0:00:00 > 0:00:03Tonight on the show, the stars of the new Ab Fab movie.
0:00:03 > 0:00:05We've got so much in common - a glass of Bollie,
0:00:05 > 0:00:06the fashionable outfit, what was
0:00:06 > 0:00:08the other thing? Oh!
0:00:08 > 0:00:09Oh, yes, falling down drunk.
0:00:09 > 0:00:11Let's start the show!
0:00:11 > 0:00:14CHEERING
0:00:28 > 0:00:31Oh! Oh!
0:00:31 > 0:00:32Oh!
0:00:33 > 0:00:35Good evening! Good evening,
0:00:35 > 0:00:38you're very kind. Welcome one, welcome all.
0:00:39 > 0:00:41It's Friday night! CHEERING
0:00:43 > 0:00:45And we are leaving Europe!
0:00:46 > 0:00:49WAILS AND BOOS
0:00:49 > 0:00:51HE CHUCKLES
0:00:53 > 0:00:57In a vote led by other areas. LAUGHTER
0:01:01 > 0:01:04Yes, Brexit won. But the good news is,
0:01:04 > 0:01:06from now on we don't have to let nutters into
0:01:06 > 0:01:10the country just because they've got a European passport.
0:01:10 > 0:01:12LAUGHTER
0:01:12 > 0:01:14But for anyone wanting to
0:01:14 > 0:01:16get away from all of the referendum nonsense,
0:01:16 > 0:01:19why not go to Glastonbury? Anybody here going to Glastonbury?
0:01:19 > 0:01:22No, nobody? No? LAUGHTER
0:01:22 > 0:01:24I sort of wish I was there now, I mean,
0:01:24 > 0:01:26it looks so much fun, doesn't it?
0:01:26 > 0:01:29LAUGHTER
0:01:29 > 0:01:31That looks like fun!
0:01:31 > 0:01:34100,000 people expected at that event.
0:01:34 > 0:01:36But the good news is,
0:01:36 > 0:01:38this year they've got two toilets.
0:01:38 > 0:01:41Yeah, really. Adele is headlining. Yes, she is.
0:01:41 > 0:01:43WHOOPING Yeah!
0:01:43 > 0:01:45Here she is waving to her fans on her way to Glastonbury. Aww!
0:01:45 > 0:01:49And here she is waving to her fans when she got there.
0:01:49 > 0:01:50LAUGHTER
0:01:50 > 0:01:53Let's get some guests on! CHEERING
0:01:53 > 0:01:56Later we'll have music from the one and only Iggy Pop,
0:01:56 > 0:01:59ladies and gentlemen! CHEERING
0:01:59 > 0:02:02He will be performing with Josh Homme and The Band.
0:02:02 > 0:02:04But first, this Aussie actress turned Hollywood star
0:02:04 > 0:02:06has made us laugh in Bridesmaids,
0:02:06 > 0:02:09Pitch Perfect, and How To Be Single. Now taking to
0:02:09 > 0:02:11the stage as Miss Adelaide in Guys and Dolls,
0:02:11 > 0:02:14it's Rebel Wilson!
0:02:14 > 0:02:17CHEERING Yeah!
0:02:17 > 0:02:18Whoo!
0:02:18 > 0:02:22They love you, they love you! Rebel Wilson, everybody!
0:02:25 > 0:02:29And for over 20 years, these Bafta-winning stars
0:02:29 > 0:02:31have played two of comedy's most notorious characters.
0:02:31 > 0:02:34Now Patsy and Edina are back in
0:02:34 > 0:02:36Absolutely Fabulous: The Movie. Crack open the Bollie,
0:02:36 > 0:02:39it's Joanna Lumley and Jennifer Saunders!
0:02:39 > 0:02:42CHEERING Yay! Yeah!
0:02:45 > 0:02:47Hello! How do we do?
0:02:49 > 0:02:51Lovely to see you.
0:02:57 > 0:02:59Aww!
0:03:01 > 0:03:02What a happy couch
0:03:02 > 0:03:04- for the last show of the series! - Yay!
0:03:04 > 0:03:07Lovely to see you all. "Yay!" Rebel, you are
0:03:07 > 0:03:09- a fan of Ab Fab, aren't you? - Erm, I'm, like,
0:03:09 > 0:03:11the world's biggest fan. I just asked Joanna to
0:03:11 > 0:03:14- sign some DVDs and posters. - HE CHUCKLES
0:03:14 > 0:03:17She's not making that up, I did see it happen.
0:03:17 > 0:03:20Yeah, I'm, like, a megafan. I guess when
0:03:20 > 0:03:22I saw the show at first, I was working in a video store
0:03:22 > 0:03:25and I didn't want to work, so I put on the show,
0:03:25 > 0:03:29the DVDs, and I just... Really, I think it
0:03:29 > 0:03:33was the first time I'd seen women be funny. It was like...
0:03:33 > 0:03:37- I know, I'm going to... - Don't cry, don't cry!
0:03:37 > 0:03:39- HE CHUCKLES - I know, really, they're
0:03:39 > 0:03:42such inspirations to me and my real heroes,
0:03:42 > 0:03:46- so it is such an honour to be here tonight.- Aww!
0:03:46 > 0:03:48APPLAUSE
0:03:48 > 0:03:49It's good!
0:03:51 > 0:03:52Ladies and gentlemen,
0:03:52 > 0:03:55congratulations are in order because, very recently,
0:03:55 > 0:03:57Jennifer Saunders was awarded
0:03:57 > 0:04:00Glamour Magazine's... I think it was, Best Woman Ever,
0:04:00 > 0:04:03- was it?- I think that's what they said, yeah.
0:04:03 > 0:04:06Something like that. Most Wonderful Human Being Of All Time.
0:04:06 > 0:04:09- Of all time.- Something like that. - Voted by the planet.
0:04:09 > 0:04:11LAUGHTER
0:04:11 > 0:04:14- Is that what it was? - I think it was. You met a Kardashian
0:04:14 > 0:04:18- on the way in. - To be honest, I didn't meet her.
0:04:18 > 0:04:20- You encountered her. - I came across her.
0:04:20 > 0:04:22- I can't look at it. - LAUGHTER
0:04:22 > 0:04:24I can't look at it. I was showing off for my friend.
0:04:24 > 0:04:27That's all I am going to say, I can't
0:04:27 > 0:04:30actually look. It's called photo bom-bing.
0:04:30 > 0:04:34- Photobomb.- I love her face in this one,
0:04:34 > 0:04:36because she's, like, "Security, is there anyone?"
0:04:38 > 0:04:40It was just Dawn going, "Do it again. Go on, do it again".
0:04:40 > 0:04:41LAUGHTER
0:04:41 > 0:04:44- Who is that? Do it again. - Look at the side glance there.
0:04:46 > 0:04:49People take it so seriously. I can't be doing with it.
0:04:49 > 0:04:51I suppose they flew her in to stand on carpet.
0:04:51 > 0:04:53Non-smiling... And not smile?
0:04:53 > 0:04:58- Oh.- Oh!- Talking of awards, though... - Yes?- ..Rebel's won an award.
0:04:58 > 0:05:02- Oh...- Yes. MTV, MTV... LAUGHTER
0:05:02 > 0:05:05- What was it? - Erm...best kiss.- Hello!
0:05:05 > 0:05:08Yeah. Because some people win awards for
0:05:08 > 0:05:13acting and writing, but sometimes kissing is also good.
