0:00:02 > 0:00:03Tonight, the stars of the new Steve Jobs film.
0:00:03 > 0:00:06Thanks to Steve Jobs, it's amazing what technology can do now.
0:00:06 > 0:00:08I mean, look at this. Michael, ask it something.
0:00:10 > 0:00:12Do we have a great show tonight?
0:00:12 > 0:00:15- KATE WINSLET AS SIRI: - We have great guests.
0:00:15 > 0:00:18Especially that Michael Fassbender. He's gorgeous.
0:00:18 > 0:00:20Yeah! I know what you mean!
0:00:20 > 0:00:23And what about the host, Graham Norton?
0:00:24 > 0:00:29I'm sorry, I don't know what a Graham Norton is.
0:00:29 > 0:00:31You know, the chat show host?
0:00:31 > 0:00:35Would you like me to search for "old men with beards"?
0:00:37 > 0:00:39Stupid phone! Let's start the show!
0:00:56 > 0:01:00Oh! Hello! And welcome.
0:01:00 > 0:01:03Good evening, everybody. Oh! Stop it, stop it, stop it.
0:01:03 > 0:01:06Good evening, and welcome.
0:01:06 > 0:01:07Great line-up for you tonight.
0:01:07 > 0:01:10And hey, there's bound to be some computer talk.
0:01:10 > 0:01:13The modern computer has so many uses.
0:01:13 > 0:01:15We use it for knowledge, news, banking.
0:01:15 > 0:01:18Mainly, though, we use it for looking at pictures like this.
0:01:21 > 0:01:23It's true. You won't believe what happened next!
0:01:25 > 0:01:27Steve Jobs, what a genius.
0:01:27 > 0:01:30Here he is launching Apple's revolutionary new phone.
0:01:30 > 0:01:33Yeah! You could make calls and e-mails
0:01:33 > 0:01:35and carry it all around in the palm of your hand.
0:01:35 > 0:01:38Of course, we had our own Steve Jobs in this country.
0:01:38 > 0:01:41No. I'm fired!
0:01:41 > 0:01:43Hey, let's get some guests on.
0:01:43 > 0:01:47Later, we'll have music from pop superstar Ellie Goulding. Yeah!
0:01:47 > 0:01:51But first, this man exploded onto the music scene
0:01:51 > 0:01:53with his debut album Get Rich Or Die Tryin'.
0:01:53 > 0:01:56One of the biggest-selling hip-hop artists of all time,
0:01:56 > 0:01:59now he's back with his new single, 9 Shots.
0:01:59 > 0:02:00It's 50 Cent!
0:02:00 > 0:02:03CHEERING
0:02:03 > 0:02:04Hello! Hi!
0:02:06 > 0:02:08Very good to see you again.
0:02:10 > 0:02:13Everyone loves this lady. She's made us laugh and cry
0:02:13 > 0:02:16playing characters from Mrs Overall to Mo Mowlam.
0:02:16 > 0:02:20Now starring in the movie, Brooklyn, please welcome Julie Walters!
0:02:21 > 0:02:23Yay!
0:02:23 > 0:02:25Yay!
0:02:26 > 0:02:29- Nice to see you. Hello, darling. - And you, my love.
0:02:29 > 0:02:32Come and sit down. With my friend!
0:02:32 > 0:02:35He's one of Hollywood's hottest properties.
0:02:35 > 0:02:38After a string of stand-out performances in Shame,
0:02:38 > 0:02:42Inglorious Basterds, X-Men and Oscar-nominated in 12 Years A Slave.
0:02:42 > 0:02:46Now starring as Steve Jobs, it's Michael Fassbender.
0:02:47 > 0:02:50Yeah!
0:02:50 > 0:02:51Hello!
0:02:51 > 0:02:53- How are you?- Good to meet you.
0:02:53 > 0:02:56Good to meet you. Have a seat.
0:02:56 > 0:02:58And starring with Michael in Steve Jobs,
0:02:58 > 0:03:01this lady shot to fame in Titanic 18 years ago
0:03:01 > 0:03:04and has gone on to win three Golden Globes, a Grammy,
0:03:04 > 0:03:07an Emmy and an Oscar. She's one of our greatest Hollywood exports
0:03:07 > 0:03:11and one of my favourite actresses, it's Kate Winslet!
0:03:11 > 0:03:12CHEERING
0:03:12 > 0:03:14Hello! Whoo!
0:03:14 > 0:03:18How are you?! Mwah! How are you, are you all right?
0:03:18 > 0:03:19How lovely to see you.
0:03:22 > 0:03:26Yeah! All of them now, all meeting and greeting.
0:03:26 > 0:03:29- It's just a...- Yeah.
0:03:29 > 0:03:32..excuse to kiss a bunch of people! I love it!
0:03:32 > 0:03:33There you go.
0:03:33 > 0:03:36Now, did somebody die and I didn't get a memo?
0:03:36 > 0:03:39LAUGHTER
0:03:39 > 0:03:41I feel rude!
0:03:41 > 0:03:44Disrespectful. I've gone crazy.
0:03:44 > 0:03:47- Are you all right there, Julie? - Yes, why do you ask?
0:03:47 > 0:03:50- Well, because I know you like Michael.- I beg your pardon?!
0:03:50 > 0:03:54- You are a fan of Michael's, aren't you?- I think Michael is a very nice person.- Yes!
0:03:54 > 0:03:57And have you met 50 Cent before?
0:03:57 > 0:03:58Yes, of course, I'm a huge fan!
0:03:58 > 0:04:01OK, OK, OK, if I could force you, Julie,
0:04:01 > 0:04:04if I could force you, Julie, what would you say
0:04:04 > 0:04:07is your favourite 50 Cent record of all time?
0:04:07 > 0:04:10OK, well, loved the first album, Get Rich...
0:04:10 > 0:04:13- Yeah? Get Rich Or Die Tryin'. - Good!
0:04:13 > 0:04:16- Absolutely loved Massacre. - Yeah, we all did.
0:04:16 > 0:04:18But my favourite is In Da Club.
0:04:18 > 0:04:21- Oh, yes.- Yeah? Yeah. Go, Shorty!
0:04:21 > 0:04:24She knows it, she knows it!
0:04:25 > 0:04:28- I've got to do a bit of rapping. - He thought she didn't know!
0:04:28 > 0:04:31He doesn't know, does he? So it's "Go, Shorty, it's your birthday!
0:04:31 > 0:04:34We're gonna party like it's your birthday!
0:04:34 > 0:04:36Yeah, very good!
0:04:36 > 0:04:39APPLAUSE
0:04:39 > 0:04:44- See? You didn't know, did you?- I didn't know you knew it!- Now, see?!
0:04:44 > 0:04:48Now, in all that excitement, Julie, your poppy has fallen off.
0:04:48 > 0:04:49Good god!
0:04:49 > 0:04:53And the Daily Mail will go apeshit if you're on here without a poppy.
0:04:53 > 0:04:55Michael Fassbender was standing on it.
0:04:55 > 0:04:57Michael, you trashed my poppy!
0:04:59 > 0:05:02Yeah, yeah, it's back on, we're good. We're good, we're good.
0:05:02 > 0:05:04Now, talking of birthdays, ladies and gentlemen,
0:05:04 > 0:05:08talking of birthdays, Kate Winslet, you had a, not a big birthday,
0:05:08 > 0:05:09but a milestone birthday.
0:05:09 > 0:05:11I am 40.
0:05:11 > 0:05:12- AUDIENCE:- Ooh!
0:05:12 > 0:05:14APPLAUSE
0:05:14 > 0:05:16No, you would never believe it to look at me!
0:05:16 > 0:05:19- You really wouldn't! - Oh, yes, you would!
0:05:19 > 0:05:22You say you don't look it, 40, but you don't,
0:05:22 > 0:05:24because you're on the cover of Esquire magazine.
0:05:24 > 0:05:26No, look at this.
0:05:26 > 0:05:29Oh, my God! Ooh!
0:05:29 > 0:05:33- Now, I do actually, Michael, I do look quite nice, don't I? - Very nice indeed!
