0:00:02 > 0:00:04- Hi, I'm Tom Cruise. - Hello, I'm Jennifer Lawrence.
0:00:04 > 0:00:05- And I'm Chris Pratt. - I'm Danny DeVito.
0:00:05 > 0:00:07- And I'm Miranda Hart. - Hi. I'm Nicole Kidman.
0:00:07 > 0:00:08Hi, I'm Chris from Coldplay.
0:00:08 > 0:00:11- Good evening, I'm Tom Hiddleston. - Hey, I'm Whoopi Goldberg.
0:00:11 > 0:00:14- I'm Eddie Redmayne. - And I'm Benedict Cumberbatch.
0:00:14 > 0:00:17I'm Tom Hanks and this is The Graham Norton Show.
0:00:17 > 0:00:24This programme contains some strong language.
0:00:39 > 0:00:40Hello!
0:00:40 > 0:00:42Hello, oh!
0:00:42 > 0:00:44What a lovely welcome.
0:00:44 > 0:00:46That is... That's... Oh!
0:00:48 > 0:00:49No, thank you.
0:00:50 > 0:00:53What a mature, seasoned welcome that was.
0:00:53 > 0:00:56And welcome to this special look back at some of
0:00:56 > 0:00:57the highlights from the past series.
0:00:57 > 0:01:01So many wonderful moments, starting with this.
0:01:02 > 0:01:06We need to settle a little controversy. Little controversy.
0:01:06 > 0:01:07There was a picture...
0:01:07 > 0:01:10You've probably seen this, it was on the internet and in
0:01:10 > 0:01:13the papers and things, and it's this picture here.
0:01:13 > 0:01:14- Now...- Oh, yeah!
0:01:14 > 0:01:20So, people were trying to decide if that was Bill Murray or Tom Hanks.
0:01:20 > 0:01:22Right.
0:01:22 > 0:01:24Well, I've been doing a pale imitation of Bill Murray
0:01:24 > 0:01:27for most of my career, so it actually works out.
0:01:27 > 0:01:32I know that it's not me because I did not take that picture.
0:01:32 > 0:01:36Listen, I've had a cranial plate shift that, you know, is medicinal.
0:01:36 > 0:01:40- That's not me.- But even looking at you, it does look very like you.
0:01:40 > 0:01:43It does. Yeah, I could make that face.
0:01:44 > 0:01:48- But don't you have a thing where you think you've got sides?- Oh, I do.
0:01:48 > 0:01:52Oh, we all know what our good side is. I'll show it
0:01:52 > 0:01:54- if you can come close...- OK.
0:01:54 > 0:01:56- ..in a hideously-embarrassing close-up.- OK.
0:01:56 > 0:01:58I'll show you right now.
0:01:58 > 0:02:00- Should I start with the good side or the bad side?- Good side.- Really?
0:02:00 > 0:02:02- Yeah.- OK, all right.
0:02:02 > 0:02:04This is my good side.
0:02:04 > 0:02:08Now, I don't know why, but I have a jaw and I have a chin and,
0:02:08 > 0:02:09you know, back of the...
0:02:09 > 0:02:12Actually, could you come around sort of like three quarters-ish
0:02:12 > 0:02:15a little bit? OK, there. OK, there, there, is that it?
0:02:15 > 0:02:18Come in a little tighter, please. Little tighter.
0:02:18 > 0:02:21All right, so far we're still doing OK. It's all right, it's not bad.
0:02:21 > 0:02:25All right, now, stay there and just watch this.
0:02:28 > 0:02:31LAUGHTER
0:02:31 > 0:02:33Oh, dear, look at that!
0:02:33 > 0:02:38The neck goes away, the nose becomes this malformed thing,
0:02:38 > 0:02:41I've got half a cheek sticking out right here.
0:02:41 > 0:02:46So, I essentially kind of go from Richard Gere to Richard Nixon.
0:02:46 > 0:02:49LAUGHTER DROWNS SPEECH
0:02:50 > 0:02:52APPLAUSE
0:02:52 > 0:02:54You have nothing but good sides.
0:02:54 > 0:02:57We just thought, while you're here, to settle things,
0:02:57 > 0:03:02to avoid confusion in the future, we might re-enact that...
0:03:02 > 0:03:07- Oh, do you have an orange jumper? - I do. I am fully costumed.
0:03:07 > 0:03:08Oh, great.
0:03:08 > 0:03:11- I've got some orange things there.- OK.
0:03:11 > 0:03:13Now, Gemma, would you mind being...?
0:03:13 > 0:03:15I think she's the mother of the baby.
0:03:15 > 0:03:18So, there's some sunglasses there.
0:03:18 > 0:03:21And, now, would you mind being the baby?
0:03:21 > 0:03:22Absolutely!
0:03:22 > 0:03:25Oh, you can do that? Actually, that's better.
0:03:25 > 0:03:27- That's better, why didn't we think of that?- All right.
0:03:27 > 0:03:32- OK, so I'm, like, here?- You're down in there. Down you go. There you go.
0:03:32 > 0:03:35- Squeeze in, squeeze in. - Like that?- Like that, smiling.
0:03:37 > 0:03:40There we go, that is really good!
0:03:40 > 0:03:42CHEERING AND APPLAUSE
0:03:42 > 0:03:43That is good!
0:03:47 > 0:03:50Is the hey, hey game still popular in your family?
0:03:50 > 0:03:55Well, we've sort of suspended the hey, hey game temporarily.
0:03:55 > 0:03:58The hey, hey game, it was a really strange thing
0:03:58 > 0:04:01and it's this bizarre universal truth, right?
0:04:01 > 0:04:04And we've tested it on many continents.
0:04:04 > 0:04:08And if you walk up behind a person and you, you know,
0:04:08 > 0:04:11you stick your finger, you know, in...
0:04:11 > 0:04:13You know, you just sort of ram your finger...
0:04:13 > 0:04:14Up their butthole.
0:04:14 > 0:04:19Everybody in every language in the world says, "Hey, hey!"
0:04:19 > 0:04:20LAUGHTER
0:04:23 > 0:04:25I'm telling you, right? I'm telling you, try it.
0:04:25 > 0:04:26Try it.
0:04:26 > 0:04:29Somebody's here from Botswana, right?
0:04:29 > 0:04:33I'm telling you, try it, and they'll be, "Hey, hey!"
0:04:33 > 0:04:38- We've just...- And how many times have you been arrested?
0:04:38 > 0:04:40LAUGHTER
0:04:40 > 0:04:42APPLAUSE
0:04:45 > 0:04:47OK, now, we don't want to make anyone cry,
0:04:47 > 0:04:51but sad days in the publishing world in Australia.
0:04:51 > 0:04:55I don't know if you're aware of this, but I'm afraid...
0:04:55 > 0:04:59Dolly magazine has shut its doors, Nicole.
0:04:59 > 0:05:01Dolly magazine is no more.
0:05:01 > 0:05:03Dolly magazine was very important to you when you
0:05:03 > 0:05:04were starting out, wasn't it?
0:05:04 > 0:05:09- Yeah.- Yeah.- Yeah.- I got on the cover of Dolly magazine.
0:05:09 > 0:05:11- There you are on the cover.- Oh, no!
0:05:11 > 0:05:13Yeah! Looking stunning.
0:05:14 > 0:05:17- They've got a giant... - Are you being facetious?- No, you...
0:05:17 > 0:05:19- No, you look fabulous!- Mm.
0:05:19 > 0:05:23They dyed my hair red. I was only, like, 14.
0:05:23 > 0:05:24- Is your...?- It wasn't red like that.
0:05:24 > 0:05:27Everyone always thinks it was that red and it wasn't.
0:05:27 > 0:05:28No, they dyed it red.
0:05:28 > 0:05:31- Inside there was some fabulous high fashion shots of you.- Oh, God!
0:05:31 > 0:05:33No, this is beautiful!
0:05:33 > 0:05:37This just gives you an idea of the quality of fashion
0:05:37 > 0:05:40in Dolly magazine.
0:05:40 > 0:05:43- That is a lovely...- Yes!
0:05:43 > 0:05:47It's a lovely shiny jacket and I have to say, these rope seams...
0:05:47 > 0:05:51I'm not sure they ever caught on, the rope seams.
0:05:51 > 0:05:53I've never seen it before in my life.
0:05:53 > 0:05:57- But this next picture, this is... - Oh, God, you're brutal!
0:05:57 > 0:06:01So, no, there's only one more, only one more. So...
0:06:01 > 0:06:06I honestly wish my hair was like that now. It's so dreadful.
0:06:06 > 0:06:09Because, I have to say, anyone that has curly hair that's young,
0:06:09 > 0:06:12keep your curly hair, don't straighten it,
0:06:12 > 0:06:17- because after a while. you don't get your curls back.- Really?
0:06:17 > 0:06:20No, they, kind of, become just frizz mass.
