0:00:02 > 0:00:05Tonight on our show, it's our hands across the ocean special.
0:00:05 > 0:00:08- I've got stars from America... BOTH:- USA! USA!
0:00:08 > 0:00:12- ..and stars from Britain.- Hello.
0:00:12 > 0:00:13LAUGHTER
0:00:13 > 0:00:15Let's start the show!
0:00:15 > 0:00:19CHEERING AND APPLAUSE
0:00:23 > 0:00:27This programme contains strong language.
0:00:30 > 0:00:33Hello! Hello!
0:00:33 > 0:00:36Too kind, thank you very much. Thank you, thank you!
0:00:37 > 0:00:40Very nice of you, welcome one, welcome all,
0:00:40 > 0:00:44yes, it is a packed programme tonight. Not just those four stars.
0:00:44 > 0:00:48Later in the show, we'll be joined by Sir David Attenborough, ladies and gentlemen!
0:00:48 > 0:00:52CHEERING AND APPLAUSE Yes!
0:00:52 > 0:00:56Ah! Sir David!
0:00:56 > 0:01:00There's Sir David there, just securing his 2-for-1 cinema tickets.
0:01:00 > 0:01:03LAUGHTER Erm, everyone...
0:01:03 > 0:01:06What's happened to those animals? It's so...
0:01:06 > 0:01:08Everyone loved the series Life On Earth,
0:01:08 > 0:01:11where David met gorillas in their natural habitat.
0:01:11 > 0:01:13Now, gorillas are expert communicators.
0:01:13 > 0:01:16And apparently, they had a subtle way of letting David know
0:01:16 > 0:01:19when they'd had enough of being filmed...
0:01:19 > 0:01:22We hear ya. Let's get some guests on!
0:01:22 > 0:01:24CHEERING AND APPLAUSE
0:01:24 > 0:01:28Later, we'll have music from hot American export Elle King.
0:01:28 > 0:01:33But first, as Dr House MD, he was the most watched star in the world.
0:01:33 > 0:01:37Now he's back on the BBC in the new Le Carre thriller, The Night Manager.
0:01:37 > 0:01:40It's Hugh Laurie, everybody! CHEERING AND APPLAUSE
0:01:40 > 0:01:45- Whoo! It is!- Thank you.- It is! Hello! Really nice to see you.
0:01:45 > 0:01:48Thank you, thank you.
0:01:50 > 0:01:54She is the double Bafta-winning star of Peepshow, 2012,
0:01:54 > 0:01:55The Iron Lady and Broadchurch.
0:01:55 > 0:01:57And one of the country's best-loved actresses.
0:01:57 > 0:02:01It's Olivia Colman, ladies and gentlemen!
0:02:01 > 0:02:03CHEERING AND APPLAUSE Yay!
0:02:03 > 0:02:07Look at you! It's like Extreme Makeover. You look fabulous.
0:02:07 > 0:02:09- Thank you very much. - Come and join your co-star.
0:02:09 > 0:02:13- Say hello to your co-star.- Hello!
0:02:13 > 0:02:15Right, he's the most successful stand-up comedian in America
0:02:15 > 0:02:18and a fully fledged movie star. Now he's in the sequel
0:02:18 > 0:02:21to the smash hit Ride Along, it's Kevin Hart, everybody!
0:02:21 > 0:02:24CHEERING AND APPLAUSE Yeah!
0:02:24 > 0:02:29- Hello, sir! Really nice to meet you. - Hello, how you doing?
0:02:29 > 0:02:32CHEERING DROWNS OUT SPEECH
0:02:32 > 0:02:35And starring with Kevin, he's the Godfather of gangsta rap
0:02:35 > 0:02:40turned Hollywood heavyweight, his films have grossed almost 2 billion.
0:02:40 > 0:02:44Straight out of Compton, it's Ice Cube!
0:02:44 > 0:02:46CHEERING AND APPLAUSE
0:02:46 > 0:02:50- It is Ice Cube!- Hey! What's up? - Really nice to see you.
0:02:50 > 0:02:53CHEERING DROWNS OUT SPEECH
0:02:55 > 0:02:59- Ah, everyone good? - Yes, thank you!- Whoo!
0:03:00 > 0:03:04Now, the weird thing is, Ice Cube, we could be related.
0:03:04 > 0:03:07Because, erm... LAUGHTER
0:03:07 > 0:03:11Apparently, apparently there is some Irish stock in your past.
0:03:11 > 0:03:13- No. - LAUGHTER
0:03:13 > 0:03:16I mean, there could be. You never know. Erm...
0:03:16 > 0:03:21- But you have an Irish name.- Do I? O'Shea.- O'Shea is a Irish name!
0:03:21 > 0:03:24It couldn't be more Irish. Has no-one told you that until now?
0:03:24 > 0:03:30No, I've been told. But, you know, I think my mother just liked the name.
0:03:30 > 0:03:35- OK, so, it's your Christian name? - Yes, my...I think?- Listen.
0:03:35 > 0:03:37Let me educate you on something.
0:03:37 > 0:03:40Black people, black people are notorious for picking things
0:03:40 > 0:03:43that they saw one day and saying, "That's my baby's name."
0:03:43 > 0:03:45LAUGHTER
0:03:45 > 0:03:48That's all it was. That's all that was, Graham.
0:03:48 > 0:03:50There was no amazing story behind it.
0:03:50 > 0:03:54I would love to tell you, "Yes, it came from the Irish forefather that did this..."
0:03:54 > 0:03:58That's not the case. His mother was reading the paper,
0:03:58 > 0:04:01and she was eating some cereal, and somebody in the back said, "O'Shea!"
0:04:01 > 0:04:05She said, "That'd be a good name for this baby." And that's it.
0:04:05 > 0:04:09- That's how it happened! That's it. - LAUGHTER AND APPLAUSE
0:04:11 > 0:04:15Here's a thing. You are here promoting your movie, but, Kevin, you're working at the same time.
0:04:15 > 0:04:18- You're doing stand-up gigs. - Yeah, double dipping.- Yes!
0:04:18 > 0:04:21- LAUGHTER - Uh, doing a ton of stand-up shows.
0:04:21 > 0:04:23My What Now? Tour is here as well.
0:04:23 > 0:04:26Uh, major thank-you to the UK fans. The tour sold out in, like,
0:04:26 > 0:04:30- literally, two days. So, you guys are amazing. Way back when.- Wow!
0:04:30 > 0:04:33CHEERING AND APPLAUSE
0:04:33 > 0:04:37So, we did that and then after that we came over here for promo.
0:04:37 > 0:04:39What Cube and myself love doing
0:04:39 > 0:04:41is really getting involved with the fans.
0:04:41 > 0:04:45You know, we love putting our feet on the street and really being active
0:04:45 > 0:04:48- and interacting. So, we've been doing a ton of pop-ups.- Yeah.
0:04:48 > 0:04:52Just delivering the movie, the best of our ability, which is live and in person.
0:04:52 > 0:04:55- And we're splitting all the tour money.- That is not true.
0:04:55 > 0:04:59- LAUGHTER You got him here. - And I'm here.- That's not true.
0:04:59 > 0:05:03- You know he bum-rushed my stage the other day?- Oh, did he? - Without telling me.
0:05:03 > 0:05:06He tackled me from the back. Scared the living mess out of me.
0:05:06 > 0:05:09- LAUGHTER - It was one of the most frightening moments of my life, to be honest.
0:05:09 > 0:05:14I think we may have another frightening moment for you. This is you in Manchester.
0:05:14 > 0:05:16Now, do you even know the name of that show?
0:05:18 > 0:05:22- LAUGHTER - I was the only black guy there that day!
0:05:22 > 0:05:24- I remember that.- Or ever.