0:05:33 > 0:05:35- No, you look amazing. - Thank you very much.
0:05:35 > 0:05:38A good photographer works wonders, bit of hair and make-up.
0:05:38 > 0:05:43But talking of turning 40, rather confusingly, 50 turned 40.
0:05:43 > 0:05:45Yeah, yeah.
0:05:45 > 0:05:46You're looking very well, 50.
0:05:46 > 0:05:50No showing my pictures now! No, no, no!
0:05:50 > 0:05:52No, you decided, turn 40, you thought,
0:05:52 > 0:05:54turn 40, I'm going to do a magazine cover.
0:05:54 > 0:05:57- Yeah, yeah, see I wasn't going to be fat at 40.- No.
0:05:57 > 0:06:01I didn't want to do that. I'd just finished shooting the Southpaw film
0:06:01 > 0:06:04with Jake Gyllenhaal and Forest Whittaker.
0:06:04 > 0:06:06And I was, like, cuddly, for that one.
0:06:06 > 0:06:07LAUGHTER
0:06:07 > 0:06:12I was nice and soft. I was playing a promoter while they were playing professional fighters
0:06:12 > 0:06:14so it didn't make sense for me to be all ripped up.
0:06:14 > 0:06:17I gave myself the excuse to go get in shape after.
0:06:17 > 0:06:20And the magazine you chose to appear on was...
0:06:20 > 0:06:22CHEERING AND GASPING
0:06:22 > 0:06:24- Wow!- Check THAT out!
0:06:26 > 0:06:27What can you do?
0:06:27 > 0:06:31There are so many 40-year-olds watching this, going...
0:06:31 > 0:06:33It's over! We're done.
0:06:35 > 0:06:38Now, Michael Fassbender, did you have a big birthday recently?
0:06:38 > 0:06:43- Well, recently in April. Er...April 2nd.- OK!
0:06:43 > 0:06:45Because we found this picture online.
0:06:45 > 0:06:47Honest to God, we didn't make this picture.
0:06:47 > 0:06:51- OK.- I think we googled "Michael Fassbender" and "birthday"
0:06:51 > 0:06:54and I swear to God, this is the picture that came up.
0:06:56 > 0:06:58That was last April, I think!
0:06:59 > 0:07:01Happy days!
0:07:01 > 0:07:03That was a good one!
0:07:03 > 0:07:04Adorable.
0:07:04 > 0:07:08Now, Michael and Kate are here to talk about the biopic, Steve Jobs.
0:07:08 > 0:07:11Now, it opens next Friday 13th, directed by Danny Boyle.
0:07:11 > 0:07:13Obviously, Michael, you play Steve Jobs.
0:07:13 > 0:07:16Now, when we look at you, we do not think
0:07:16 > 0:07:19"Oh, my God, he looks just like Steve Jobs."
0:07:19 > 0:07:21So were you nervous about going into this?
0:07:21 > 0:07:25Well, you know, I said to Danny, are you sure?
0:07:27 > 0:07:29Because, you know, exactly that.
0:07:29 > 0:07:31I said I don't look anything like the man.
0:07:31 > 0:07:33And he said, you know...
0:07:33 > 0:07:34Yes, you know.
0:07:34 > 0:07:36You really don't!
0:07:36 > 0:07:38That wasn't a planned thing, cos
0:07:38 > 0:07:41Danny was like, "I want you to get the essence of the man."
0:07:41 > 0:07:44I am not interested in lookalikes and, you know, the audience
0:07:44 > 0:07:46will deal with that in the first five minutes.
0:07:46 > 0:07:49And I think they do. Audiences are smart enough.
0:07:49 > 0:07:51And he said, well, OK, we're not going down that route.
0:07:51 > 0:07:54By the time we got to the third act, I was talking to Danny.
0:07:54 > 0:07:59I said, "I think we should roll out the rollneck
0:07:59 > 0:08:02"and the jeans and give the audience something in the third act."
0:08:02 > 0:08:06We got the glasses and that all happened kind of organically.
0:08:06 > 0:08:08And Kate, who do you play?
0:08:08 > 0:08:10I play, so, I, by the way, I just have to say
0:08:10 > 0:08:13the film is really fantastic and Michael is really fantastic in it.
0:08:13 > 0:08:17Moving on swiftly. I know you hate me doing that. But I have to say.
0:08:17 > 0:08:20I played a woman named Joanna Hoffman.
0:08:20 > 0:08:23I look absolutely nothing like her at all.
0:08:23 > 0:08:25This is the reveal.
0:08:25 > 0:08:26LAUGHTER
0:08:26 > 0:08:29That's her now, that's closer to her now.
0:08:29 > 0:08:33Um, she was the head of marketing for Macintosh.
0:08:33 > 0:08:37And she stayed in Steve's life as a friend for a very long time
0:08:37 > 0:08:40and in the film she is like his right-hand woman and his work-wife.
0:08:40 > 0:08:43She's a hot-headed Polish-Armenian woman.
0:08:43 > 0:08:46She arrived complete with accent for the read-through on the first day.
0:08:46 > 0:08:48That is annoying.
0:08:48 > 0:08:51And it was annoying! Oh, shit(!)
0:08:51 > 0:08:53What can we do?!
0:08:53 > 0:08:55We were beside ourselves with fear.
0:08:55 > 0:08:59With biopics, often you have a lot of licence
0:08:59 > 0:09:01but this is such recent history,
0:09:01 > 0:09:06everyone's got an opinion on what happened, the man.
0:09:06 > 0:09:07How do you think he fares?
0:09:07 > 0:09:11Do you think it's fair? Is he let off easy, do you think it's harsh?
0:09:11 > 0:09:14Well, it's kind of hard for me to say because even like,
0:09:14 > 0:09:18when I was reading the script, and Danny was saying,
0:09:18 > 0:09:21"he's being quite difficult here."
0:09:21 > 0:09:23You know, he's not that likeable.
0:09:23 > 0:09:27I just saw somebody who was literally trying to move mountains.
0:09:27 > 0:09:31He had a vision from the mid-'70s,
0:09:31 > 0:09:36that, you know, we are experiencing now, you know, 35 years later.
0:09:36 > 0:09:40And plus, and so trying to drag everybody along to his vision
0:09:40 > 0:09:44I think required an awful amount of focus, determination and drive.
0:09:44 > 0:09:48And I think perhaps there was a little bit of lack of patience on his part?
0:09:48 > 0:09:51Putting it maybe mildly!
0:09:51 > 0:09:55But it took an extraordinary amount of energy to get there.
0:09:55 > 0:09:58And I think he demanded the very best from people.
0:09:58 > 0:10:01Listen, we have a clip. This is your character, Kate,
0:10:01 > 0:10:06confronting Steve Jobs not as an inventor or innovator, but as a dad.
0:10:06 > 0:10:09Don't you think you are having a bizarre overreaction,
0:10:09 > 0:10:13to a 19-year-old girl allowing her mother to list her own house?
0:10:13 > 0:10:14She could have tried.
0:10:14 > 0:10:18Is she supposed to stop her mother? That particular mother...
0:10:18 > 0:10:21She did persuade her to sell the house and she did it to spite me!
0:10:21 > 0:10:24I don't care if she put a pipe bomb in the water heater!
0:10:24 > 0:10:27You're going to fix it, now!
0:10:27 > 0:10:29She has been acting weird for months.
0:10:29 > 0:10:30She's turned on me.
0:10:30 > 0:10:32- Fix it!- What the...?!
0:10:32 > 0:10:34- Fix it, Steve.- Take it easy!
0:10:34 > 0:10:38Fix it or I quit. How about that? I quit and you never see me again, how about that?
0:10:38 > 0:10:39Ooh!
0:10:39 > 0:10:40APPLAUSE
0:10:44 > 0:10:46Because obviously you can't meet Steve Jobs
0:10:46 > 0:10:48but you met the real Joanna.
0:10:48 > 0:10:51I did, yeah. And actually, that was quite helpful, I think.
0:10:51 > 0:10:55She is an amazing woman. She's like, "Oh, I lost my Apple bonds. I don't know where they are."
