0:00:02 > 0:00:03Hello, I'm Jodie Foster and I'm so pleased
0:00:03 > 0:00:05to be on the Graham Norton Show tonight.
0:00:05 > 0:00:10And I just hope that they don't do some lame Silence Of The Lambs bit.
0:00:10 > 0:00:13LAUGHTER
0:00:13 > 0:00:15LAUGHTER AND APPLAUSE
0:00:15 > 0:00:18All right, let's start the show!
0:00:23 > 0:00:30This programme contains some strong language.
0:00:34 > 0:00:38Oh! Oh! Oh!
0:00:38 > 0:00:40Oh!
0:00:40 > 0:00:42This is it, ladies and gentlemen!
0:00:42 > 0:00:44This is it!
0:00:44 > 0:00:46Welcome, all. It's Friday night!
0:00:46 > 0:00:48Oh!
0:00:50 > 0:00:54Oh, what a week. I've just got back from Eurovision.
0:00:54 > 0:00:56Yay!
0:00:56 > 0:00:58Looks like next year I get to go to Ukraine!
0:00:58 > 0:01:00Yay...
0:01:00 > 0:01:02LAUGHTER
0:01:02 > 0:01:03Russia didn't win.
0:01:03 > 0:01:06No! I think Vladimir Putin was OK with that.
0:01:06 > 0:01:08Here he is chatting to the judges afterwards.
0:01:08 > 0:01:10LAUGHTER
0:01:10 > 0:01:13Now, we have a packed show for you tonight.
0:01:13 > 0:01:15Really, really packed.
0:01:15 > 0:01:18Not just Jodie Foster, a host of stars of film, comedy and music.
0:01:18 > 0:01:22And joining us later is Olympic diving star Tom Daley.
0:01:22 > 0:01:24- Woo!- Yes! He's here, as well.
0:01:24 > 0:01:27Tom's preparing for the Rio Olympics.
0:01:27 > 0:01:29Not long now until the Olympics -
0:01:29 > 0:01:32the two weeks every four years where we all pretend to like cycling.
0:01:32 > 0:01:33Yeah.
0:01:33 > 0:01:38Lot of fears that the water used for the Olympic events will be polluted.
0:01:38 > 0:01:39But just to reassure Tom,
0:01:39 > 0:01:42the Olympic pool has already been tested.
0:01:42 > 0:01:44Perfect! Let's get some guests on!
0:01:44 > 0:01:47CHEERING AND APPLAUSE
0:01:47 > 0:01:49Later, we'll have music from Bright Light Bright Light
0:01:49 > 0:01:51featuring Sir Elton John.
0:01:51 > 0:01:54But first, he's a giant of UK comedy who's made us laugh
0:01:54 > 0:01:57since his breakout role as Mr Gilbert in The Inbetweeners.
0:01:57 > 0:01:59Now returning in the hit series Man Down,
0:01:59 > 0:02:01it's the hilarious Greg Davies.
0:02:01 > 0:02:04CHEERING AND APPLAUSE
0:02:05 > 0:02:08- Hello, how are you? Lovely to see you.- How are you doing?
0:02:08 > 0:02:09Lovely to see you. Have a seat.
0:02:09 > 0:02:11- What am I doing here?- I know!
0:02:11 > 0:02:15This Hollywood star has been breaking hearts in hit films
0:02:15 > 0:02:18from The Notebook to Drive and Crazy Stupid Love.
0:02:18 > 0:02:20Now he's getting rave reviews
0:02:20 > 0:02:22in the new '70s crime comedy The Nice Guys,
0:02:22 > 0:02:24it's Ryan Gosling.
0:02:24 > 0:02:28SCREECHING AND APPLAUSE
0:02:28 > 0:02:30Lovely to meet you. Come in, sit down.
0:02:30 > 0:02:31Ryan Gosling, everyone!
0:02:33 > 0:02:36Starring with Ryan in The Nice Guys,
0:02:36 > 0:02:38this Hollywood Oscar-winner has wowed us in blockbusters
0:02:38 > 0:02:41like Les Mis, A Beautiful Mind, Robin Hood and Gladiator.
0:02:41 > 0:02:44Welcome back the great Russell Crowe.
0:02:44 > 0:02:47CHEERING AND APPLAUSE
0:02:47 > 0:02:52Hello, sir. Really nice to see you. Thank you so much for coming back.
0:02:52 > 0:02:54Russell Crowe!
0:02:54 > 0:02:56And this double Oscar-winning actress
0:02:56 > 0:02:59has been in the movie business for over 50 years
0:02:59 > 0:03:01and starred in films like Taxi Driver,
0:03:01 > 0:03:02The Accused and Silence of the Lambs.
0:03:02 > 0:03:05Now she's directed George Clooney and Julia Roberts in Money Monster.
0:03:05 > 0:03:07Please welcome, for the first time to the show,
0:03:07 > 0:03:09Jodie Foster, everybody!
0:03:09 > 0:03:13CHEERING AND APPLAUSE
0:03:13 > 0:03:15Hello. Thank you so much.
0:03:15 > 0:03:19Come in. Sit down, everybody. Sit down!
0:03:19 > 0:03:20Oh!
0:03:21 > 0:03:24Welcome, all. Welcome, all.
0:03:24 > 0:03:25Ryan, you've never been here before.
0:03:25 > 0:03:27- Jodie's never been here before. - That's right.
0:03:27 > 0:03:31Russell, have you been poisoning their minds about the show?
0:03:31 > 0:03:33No, I thought I'd leave the virgins to you, Graham!
0:03:33 > 0:03:36- Thank you, Russell.- No problem.
0:03:36 > 0:03:41What I liked, Graham, is when Ryan sat down, he undid his button.
0:03:41 > 0:03:42I can't actually do mine up!
0:03:46 > 0:03:48- You may do by the end of the show. - That's true.
0:03:48 > 0:03:52I am starting to sweat, Jodie. You're right.
0:03:52 > 0:03:54Now, Ryan and Russell, you've been...
0:03:54 > 0:03:56Is this the end of your publicity tour?
0:03:56 > 0:03:57Thank God. Yeah.
0:03:57 > 0:03:59- LAUGHTER - We've got a couple of cities to go.
0:03:59 > 0:04:01Oh, you still? OK.
0:04:01 > 0:04:04I've been having a great time on this press tour. Yeah.
0:04:04 > 0:04:07Because Ryan attracts a lot of young women.
0:04:07 > 0:04:08- AUDIENCE:- Woo!
0:04:08 > 0:04:11But he's in a committed relationship so, you know...
0:04:11 > 0:04:13LAUGHTER
0:04:13 > 0:04:17If they need a shoulder to cry on, they need a father figure.
0:04:19 > 0:04:20I'm just glad Jodie's here, honestly,
0:04:20 > 0:04:24cos we need a little feminine energy up in this situation.
0:04:24 > 0:04:26It's been my job to provide that and I don't...
0:04:26 > 0:04:31You know, I've been doing my best, but the well only goes so deep.
0:04:31 > 0:04:34We've been through therapy, it's been a long run.
0:04:34 > 0:04:36But we're doing all right now, aren't we, pal?
0:04:36 > 0:04:38Can I touch you? Sorry.
0:04:40 > 0:04:42Russell doesn't like direct eye contact.
0:04:42 > 0:04:44He takes it as a sign of aggression.
0:04:44 > 0:04:47LAUGHTER
0:04:47 > 0:04:50Jodie and Russell, you haven't worked together,
0:04:50 > 0:04:51but you nearly worked together?
0:04:52 > 0:04:55No, I asked Jodie to be my date at the Golden Globes.
0:04:55 > 0:04:57I'd never been to the Golden Globes before
0:04:57 > 0:04:59and I wanted... You know, I was talking to her
0:04:59 > 0:05:01and it came up and I said, "Do you want to be my date?"