0:05:25 > 0:05:28- Uh, that's Coronation Street, right? - Well done!
0:05:28 > 0:05:30CHEERING AND APPLAUSE
0:05:30 > 0:05:32That's you and Beverley Callard.
0:05:32 > 0:05:36But THIS picture, this looks like you have been Photoshopped in.
0:05:36 > 0:05:38- Yeah! - LAUGHTER
0:05:38 > 0:05:42Are you really there? Roy's Rolls can't be that big.
0:05:42 > 0:05:45First of all, it looks like I grew up there.
0:05:45 > 0:05:49LAUGHTER AND APPLAUSE
0:05:49 > 0:05:51And Olivia, with Broadchurch,
0:05:51 > 0:05:54presumably your kind of level of recognition has gone up.
0:05:54 > 0:05:57- You must get recognised all the time now.- Yes.- Yes, I do.
0:05:57 > 0:06:00Oh, I know where you're going with this.
0:06:00 > 0:06:04- Yes. Yes, well, do tell them. - Erm, I hope my mum's not watching.
0:06:04 > 0:06:08- LAUGHTER - There was a slight road-rage incident.
0:06:08 > 0:06:11And you know those crossings where they're absolutely,
0:06:11 > 0:06:15I don't know if it's the same rules apply, but they're not staggered,
0:06:15 > 0:06:17they're straight crossroad thing... Do you know what I mean?
0:06:17 > 0:06:20I have no idea what you're talking about,
0:06:20 > 0:06:23- but keep going.- So, to turn right, you have to turn in front of each other,
0:06:23 > 0:06:25not behind each other on a staggered crossing.
0:06:25 > 0:06:27- Do you know what I mean?- No!
0:06:27 > 0:06:30- Does anyone know what I mean? - PEOPLE IN AUDIENCE:- Yes!
0:06:30 > 0:06:32- So, so...- No, don't!
0:06:32 > 0:06:35OK, and you've got to go behind each other.
0:06:35 > 0:06:37No, you have to go in front because it was an equal thingy.
0:06:37 > 0:06:39- You had to go in front of each other?- Yes.- OK.
0:06:39 > 0:06:42So, this woman was coming towards me and wanting to go right, her right.
0:06:42 > 0:06:45And I was going right. So, I turned to go in front of her.
0:06:45 > 0:06:48And she went... And, as if I had tried to drive into her.
0:06:48 > 0:06:50And I thought, "OK, well, there's no-one else coming.
0:06:50 > 0:06:53"So, I'll just, to keep her happy, I'll do what's wrong
0:06:53 > 0:06:56"but I'll go behind her." And she was, like, doing that...in the car.
0:06:56 > 0:06:58And it was starting to really piss me off
0:06:58 > 0:07:01because I was right and I was helping her out.
0:07:01 > 0:07:03And then I suddenly got this red mist.
0:07:03 > 0:07:06Just as our cars were coming next to each other, I suddenly went,
0:07:06 > 0:07:09"Fuck you!"
0:07:09 > 0:07:13- LAUGHTER - And just as she was doing that, she went, "Ah!"
0:07:15 > 0:07:18LAUGHTER AND APPLAUSE
0:07:21 > 0:07:24And now, Hugh Laurie, straight out of Oxford...
0:07:24 > 0:07:28LAUGHTER You have had some rap experience.
0:07:28 > 0:07:31LAUGHTER
0:07:31 > 0:07:36- I think you, you may have been misinformed there. - We've got evidence.
0:07:36 > 0:07:39Well, well now, well now...
0:07:39 > 0:07:44- Have you started? - Yeah, that's the opening line.
0:07:44 > 0:07:48Where can I take it from there? Well, now. It's called Well Now.
0:07:48 > 0:07:50I... I dabbled.
0:07:50 > 0:07:54- It was you and Stephen Fry.- Yeah. - And what was it actually called?
0:07:54 > 0:07:59It was called... It was called I'm A Good-Ass Motherliker.
0:07:59 > 0:08:02That's what I like to hear.
0:08:02 > 0:08:05- Yes, it was nice, polite rap. It was polite, English rap.- Yeah.
0:08:05 > 0:08:09- We've got a little clip, just so you can enjoy it.- Oh, no, you haven't!
0:08:09 > 0:08:12Yes, here's Hugh Laurie doing his polite rap.
0:08:12 > 0:08:15# Get home to my bitch She be waitin' all alone
0:08:15 > 0:08:17# I put water in her bowl And I give her a bone
0:08:17 > 0:08:20# Neighbours come callin' Holdin' out a cup
0:08:20 > 0:08:22# So I get out the sugar And I fill it right up
0:08:22 > 0:08:24# Be nice
0:08:24 > 0:08:29# Be nice Cos I'm a good-ass motherliker. #
0:08:29 > 0:08:30HE MOUTHS
0:08:30 > 0:08:34CHEERING AND APPLAUSE
0:08:36 > 0:08:40That thing was hot! Everything was hot except the pants.
0:08:41 > 0:08:44- Yeah, the pants was off. - Everything else was great.
0:08:45 > 0:08:50First of all, it was 1995, for God's sake.
0:08:50 > 0:08:53I mean, your swag is on 1,000 right now!
0:08:53 > 0:08:57Now, the guys are here because they've got the sequel to Ride Along,
0:08:57 > 0:09:00entitled Ride Along 2...
0:09:00 > 0:09:02- Yes. - LAUGHTER
0:09:02 > 0:09:05- Watch out, Graham. You nailed it. You nailed that.- Sweet.
0:09:05 > 0:09:07I've got the facts, ladies and gentlemen.
0:09:07 > 0:09:09Now, it opens here tonight.
0:09:09 > 0:09:11But, of course, it's already opened in America. Huge hit.
0:09:11 > 0:09:14Knocked Star Wars off the top of the tree. All that.
0:09:14 > 0:09:16So, what is the premise of the movie?
0:09:16 > 0:09:21The premise of the movie, I play a crack detective out of Atlanta.
0:09:21 > 0:09:27And I have this bug, mosquito, by the name of Kevin Hart.
0:09:27 > 0:09:32- That's not it. - He wants to marry my sister.
0:09:32 > 0:09:36So, you know, it's the whole thing of, you always hate the guy
0:09:36 > 0:09:39that wants to marry your sister, so, you know, I hate him over here.
0:09:39 > 0:09:43That's a strong word. You dislike me.
0:09:43 > 0:09:47- LAUGHTER - And I'm trying to scare him from not being a cop by taking him
0:09:47 > 0:09:51on a ride along and it doesn't work cos he ends up helping me
0:09:51 > 0:09:54solve the case.
0:09:54 > 0:09:57There's a lot of stuff that happens on that ride.
0:09:57 > 0:10:01I mean, you're looking at a relationship with two guys that's a grounded, genuine relationship.
0:10:01 > 0:10:04You know, my character, Ben Barber, aspires to be what James is.
0:10:04 > 0:10:06What means the most to me is this man's approval.
0:10:06 > 0:10:09But getting that approval is tough.
0:10:09 > 0:10:12So, along this road, it's about me proving myself above and beyond
0:10:12 > 0:10:15and eventually getting the attention of the guy that I look up to.
0:10:15 > 0:10:19And reading interviews between you, it's unclear, like, do you get on, on set?
0:10:19 > 0:10:23- Or do you genuinely annoy each other? - That's my best friend.- OK.
0:10:23 > 0:10:26- Say it! - LAUGHTER
0:10:26 > 0:10:30Say it! Come on, man. Say it! We're in the UK.
0:10:30 > 0:10:34Say it, let 'em know how you feel. Best friend touch, come on, man.
0:10:35 > 0:10:38Come on, man. There it is.