0:05:14 > 0:05:16- It's award-winning.- Yeah,
0:05:16 > 0:05:18and it really helps in your social life
0:05:18 > 0:05:21if you've won a kissing award.
0:05:21 > 0:05:25And you recreated it on stage, you recreated the award-winning kiss.
0:05:25 > 0:05:27- Mm-hm. The people demanded it. - Who's that?
0:05:27 > 0:05:29Did you know you were just going to keep going,
0:05:29 > 0:05:31- because it did get, kind of, out of hand?- Yeah,
0:05:31 > 0:05:33I actually ripped my dress.
0:05:34 > 0:05:37There's something about... Which is why I'm a bit scared going
0:05:37 > 0:05:40into a live show here in the West End, because
0:05:40 > 0:05:43when the crowd just cheers you on, you just
0:05:43 > 0:05:46- go for it? - LAUGHTER
0:05:46 > 0:05:48Yeah, I seem to, like, lose all
0:05:48 > 0:05:51inhibitions and embarrass myself and my family.
0:05:51 > 0:05:55Ooh, I'm coming to the opening night!
0:05:55 > 0:05:58Well, Joanna Lumley will see that kiss and raise it.
0:05:58 > 0:06:01- Yes.- Yes, because you got to snog...- Yeah.
0:06:01 > 0:06:03..well, Leonardo DiCaprio.
0:06:03 > 0:06:06- But you went for it, didn't you? - Of course!- Yes!
0:06:06 > 0:06:08There you are in The Wolf Of Wall Street.
0:06:08 > 0:06:10Now, did you do the professional actor thing of talking
0:06:10 > 0:06:12about it beforehand?
0:06:12 > 0:06:15No, but we both had a lot of peppermint and kind of sluiced our
0:06:15 > 0:06:19mouths out an awful lot. I think we were both anxious about it.
0:06:19 > 0:06:21Were you weeping from peppermint tears?
0:06:21 > 0:06:25We were, like, just really clean, like a kind of surgery.
0:06:25 > 0:06:27Sort of really clean, a peppermint surgery.
0:06:27 > 0:06:31And we did quite a lot of kissing. We did quite a lot of kissing,
0:06:31 > 0:06:34but as I was playing his wife's aunt, it wasn't really great,
0:06:34 > 0:06:36and I wasn't looking great, I was wearing
0:06:36 > 0:06:39sort of Oxfam clothes. I was a bit depressed!
0:06:39 > 0:06:41LAUGHTER
0:06:43 > 0:06:46- But, still, it happened.- It happened and he was very charming.
0:06:46 > 0:06:47Oooooh!
0:06:47 > 0:06:50- LAUGHTER - That was a lot of noise.
0:06:50 > 0:06:52I couldn't make it again.
0:06:52 > 0:06:55Now, Ab Fab - The Movie, how long have we been waiting?
0:06:55 > 0:06:58It finally opens everywhere on the 1st of July.
0:06:58 > 0:07:00CHEERING I know, yeah.
0:07:05 > 0:07:08It's been talked about so many times.
0:07:08 > 0:07:11Why, how has it finally happened?
0:07:11 > 0:07:14Well, it was only being talked about because people kept saying,
0:07:14 > 0:07:18"Are you ever going to do a movie?" And I was always, "I don't know. Maybe not, I don't know."
0:07:18 > 0:07:21So, finally, I thought, "Well, actually it's quite a good idea."
0:07:21 > 0:07:22- Oh, OK.- So I made it.
0:07:22 > 0:07:25So what's the big idea, what's the
0:07:25 > 0:07:28- storyline that makes this all hang together?- The storyline is
0:07:28 > 0:07:32they are...extremely old, very desperate.
0:07:32 > 0:07:35Edina has lost, spent all of her money. She has,
0:07:35 > 0:07:38literally, consumed a whole district to make her house
0:07:38 > 0:07:42and she's in need of a little
0:07:42 > 0:07:46injection of somebody or something to her PR company.
0:07:46 > 0:07:50And Patsy decides that should be Kate Moss.
0:07:50 > 0:07:53- Of course.- And it goes
0:07:53 > 0:07:58horribly, horribly wrong, and they kill Kate Moss, basically.
0:07:58 > 0:08:01- They kill her. - LAUGHTER
0:08:01 > 0:08:04Between the two of them, they somehow manage to kill her
0:08:04 > 0:08:08- and go on the run. I mean, that's the story.- The police are
0:08:08 > 0:08:12after them, obviously, and so we have to flee the country.
0:08:12 > 0:08:13So we go down to the south of France, which,
0:08:13 > 0:08:16as Jennifer rightly said, is when you're thinking of a film,
0:08:16 > 0:08:19- first of all think where you'd like to go.- We thought South of France.
0:08:19 > 0:08:20LAUGHTER
0:08:20 > 0:08:22Actually, that was our very first thought.
0:08:22 > 0:08:26We said, "Hey, let's do a movie." "Yeah, where are we going to go?"
0:08:26 > 0:08:30"Erm...South of France?" "Yeah. Quite nice.
0:08:30 > 0:08:33"Quite like October?" "Yeah, nice."
0:08:33 > 0:08:34- LAUGHTER - OK, what's the plot?
0:08:34 > 0:08:38- Did you have a list of supermodels if Kate Moss said no?- No.
0:08:38 > 0:08:39LAUGHTER
0:08:39 > 0:08:43And the weird thing was that I had gone along with this
0:08:43 > 0:08:46without ever thinking to ask her. I had, literally,
0:08:46 > 0:08:50written it, sold it to whoever, you know, Fox, and the BBC.
0:08:50 > 0:08:53They've all gone, "That's fantastic. Have you asked Kate?"
0:08:53 > 0:08:56And I went, "Oh, actually, no, I haven't."
0:08:56 > 0:09:00- LAUGHTER - Dammit! I must ask Kate Moss.
0:09:00 > 0:09:03But in my head, I just thought, "Well, she's so cool,
0:09:03 > 0:09:06and she's obviously just going to say yes," which she did.
0:09:06 > 0:09:08- She did!- Yes, because she is cool.
0:09:08 > 0:09:11How was she on set? Because, you know, she's Kate Moss.
0:09:11 > 0:09:15- Fabulous.- She's extraordinary. That's Kate on set!
0:09:15 > 0:09:19But that is the Thames, that's the actual filthy, dirty Thames.
0:09:19 > 0:09:22It is, and she had to be in there quite a lot. But the great
0:09:22 > 0:09:24thing she said was, because everyone was
0:09:24 > 0:09:27making a fuss of her and putting blankets around her,
0:09:27 > 0:09:30giving her cups of tea, and she just said, "Look, if this was a modelling
0:09:30 > 0:09:33"shoot, they'd just tell me to stop shivering."
0:09:33 > 0:09:36So she was really cool, really cool.
0:09:36 > 0:09:39So, Kate Moss gets in the Thames, Jennifer and Joanna,
0:09:39 > 0:09:43- not so much in the Thames. - Not so much.- No.- No.- No.- No.
0:09:43 > 0:09:45LAUGHTER
0:09:45 > 0:09:48From a distance, you might think that's the two
0:09:48 > 0:09:52- of you in a boat on the Thames.- Yes. - But on closer inspection...
0:09:52 > 0:09:55LAUGHTER
0:09:58 > 0:09:59Oh!
0:09:59 > 0:10:01APPLAUSE
0:10:04 > 0:10:06- Is that your stunt doubles?- Yeah.