0:10:55 > 0:10:59- Yeah!- All these shares for Apple. And she was SO not bothered by it.
0:10:59 > 0:11:01I'd be crying in the corner!
0:11:01 > 0:11:04She said, she was so funny. "I misplaced them."
0:11:04 > 0:11:06"Steve would come to my apartment and he said,
0:11:06 > 0:11:09"You know, Joanna, I have to clean this place. It's such a tip.
0:11:09 > 0:11:12"And he cleaned it and then I lost my bonds."
0:11:12 > 0:11:17So she thinks maybe Steve actually threw them away...
0:11:17 > 0:11:19..a rubbish bag and threw them away by accident.
0:11:19 > 0:11:21- Totally not bothered! - "I don't know where they are!"
0:11:21 > 0:11:25And her accent is very specific to her.
0:11:25 > 0:11:30Yeah, it drove me absolutely mad. It drove me bonkers, to be honest.
0:11:30 > 0:11:35Because now, accents, is it true, 50 Cent, you can do a London accent?
0:11:36 > 0:11:39I think I can do a little something.
0:11:39 > 0:11:42But it's a different thing, bruv.
0:11:42 > 0:11:44Oh, that's very good!
0:11:45 > 0:11:48- That was it, right there. - Very good.
0:11:48 > 0:11:50That was very good. But Julie, you're good at the accents.
0:11:50 > 0:11:53What ones are hard? Which ones do you struggle with?
0:11:53 > 0:11:55Geordie, I think is a hard one, for me.
0:11:55 > 0:11:57Liverpool was very hard when I first did it.
0:11:57 > 0:12:00Because I'm from Birmingham and people get them mixed up anyway.
0:12:00 > 0:12:02Because there is kind of similarity
0:12:02 > 0:12:05but not really, once you learn Liverpool, it's not.
0:12:05 > 0:12:0950, you can do your Geordie because you're going to Newcastle tomorrow.
0:12:09 > 0:12:11Yeah, but I'm not gonna do that one.
0:12:11 > 0:12:13Fair enough!
0:12:14 > 0:12:16I am going as 50 Cent!
0:12:18 > 0:12:20Yeah, they won't be doing that.
0:12:20 > 0:12:23But Michael, in X-Men, you're not doing an accent but you are,
0:12:23 > 0:12:25this next movie, is this the movie
0:12:25 > 0:12:27when you kind of turn into Ian McKellen?
0:12:27 > 0:12:30Well... Not, really!
0:12:30 > 0:12:31It's strange.
0:12:31 > 0:12:34For the first one I used my own accent.
0:12:34 > 0:12:37And then for the second one I did Ian McKellen's accent.
0:12:37 > 0:12:41So for this one it's kind of a hybrid between the two!
0:12:41 > 0:12:44A little confused, actually. Um, yeah.
0:12:44 > 0:12:46But do you have to talk to yourself in this one?
0:12:46 > 0:12:47How do you mean?
0:12:47 > 0:12:49You have to talk to Ian McKellen?
0:12:49 > 0:12:52Oh, no, no, I don't talk to him, in this.
0:12:52 > 0:12:53As in, like, to prepare?
0:12:53 > 0:12:56- Or in the actual film? - In the film!
0:12:56 > 0:12:59It is time travelling crap! I don't know.
0:12:59 > 0:13:00That was the last one.
0:13:00 > 0:13:02Yeah, you met in the last one!
0:13:02 > 0:13:04Cos he's not in this one.
0:13:04 > 0:13:06Oh, that's not a spoiler, is it? Er...!
0:13:06 > 0:13:08I don't think he's in it, anyway.
0:13:08 > 0:13:10Am I sure he's not?!
0:13:11 > 0:13:12Are YOU in it?!
0:13:12 > 0:13:17I did. For the last one, I listened to, you know, various tapes.
0:13:17 > 0:13:19Can you do a bit?
0:13:19 > 0:13:21I'll give it a little go.
0:13:21 > 0:13:23"Three days as the crow flies."
0:13:23 > 0:13:24LAUGHTER
0:13:33 > 0:13:36And Kate Winslet, of course, you are doing your Australian accent.
0:13:36 > 0:13:38Oh, yes, I'm in another film!
0:13:38 > 0:13:41- Yes, you're in another film! The Dressmaker.- Yes.
0:13:41 > 0:13:43And so what is this one about, The Dressmaker?
0:13:43 > 0:13:45OK, The Dressmaker is based on a book,
0:13:45 > 0:13:50it's a dark comedy set in the '50s in a small town in Australia.
0:13:50 > 0:13:54And I play a woman, Tilly Dunnage, who has been ostracised by the town
0:13:54 > 0:13:57at the age of ten, wrongfully accused of being responsible
0:13:57 > 0:13:59for the murder of a fellow schoolmate
0:13:59 > 0:14:02and the opening scene of the film, she gets off the bus
0:14:02 > 0:14:03and says, "I'm back, you bastards."
0:14:03 > 0:14:06And the whole story is about revenge and also the rediscovery
0:14:06 > 0:14:09of a fragmented mother-daughter relationship.
0:14:09 > 0:14:12The mother played by Judy Davis as a senile old bat. She's fantastic.
0:14:12 > 0:14:16So it's a dark comedy. With Liam Hemsworth, as well.
0:14:16 > 0:14:20All right, well, actually we've got a clip and this is you and Judy and Liam, all together.
0:14:21 > 0:14:23She tells them, if they want it done properly,
0:14:23 > 0:14:25they've got to strip and be measured, because
0:14:25 > 0:14:28it's a work of art made special for them and no-one else.
0:14:28 > 0:14:29You see, Tilly, I do listen.
0:14:30 > 0:14:32She tells them that they are all different,
0:14:32 > 0:14:34even though they're all the same.
0:14:34 > 0:14:38Too fat, too skinny. "You'll be a sight for sore eyes."
0:14:38 > 0:14:44Anyway, lo and behold, our genius here does makes them look different!
0:14:44 > 0:14:47Less like themselves and more like they want to be, don't you?
0:14:47 > 0:14:49You just called me Tilly.
0:14:49 > 0:14:51When?
0:14:51 > 0:14:52Just then.
0:14:52 > 0:14:53I never.
0:14:53 > 0:14:56Yes, you did. And this morning, twice.
0:14:56 > 0:14:58Ah, lies. Liar!
0:14:58 > 0:15:01Sounds like this is the most important piece of clothing I'll ever own!
0:15:02 > 0:15:04LAUGHTER
0:15:08 > 0:15:10You sold so many tickets right there.
0:15:12 > 0:15:15Struggling, struggling to keep a straight face during that scene.
0:15:15 > 0:15:17I've got to tell you - poor Liam, bless him.
0:15:17 > 0:15:21For 12 hours straight, we kept making him take his clothes off!
0:15:22 > 0:15:25We didn't mean to or anything(!)
0:15:25 > 0:15:26It was an accident.
0:15:26 > 0:15:29Yeah! Well, we kept making mistakes and had to keep going again!
0:15:29 > 0:15:33Terrible! But Judy and I had a hard time keeping a straight face.
0:15:33 > 0:15:34I don't know why.
0:15:34 > 0:15:37The whole concept of that scene is just so silly and funny.
0:15:37 > 0:15:40But, yes, lovely Liam. He's a very sweet guy.
0:15:40 > 0:15:43That is very upstaging!
0:15:43 > 0:15:44B-doing!
0:15:44 > 0:15:48My teenage daughter was FURIOUS that I got to be
0:15:48 > 0:15:50in the same space as him in that moment.
0:15:50 > 0:15:53She was like, "Oh, oh, oh, oh".
0:15:53 > 0:15:56It was just a series of sounds that she made.
0:15:56 > 0:15:58People will really want to know now.
0:15:58 > 0:16:00That is The Dressmaker, out November 20th, all right, everybody?
0:16:00 > 0:16:02Yes, see it then.
0:16:02 > 0:16:04But now ladies and gentlemen,
0:16:04 > 0:16:0750 Cent, the MUSICIAN, has returned to us.