0:10:38 > 0:10:41CHEERING AND APPLAUSE
0:10:43 > 0:10:46- But didn't he steal your catchphrase? - He always steals everything.
0:10:46 > 0:10:50- When people see me, they'd be like, "Yo, Cube! Yay-yay!"- Hey-hey!
0:10:50 > 0:10:55- LAUGHTER - Good, good. I'm not going to say that.
0:10:55 > 0:11:00- So, I say, "Hey, Cube! Yay-yay!" - Hey-hey!- That's so weak.
0:11:00 > 0:11:05- It has no flavour to it. - We're best friends.
0:11:07 > 0:11:10We've got a clip from the movie, erm, Ride Along 2.
0:11:10 > 0:11:14- This is, erm, you guys trying to get into a party under cover.- Ah.
0:11:14 > 0:11:17And your antagonism is barely concealed.
0:11:17 > 0:11:23- Prince Admiral Steven Matumbe. And you're in consul.- Plus 2.
0:11:23 > 0:11:27- My two servants.- I don't have you on the list.- Well, could you...
0:11:27 > 0:11:30Then check the VIP list. And do not look me in my eye.
0:11:30 > 0:11:33Don't look at me. You look at the pad.
0:11:33 > 0:11:36You read the names and you look at me and you close your eyes.
0:11:36 > 0:11:41Look at me. Don't look at me. Look at me. That was a test. You failed.
0:11:41 > 0:11:45- You...aren't on it. - Stall him, guys. AJ is on it.
0:11:45 > 0:11:50- Step aside, por favor.- Wait!
0:11:50 > 0:11:52This is all your fault.
0:11:52 > 0:11:57I'm your bodyguard, not your servant.
0:11:57 > 0:12:00You are what I SAY you are!
0:12:02 > 0:12:06- A traditional sign of respect. - 'OK, try it now.'
0:12:06 > 0:12:08Check the list one more time.
0:12:10 > 0:12:13There it is. Sorry about that.
0:12:13 > 0:12:16- You can head right in. - I cannot feel my face!
0:12:17 > 0:12:20LAUGHTER AND APPLAUSE
0:12:23 > 0:12:27And Ice Cube, we've got to mention Straight Outta Compton.
0:12:27 > 0:12:28Congratulations. Oscar-nominated.
0:12:28 > 0:12:31CHEERING AND APPLAUSE
0:12:31 > 0:12:34- Oscar winner for best original screenplay.- Yes.
0:12:34 > 0:12:37And obviously, cos the Oscars have now got mired in this controversy this year...
0:12:37 > 0:12:42So, where do you stand on all of that? Like, will you go? Are you going?
0:12:42 > 0:12:46- I never used to go anyway. So... - You're not boycotting?
0:12:46 > 0:12:50You can't boycott something you never went to anyway.
0:12:50 > 0:12:54- LAUGHTER - That's kind of weird.
0:12:54 > 0:12:57No, it's, you know, I look at it like a horse race, you know
0:12:57 > 0:12:59what I'm saying? Once your horse loses a race,
0:12:59 > 0:13:03you tear up your ticket and go on and just back on out.
0:13:03 > 0:13:08Because it's nothing really to put that much energy into like that.
0:13:08 > 0:13:12It's... We don't do movies for the industry.
0:13:12 > 0:13:16We do movies for the fans, for the people, and, you know,
0:13:16 > 0:13:21the industry, you know, if they give you a trophy or not, or pat you on the back or not,
0:13:21 > 0:13:25it's nice but it's not something that you should dwell on.
0:13:25 > 0:13:30You know, we got accolades from all levels, you know, from our core fans,
0:13:30 > 0:13:33from our curious fans, from our fans or people who, you know,
0:13:33 > 0:13:37didn't even think they wanted to see that movie.
0:13:37 > 0:13:41You know, I think the older generation got a understanding on why we did
0:13:41 > 0:13:45that kind of music and the younger generation got a history lesson.
0:13:45 > 0:13:50And we got so much praise for the movie, and it's like, how could you
0:13:50 > 0:13:56be mad cos ONE other Academy or guild or anybody didn't say it's the number one,
0:13:56 > 0:14:03you know, it's like crying about not having enough icing on your cake.
0:14:03 > 0:14:05- LAUGHTER - I mean, it's just ridiculous.
0:14:05 > 0:14:08- Because you guys have both seen the movie, haven't you?- Yes.
0:14:08 > 0:14:10Yeah, have to say I loved it. Absolutely loved it.
0:14:10 > 0:14:15And I think, by the way, that that's about the sanest description of this whole process
0:14:15 > 0:14:19of awards that I've ever heard. I mean, as a way of treating it, as a way of thinking about it.
0:14:19 > 0:14:22CHEERING AND APPLAUSE
0:14:22 > 0:14:26And was the process of the making of the film,
0:14:26 > 0:14:30did it kind of rebuild bridges with the existing members of NWA?
0:14:30 > 0:14:34- Are you all kind of good and...? - Yeah, we were already cool, you know?
0:14:34 > 0:14:38It was water under the bridge by the time we started doing the movie.
0:14:38 > 0:14:42It was great to get with everybody and hash up all those stories.
0:14:42 > 0:14:44And, "No, that's not how that happened," "Yeah, yeah..."
0:14:44 > 0:14:47And then going back and forth and creating a whole,
0:14:47 > 0:14:53uh, you know, script. It was a load of work. It was a major process.
0:14:53 > 0:14:58A lot of cooks in the kitchen. Erm, but we got nice meal out of that.
0:14:58 > 0:15:00You're getting back together, is that right?
0:15:00 > 0:15:02Are you going to play Coachella?
0:15:02 > 0:15:07Well, we're going to definitely play The Rock and Roll Hall of Fame cos NWA was inducted.
0:15:07 > 0:15:11- CHEERING AND APPLAUSE - And now... Thank you.
0:15:12 > 0:15:16So, that's great. And then, you know, I got Coachella.
0:15:16 > 0:15:19I'm a try and get all the guys together and do an amazing show.
0:15:19 > 0:15:23- I'll do it. - LAUGHTER
0:15:23 > 0:15:26I'll do it. You don't even have to ask. I'll do it.
0:15:26 > 0:15:29And he's not joking, is he?
0:15:29 > 0:15:32I'm here for my friend.
0:15:32 > 0:15:36And great, sort of extraordinary that your son did such an amazing...
0:15:36 > 0:15:38- Oh, yeah!- ..job playing you.
0:15:38 > 0:15:40I mean, that's what I'm most proud of, you know,
0:15:40 > 0:15:43more than having this movie, having Straight Outta Compton,
0:15:43 > 0:15:48this, that and the other, is the fact that my son was able to take a opportunity, you know,
0:15:48 > 0:15:52and run with it and hopefully set himself up and in, you know,
0:15:52 > 0:15:56one of the greatest industries in the world.
0:15:56 > 0:15:59Uh, and, you know, I'm so proud, just as a father, and,
0:15:59 > 0:16:04oh, yeah, you know, it was a movie about NWA too. You know that?
0:16:04 > 0:16:07But how much did he know, like, when he was doing scenes,
0:16:07 > 0:16:11- was he going, like, "You did THIS, Dad?"- Yeah, yeah.
0:16:11 > 0:16:14In the hotel rooms, you know, some of them scenes, it was like...
0:16:15 > 0:16:22- LAUGHTER - Oh, man! Y'all took guns? Man! Y'all was doin' the most!
0:16:23 > 0:16:28- Those were your favourite scenes too!- But he did know.
0:16:28 > 0:16:31How old was he when he knew the lyrics to Straight Outta Compton?
0:16:31 > 0:16:36Oh, they was young, man, you know, my kids... Two? Three years old?