0:10:06 > 0:10:10The word "stunt" really doesn't occur. That was just...
0:10:10 > 0:10:12- They're sitting in a boat! - What was that for?
0:10:12 > 0:10:15We went onto the Thames at night-time and we did
0:10:15 > 0:10:17the sitting on the boat thing, and the chasing around, trying to
0:10:17 > 0:10:21look for stuff, but then the boat had to go hammering off
0:10:21 > 0:10:22upriver, very fast.
0:10:22 > 0:10:23Obviously not.
0:10:23 > 0:10:27So chaps get in and do that far away distant back view thing.
0:10:27 > 0:10:30And we went and had a glass of something.
0:10:30 > 0:10:34LAUGHTER Obviously, hand-selected
0:10:34 > 0:10:37- stunt double.- Accuracy. - They were, actually,
0:10:37 > 0:10:40- properly measured for that. - LAUGHTER
0:10:40 > 0:10:42Now, Rebel Wilson, you're here to talk about your
0:10:42 > 0:10:44- West End debut in Guys and Dolls. - Yeah.
0:10:44 > 0:10:48- But you are also in the Ab Fab movie.- I know. I know.
0:10:48 > 0:10:50CHEERING AND APPLAUSE
0:10:52 > 0:10:55Yeah, lifelong dream fulfilled, tick.
0:10:55 > 0:10:58Weird thing was, we'd booked her when she was nobody.
0:10:58 > 0:10:59- Yeah. Yeah.- She was, like,
0:10:59 > 0:11:03"They gave me an award for, like, possibly best newcomer," something like that
0:11:03 > 0:11:10- and in between, stratospheric, can I say?- It's weird.- Yes, it's true.
0:11:10 > 0:11:13CHEERING AND APPLAUSE
0:11:13 > 0:11:15But originally, because I was living with
0:11:15 > 0:11:17Matt Lucas at the time and he told me
0:11:17 > 0:11:19Jennifer was writing a script, I'm, like,
0:11:19 > 0:11:22"Man, I've got to get in that." So I wrote her, like, a
0:11:22 > 0:11:25- begging e-mail, I guess you would call it.- Yeah, begging. Yeah, it was
0:11:25 > 0:11:28- pretty beggy.- "Please, please..." You know,
0:11:28 > 0:11:33- "I'll do it for free, any time..." - "Please DM me on Twitter."
0:11:33 > 0:11:35I think I had a brilliant idea that
0:11:35 > 0:11:37I could've been Patsy's long-lost daughter. That she
0:11:37 > 0:11:40had just forgotten about, cos it's...
0:11:40 > 0:11:44Like, forgotten about! GRAHAM CHUCKLES
0:11:44 > 0:11:48Don't you imagine that she could've just had a baby and she forgot?
0:11:48 > 0:11:51- "Oh, cheers." - LAUGHTER
0:11:51 > 0:11:54Yeah. But, in fact,
0:11:54 > 0:11:57I got a much better role,
0:11:57 > 0:12:00the prime role of unnamed air hostess.
0:12:00 > 0:12:04- Whoa. Oh, there she is.- So, yeah. - APPLAUSE
0:12:04 > 0:12:08- I know.- Weird thing is, by the time Rebel could film,
0:12:08 > 0:12:12she literally had about an hour in her whole life
0:12:12 > 0:12:15which she could give to us and she gave us that hour,
0:12:15 > 0:12:17and it was absolutely brilliant.
0:12:17 > 0:12:20- And, look, you're on with Rylan!- Yeah, Rylan.
0:12:20 > 0:12:25- Comedy gold.- But in fairness, EVERYONE is in this film.
0:12:25 > 0:12:27- You're in it.- I'm in it.
0:12:27 > 0:12:30Is anyone in the audience in it?
0:12:30 > 0:12:32CHEERING Are you really?
0:12:32 > 0:12:36Are you really in it? Hang on, microphone coming.
0:12:36 > 0:12:39Tell us, what bit are you in?
0:12:39 > 0:12:42- I'm an extra in...- That's a microphone, calm down.
0:12:42 > 0:12:43LAUGHTER
0:12:48 > 0:12:52I'm an extra in the scene in the Royal Vauxhall Tavern
0:12:52 > 0:12:54- with the drag queens.- Oh, yes!
0:12:54 > 0:12:57See, even people in the audience are in the film.
0:12:57 > 0:13:00So talk us through some of the other names. Actually,
0:13:00 > 0:13:04- we've got a picture of some of them.- Oh! Look at that.
0:13:04 > 0:13:08- Having drinks. Bruno Tonioli!- Bruno Tonioli!
0:13:08 > 0:13:10Well, he was insistent, obviously.
0:13:10 > 0:13:12- He never stops.- And there's Kate,
0:13:12 > 0:13:14so the back row's Jennifer, Kate, me,
0:13:14 > 0:13:18Lulu, John Hamm, Gwendoline Christie,
0:13:18 > 0:13:22- Celia Imrie, Janette Krankie... - Janette Tough.
0:13:22 > 0:13:23..and Bruno Tonioli.
0:13:23 > 0:13:27- All human life is here. - All human life is there.
0:13:27 > 0:13:31- And that man.- Every height and sex. It's just...
0:13:31 > 0:13:35- All the same species!- All right. Tell you what, let's watch a clip.
0:13:35 > 0:13:37This is Patsy and Edina on yet another morning
0:13:37 > 0:13:40- after the night before.- OK.
0:13:41 > 0:13:44- Pats! Pats!- What?
0:13:44 > 0:13:47Today's the day I sign the deal on my book deal, darling.
0:13:47 > 0:13:50Oh! Oh, my goodness.
0:13:50 > 0:13:52- Yeah. Fabulous.- Am I in it?
0:13:52 > 0:13:56Of course you're in it, darling, because you are my oldest,
0:13:56 > 0:13:58oldest friend.
0:14:00 > 0:14:03And who will play me, Eddie?
0:14:03 > 0:14:05- Well, darling, it's only just, like, nearly a book.- Oh!
0:14:05 > 0:14:08It will be a film, though, sweetheart, because it's about me,
0:14:08 > 0:14:11- ain't it?- Yeah.- You know, it's about London's premier fashion PR.- Yeah.
0:14:11 > 0:14:14- PATSY CHUCKLES - Fabulous.
0:14:14 > 0:14:16And who will play me, Eddie, not Jane Fonda?
0:14:16 > 0:14:21I've had stem cells and the blood of a two-year-old child
0:14:21 > 0:14:24injected into my skin and my face still looks like this.
0:14:24 > 0:14:26You need to be using foetus blood, Eddie,
0:14:26 > 0:14:28a little spritz of afterbirth, darling.
0:14:28 > 0:14:30- Keep up, sweetie.- Keep up.
0:14:30 > 0:14:31SUCTIONING
0:14:32 > 0:14:36- EDINA GROANS - I want to go in there,
0:14:36 > 0:14:37but I have to go past that big mirror.
0:14:37 > 0:14:40I think I am now officially fatter sideways
0:14:40 > 0:14:41than I am front on, darling.
0:14:41 > 0:14:45Darling, you don't need those. I am your mirror.
0:14:45 > 0:14:47How do I look?
0:14:47 > 0:14:49- Fabulous.- Thank you!
0:14:51 > 0:14:52Oh!
0:14:52 > 0:14:56- You need to move that, Eddie. - Yeah, I'll call Kelly Hoppen.
0:14:56 > 0:14:58Fabulous.