0:06:20 > 0:06:23I mean, that is frizz mass, but I, kind of, like that.
0:06:23 > 0:06:26Yeah, it's gone, so I'm like an old woman now, where I say,
0:06:26 > 0:06:31"Don't dye your hair and don't straighten your curls!"
0:06:32 > 0:06:35Well, you know, with photographers in movies when they're doing
0:06:35 > 0:06:37a fashion shoot and everyone's like, "Oh, look sexy," or,
0:06:37 > 0:06:39"give me something, give me this,"
0:06:39 > 0:06:42- or, you know, "try this," da, da, da...- Yeah.
0:06:42 > 0:06:45- What had the photographer said... - You're so mean!
0:06:45 > 0:06:49- ..before this picture?- Why aren't you doing this to anybody else?
0:06:49 > 0:06:51LAUGHTER
0:06:51 > 0:06:53APPLAUSE
0:07:01 > 0:07:02You look great!
0:07:06 > 0:07:08"Is this the sort of thing you're after?"
0:07:11 > 0:07:14Here's the thing, cos, Chris, you worked in restaurants, didn't you?
0:07:14 > 0:07:15Oh, yeah. Oh, yeah.
0:07:15 > 0:07:18So, you worked in Hawaii, but then you worked in LA, as well.
0:07:18 > 0:07:21- Yes, I worked at a restaurant in Beverly Hills.- So, posh?
0:07:21 > 0:07:24It was, it tried to be. It was...
0:07:24 > 0:07:27Look, it was a terrible restaurant and...
0:07:27 > 0:07:33It was. It was just awful and I was a major contributing factor
0:07:33 > 0:07:35to how terrible this restaurant was.
0:07:35 > 0:07:40It was... It had... It was just real garbage. It's been revamped now.
0:07:40 > 0:07:41- But I loved it...- Tell us the name.
0:07:43 > 0:07:47- They'll give you free meals! - Oh, I mean, they will give me...
0:07:47 > 0:07:48That's how I ate.
0:07:48 > 0:07:52I mean, when you're in Hollywood, and in other places, like,
0:07:52 > 0:07:54you need a job that gives you your days free
0:07:54 > 0:07:56so you can try to audition for projects.
0:07:56 > 0:07:59So, I'd work weekends and I'd work the nights and that would...
0:07:59 > 0:08:02I had no money and no-one was coming to the restaurant,
0:08:02 > 0:08:04so I wasn't making any tips.
0:08:04 > 0:08:06I'd make, like, 20 or 30 bucks a day, maybe.
0:08:06 > 0:08:10- And so it was really a place I'd go to...- Nourishment.- To eat, yeah.
0:08:10 > 0:08:12That kitchen fed me for, like, the time that I was there.
0:08:12 > 0:08:13I used to just...
0:08:13 > 0:08:16Oh, man, do you ever do this, where, like,
0:08:16 > 0:08:19a lady would come in and she'd be like, "What do you recommend?"
0:08:19 > 0:08:22And I'm like, "32oz porterhouse."
0:08:22 > 0:08:24LAUGHTER
0:08:24 > 0:08:25And so, I'd always tell them.
0:08:25 > 0:08:27I said, "Listen, here's how you want it - medium rare,
0:08:27 > 0:08:30"with some mushrooms on the side, I can get you some mashed potato.
0:08:30 > 0:08:32"You're going to love this, ma'am."
0:08:32 > 0:08:34And she's like, you know, a 90-year-old woman.
0:08:34 > 0:08:37And so, I'd bring the steak out to this lady, she...
0:08:37 > 0:08:41I'm hiding in the corner, watching, like, how much is she eating?
0:08:41 > 0:08:43How much do I get? You know?
0:08:44 > 0:08:46I'd go back and she was like, "I can't eat another bite."
0:08:46 > 0:08:50I was like, "Yes!" Maybe 80% of the steak is left.
0:08:50 > 0:08:53And we had this thing called the tunnel, which is an area between
0:08:53 > 0:08:55the dining room and the kitchen, where they'd keep
0:08:55 > 0:08:57all the soft drinks and, like, the silverware and stuff, and that's...
0:08:57 > 0:09:00I'd been busted so many times eating off people's plates
0:09:00 > 0:09:02that they were like, "You have to stop doing that.
0:09:02 > 0:09:04"Like, it's really, really bad."
0:09:04 > 0:09:07So, anything I ate, I had to eat in the tunnel.
0:09:08 > 0:09:12- Because it was my safe zone, where...- Safe zone!- From judgment.
0:09:12 > 0:09:13From judgment!
0:09:13 > 0:09:15The customers aren't going to see me eat their food
0:09:15 > 0:09:17and the chef's not going to yell at me for eating the food.
0:09:17 > 0:09:20So, it was like... I had about 14, maybe,
0:09:20 > 0:09:23ounces of steak that I had to get down in about ten feet.
0:09:23 > 0:09:26I was straight up like a komodo dragon.
0:09:26 > 0:09:28LAUGHTER
0:09:30 > 0:09:32And I'd wolf this steak down, you know?
0:09:32 > 0:09:34And I'd get it and I'm like, "Ha-ha, cha-cha-cha, that's, like,
0:09:34 > 0:09:37"three days' worth of protein right there."
0:09:37 > 0:09:39And I'd walk back out and the lady was like,
0:09:39 > 0:09:42"Listen, I'd love to get that steak to go."
0:09:44 > 0:09:45And I'm like...
0:09:45 > 0:09:48"Oh, oh, gosh, ma'am... Let me go check."
0:09:48 > 0:09:51And I was like, "Oh, what do I do? What do I do?"
0:09:51 > 0:09:53And I said, "I'm so sorry, I already threw it in the trash.
0:09:53 > 0:09:55"I threw it in the trash."
0:09:55 > 0:09:57And she said, "It's for my dog. It's fine.
0:09:57 > 0:10:00"If you don't mind, just fish it out, put it in a box.
0:10:00 > 0:10:03"It's my dog who'll eat it." I was like, "You bet, you bet.
0:10:03 > 0:10:05"Of course, ma'am, absolutely. Will do."
0:10:05 > 0:10:08And I walked in like, "Freddie! I need a porterhouse on the fly, man!
0:10:08 > 0:10:10"Don't ask any questions, just give me one right now!"
0:10:10 > 0:10:13And so he started cooking the steak and I was like...
0:10:13 > 0:10:16I was so full of shit I went up to her and I was like,
0:10:16 > 0:10:17"Ma'am, I'm going to get you that steak.
0:10:17 > 0:10:19"They just took the garbage out to the dumpster.
0:10:19 > 0:10:22"I'm going to roll up my sleeves, jump in that dumpster,
0:10:22 > 0:10:24"and I'm going to get it for you because... What kind of dog?
0:10:24 > 0:10:26"Pomeranian, no way, I love that. So sweet."
0:10:26 > 0:10:29And so I walked out and I'm like, "Freddie, where's that steak?"
0:10:29 > 0:10:31And she ended up being so, like,
0:10:31 > 0:10:34happy that I would be willing to dig through the garbage for her dog
0:10:34 > 0:10:37that she gave me a giant tip, and she left early because
0:10:37 > 0:10:40she couldn't wait for the steak to be done, so I got another steak.
0:10:40 > 0:10:43CHEERING AND APPLAUSE
0:10:46 > 0:10:49We all have our dance moves that we break out, right?
0:10:49 > 0:10:53So we were asking the audience about kind of their signature dance moves.
0:10:53 > 0:10:56- So... Yes. - I see cameras turning around.
0:10:56 > 0:11:00- Everybody got really giggly all of a sudden.- I see everyone... Yeah.
0:11:00 > 0:11:04- OK, OK, let's do this.- Yeah. - Where's Caleb? There's Caleb!
0:11:04 > 0:11:06Caleb's is really specific.
0:11:06 > 0:11:08What's... Oh, take out your gum.
0:11:10 > 0:11:12It's called spit the gum. It's...
0:11:14 > 0:11:15It's really good.
0:11:15 > 0:11:18Classy, Caleb, cos who knew I was coming to you next?
0:11:19 > 0:11:22"They're doing that dancing item they told me about."
0:11:24 > 0:11:27Was that in a tissue or anything or is your friend just holding that?
0:11:27 > 0:11:30LAUGHTER
0:11:30 > 0:11:31You're a good friend!
0:11:31 > 0:11:33APPLAUSE
0:11:33 > 0:11:37I've got to say, though, Caleb, I respect your humility.
0:11:37 > 0:11:40Because you decided there's no way you could possibly do this
0:11:40 > 0:11:43dance move and chew gum at the same time.
0:11:44 > 0:11:47I respect that humility. He wants to nail the dance move.
0:11:47 > 0:11:51- OK, let's hear it then. It is complicated.- OK.- OK, Caleb.
