode, this is from a week tomorrow
0:31:32 > 0:31:35and presumably you can't tell us anything about this.
0:31:35 > 0:31:37I can't remember anything about it!
0:31:39 > 0:31:42Well, let's all enjoy this exclusive clip
0:31:42 > 0:31:45of next week's Doctor Who episode.
0:31:46 > 0:31:47SCRABBLING
0:31:53 > 0:31:54I think we've found your alien.
0:31:55 > 0:31:57Back, back, back!
0:31:57 > 0:32:00- We need a door! A door!- Here! Here!
0:32:01 > 0:32:02The door's locked.
0:32:02 > 0:32:03SCREECHING
0:32:03 > 0:32:05There's no power to work it!
0:32:06 > 0:32:08SCREECHING Come on!
0:32:08 > 0:32:09Doctor!
0:32:10 > 0:32:13Stay still. It's sensing movement. It can't see you.
0:32:13 > 0:32:15Fast movement.
0:32:15 > 0:32:16There must be another exit through there.
0:32:19 > 0:32:20Slowly!
0:32:22 > 0:32:23SCRABBLING Slowly!
0:32:28 > 0:32:29Head to that exit.
0:32:30 > 0:32:32Slowly! Slowly!
0:32:33 > 0:32:35Slowly! Slowly!
0:32:35 > 0:32:36SCRABBLING
0:32:36 > 0:32:37Gently! Gently!
0:32:41 > 0:32:43When I say "run", run!
0:32:43 > 0:32:45Who made you the boss?
0:32:46 > 0:32:48Well, you say "run", then.
0:32:51 > 0:32:53I know, I tell you...
0:32:55 > 0:32:58Right, before our first stories of the series in the big, red chair,
0:32:58 > 0:32:59it's time for our musical guest.
0:32:59 > 0:33:02This young man's debut album is at the top of the charts
0:33:02 > 0:33:05and his first single Budapest went gold in five countries.
0:33:05 > 0:33:08Tonight, performing his second single, Blame It On Me,
0:33:08 > 0:33:10please welcome George Ezra!
0:33:10 > 0:33:12APPLAUSE AND CHEERING
0:33:23 > 0:33:27# The garden was blessed by the Gods of me and you
0:33:27 > 0:33:33# We headed west for to find ourselves some truth, ooh
0:33:33 > 0:33:38# What you waiting for? What you waiting for?
0:33:41 > 0:33:46# We counted all our reasons, excuses that we made
0:33:46 > 0:33:51# We found ourselves some treasure and threw it all away, ooh
0:33:51 > 0:33:57# What you waiting for? What you waiting for?
0:33:58 > 0:34:03# What you waiting for? What you waiting for?
0:34:06 > 0:34:10# When I dance alone and the sun's bleeding down
0:34:10 > 0:34:13# Blame it on me
0:34:15 > 0:34:19# When I lose control and the veil's overused
0:34:19 > 0:34:23# Blame it on me
0:34:23 > 0:34:29# What you waiting for? What you waiting for?
0:34:32 > 0:34:36# Caught in the tide of blossom, caught in the carnival
0:34:36 > 0:34:41# Your confidence forgotten, I see the gypsies run
0:34:41 > 0:34:48# What you waiting for? What you waiting for?
0:34:49 > 0:34:54# What you waiting for? What you waiting for?
0:34:56 > 0:35:01# When I dance alone and the sun's bleeding down
0:35:01 > 0:35:03# Blame it on me
0:35:06 > 0:35:10When I lose control and the veil's overused
0:35:10 > 0:35:13# Blame it on me
0:35:16 > 0:35:22# What you waiting for? What you waiting for?
0:35:24 > 0:35:29# What you waiting for? What you waiting for?