0:16:07 > 0:16:09You are back, yes, you are!
0:16:09 > 0:16:11APPLAUSE
0:16:14 > 0:16:17Now, we're going to see, we'll see a clip of the video
0:16:17 > 0:16:19for 9 Shots, the new single, in a minute,
0:16:19 > 0:16:22but it goes back to an early terrible experience in your life.
0:16:22 > 0:16:25If your guys aren't familiar with this story of what happened,
0:16:25 > 0:16:26it's amazing, go!
0:16:26 > 0:16:28Well...
0:16:28 > 0:16:30No pressure or anything!
0:16:30 > 0:16:34I got you know, shot, nine times, but it was one time
0:16:34 > 0:16:38and I just didn't see the person coming, or I would have avoided it.
0:16:38 > 0:16:41Yes, you would!
0:16:41 > 0:16:44You know, this happened and I was trying to write a song,
0:16:44 > 0:16:49conceptually, that would define more of who I am, so I wrote
0:16:49 > 0:16:529 Shots and just picked nine painful moments
0:16:52 > 0:16:56that I experienced in my life and used the shot as a metaphor.
0:16:56 > 0:16:58Where were you shot, where?
0:16:58 > 0:16:59In front of my grandmother's house.
0:16:59 > 0:17:02But where on your body?!
0:17:07 > 0:17:10That's like being in the doctor's office, isn't it?!
0:17:10 > 0:17:12I got, most of 'em in the legs,
0:17:12 > 0:17:15I got hit in the hand, I got hit in the face.
0:17:15 > 0:17:18So, like, a fragment, a portion of it is in my tongue
0:17:18 > 0:17:21so it kind of changed the way I speak a little bit.
0:17:21 > 0:17:22And your rapping as well?
0:17:22 > 0:17:24- Is it still in your tongue? - Can you see it?
0:17:24 > 0:17:26Yes, it's great for oral sex!
0:17:29 > 0:17:32- Oh, right, I didn't know that! - You connect!
0:17:32 > 0:17:34Make sure you keep that bit in the show!
0:17:34 > 0:17:37Yeah! Let me just make a note of that, er...!
0:17:37 > 0:17:40I'm a better man now!
0:17:40 > 0:17:43- Is it like a lump, can you see it? - Yeah!
0:17:43 > 0:17:45Let's have a feel, 50, may I?
0:17:45 > 0:17:46LAUGHTER
0:17:49 > 0:17:50I've washed my hands.
0:17:50 > 0:17:52Oh, Sexy, you gonna put your finger in my mouth?!
0:17:52 > 0:17:54Oh, no, stop it!
0:17:54 > 0:17:56- AUDIENCE:- Oooh!
0:17:58 > 0:17:59I'd better not, darling.
0:17:59 > 0:18:02Just have a look, see if you can find it.
0:18:02 > 0:18:04I need a napkin.
0:18:04 > 0:18:06- I need a napkin. - Has anybody got a tissue?
0:18:06 > 0:18:07A clean one!
0:18:07 > 0:18:09These ladies, these ladies. Thank you.
0:18:09 > 0:18:13Oh, look, they're still hermetically sealed, thank you very much!
0:18:13 > 0:18:14There they go, lovely.
0:18:14 > 0:18:19Wow, how did you prepare? Did someone tell you to come with this?!
0:18:19 > 0:18:21How did that happen? What's the odds of that,
0:18:21 > 0:18:25- you just sitting in the front row with this?- Yeah!
0:18:25 > 0:18:27Who does this kind of stuff, right?
0:18:27 > 0:18:30It only happens on this programme, honestly.
0:18:33 > 0:18:34Yeah, I can feel it.
0:18:37 > 0:18:39APPLAUSE
0:18:45 > 0:18:47She's going to sell those on eBay!
0:18:47 > 0:18:49Very good, yeah, eBay! Tonight.
0:18:49 > 0:18:51Yeah.
0:18:51 > 0:18:55Wait till tomorrow night after the show, they'll be worth a lot, yeah!
0:18:55 > 0:18:58Hey, we've got a bit of the music video.
0:18:58 > 0:19:00This is you performing 9 Shots.
0:19:00 > 0:19:02- HE RAPS:- First shot, bullet wound in my back
0:19:02 > 0:19:06I'm ... up, look at my sneakers, I'm ...
0:19:06 > 0:19:07Now I'm on my own, Mommy gone
0:19:07 > 0:19:11Sam said, "You a young boy, why your clothes look so old?"
0:19:11 > 0:19:13"You don't need fish, little ..., you need a pole
0:19:13 > 0:19:16You don't need no new kicks, you need a O
0:19:16 > 0:19:19Chop that, bag it, get right back at it
0:19:19 > 0:19:22That touched me, it hit me in my heart
0:19:22 > 0:19:24I'm a hustler, homie, you was giving me my start
0:19:24 > 0:19:26I am what I am, Sabrina's only baby
0:19:26 > 0:19:30Practising in the mirror, pulling out my .380, man...
0:19:30 > 0:19:32APPLAUSE
0:19:36 > 0:19:399 Shots is available now.
0:19:39 > 0:19:43Julie, as a fan, where would you rate that in 50's oeuvre?
0:19:43 > 0:19:46Ooh, I'd say right...which, the tongue or the...?
0:19:46 > 0:19:48The music!
0:19:49 > 0:19:52Wait until I tell my husband about that!
0:19:52 > 0:19:54Go and shoot him in the mouth!
0:19:58 > 0:20:00- It's good for oral sex!- Exactly.
0:20:00 > 0:20:01Yeah, he'll understand, won't he?
0:20:01 > 0:20:04It's right up there. It's right up there.
0:20:04 > 0:20:05Now, the music.
0:20:05 > 0:20:08Is it hard to get back to the music because you seem to be
0:20:08 > 0:20:11doing so much acting now? I've seen you in quite a few movies.
0:20:11 > 0:20:14Well, I actually use my characters now.
0:20:14 > 0:20:16Like, recurring characters.
0:20:16 > 0:20:18I play a reoccurring character on my show, Power,
0:20:18 > 0:20:22the largest original series on the network.
0:20:22 > 0:20:25And you were in that and you were executive producer as well?
0:20:25 > 0:20:29Yeah, I actually developed it from scratch. Yeah.
0:20:29 > 0:20:33Well done, you! Hmmm! Yeah!
0:20:33 > 0:20:35APPLAUSE
0:20:36 > 0:20:39Now, you haven't worked with the mighty Meryl Streep,
0:20:39 > 0:20:42but you've met her, you've spent time with her?
0:20:42 > 0:20:47Yeah, yeah, we were in the same place to watch the basketball game.
0:20:47 > 0:20:49Oh, the basketball game? Oh, yeah.
0:20:49 > 0:20:52It wasn't her first, well, it was her first live basketball game.
0:20:52 > 0:20:57It was interesting because I had a bit of normalcy,
0:20:57 > 0:20:59it was like a punch of normalcy,
0:20:59 > 0:21:01cos I sat next to her and her influence was so strong,
0:21:01 > 0:21:04that it was like, OK, I'm regular today!
0:21:06 > 0:21:09"Wow, this is great, like, nobody cares I'm here now!"
0:21:10 > 0:21:14Now, somebody got a picture of the two of you. There you are.
0:21:14 > 0:21:15That's great!
0:21:15 > 0:21:17You know what is interesting?
0:21:17 > 0:21:19Every picture I saw of that day didn't have the other side of Meryl.
0:21:19 > 0:21:22Her husband was sitting on the other side of her.
0:21:22 > 0:21:24It was like, every photographer got the memo,
0:21:24 > 0:21:26"Don't you take this motherfucking picture!"
0:21:26 > 0:21:28LAUGHTER
0:21:31 > 0:21:35You look like you're feeling the cold there, 50!
0:21:35 > 0:21:38I'm in New York City, I'm wearing a Jets hat. It's freezing outside.
0:21:38 > 0:21:40I'm trying to do the...
0:21:40 > 0:21:42I'm not a big Jets fan but I have to,
0:21:42 > 0:21:44from New York City, you have to wear it.
