0:00:04 > 0:00:06Graham Norton!
0:00:06 > 0:00:08Hear, hear!
0:00:08 > 0:00:10Thank you, thank you, Mr Speaker.
0:00:10 > 0:00:12On tonight's show,
0:00:12 > 0:00:16in addition to some luminescent stars of stage and screen...
0:00:16 > 0:00:18Hear, hear!
0:00:18 > 0:00:23..stage and screen, we will also be welcoming our longest-serving
0:00:23 > 0:00:24female Member of Parliament.
0:00:24 > 0:00:28- Hear, hear!- Order! Order!
0:00:28 > 0:00:30I put it to the House - let's start the show!
0:00:30 > 0:00:32CHEERING
0:00:37 > 0:00:40APPLAUSE AND CHEERING
0:00:49 > 0:00:52APPLAUSE AND CHEERING Oh! Oh!
0:00:54 > 0:00:56Hello!
0:00:56 > 0:00:58Hello! Hello!
0:01:01 > 0:01:04Welcome, welcome. Welcome, all.
0:01:04 > 0:01:10Yes, yes, there's a definite whiff of politics in the air tonight.
0:01:10 > 0:01:13And why not? It's been another rollercoaster week.
0:01:13 > 0:01:15The big news - Prime Minister Theresa May
0:01:15 > 0:01:17went to Washington. Yeah!
0:01:17 > 0:01:20The first world leader to meet with President Trump.
0:01:20 > 0:01:23Here she is holding Trump's hand.
0:01:24 > 0:01:28Still, so long as she's grabbing that, it's not grabbing something else.
0:01:29 > 0:01:31It was a very tender moment when they held hands,
0:01:31 > 0:01:34and I think we've got a picture of Theresa May just afterwards.
0:01:34 > 0:01:37HE GROANS AND RETCHES
0:01:40 > 0:01:44President Trump has been signing a flurry of executive orders.
0:01:44 > 0:01:47Now, I don't want to get TOO political with Trump's
0:01:47 > 0:01:51immigration policy, but if there are any Mexican Muslims watching,
0:01:51 > 0:01:54I wouldn't promise the kids Disney World this year.
0:01:56 > 0:01:59Meanwhile, nearly two million people have now signed an online petition
0:01:59 > 0:02:03to cancel Trump's planned state visit to Britain.
0:02:03 > 0:02:06Apparently, you can register your disapproval just by clicking
0:02:06 > 0:02:07a button on your iPad.
0:02:09 > 0:02:11Let's get some guests on.
0:02:11 > 0:02:13APPLAUSE AND CHEERING
0:02:13 > 0:02:16Later, we'll have music from the mighty Elbow.
0:02:16 > 0:02:18APPLAUSE AND CHEERING
0:02:18 > 0:02:22But first, since the age of eight, this young British star
0:02:22 > 0:02:24has worked with the likes of Martin Scorsese and Tim Burton,
0:02:24 > 0:02:27and now he's taking on his first adult role in The Space Between Us.
0:02:27 > 0:02:30Please welcome Asa Butterfield!
0:02:30 > 0:02:32APPLAUSE AND CHEERING
0:02:32 > 0:02:34Hello, Asa Butterfield!
0:02:34 > 0:02:36- Lovely to see you! Have a seat. - Thank you.
0:02:38 > 0:02:42She has been at the heart of Labour politics for over 30 years,
0:02:42 > 0:02:44and is the UK's longest-serving female MP.
0:02:44 > 0:02:48Her new memoir is called A Woman's Work. Please welcome Harriet Harman.
0:02:48 > 0:02:51APPLAUSE AND CHEERING Yes!
0:02:51 > 0:02:52Look at you! Hello!
0:02:55 > 0:02:59- I've realised you should be Prime Minister!- Sit, sit, sit!
0:02:59 > 0:03:03She's a four-time Oscar nominee who's starred in classic films
0:03:03 > 0:03:06such as American Beauty, The Grifters, The American President
0:03:06 > 0:03:07and The Kids Are All Right.
0:03:07 > 0:03:10Now she gives another stellar performance in the comedy drama
0:03:10 > 0:03:1220th Century Women.
0:03:12 > 0:03:14It's the great Annette Bening, everybody.
0:03:14 > 0:03:16APPLAUSE AND CHEERING
0:03:16 > 0:03:19Oh, showbiz shoulder!
0:03:19 > 0:03:21- Hello, hi! Come in!- Hi!
0:03:24 > 0:03:27And this British actor has appeared in films like The Social Network,
0:03:27 > 0:03:30The Amazing Spider-Man and Martin Scorsese's Silence.