0:35:31 > 0:35:36# When I dance alone and the sun's bleeding down
0:35:36 > 0:35:39# Blame it on me
0:35:40 > 0:35:45# When I lose control and the veil's overused
0:35:45 > 0:35:48# Blame it on me
0:35:49 > 0:35:54# When I dance alone, I know I'll go
0:35:54 > 0:35:58# Blame it on me, oh!
0:35:58 > 0:36:03# When I lose control, I know I'll go
0:36:03 > 0:36:09# Blame it on me, oh!
0:36:09 > 0:36:15# What you waiting for? What you waiting for?
0:36:17 > 0:36:23# What you waiting for? What you waiting for? #
0:36:25 > 0:36:26CHEERING AND APPLAUSE
0:36:30 > 0:36:33George Ezra, everybody. Very good.
0:36:33 > 0:36:37Excellent job, sir. Come and join us. Come on and join us.
0:36:37 > 0:36:42- Hello, sir. Very nice to meet you. - Hello. Thank you very much.
0:36:42 > 0:36:45- Say hi to Peter Capaldi...- Hi, how are you doing? Lovely to meet you.
0:36:45 > 0:36:47- ..Gemma Arterton...- Hi, Gemma.
0:36:47 > 0:36:49- Lovely to meet you. - Nice to meet you.
0:36:49 > 0:36:52..and that's your actual Denzel Washington right there. Very good.
0:36:52 > 0:36:55Oh, so congratulations and everything, sir.
0:36:55 > 0:36:57- Yeah, thank you very much. - It's very cool.
0:36:57 > 0:37:00- How old are you?- I'm 21.- 21.
0:37:00 > 0:37:02Oh, God! You look 11!
0:37:05 > 0:37:08But the song is fantastic and that's the new single.
0:37:08 > 0:37:10- Budapest has been number one all over the place.- Yeah.
0:37:10 > 0:37:12That album's still in the charts...
0:37:12 > 0:37:16That's the best bit - when you release an album, it's nice to know
0:37:16 > 0:37:19that the album sticks around and not just a song.
0:37:19 > 0:37:23- That's the nice thing.- Now the cover of the album Wanted On Voyage...
0:37:23 > 0:37:25- Oh, you've got it up.- Yeah! Oh, yeah!
0:37:25 > 0:37:30Yeah, yeah, I've got a computer and everything! Yeah!
0:37:30 > 0:37:31I'm...
0:37:33 > 0:37:34I know I'm old...
0:37:34 > 0:37:38Even I have a computer! So, no, it's clever.
0:37:38 > 0:37:40So obviously that's you in the middle there.
0:37:40 > 0:37:43- That's definitely me. - Who's everybody else?
0:37:43 > 0:37:45Surrounding it is my family and friends.
0:37:45 > 0:37:48They're all dressed up as different people.
0:37:48 > 0:37:50Who's that in the curlers?
0:37:50 > 0:37:52Well, you kind of ruined it there
0:37:52 > 0:37:53because she's not family or a friend!
0:37:59 > 0:38:03Tip for the future - lie! "That's my Auntie Edith."
0:38:05 > 0:38:07How is it your voice sounds so sweet when you speak,
0:38:07 > 0:38:11but your singing voice is great too but it sounds much deeper?
0:38:11 > 0:38:15Do you know? Yeah, I could never really sing.
0:38:15 > 0:38:16My brother and sister could
0:38:16 > 0:38:19and I used to sing a lot but I wasn't very good.
0:38:19 > 0:38:22I remember reading the back of a Lead Belly album. He said...
0:38:22 > 0:38:25No, it said on it Lead Belly's voice was so big
0:38:25 > 0:38:27you had to turn your record player down compared to other records.
0:38:27 > 0:38:31And I thought, "Having a big voice could be fun," and I tried it.
0:38:31 > 0:38:34And I could do it, so I didn't ask any questions.
0:38:34 > 0:38:35I just continued to do it.
0:38:36 > 0:38:41I am so pleased to say the Eurovision Song Contest
0:38:41 > 0:38:44- played an enormous part in your success.- Yeah.