0:14:58 > 0:15:00CHEERING AND APPLAUSE Very good.
0:15:05 > 0:15:11In my head, Absolutely Fabulous is just... It's just a current show.
0:15:11 > 0:15:15- But it's been in our lives for 24 years.- Yep.
0:15:15 > 0:15:19- Which is nuts.- 1990 was the first. 26.
0:15:19 > 0:15:2126 years, wow. And, Joanna,
0:15:21 > 0:15:25you were saying when you first got cast,
0:15:25 > 0:15:29the chemistry, you didn't feel it.
0:15:29 > 0:15:32Look, I'd known about... Everybody knew about French and Saunders.
0:15:32 > 0:15:37Everybody knew about that and I'd been sent this unbelievably funny script
0:15:37 > 0:15:40and I was longing to do it. I couldn't believe it. I laughed out loud, Rebel.
0:15:40 > 0:15:42You know when you open something and you laugh out loud...
0:15:42 > 0:15:47It's very rare. Most of the time you read the script, you're like, "That's shit."
0:15:47 > 0:15:49But this was gold and so I went round to meet
0:15:49 > 0:15:52Jennifer for the first time ever. First time ever,
0:15:52 > 0:15:55at the BBC and we sat in a pretty sort of odd little office
0:15:55 > 0:15:58- and we sat together like this. - Two little chairs.
0:15:58 > 0:16:00Two little chairs, as if we were sat in the back of a taxi.
0:16:00 > 0:16:03- "Good morning." - "Good morning. Hello."- "Hello."
0:16:03 > 0:16:04I go, "Hello, I'm Joanna."
0:16:04 > 0:16:06"Jennifer Saunders."
0:16:06 > 0:16:10And we opened up the page and we started to read and I didn't know
0:16:10 > 0:16:12who Patsy was, because it hadn't explained who she was.
0:16:12 > 0:16:15You didn't explain.
0:16:15 > 0:16:17You had written your own lines...
0:16:17 > 0:16:21I know, but you weren't the idea I had for Patsy, you see.
0:16:21 > 0:16:25No, it's true! It's absolutely true.
0:16:25 > 0:16:27- I mean, it was better, you made it better.- We read it through
0:16:27 > 0:16:31a couple of times and each time Jennifer just sat there staring.
0:16:31 > 0:16:33"Oh, this is awful." So then, we tried again
0:16:33 > 0:16:35and I almost said...
0:16:35 > 0:16:38- SCOTTISH ACCENT:- "Shall I do it Scottish or something?
0:16:38 > 0:16:41And then at the end, Jon Plowman,
0:16:41 > 0:16:44our wonderful producer who sort of nursed us through everything,
0:16:44 > 0:16:47said, "Well, jolly good. "Marvellous rehearsals,"
0:16:47 > 0:16:48And I went to my agent,
0:16:48 > 0:16:51not my present agent, and I just said, "Get me out of it.
0:16:51 > 0:16:53"She hates me! She said nothing to me. She just sort of went..."
0:16:53 > 0:16:57- JOANNA MUMBLES - And I said, "Get me out."
0:16:57 > 0:17:01My agent said, "It's only a pilot, just do it."
0:17:01 > 0:17:03- And now look!- Yeah.- Now you know.
0:17:03 > 0:17:07And how did, like, the alcoholic and the drug stuff...
0:17:07 > 0:17:09That was Jennifer. No, that was Jennifer.
0:17:09 > 0:17:12I didn't know anything about drinking or anything like that.
0:17:12 > 0:17:14LAUGHTER
0:17:14 > 0:17:16I think what happened was that we got on
0:17:16 > 0:17:18and we just had such a good laugh
0:17:18 > 0:17:20that everything that she brought, which was the
0:17:20 > 0:17:23modelling and the other stuff, the '60s stuff...
0:17:23 > 0:17:26- The drug-taking.- ..and the drug-taking, and all that,
0:17:26 > 0:17:29it just... We just had fun inventing it and it was...
0:17:29 > 0:17:33And weirdly, the fashion world influenced it, but
0:17:33 > 0:17:36Bananarama, the former lady band, they...
0:17:36 > 0:17:39- "The former lady band"! - LAUGHTER
0:17:39 > 0:17:44- They are a band!- They play...
0:17:44 > 0:17:48- Have you got your lady bands in? - LAUGHTER
0:17:48 > 0:17:52- I'm wearing mine tonight. - LAUGHTER
0:17:54 > 0:17:57- But they played a part. - Yeah, because Bananarama
0:17:57 > 0:18:00were the hardest drinking girls I've ever met in the '80s.
0:18:00 > 0:18:02When were they in it?
0:18:02 > 0:18:04- They weren't in it.- Oh, I see. - But I met them later...
0:18:04 > 0:18:06LAUGHTER
0:18:06 > 0:18:09Never done drugs. Never done drugs.
0:18:11 > 0:18:15- Because Dawn and I worked with them. - Oh, of course.
0:18:15 > 0:18:18We did the Comic Relief thing together and we kind of got to know them.
0:18:18 > 0:18:21I've never met girls that drunk so hard, because in those days,
0:18:21 > 0:18:24people didn't drink vodka. They drank so much vodka.
0:18:24 > 0:18:26They would drink a bottle of vodka and they'd go,
0:18:26 > 0:18:28"Come on, let's go and party."
0:18:28 > 0:18:31And we used to go and party with them and just watch them,
0:18:31 > 0:18:34and I remember one of them opening a cab door
0:18:34 > 0:18:38and coming out arse first onto the pavement and thinking
0:18:38 > 0:18:40it was the most brilliant thing I'd ever seen.
0:18:40 > 0:18:43I just thought, "I love that, I want to be that."
0:18:43 > 0:18:46Can I just say, speaking of drinking, on my one day
0:18:46 > 0:18:49on the Ab Fab set, it was like totally how you would imagine it,
0:18:49 > 0:18:52because it was like working for one hour
0:18:52 > 0:18:55and then drinking champagne for the rest of the day.
0:18:56 > 0:19:00- Suddenly, just bottles came out. - She was on the last day.
0:19:00 > 0:19:03- Oh!- That was because it was you, Rebel.- It was for you.
0:19:03 > 0:19:05- It wasn't like that every day?- No.
0:19:05 > 0:19:08We just didn't want to let you down.
0:19:08 > 0:19:10Just wanted to get smashed together.
0:19:10 > 0:19:11LAUGHTER
0:19:11 > 0:19:14It was so good. It was my best day at work ever.
0:19:14 > 0:19:17The day I did, I just left and got on the DLR.
0:19:17 > 0:19:19LAUGHTER
0:19:19 > 0:19:25- It's true. It was in Canary Wharf, wasn't it?- Yeah. "Bye. Thanks. Bye."
0:19:25 > 0:19:29Joanna brought to Ab Fab all your modelling experience.
0:19:29 > 0:19:32Because you as a model, when you look
0:19:32 > 0:19:34through the old shots, you were incredible.
0:19:34 > 0:19:37You were quite proppy as a model.
0:19:37 > 0:19:40Show me something, fruits... Smiling at fruits.
0:19:40 > 0:19:44No, you can work on a car. Here's some shots.
0:19:44 > 0:19:48- That's me!- Yeah, working a car. - Working a car.
0:19:48 > 0:19:52Accessorising a car with your shoes, which is hard to do.
0:19:52 > 0:19:55- Yep.- That's actually a handbag, it's not a car.