0:05:01 > 0:05:03And she very kindly said yes.
0:05:03 > 0:05:05So I arrived in Los Angeles to my hotel
0:05:05 > 0:05:08and I go into the hotel room and it was a fancy penthouse.
0:05:08 > 0:05:11I was kind of like, "Whoa! Things have changed!"
0:05:11 > 0:05:15I walk in, I go into the bathroom and it had a big, round spa tub
0:05:15 > 0:05:20and the entire tub was full of Fosters beer cans and...
0:05:22 > 0:05:24It was like 120 cans or something to fill up the tub
0:05:24 > 0:05:26and I just thought that was the sweetest present.
0:05:26 > 0:05:27That's a good gift!
0:05:27 > 0:05:29I didn't want him to forget me!
0:05:29 > 0:05:31Greg, you mustn't be left out
0:05:31 > 0:05:33because we go to glamorous things, too.
0:05:33 > 0:05:36- Don't we?- Only recently we were at a BBC party.
0:05:36 > 0:05:41- We shared that glass of wine. It was fun.- Yeah. Between us!
0:05:43 > 0:05:45And we met that lovely lady.
0:05:45 > 0:05:47Oh...
0:05:47 > 0:05:49I'm surprised you're bringing that lady up.
0:05:49 > 0:05:51Are we allowed to bring that lady up?
0:05:51 > 0:05:54- Well, you tell me. It's your show. - It happened to you, not me.
0:05:54 > 0:05:56So, you tell them.
0:05:56 > 0:05:58W-w-what bit of it...?
0:05:58 > 0:06:00OK, so this lady came up to us.
0:06:00 > 0:06:03We were at a BBC party, she came up to the two... We were chatting.
0:06:03 > 0:06:06Sharing our wine with straws and she went,
0:06:06 > 0:06:08"I do disability at the BBC,"
0:06:08 > 0:06:10whatever that means.
0:06:10 > 0:06:13And then she looked at him and what did she say to you?
0:06:13 > 0:06:15She said that I qualify.
0:06:15 > 0:06:19LAUGHTER AND APPLAUSE
0:06:19 > 0:06:22It was the height thing. Not the...
0:06:26 > 0:06:28- What a charmer.- Do you know what, Graham?
0:06:28 > 0:06:32Since we had that meeting when the lady told me that I was technically,
0:06:32 > 0:06:35as far as the BBC is concerned, disabled,
0:06:35 > 0:06:38I've had a member of a council, I won't name where,
0:06:38 > 0:06:41tell me I could get a parking badge.
0:06:41 > 0:06:46LAUGHTER
0:06:46 > 0:06:49The rest of the couch is so jealous right now.
0:06:49 > 0:06:50"Parking badge?"
0:06:50 > 0:06:52Up top.
0:06:52 > 0:06:53Thanks for that!
0:06:53 > 0:06:57LAUGHTER AND APPLAUSE
0:06:57 > 0:07:02I won't forget the day that Ryan Gosling high-fived me
0:07:02 > 0:07:05because I'm officially disabled.
0:07:05 > 0:07:09LAUGHTER
0:07:09 > 0:07:12Oh, dear. Now, it's great to have you here.
0:07:12 > 0:07:14It's great to have you back in our lives, Jodie.
0:07:14 > 0:07:18And you're back directing a big crowd-pleasing thriller,
0:07:18 > 0:07:20Money Monster. It open next Friday, May 27th.
0:07:20 > 0:07:24It's a film essentially about the modern financial world
0:07:24 > 0:07:26and how it affects people.
0:07:26 > 0:07:29Yes, the backdrop is the financial world
0:07:29 > 0:07:32and also the world of high-speed technology that we live in
0:07:32 > 0:07:34and also the world of broadcast
0:07:34 > 0:07:37live television.
0:07:37 > 0:07:39It's about a young man who has lost everything,
0:07:39 > 0:07:43was given a tip by this broadcasting guy, by this presenter.
0:07:43 > 0:07:47And he loses all of his money in one day, in nine minutes,
0:07:47 > 0:07:51and he comes on the show and has a bomb and a gun and says,
0:07:51 > 0:07:52"Tell me where my money went."
0:07:52 > 0:07:55And what an... Like, it is amazing. Julia Roberts and George Clooney.
0:07:55 > 0:07:58- I mean, there's no messing. - Yeah, amazing, the two of them.
0:07:58 > 0:08:00They have a real history, a real interesting dynamic together.
0:08:00 > 0:08:02A little bit of magic.
0:08:02 > 0:08:07And he... They're mostly virtually on-screen together
0:08:07 > 0:08:09because she speaks in his earpiece
0:08:09 > 0:08:14and he looks down the barrel of the camera to see her in the monitor.
0:08:14 > 0:08:18And, strangely, they feel closer than they ever have in a movie.
0:08:18 > 0:08:20Listen, we've got a clip from Money Monster.
0:08:20 > 0:08:23This is... I was saying, this is such a good clip.
0:08:23 > 0:08:26- It's Julia Roberts' character, she's the producer.- Yes.
0:08:26 > 0:08:31Warning George Clooney that the plot to end the siege
0:08:31 > 0:08:33is getting quite serious.
0:08:33 > 0:08:36Benson, let me know when the control room is ready.
0:08:36 > 0:08:38This is Eagle 1. Target is in position.
0:08:38 > 0:08:41Where did everybody go?
0:08:43 > 0:08:44Where did they go?
0:08:47 > 0:08:50Dammit!
0:08:50 > 0:08:52I knew that this would happen!
0:08:52 > 0:08:55- Do you have a clean shot?- I don't.
0:08:55 > 0:08:58Lee, look at me.
0:08:58 > 0:09:00Don't look up, look at me.
0:09:00 > 0:09:04There is a sniper on the catwalk, at your one o'clock.
0:09:04 > 0:09:06Where did they go?
0:09:06 > 0:09:09There is a receiver on your vest.
0:09:09 > 0:09:12If he shoots it out, it disables the trigger.
0:09:12 > 0:09:15- Get out of there right now! - Come on.- Got a shot?
0:09:15 > 0:09:17- Are you green or red?- Green.
0:09:17 > 0:09:19Take the shot!
0:09:19 > 0:09:21GUNSHOT
0:09:21 > 0:09:22That's good.
0:09:22 > 0:09:24INAUDIBLE SPEECH
0:09:24 > 0:09:25Are you OK?
0:09:28 > 0:09:31That is a good clip, right?
0:09:31 > 0:09:33You want to see that film, that is great.
0:09:33 > 0:09:35Maybe they'd show a clip of ours after that.
0:09:37 > 0:09:38No, yours is a good clip, too.
0:09:38 > 0:09:40You'll be pleased. You'll be pleased.
0:09:40 > 0:09:42- Two good films.- How's my clip?
0:09:43 > 0:09:45- Actually, yours is good too!- Yeah?
0:09:45 > 0:09:47- Yes! Three good clips.- Thanks.
0:09:48 > 0:09:50And I did the stunts in mine, boys, so...
0:09:50 > 0:09:53Now, in this movie, you're directing people like Julia Roberts
0:09:53 > 0:09:55and, you know, George Clooney,
0:09:55 > 0:09:58- who's been Oscar-nominated as a director himself.- Yes.- Do you...?
0:09:58 > 0:10:02Can you direct those people or do you just go, "That was excellent, well done?"
0:10:02 > 0:10:06No, I don't think there is anybody better to work with
0:10:06 > 0:10:08than an actor who has directed before.
0:10:08 > 0:10:11They know where the excisions are, they know what the problems are going to be,
0:10:11 > 0:10:14they want to work with the camera, they love the camera. And, um...
0:10:14 > 0:10:16They are excited to do it less times.