0:38:44 > 0:38:48So what happened was, a lot of the album was written while
0:38:48 > 0:38:50I travelled around Europe by myself, about...
0:38:50 > 0:38:52just over a year ago, I think.
0:38:52 > 0:38:54And, er, I stopped off in Malmo
0:38:54 > 0:38:58and it was the Eurovision Song Contest final in Malmo.
0:38:58 > 0:39:00Now, I'd never seen it before, but I was staying...
0:39:00 > 0:39:04- I'd been put in touch with these girls who lived in Malmo.- Oh, yeah?
0:39:04 > 0:39:06So I was with them and they said...
0:39:06 > 0:39:08and they said we should go and watch the Eurovision...
0:39:08 > 0:39:10You could watch it in parks and stuff.
0:39:10 > 0:39:14OK. You can't buy alcohol after a certain time in Malmo,
0:39:14 > 0:39:17which was an issue, seeing as we were watching...
0:39:17 > 0:39:20- Something you need to be drunk to watch!- Exactly.
0:39:20 > 0:39:24- So I found myself... - I find myself...
0:39:24 > 0:39:29Honestly, I mean, yeah, it helped. We found, er...
0:39:29 > 0:39:33this guy very kindly sold us a bottle of rum in the park and, er...
0:39:34 > 0:39:36..the bottle of rum ended up inside me
0:39:36 > 0:39:39and I missed my train the next morning.
0:39:39 > 0:39:42I was meant to go to Budapest and I missed my train.
0:39:42 > 0:39:45Budapest was the only city I was meant to visit
0:39:45 > 0:39:46that I didn't made it to,
0:39:46 > 0:39:49er, so then I wrote a song called Budapest,
0:39:49 > 0:39:51listing the things I didn't have
0:39:51 > 0:39:54and trying to tell someone from the Hungarian press
0:39:54 > 0:39:58that the song Budapest has nothing to do with Hungary is impossible.
0:39:59 > 0:40:01Honestly, it kills it every time.
0:40:01 > 0:40:03Have you stayed in touch with the girls in Malmo?
0:40:03 > 0:40:05Loosely, yeah.
0:40:11 > 0:40:14Seriously, George, congratulations on everything.
0:40:14 > 0:40:17It's fantastic to meet someone who has just arrived
0:40:17 > 0:40:20and you're going to have an amazing time, so congratulations
0:40:20 > 0:40:21and good luck with the tour.
0:40:21 > 0:40:24Right, before we go, let's have our first visit
0:40:24 > 0:40:26of the new series on the red chair.
0:40:26 > 0:40:28Who's up first?
0:40:28 > 0:40:30GASPING
0:40:30 > 0:40:31Oh, I can't!
0:40:36 > 0:40:38- PETER: Oh, that's terrible! - I need...
0:40:38 > 0:40:40It was right, though.
0:40:40 > 0:40:44No, it's the first show back - I need to build up to that.
0:40:46 > 0:40:49I just didn't have the emotional energy to cope with that.
0:40:49 > 0:40:53I apologise. Come back and see us later in the series.
0:40:53 > 0:40:58I'll hear your story then. I feel bad now. Not that bad! Er...
0:40:58 > 0:41:01- Who's up next? Hello!- Hello.
0:41:03 > 0:41:08- What's your name?- My name's Lucy. - Lucy, lovely, Lucy, what do you do?
0:41:08 > 0:41:11- I am a buxom barmaid. - A barmaid! Fabulous!
0:41:11 > 0:41:14- Where do you do the barmaiding? - Twickenham.- Oh, dear!
0:41:14 > 0:41:16- CHEERING - Oh, no, they're loving Twickenham.
0:41:17 > 0:41:19All right, off you go with your story.
0:41:19 > 0:41:20I've been Scouting my whole life.
0:41:20 > 0:41:24- When I was about 12... - Sorry, you've been what?- Scouting.