0:21:44 > 0:21:46And of course, going from acting into music is one thing,
0:21:46 > 0:21:50but then, Michael, music was your first love?
0:21:50 > 0:21:53- Was it not?- Yep, yep. But, er...
0:21:55 > 0:21:56Were you in a band?
0:21:56 > 0:22:00You couldn't really classify it as a band, there was only two of us.
0:22:00 > 0:22:04So, you know, his name was Michael, too, so, er,...
0:22:04 > 0:22:06- Michael and Michael? - That's right, yeah.
0:22:06 > 0:22:08Did you have a name?
0:22:08 > 0:22:11We didn't, actually. We never got round to getting a name.
0:22:11 > 0:22:15I think Sargasso Sea was something that I was...
0:22:15 > 0:22:17LAUGHTER
0:22:17 > 0:22:19"Live music, Sunday night, Sargasso Sea!"
0:22:19 > 0:22:22I remember looking through the atlas!
0:22:22 > 0:22:27It was a heavy metal band so Sargasso Sea was quite apt.
0:22:27 > 0:22:29Er, yeah, we didn't...
0:22:29 > 0:22:31- Heavy metal?!- Yeah.
0:22:31 > 0:22:33That's just so unlike you.
0:22:33 > 0:22:36In the future, Michael, play like the heavy metal stars.
0:22:36 > 0:22:40I've been trying, I've been putting it out there for a while!
0:22:40 > 0:22:42Did you do gigs?
0:22:42 > 0:22:44We did one gig, in Dingle.
0:22:44 > 0:22:47Sorry, it wasn't Dingle! It wasn't Dingle, sorry,
0:22:47 > 0:22:49tell a lie, it wasn't Dingle. It was Killorglin.
0:22:49 > 0:22:53Oh, yes! They love heavy metal there! Yeah!
0:22:53 > 0:22:58It was a pub, too. It was supposed to be busking with electric guitars.
0:22:58 > 0:23:02And it's always raining in Ireland so that kind of didn't really work!
0:23:02 > 0:23:06So we convinced the pub to let us come in at lunchtime
0:23:06 > 0:23:08and play heavy metal!
0:23:08 > 0:23:09LAUGHTER
0:23:10 > 0:23:14Yes, they were sort of like, "can you just turn it down a bit?"
0:23:16 > 0:23:17"Turn it down another little bit."
0:23:17 > 0:23:20So eventually we were just playing unplugged.
0:23:20 > 0:23:23- APPLAUSE - It didn't go down that well...
0:23:23 > 0:23:25At one o'clock in the afternoon.
0:23:28 > 0:23:31Julie Walters brings us a beautiful film, Brooklyn,
0:23:31 > 0:23:34based on the Colm Toibin novel.
0:23:34 > 0:23:37Now, you'd read the novel before it was a film or...?
0:23:37 > 0:23:40Yeah. I loved the novel. Yes, it was fantastic when it came in
0:23:40 > 0:23:42and the character that I play was the one I really remember.
0:23:42 > 0:23:45Obviously I remember the central character but she's a young girl
0:23:45 > 0:23:47but I really remembered Mrs Kehoe
0:23:47 > 0:23:51because she reminded me of all my mother's friends, you know,
0:23:51 > 0:23:52sort of a mixture of them.
0:23:52 > 0:23:55It was gorgeous, it was the '50s, so yes.
0:23:55 > 0:23:56So you're Mrs Kehoe.
0:23:56 > 0:23:57Yes. I'm Mrs Kehoe.
0:23:57 > 0:23:59- Key-oh.- Yes.
0:23:59 > 0:24:01K-E-O-G-H?
0:24:01 > 0:24:05No. K-E-H-OE. So I suppose it probably is Mrs Key-hoe.
0:24:05 > 0:24:08But I thought that sounded a bit rude.
0:24:11 > 0:24:13That's what I thought!
0:24:13 > 0:24:15- So I stuck to Key-oh.- Key-oh.- Yeah.
0:24:15 > 0:24:18How does Mrs Kehoe fit into the story?
0:24:18 > 0:24:21Well, the story is about a girl who leaves Ireland.
0:24:21 > 0:24:24Saoirse Ronan, who's fabulous. She's so good.
0:24:24 > 0:24:27Saoirse Ronan, she is amazing.
0:24:27 > 0:24:31She made me feel I should go to drama school, really.
0:24:31 > 0:24:35She was just so focused and confident and self... just brilliant
0:24:35 > 0:24:37and a lovely person. Anyway...
0:24:37 > 0:24:40She plays this young girl who leaves Ireland for a better life,
0:24:40 > 0:24:43basically, in New York, in Brooklyn
0:24:43 > 0:24:48and it's all arranged by the parish priest in Brooklyn, who is played
0:24:48 > 0:24:50by Jim Broadbent, brilliantly.
0:24:51 > 0:24:54And she moves into this boarding house and I'm the...
0:24:54 > 0:24:57with all these other single Catholic Irish girls
0:24:57 > 0:24:59and a couple of American girls.
0:24:59 > 0:25:02And the woman who presides over it is this very, very attractive,
0:25:02 > 0:25:04sexually charismatic woman.
0:25:04 > 0:25:06LAUGHTER
0:25:08 > 0:25:10Is played by me!
0:25:13 > 0:25:15CHEERING AND APPLAUSE
0:25:15 > 0:25:16They're with you!
0:25:18 > 0:25:22- You haven't got a - what do you call it? A clip?- We do!
0:25:22 > 0:25:25So Brooklyn, it's out tonight
0:25:25 > 0:25:28and this is the very sexually alluring Mrs Kehoe...
0:25:29 > 0:25:33- I look terrible in it. - You look lovely.- Stop it!
0:25:33 > 0:25:35You are wearing a very nice cardigan.
0:25:35 > 0:25:37The cardies were great. Just look at the cardie.
0:25:37 > 0:25:40This is Julie looking after her girls.
0:25:46 > 0:25:48What is the matter with you girls, now?
0:25:48 > 0:25:50Nothing is the matter with us, Mrs Kehoe.
0:25:50 > 0:25:53Is this because Eilis has found herself a young man?
0:25:53 > 0:25:57Eilis has a young man? We didn't know. She won't say anything.
0:25:57 > 0:26:00Why should she? To you awful gossip-mongers?
0:26:00 > 0:26:01GIGGLES
0:26:01 > 0:26:03Anyway, I met him on Saturday night
0:26:03 > 0:26:06when he called for Eilis and he is a gentleman.
0:26:06 > 0:26:08Will you tell us what you know about him, Mrs Kehoe?
0:26:08 > 0:26:12- We know he's quite nice looking. - I didn't like his shoes much.
0:26:12 > 0:26:14What on earth is wrong with his shoes?
0:26:14 > 0:26:17They were a funny colour.
0:26:17 > 0:26:19I tell you this much - I'm going to ask Barbara Flood
0:26:19 > 0:26:22to preach a sermon on the dangers of giddiness.
0:26:22 > 0:26:25I see now that giddiness is the eighth deadly sin.
0:26:25 > 0:26:29A giddy girl is every bit as evil as a slothful man
0:26:29 > 0:26:32and the noise she makes is a lot worse.
0:26:32 > 0:26:34Enough!
0:26:38 > 0:26:40APPLAUSE
0:26:46 > 0:26:48- It's a lovely film. It's beautiful. - Thank you.
0:26:48 > 0:26:51- Now, you've been on a few times, Julie.- Have I?
0:26:51 > 0:26:52- Here.- Oh, yes.
0:26:55 > 0:26:58I don't think we've ever mentioned Educating Rita.
0:26:58 > 0:27:01CHEERING AND APPLAUSE
0:27:03 > 0:27:06How many years ago? 36, 37 years ago.
0:27:06 > 0:27:08- Is it really, wow? - Yes.
0:27:08 > 0:27:11- Because you were originally in Educating Rita on stage.- Yes.
0:27:11 > 0:27:13- And it was a big success. - Yes.
0:27:13 > 0:27:16And the movie, you weren't supposed to do that.