0:10:16 > 0:10:20I think the nice thing about actors that are experienced is they
0:10:20 > 0:10:22want to get it right so they can do it as few times as possible.
0:10:22 > 0:10:25Cos your first scene with George Clooney was sort of...
0:10:25 > 0:10:28I mean, did you know him well when you were directing the first scene?
0:10:28 > 0:10:31I didn't know him at all, no, and it was his first day of shooting and...
0:10:31 > 0:10:32He had a good attitude about it.
0:10:32 > 0:10:36His first scene, we're above him and he's just sitting on a toilet. Yeah.
0:10:36 > 0:10:40With his pants down, his underwear and his ankles.
0:10:40 > 0:10:43And, uh... He was into it. I don't really know why, but he was.
0:10:43 > 0:10:45LAUGHTER
0:10:45 > 0:10:47- But do you direct...? - You know George.
0:10:47 > 0:10:51I'm sure you have some wisdom about why he would like that. I have no idea.
0:10:51 > 0:10:52RYAN CLEARS THROAT
0:10:53 > 0:10:57But Ryan, you have worked with him and wasn't there a thing where
0:10:57 > 0:11:00he would come up and give you notes, like, really serious notes?
0:11:00 > 0:11:03Yeah, and then he would just throw water on my crotch.
0:11:05 > 0:11:09I mean, I think it was a practical joke, although it might have just been an accident.
0:11:09 > 0:11:11- I'm going to take it as a practical joke.- Did he do it every day?
0:11:11 > 0:11:14- What's that?- Did he throw water on your crotch everyday?
0:11:14 > 0:11:17I'm going to take a pass on that one.
0:11:17 > 0:11:18LAUGHTER
0:11:18 > 0:11:20Talking of pranking, Russell Crowe,
0:11:20 > 0:11:23what was the thing with Michael Jackson?
0:11:23 > 0:11:25- This is such an odd story.- What?
0:11:26 > 0:11:29Oh, he just got into the habit of wherever I was staying,
0:11:29 > 0:11:33he'd just call the hotel and ask for my room and put on funny voices.
0:11:33 > 0:11:35And... I'd actually... Yeah, I know.
0:11:35 > 0:11:37And... I didn't...I'd never met him, you know?
0:11:37 > 0:11:39LAUGHTER
0:11:39 > 0:11:42And the thing is, the first couple of people that I said it to,
0:11:42 > 0:11:45I was like...I didn't want to sound like I was insane, right? But...
0:11:45 > 0:11:48"Michael, you know, prank-called me today."
0:11:49 > 0:11:54But when I started talking to people who knew him well, they go, "Man, he does it all the time."
0:11:54 > 0:11:57But it was like, yeah... I used to do that when I was, like, 11 and 12.
0:11:58 > 0:12:01I used to pretend I was a radio announcer and, like,
0:12:01 > 0:12:03give people prizes on the phone.
0:12:03 > 0:12:06Trips to Fiji and all that sort of stuff. They would get so excited. You know?
0:12:06 > 0:12:08And then I would just hang up and go,
0:12:08 > 0:12:11"Well, that was a good job well done. I've made that person's day."
0:12:11 > 0:12:14- But, yeah...- Who did Michael Jackson pretend to be?
0:12:14 > 0:12:19He would...always start off being, kind of, gruff like he was the hotel management
0:12:19 > 0:12:21and there was some kind of problem, you know?
0:12:21 > 0:12:25I have to say that's less surprising than saying you're Michael Jackson.
0:12:25 > 0:12:28Then if I got kind of irritated, he'd go, "Oh...
0:12:30 > 0:12:32- IMPERSONATION:- Don't worry, Russ, it's only Michael.
0:12:32 > 0:12:34LAUGHTER
0:12:34 > 0:12:37APPLAUSE
0:12:37 > 0:12:39That's bizarre!
0:12:40 > 0:12:42And did you ever meet him?
0:12:42 > 0:12:43Never.
0:12:44 > 0:12:46- No, he...- Are we sure it was Michael Jackson?
0:12:46 > 0:12:50- A double prank.- Are you sure it wasn't George Clooney?
0:12:50 > 0:12:51- Cos that's the kind of thing he does.- Is it?
0:12:51 > 0:12:54- It could have been George. - No, it was Michael.
0:12:54 > 0:12:57Every time I hear... I get this flashback every time I hear Russell speak.
0:12:57 > 0:13:00I once almost drowned, Graham.
0:13:00 > 0:13:03And I was swimming and I got swept out to sea in Cornwall.
0:13:05 > 0:13:06And I realised I was struggling.
0:13:06 > 0:13:08There was a surfer and I called over to the surfer,
0:13:08 > 0:13:10"I'm really struggling here, mate."
0:13:10 > 0:13:12- And the surfer went... - BABBLES
0:13:12 > 0:13:14And I realised he was drowning too.
0:13:15 > 0:13:18So, in the end, I was on, like, a boogie board.
0:13:18 > 0:13:21In the end I had to ride a wave to a cliff.
0:13:22 > 0:13:24And cling onto the cliff and it was really jagged
0:13:24 > 0:13:26and I really cut my hands.
0:13:26 > 0:13:28And I sort of climbed off the cliff and I thought, "Oh, my God."
0:13:28 > 0:13:30And the waves were... It was awful.
0:13:30 > 0:13:35And then I saw this lifeguard coming out on, like, a canoe.
0:13:35 > 0:13:37He was really powerful and he turned out to be Australian.
0:13:37 > 0:13:39And I thought, "Oh, thank God!"
0:13:39 > 0:13:43There was literally blood, and I thought, "Thank God, I'm saved. I'm saved."
0:13:43 > 0:13:46And he came right up to me and turned round and he went,
0:13:46 > 0:13:47"Oi, mate. Stop fucking around."
0:13:47 > 0:13:49LAUGHTER
0:13:49 > 0:13:51APPLAUSE
0:13:53 > 0:13:54Was it... Was it him?
0:13:56 > 0:13:57Was it Russell Crowe?
0:13:57 > 0:13:59It could have been him.
0:13:59 > 0:14:01- That's something he would say. - Well...
0:14:01 > 0:14:03It's definitely something I would say.
0:14:03 > 0:14:05LAUGHTER
0:14:06 > 0:14:08Now, The Nice Guys, The Nice Guys.
0:14:08 > 0:14:12A really funny, really funny kind of crime comedy set in the '70s.
0:14:12 > 0:14:17It opens here on 3rd June, so, Russell, Ryan, tell us
0:14:17 > 0:14:19who are you in it? What happens?
0:14:21 > 0:14:23You're so good at this.
0:14:23 > 0:14:25- At what? Making you answer the questions?- Yeah.
0:14:27 > 0:14:29It's hard following that.
0:14:29 > 0:14:31Money Monster.
0:14:31 > 0:14:34But, you know, our film is, you know, it's...
0:14:34 > 0:14:36It's a detective film in the '70s.
0:14:36 > 0:14:39- It's, um, got... We've got a lot going on.- Yeah.
0:14:39 > 0:14:42We've got mermaids, we've got talking bees.
0:14:42 > 0:14:43You know, you don't got that.
0:14:45 > 0:14:47Richard Nixon makes a cameo.
0:14:47 > 0:14:50- I thought you said I was going to tell the story.- Sorry. - LAUGHTER
0:14:50 > 0:14:52Come on, now. You were Best Couple.
0:14:52 > 0:14:55- You were very clear about me telling the story and then... - You're Best Couple.
0:14:55 > 0:14:56I've learnt a lot from Russell.
0:14:56 > 0:14:59You know, he's taught me to ignore all my instincts, which is good.
0:14:59 > 0:15:00LAUGHTER
0:15:02 > 0:15:05Look, it's Shane Black, so, you know, I grew up on Shane's movies,
0:15:05 > 0:15:08The Monster Squad being the first movie I probably ever quoted.