0:19:57 > 0:19:58And that was a little black wig.
0:19:58 > 0:20:00We had to provide all our own wigs and hairpieces.
0:20:00 > 0:20:03Then, she's rocking a motorbike.
0:20:03 > 0:20:08Look at that! Now you want to buy that motorbike, don't you?
0:20:08 > 0:20:11That wasn't when I was modelling, that's when I was really old. I was 40 there.
0:20:11 > 0:20:15- Really?- How old are you now? - LAUGHTER
0:20:23 > 0:20:26The final edit hasn't been done on the film, Rebel.
0:20:26 > 0:20:30Yes. We know where that pineapple might end up.
0:20:30 > 0:20:33- LAUGHTER - The truth is,
0:20:33 > 0:20:36that was the picture for something completely different.
0:20:36 > 0:20:39- I only modelled from when I was 18 to 21...- What was that for?
0:20:39 > 0:20:41- What the hell was that for? - Funnily enough,
0:20:41 > 0:20:43it was for something like Children In Need.
0:20:43 > 0:20:47It was a Valentine's Day thing and the dress was sold in aid.
0:20:47 > 0:20:50That was Patrick Lichfield's motorbike.
0:20:50 > 0:20:52When I look at that photo I think, Children In Need.
0:20:52 > 0:20:56LAUGHTER AND APPLAUSE
0:21:03 > 0:21:08Joanna, what was this for? Were you trying to sell a cow?
0:21:09 > 0:21:12- That was Tess Of The D'Urbervilles. - I've never seen that picture before.
0:21:12 > 0:21:14I'll tell you when you'd done it,
0:21:14 > 0:21:17it was just after you'd been in Coronation Street,
0:21:17 > 0:21:20- but it was before Purdy.- So I wasn't a model then, so I was obviously
0:21:20 > 0:21:23doing it for something to do with drink more milk or something,
0:21:23 > 0:21:25I don't know, because that's not modelling.
0:21:25 > 0:21:28That was my special brown hair. When I wanted to be an actress...
0:21:28 > 0:21:34- Special brown hair!- Listen, being a model, in those years,
0:21:34 > 0:21:36it was very tragic to have been a model, so to show I was
0:21:36 > 0:21:38a serious actress, I always dyed my hair brown.
0:21:38 > 0:21:41- Oh.- That's me with my special brown Coronation Street hair.
0:21:41 > 0:21:46- Oh, I see!- Now you can see I kind of...- Maybe it's for a play.
0:21:46 > 0:21:49I don't know. No, no. How could that be a play!
0:21:50 > 0:21:55Well, it's not a theatre, but it could be the publicity for a play.
0:21:55 > 0:21:58- Yes, you're right, it could. A panto perhaps.- Panto.
0:21:58 > 0:22:00Jack And The Beanstalk. Hello.
0:22:00 > 0:22:03But the thing is, actors have to do the modelling now
0:22:03 > 0:22:06- and, Rebel, you've done modelling.- Urgh!
0:22:06 > 0:22:09I literally do more modelling than acting now.
0:22:09 > 0:22:13- Do you?- Yeah. They never tell you, like, yeah, you're gonna have to do
0:22:13 > 0:22:15modelling as part of it, but you do.
0:22:15 > 0:22:19- And it can be quite dangerous. - Er, yeah. OK, one time,
0:22:19 > 0:22:22my publicist went out of the room and they said,
0:22:22 > 0:22:24"Rebel, you know what will be really cool?
0:22:24 > 0:22:27"If you just, like, hold that hairspray and spray it
0:22:27 > 0:22:29"and then get the cigarette lighter and
0:22:29 > 0:22:32"spray it and it'll be like a huge flame,
0:22:32 > 0:22:34"it'll look really cool and hot." And so
0:22:34 > 0:22:38I did it as a test, put this massive flame into the air.
0:22:38 > 0:22:40I was like, "This is going to look sick."
0:22:40 > 0:22:43So they get the camera out, I do it,
0:22:43 > 0:22:46and the first time I did it, some hairspray had
0:22:46 > 0:22:49all gone over my arm, so the second time I did it,
0:22:49 > 0:22:52my arm caught fire and I had to go...
0:22:54 > 0:22:55..to save myself and I thought,
0:22:55 > 0:22:58"This is what happened to Michael Jackson."
0:22:58 > 0:22:59LAUGHTER
0:23:01 > 0:23:07The publicist goes out of the room...bad stuff happens. Yeah.
0:23:07 > 0:23:12- It's just what you go through for beauty.- Yes!
0:23:12 > 0:23:15It's worth it, though. It's worth it.
0:23:15 > 0:23:19- The picture looked hot. - Hey, ladies and gentlemen,
0:23:19 > 0:23:23much excitement, because Rebel Wilson is coming to the West End.
0:23:23 > 0:23:25This actual West End. Yeah. CHEERING AND APPLAUSE
0:23:28 > 0:23:32It's your debut. You are at the Phoenix Theatre taking over
0:23:32 > 0:23:37as Miss Adelaide in the incredibly well reviewed Guys and Dolls
0:23:37 > 0:23:40A big, big hit. Look at that sparkly, shiny person.
0:23:40 > 0:23:42That's the modelling.
0:23:42 > 0:23:46It's from the 28th of June. That's next Tuesday.
0:23:46 > 0:23:48It's this Tuesday I'm starting.
0:23:48 > 0:23:51Should I be at rehearsals now? Yes!
0:23:53 > 0:23:54I've been here a week.
0:23:54 > 0:23:56I need to learn the show.
0:23:56 > 0:23:57- Next Tuesday!- Next Tuesday!
0:23:57 > 0:23:59If you guys come this coming week,
0:23:59 > 0:24:03it's going to be very interesting because I'm not quite prepared.
0:24:05 > 0:24:07- It's all singing, all dancing. - I know!
0:24:07 > 0:24:13- It starts previews on Tuesday? - No, it's the actual full-on show.
0:24:13 > 0:24:16Do you know the words?
0:24:16 > 0:24:17Yeah, I know like...
0:24:17 > 0:24:18# Guys and dolls
0:24:18 > 0:24:20# Do-do-do-do-do... #
0:24:20 > 0:24:23That's the one bit.
0:24:23 > 0:24:26Have you learned the dancing? The dances are the hard bit.
0:24:26 > 0:24:28I actually... Oh, my God!
0:24:28 > 0:24:29I got off the plane last week
0:24:29 > 0:24:33and they're like, "We're going to fit you for costumes for the show."
0:24:33 > 0:24:37I thought, "Sweet, bring on some jeans." Free jeans.
0:24:37 > 0:24:41But they said, "You're going to actually be wearing a leotard."
0:24:41 > 0:24:43I was like...
0:24:43 > 0:24:47I've never really worn a leotard, purposefully.
0:24:50 > 0:24:51So the very first thing, bloated,
0:24:51 > 0:24:55getting measured for this very low-cut, high-cut leotard.
0:24:56 > 0:24:58So I'm a little bit worried yesterday
0:24:58 > 0:25:01because I'm coming onto the show next week,
0:25:01 > 0:25:04so I got what's called an anti-cellulite massage.
0:25:04 > 0:25:07- Have you guys ever had that?- No.
0:25:07 > 0:25:11It's where they rub all your fat and your stomach.
0:25:11 > 0:25:16What they don't tell you is, don't go out after the massage
0:25:16 > 0:25:20because it can make you go to the toilet a lot.
0:25:20 > 0:25:22So they really massage you?