0:41:24 > 0:41:26- As in...- Oh, being a Scout. - ..bit of a nerd.
0:41:26 > 0:41:28- Oh, I see, being a Scout!- Yes.
0:41:28 > 0:41:31And on one camp, I was about 12, it was quite rainy.
0:41:31 > 0:41:35And it was about a half-hour walk from the toilets.
0:41:35 > 0:41:39Wake up in the middle of the night, I suddenly realise...
0:41:39 > 0:41:42"Oh, God, oh, I've got to poo!"
0:41:42 > 0:41:45So, I've taken a bag and some tissues with me.
0:41:45 > 0:41:48Be prepared - the Scout that I am.
0:41:48 > 0:41:51I look at the bag and I think, "Yeah, I'm going to have to,
0:41:51 > 0:41:52"I can't make it all the way,"
0:41:52 > 0:41:56so I went in the bag and I thought, "I'm just going to lob it.
0:41:56 > 0:41:59"I won't have to deal with it. Someone else can. We'll be fine."
0:41:59 > 0:42:01So I throw it as far as I think I can.
0:42:01 > 0:42:04Go back to bed, wake up in the morning, everyone is laughing
0:42:04 > 0:42:07and shouting. Something is happening. Get out of my bunk bed.
0:42:07 > 0:42:12Go outside and, oh, God, oh, just on the branch outside the door,
0:42:12 > 0:42:14about head height, there's the bag.
0:42:15 > 0:42:19Visibly, there's a poo in the bag. Never confessed.
0:42:19 > 0:42:21So, to everyone who was on that camp,
0:42:21 > 0:42:23this is my confession - that was mine.
0:42:23 > 0:42:24Shall we let her walk?
0:42:24 > 0:42:26- I have a question.- She can walk.
0:42:26 > 0:42:29- Oh, wait, wait, we have a question. - She said she pooped?
0:42:29 > 0:42:32- Yeah.- That's, like, number two? - Yeah.
0:42:32 > 0:42:36- She didn't say she wiped! - No, I took tissues.
0:42:36 > 0:42:38- She had a tissue. - I'm not completely filthy.
0:42:38 > 0:42:41I might poo in a bag but at least I'm going to wipe. Come on!
0:42:42 > 0:42:46I just want to know - is there a badge for that?
0:42:46 > 0:42:49A steaming turd in a triangle.
0:42:49 > 0:42:52- There you go, you can walk. - Thank you.- Off you go.
0:42:55 > 0:42:56Well done in the red chair.
0:42:56 > 0:42:58If you'd like to join us on the show
0:42:58 > 0:42:59and have a go in that chair, you can.
0:42:59 > 0:43:02Contact us via our website at this very address.
0:43:02 > 0:43:06Thank you very much to all my guests tonight - George Ezra...
0:43:08 > 0:43:09..Peter Capaldi...
0:43:11 > 0:43:12..Gemma Arterton...
0:43:13 > 0:43:15..and Mr Denzel Washington.
0:43:18 > 0:43:20Join me next week with music from Lenny Kravitz,
0:43:20 > 0:43:22rising star Luke Evans,
0:43:22 > 0:43:24Oscar-winning actress and writer Emma Thompson
0:43:24 > 0:43:27and the heart-throb that is Hugh Grant. See you then.
0:43:27 > 0:43:29Good night, everybody. Goodbye.
0:43:53 > 0:43:55The only good thing about older...
0:43:55 > 0:43:57The only good thing for the women in the audience,
0:43:57 > 0:44:00cos everyone thinks you're old and there's no one-night stands,
0:44:00 > 0:44:03cos just to get the old guy out of the car, into the house,
0:44:03 > 0:44:06up the stairs, on you, off of you,
0:44:06 > 0:44:08re-diapered, back in the car and off.
0:44:08 > 0:44:12Four days! Four days! It's a relationship.