0:15:08 > 0:15:10And then, you know, Joel Silver produced it
0:15:10 > 0:15:13and so it's all of these, you know, all the Lethal Weapons
0:15:13 > 0:15:16and, uh...Xanadu too. So...
0:15:16 > 0:15:19- Legend.- And in these...
0:15:19 > 0:15:22In a buddy movie, like...
0:15:22 > 0:15:23Were you friends before this film?
0:15:24 > 0:15:26We'd... We met.
0:15:27 > 0:15:28We had a conversation.
0:15:28 > 0:15:30I was in this, sort of...
0:15:30 > 0:15:34You know, I've seen a few of his movies in a row and I thought...
0:15:36 > 0:15:39I thought he was something special, so I called him up about a project, you know?
0:15:39 > 0:15:41And...
0:15:41 > 0:15:45I kind of said, "Look, you know, can we maybe meet and have some dinner?
0:15:45 > 0:15:48"Me and the wife, you and your girl and, you know,
0:15:48 > 0:15:51"just an intimate, little thing." And he said, "Yeah, cool."
0:15:51 > 0:15:54We set a time and a date, so I told the ex-wife, you know,
0:15:54 > 0:15:55that's what we're going to do.
0:15:55 > 0:15:58On this date, you know. She didn't really say that much, you know.
0:15:58 > 0:16:01When it came round to the day, I said, "I'll remind you, eight o'clock tonight,
0:16:01 > 0:16:04"we're having dinner with Ryan and Eva", you know?
0:16:04 > 0:16:07And she goes, "Yeah, yeah, cos I've invited this, this,"
0:16:07 > 0:16:09and she started listed all her girlfriends that she'd invited.
0:16:09 > 0:16:11"No, no..." And her mum.
0:16:13 > 0:16:16"No, this is supposed to be this small, little, intimate thing.
0:16:16 > 0:16:17She goes, "Oh, he won't mind."
0:16:17 > 0:16:21It's like, "You've got like a dozen girlfriends and your mother coming. He's going to notice!"
0:16:23 > 0:16:25So, I started trying to even the table up,
0:16:25 > 0:16:27and I'm getting on the phone and calling all these blokes, so,
0:16:27 > 0:16:31by the time he arrives for an intimate dinner for four, there's 30 people there.
0:16:31 > 0:16:33I couldn't tell him. I couldn't just, you know,
0:16:33 > 0:16:36because you've got to be, you know, be loyal to your spouse, you know?
0:16:36 > 0:16:39Now that I'm separated, I can just tell the story.
0:16:39 > 0:16:41LAUGHTER
0:16:42 > 0:16:45Yeah, so, that was a bit of a strange first meeting.
0:16:45 > 0:16:47Listen, we've got a clip from The Nice Guys.
0:16:47 > 0:16:49It's good, it's a good clip. It is a good bit.
0:16:49 > 0:16:54This is Russell's character essentially trying to build bridges with Ryan's character.
0:16:54 > 0:16:58March. Jack Healy. Don't get upset. I'm not here to hurt you.
0:16:58 > 0:16:59I just want to ask you a question.
0:17:00 > 0:17:02Hey. No.
0:17:02 > 0:17:03How stupid do you think I am?
0:17:03 > 0:17:05Ever since your little visit the other day,
0:17:05 > 0:17:07this little baby's going to stay right here.
0:17:20 > 0:17:21Look away.
0:17:24 > 0:17:26You know there's a mirror here, right?
0:17:26 > 0:17:27Close your eyes.
0:17:28 > 0:17:30CHEERING AND APPLAUSE
0:17:34 > 0:17:38- It's funny.- Yeah.- So, given you've had the experience, who looks better on the toilet, George or...?
0:17:40 > 0:17:42- I don't know. That's a good question.- We're going to have to...
0:17:42 > 0:17:45People will have to go and see both films and decide. Yeah.
0:17:46 > 0:17:48GRAHAM LAUGHS
0:17:48 > 0:17:52When you were making this...this movie, where did the dog...?
0:17:52 > 0:17:55- The dog isn't in the film?- What dog? - You had a dog, didn't you?
0:17:56 > 0:17:58Oh, no, I found a dog on the...
0:17:58 > 0:18:00- On the film.- OK.
0:18:01 > 0:18:03Would you like me to tell that story?
0:18:03 > 0:18:04- Yeah.- OK.
0:18:04 > 0:18:06LAUGHTER
0:18:06 > 0:18:08I can give it a go if you want.
0:18:08 > 0:18:09LAUGHTER
0:18:12 > 0:18:14Big, old dog it was, guys.
0:18:14 > 0:18:16Big, old dog.
0:18:16 > 0:18:17Three legs, stank.
0:18:18 > 0:18:21- Right?- Yeah, that's about right.
0:18:21 > 0:18:23No, the...
0:18:23 > 0:18:25So, I was staying at this sort of go-to movie guy house
0:18:25 > 0:18:27in Atlanta where, you know,
0:18:27 > 0:18:29when they showed me the house, they were like,
0:18:29 > 0:18:33"You know, Liam Hemsworth and Miley Cyrus just stayed here, so..."
0:18:33 > 0:18:37And they gave me one of these, you know? Thought that was untoward.
0:18:39 > 0:18:42But it was...they were very precious about the house.
0:18:42 > 0:18:44What I didn't realise was that there was a strict no dogs policy
0:18:44 > 0:18:47and then I was going to work one morning and there's a little dog.
0:18:47 > 0:18:51It's minus... It's below zero and I thought, "Oh, what harm can it do?"
0:18:52 > 0:18:54And I let it in the house.
0:18:54 > 0:18:58When I came back from work, it was like a faecal Jackson Pollock.
0:18:58 > 0:19:00LAUGHTER
0:19:00 > 0:19:02It was just... It was everywhere.
0:19:04 > 0:19:08- It was like, "Did he have help?" - LAUGHTER
0:19:08 > 0:19:10I was, like, looking up, like, "Did he get a ladder?"
0:19:11 > 0:19:13How does he...? How is he still alive?
0:19:15 > 0:19:16And...
0:19:16 > 0:19:18So, then I had to clean it all up and then I had to hide the dog
0:19:18 > 0:19:21and I spent, like, two weeks hiding this dog.
0:19:21 > 0:19:23And, you know, when it was over, the last day,
0:19:23 > 0:19:27I didn't know what I was going to do with it. Actually, your driver Bo...
0:19:27 > 0:19:28- Mm-hmm?- ..said that his, erm...
0:19:28 > 0:19:31His father had just lost his dog of 16 years
0:19:31 > 0:19:34and so Bo took this little dog and he went and lived on a lake
0:19:34 > 0:19:37with 100 acres and he went to, you know, literally a dog...
0:19:37 > 0:19:39- EVERYONE: Aw! - That's a nice story.
0:19:39 > 0:19:40- That's a lovely story.- Yeah, it is.
0:19:40 > 0:19:42APPLAUSE
0:19:42 > 0:19:44Did he kill it? Did he kill him?
0:19:44 > 0:19:47That's euphemistic for "killed it?"
0:19:47 > 0:19:51- That's what they told him.- Living on 100 acres now with Bo's dad!
0:19:51 > 0:19:54So dead, that dog. LAUGHTER
0:19:57 > 0:20:00He died after the shit incident, didn't he?
0:20:00 > 0:20:02LAUGHTER
0:20:02 > 0:20:04End of dog story.
0:20:04 > 0:20:05I think, on a movie like this,
0:20:05 > 0:20:07you're spending all this time together,
0:20:07 > 0:20:11you have to get on, you are buddies, but on Silence Of The Lambs,
0:20:11 > 0:20:14is it true... Did you never speak to Anthony Hopkins?