0:27:16 > 0:27:19- Or that wasn't going to happen. - No, it wasn't.
0:27:19 > 0:27:22Well, Lewis Gilbert, who directed the film eventually,
0:27:22 > 0:27:24came to see the play and then rang me
0:27:24 > 0:27:27and said that he wanted to make the film,
0:27:27 > 0:27:28and he wanted to use me
0:27:28 > 0:27:32but he wasn't sure that he was going to be able to
0:27:32 > 0:27:33because knew nobody knew who I was.
0:27:33 > 0:27:36He would need a star to get the money
0:27:36 > 0:27:39and all of this and he was going to America to try and raise some money.
0:27:39 > 0:27:43But when he went to America, they wanted Dolly Parton.
0:27:43 > 0:27:44LAUGHTER
0:27:46 > 0:27:47Yes, exactly.
0:27:48 > 0:27:51It would have been a very different film.
0:27:51 > 0:27:53Yes, two reasons why I couldn't compete.
0:27:53 > 0:27:56- Is that really true, Julie? - Yes, it's true.
0:27:56 > 0:28:00Paul Newman and Dolly Parton, they wanted. It would have been fabulous
0:28:00 > 0:28:02but it was Liverpudlian, you know.
0:28:02 > 0:28:05Anyway, Lewis was wonderful and he just said no, we're not going to go
0:28:05 > 0:28:07down that road. And he came back and he rang me up
0:28:07 > 0:28:10and he said we've got Michael so we can have you.
0:28:10 > 0:28:12We've got a star so we can have you.
0:28:13 > 0:28:15And you didn't get the Oscar but you
0:28:15 > 0:28:18- did get a BAFTA, didn't you? - Yes, I did.
0:28:18 > 0:28:20- You were very excited to win the BAFTA.- Stop it.
0:28:21 > 0:28:23I know what you're going to go on about.
0:28:23 > 0:28:25I had had a drop taken that night.
0:28:27 > 0:28:30That's all. I didn't expect to win.
0:28:30 > 0:28:31In those days, the BAFTA awards -
0:28:31 > 0:28:34this is a very long time ago, before you people -
0:28:34 > 0:28:38we used to have dinner before... how much of a mistake is that?
0:28:38 > 0:28:42That's a disaster, isn't it? That's a big no-no, especially in England.
0:28:42 > 0:28:46I mean, people were absolutely plastered. Well, not everybody.
0:28:46 > 0:28:49I was. It was the first one I'd been to and they just filled your glass.
0:28:49 > 0:28:53I was terribly nervous anyway, in case I might have to go up, you know
0:28:53 > 0:28:57and all of this. It was deadly when I went up.
0:28:57 > 0:29:01I thought I was being really very funny and obviously I wasn't.
0:29:01 > 0:29:02I was really pissed.
0:29:03 > 0:29:05I don't know.
0:29:05 > 0:29:07We have a picture of that night.
0:29:07 > 0:29:10You haven't!
0:29:10 > 0:29:12You really can't tell, I don't think.
0:29:12 > 0:29:13Stop it!
0:29:13 > 0:29:16APPLAUSE
0:29:16 > 0:29:21Oh, my God!
0:29:21 > 0:29:24Oh, I have never seen that before.
0:29:24 > 0:29:26Stop, take it off the screen!
0:29:26 > 0:29:29- I have never seen it. - Take it away.
0:29:29 > 0:29:31I ended up under the table with a very famous actor
0:29:31 > 0:29:33and I can't remember who it was.
0:29:33 > 0:29:35LAUGHTER
0:29:35 > 0:29:38Like only actors can, we were putting the world to rights.
0:29:38 > 0:29:41Well - I don't know why SHE won! I don't know why HE won!
0:29:41 > 0:29:44And I missed meeting Princess Anne. She's never spoken to me since!
0:29:47 > 0:29:50Kate Winslet, when you talk about your Oscar, I like it because
0:29:50 > 0:29:53no false modesty, you wanted to win it and you loved winning it.
0:29:53 > 0:29:55It was just a brilliant thing.
0:29:55 > 0:29:57I am still thrilled even now.
0:29:57 > 0:29:59It was about seven years ago!
0:29:59 > 0:30:03It was the most extraordinary moment. I had, er...
0:30:03 > 0:30:05You had been nominated a bunch of times.
0:30:05 > 0:30:08You see, the thing is... You get really good at losing,
0:30:08 > 0:30:11when you get nominated more than a couple of times.
0:30:11 > 0:30:13Weren't you nominated twice that same year?
0:30:13 > 0:30:16- No, I had been...- Two categories.
0:30:16 > 0:30:17Don't make me say it.
0:30:17 > 0:30:20Sorry. I've said it for you.
0:30:20 > 0:30:24You were up in two categories that year?
0:30:24 > 0:30:28I had two films come out at the same time, which is not uncommon.
0:30:29 > 0:30:32It just so happened both of those films were getting this
0:30:32 > 0:30:34type of attention.
0:30:34 > 0:30:37I went to the Golden Globes that year and I had been nominated
0:30:37 > 0:30:39in two different categories and won them both.
0:30:39 > 0:30:41Which was quite fabulous, actually.
0:30:43 > 0:30:45Sorry, everybody else.
0:30:46 > 0:30:47It does look greedy.
0:30:47 > 0:30:50- Oh, I know. - She's just showing off.
0:30:50 > 0:30:52LAUGHTER
0:30:52 > 0:30:56- I am completely showing off. 100%. - Quite right, I say to you.
0:30:56 > 0:31:00And then when I did win, it was a really fantastic moment,
0:31:00 > 0:31:02I've got to say.
0:31:02 > 0:31:05It was, you know, it was a personal fist pumping moment,
0:31:05 > 0:31:06the biggest one of my whole life.
0:31:06 > 0:31:09But you're really generous with the Oscar, aren't you?
0:31:09 > 0:31:10Well, one tries!
0:31:10 > 0:31:14You know, the thing is, first of all, it's very heavy.
0:31:14 > 0:31:17I just need to say that. It weighs about six or seven pounds.
0:31:17 > 0:31:20It's really surprisingly heavy.
0:31:20 > 0:31:23And everyone wants to have a hold,
0:31:23 > 0:31:26of course, and stand up and go "I'd like to thank..."
0:31:26 > 0:31:28LAUGHTER
0:31:28 > 0:31:30"My primary school teachers and my mum and dad..."
0:31:30 > 0:31:34and so, the best place really for Oscar is actually the loo
0:31:34 > 0:31:37because then when everyone goes in for a wee or a poo, they can really
0:31:37 > 0:31:40take their time in front of the mirror with Oscar
0:31:40 > 0:31:43and you can always tell because they flush and then there's about
0:31:43 > 0:31:45another five minutes...
0:31:46 > 0:31:49"You're playing with Oscar!" And then they come out...
0:31:49 > 0:31:52CLEARS THROAT
0:31:52 > 0:31:55How was Oscar? They go, "Oh, my God! He's so heavy!"
0:31:55 > 0:31:58But, yes, it's a lot of fun watching people.
0:31:58 > 0:32:00- It's the time test. Too long for a pee, too short for a poo.- Yes.
0:32:00 > 0:32:03You know they're in there with the Oscar.
0:32:03 > 0:32:04LAUGHTER
0:32:04 > 0:32:08Because you went through the whole Oscar thing, Michael.
0:32:08 > 0:32:11Did you go with a speech in your pocket?
0:32:11 > 0:32:16No, I didn't. I don't know why. I never really prepare speeches.
0:32:16 > 0:32:20I probably should, looking back on some of the ones that I've made.
0:32:20 > 0:32:24Especially a best man's speech that I did one time which was awful.
0:32:24 > 0:32:27- I just really kind of went blank.- Oh, no.
0:32:27 > 0:32:29Yes, it was. It's OK. They're divorced now.
0:32:29 > 0:32:30LAUGHTER
0:32:31 > 0:32:34You didn't waste your time.
0:32:34 > 0:32:39- You're not joking, are you? - No, I'm not.