0:03:30 > 0:03:34He's just been Oscar nominated for his performance in Hacksaw Ridge.
0:03:34 > 0:03:39Now returning to the stage with Angels In America - welcome back, Andrew Garfield!
0:03:39 > 0:03:41APPLAUSE AND CHEERING
0:03:41 > 0:03:45Hello! Oh, a hug! Come in, sit down.
0:03:50 > 0:03:52Whoo!
0:03:52 > 0:03:54Yep, in for the wine!
0:03:54 > 0:04:00- As quick as possible!- It's welcome back to Andrew, first time for Asa, Miss Bening.
0:04:00 > 0:04:03Now, Asa, people turning on the television...
0:04:03 > 0:04:07because you do look much younger than your actual years.
0:04:07 > 0:04:09- I do.- How old are you, actually?
0:04:09 > 0:04:12- I'm 19.- You can drink and swear, all sorts, it's good.
0:04:13 > 0:04:16I wanted to clarify, cos I would turn on the television, going,
0:04:16 > 0:04:19"But there's a very young person on the couch -
0:04:19 > 0:04:20"what are they talking about?!"
0:04:20 > 0:04:25- Now, Harriet Harman, you've never done a show like this before.- No.
0:04:25 > 0:04:28But when I saw you doing Prime Minister's Questions, I had
0:04:28 > 0:04:33a moment of revelation, I realised that you should be Prime Minister.
0:04:33 > 0:04:35CHEERING AND APPLAUSE
0:04:35 > 0:04:39- I think that a lot!- This is what we've been waiting for.
0:04:39 > 0:04:41You know?
0:04:41 > 0:04:44Next time there's a vacancy in Tower Hamlets, I'm in.
0:04:45 > 0:04:48Annette, have I seen you on a British talk show before?
0:04:48 > 0:04:53- I'm not sure that you have.- But in America, you must do.- I do, yeah.
0:04:53 > 0:04:59- Yeah?- Yeah, I do. I'm just shy, that's all.- OK. Get that down you!
0:05:01 > 0:05:04I find it a bit of a cure-all.
0:05:04 > 0:05:08And, Andrew Garfield, how lovely to have you at this time.
0:05:08 > 0:05:12- So happy to be here. - A big congratulations on your Oscar nomination.- Thank you.
0:05:12 > 0:05:14CHEERING AND APPLAUSE
0:05:18 > 0:05:21Oscars this month, I have heard you -
0:05:21 > 0:05:25you have threatened to recreate your beautiful Golden Globes moment,
0:05:25 > 0:05:28which you must be so regretting cos you have to talk about it
0:05:28 > 0:05:30everywhere you go. I'm sure you guys saw this.
0:05:30 > 0:05:34- Ryan Gosling was on the show a couple of weeks ago.- Yes.
0:05:34 > 0:05:38Ryan Gosling is getting his award. Annette, you're here somewhere.
0:05:38 > 0:05:42- Oh, there you are. Is that you? - Oh, yeah.- I think you're over there.
0:05:42 > 0:05:48Over here, stealing the thunder is Andrew Garfield and Ryan Reynolds.
0:05:48 > 0:05:51Are you going to do it at the Oscars?
0:05:51 > 0:05:53No! No!
0:05:53 > 0:05:57It was a ridiculous thing. It was ridiculous.
0:05:57 > 0:06:03I said to Ryan Reynolds, "If you win, kiss me instead of your wife."
0:06:05 > 0:06:07And he said, "Yeah, that's great!"
0:06:07 > 0:06:10And the plan was that he would kind of move towards his wife and
0:06:10 > 0:06:14then kind of last-minute move towards me.
0:06:14 > 0:06:18And then he didn't win, much to our disappointment, and I said,
0:06:18 > 0:06:19"We could still just do it!"
0:06:21 > 0:06:23And he was game.
0:06:23 > 0:06:25And I love the fact it was so deep in the background
0:06:25 > 0:06:29so you kind of have to look to see if it was actually...
0:06:31 > 0:06:36- Ryan Gosling was unaware of it.- I know.- Were you aware of it, Annette?
0:06:36 > 0:06:37No!
0:06:39 > 0:06:42That night,
0:06:42 > 0:06:45the big moment was Meryl making her amazing speech that night.
0:06:45 > 0:06:50- And I presume that the Oscars are going to be similar.- I imagine so.
0:06:50 > 0:06:52I'd imagine so.
0:06:52 > 0:06:56- Annette, you are famously a long-time Democrat.- Yes.