0:20:14 > 0:20:18No, never spoke to him. He was scary.
0:20:18 > 0:20:20I mean, the first day, we had a reading,
0:20:20 > 0:20:22we had like a little read-through and we...
0:20:22 > 0:20:24I got there early and then I went to the bathroom, I came back,
0:20:24 > 0:20:27everybody was sitting down, we did the read-through of the film
0:20:27 > 0:20:30and by the end of it, I never wanted to talk to him again.
0:20:30 > 0:20:32I was petrified.
0:20:32 > 0:20:35And so then we did the whole movie, he was always behind those glass
0:20:35 > 0:20:38partitions, or he was in his cell, and because the scenes were
0:20:38 > 0:20:41so long, they'd kind of lock him in at the beginning of the day
0:20:41 > 0:20:44and he'd go there and then the next day, he'd be on the other side
0:20:44 > 0:20:47and I'd be on this side, and we got to the end of the movie
0:20:47 > 0:20:50and really had never had a conversation.
0:20:50 > 0:20:54- But you never passed backstage, in a corridor...?- No, I avoided him.
0:20:54 > 0:20:56As much as I could.
0:20:56 > 0:20:59I really avoided him and then, I was eating a tuna fish sandwich,
0:20:59 > 0:21:01it was the last day and he came up to me,
0:21:01 > 0:21:04I guess he sidled up to me and I said, I don't know, I sort of had
0:21:04 > 0:21:07a tear in my eye, I was like, "I was really scared of you."
0:21:07 > 0:21:09And he said, "I was scared of you!"
0:21:09 > 0:21:13Which I think is funny because why would anyone be scared of me?
0:21:13 > 0:21:16- So, when you were filming the... - GREG SLURPS RAPIDLY
0:21:16 > 0:21:18The scene... You know, I'm available.
0:21:18 > 0:21:21Could you do that again?
0:21:21 > 0:21:24When you were filming the scenes when he was behind the partition,
0:21:24 > 0:21:27when they reset cameras, you just sat there?
0:21:27 > 0:21:29Well, yeah, because he was screwed in.
0:21:29 > 0:21:32- I couldn't get to him, he was behind the glass.- Did he stare at you?
0:21:32 > 0:21:36Erm...sometimes he did.
0:21:36 > 0:21:39I don't have an Anthony Hopkins story, but I would like to
0:21:39 > 0:21:40take the opportunity,
0:21:40 > 0:21:44I taught a child called Gary Hopkins, who was...
0:21:44 > 0:21:46LAUGHTER AND APPLAUSE
0:21:48 > 0:21:51And I'd very much like to take the opportunity to say he was a prick.
0:21:51 > 0:21:54LAUGHTER
0:21:56 > 0:21:58CHEERING AND APPLAUSE
0:22:00 > 0:22:02Now...
0:22:02 > 0:22:05Russell Crowe, I've heard about how you like challenges and stuff,
0:22:05 > 0:22:10and one of the shows that Greg's doing is a new series of Taskmaster.
0:22:10 > 0:22:12It's on Dave and it is that sort of thing,
0:22:12 > 0:22:16- you set challenges for kind of celebrities and comedians.- Yeah.
0:22:16 > 0:22:19But they're quite... They're kind of bonkers, the challenges.
0:22:19 > 0:22:21They're ridiculous, yeah.
0:22:21 > 0:22:24They have to collect as many tears in an eggcup as they can
0:22:24 > 0:22:26in a minute.
0:22:26 > 0:22:29They had to buy me the best present they could and one of them
0:22:29 > 0:22:31had my name tattooed on his foot.
0:22:31 > 0:22:35- Josh Widdicombe. You know Josh Widdicombe?- You're kidding!- Yeah.
0:22:35 > 0:22:37Who can hide a pineapple on their person.
0:22:40 > 0:22:43And I think my favourite from the upcoming series is who can
0:22:43 > 0:22:47impress a mayor. They were just put in a room with a local mayor...
0:22:49 > 0:22:54- ..and told to impress him.- A MAYOR or a MARE?- A mayor, yeah.
0:22:54 > 0:22:57- A mayor. Not a horse. - Not a horse.
0:22:57 > 0:22:59Because THAT would be stupid.
0:22:59 > 0:23:02A different show.
0:23:02 > 0:23:05- And we've got to mention the new series of Man Down.- Please.
0:23:05 > 0:23:08Man Down is coming up on Channel 4 in July.
0:23:08 > 0:23:12- Are you still living with your mother in it?- I am, sadly, yes.
0:23:12 > 0:23:15And tragically, this is based on your life. I mean, this is things...
0:23:15 > 0:23:19Yeah, but... I mean...
0:23:19 > 0:23:21Loosely, Graham!
0:23:21 > 0:23:23No, but things like... Isn't the washing machine,
0:23:23 > 0:23:27- that happened to you? - What?- The washing.
0:23:27 > 0:23:31- You were very hungover...- Oh. Yeah.
0:23:32 > 0:23:35Go on, tell Jodie Foster that story!
0:23:35 > 0:23:38All their stories are really cool though, Graham.
0:23:38 > 0:23:43When I was teaching, which is what this show is based on,
0:23:43 > 0:23:45I went home one weekend and I was in my 30s.
0:23:45 > 0:23:48I was probably 33 years of age.
0:23:48 > 0:23:52I went home to see my mother and then I went back, and while I was
0:23:52 > 0:23:56at home, my mother did my washing for me, because I was only 33.
0:23:56 > 0:24:00And then I went back and on the Sunday night,
0:24:00 > 0:24:05I got really drunk and then I went for a curry.
0:24:05 > 0:24:07And then the next day, I went into school...
0:24:07 > 0:24:09LAUGHTER
0:24:09 > 0:24:11I'm going to.
0:24:11 > 0:24:13I went into school and it was a school in Slough
0:24:13 > 0:24:14and it was quite a rough school,
0:24:14 > 0:24:17but they had a really brilliant hearing-impaired department,
0:24:17 > 0:24:21so there were hearing-impaired kids who, you know, struggled.
0:24:21 > 0:24:23They were really looked after in the school.
0:24:23 > 0:24:26Anyway, I was really hung over, I went there and about break time,
0:24:26 > 0:24:29I felt really uncomfortable, I thought, "Something's not right,"
0:24:29 > 0:24:32you know? So I went to the toilet
0:24:32 > 0:24:34and I pulled my trousers down
0:24:34 > 0:24:38and some of my mother's knickers had got...
0:24:38 > 0:24:44had got mixed up in the washing and I was wearing my mother's underwear.
0:24:44 > 0:24:48And I went, "Oh, God! Oh, no! Oh!" I remember going, "Oh, you loser!
0:24:48 > 0:24:54"This is such a low point! You fucking loser!"
0:24:54 > 0:24:56And then...
0:24:56 > 0:25:02And then the curry and the booze kicked in from the night before,
0:25:02 > 0:25:06so I, I did like a faecal Jackson Pollock.
0:25:06 > 0:25:09LAUGHTER AND APPLAUSE
0:25:09 > 0:25:13And I started... I started going,
0:25:13 > 0:25:16"Oh, God! Not this! Not this as well!
0:25:16 > 0:25:17"Oh, Jesus!"
0:25:17 > 0:25:21So I cleaned myself up and I pulled my mother's pants back up,
0:25:21 > 0:25:25and I went back into the classroom
0:25:25 > 0:25:27and I saw one of the hearing-impaired kids just
0:25:27 > 0:25:30looking at me like this, and that's when I remembered that
0:25:30 > 0:25:32I had a microphone directly...
0:25:32 > 0:25:34LAUGHTER AND APPLAUSE
0:25:34 > 0:25:36..connected...
0:25:37 > 0:25:40..to his hearing aid.