0:11:51 > 0:11:53Tonight, Caleb will be attempting....
0:11:55 > 0:11:59The daddy box step, with the Robert De Niro.
0:12:00 > 0:12:02That's a lot! That's a lot.
0:12:02 > 0:12:04OK, Caleb, out into the aisle.
0:12:04 > 0:12:06Let's see if he can actually do this.
0:12:06 > 0:12:09CHEERING
0:12:09 > 0:12:10Dad box step with De Niro.
0:12:12 > 0:12:13OK.
0:12:13 > 0:12:16- OK, let's start the music. - I need a second.
0:12:16 > 0:12:19Oh, he needs a second! Stop the music!
0:12:19 > 0:12:22- I just need to get the face going. - OK.- Oh, man!- OK.
0:12:24 > 0:12:25Oh!
0:12:26 > 0:12:29OK, start the music, start the music, here we go.
0:12:29 > 0:12:31MUSIC: Can't Stop The Feeling by Justin Timberlake
0:12:31 > 0:12:33Very good!
0:12:39 > 0:12:40Caleb, everybody!
0:12:40 > 0:12:42CHEERING
0:12:42 > 0:12:43You know what?
0:12:45 > 0:12:46You can't...
0:12:46 > 0:12:48He is so cool, he is so cool, doing that.
0:12:48 > 0:12:50You can't...
0:12:50 > 0:12:52- While you chew gum, you can't do it.- No!
0:12:56 > 0:12:59Sorry, that's the best bit. She's just offered it back to him.
0:13:03 > 0:13:07LAUGHTER DROWNS SPEECH
0:13:07 > 0:13:09APPLAUSE
0:13:13 > 0:13:16Emma and Ryan, everyone loves you together in La La Land,
0:13:16 > 0:13:18but this isn't the first time you've worked together.
0:13:18 > 0:13:19You worked together in Gangster Squad...
0:13:19 > 0:13:22In Crazy, Stupid, Love, we've even seen you dance together before.
0:13:22 > 0:13:25Interesting pose on me.
0:13:25 > 0:13:26I notice you're shirtless.
0:13:28 > 0:13:29It's a double whammy.
0:13:31 > 0:13:32But now, what happened?
0:13:32 > 0:13:36- Because the dancing didn't go to plan in Crazy, Stupid, Love.- Uh, no.
0:13:36 > 0:13:37Oh, yeah.
0:13:37 > 0:13:40- You mean the Dirty Dancing lift? - That's what I mean.- Yeah.
0:13:40 > 0:13:44- Well...- We were meant to do that and then... What happened?
0:13:44 > 0:13:47- Oh, you don't remember?- Well, I remember, but I'd like to hear you.
0:13:47 > 0:13:49- You'd like to hear me tell it. - Your version of it.
0:13:49 > 0:13:51Listen, when I was...
0:13:51 > 0:13:54LAUGHTER
0:13:54 > 0:13:58- Quick story.- When I was about seven years old... Quick story.
0:13:58 > 0:14:02When I was about seven years old, I was in gymnastics class
0:14:02 > 0:14:03and I was on these parallel bars
0:14:03 > 0:14:06that are about six feet off the ground,
0:14:06 > 0:14:09and I was standing on the top of the bars and the teacher was
0:14:09 > 0:14:11holding me by the ankles.
0:14:11 > 0:14:15And somehow or other, she let go.
0:14:15 > 0:14:19And I was standing on this bar and I felt myself beginning to tip forward
0:14:19 > 0:14:23and I put my arms in like this and I fell six feet
0:14:23 > 0:14:27- to the ground and I broke both of my arms at the same time.- Wow.- Yeah.
0:14:27 > 0:14:31And so I... You know, I spent a whole summer...
0:14:31 > 0:14:34I lived in Arizona, which is, like, 120 degrees, which...
0:14:34 > 0:14:36- I don't know what that is in Celsius.- Hot.
0:14:37 > 0:14:38Quite hot. So...
0:14:40 > 0:14:42I had a cast and all the... You know, it was miserable.
0:14:42 > 0:14:44It was the day before the last day of school.
0:14:44 > 0:14:46Anyway, I had internalised this experience -
0:14:46 > 0:14:48that's a really important part of this story.
0:14:48 > 0:14:50It's an important detail.
0:14:50 > 0:14:52I really know how to tell a story(!)
0:14:53 > 0:14:55So, anyway...
0:14:55 > 0:14:57GRAHAM LAUGHS
0:14:57 > 0:15:00Years later we do Crazy, Stupid, Love.
0:15:00 > 0:15:03I know that we're going to do the Dirty Dancing lift.
0:15:03 > 0:15:06I don't know, however, that I have an internalised phobia of being,
0:15:06 > 0:15:10you know, lifted over someone's head at the height of about six feet.
0:15:10 > 0:15:15So I run to do the lift and Ryan lifts me over his head and I...
0:15:15 > 0:15:18What did I do, Ryan?
0:15:18 > 0:15:20I've never had this happen, but I imagine if
0:15:20 > 0:15:25a possum fell out of a tree and tried to scratch your eyes out...
0:15:27 > 0:15:29..it would be something similar.
0:15:30 > 0:15:34It was a lot. And then, it was like a full meltdown.
0:15:34 > 0:15:37- I mean, I had like a real meltdown. - Yeah, you had to go...
0:15:37 > 0:15:39You crawled in bed and watched...
0:15:39 > 0:15:41- Labyrinth.- Labyrinth.
0:15:43 > 0:15:46We were in a house and she was like, "I have to go watch Labyrinth."
0:15:46 > 0:15:48LAUGHTER
0:15:48 > 0:15:52For an hour, I went and lay down crying, watching Labyrinth.
0:15:52 > 0:15:56"This is so stupid." And then Ryan came in and was like, "Yeah, right?"
0:15:56 > 0:15:58And then the directors came in and were like, "Yeah, right?
0:15:58 > 0:16:02"We're going to use the double." And I was like, "Great.
0:16:02 > 0:16:05"I love the way Jennifer Connelly has a revelation in this."
0:16:05 > 0:16:07LAUGHTER
0:16:08 > 0:16:11Lots of big action sequences and stunts and everything, and,
0:16:11 > 0:16:14Michael Fassbender, you learnt some special skills,
0:16:14 > 0:16:15I believe, for this film.
0:16:15 > 0:16:19That's right, the parkour elements. So I got to perfect the roly-poly.
0:16:19 > 0:16:21LAUGHTER
0:16:21 > 0:16:24Now, you must have known how to do a roly-poly at one time in your life.
0:16:24 > 0:16:28- Think you could do one? - Not now! I'm 53!
0:16:28 > 0:16:30Back when I was 13 I could do a roly-poly.
0:16:30 > 0:16:33- You think you can do a roly-poly. - No, I know, cos I have tried.
0:16:33 > 0:16:34What is it? I don't know what is it.
0:16:34 > 0:16:37A roly-poly, it's a head over heels thing.
0:16:37 > 0:16:40- Yeah.- Do you want to see?
0:16:40 > 0:16:42- Oh, yes, yeah! - Shall we try a roly-poly?
0:16:42 > 0:16:43CHEERING
0:16:43 > 0:16:46Well, I might tear this suit, though, that's the problem.
0:16:46 > 0:16:49- You'll have to do it with me. - But I can't do it!- Yes, you can.
0:16:49 > 0:16:50No, I will look...
0:16:50 > 0:16:52I will look...
0:16:52 > 0:16:54CHEERING
0:16:54 > 0:16:56I will look like...
0:16:56 > 0:16:59It will look like abuse in a nursing home.
0:16:59 > 0:17:01It will look like you've just...
0:17:01 > 0:17:04You've dragged someone out of bed and you're kicking them
0:17:04 > 0:17:05down the corridor.
0:17:05 > 0:17:09- Show her how exactly it works. - You do it first.- OK.
0:17:09 > 0:17:10- You do it first.- So, basically...
0:17:10 > 0:17:12- I'm going to end up off the stage.- Don't do that.
0:17:12 > 0:17:15- But are you going to do a really fancy one?- No, no.
0:17:15 > 0:17:17So, basically, you have to keep your hand...
0:17:17 > 0:17:19CHEERING
0:17:19 > 0:17:21I could never do that!
0:17:21 > 0:17:23NEVER do that!
0:17:23 > 0:17:24- Try it.- No, no, I used to do...
0:17:24 > 0:17:26I thought you were just going to do that thing,
0:17:26 > 0:17:28where you do that and just roll over.
0:17:28 > 0:17:29No, but then you hurt yourself.
0:17:29 > 0:17:32- I could never do that! - Place your forearm down first
0:17:32 > 0:17:35- and then tuck your head over. - I can't do that!- Try it.
0:17:35 > 0:17:37I'll die!
0:17:37 > 0:17:40CHEERING AND APPLAUSE
0:17:40 > 0:17:41This is awful!