0:32:39 > 0:32:43- But, yes, no. I never prepare, no. - Have you been to the Oscars, 50?
0:32:43 > 0:32:45Once. I was like, in the back.
0:32:47 > 0:32:51- Were you near the bar? - I just wanted to feel the energy.
0:32:51 > 0:32:55You know, when they're taking selfies and stuff like that.
0:32:55 > 0:32:57Waving at Meryl. We've met!
0:32:59 > 0:33:01Putting on your green hat. It's me!
0:33:04 > 0:33:07Right. It's time for our musical performance.
0:33:07 > 0:33:10The winner of the Best Female Artist at the Brits last year.
0:33:10 > 0:33:13The first two albums went platinum and now she's back for the third.
0:33:13 > 0:33:18Performing her current single, On My Mind, please welcome Ellie Goulding.
0:33:23 > 0:33:24# Oh-oh
0:33:27 > 0:33:30# Oh-oh oh oh-oh
0:33:31 > 0:33:33# It...
0:33:33 > 0:33:36# It's a little blurry how the whole thing started
0:33:36 > 0:33:39# I don't even really know what you intended
0:33:39 > 0:33:42# Thought that you were cute and you could make me jealous
0:33:42 > 0:33:45# Poured it down, so I poured it down
0:33:45 > 0:33:48# Next thing that I know, I'm in a hotel with you
0:33:48 > 0:33:52# You were talking deep, like it was mad love to you
0:33:52 > 0:33:55# You wanted my heart but I just liked your tattoos
0:33:55 > 0:33:57# Poured it down, so I poured it down
0:33:57 > 0:34:00# And now I don't understand it
0:34:00 > 0:34:03# You don't mess with love, you mess with the truth
0:34:03 > 0:34:07# And I know I shouldn't say it
0:34:07 > 0:34:10# But my heart don't understand why I got you on my mind
0:34:12 > 0:34:14# Why I got you on my mind
0:34:15 > 0:34:17# Why I got you on my mind
0:34:18 > 0:34:20# Why I got you on...
0:34:20 > 0:34:23# My heart don't understand why I got you on my mind
0:34:24 > 0:34:26# Why I got you on my mind
0:34:27 > 0:34:29# Why I got you on my mind
0:34:31 > 0:34:32# Why I got you on my...
0:34:32 > 0:34:35# Ah-ah ah-ah ah-ah ah-ah ah-ah
0:34:35 > 0:34:38# Now, I always hear, I always hear them talking
0:34:38 > 0:34:41# Talking 'bout a girl, 'bout a girl with my name
0:34:41 > 0:34:44# Saying that I hurt you, but I still don't get it
0:34:44 > 0:34:47# You didn't love me No, not really
0:34:47 > 0:34:48# But wait!
0:34:48 > 0:34:51# I could've really liked you
0:34:51 > 0:34:53# I bet, I bet that's why I keep on thinking 'bout you
0:34:53 > 0:34:55- # It's a shame - It's a shame
0:34:55 > 0:34:58# You said I was good, so I poured it down
0:34:58 > 0:34:59# So I poured it down
0:34:59 > 0:35:02# And now I don't understand it
0:35:02 > 0:35:05# You don't mess with love, you mess with the truth
0:35:05 > 0:35:09# And I know I shouldn't say it
0:35:09 > 0:35:13# But my heart don't understand why I got you on my mind
0:35:14 > 0:35:16# Why I got you on my mind
0:35:17 > 0:35:18# Why I got you on my mind
0:35:20 > 0:35:23# Why I got you on my mind
0:35:23 > 0:35:25# Why I got you on my...
0:35:25 > 0:35:28- # You think you know somebody - Why I got you on my mind
0:35:28 > 0:35:31- # You think you know somebody - Why I got you on my mind
0:35:31 > 0:35:34- # You think you know somebody - Why I got you on my mind
0:35:34 > 0:35:37# Mind
0:35:37 > 0:35:40# You got yourself
0:35:40 > 0:35:43# In a dangerous zone
0:35:43 > 0:35:46# Cos we both got the fear
0:35:46 > 0:35:49# Fear of being alone
0:35:49 > 0:35:52# And I still don't understand it
0:35:52 > 0:35:55# You don't mess with love, you mess with the truth
0:35:55 > 0:35:59# And my heart don't understand it, understand it
0:35:59 > 0:36:02# Understand it
0:36:02 > 0:36:05# Oh, no, no, no, no, no
0:36:06 > 0:36:10- # Why I got you on my mind - You think you know somebody
0:36:10 > 0:36:13- # Why I got you on my mind - You think you know somebody
0:36:13 > 0:36:16- # Why I got you on my mind - You think you know somebody
0:36:16 > 0:36:17# Why I got you on...
0:36:17 > 0:36:22# My heart don't understand why I got you on my mind
0:36:22 > 0:36:23# Oh, oh, oh
0:36:23 > 0:36:26# Oh, oh, yeah, yeah
0:36:26 > 0:36:29- # You think you know somebody - Why I got you on my mind
0:36:29 > 0:36:33# And my heart don't understand why I got you on my mind
0:36:33 > 0:36:34# You think you know somebody
0:36:34 > 0:36:37- # Why I got you on my mind - You think you know somebody
0:36:37 > 0:36:42- # Why I got you on my mind - You think you know somebody
0:36:42 > 0:36:45# I-I-I-I
0:36:45 > 0:36:47# Oh, yeah. #
0:36:47 > 0:36:50CHEERING AND APPLAUSE
0:36:51 > 0:36:53Ellie Goulding, everybody!
0:36:53 > 0:36:56Come over and join us, do.
0:36:57 > 0:36:59Ellie Goulding!
0:36:59 > 0:37:02- Oh, that's gorgeous. How are you? Come and join everybody.- Thank you.
0:37:02 > 0:37:05You sit yourself down there beside 50
0:37:05 > 0:37:11with Julie, Michael, Kate. They're all here. The gang's all in. Lovely.
0:37:11 > 0:37:12Lovely.
0:37:12 > 0:37:16Now, congratulations, that looked and sounded marvellous.
0:37:16 > 0:37:20And that's the single, On My Mind, and that's from Delirium,
0:37:20 > 0:37:21the album, which is available now!
0:37:21 > 0:37:27- Yes, it's out.- The video for that song is pretty epic.
0:37:27 > 0:37:29- They went to town on the video.- Yeah.
0:37:29 > 0:37:34- So, you were in Vegas?- Yep. - But did they shut Vegas for you?
0:37:34 > 0:37:38Er, we got to ride horses through an old casino.
0:37:38 > 0:37:43Actually, it's still running, you can still gamble there.
0:37:43 > 0:37:45But it was all very surreal and bizarre,
0:37:45 > 0:37:47especially the horse-riding bit.
0:37:47 > 0:37:50- We've got a picture of you. This is you on the Strip.- Oh, wow!
0:37:50 > 0:37:54- And you go quite fast!- Erm, yeah, we had to. We did have to.
0:37:54 > 0:37:57I mean, I've ridden horses before, so it wasn't that scary,
0:37:57 > 0:37:59but they were a little bit scared, I think,
0:37:59 > 0:38:01so they did poo a lot.
0:38:03 > 0:38:06- Inside the casino?- Inside, yeah.
0:38:06 > 0:38:10And did you have to go, like, down steps and things on a horse?
0:38:10 > 0:38:13Yeah, we pretty much had to do everything. I do all my own stunts.
0:38:13 > 0:38:15That's difficult!
0:38:15 > 0:38:16Yeah, it was hard,
0:38:16 > 0:38:20but I wanted to make something sort of Thelma & Louise, quite epic.
0:38:20 > 0:38:21- It was different. - Yeah, different.
0:38:21 > 0:38:24I definitely wouldnt've went down steps on a horse.
0:38:24 > 0:38:27- Do you spend a lot of time in Vegas, 50?- Yeah, I'm out there a lot.
0:38:27 > 0:38:29But to go down the steps on a horse...
0:38:29 > 0:38:32My horse needs another horse in front of it to follow.
0:38:32 > 0:38:34Yeah, yeah, yeah.