0:06:56 > 0:07:01Democrat supporter. But I heard, before the inauguration, you were kind of saying,
0:07:01 > 0:07:02"Calm down, everyone..."
0:07:04 > 0:07:06How are you feeling now?
0:07:06 > 0:07:10I don't remember saying, "Calm down, everyone."
0:07:10 > 0:07:17Well, I am... I respect very much the public servants, like you,
0:07:17 > 0:07:20people who put themselves up to help run our country,
0:07:20 > 0:07:23especially the Democrats, I am a Democrat.
0:07:23 > 0:07:28And I also very much right now applaud the Republicans
0:07:28 > 0:07:30who are standing up to Trump.
0:07:30 > 0:07:34We very much need them and so his attack on the press,
0:07:34 > 0:07:38I think is very unfortunate, I think we need the press, obviously.
0:07:39 > 0:07:43Harriet's going, "Do we, do we really? Are you sure we need the press?"
0:07:43 > 0:07:46I am feeling sorry for them in the States,
0:07:46 > 0:07:48I mean, they are really important.
0:07:48 > 0:07:51- Incredibly important. - And his spokespeople have said
0:07:51 > 0:07:55and he has said they are the opposition party, the press.
0:07:55 > 0:07:58- Yeah.- It takes a while for things to sort themselves out.
0:07:58 > 0:08:01I wonder, though, Harriet Harman, Theresa May
0:08:01 > 0:08:04went to Washington and is getting a lot of flak for that.
0:08:04 > 0:08:09I feel for her because we can't sever all ties with America,
0:08:09 > 0:08:11we need America.
0:08:11 > 0:08:14I suppose it's an easy question for you because you don't have to do it,
0:08:14 > 0:08:16but what WOULD be your approach to it?
0:08:16 > 0:08:18Well, I think that she's got to look
0:08:18 > 0:08:21as though she's a strong Prime Minister
0:08:21 > 0:08:25of a strong, self-confident country and not look as though
0:08:25 > 0:08:29she's going there begging for a trade deal on any terms whatsoever.
0:08:29 > 0:08:33That is why that handholding thing was so disastrous
0:08:33 > 0:08:36because it looked like he was sort of leading her along.
0:08:36 > 0:08:39And isn't that a particular problem for a female politician,
0:08:39 > 0:08:43cos he couldn't have done that to a man, robbing her of her power?
0:08:43 > 0:08:44Definitely.
0:08:44 > 0:08:46There's all sorts of rumours about why he did it,
0:08:46 > 0:08:49but she should have had in her briefing,
0:08:49 > 0:08:54"This man is an identified groper, stand well away!"
0:08:54 > 0:08:57- APPLAUSE - That should have been in her briefing.
0:09:02 > 0:09:05Harriet, in your time you have also encountered the problems
0:09:05 > 0:09:07of body language.
0:09:07 > 0:09:09There's that famous picture of you with Ed Balls.
0:09:12 > 0:09:15You don't look like you were inviting a kiss there!
0:09:15 > 0:09:18Actually, I absolutely love Ed Balls.
0:09:18 > 0:09:21You do appear to have eaten your own lips!
0:09:23 > 0:09:27I think... It's like politicians kissing in public.
0:09:27 > 0:09:32But Trump said apparently that he has got this thing called bathmophobia
0:09:32 > 0:09:35which is like, he is saying, I had to hold her hand
0:09:35 > 0:09:39because I've got this phobia, which is a fear of slopes.
0:09:39 > 0:09:44Now, I know men seize various parts of women's bodies for all sorts
0:09:44 > 0:09:49of reasons, but that is the first time I have heard bathmophobia!
0:09:49 > 0:09:52It's like, "I'm sorry, I've got to grab your bum
0:09:52 > 0:09:54"because I really feel giddy on this slope!"
0:09:56 > 0:09:57No!
0:09:57 > 0:10:00Anyway, he might have that phobia, but certainly I have got
0:10:00 > 0:10:04Trumpaphobia and I think lots of other people have as well.
0:10:04 > 0:10:06APPLAUSE Listen to that.
0:10:07 > 0:10:10It's like Question Time, it's good. I'm loving it. Yes!
0:10:12 > 0:10:15Man in the pink tie. Yes.
0:10:15 > 0:10:17Very good.
0:10:17 > 0:10:20Now, we mentioned already the Oscar nomination,
0:10:20 > 0:10:24but it is currently in UK cinemas, Hacksaw Ridge,
0:10:24 > 0:10:28directed by Mel Gibson, and it is an extraordinary true story.