0:25:22 > 0:25:25If anyone's ever had a stomach massage, they'll remember.
0:25:27 > 0:25:30Because it can... You can get in emergency situations.
0:25:30 > 0:25:32- Did you go out?- Yeah.
0:25:34 > 0:25:38But I think my legs are looking real smooth, though.
0:25:40 > 0:25:42If you come and see me in the show, you will see...
0:25:42 > 0:25:46- Do you have to wear a leotard in the show?- Yeah, I do.
0:25:46 > 0:25:48Because I'm a burlesque dancer in the show
0:25:48 > 0:25:51in a place called the Hot Box which is like...
0:25:51 > 0:25:54It's a vagina reference.
0:25:54 > 0:25:57- It's a vagina reference. - It's a vagina reference.
0:25:57 > 0:26:01- Certainly.- And I strip in the show, but not to nude.
0:26:01 > 0:26:06- You can bring kids. - You strip to leotard?- Yeah.
0:26:06 > 0:26:08I don't want to be horrible,
0:26:08 > 0:26:10but could you give us a little blast of something?
0:26:10 > 0:26:13- Oh, my God!- A song.
0:26:13 > 0:26:15CHEERING
0:26:19 > 0:26:23Warm up. Here's one of my songs for the show.
0:26:24 > 0:26:25Two, three, four...
0:26:25 > 0:26:27# I've loved you
0:26:27 > 0:26:28# A bushel and a peck
0:26:28 > 0:26:30# A bushel and a peck
0:26:30 > 0:26:32# Give a hug around the neck
0:26:32 > 0:26:33# A hug around the neck
0:26:33 > 0:26:35# A barrel and a heap
0:26:35 > 0:26:36# A barrel and a heap
0:26:36 > 0:26:38# And I'm talking in my sleep
0:26:38 > 0:26:40# About you. #
0:26:40 > 0:26:42CHEERING AND APPLAUSE
0:26:42 > 0:26:45Beautiful! Beautiful.
0:26:45 > 0:26:48One of my sexy numbers.
0:26:48 > 0:26:53OK, it's time to meet my musical guests tonight.
0:26:53 > 0:26:57He's the godfather of punk, with a career spanning 50 years.
0:26:57 > 0:27:00His latest album has been acclaimed as his best ever.
0:27:00 > 0:27:02He's joined by an award-winning record producer
0:27:02 > 0:27:06and front man of the rock and roll juggernaut Queens of the Stone Age.
0:27:06 > 0:27:08Please welcome Josh Homme and the great Iggy Pop.
0:27:08 > 0:27:11MUSIC: Lust For Life by Iggy Pop
0:27:11 > 0:27:13APPLAUSE
0:27:13 > 0:27:18Really nice to see you.
0:27:25 > 0:27:27If you move down a little bit.
0:27:27 > 0:27:32Everyone move down. There you go.
0:27:32 > 0:27:35- We're remaining, we're not leaving?- No, everyone stays.
0:27:35 > 0:27:41- Did you guys meet backstage before? No.- I've met Josh.
0:27:41 > 0:27:44We met out front, I was parking cars.
0:27:46 > 0:27:48I gave him my keys.
0:27:48 > 0:27:51Congratulations, guys. This album has done so well.
0:27:51 > 0:27:53Thanks.
0:27:53 > 0:27:57It's called Post Pop Depression.
0:27:57 > 0:28:00They missed me when it was over.
0:28:01 > 0:28:05It's not over yet. It's out now.
0:28:05 > 0:28:08You are doing a number from the album later on.
0:28:08 > 0:28:10- Which one are you doing? - Sunday, it's called.
0:28:10 > 0:28:13It's about, you know, being tired.
0:28:13 > 0:28:14OK!
0:28:16 > 0:28:19The two of you worked together on the album. Who contacted who?
0:28:19 > 0:28:21I texted him.
0:28:22 > 0:28:27I thought he was young and beautiful and I wanted to work with him.
0:28:27 > 0:28:28- Who wouldn't?- Thank you.
0:28:28 > 0:28:31- Hi.- Hi.
0:28:33 > 0:28:35What did you send him, you sent him a bunch of stuff.
0:28:35 > 0:28:39Later, I sent him... I wanted to wind him up a little, you know,
0:28:39 > 0:28:43make him think about me. I sent kind of a dossier.
0:28:43 > 0:28:49I sent him one thing of comedic poetry called German Trivia, like,
0:28:49 > 0:28:55"Hey, Josh, do you know what they call a dick in Germany?"
0:28:56 > 0:29:01"They call it a schwanz. Do you know what they call a womaniser?"
0:29:01 > 0:29:04They call it a schwanzdreger.
0:29:04 > 0:29:07That's like a tail-dragger, stuff like that.
0:29:10 > 0:29:13And you thought, this is the man I want to work with?
0:29:13 > 0:29:15I thought, "Ja, dis is helpful."
0:29:18 > 0:29:22Was this the same dossier where you sent your stories about chairs?
0:29:22 > 0:29:29- Poems about chairs?- Well, I was old before I had my first solid rental.
0:29:29 > 0:29:34I really didn't have any home base for most of my life.
0:29:34 > 0:29:38When I finally got some dough,
0:29:38 > 0:29:41I not only collect chairs but I go
0:29:41 > 0:29:45and sit in each one every day over and over,
0:29:45 > 0:29:47because I've got a chair!
0:29:47 > 0:29:51I have a place to park my ass.
0:29:51 > 0:29:57I have Gothic chairs, I have an old Norman chair,
0:29:57 > 0:30:03I've got Asian chairs, Indian chairs, modern chairs,
0:30:03 > 0:30:08Adirondack chairs, and at certain times I make the rounds.
0:30:08 > 0:30:09Yeah!
0:30:09 > 0:30:11- This is a nice way to live! - Yeah, yeah!
0:30:11 > 0:30:14Do you have any sofas, or is it all individual seating?
0:30:14 > 0:30:18I am married and my wife takes care of sofas.
0:30:18 > 0:30:20That's her interest.
0:30:20 > 0:30:25I wonder, in the poem, what's going to become of the chairs,
0:30:25 > 0:30:30when I'm gone, because, well, you know, this is part of life...
0:30:30 > 0:30:35- Yes, yes...- It's a poem. - Let's not dwell on that.- It's OK.
0:30:35 > 0:30:38Yeah, chairs always find a new ass.
0:30:38 > 0:30:41- Yes.- Just like me.
0:30:43 > 0:30:44Scoot over, you know.
0:30:44 > 0:30:47When you were working together, you lived together,
0:30:47 > 0:30:51but apparently your wife was worried about sending you off to live with other people.
0:30:51 > 0:30:55Well, I sleep in the nude, and I spend a lot of time in the nude.
0:30:55 > 0:30:57I live in Miami, I like to be nude.
0:30:59 > 0:31:02And she said, "Well, you can't just walk around, you are going
0:31:02 > 0:31:06to be living with these people, you need some pyjamas, you know," and...
0:31:09 > 0:31:12I like that it went from nude to pyjamas.
0:31:12 > 0:31:14Sweat pants?
0:31:14 > 0:31:17Nude to Hugh Hefner, boom!
0:31:17 > 0:31:21We were living in this little tiny, it was kind of a shack
0:31:21 > 0:31:26in the desert, and Josh's car alarm went off at 2am.