0:16:36 > 0:16:39I mean, it was playing all the time.
0:16:39 > 0:16:42And, you know, they were rapping and would censor themselves.
0:16:42 > 0:16:43They would like rap the lyrics, like,
0:16:43 > 0:16:46# Straight Outta Compton, Crazy mo...named Ice Cube
0:16:46 > 0:16:49# From the...called...With Attitudes #.
0:16:49 > 0:16:53Profanity, you know what I mean? It's just funny.
0:16:53 > 0:16:54And, Hugh Laurie, you've got kids
0:16:54 > 0:16:57but none of them have followed in your footsteps, have they?
0:16:57 > 0:17:00- STERNLY:- No.
0:17:00 > 0:17:02LAUGHTER
0:17:02 > 0:17:06- No, they haven't. I mean... - Do they have proper jobs?
0:17:06 > 0:17:08They all do different... proper jobs, yeah.
0:17:08 > 0:17:11They all did a bit. They all tried it. And were good at it, actually, I thought.
0:17:11 > 0:17:14But didn't want to, erm,
0:17:14 > 0:17:17I just think it's an amazing thing to think of your son doing this.
0:17:17 > 0:17:21Because I, you know, most men are in some version,
0:17:21 > 0:17:24- trying to play their father anyway. - Mm-hm.
0:17:24 > 0:17:26You know, either imaginary or real,
0:17:26 > 0:17:29they're trying to sort of play the role of their father,
0:17:29 > 0:17:33until they find out, you know, if they ever DO, some don't,
0:17:33 > 0:17:35if they ever find out who they are.
0:17:35 > 0:17:38I think that's just an incredible thing.
0:17:38 > 0:17:41I mean, I had a very, very sort of mild version of it.
0:17:41 > 0:17:43Because I was playing,
0:17:43 > 0:17:47I spent almost ten years playing a doctor and my father WAS a doctor.
0:17:47 > 0:17:51And I felt like I was a fake version of what he really was
0:17:51 > 0:17:55and I felt all this, sort of, constantly guilty about that.
0:17:55 > 0:17:59Erm, because I think a lot of men do actually grow up feeling like that.
0:17:59 > 0:18:03Feeling like fake versions of their own, until you hopefully get
0:18:03 > 0:18:08to a point where you think that, "Well, I am the real thing, in some form."
0:18:08 > 0:18:10- Yeah, yeah.- It is, whatever it is, it's real.
0:18:10 > 0:18:12- Because, Olivia, how many kids have you got now?- Three!- Three?
0:18:12 > 0:18:15So, if one of them, or indeed all of them came to you and said, "Yay!
0:18:15 > 0:18:19"We're going to be an actor or actress," would you be thrilled? Horrified?
0:18:19 > 0:18:21I don't know, it's quite a hard thing to answer.
0:18:21 > 0:18:24Because I love it. I love my job. But I know I've been lucky.
0:18:24 > 0:18:29So, it would be quite hard for my kids to go into it and be less lucky or...
0:18:29 > 0:18:34Yes, you wouldn't say, I'd like you to be a SUCCESSFUL actor.
0:18:34 > 0:18:37- Teach them to be lucky. - They're also very clever.
0:18:37 > 0:18:40They're much cleverer than me, so, erm, well, it's hard to know with the baby but, erm...
0:18:44 > 0:18:47It doesn't walk into walls or anything. That's good.
0:18:47 > 0:18:49Yeah, I'd like to think that maybe they'll do something,
0:18:49 > 0:18:52you know, save people or change the world.
0:18:52 > 0:18:54- Oh, wow.- No pressure!
0:18:54 > 0:18:56LAUGHTER
0:18:56 > 0:18:59And Kevin, your kids, do they aspire to be a performer like you?
0:18:59 > 0:19:04Oh, yeah, I'm in trouble. My kids are just like me. It's scary.
0:19:04 > 0:19:07It's so scary. No, my son, my son is a little slower.
0:19:07 > 0:19:10My daughter is just...
0:19:10 > 0:19:14That's my son. I catch my son...
0:19:14 > 0:19:18I catch my son doing some of the stupidest stuff.
0:19:18 > 0:19:23Son, why you licking that wall? Don't lick the wall, boy.
0:19:23 > 0:19:27"I'm just playing." No! You're not playing, licking the wall, son!
0:19:27 > 0:19:30Go over there and just play with that stuff.
0:19:30 > 0:19:34My daughter is just, she's in love with what I do. She fully gets it.
0:19:34 > 0:19:37My daughter is ten years old.
0:19:37 > 0:19:42And, you know, I'm big on letting my kids see me in my work environment,
0:19:42 > 0:19:46whether it's on set, whether it's on stage, tour,
0:19:46 > 0:19:50I let them be around their dad, so they can really understand what I do.
0:19:50 > 0:19:53My daughter sits, like, when I'm on stage, I don't let them,
0:19:53 > 0:19:57they're only allowed to watch the first 7 to 10 minutes of my show
0:19:57 > 0:19:59because that part is clean.
0:19:59 > 0:20:01- Then it gets filthy after that. - LAUGHTER
0:20:01 > 0:20:04So, the first 10 minutes, she just sits and she watches
0:20:04 > 0:20:09and she mimics me in the house. My daughter has got a tight 5 minutes.
0:20:09 > 0:20:14She's like, "Dad, introduce me," like, she's got my mannerisms.
0:20:14 > 0:20:17She comes on the stage and she's like, "What do you do?
0:20:17 > 0:20:19"What's your job? What's your name?"
0:20:19 > 0:20:22It's scary! It's really scary.
0:20:22 > 0:20:24LAUGHTER AND APPLAUSE
0:20:24 > 0:20:26So, Ice Cube had his son in this movie.
0:20:26 > 0:20:29Olivia Colman has gone one further, ladies and gentlemen,
0:20:29 > 0:20:33because in her new show, she had her daughter IN her,
0:20:33 > 0:20:35in the thing, it's like Russian dolls!
0:20:35 > 0:20:39- Yeah! - LAUGHTER
0:20:39 > 0:20:41- And your bump plays a role.- Yes!
0:20:41 > 0:20:45- This is The Night Manager, the new series that you're in. - Oh, IN her! Oh!
0:20:45 > 0:20:47- In her! - LAUGHTER
0:20:47 > 0:20:50- Where were you going? - I don't know...
0:20:50 > 0:20:52You guys nodding, going, "OK..."
0:20:52 > 0:20:56It's a UK thing. All right. I got it. I got it.
0:20:56 > 0:20:59But they wrote the bump in.
0:20:59 > 0:21:01Yeah, when I first went to meet the director
0:21:01 > 0:21:04and I had just found out I was pregnant and I thought, "Oh, I can't lie."
0:21:04 > 0:21:07Because it's going to become obvious. And so I said I was pregnant.
0:21:07 > 0:21:15And Susanne went, "Oh! Oh, OK..." She said, "I must talk to the producers."
0:21:15 > 0:21:17This is my impression of Susanne.
0:21:18 > 0:21:22- LAUGHTER - Lucky she's not here cos then I can tell you it's really good.
0:21:22 > 0:21:25- OK.- It is. It's absolutely spot on.
0:21:25 > 0:21:28And I was going, "If you remember Fargo, Frances McDormand
0:21:28 > 0:21:32"was pregnant and it really added to it. I think it would help," sort of, fingers crossed.
0:21:32 > 0:21:34And they came back and said, "Yeah, OK,
0:21:34 > 0:21:37"we can do pregnant, yeah. Erm, yeah, we'll write it in." So...
0:21:37 > 0:21:42And it's good because you didn't have to carry a bag in front of yourself or wear baggy coats or anything.