0:17:41 > 0:17:44I'll just stand here, in case you go off the edge.
0:17:44 > 0:17:48- But I wasn't really paying attention. So you...- Yeah, so you...
0:17:48 > 0:17:51- Hand, forearm...- Yes. - ..and then tuck your shoulder over.
0:17:51 > 0:17:54And stay on that side, don't go straight down your spine.
0:17:54 > 0:17:57- Hand, arm, and just tuck your head in.- OK.
0:17:57 > 0:17:59Don't think about it too much.
0:17:59 > 0:18:01LAUGHTER
0:18:01 > 0:18:05- Hand... Hang on, hand, arm... - Yeah.- And then I just go over?
0:18:05 > 0:18:06- This bit here.- Yeah.
0:18:06 > 0:18:09- Hand, this bit, and then just roll.- OK.
0:18:09 > 0:18:11- I won't get over!- Yeah, you will.
0:18:13 > 0:18:15CHEERING
0:18:15 > 0:18:17That wasn't it.
0:18:17 > 0:18:18That wasn't it!
0:18:18 > 0:18:20APPLAUSE
0:18:25 > 0:18:26That was amazing.
0:18:26 > 0:18:29LAUGHTER
0:18:29 > 0:18:31New Year's resolution.
0:18:33 > 0:18:37I got to see something there from a third person's point of view
0:18:37 > 0:18:39of something that I've been a part of many, many times,
0:18:39 > 0:18:42which was I'm saying to Michael, "I don't think I can keep going,"
0:18:42 > 0:18:43and you're like, "Yeah, you can."
0:18:43 > 0:18:48Just really quietly and confidently telling you you can until you do.
0:18:48 > 0:18:51It looked like an advert for Injury Lawyers 4 U.
0:18:53 > 0:18:55- Have you had an accident at work?- Yes, I have.
0:18:55 > 0:18:57LAUGHTER
0:18:57 > 0:19:00The thing is, I've heard you in interviews talking about the trials
0:19:00 > 0:19:04- of being in one of those jets. - Yeah.- I mean, it's horrific.
0:19:04 > 0:19:06Or would you be better now because you've done...?
0:19:06 > 0:19:07I fly aerobatics now,
0:19:07 > 0:19:11but when you first start flying, you get sick, you know.
0:19:11 > 0:19:14- Like properly sick?- Yeah, properly. Like, fill a bag sick, you know?
0:19:14 > 0:19:19I know, the first day when... You know, you've flown in...
0:19:19 > 0:19:22- Yeah.- Yeah. - You get really sick.- Yeah.
0:19:22 > 0:19:23Yeah!
0:19:23 > 0:19:25I flew with the Blue Angels and then I went...
0:19:25 > 0:19:28When we were filming, my deal was, when I made my deal I said,
0:19:28 > 0:19:32"I've got to fly in the F-14." I made it with the studio.
0:19:32 > 0:19:36And I had to be filmed in the F-14 live.
0:19:36 > 0:19:40And so I had to go through all the ejector seat training
0:19:40 > 0:19:41and couldn't wait to fly.
0:19:41 > 0:19:46So, in the morning, my first pilot that I flew with,
0:19:46 > 0:19:49- his name was Bozo... - LAUGHTER
0:19:49 > 0:19:52- Yeah.- Gives you confidence!
0:19:52 > 0:19:55He says, like, "Hi, how are you? Bozo." "Bozo?"
0:19:55 > 0:19:56When we were up there,
0:19:56 > 0:19:58we had five minutes of film and we had to turn...
0:19:58 > 0:20:00You know, we had to co-ordinate, he and I,
0:20:00 > 0:20:02and we had other aeroplanes coming in on us and there was
0:20:02 > 0:20:06air combat manoeuvres and very detailed briefings and everything.
0:20:06 > 0:20:09So, we're going out and we're just right,
0:20:09 > 0:20:10you know, I don't know,
0:20:10 > 0:20:12a couple of feet off the deck in the desert
0:20:12 > 0:20:15and we're just sweating, I'm sweating in the F-14 and...
0:20:15 > 0:20:17cos we're doing heavy manoeuvres.
0:20:17 > 0:20:21And we did a really heavy manoeuvre, we pulled like 9.5Gs and I...
0:20:21 > 0:20:24You know, you go out, you've got a G suit on, but you,
0:20:24 > 0:20:26you know, you just kind of black out.
0:20:26 > 0:20:29And when I came to, it was like I had my barf bag
0:20:29 > 0:20:30right here on the side of my thing.
0:20:30 > 0:20:32And I was like, "OK, so now I'm going to go get it done,
0:20:32 > 0:20:34"so I can do the next take."
0:20:34 > 0:20:37So I leaned down like this, pulled it out I was like...
0:20:37 > 0:20:41Just went down like this and he at that point decided to pull up!
0:20:41 > 0:20:45And he pulled up so hard and for so long, I mean,
0:20:45 > 0:20:48I can't do it now, my head, literally, was touching the ground
0:20:48 > 0:20:50with the G-force and my spine.
0:20:50 > 0:20:53And it pushed the togs right here, I was going like this...
0:20:53 > 0:20:55- STRAINED:- "Bozo, Bozo, Bozo..."
0:20:55 > 0:20:58It was like, you know, I mean, he was going up forever.
0:20:58 > 0:21:01So, finally he levelled off and I just, I had the bag in my hand,
0:21:01 > 0:21:03and I was like, "Bozo!"
0:21:03 > 0:21:06GRAHAM LAUGHS
0:21:06 > 0:21:08"What's...? Didn't you see? I...
0:21:08 > 0:21:10"You could've checked, you didn't tell me you were going to that.
0:21:10 > 0:21:12"My head was, like, what..."
0:21:12 > 0:21:14He says, "Yeah, they don't call me Bozo for nothing!"
0:21:14 > 0:21:16LAUGHTER AND APPLAUSE
0:21:16 > 0:21:18So, I had my barf bag, I held that, you know...
0:21:18 > 0:21:20APPLAUSE
0:21:22 > 0:21:25I see... Kelly, obviously not here, Diane not here.
0:21:25 > 0:21:29So I thought, just a treat, if I...
0:21:29 > 0:21:31I could be Kelly,
0:21:31 > 0:21:34if we could recreate this very, very quickly.
0:21:34 > 0:21:38So, if you stand up and get out...
0:21:39 > 0:21:41No, just to there, just to there.
0:21:41 > 0:21:42So, in what order...?
0:21:42 > 0:21:45So you're down this end. You're down this end, Robert.
0:21:45 > 0:21:49And then what is it? It's Robert, then I'd be in the gap,
0:21:49 > 0:21:51then who's next? Then... Yep, yep.
0:21:51 > 0:21:55- And then you're at the end.- Yeah. - OK. Now I do have some props.
0:21:55 > 0:21:56I need to see this a bit clearer.
0:21:56 > 0:21:59Embarrassingly, I'm dressed in almost exactly the same way.
0:21:59 > 0:22:00That's right!
0:22:00 > 0:22:03Did you know we were doing this, Ewan?
0:22:03 > 0:22:06- You're like, "I've shaved my head especially for this!"- Yeah!
0:22:06 > 0:22:09- I did, yeah!- That's for you, a little moustache and a cigarette.
0:22:09 > 0:22:11Thank you very much.
0:22:11 > 0:22:13- There's Spud's glasses.- Wicked.
0:22:13 > 0:22:16Now, Jonny, if you want to go...
0:22:16 > 0:22:18Do you want to go full blonde?
0:22:18 > 0:22:20- How can I not?! - OK, do it, do it, do it. OK.
0:22:20 > 0:22:23APPLAUSE AND CHEERING
0:22:25 > 0:22:27I've got my Kelly wig.
0:22:27 > 0:22:30OK. You're doing very well. OK, now...
0:22:30 > 0:22:33Now, if we put up the graphics...
0:22:35 > 0:22:37You're... No, no, you're that way. That way.
0:22:37 > 0:22:38I'm this way.
0:22:38 > 0:22:39So you're there.
0:22:39 > 0:22:43Oh, no. Yep, you're good. OK.
0:22:43 > 0:22:45And we're all doing it to that camera.
0:22:45 > 0:22:46So, which one am I leaning against?
0:22:46 > 0:22:49- I'm leaning towards you, aren't I? - Seductively.
0:22:51 > 0:22:54- Are we all doing it? Are we all doing it?- Yeah...
0:22:54 > 0:22:56CHEERING
0:22:56 > 0:22:59We did it. Very good. Excellent!
0:23:01 > 0:23:04Now, here's a thing, ladies and gentlemen.
0:23:04 > 0:23:07Whoopi Goldberg, your first big film role,
0:23:07 > 0:23:09- your first Oscar nomination, Color Purple...- Yes.