0:10:28 > 0:10:33I love when films do this - they pick up a story that fell through the cracks of history.
0:10:33 > 0:10:35Tell us about who you play.
0:10:35 > 0:10:37Desmond Doss is the guy's name.
0:10:37 > 0:10:40And he was a real person.
0:10:40 > 0:10:43And he served in World War II
0:10:43 > 0:10:45as an army medic.
0:10:45 > 0:10:48But the difference is that he was a pacifist.
0:10:48 > 0:10:51And all medics had to be armed, but he refused.
0:10:51 > 0:10:54He refused to even go near a weapon.
0:10:54 > 0:10:58That unto itself, what a beautiful act,
0:10:58 > 0:11:02but legally he was obligated to carry one, so his own army
0:11:02 > 0:11:05tried to get him kicked out and railroaded and put in prison
0:11:05 > 0:11:08and he managed to finally find a legal loophole
0:11:08 > 0:11:11and ultimately serve, but he was ostracised by his own men.
0:11:11 > 0:11:16But then he did these miraculous things on the battlefield.
0:11:16 > 0:11:20He didn't only treat and save the lives of his own men -
0:11:20 > 0:11:2675 in one night, lowered down off a 400ft tall ridge.
0:11:26 > 0:11:30One man as skinny as me, carrying men the size of Vince Vaughn,
0:11:30 > 0:11:34but he also treated members of the opposition.
0:11:34 > 0:11:36He treated "the enemy".
0:11:36 > 0:11:40He didn't see skin colour, he saw...a man in need,
0:11:40 > 0:11:43only ever a man in need, he understood the sanctity of life.
0:11:43 > 0:11:45He...
0:11:45 > 0:11:49The values in him, the virtues in him that
0:11:49 > 0:11:54he embodied are incredible for us to look to now, and very awe-inspiring.
0:11:54 > 0:11:59Our clip is exactly that, our clip is during the horrific battle -
0:11:59 > 0:12:02those sequences are extraordinary -
0:12:02 > 0:12:06the battle at Hacksaw Ridge, and this is you rescuing your sergeant,
0:12:06 > 0:12:07played by Vince Vaughn.
0:12:07 > 0:12:10- You're like gum on a shoe. - Give me this.
0:12:10 > 0:12:14It's a bit late for target practice now, don't you think?
0:12:17 > 0:12:19Jump on it.
0:12:19 > 0:12:21- You're kidding. - No, I'm going to drag you.
0:12:21 > 0:12:23MAN SPEAKS IN JAPANESE
0:12:26 > 0:12:28Let's do it!
0:12:28 > 0:12:30HE GROANS
0:12:30 > 0:12:32- Ready?- Yeah.- Let's go.
0:12:34 > 0:12:37GUNFIRE, SHOUTING
0:12:37 > 0:12:40- We've got company!- Come on!
0:12:45 > 0:12:47GRUNTING
0:12:47 > 0:12:49APPLAUSE AND CHEERING Wow.
0:12:54 > 0:12:57It has been really well-received, this film.
0:12:57 > 0:12:59I mean, you got the Oscar nod,
0:12:59 > 0:13:01but how does it happen, were you watching telly,
0:13:01 > 0:13:04did you watch the announcement live?
0:13:04 > 0:13:07I couldn't, I was across the street from the studio,
0:13:07 > 0:13:10I'm rehearsing a play at the National Theatre right now.
0:13:10 > 0:13:12And I was in rehearsals
0:13:12 > 0:13:16for Angels In America, and we had just broken for lunch and
0:13:16 > 0:13:20they were doing the announcement on LA time.
0:13:20 > 0:13:25And I had bought a tuna salad in the National Theatre canteen.
0:13:25 > 0:13:27God is in the details.
0:13:27 > 0:13:32And I was eating said tuna salad...
0:13:32 > 0:13:35while drinking sparkling water,
0:13:35 > 0:13:37alone in the National Theatre canteen,
0:13:37 > 0:13:41terrified of doing a play again cos I'm a terrible actor...
0:13:41 > 0:13:42- AUDIENCE MEMBER:- Aw!
0:13:42 > 0:13:45- No, no, no...- No, let him.
0:13:46 > 0:13:49It was ironic, theatre rehearsals are tricky -
0:13:49 > 0:13:52it's a fumbling, failing process where you are trying to figure out
0:13:52 > 0:13:56what the hell you're doing, so you feel terrible, mostly.
0:13:56 > 0:14:00And then, to find out in that moment that you are nominated for such
0:14:00 > 0:14:04a prestigious award, it felt very ironic.