0:21:42 > 0:21:44I got so big, there would have been no hiding it.
0:21:44 > 0:21:47And also, I was waddling quite a lot.
0:21:47 > 0:21:51And Susanne once said, "Could you walk less pregnant?"
0:21:51 > 0:21:53LAUGHTER
0:21:54 > 0:21:57My pelvis was like that!
0:21:57 > 0:22:01- So, this is The Night Manager, coming up on BBC One next month.- See that?
0:22:01 > 0:22:06I looked like someone, like I've snuck into the back of shot.
0:22:06 > 0:22:11- LAUGHTER - It's clearly, it's like a model shoot.
0:22:11 > 0:22:16- And then this spherical being. - It's like when they left the paper cups on the mantelpiece in Downton.
0:22:19 > 0:22:23- ICE CUBE:- She looks like she's back there fixing his suit! A wardrobe person!
0:22:23 > 0:22:24- OLIVIA:- Exactly!
0:22:24 > 0:22:28You shouldn't, if she didn't say it, but when she said that, I thought,
0:22:28 > 0:22:30"It kind of does look a little bit like that!"
0:22:30 > 0:22:34If anyone's watching in America, by the way, it's also on there.
0:22:34 > 0:22:37It's on BBC America and it's on AMC.
0:22:37 > 0:22:40And I guess because of all that involvement, it looks amazing.
0:22:40 > 0:22:43- It's got a huge budget, it looks like, for it TV show.- Yes.
0:22:43 > 0:22:46Americans do know how to make things look very good! It's exciting!
0:22:46 > 0:22:49Obviously, it's the famous John le Carre novel but,
0:22:49 > 0:22:52if people don't know, what can you tell us about it?
0:22:52 > 0:22:54Who do you play within the film?
0:22:54 > 0:22:58- I play, I'm proud to say, the worst man in the world.- Ooh!
0:22:58 > 0:23:00- We actually play sworn enemies. - Yes.
0:23:00 > 0:23:02This is sort of the angel of vengeance
0:23:02 > 0:23:05and I am the worst man in the world.
0:23:05 > 0:23:11- And we... Let's say that, because there are no other actors here, let's say it's all about us.- OK!
0:23:11 > 0:23:14We wind up in, right at the end of the thing,
0:23:14 > 0:23:19in a sort of final confrontation between, really, good and evil.
0:23:19 > 0:23:21Erm, it's about arms dealing.
0:23:21 > 0:23:26It's about a conspiracy to pull off a very terrible arms deal
0:23:26 > 0:23:28with very terrible people.
0:23:28 > 0:23:32And Olivia's character sets about trying to undo
0:23:32 > 0:23:35the villain of the piece, the worst man in the world, which is me.
0:23:35 > 0:23:39And why, because it's been changed, it wasn't a woman originally?
0:23:39 > 0:23:42Yes, no, that's right. My character, Burr, was a man.
0:23:42 > 0:23:44And they thought they'd like to...
0:23:44 > 0:23:46Burr would be a good person to turn into a woman.
0:23:46 > 0:23:50I think you probably were there more than me in that discussion.
0:23:50 > 0:23:55I was a horse. And I thought, we could have a talking horse.
0:23:55 > 0:23:58Or why don't we have a person?
0:23:58 > 0:24:01ICE CUBE SNIGGERS
0:24:02 > 0:24:05But Hugh Laurie, you love this book.
0:24:05 > 0:24:09I love... Well, Le Carre is... This is holy text for me.
0:24:09 > 0:24:12- Erm, and I loved... - You know him, right?
0:24:12 > 0:24:17Well, yes, I would like to say now I do, a little bit.
0:24:17 > 0:24:19I don't think he'd blank me in the street.
0:24:19 > 0:24:24- Weren't you at his birthday party? - I did. I got taken.- I didn't!
0:24:24 > 0:24:26LAUGHTER
0:24:26 > 0:24:29I got taken as Stephen Fry's date,
0:24:29 > 0:24:32to his 70th birthday party, at a restaurant in Hampstead.
0:24:32 > 0:24:36And at this party were... I don't quite know who these people were
0:24:36 > 0:24:39because you're not supposed to know anyway.
0:24:39 > 0:24:42But it was something like the head of the CIA
0:24:42 > 0:24:45and the head of the KGB were at this dinner. Big, big cheeses anyway.
0:24:45 > 0:24:47And the place was crawling with bodyguards.
0:24:47 > 0:24:51There was a lot of earpieces and people were packing.
0:24:51 > 0:24:53- LAUGHTER - Yeah.
0:24:53 > 0:24:56Was this in Compton? Was this in Compton?
0:24:56 > 0:25:00- I think I know that spot. - LAUGHTER
0:25:00 > 0:25:04- I have the lingo! - LAUGHTER AND APPLAUSE
0:25:08 > 0:25:12During the dinner, one of his sons went whispering round the table.
0:25:12 > 0:25:15There was a piano in the room and he went whispering round the table,
0:25:15 > 0:25:18he said, "Does anybody know how to play Happy Birthday?"
0:25:18 > 0:25:21And I said, "Well, if no-one else does, yeah, I'll do it if you want."
0:25:21 > 0:25:22So they said, "OK.
0:25:22 > 0:25:25"You sneak over to the piano, no-one's looking, sneak over to
0:25:25 > 0:25:28"the piano, sit down there, we'll signal the kitchen, they'll light
0:25:28 > 0:25:30"the candles on the cake and then they'll bring it in,
0:25:30 > 0:25:33"you start playing." I said, "OK," so I sort of snuck over,
0:25:33 > 0:25:36I sat down and I lifted the lid like this and I was all poised
0:25:36 > 0:25:39and I could see the kitchen where they were lighting the...
0:25:39 > 0:25:41I could see them fussing over the cake.
0:25:41 > 0:25:43And they lit the candles, 70 of them,
0:25:43 > 0:25:45so I'll shorten that bit, obviously.
0:25:46 > 0:25:48And then the last thing they did,
0:25:48 > 0:25:51because obviously this was the restaurant's habit, the last thing
0:25:51 > 0:25:54they did before they brought out the cake was switch off the lights.
0:25:54 > 0:25:59So the place went dark and there was an eruption of guns
0:25:59 > 0:26:01and walkie-talkies.
0:26:01 > 0:26:03"Nobody move, everybody on the floor!"
0:26:03 > 0:26:06And I had to sort of... "No, really!
0:26:06 > 0:26:08"Honestly, I am literally just the piano player."
0:26:10 > 0:26:14- But order was restored, nobody died. - Wow.
0:26:14 > 0:26:15Pretty exciting moment.
0:26:15 > 0:26:18But it also shows you the respect in which le Carre is
0:26:18 > 0:26:22held in the world of spying and intelligence.
0:26:22 > 0:26:25We've got a clip but it's more of a taster of the whole series,
0:26:25 > 0:26:26so here it is.
0:26:30 > 0:26:31War's a spectator sport.
0:26:33 > 0:26:35What do you want, Miss Burr?
0:26:35 > 0:26:38I want to make you an offer. Bring down Richard Roper.
0:26:38 > 0:26:40I want to put you inside his operation.
0:26:40 > 0:26:43You will be in so deep, you'll worry that you'll never get out.
0:26:43 > 0:26:45My name's Pine, I'm the night manager.
0:26:46 > 0:26:48I think he may be playing both sides.
0:26:48 > 0:26:50We need Richard Roper.
0:26:51 > 0:26:54- I'm going to get you out of here. - And you think you're safe?
0:26:54 > 0:26:55We are pulling you out.
0:26:55 > 0:26:58Without me, you don't have an operation.
0:26:58 > 0:27:02If you step out of line, we'll make you howl for your mother.