0:23:09 > 0:23:12Now, the audition for that, for Steven Spielberg,
0:23:12 > 0:23:14did you do like a whole show for him?
0:23:14 > 0:23:17Yeah, I'd been doing my show in New York,
0:23:17 > 0:23:20and when we were just about finished,
0:23:20 > 0:23:22my manager said,
0:23:22 > 0:23:27"Oh, Steven Spielberg can't make it to the show in New York.
0:23:27 > 0:23:34"He'd like you to come to LA and do your show at Amblin Studios",
0:23:34 > 0:23:36which is his studio.
0:23:36 > 0:23:38And I was like, "What?!"
0:23:39 > 0:23:42They said, "He wants you to come." I said, "But why?"
0:23:42 > 0:23:45They said, "Cos he wants to see the show."
0:23:46 > 0:23:48I said, "Oh, OK."
0:23:48 > 0:23:51Because I thought they were, I thought they were kidding.
0:23:51 > 0:23:56And so, when I got to Los Angeles and got to the studio,
0:23:56 > 0:23:59I thought, "Oh, maybe this... Maybe this is real!"
0:23:59 > 0:24:02And so, I go in...
0:24:02 > 0:24:05his secretary comes and he comes and gets me
0:24:05 > 0:24:07and all I can think of is...
0:24:07 > 0:24:09"Oh, shit!"
0:24:09 > 0:24:12Wait, wait, there's, like, no other people there? I mean...
0:24:12 > 0:24:15- No! It's just... - There wasn't like a sound stage...
0:24:15 > 0:24:18- No, it was just... - ..in all of the Amblin and friends?
0:24:18 > 0:24:20No, they took me right into his office.
0:24:20 > 0:24:21He's sitting there...
0:24:21 > 0:24:24He's sitting there and he's smiling at me and he said,
0:24:24 > 0:24:25"I want to see your show."
0:24:25 > 0:24:28- Come on!- I swear to God.- Come on!
0:24:28 > 0:24:30So, this is what happened.
0:24:30 > 0:24:33So, I did the show and he laughed a lot,
0:24:33 > 0:24:35he liked it, and then he said, "More."
0:24:35 > 0:24:39And I had been instructed not to do any more than the show.
0:24:39 > 0:24:42- So, what happened?- Well...
0:24:42 > 0:24:45I had one more piece, called Blee Tee,
0:24:45 > 0:24:47B-L-E-E T-E-E,
0:24:47 > 0:24:53about what would happen if ET landed in Oakland.
0:24:53 > 0:24:58Now, Oakland, California, at the time, was a very, you know,
0:24:58 > 0:25:01it was a rough area, you know, phones didn't work, so...
0:25:01 > 0:25:03It was a whole thing, so Blee Tee lands,
0:25:03 > 0:25:06he meets these two kids, they take him to the projects.
0:25:06 > 0:25:10He wants to phone home, no phones work.
0:25:10 > 0:25:15And he then falls in with some guys who are running prostitutes
0:25:15 > 0:25:18and he gets a Jheri curl.
0:25:18 > 0:25:20I don't know if you remember, Jheri curls were...
0:25:20 > 0:25:24Black folks had this thing where we would put this stuff in our hair,
0:25:24 > 0:25:27and it would make it look wet and drippy.
0:25:27 > 0:25:31And he had a powder blue suit and he was running whores.
0:25:31 > 0:25:34And when his people came to get him,
0:25:34 > 0:25:37he shot them up, he killed him, cos he...
0:25:37 > 0:25:39LAUGHTER
0:25:39 > 0:25:42He didn't recognise, he didn't his people.
0:25:42 > 0:25:46And the whole point of doing Blee Tee was to remind people
0:25:46 > 0:25:51that it's OK to assimilate, but you can never forget who you are.
0:25:51 > 0:25:55So, he's on the floor and I'm thinking, "This can't be good."
0:25:56 > 0:25:58And then he said, "I want to talk to you,
0:25:58 > 0:26:01"I want you to play Celie in The Color Purple."
0:26:01 > 0:26:03I said, "Come on, man, what?!"
0:26:03 > 0:26:06And he said "Yeah," and I burst into tears.
0:26:06 > 0:26:10And I said, "I think I could really suck at this."
0:26:10 > 0:26:12And he said, "Have you sucked before?"
0:26:16 > 0:26:19APPLAUSE
0:26:19 > 0:26:21And I said, "I got to tell you, yeah!"
0:26:22 > 0:26:25He said, "Well, then, this one won't bother you."
0:26:25 > 0:26:29- And that's how I got to make that movie.- Wow, and aren't we glad!
0:26:29 > 0:26:31Yes! APPLAUSE
0:26:34 > 0:26:37Now, very quickly, as it's Christmas time,
0:26:37 > 0:26:40and we have the nearest thing to royalty on our sofa.
0:26:40 > 0:26:43Dame Helen, I wonder, would you do us a little Christmas message?
0:26:43 > 0:26:45An inspirational Christmas message. Now, what we're doing,
0:26:45 > 0:26:48if you move down to the end of the sofa,
0:26:48 > 0:26:50so that the Christmas tree is in behind you.
0:26:50 > 0:26:53- Oh, man!- OK. - It's like good production.
0:26:53 > 0:26:56- There are words up there.- Yes.- OK.
0:26:56 > 0:26:59- Are you all set. Whoa! Oh! Oh!- Hey! Hey!
0:26:59 > 0:27:01LAUGHTER AND APPLAUSE
0:27:03 > 0:27:05We're not going to have a hey hey!
0:27:21 > 0:27:25- It has to come when you're not expecting it.- Yeah, yeah!
0:27:25 > 0:27:29OK. So, if you look down, we've got some suitable music for you.
0:27:29 > 0:27:30- Here we go.- OK.
0:27:30 > 0:27:34NATIONAL ANTHEM PLAYS
0:27:36 > 0:27:38Hello.
0:27:38 > 0:27:41At this time of celebration and togetherness,
0:27:41 > 0:27:44we have the chance to reflect on the year gone by
0:27:44 > 0:27:46and I think we can all agree
0:27:46 > 0:27:50that 2016 has been a big pile of shit.
0:27:50 > 0:27:51LAUGHTER
0:27:59 > 0:28:04So, my advice to you is drink responsibly and be merry.
0:28:04 > 0:28:08Have a very happy Christmas but, above all,
0:28:08 > 0:28:11go see Collateral Beauty, out on Boxing Day,
0:28:11 > 0:28:14at all good cinemas.
0:28:14 > 0:28:16CHEERING AND APPLAUSE
0:28:17 > 0:28:19And that's Helen. Out.
0:28:24 > 0:28:27Oh, dear.
0:28:27 > 0:28:29Now, a lot of people don't know this,
0:28:29 > 0:28:32but Eddie is in fact a highly-trained master magician.
0:28:32 > 0:28:36- Are you a member of the Magic Circle?- Um...no.
0:28:36 > 0:28:38LAUGHTER
0:28:41 > 0:28:46- Wow!- That moment was one of deep despair and loss.
0:28:46 > 0:28:48It was a dream when I was a child, but never happened.
0:28:48 > 0:28:51- Was it really?- Please tell me you're about to present me
0:28:51 > 0:28:54- with some Magic Circle....- I know that you can do amazing magic,
0:28:54 > 0:28:59- because we have here just a totally ordinary colouring book.- Oh!
0:28:59 > 0:29:02- This is totally ordinary.- Oh!
0:29:02 > 0:29:06But Eddie can do magic with it.
0:29:06 > 0:29:08- Isn't that right, Eddie?- I mean...
0:29:10 > 0:29:13Are you sitting comfortably, children?
0:29:13 > 0:29:15- No!- Oh!
0:29:15 > 0:29:17It's totally ordinary,
0:29:17 > 0:29:19- but you mustn't touch it! - Nothing unusual, at all.
0:29:21 > 0:29:25- OK.- Eddie's got it.- So excited.
0:29:25 > 0:29:27So, I loved Paul Daniels.
0:29:27 > 0:29:29You probably won't know who Paul Daniels is.
0:29:29 > 0:29:32The late Paul Daniels was an amazing magician, who used to be on telly
0:29:32 > 0:29:34every Saturday night, and I was obsessed with him.
0:29:34 > 0:29:37This is my moment to be on television doing magic.
0:29:37 > 0:29:38- Ben, are you ready?- I'm ready.
0:29:38 > 0:29:42This is a colouring book, there is nothing weird, odd or bizarre
0:29:42 > 0:29:46about it, other than it says the word "magic" on the front of it.
0:29:46 > 0:29:50There is actually nothing in the colouring book. I'm showing you.
0:29:50 > 0:29:53- Do you see?- There is nothing. - Nothing in it.
0:29:54 > 0:29:56- But, Bryan...- Yes.
0:29:57 > 0:29:59Will you blow on the colouring book?