0:31:27 > 0:31:30He sleeps in his skivvies, I learned,
0:31:30 > 0:31:33because he jumped right out in his skivvies,
0:31:33 > 0:31:35and I had my pyjamas,
0:31:35 > 0:31:38and I had a robe with a shawl collar.
0:31:38 > 0:31:40LAUGHTER
0:31:40 > 0:31:43But also he had a smoke machine and doves were released.
0:31:43 > 0:31:47I'm outside, going, "Who the hell is out there, you're a dead man,"
0:31:47 > 0:31:50and I turn around and these doves fly.
0:31:50 > 0:31:54And I just got lost in it for a minute.
0:31:54 > 0:31:57Because, I don't know about you, when you see Iggy on stage,
0:31:57 > 0:32:00I always thought you came on stage and took your shirt off.
0:32:00 > 0:32:04But it's more a case of you put trousers on to go on stage.
0:32:04 > 0:32:07Yeah! That's it.
0:32:07 > 0:32:11It makes it really easy to gauge his level of excitement, though.
0:32:11 > 0:32:13LAUGHTER
0:32:16 > 0:32:19Josh, you have brought us a picture of Iggy backstage
0:32:19 > 0:32:21with the rest of the band.
0:32:21 > 0:32:23Well, I think in the spirit of celebration,
0:32:23 > 0:32:27and the sort of, like, to get across what it's like.
0:32:27 > 0:32:30And also, this was after our first gig,
0:32:30 > 0:32:33when we finished our first gig and I thought we should come together
0:32:33 > 0:32:35and just have a toast, you know?
0:32:35 > 0:32:39- So, this was right after the gig... - He's unaware of the photo.
0:32:39 > 0:32:43This is going to be really cool, I thought.
0:32:43 > 0:32:47Here is Iggy Pop and the rest of the band post-perf.
0:32:49 > 0:32:51- Classy.- It's a beautiful picture.
0:32:51 > 0:32:54APPLAUSE
0:32:54 > 0:32:55Beautiful, very good.
0:32:55 > 0:32:58Listen, I know you are going to perform for us,
0:32:58 > 0:33:01so if you guys want to go and join the rest of the band.
0:33:01 > 0:33:02Iggy and Josh, everybody.
0:33:02 > 0:33:04CHEERING
0:33:08 > 0:33:11Shove back up, shove back up.
0:33:13 > 0:33:17Shortly, we will have our last visit of the series to the big red chair,
0:33:17 > 0:33:21but first, performing the current single, Sunday, it's Iggy Pop!
0:33:21 > 0:33:24APPLAUSE
0:33:53 > 0:33:58# This house is as slick as a senator's statement
0:34:01 > 0:34:06# This job is a masquerade of recreation
0:34:09 > 0:34:12# Like a wreck
0:34:12 > 0:34:15# I'm sinking fast
0:34:17 > 0:34:20# The key to everything
0:34:20 > 0:34:23# I crawl for Sunday
0:34:23 > 0:34:27# When I don't have to move
0:34:27 > 0:34:32# Caught up in dreams untangled one day
0:34:32 > 0:34:35# When I don't have to prove
0:34:35 > 0:34:37# The days roll on
0:34:37 > 0:34:40# And finally, Sunday
0:34:40 > 0:34:43# A Sunday afternoon
0:34:43 > 0:34:45# I've got it all
0:34:45 > 0:34:48# But what's it for
0:34:50 > 0:34:53# But getting some more?
0:34:56 > 0:35:00# Always ready, always steady now
0:35:00 > 0:35:04# Always ready, always steady now
0:35:12 > 0:35:18# This street is as cold as a corporate lawsuit
0:35:21 > 0:35:27# A pride I won't chide's telling me to wipe my boot
0:35:29 > 0:35:31# I'm a wreck
0:35:33 > 0:35:36# So what did you expect?
0:35:38 > 0:35:40# The key to everything
0:35:40 > 0:35:43# I crawl for Sunday
0:35:43 > 0:35:47# When I don't have to move
0:35:47 > 0:35:51# Wrapped up in dreams untangled one day
0:35:51 > 0:35:55# When I don't have to prove
0:35:55 > 0:35:57# The days roll on
0:35:57 > 0:36:00# And finally, Sunday
0:36:00 > 0:36:04# A Sunday afternoon
0:36:04 > 0:36:06# I've got it all
0:36:06 > 0:36:08# And so what now?
0:36:12 > 0:36:15Come on, girls!
0:36:16 > 0:36:19# Do what they say and endure what they say
0:36:19 > 0:36:20# Go back
0:36:20 > 0:36:23# Do what they say and endure what they say
0:36:23 > 0:36:24# Go back
0:36:24 > 0:36:30# Do what they say and endure what they say till Sunday
0:36:30 > 0:36:33# Until I'm black and blue
0:36:35 > 0:36:38# Hey, what can I do
0:36:38 > 0:36:40# Always ready, always steady now
0:36:40 > 0:36:45# Always ready, always steady now. #
0:36:50 > 0:36:53CHEERING AND APPLAUSE
0:36:53 > 0:36:56Wow! Wowza!
0:36:59 > 0:37:01Iggy Pop, everybody!
0:37:02 > 0:37:07Fantastic job! Come back and join us, do, come back and join us.
0:37:07 > 0:37:11Well done. That's amazing.
0:37:11 > 0:37:13Amazing, Iggy. Really, really fabulous.
0:37:13 > 0:37:17Josh Homme, that was fabulous, have a seat at the end.
0:37:17 > 0:37:19Just sit in there.
0:37:19 > 0:37:22Fabulous.
0:37:22 > 0:37:25And also we should do a special shout out,
0:37:25 > 0:37:28because is it Matt, the drummer?
0:37:28 > 0:37:32Matt Helders. Because he is from the Arctic Monkeys, hello. Hi.
0:37:32 > 0:37:34CHEERING
0:37:34 > 0:37:39But more than that, you have not quit your honeymoon,
0:37:39 > 0:37:42but you have shortened your honeymoon for this?
0:37:42 > 0:37:44- Yeah, I put it on hold.- On hold!
0:37:44 > 0:37:47- Please pause.- "Please hold, honey."
0:37:47 > 0:37:52- Thank you very much. - She is here in the studio.
0:37:52 > 0:37:54Well, she's not waiting long, is she?
0:37:54 > 0:37:57- Literally the three minutes for the song.- She's on hold.
0:37:57 > 0:37:59Yeah!
0:37:59 > 0:38:02By the way, that single is out now, and the album is out, as well.
0:38:02 > 0:38:04Just fantastic, thank you so much. Thank you.
0:38:04 > 0:38:06And that wall of sound is just fantastic.
0:38:06 > 0:38:09- Really, really, really good.- Really great.- They were all bopping along.
0:38:09 > 0:38:13If I could say, too, I'm such... Absolutely Fabulous really confirmed
0:38:13 > 0:38:16that I should drink and smoke more, and I just want to say thanks.
0:38:16 > 0:38:17Yeah!
0:38:17 > 0:38:19CHEERING
0:38:19 > 0:38:23- Thank you. - What a lovely thing.
0:38:23 > 0:38:25Surprised they were so well-behaved,
0:38:25 > 0:38:29I don't think I have ever seen you properly behaved.
0:38:29 > 0:38:31The night is young, Iggy.
0:38:31 > 0:38:35All right, that's near the end, but before we go,
0:38:35 > 0:38:38let's have a story or two from the big red chair, who's there?
0:38:38 > 0:38:40- Hello, sir.- Hello.