0:27:10 > 0:27:12Ooh.
0:27:12 > 0:27:14APPLAUSE
0:27:14 > 0:27:17- I'm going to watch that. - Yeah, I'm going to watch that.
0:27:17 > 0:27:18Watch it, wouldn't you? Yes.
0:27:19 > 0:27:22- You're in that. - I know, I can't believe it.
0:27:22 > 0:27:24The last time she was on, she was promoting a film,
0:27:24 > 0:27:27she didn't know who she was playing in the film.
0:27:27 > 0:27:29It was finished, it was in the cinema.
0:27:29 > 0:27:32It was a long time after we'd filmed it.
0:27:32 > 0:27:35You might have checked before you came on a chat show!
0:27:36 > 0:27:40I love how honest she is about it. "I have no idea. I don't know."
0:27:41 > 0:27:43I don't know why they...
0:27:43 > 0:27:46Also, cos contractually, no offence, but we're sort of asked to come...
0:27:46 > 0:27:49All right, fine. Thank you(!) LAUGHTER
0:27:49 > 0:27:51Wow.
0:27:53 > 0:27:56- She doesn't mean that. - I don't mean that. Oh, God!
0:27:56 > 0:28:00She doesn't want to be here, ladies and gentlemen.
0:28:00 > 0:28:03I do, that's not true. I love Graham.
0:28:03 > 0:28:05But I do wonder why they ask me to do it.
0:28:06 > 0:28:08I don't help, do I?
0:28:08 > 0:28:11KEVIN CACKLES
0:28:13 > 0:28:17Ice Cube's thinking, "She's never being in one of my films, ever."
0:28:17 > 0:28:19She's good.
0:28:20 > 0:28:23- I like her, I like her. - Thank you very much. I like you.
0:28:28 > 0:28:34All right, onto my next guest. He's been on our screens for 65 years.
0:28:34 > 0:28:36And now, on the eve of his 90th birthday,
0:28:36 > 0:28:40he's back at the Beeb with a new natural history special.
0:28:40 > 0:28:44Please welcome broadcasting legend Sir David Attenborough.
0:28:44 > 0:28:47CHEERING
0:28:48 > 0:28:53Hello, sir. How are you? So nice to see you. Come in, sit down.
0:28:53 > 0:28:58This is Ice Cube...Kevin Hart, you know Olivia, I'm sure.
0:29:01 > 0:29:03CHEERING
0:29:06 > 0:29:09Sit, sit, sit, everybody. Oh.
0:29:11 > 0:29:15- Very nice to have you, thank you very much for joining us.- Thank you.
0:29:15 > 0:29:17You've said hello, you've met everybody.
0:29:17 > 0:29:20I've been listening to you all. Laughing like anything.
0:29:20 > 0:29:22You've met before, haven't you, Olivia?
0:29:22 > 0:29:23Twice.
0:29:24 > 0:29:28Oh, I'm so embarrassed. I was so excited to meet you.
0:29:28 > 0:29:31Well, I didn't really meet you, I just sort of stumbled into you
0:29:31 > 0:29:33and went, "I think you are amazing!"
0:29:34 > 0:29:36You were very polite and then I realised I should leave
0:29:36 > 0:29:38and then I did it a second time...
0:29:38 > 0:29:40at a different occasion.
0:29:40 > 0:29:42So third time lucky, there you go.
0:29:42 > 0:29:45Friends now, friends.
0:29:45 > 0:29:48Now, this new special, Attenborough And The Giant Dinosaur,
0:29:48 > 0:29:51it's on on Sunday, BBC One, 6.30
0:29:51 > 0:29:55and it's extraordinary that these discoveries,
0:29:55 > 0:29:58really amazing discoveries, are still being made.
0:29:58 > 0:30:00Why had this not been discovered before?
0:30:00 > 0:30:05I suppose, it's comparatively rare. They lived in a rather remote place.
0:30:05 > 0:30:09They lived in Patagonia, right at the far end of South America.
0:30:09 > 0:30:13And, yeah, dinosaur fossils aren't all that common.
0:30:13 > 0:30:18And a local man who had a big sand...sheep farm
0:30:18 > 0:30:23saw this enormous bone sticking out of the cliff.
0:30:23 > 0:30:27And he told local people and eventually a palaeontologist,
0:30:27 > 0:30:30a fossil expert, came along and said, "Yeah, that's a dinosaur.
0:30:30 > 0:30:34"And not only is it a dinosaur, it's a very, very big dinosaur."
0:30:34 > 0:30:38And that particular bone was the thigh bone, this one,
0:30:38 > 0:30:42and it's nine feet tall, three metres tall.
0:30:42 > 0:30:44So it's huge, this animal.
0:30:44 > 0:30:47It's incredible. I'll tell you what, before we talk about it some more,
0:30:47 > 0:30:50because talking about it doesn't really convey the size of it,
0:30:50 > 0:30:55so we've got a clip from the show that conveys just how big
0:30:55 > 0:30:56these things were.
0:30:56 > 0:30:58The first sauropods to appear on Earth
0:30:58 > 0:31:01were comparatively small creatures.
0:31:01 > 0:31:05This is a cast of the thighbone of one of them.
0:31:05 > 0:31:07It's not even as big as my thighbone.
0:31:08 > 0:31:15But after about 20 million years, SOME had become pretty big.
0:31:15 > 0:31:19This is a thighbone from one of those creatures.
0:31:19 > 0:31:23But then, after that,
0:31:23 > 0:31:27our giant appeared. This is its thighbone.
0:31:27 > 0:31:29- Isn't that nuts?- Yeah.
0:31:32 > 0:31:33You know... You know the dinosaur
0:31:33 > 0:31:36- that's in the Natural History Museum?- Yeah.
0:31:36 > 0:31:41Diplodocus. Fills the entrance hall, you know?
0:31:41 > 0:31:45- This one is half as big again, the new one.- Oh, my God.
0:31:45 > 0:31:47- Wow.- Wow.
0:31:47 > 0:31:49And what's more, old diplodocus,
0:31:49 > 0:31:51the one in the Natural History Museum
0:31:51 > 0:31:54could walk underneath this one's belly.
0:31:55 > 0:31:58- And how many...?- Mm-hmm! - LAUGHTER
0:31:58 > 0:32:01Because they didn't just find one of these. It wasn't like a freak.
0:32:01 > 0:32:03It wasn't like, "Oh, he's very tall for his age."
0:32:05 > 0:32:08- There were a lot of these guys. - Well, there must have been
0:32:08 > 0:32:11because otherwise there wouldn't be any more.
0:32:11 > 0:32:12There were at least two.
0:32:12 > 0:32:14- I'm with you. - Actually, it so happened
0:32:14 > 0:32:16this particular deposit where
0:32:16 > 0:32:18they found those bones, there are the remains of
0:32:18 > 0:32:21seven different individuals, all of the same kind.
0:32:21 > 0:32:23So they were all whoppers.
0:32:23 > 0:32:25And in your own house you have some...?
0:32:25 > 0:32:27No, I don't have one in my own house.
0:32:29 > 0:32:32No, you do have some dinosaur things.
0:32:32 > 0:32:36- I've got the occasional thing. - What have you got, what have you got?
0:32:36 > 0:32:38- What do you want? - Well, I don't know.
0:32:42 > 0:32:43What will you give me?
0:32:43 > 0:32:47You've got a dinosaur...footprint, is it a footprint you've got?
0:32:47 > 0:32:49- I've got a dinosaur footprint.- OK.
0:32:49 > 0:32:53Footprints, dinosaur footprints are quite common in Texas.
0:32:53 > 0:32:55You can buy 100 yards of dinosaur footprint.
0:32:55 > 0:32:58Kevin Hart's shopping already.