0:38:34 > 0:38:37- And somebody else on top of it.- Right.
0:38:37 > 0:38:38To make sure we not doing nothing,
0:38:38 > 0:38:41I'm not signalling for it to do anything crazy.
0:38:43 > 0:38:49No, because, Michael Fassbender, was it on Jane Eyre you had a horse?
0:38:49 > 0:38:52You had a very badly behaved horse
0:38:52 > 0:38:55- on Jane Eyre.- Prince. Yeah. - Prince was the horse.- Yeah, yeah.
0:38:55 > 0:38:57So, what would happen?
0:38:57 > 0:39:02Well, he used to get quite aroused whenever I got on his back.
0:39:05 > 0:39:08- Did he?- Yeah, he did, yeah.
0:39:08 > 0:39:11I could understand that!
0:39:11 > 0:39:13CHEERING AND APPLAUSE
0:39:17 > 0:39:20Dan, the horse handler, had to get on it and sort of, y'know,
0:39:20 > 0:39:23canter him or give him a little trot so he'd sort of slap off his...
0:39:23 > 0:39:25his...
0:39:25 > 0:39:29retract it back in and then it was good to go.
0:39:29 > 0:39:33- Until you got on again.- Until I got on again, and then...- "Cut!"
0:39:35 > 0:39:39- You can't have that in your lovely Jane Eyre film!- Yeah, yeah.
0:39:39 > 0:39:40"Jane!"
0:39:42 > 0:39:45Now, of course, Ellie, a lot of people discovered you through
0:39:45 > 0:39:49- the Christmas ad, the John Lewis ad. - Yeah.- Your Song.- Yeah.
0:39:49 > 0:39:52That was a kind of a big deal for you.
0:39:52 > 0:39:54I mean, that did introduce you to a whole different level.
0:39:54 > 0:39:56- JULIE:- It was lovely. - Oh, thank you!
0:39:56 > 0:40:01Yeah, I'd released songs of a more electronic orientation,
0:40:01 > 0:40:05and then, when I did that song, it was just my voice and a piano.
0:40:05 > 0:40:08And I did it with Ben Lovett from Mumford & Sons,
0:40:08 > 0:40:11and he directed me, and, yeah, it was like people had heard me
0:40:11 > 0:40:14for the very first time when that advert came out.
0:40:14 > 0:40:16Yeah. Because this Christmas,
0:40:16 > 0:40:20someone on the couch will be featuring heavily in a Christmas ad.
0:40:21 > 0:40:24Yes! Kate Winslet looked at me, like, "Am I in a Christmas ad?"
0:40:27 > 0:40:29"Wait, I'm sure I didn't..."
0:40:29 > 0:40:32- That's what they're all thinking! - "Did I do M&S this year?
0:40:32 > 0:40:33"I can't remember."
0:40:35 > 0:40:38- No, but so posh, you're in the Burberry ad.- I'm in the Burberry!
0:40:38 > 0:40:40- Yes.- You did have to jump up and down on a trampoline, though.
0:40:40 > 0:40:42Oh, it was heaven.
0:40:42 > 0:40:44- It was heaven!- I can't jump on trampolines any more.
0:40:44 > 0:40:47- I wet myself. - Well, you do.
0:40:47 > 0:40:50You do. You absolutely do. I thought it was my age.
0:40:50 > 0:40:51- Cos you're laughing?- No!
0:40:51 > 0:40:55When you've had a few children, you know, it's just what happens.
0:40:55 > 0:40:57- You haven't had children, have you? - I still wet myself.
0:40:57 > 0:41:01- Do you?- Yes. - Just generally speaking.
0:41:03 > 0:41:07Two sneezes, I'm fine. Three..
0:41:07 > 0:41:09it's game over. Game over.
0:41:09 > 0:41:12- Is it a nice feeling?- No!
0:41:12 > 0:41:15It's bloody awful, and especially if you're wearing a skirt.
0:41:15 > 0:41:18Yes, but also, in borrowed Burberry clothes, you don't want to...
0:41:18 > 0:41:22You don't want to make... I was terribly embarrassed the first time.
0:41:22 > 0:41:25I said, "I'm sorry! I'm sorry!" And it was terribly ungainly,
0:41:25 > 0:41:28because you're on a trampoline trying to get off it, you know?
0:41:28 > 0:41:30But I loved it. It makes you so high!
0:41:30 > 0:41:32I was high as a kite! I could have gone on!
0:41:32 > 0:41:36At my great age, I could have gone on for hours doing it.
0:41:36 > 0:41:40APPLAUSE
0:41:41 > 0:41:45Well, er, Ellie, good luck with the album and the tour.
0:41:45 > 0:41:47Ellie Goulding, everybody. Thank you very much.
0:41:47 > 0:41:49CHEERING AND APPLAUSE
0:41:51 > 0:41:53Very quickly before we go,
0:41:53 > 0:41:57we've just got time for a quick visit to the big red chair. Who's there?
0:41:57 > 0:42:01- Hello, sir.- Hi.- Hi. What's your name? - I'm Spence.- Spence?- Yeah.- Lovely.
0:42:01 > 0:42:03- And where are you from, Spence?- I'm from Devon.
0:42:03 > 0:42:06- Devon.- Yeah.- All right. Do you live in Devon or here?
0:42:06 > 0:42:08No, I live in, er, Kentish Town at the moment.
0:42:08 > 0:42:13OK. You had to think about that. Must be hard getting a cab.
0:42:13 > 0:42:17And, er, what do you do, Devon? No, you're not Devon. Who are you?
0:42:17 > 0:42:18- Spence.- Spence!
0:42:18 > 0:42:20APPLAUSE
0:42:20 > 0:42:23- Spence. What do you do, Spence? - I'm a student.- A student of...?
0:42:23 > 0:42:27- Clinical molecular endocrinology. - He-llo!
0:42:27 > 0:42:29Finally! Finally a student of
0:42:29 > 0:42:31clinical molecular something or other.
0:42:33 > 0:42:35- Off you go, Spence.- OK.
0:42:35 > 0:42:39So, erm, I've got three older brothers, and back in the day,
0:42:39 > 0:42:43- we found out Titanic was coming out.- Oh!
0:42:43 > 0:42:47We were all very excited, the four of us, that Kate Winslet,
0:42:47 > 0:42:51- you know, sort of... - Yes, we understand. Keep going.
0:42:51 > 0:42:54- Oh, God!- We may flip you. Keep going.
0:42:54 > 0:42:58We convinced my mum to take us in the car to the cinema.
0:42:58 > 0:43:02And we watched for an hour and a half of Titanic,
0:43:02 > 0:43:05and as it came up to the scene,
0:43:05 > 0:43:09my mum sort of covered my eyes like this. All my brothers got to see.
0:43:09 > 0:43:12And I was so angry I walked out and sort of got grounded...
0:43:16 > 0:43:20How very dare you walk out of a film I am in!
0:43:20 > 0:43:22APPLAUSE
0:43:24 > 0:43:28- Definitely not invited, that one. - All right. That is it for tonight.
0:43:28 > 0:43:29Please say thank you to my lovely guests.
0:43:29 > 0:43:32Ellie Goulding! CHEERING AND APPLAUSE
0:43:32 > 0:43:3550 Cent! CHEERING AND APPLAUSE
0:43:35 > 0:43:38Julie Walters! CHEERING AND APPLAUSE
0:43:38 > 0:43:41Michael Fassbender! CHEERING AND APPLAUSE
0:43:41 > 0:43:44And Kate Winslet! CHEERING AND APPLAUSE
0:43:44 > 0:43:48We're not here next week. It's Children in Need.
0:43:48 > 0:43:51But do join me in two weeks' time, with comeback kings Duran Duran,
0:43:51 > 0:43:54comedian David Walliams, Doctor Who Peter Capaldi and the one
0:43:54 > 0:43:56and only Mr Tom Hanks!
0:43:56 > 0:43:58I'll see you then. Good night, everybody, bye-bye!
0:43:58 > 0:44:00CHEERING AND APPLAUSE