0:30:00 > 0:30:02I beg your pardon?
0:30:05 > 0:30:07No, harder than that.
0:30:07 > 0:30:10LAUGHTER
0:30:13 > 0:30:14Come on! Blow hard!
0:30:14 > 0:30:16APPLAUSE
0:30:16 > 0:30:19I'm going to blow hard. OK. Ah!
0:30:19 > 0:30:21Let's see what that's done, shall we?
0:30:23 > 0:30:26Oh! Oh, wow!
0:30:26 > 0:30:28Pictures, don't you know!
0:30:28 > 0:30:30- Wow.- That is some crazy magic!
0:30:30 > 0:30:33- There's more, there's more.- More?! - Don't stop me right there.
0:30:33 > 0:30:34There's more!
0:30:34 > 0:30:37OK, so the next stage is...
0:30:37 > 0:30:41- Now we have pictures, Ben, we have pictures.- I can see the pictures.
0:30:41 > 0:30:45- Will you blow on it?- I will.
0:30:45 > 0:30:48- Give me your full Smaug. - I will blow hard.
0:30:48 > 0:30:50- Pah!- OK, good.
0:30:50 > 0:30:52Was it hard enough?
0:30:52 > 0:30:55I should do panto! Oh, yes!
0:30:55 > 0:30:58- Was it hard enough?- Look, Mum. We've talked about this, Mum!- Let's see.
0:30:58 > 0:31:01- No, it wasn't hard enough.- Oh!
0:31:01 > 0:31:03But I'm a wizard.
0:31:03 > 0:31:06- And I've got my wand.- Oh! CHEERING
0:31:07 > 0:31:09That was good!
0:31:09 > 0:31:13- It's been sitting there awkwardly for the whole show.- Don't spoil it!
0:31:13 > 0:31:21Sorry. And maybe, for full-on Marvel, like, wizarding crossover,
0:31:21 > 0:31:24- the potential for Doctor Strange... - We might get sued for this.
0:31:24 > 0:31:26Will you give us a spell, Ben?
0:31:27 > 0:31:30- Aza-ka-zham!- Good!- Very good.
0:31:30 > 0:31:33Actually, better than I did.
0:31:33 > 0:31:35Drumroll?
0:31:35 > 0:31:37There you go!
0:31:39 > 0:31:42Oh, my! Oh! Oh! Oh!
0:31:42 > 0:31:44APPLAUSE
0:31:45 > 0:31:47That's good!
0:31:47 > 0:31:52Now, Nadiya, so, Bake Off, winning Bake Off, I think...
0:31:52 > 0:31:55I mean, I think... You are everyone's favourite winner.
0:31:55 > 0:31:58- I mean, that final was just so emotional and lovely.- Yeah.
0:31:58 > 0:32:04- Are you recognised everywhere you go now?- Yes. Yes.- Everywhere?
0:32:04 > 0:32:05It's not a bad thing.
0:32:05 > 0:32:07You know, people are lovely, people are so nice. Some not so nice,
0:32:07 > 0:32:08but mostly nice.
0:32:08 > 0:32:11- Um... And... - LAUGHTER
0:32:11 > 0:32:13Yeah, mostly nice.
0:32:13 > 0:32:15But I recently went...
0:32:15 > 0:32:19And I'm not shy, we've all got to do it. I went for my smear test...
0:32:19 > 0:32:21All been there. LAUGHTER
0:32:21 > 0:32:23Yes, yes.
0:32:23 > 0:32:25- And, as you do.- Yep.
0:32:25 > 0:32:27And it's that God-awful fear, where you think,
0:32:27 > 0:32:30"Oh, I really don't want to go. I just want to get this over with.
0:32:30 > 0:32:33"I've shaved my legs. Let's do this, come on."
0:32:33 > 0:32:35And then, you turn up and I just thought,
0:32:35 > 0:32:37"Please don't recognise me, please don't recognise me.
0:32:37 > 0:32:41"I hope she doesn't recognise me. Just go in, get it done, get out."
0:32:41 > 0:32:45- There I was, speculum... - LAUGHTER
0:32:45 > 0:32:49..and she said, "So, is Paul Hollywood really that good looking?"
0:32:49 > 0:32:50LAUGHTER
0:32:55 > 0:32:58- That's a way to get you to relax! - LAUGHTER
0:32:58 > 0:33:01Comes at you with the Eiffel Tower.
0:33:01 > 0:33:05APPLAUSE
0:33:05 > 0:33:08I wonder what made her think of him.
0:33:08 > 0:33:11- The beard? - LAUGHTER
0:33:13 > 0:33:16- Too much?- Yeah, maybe!
0:33:16 > 0:33:19But the thing is, we didn't get this. I don't think we got it here,
0:33:19 > 0:33:21called The Voyage Of The Mimi.
0:33:21 > 0:33:23How old were you when you presented Voyage Of The Mimi?
0:33:23 > 0:33:26I did it over a period of time. I'm not sure which clips you have,
0:33:26 > 0:33:28there's some where I'm ten and some where I'm 13.
0:33:28 > 0:33:33- I think this might be a later...- I was even 14, when I came to England.
0:33:33 > 0:33:35You might be 14 in this one, cos this is in England.
0:33:35 > 0:33:38This is to just give you a taste of Voyage Of The Mimi.
0:33:38 > 0:33:40Hi, I'm Ben Affleck.
0:33:40 > 0:33:43Archaeologists, like the ones in the second Voyage Of The Mimi,
0:33:43 > 0:33:46are a lot like detectives, but their clues are hundreds,
0:33:46 > 0:33:49even thousands, of years old and they can never really be sure
0:33:49 > 0:33:51if they've solved their mysteries, you know,
0:33:51 > 0:33:54never really know what was happening back in the past.
0:33:54 > 0:33:57Well, there's a man here, 60 miles south-west of London, England,
0:33:57 > 0:34:01who's doing some archaeology that might help provide some new clues
0:34:01 > 0:34:02for some old mysteries.
0:34:02 > 0:34:05Oooh. APPLAUSE
0:34:05 > 0:34:07Beautiful work.
0:34:07 > 0:34:10Very relaxed.
0:34:10 > 0:34:13- I knew how to set up a story. - You just looked really relaxed.
0:34:13 > 0:34:17Those jeans said, "Hands in pockets," didn't they?
0:34:17 > 0:34:21You know when you get a laugh just on saying, "I'm Ben Affleck."
0:34:21 > 0:34:27I was a very gangly young man, who came to England and was...
0:34:27 > 0:34:29There was a documentary, I think, about Greenwich Mean Time.
0:34:29 > 0:34:31I'd never been to England before,
0:34:31 > 0:34:33I was all excited about the time difference.
0:34:33 > 0:34:34- It was a big thrill. - Now, when you were talking,
0:34:34 > 0:34:36obviously you're a very bright man,
0:34:36 > 0:34:40did you understand what they were saying to you?
0:34:40 > 0:34:43No, it was totally beyond me. I had no idea.
0:34:43 > 0:34:45They worked me to the bone, so I was half asleep all the time.
0:34:45 > 0:34:47They would get to my reaction shots, at the end of the day,
0:34:47 > 0:34:50you know, I was just kind of going like, "Yeah."
0:34:50 > 0:34:52You are a very good actor, but I have to say,
0:34:52 > 0:34:56you do seem a little unengaged in some of your listening shots.
0:34:56 > 0:34:58We just put together a few, a selection.
0:34:58 > 0:35:02Also, so, there are two things to enjoy here.
0:35:02 > 0:35:07It's Ben Affleck's unengaged listening face and the experts, who,
0:35:07 > 0:35:11I don't know who you are, experts, but you are amazing.
0:35:11 > 0:35:14I'm not really involved with the physics of these machines.
0:35:14 > 0:35:19My job is to design these big magnetic devices.
0:35:19 > 0:35:23So those oscillations in skin temperature represent turning on,
0:35:23 > 0:35:25sweating, evaporative cooling.
0:35:25 > 0:35:27Turning off, sweating,
0:35:27 > 0:35:29waiting until the skin temperature gets hot again.
0:35:29 > 0:35:31And then it cycles.
0:35:31 > 0:35:33What happens to us here in the stone yard, Ben,
0:35:33 > 0:35:37is to actually follow the life of one stone in particular,
0:35:37 > 0:35:39right the way from the quarry,
0:35:39 > 0:35:41as we get it here in the rough block...
0:35:41 > 0:35:43Other animals pant,
0:35:43 > 0:35:45breathing rapidly over their tongue and mucous membranes
0:35:45 > 0:35:49to get evaporative cooling there and some through the foot pads.
0:35:49 > 0:35:51There's a little bit of temperature and heat exchange through
0:35:51 > 0:35:53their foot pads, but mostly panting.
0:35:53 > 0:35:58APPLAUSE
0:35:58 > 0:36:02- You did well.- Yeah, that is my... I still use that face.