0:25:47 > 0:25:50So maybe Man Down isn't that far-fetched, Graham.
0:25:50 > 0:25:53Listen, we've got a clip. We've got a clip of you.
0:25:53 > 0:25:59This is Greg as the teacher trying to break into your own school.
0:25:59 > 0:26:00Oh, yeah.
0:26:09 > 0:26:12FENCE CREAKS
0:26:12 > 0:26:14Oh!
0:26:27 > 0:26:30HE GASPS
0:26:34 > 0:26:37Ah! Oh!
0:26:37 > 0:26:40HE RETCHES
0:26:46 > 0:26:50HE RETCHES Argh!
0:26:57 > 0:27:00- I'm clapping my own show. - I know.- Thank you.
0:27:00 > 0:27:04Three very good clips tonight. Three excellent clips.
0:27:04 > 0:27:07- Very similar genres.- Yes.
0:27:07 > 0:27:11Jodie, we must chat about how you perceived that drama!
0:27:11 > 0:27:13Right.
0:27:13 > 0:27:17It is time to meet my next guest. Mm, chlorine, is that what I smell?
0:27:17 > 0:27:20This diver was one of Britain's youngest ever Olympic medallists,
0:27:20 > 0:27:24he took London 2012 by storm and is now preparing for the Games in Rio.
0:27:24 > 0:27:26Here he is showing us
0:27:26 > 0:27:29how he won a gold medal at last week's European Championships.
0:27:34 > 0:27:37Good, right? Please welcome Tom Daley!
0:27:40 > 0:27:43- Hello!- Hello.- How are you?
0:27:43 > 0:27:47Nice to see you. Come in and sit down.
0:27:47 > 0:27:51You perch on the edge there. Say hello to everyone.
0:27:51 > 0:27:53You perch down there.
0:27:53 > 0:27:55- There's your fizzy drink. - Thank you.- Very good.
0:27:55 > 0:27:57- That was amazing! - Thank you.- That is amazing.
0:27:57 > 0:27:58Now, congratulations. A gold medal.
0:27:58 > 0:28:02- Yes.- And gold medal... Did you get silvers as well?
0:28:02 > 0:28:05- Yeah, I got two golds and a silver. - AUDIENCE: Woo!
0:28:05 > 0:28:08Yeah. APPLAUSE
0:28:08 > 0:28:11Now, Rio is this summer, so are you deep in training now?
0:28:11 > 0:28:14Yeah, so after the European Championships last weekend,
0:28:14 > 0:28:18I have had a couple of days off and then, it's back to training
0:28:18 > 0:28:22six hours a day, six days a week and then it's the Olympic Games.
0:28:22 > 0:28:23It's kind of terrifying
0:28:23 > 0:28:26because you get that training moment for four years,
0:28:26 > 0:28:29you have to train for that one moment, and it doesn't matter
0:28:29 > 0:28:32if you're European Champion, World Champion, Olympic Champion
0:28:32 > 0:28:36from before, in that one moment on that particular day, you have six
0:28:36 > 0:28:38dives and if you mess one of them up, then it's over,
0:28:38 > 0:28:41so it's a pretty cut-throat kind of thing.
0:28:41 > 0:28:45Do people deliver your food in little Tupperware boxes and things?
0:28:45 > 0:28:48- What? Take it like a packed lunch? - LAUGHTER
0:28:48 > 0:28:52No, in the training, is it kind of like, you can eat this now, stop eating now?
0:28:52 > 0:28:57You kind of get into a routine of what you're used to eating and what you wake up.
0:28:57 > 0:29:00I'll like have a routine where I get up and have my breakfast,
0:29:00 > 0:29:03go to training, then eat a bit more, then train some more,
0:29:03 > 0:29:07then eat a bit more, then sleep, and that's basically what I do every single day.
0:29:07 > 0:29:10- When do you put on the Speedos?- Mm? - When do you put on the Speedos?
0:29:10 > 0:29:15- Oh, I basically live in them. - Oh, do you?- Yeah, quite often... - Jodie's on it!
0:29:15 > 0:29:17- I want to know.- We've got a picture.
0:29:17 > 0:29:20Stella McCartney has designed the Speedos.
0:29:20 > 0:29:23Sadly, she ran out of material, money and interest.
0:29:23 > 0:29:25LAUGHTER
0:29:25 > 0:29:27So...
0:29:27 > 0:29:28Those are the Speedos.
0:29:28 > 0:29:33They sent us a pair of the Speedos and they really are quite small.
0:29:33 > 0:29:36- Those are the ones I was wearing yesterday.- Hm.
0:29:36 > 0:29:38Um... LAUGHTER
0:29:38 > 0:29:40How lovely(!)
0:29:40 > 0:29:42Yeah.
0:29:42 > 0:29:47They're still damp. But like, they are very small, Tom.
0:29:47 > 0:29:50- Well, everything has to stay in place.- Obviously.
0:29:50 > 0:29:54If you're spinning around, the last thing you want to do is have
0:29:54 > 0:29:57something come out of its place where it's meant to be.
0:29:57 > 0:30:00And also, when you hit the water, you don't
0:30:00 > 0:30:04want things flapping about because it would hurt.
0:30:04 > 0:30:07So the closer you can keep it all in, the better, really.
0:30:07 > 0:30:10You're going to ask me to put those on, aren't you?
0:30:10 > 0:30:12LAUGHTER AND APPLAUSE I wasn't.
0:30:12 > 0:30:15CHEERING
0:30:15 > 0:30:17I was only joking, Russell.
0:30:17 > 0:30:20It would look like a very ill elephant.
0:30:20 > 0:30:23But what I would...
0:30:23 > 0:30:26I don't want to be indelicate, but what if anything changes
0:30:26 > 0:30:29- and you're wearing those?- Oh.
0:30:29 > 0:30:31I mean, when you're stood on the end...
0:30:31 > 0:30:33Have you ever stood on the end of a ten metre platform?
0:30:33 > 0:30:35Of course I haven't.
0:30:35 > 0:30:37So that's probably the last thing that will go through your head
0:30:37 > 0:30:39is to have anything change down there.
0:30:39 > 0:30:43What about when they give you the medal and you're thinking - look at me!
0:30:43 > 0:30:47LAUGHTER Urgh!
0:30:49 > 0:30:51Leaning in and going, "Oh, sorry."
0:30:51 > 0:30:54You wear a little bit more on the podium.
0:30:54 > 0:30:58- You actually wear a full-on tracksuit.- Oh, that's thoughtful.
0:30:58 > 0:31:00- Exactly. - Is that why they wear the tracksuit?
0:31:00 > 0:31:04I don't think that's why they give them tracksuits.
0:31:04 > 0:31:06In case they get a boner on the podium.
0:31:06 > 0:31:08LAUGHTER
0:31:08 > 0:31:12I have to tell you, on this couch, there is
0:31:12 > 0:31:15someone who has won medals for swimming.
0:31:15 > 0:31:19- I could probably guess who that is. - Guess.- The tallest man on the sofa.
0:31:19 > 0:31:21Thank you.
0:31:21 > 0:31:23LAUGHTER
0:31:23 > 0:31:26That is a swimmer's physique.
0:31:26 > 0:31:30That's why you never trust "swimmer's body" on a personal ad.
0:31:31 > 0:31:33Did you really win medals?
0:31:33 > 0:31:37Yes, I did and I'm rather insulted you taking that tone with me.
0:31:37 > 0:31:39- I swam for county, yes.- Did you really?- I don't mind telling you,
0:31:39 > 0:31:42I cut through the water like an orca these days.
0:31:42 > 0:31:44LAUGHTER
0:31:47 > 0:31:49Ryan, you are a sports fan? You're not a sports fan?