0:38:40 > 0:38:42- What's your name?- Dougie.
0:38:42 > 0:38:45LAUGHTER
0:38:45 > 0:38:46No, don't.
0:38:46 > 0:38:49It's been the end of a long series.
0:38:49 > 0:38:50Where are you from, Dougie?
0:38:50 > 0:38:52I'm from the United States.
0:38:52 > 0:38:54- OK, and whereabouts?- Boston.
0:38:54 > 0:38:57- Boston, and do you live here? - Yes, 16 years.
0:38:57 > 0:39:01OK, those borders are really closed, aren't they?
0:39:01 > 0:39:02LAUGHTER
0:39:02 > 0:39:04Immigration.
0:39:04 > 0:39:06I want our country back.
0:39:09 > 0:39:12OK, Dougie, off you go with your story.
0:39:12 > 0:39:15- I have a story about Patsy and Eddie.- Oh, yes.
0:39:15 > 0:39:18Yes, takes us back to 1995,
0:39:18 > 0:39:21a charity event at the Royal Albert Hall.
0:39:21 > 0:39:26Jennifer Saunders came out on stage, looking very panicked
0:39:26 > 0:39:28because she couldn't find her speech.
0:39:28 > 0:39:32And suddenly the spotlight was on up in the tiers
0:39:32 > 0:39:33of the Royal Albert Hall
0:39:33 > 0:39:37and there was Patsy with a bottle of Stolichnaya...
0:39:37 > 0:39:40LAUGHTER
0:39:40 > 0:39:44- That's not a story, that's what happened.- That's not a story.
0:39:46 > 0:39:50That's what happened, I made that up!
0:39:50 > 0:39:52That's my story.
0:39:52 > 0:39:54I remember that.
0:39:54 > 0:39:56He's been here for 16 years.
0:39:56 > 0:39:59Did he think I actually had lost the speech? Honestly.
0:39:59 > 0:40:02Shall we try another one? Let's try another one.
0:40:02 > 0:40:05- I have high hopes for this one. - Yeah, don't have a Dougie.
0:40:05 > 0:40:08- What's your name? Hello. - Hi. Alejandro.
0:40:08 > 0:40:11- Alejandro?- Yeah.- Where are you from, Alejandro?
0:40:11 > 0:40:14- Spain, South Spain.- OK.
0:40:14 > 0:40:17Have we planned this for tonight?
0:40:20 > 0:40:24God forbid a British person to sit in this chair.
0:40:24 > 0:40:27LAUGHTER AND APPLAUSE
0:40:27 > 0:40:32I swear, we haven't planned this, we haven't.
0:40:32 > 0:40:36Alejandro, you are very welcome in our land.
0:40:36 > 0:40:40- How long have you been here, Alejandro?- Three years now.
0:40:40 > 0:40:43Three years, yeah, good on you, Alejandro. Do you have a job at all?
0:40:43 > 0:40:46Yes, I do, I work as a barista in a coffee shop.
0:40:46 > 0:40:50Yes, he does that.
0:40:50 > 0:40:54- A beard shop, what is that?- No, a coffee shop.
0:40:54 > 0:40:57- He does something in a coffee shop. - A barista.
0:40:57 > 0:41:01He's a barista, he's a barista in a coffee shop! Yes!
0:41:01 > 0:41:04We couldn't hear it because of your beard.
0:41:04 > 0:41:06LAUGHTER
0:41:06 > 0:41:08That's it, that's much better.
0:41:08 > 0:41:10Do you have to wear one of those funny hairnets on your beard?
0:41:10 > 0:41:14No, I don't. I fight really hard not to wear that.
0:41:14 > 0:41:17Yeah, well done, you. Yes, stupid EU regulations.
0:41:17 > 0:41:22LAUGHTER
0:41:22 > 0:41:25So, off you go. Was it Alejandro?
0:41:25 > 0:41:28Alejandro. Off you go.
0:41:28 > 0:41:32I was dating this guy, like three months ago.
0:41:32 > 0:41:38After two weeks dating him, I stayed for the first time at his place.
0:41:38 > 0:41:44And he bought me dinner, he bought me this lovely Oreo ice cream,
0:41:44 > 0:41:47I love ice cream, I love Oreos, and...
0:41:47 > 0:41:49LAUGHTER
0:41:49 > 0:41:52It was the first time I had to go to work from his place.
0:41:52 > 0:41:56I worked really early morning, 5am, I had to get up at 3:30am,
0:41:56 > 0:41:59I had to leave his place at 4.
0:41:59 > 0:42:02I am lactose intolerant, I have a huge problem with that.
0:42:04 > 0:42:09I sneak out his place, I locked the door,
0:42:09 > 0:42:11it automatically locked after me,
0:42:11 > 0:42:16and when I was walking down the stairs I felt like I needed like...
0:42:16 > 0:42:18a little fart,
0:42:18 > 0:42:20just a tiny bit,
0:42:20 > 0:42:26and I couldn't control it, and I literally shit my pants.
0:42:26 > 0:42:28LAUGHTER
0:42:28 > 0:42:30I literally shit my pants.
0:42:30 > 0:42:34He didn't know I was lactose intolerant,
0:42:34 > 0:42:36I didn't want to be rude.
0:42:36 > 0:42:40I ate half a jar of the ice cream, of course.
0:42:40 > 0:42:43- So I didn't know what to do. - Wait, there's more to this story?
0:42:43 > 0:42:46Yeah, of course, I wasn't going to call him
0:42:46 > 0:42:49because it was 4am, he wasn't going to pick up.
0:42:49 > 0:42:53So I had to walk 20 minutes, after getting my bus to go to work,
0:42:53 > 0:42:56and when I get the bus...
0:42:56 > 0:42:57This story has turned.
0:42:57 > 0:42:59I met my co-worker...
0:42:59 > 0:43:02- Pull that knob, Graham...- No... - I want to know what happens.
0:43:02 > 0:43:05You were on the bus, in your shitty pants,
0:43:05 > 0:43:06you bump into a co-worker...
0:43:06 > 0:43:09Yeah, and after a 30 minute journey on the bus,
0:43:09 > 0:43:13she said something like, "Oh, doesn't this bus smell like shit?"
0:43:13 > 0:43:15LAUGHTER
0:43:15 > 0:43:17And I was really embarrassed.
0:43:17 > 0:43:19- Wait, is that the end of the story? - Basically.
0:43:19 > 0:43:21Oh, for God's sake!
0:43:21 > 0:43:23APPLAUSE
0:43:23 > 0:43:25Well done, everyone.
0:43:25 > 0:43:28If you would like to join us on the show and have a go on the red chair,
0:43:28 > 0:43:30contact us via our website at this very address.
0:43:30 > 0:43:33That is it for tonight.
0:43:33 > 0:43:37Please say a huge thank you to my guests, Josh Homme!
0:43:37 > 0:43:40Iggy Pop, everybody!
0:43:40 > 0:43:43Rebel Wilson!
0:43:43 > 0:43:45Joanna Lumley!
0:43:45 > 0:43:47And Jennifer Saunders!
0:43:49 > 0:43:52We're done for this run, the series is over,
0:43:52 > 0:43:54but do join us next week for a look back
0:43:54 > 0:43:56at some of the highlights of the series.
0:43:56 > 0:43:58There were some. We'll be back in the autumn.
0:43:58 > 0:44:02Until then, have a fantastic summer. Goodnight, everybody, bye-bye!
0:44:02 > 0:44:05APPLAUSE