0:36:02 > 0:36:05That look is all over Pearl Harbor.
0:36:05 > 0:36:08Animals, I know you've talked about animals a lot,
0:36:08 > 0:36:10because you were very young...
0:36:10 > 0:36:12You always were interested in nature and animals.
0:36:12 > 0:36:14I've always been fascinated with science and nature.
0:36:14 > 0:36:16That's probably my first love, you know,
0:36:16 > 0:36:19before film, or comedy, or even music.
0:36:19 > 0:36:20Yeah, and...
0:36:21 > 0:36:24..I remember when I was about...
0:36:24 > 0:36:26Along with that, growing up in my family,
0:36:26 > 0:36:28everyone was winding everyone up.
0:36:28 > 0:36:33I was the youngest of four, and I remember once when my sister,
0:36:33 > 0:36:36she must've been about, I don't know, 25 or something.
0:36:36 > 0:36:38I was, like, eight.
0:36:38 > 0:36:40And they used to take me out in the woods.
0:36:40 > 0:36:42And I used to be foraging.
0:36:42 > 0:36:45I used to love insects and I knew about space and everything.
0:36:45 > 0:36:50And I found a perfect little discarded snakeskin.
0:36:50 > 0:36:52And I picked it up and my sister was scared of it.
0:36:52 > 0:36:55And I suddenly thought, "I've got her." And I was teasing her.
0:36:55 > 0:36:57And she was going, "Put it down, it's got germs."
0:36:57 > 0:36:58And I was running around chasing her.
0:36:58 > 0:37:01And she went, "You're not coming in the car with that."
0:37:01 > 0:37:03So eventually I left it there. And then when I was about 15,
0:37:03 > 0:37:05I was at home with a few of my mates
0:37:05 > 0:37:08and I decided to wind her up and I started teasing her about
0:37:08 > 0:37:10how she was scared of snakes, I chased her with a snakeskin.
0:37:10 > 0:37:14And she chose that time to tell me that I'd actually been running
0:37:14 > 0:37:16around with a used condom.
0:37:16 > 0:37:18LAUGHTER
0:37:27 > 0:37:29So, yeah...
0:37:29 > 0:37:31"Look, it left its poison!"
0:37:34 > 0:37:37Fifty Shades Darker, but, actually, this isn't darker.
0:37:37 > 0:37:39It's more romantic, I would say.
0:37:39 > 0:37:42Yeah, I think that's probably true, yeah.
0:37:42 > 0:37:45Yes. There's probably more sex in it...
0:37:45 > 0:37:46GIGGLING
0:37:46 > 0:37:49LAUGHTER
0:37:49 > 0:37:52More sex?! Jamie doesn't speak.
0:37:52 > 0:37:54No.
0:37:54 > 0:37:55I make noises.
0:37:58 > 0:38:02I make, like...American-accented noises throughout. No...
0:38:02 > 0:38:05Yeah, that's actually a question, though - do they let you do that?
0:38:05 > 0:38:10When you're doing the scenes, does the director say,
0:38:10 > 0:38:13"More vocalisation" or do they say less?
0:38:13 > 0:38:16- There's often stuff... - JAMIE CHUCKLES
0:38:16 > 0:38:19- It's like... - KEANU SCREAMS
0:38:19 > 0:38:22- They're like, "No, that's not good." - No-one comes like that.
0:38:22 > 0:38:24LAUGHTER AND APPLAUSE
0:38:26 > 0:38:30Yeah, they do. Yeah, they do, man.
0:38:30 > 0:38:35There are some scenes where they will play music, maybe...
0:38:35 > 0:38:39If it's a wide shot and it's not all...
0:38:39 > 0:38:41It's the closest we get to sort of, kind of,
0:38:41 > 0:38:46just going for it in one piece. They'll play music or something.
0:38:46 > 0:38:49My temptation is always just to try to make Dakota laugh.
0:38:49 > 0:38:51Sometimes I'll do things like...
0:38:51 > 0:38:55When there's a moment where I'm meant to, you know, orgasm,
0:38:55 > 0:38:56I'll be like...
0:38:56 > 0:38:58# Doodle-do do-do-do! #
0:38:58 > 0:39:00LAUGHTER
0:39:01 > 0:39:03See, people do THAT, Keanu.
0:39:03 > 0:39:06Which, by the way, if they don't, they should.
0:39:06 > 0:39:09It's like a Ryanair flight when a Ryanair flight lands,
0:39:09 > 0:39:10# Doodle-do do-do-do. #
0:39:15 > 0:39:17- Yeah. - APPLAUSE
0:39:19 > 0:39:21And actually there's a link between Mo and Tom.
0:39:21 > 0:39:25Because the last time you were on, you remember those memes
0:39:25 > 0:39:28- people would do, the Mo Farah running away from things?- Yeah.
0:39:28 > 0:39:31- So, Mo Farah running away from a bear.- Oh!
0:39:32 > 0:39:34Mo Farah in a bull run.
0:39:35 > 0:39:38Mo Farah in the Sound Of Music.
0:39:40 > 0:39:44And there is one of Mo Farah running away from Forrest Gump.
0:39:50 > 0:39:52- I like that.- One of the reasons, like,
0:39:52 > 0:39:55I'll always remember Tom and obviously it's amazing what he does,
0:39:55 > 0:39:58is when you go out for a run, "Run, Forrest, run!"
0:40:00 > 0:40:03- But it's a nice thing, it's a compliment.- It's lovely.
0:40:03 > 0:40:05You've got to think, you've gone to all that trouble of becoming
0:40:05 > 0:40:08a famous runner, and they're still calling you another name.
0:40:08 > 0:40:10How hard is Mo?
0:40:11 > 0:40:14Run, Farah, run. Maybe that could work. See, there you go.
0:40:14 > 0:40:21- Run, Farah, run. Take it, folks. It is my gift unto you.- They are.
0:40:21 > 0:40:23Actually, could you do a lovely thing, Tom,
0:40:23 > 0:40:24could you do a lovely thing?
0:40:24 > 0:40:27Just cos Mo's here - he's the greatest runner in the world.
0:40:27 > 0:40:29Could you do the line from Forrest Gump where
0:40:29 > 0:40:32he suddenly discovers how much he likes running?
0:40:32 > 0:40:34I would be happy to do it,
0:40:34 > 0:40:36but you must show the lady with the cue card,
0:40:36 > 0:40:39cos otherwise people will think that I've actually memorised this.
0:40:39 > 0:40:42Show the lady with the cue card, cut over to her. Just show... See?
0:40:42 > 0:40:45There she is. She's there.
0:40:45 > 0:40:47I will in fact do it. OK, it is...
0:40:47 > 0:40:50- This is for you, Mo. - This is for you, Mo.
0:40:50 > 0:40:53"Now you wouldn't believe me if I told you, but I could run
0:40:53 > 0:40:55"like the wind blows.
0:40:55 > 0:41:01"From that day on, if I was going somewhere, I was RUNNING."
0:41:01 > 0:41:03CHEERING AND APPLAUSE
0:41:03 > 0:41:07It's going to haunt you for the rest of your days.
0:41:07 > 0:41:09Don't embrace it too much.
0:41:09 > 0:41:11It makes us all so happy. It makes us happy!
0:41:14 > 0:41:17And the interview where you talked about your approach to the race,
0:41:17 > 0:41:19the phrases you used in that -
0:41:19 > 0:41:22so, explain to people what you said in that.
0:41:22 > 0:41:24- Do you know which one?- Which one? - What did we say?
0:41:24 > 0:41:26- About going A to B as fast as you can.- Oh, yeah.- Yeah.
0:41:26 > 0:41:29It is a fairly simple sport, like.
0:41:31 > 0:41:33There's a start line and a finish line.
0:41:33 > 0:41:35Don't complicate things, like.
0:41:35 > 0:41:37People do complicate it, like.
0:41:37 > 0:41:39Your man says "go" at the start, and there's a hooter at the finish,
0:41:39 > 0:41:42and if you can get from "go" to the hooter,
0:41:42 > 0:41:44- then...- No bullshit, like.- Yeah.
0:41:46 > 0:41:49And then this thing about closing your eyes and pull like a dog.
0:41:49 > 0:41:51- Yeah. - That phrase, who came up with that?
0:41:51 > 0:41:53- That was Paul.- That was mine, yeah.
0:41:53 > 0:41:55- Is "pull like a dog" - is that a phrase?- No!
0:41:55 > 0:41:57It is now, apparently!
0:41:59 > 0:42:01It's everywhere now in Ireland.
0:42:01 > 0:42:04- Yeah.- It is.- Like, you'll be walking down the street, there,
0:42:04 > 0:42:05in Dublin or somewhere,
0:42:05 > 0:42:07and a fella would shout across the road, like, "Pull like a dog."