0:31:49 > 0:31:53- Cricket, you like?- I'll pick up on this one. Ryan comes from Canada.
0:31:53 > 0:31:55CHEERING
0:31:55 > 0:31:59In Canada, the national sport is ice hockey.
0:31:59 > 0:32:03And Ryan is a Canadian who doesn't focus on ice hockey.
0:32:03 > 0:32:06And they have a descriptive phrase for that,
0:32:06 > 0:32:08north of the American border there.
0:32:08 > 0:32:12In Canada, if you're a Canadian who doesn't focus on ice hockey,
0:32:12 > 0:32:15- you're called an arsehole. - LAUGHTER
0:32:16 > 0:32:19See? That's the magic.
0:32:19 > 0:32:22Right there. Right in the crosshairs.
0:32:22 > 0:32:24But then, why were you having the...
0:32:24 > 0:32:28Was it a deep tissue massage you were having?
0:32:28 > 0:32:31Where are you going with this, Graham?
0:32:31 > 0:32:34Weren't you having a Turkish massage or something?
0:32:34 > 0:32:37I don't know what it has to do with what we're talking about.
0:32:37 > 0:32:40It's a funny story, tell it.
0:32:40 > 0:32:44I had an awful experience, having a Turkish massage,
0:32:44 > 0:32:49where this guy's idea of massage
0:32:49 > 0:32:53was to like take my one leg
0:32:53 > 0:32:56and the other arm and try and connect it
0:32:56 > 0:33:01behind my back and I was kind of like... You know, like that.
0:33:01 > 0:33:05And then his belly went in my mouth.
0:33:05 > 0:33:07LAUGHTER
0:33:07 > 0:33:09It was like a Borat moment.
0:33:09 > 0:33:11And you know when you get something weird in your mouth
0:33:11 > 0:33:14and if you're eating something,
0:33:14 > 0:33:17- your brain sends your tongue to figure out what it is? - LAUGHTER
0:33:19 > 0:33:23It's not a conscious thought. It's like, is that a bone? Figure that out!
0:33:23 > 0:33:28The tongue goes in to figure it out. My tongue was like, "What is that?
0:33:28 > 0:33:30"It's a hairy belly!"
0:33:30 > 0:33:34This sounds like you're heading off a newspaper.
0:33:34 > 0:33:36Listen, Tom, good luck in Rio.
0:33:36 > 0:33:38We wish you all the best. Tom Daley, everybody.
0:33:38 > 0:33:41CHEERS AND APPLAUSE
0:33:41 > 0:33:45Right. It's time for music. I am a huge fan of this performer.
0:33:45 > 0:33:48Tonight, he is making his TV debut,
0:33:48 > 0:33:51alongside a very special friend and mentor.
0:33:51 > 0:33:53Performing the single All In The Name,
0:33:53 > 0:33:56please welcome Bright Light Bright Light and Sir Elton John.
0:33:56 > 0:33:59CHEERS AND APPLAUSE
0:34:01 > 0:34:06# All, all in the name of being somebody
0:34:06 > 0:34:07# Two, three, four, what?
0:34:07 > 0:34:09# Huh
0:34:16 > 0:34:19# You can tell me anything
0:34:19 > 0:34:22# Something wrong or right
0:34:22 > 0:34:26# Just pick me up and get me out of here
0:34:26 > 0:34:31# While I've still got an appetite
0:34:31 > 0:34:35# Tell me something funny
0:34:35 > 0:34:38# So good I want to hear it twice
0:34:38 > 0:34:43# Just fill me up with rhythm and a beat
0:34:43 > 0:34:46# And take me into the night
0:34:46 > 0:34:51# Cos I don't get to sleep these days
0:34:51 > 0:34:54# Even when I do behave
0:34:54 > 0:34:58# No cigarettes but in my own little way
0:34:58 > 0:35:02# I push to the limit of the night and day
0:35:02 > 0:35:08# And all, all in the name of being somebody
0:35:08 > 0:35:10# That somebody cares about
0:35:10 > 0:35:15# All, all in the name of being somebody
0:35:15 > 0:35:18# That somebody cares about
0:35:22 > 0:35:25# Seems we don't know anything
0:35:25 > 0:35:29# About walking in a straight line
0:35:29 > 0:35:33# Wave and weave through all these streets
0:35:33 > 0:35:37# Till choice has left us almost blind
0:35:37 > 0:35:41# To how we used to make decisions
0:35:41 > 0:35:44# With instinct and with time
0:35:44 > 0:35:49# Now if I blink I miss the only second
0:35:49 > 0:35:52# I get to catch another's eye
0:35:52 > 0:35:55# So I don't go to sleep these days
0:35:57 > 0:36:00# Cos no-one's got the time to waste
0:36:00 > 0:36:04# We call it being young and say
0:36:04 > 0:36:08# That it's fun when we really wanna walk away
0:36:08 > 0:36:14# But it's all, all in the name of being somebody
0:36:14 > 0:36:17# That somebody cares about
0:36:17 > 0:36:22# All, all in the name of being somebody
0:36:22 > 0:36:25# That somebody cares about
0:36:25 > 0:36:28# All, all in the name of
0:36:32 > 0:36:36# I'll tell you something funny
0:36:36 > 0:36:41# I never found one thing, nobody in the crowd
0:36:41 > 0:36:44# Who can turn me on like I wish they would
0:36:44 > 0:36:48# But keep on pushing just in case they could
0:36:48 > 0:36:54# It's all, all in the name of being somebody
0:36:54 > 0:36:56# That somebody cares about
0:36:56 > 0:37:00# All, all in the name of being somebody
0:37:00 > 0:37:03# That somebody cares about
0:37:03 > 0:37:09# All, all in the name of being somebody
0:37:09 > 0:37:11# That somebody cares about
0:37:11 > 0:37:16# All, all in the name of being somebody
0:37:16 > 0:37:19# That somebody cares about
0:37:19 > 0:37:24# All, all in the name of being somebody
0:37:24 > 0:37:27# That somebody cares about. #
0:37:27 > 0:37:31CHEERS AND APPLAUSE
0:37:33 > 0:37:38Bright Light Bright Light and Elton John, come on in.
0:37:38 > 0:37:42Well done, sir. Oh, well done! Congratulations.
0:37:42 > 0:37:44- Thank you very much.- Well done.
0:37:44 > 0:37:46In you go.
0:37:46 > 0:37:48APPLAUSE
0:37:48 > 0:37:51Say hi to everybody. Elton John, everybody.
0:37:51 > 0:37:55This is Rod. Are we calling you Rod?
0:37:55 > 0:37:58I know that's your name.
0:37:58 > 0:38:01But I'm not calling you Bright Light Bright Light.
0:38:01 > 0:38:05APPLAUSE DROWNS OUT SPEECH
0:38:05 > 0:38:10This is Bright Light Bright Light, but we can call you Rod.
0:38:10 > 0:38:12You can, yes.
0:38:12 > 0:38:15OK, good. So, how did this happen? How do you become...?
0:38:15 > 0:38:18- How do you meet? - I have a management company.
0:38:18 > 0:38:21I manage Ed Sheeran and various people like that.
0:38:21 > 0:38:22And Rod was signed to us initially,
0:38:22 > 0:38:26but he was a singer-songwriter with a guitar and it didn't quite fit
0:38:26 > 0:38:31and he wanted to leave and find his own way of doing stuff.
0:38:31 > 0:38:35And he left and became a kind of electronic singer-songwriter
0:38:35 > 0:38:40and we remained friends. And he does everything on his own.
0:38:40 > 0:38:44He makes his own records. Get gets them printed, he gets them pressed.
0:38:44 > 0:38:47- He's a one-man machine. - And Choreography is the album.
0:38:47 > 0:38:52- Yes.- And you can pre-order it now. People love to do that.