0:32:58 > 0:33:00I was about to ask the price for that thighbone.
0:33:00 > 0:33:03I know what I want to do with my money.
0:33:03 > 0:33:05Something good to show off to my friends.
0:33:05 > 0:33:07There was a Texas millionaire...
0:33:07 > 0:33:12It became the fashion to buy 50 yards of dinosaur footprint
0:33:12 > 0:33:15and put them in your garden, you see.
0:33:15 > 0:33:18So jealous now. Kevin Hart looks so jealous.
0:33:18 > 0:33:22Bought 20 yards and laid them out and very proud of it
0:33:22 > 0:33:24and then invited the next-door neighbour,
0:33:24 > 0:33:25who was also a millionaire,
0:33:25 > 0:33:28to come over and look at his dinosaur footprint.
0:33:28 > 0:33:30So the visitor came in,
0:33:30 > 0:33:36saw these immense footprints around and said, "My God, what are those?"
0:33:36 > 0:33:38And he said, "They're dinosaur footprints."
0:33:38 > 0:33:40And the millionaire visitor said,
0:33:40 > 0:33:44"I had no idea they'd come so close to the house."
0:33:44 > 0:33:47LAUGHTER
0:33:50 > 0:33:54Now, I don't want to embarrass you but we have to mention you do
0:33:54 > 0:33:58- have quite a large birthday very, very soon.- Yes.
0:33:58 > 0:34:02It's, well, 90, we can say it, it's 90. It's a thing to be celebrating.
0:34:02 > 0:34:05APPLAUSE
0:34:09 > 0:34:12How is it going to be marked personally?
0:34:12 > 0:34:14How is it going to be marked by the BBC? What's happening?
0:34:14 > 0:34:17I would like to ignore the whole issue.
0:34:18 > 0:34:21The BBC is talking now about doing some kind of programme.
0:34:21 > 0:34:24I don't know what but they're going to do something.
0:34:24 > 0:34:26- They'll have to do something. - Oh, something. A cake.
0:34:28 > 0:34:30And Hugh Laurie can play Happy Birthday.
0:34:30 > 0:34:33Well, I'm...I'm there, I'm there.
0:34:33 > 0:34:36APPLAUSE
0:34:36 > 0:34:40OK, it's time for music. Now this Grammy-nominated singer-songwriter
0:34:40 > 0:34:42is destined for great things.
0:34:42 > 0:34:45Here, singing her hit single Ex's & Oh's,
0:34:45 > 0:34:47please welcome Elle King.
0:34:47 > 0:34:49APPLAUSE
0:34:56 > 0:34:59# I had me a boy Turned him into a man
0:34:59 > 0:35:02# Showed him all the things that he didn't understand
0:35:02 > 0:35:04# Whoa
0:35:04 > 0:35:06# Then I let him go
0:35:09 > 0:35:12# Now there's one in California who's been cursing my name
0:35:12 > 0:35:15# Cos I found me a better lover in the UK
0:35:15 > 0:35:18# Hey
0:35:18 > 0:35:19# Until I make my getaway
0:35:22 > 0:35:26# One, two, three They're going to run back to me
0:35:26 > 0:35:29# Cos I'm the best baby that they never got to keep
0:35:29 > 0:35:32# One, two, three They're going to run back to me
0:35:32 > 0:35:36# Always want to come but they never want to leave
0:35:36 > 0:35:41# Exes and the oh-oh-ohs They haunt me
0:35:41 > 0:35:46# Like gho-o-osts They want me to make 'em a-a-all
0:35:46 > 0:35:49# They won't let go
0:35:49 > 0:35:50# Exes and ohs
0:35:56 > 0:35:59# I had a summer lover down in New Orleans
0:35:59 > 0:36:02# I kept him warm in the winter Left him frozen in the spring
0:36:02 > 0:36:07# My, my, how the seasons go by
0:36:09 > 0:36:13# I get high and I love to get low
0:36:13 > 0:36:16# So the hearts keep breaking and the heads just roll
0:36:16 > 0:36:21# You know that's how the story goes
0:36:23 > 0:36:26# One, two, three They're going to run back to me
0:36:26 > 0:36:30# Cos I'm the best baby that they never got to keep
0:36:30 > 0:36:33# One, two, three They're going to run back to me
0:36:33 > 0:36:37# They always want to come but they never want to leave
0:36:37 > 0:36:41# Exes and the oh-oh-ohs They haunt me
0:36:41 > 0:36:46# Like gho-o-osts They want me to make 'em a-a-all
0:36:46 > 0:36:50# They won't let go
0:36:50 > 0:36:54# My exes and the oh-oh-ohs They haunt me
0:36:54 > 0:37:00# Like gho-o-osts They want me to make 'em a-a-all
0:37:00 > 0:37:03# They won't let go
0:37:03 > 0:37:05# Exes and ohs
0:37:17 > 0:37:20# One, two, three They're going to run back to me
0:37:20 > 0:37:24# Climbing over mountains and sailing over seas
0:37:24 > 0:37:27# One, two, three They're going to run back to me
0:37:27 > 0:37:30# They always want to come but they never want to leave
0:37:30 > 0:37:35# My exes and the oh-oh-ohs They haunt me
0:37:35 > 0:37:40# Like gho-o-osts They want me to make 'em a-a-all
0:37:40 > 0:37:44# They won't let go
0:37:44 > 0:37:48# Exes and the oh-oh-ohs They haunt me
0:37:48 > 0:37:54# Like gho-o-osts They want me to make 'em a-a-all
0:37:54 > 0:37:56# They won't let go
0:37:56 > 0:37:59# Exes and ohs. #
0:38:04 > 0:38:08APPLAUSE
0:38:08 > 0:38:12Elle King, everybody. Come and join us, come and join us.
0:38:12 > 0:38:15Come and join us, Elle King.
0:38:15 > 0:38:17That was so fun, I love that song.
0:38:17 > 0:38:20There you go, there you go, my dear.
0:38:21 > 0:38:24Come and join us. We've got you a stool.
0:38:24 > 0:38:26Amazing, thank you.
0:38:26 > 0:38:28That's Hugh Laurie...Olivia...
0:38:28 > 0:38:31- Hi, so nice to meet you. - And you.
0:38:31 > 0:38:34Hi, nice to meet you. Oh, so nice to meet you.
0:38:34 > 0:38:35Oh, my goodness.
0:38:35 > 0:38:37Everyone, sit down, sit down, sit down.
0:38:37 > 0:38:40- Do you want to take your seat first? - OK.- Sit.
0:38:40 > 0:38:43I thought you might have wanted to be part of the... I don't know.
0:38:43 > 0:38:44Oh, see, I just automatically think,
0:38:44 > 0:38:46"Oh, he's being mean, he wants my seat."
0:38:46 > 0:38:48We're not in the back of a car!
0:38:48 > 0:38:51"I'll sit in the middle, I don't mind."
0:38:51 > 0:38:56- No. We must tell the people, that is from the album Love Stuff.- Yeah.
0:38:56 > 0:38:58Where did the name come from?
0:38:58 > 0:39:00- Erm... - SHE GIGGLES
0:39:00 > 0:39:02A sex shop in Florida.
0:39:03 > 0:39:04Anyone familiar?
0:39:04 > 0:39:06Yup!
0:39:07 > 0:39:08Yes, I am.
0:39:09 > 0:39:14Can I just say that I'm a huge, huge, huge fan
0:39:14 > 0:39:17and Express Yourself was the first rap song
0:39:17 > 0:39:21- that I learned every word to. - Oh, wow.- Oh, you're talking to Cube?
0:39:21 > 0:39:24LAUGHTER
0:39:24 > 0:39:26Sorry, it's a mix-up. Got it.