0:42:07 > 0:42:10- "Pull like a dog," yeah. - The best ever!
0:42:10 > 0:42:12Lads will be encouraging inside a nightclub,
0:42:12 > 0:42:15"Close your eyes and pull like a dog."
0:42:19 > 0:42:23Have you ever had a member of your desired sex
0:42:23 > 0:42:25tell you to pull like a dog?
0:42:27 > 0:42:28LAUGHTER
0:42:30 > 0:42:33The questions are getting harder now.
0:42:33 > 0:42:36But... But wasn't there a guy that came up to you in a...?
0:42:36 > 0:42:39That's right. Some fella came up to Paul inside a nightclub
0:42:39 > 0:42:41- in Skibbereen, like, and he had a... - Oh, a tattoo, yeah!
0:42:41 > 0:42:43Like proper ink tattoo, like,
0:42:43 > 0:42:46across his full forearm saying, "Pull like a dog".
0:42:46 > 0:42:49- Wow.- I was like, that was nuts, like.
0:42:49 > 0:42:51He may live to regret that.
0:42:51 > 0:42:54Probably wanking away, there.
0:42:55 > 0:42:58APPLAUSE
0:43:05 > 0:43:08And the dance troupe you were in, can you tell us about it?
0:43:08 > 0:43:12Because, apparently, young dancers, they can be quite vicious.
0:43:12 > 0:43:14It's a cut-throat business.
0:43:14 > 0:43:16And I had to get out.
0:43:16 > 0:43:17LAUGHTER
0:43:17 > 0:43:22I was on some kind of a Canadian Star Search,
0:43:22 > 0:43:24and I somehow made it to the finals,
0:43:24 > 0:43:28and my main competition were these two...
0:43:28 > 0:43:30twins who were tap dancers,
0:43:30 > 0:43:34- and they were dancing to Phil Collins' Two Hearts.- Ooh!
0:43:34 > 0:43:37And they had big heart-shaped bows and they were just...
0:43:37 > 0:43:41They were the ones to beat so...
0:43:41 > 0:43:44I remember wishing them luck and going on stage
0:43:44 > 0:43:46and I was getting ready to start.
0:43:46 > 0:43:49I was dancing to Everybody Dance Now by C+C Music Factory, of course.
0:43:49 > 0:43:51- Mm, yeah. - And I'm getting ready to start.
0:43:51 > 0:43:56This is how you start a winning dance number, if you want to know.
0:43:56 > 0:43:59I'm going to get out of your hand's way. Go ahead, go up.
0:43:59 > 0:44:01And I look up into the...
0:44:01 > 0:44:04just off stage and the two twins are standing there
0:44:04 > 0:44:08like the twins from The Shining.
0:44:08 > 0:44:09And they're just going like this...
0:44:09 > 0:44:11LAUGHTER
0:44:11 > 0:44:14APPLAUSE
0:44:16 > 0:44:22And I was like, "All right, this means war," so I just shimmied
0:44:22 > 0:44:27my way all the way to that trophy, to that tiny little trophy.
0:44:27 > 0:44:29No, because, is this the same troupe?
0:44:29 > 0:44:31I was going to say it's an all-girl troupe but obviously it's not,
0:44:31 > 0:44:34- you're in it.- Right.- But...
0:44:34 > 0:44:37- Thank you. - But you are the only boy in it.
0:44:37 > 0:44:39- Yeah, that was the... - Was that the...?
0:44:39 > 0:44:41- That was the point. - That was the gimmick.
0:44:41 > 0:44:43They let me dance there for free because I was a guy,
0:44:43 > 0:44:47because if you had a guy, you would win.
0:44:47 > 0:44:50- Oh, OK.- Yeah. - So are you ready to see...?
0:44:50 > 0:44:53AUDIENCE: Yes!
0:44:53 > 0:44:57I believe you're dancing to Cathy Dennis' classic Touch Me.
0:44:59 > 0:45:02And how old are you in this one?
0:45:02 > 0:45:03Old enough to know better.
0:45:03 > 0:45:05LAUGHTER
0:45:05 > 0:45:07Enjoy.
0:45:15 > 0:45:17LAUGHTER
0:45:25 > 0:45:28CHEERING AND APPLAUSE
0:45:32 > 0:45:34Hey, it's nearly time to go,
0:45:34 > 0:45:38but we've just got time to go for the visit
0:45:38 > 0:45:40- to the Big Red Chair. Hello!- Hello.
0:45:40 > 0:45:42- Hello! Hi, what's your name?- James.
0:45:42 > 0:45:45- James, lovely James. And what do you do?- I'm a civil servant.
0:45:45 > 0:45:47A civil servant, lovely. In London here?
0:45:47 > 0:45:50- Yes, in London. - And are you from the London area?
0:45:50 > 0:45:53No, I live in London, but I'm originally from Suffolk.
0:45:53 > 0:45:56- Oh... Oh!- Yeah, mate! - It's a Suffolk massive.
0:45:56 > 0:45:58LAUGHTER
0:45:58 > 0:45:59What school did you go to?
0:45:59 > 0:46:02Erm, so I went to Brandeston.
0:46:02 > 0:46:05Oh, sweet, yeah. I went there for primary school.
0:46:05 > 0:46:08- Yeah.- OK.- Did we know each other? - Yeah.
0:46:08 > 0:46:10- Did we? - LAUGHTER AND APPLAUSE
0:46:10 > 0:46:12I'm not wearing my glasses.
0:46:12 > 0:46:14- Have a look. - I'm not wearing my glasses.
0:46:14 > 0:46:17- What was it, James? - Hello, yeah.- James.
0:46:17 > 0:46:18- Yes.- Mee?!
0:46:18 > 0:46:20- That's the one.- What the fuck?!
0:46:20 > 0:46:23LAUGHTER AND APPLAUSE
0:46:23 > 0:46:26- You do know him?- He was my best mate growing up!- You're kidding?
0:46:26 > 0:46:27He was my best mate growing up!
0:46:27 > 0:46:30- And now you're talking to him on a monitor.- I'm not...
0:46:30 > 0:46:33- I'm not wearing my specs, and he's like...- Oh, my God.
0:46:33 > 0:46:35What the hell? Can we not flip him and just get out here?
0:46:35 > 0:46:39- Yeah, do you have a story or...? - Yeah, I did, but it's up to you.
0:46:39 > 0:46:41- JOSH:- Please let it be about Ed. - It is about Ed.
0:46:41 > 0:46:43- OK, tell your story...- OK, cool.
0:46:43 > 0:46:45- ..then we'll flip you and... - I'm going to sit with you.
0:46:45 > 0:46:47Oh, OK. Tell the story, tell the story.
0:46:47 > 0:46:49OK, cool. So, yeah, as Ed was saying...
0:46:49 > 0:46:51- This is so random, mate! - I know, it's really weird.
0:46:51 > 0:46:54Yeah, when we were younger, Ed used to come round my house,
0:46:54 > 0:46:56and, yeah, like you were saying, we used to be quite good mates.
0:46:56 > 0:46:58- Best mates.- And I remember one time,
0:46:58 > 0:47:00one time he was coming round for tea,
0:47:00 > 0:47:03and I had forgotten to tell Mum he was a vegetarian.
0:47:03 > 0:47:04At that point, anyway.
0:47:04 > 0:47:07So Mum cooked, I think it was sausages and mash for tea.
0:47:07 > 0:47:09And Ed said, you know, after the meal,
0:47:09 > 0:47:11"These are the best sausages I've ever tasted,
0:47:11 > 0:47:13"where did you get them from?"
0:47:13 > 0:47:15And Mum had to lie, cos she had no clue,
0:47:15 > 0:47:17and so, yeah...
0:47:17 > 0:47:19- That was the first...- 16 years later, I'm really sorry!
0:47:19 > 0:47:21The first time I ever had meat.
0:47:21 > 0:47:23And also the first time I ever watched a Simpsons episode
0:47:23 > 0:47:25- was round your house as well. - Yeah, that's right.
0:47:25 > 0:47:28- OK. Well done, we're going to flip you now.- Come in!
0:47:28 > 0:47:29We can be reunited back stage, OK?
0:47:29 > 0:47:33- Put him on the couch! - OK. OK, there he goes.
0:47:33 > 0:47:35- APPLAUSE - That's nuts.
0:47:36 > 0:47:39Bring him on, bring him on, he wants to meet him.
0:47:39 > 0:47:41I feel like Cilla Black on Surprise Surprise.
0:47:42 > 0:47:44There he is!
0:47:44 > 0:47:46APPLAUSE AND CHEERING
0:47:48 > 0:47:51Come on! Have a seat, have a seat, have a seat, do!
0:47:51 > 0:47:54LAUGHTER
0:47:54 > 0:47:58APPLAUSE
0:48:18 > 0:48:21APPLAUSE AND CHEERING