0:38:52 > 0:38:55Just in case all the MP3s run out.
0:38:55 > 0:38:58There's a rush on! And July 15th, it's actually...
0:38:58 > 0:39:01Yeah, comes out July 15th and the song that we just sang is out
0:39:01 > 0:39:05today and you get it free when you pre-order that on iTunes.
0:39:05 > 0:39:08You're good at this. Very good. Yeah.
0:39:08 > 0:39:10It's a great sound and people can see you,
0:39:10 > 0:39:12you are performing live around the country.
0:39:12 > 0:39:15Yeah, I'm doing some little preview shows in May
0:39:15 > 0:39:17and then I've got a UK tour in July.
0:39:17 > 0:39:21OK, now, Elton, every time you come on this show, you always say,
0:39:21 > 0:39:24"Oh, I'm winding down, I'm cutting back."
0:39:24 > 0:39:29You're starting a tour on the 26th of May,
0:39:29 > 0:39:32which ends February 2017.
0:39:32 > 0:39:36No, I have seven weeks off in the summer.
0:39:36 > 0:39:39LAUGHTER Is this...?
0:39:39 > 0:39:42I know you're not calling it a farewell tour,
0:39:42 > 0:39:45but if people want to see you, should they go see this tour?
0:39:45 > 0:39:48- No, not necessarily. - You've got to encourage them.
0:39:48 > 0:39:50LAUGHTER
0:39:50 > 0:39:54Fuck you all. Don't come and see it. I don't care.
0:39:54 > 0:39:59But by 2017, won't both the kids be in school
0:39:59 > 0:40:02and then your life will be more limited?
0:40:02 > 0:40:05Yeah. But I just like playing and I'm a working musician.
0:40:05 > 0:40:07I love to do it.
0:40:07 > 0:40:09I like it more than I've ever done and
0:40:09 > 0:40:14if you're still feeling fresh and energetic then do it while you can.
0:40:14 > 0:40:17I'm not going to be doing it forever, I can tell you that,
0:40:17 > 0:40:19- cos I want to see my boys grow up. - Yeah, yeah, yeah.
0:40:19 > 0:40:21And what I love about having you on the show is
0:40:21 > 0:40:24we have you on the coach with people like this and before you
0:40:24 > 0:40:28came on, everyone was going, "Oh, we're on with Sir Elton John?"
0:40:28 > 0:40:31- You were like a fan of Sir Elton John.- Oh, yeah.
0:40:31 > 0:40:34- I was you for Halloween. - LAUGHTER
0:40:36 > 0:40:37I wish we had a picture of that.
0:40:39 > 0:40:42Apart from the music and that, all these many records
0:40:42 > 0:40:45and songs that remain with you and in your heart,
0:40:45 > 0:40:47one of the kindest men on the planet.
0:40:47 > 0:40:51I agree. Yes. CHEERS AND APPLAUSE
0:40:52 > 0:40:56Listen, thank you very much for coming in to see us,
0:40:56 > 0:40:59but we now come to Russell's favourite part of the show.
0:40:59 > 0:41:03- Are you going to let me do it again? - Yes, if you want to.
0:41:03 > 0:41:05CHEERS AND APPLAUSE
0:41:05 > 0:41:09- I pity...- Are we all right here, or should I...?- Move it a little bit.
0:41:09 > 0:41:10Yes, there you go. OK.
0:41:10 > 0:41:12Yeah, that's good.
0:41:14 > 0:41:17You might want to drape some Speedos on it.
0:41:17 > 0:41:20LAUGHTER
0:41:20 > 0:41:21Sorry.
0:41:21 > 0:41:24All right. It is time to visit the Big Red Chair. Here we go.
0:41:24 > 0:41:27Who is up for it? I pity these people.
0:41:27 > 0:41:29- Hello.- Hey. - Hi, what's your name?- George.
0:41:29 > 0:41:32- George. And where do you live, George?- Well, live in London.
0:41:32 > 0:41:34OK. LAUGHTER
0:41:34 > 0:41:37He's travelled not far to see us.
0:41:37 > 0:41:40- And what do you do, George? - I work for a visual effects company.
0:41:40 > 0:41:42- For what?- A visual effects company.
0:41:42 > 0:41:45- Oh, visual effects company. - 3D CGI.- OK.
0:41:45 > 0:41:48OK, good for you. You are clinging on for dear life. Well done, George.
0:41:48 > 0:41:50Off you go with your story.
0:41:50 > 0:41:55We recently finished work on The Nice Guys and it was late one night,
0:41:55 > 0:41:58fancied a beer, went downstairs...
0:41:58 > 0:42:00LAUGHTER AND APPLAUSE
0:42:03 > 0:42:05APPLAUSE DROWNS OUT SPEECH
0:42:05 > 0:42:08- OK, let's go for another one. Hello.- Hello.- Hi.
0:42:08 > 0:42:10- What's your name?- I'm Gemma.
0:42:10 > 0:42:13- Gemma, lovely. And where are you from, Gemma?- I'm from Wimbledon.
0:42:13 > 0:42:15Wimbledon. CHEERS
0:42:15 > 0:42:16They love you.
0:42:16 > 0:42:20- Do you have a job, Gemma? - I do. I'm a project manager.- For?
0:42:20 > 0:42:24- A renewable energy company. - Well... I'm no wiser.
0:42:24 > 0:42:26LAUGHTER
0:42:26 > 0:42:28- Off you go with your story.- OK.
0:42:28 > 0:42:32So I was on a third date with this guy, it was going quite well.
0:42:32 > 0:42:36We had been out for a nice dinner and then we went back to his place.
0:42:36 > 0:42:38We had a few drinks
0:42:38 > 0:42:42and we got on to the topic of what our favourite movie moments were.
0:42:42 > 0:42:46Mine, naturally, was the moment from Crazy Stupid Love with Ryan
0:42:46 > 0:42:50and Emma Stone and Ryan has his top off.
0:42:50 > 0:42:54And they do the famous move from Dirty Dancing
0:42:54 > 0:42:57and he suggested that we gave it a go.
0:42:57 > 0:43:03So I agreed to it and launched myself at him.
0:43:03 > 0:43:06We then collapsed in a heap and he knocked his head
0:43:06 > 0:43:09and suffered from concussion for two days.
0:43:09 > 0:43:12LAUGHTER AND APPLAUSE
0:43:15 > 0:43:16Oh!
0:43:16 > 0:43:19Oh!
0:43:19 > 0:43:22If you would like to join us on the show and have a go
0:43:22 > 0:43:25on the Red Chair, you can contact us via our website and this address.
0:43:25 > 0:43:27That is it for tonight. Please say a huge thank you
0:43:27 > 0:43:32to my guests tonight, Bright Light Bright Light. CHEERS AND APPLAUSE
0:43:32 > 0:43:35Sir Elton John. CHEERS AND APPLAUSE
0:43:35 > 0:43:38Greg Davies. CHEERS AND APPLAUSE
0:43:38 > 0:43:40Ryan Gosling. CHEERS AND APPLAUSE
0:43:40 > 0:43:43Jodie Foster. CHEERS AND APPLAUSE
0:43:43 > 0:43:45Tom Daley. CHEERS AND APPLAUSE
0:43:45 > 0:43:48Russell Crowe. CHEERS AND APPLAUSE
0:43:48 > 0:43:51Uncle Tom Cobley and all.
0:43:51 > 0:43:54Join me next week for music from Corinne Bailey Rae,
0:43:54 > 0:43:57actors Kate Beckingsale and Dominic Cooper, Game of Thrones star
0:43:57 > 0:44:01Emilia Clarke, and the new face of Top Gear, Matt LeBlanc.
0:44:01 > 0:44:05I'll see you then. Good night, everybody. Goodbye. CHEERS AND APPLAUSE