0:39:26 > 0:39:30- I know, my eyes are so big. - Got it, go ahead. Sorry.- Wide-eyed.
0:39:30 > 0:39:35It was my first, like, favourite hip-hop song ever
0:39:35 > 0:39:38and I've been a crazy hip-hop fan ever since,
0:39:38 > 0:39:41so it's awesome to be really close to you.
0:39:42 > 0:39:44And it's awesome. Your song was crazy.
0:39:44 > 0:39:46We was over here just nodding our head.
0:39:46 > 0:39:49- That bass line is sick.- That's when we were talking about the bass line.
0:39:49 > 0:39:51Thank you.
0:39:51 > 0:39:54That's how you get to black people, with a strong bass line.
0:39:56 > 0:39:58That's how you get us.
0:39:58 > 0:39:59And you are a fan...
0:39:59 > 0:40:02I know you are particularly a fan of Sir David Attenborough.
0:40:02 > 0:40:04- I am, hi.- Are you?!
0:40:04 > 0:40:07- Yeah. - Because you are a big animal lover.
0:40:07 > 0:40:09I know collecting animals is a weird phrase to use.
0:40:09 > 0:40:12No, don't make me sound crazy. People think I'm crazy enough.
0:40:12 > 0:40:14No, I've rescued a lot of animals, I've found a lot of animals homes.
0:40:14 > 0:40:17Crazy!
0:40:17 > 0:40:19I only have three dogs right now, it's fine.
0:40:19 > 0:40:22But over the years, you've rescued things that didn't
0:40:22 > 0:40:24sound like they needed rescuing.
0:40:24 > 0:40:26They did! To me.
0:40:26 > 0:40:29- A rat?- That rat was amazing.
0:40:29 > 0:40:30But did it need rescuing?
0:40:30 > 0:40:32I know, I see your eyes, someone told me
0:40:32 > 0:40:35that you have a terrifying rat story.
0:40:35 > 0:40:37I don't care for them.
0:40:37 > 0:40:39They're very... Unbelievably smart, though.
0:40:39 > 0:40:40I... I...
0:40:40 > 0:40:44I've been sitting on a loo in India
0:40:44 > 0:40:46and a rat comes up...
0:40:46 > 0:40:48- GASPS - Oh, my God!
0:40:48 > 0:40:49It's not attractive.
0:40:53 > 0:40:57Are you going to be over here for a while now, promoting and stuff?
0:40:57 > 0:40:58What day is it? I don't know.
0:40:59 > 0:41:01It's Friday now.
0:41:01 > 0:41:04Oh, it IS Friday? Well, every day's Friday, right?
0:41:04 > 0:41:06Yeah, on this show it is.
0:41:08 > 0:41:12No matter when we do it, it's Friday.
0:41:12 > 0:41:14Listen, just before we go, we've got
0:41:14 > 0:41:17time for a visit to the big red chair, so let's do it.
0:41:17 > 0:41:20- Who's there? Hello. - Hello.- Hi, what's your name?
0:41:20 > 0:41:22- THICK COCKNEY ACCENT:- Tony. - Tony. Lovely Tony.
0:41:22 > 0:41:24Nice to speak to you, Graham.
0:41:24 > 0:41:26It's good, Tony, what do you do?
0:41:26 > 0:41:29- I work in a secondary school. Teacher, Graham.- Oh, yes?
0:41:29 > 0:41:30A specific subject?
0:41:30 > 0:41:32No, I work with mainly, now, behaviour,
0:41:32 > 0:41:35- with all the little rascals. - Oh, right.
0:41:35 > 0:41:37LAUGHTER
0:41:37 > 0:41:39Does anyone think Tony isn't a real person?
0:41:41 > 0:41:43On you go with your story, Tony.
0:41:43 > 0:41:45Yeah, what happened was, it was about five years ago...
0:41:45 > 0:41:47LAUGHTER
0:41:47 > 0:41:50..and we'd just gone back to school in January. I got me new suit.
0:41:50 > 0:41:53- I always like to get a new suit for the new year.- Of course.
0:41:53 > 0:41:54Yeah, naturally.
0:41:54 > 0:41:57And what's happened is, I've gone into the canteen as normal,
0:41:57 > 0:42:01cos I always like to eat with the pupils and then go out on duty.
0:42:01 > 0:42:02So I've gone down, it's my favourite,
0:42:02 > 0:42:04there's a little roast dinner.
0:42:04 > 0:42:06So I've gone into the queue, nice little bit of lamb,
0:42:06 > 0:42:09roast potatoes, greens, gravy.
0:42:09 > 0:42:12And I thought to myself... Cos normally I don't get an after.
0:42:12 > 0:42:13So I thought, "I'll have a little after,
0:42:13 > 0:42:16"little bit of apple pie and custard. Lovely."
0:42:16 > 0:42:17I've got that, got me little tray,
0:42:17 > 0:42:21walk round where you go to get the forks and knives and, as I've gone
0:42:21 > 0:42:25round, there must have been a bit of water, I didn't see the water.
0:42:25 > 0:42:28Me own foot's gone. I thought, "Shit, I'm going over."
0:42:28 > 0:42:31And it went in slow motion. I can still remember it.
0:42:31 > 0:42:33It was slow motion and I've got the tray,
0:42:33 > 0:42:36I'm thinking, "I've got to hold that tray."
0:42:36 > 0:42:39I've gone over, me back's hit the floor. The tray's gone over.
0:42:39 > 0:42:43I've got gravy, custard, apple pie and a little bit of lamb.
0:42:43 > 0:42:46And as I've looked up through the gravy and the custard,
0:42:46 > 0:42:51I can see 100 teenagers going, "Sir's gone over, Sir's gone over!"
0:42:51 > 0:42:52And that's me story, Graham.
0:42:52 > 0:42:54Oh, he can walk. APPLAUSE
0:42:54 > 0:42:57Give me a little flip, Graham, give me a flip.
0:42:57 > 0:42:59I'll give you a flip. Here you go.
0:43:01 > 0:43:03Very funny.
0:43:04 > 0:43:07Do you think Tony was real?
0:43:07 > 0:43:09I didn't understand one word he said.
0:43:11 > 0:43:14- ATTEMPT AT TONY'S ACCENT:- "I had me tuna, me gravy, me custard..."
0:43:14 > 0:43:19LAUGHTER
0:43:19 > 0:43:21There was no tuna.
0:43:21 > 0:43:22There was no tuna!
0:43:22 > 0:43:25Well done, everyone. If you'd like to join us
0:43:25 > 0:43:28on the show and have a go in the red chair, you can contact us
0:43:28 > 0:43:31via our website at this very address.
0:43:31 > 0:43:32That's it for tonight,
0:43:32 > 0:43:34so please say a huge thank you to my guests tonight.
0:43:34 > 0:43:37Elle King, everybody. APPLAUSE
0:43:37 > 0:43:40Hugh Laurie... APPLAUSE
0:43:40 > 0:43:42..Olivia Colman... APPLAUSE
0:43:42 > 0:43:45..Kevin Hart... APPLAUSE
0:43:45 > 0:43:47..Ice Cube... APPLAUSE
0:43:47 > 0:43:51..and Sir David Attenborough. CHEERING
0:43:51 > 0:43:55Join me next week with the singer Laura Mvula,
0:43:55 > 0:43:58from Dad's Army, Toby Jones and Catherine Zeta Jones,
0:43:58 > 0:43:59ex-One-Directioner Zayn Malik,
0:43:59 > 0:44:03movie star Ryan Reynolds and the one and only Will Smith.
0:44:03 > 0:44:06I'll see you then, goodnight, everybody. Bye-bye.
0:44:06 > 0:44:10APPLAUSE