0:14:04 > 0:14:06It felt very strange. I didn't quite believe it.
0:14:06 > 0:14:11You must have gone back into the afternoon rehearsal thinking, "Hey, I've got this!"
0:14:11 > 0:14:15I was a bit like, "Oh, maybe I was wrong about that!"
0:14:15 > 0:14:18If anyone knows what it's like, it's Annette Bening.
0:14:18 > 0:14:22- You've been nominated, is it four times?- Yes.- Four times!
0:14:22 > 0:14:24Never won, obviously, but four times!
0:14:24 > 0:14:27- LAUGHTER - You would have to bring that up!
0:14:27 > 0:14:30- There's still time! - There's loads of time!
0:14:30 > 0:14:33So, what is it like being nominated?
0:14:33 > 0:14:35- What's the evening like? - Oh, it's very exciting.
0:14:35 > 0:14:39The first time I was nominated was 26 years ago.
0:14:39 > 0:14:44The five of us who were nominated got together in the audience before
0:14:44 > 0:14:49the show went on the air, and we all agreed, secretly, just amongst us,
0:14:49 > 0:14:54that we would have dinner the next week, and whoever won would pay.
0:14:55 > 0:15:00So Whoopi Goldberg won. The next day I was working on a movie,
0:15:00 > 0:15:01the next day in my trailer,
0:15:01 > 0:15:05I got a beautiful big bouquet of flowers with a little note saying,
0:15:05 > 0:15:09"Meet at such and such a restaurant next week."
0:15:09 > 0:15:15We all met, and Whoopi gave us each a gardenia
0:15:15 > 0:15:16and a chocolate Oscar.
0:15:16 > 0:15:20Aw! So, look at it this way, if you lose, Andrew,
0:15:20 > 0:15:21there might be a free dinner in it!
0:15:23 > 0:15:25It's swings and roundabouts.
0:15:25 > 0:15:29When you were really young, you were in Hugo and
0:15:29 > 0:15:32The Boy In The Striped Pyjamas.
0:15:32 > 0:15:34Were you around all the awards shows and things,
0:15:34 > 0:15:38- were you wheeled out? - I did some.- "Were you wheeled out"?!
0:15:38 > 0:15:43If there's a child in a movie, they LOVE bringing the child up onstage,
0:15:43 > 0:15:45going, "Look, it's a child!"
0:15:45 > 0:15:50I had my mum. She would get me in and it was all right.
0:15:50 > 0:15:51When you're that age,
0:15:51 > 0:15:55you don't really know what the hell's going on.
0:15:55 > 0:15:58I don't either! And I'm 66!
0:15:59 > 0:16:01Do they put you in a tiny tuxedo?
0:16:01 > 0:16:03They do!
0:16:03 > 0:16:06And usher you onto the carpet, and there's flashing lights,
0:16:06 > 0:16:08and you sort of stand and smile and look cute.
0:16:08 > 0:16:10It's fun.
0:16:10 > 0:16:13You know the way when you put on weight, you keep your suits,
0:16:13 > 0:16:16do you have a tiny tuxedo in the back of your wardrobe, thinking,
0:16:16 > 0:16:19"That might come in handy for something"?
0:16:19 > 0:16:22I do, and my mum wears it!
0:16:24 > 0:16:28Now, Andrew, we've mentioned already you're currently rehearsing
0:16:28 > 0:16:30Angels In America,
0:16:30 > 0:16:33which opens at the National Theatre on the 11th of April.
0:16:33 > 0:16:38It's unbelievable to me, the play is 25 years old.
0:16:38 > 0:16:42But for this anniversary production they have put together an extraordinary team.
0:16:42 > 0:16:48- Tell us who you've got.- Marianne Elliott is directing the play.
0:16:48 > 0:16:52- Who did The Curious Incident Of The Dog In The Night-time. - And War Horse.
0:16:52 > 0:16:56Which has 10,000 touring productions happening across the world right now.
0:16:56 > 0:17:00She's brilliant and the cast is incredible.
0:17:00 > 0:17:04Nathan Lane is playing Roy Cohn, the famous New York lawyer,
0:17:04 > 0:17:07one of Donald Trump's mentors, actually.
0:17:07 > 0:17:13- It all comes back!- It's set in the '80s in New York City.
0:17:13 > 0:17:18It's set in the AIDS crisis, where AIDS was at its peak
0:17:18 > 0:17:25and no-one really knew where it had come from or how to stop it.
0:17:25 > 0:17:31It was spreading like an awful wildfire that was just taking lives.
0:17:31 > 0:17:35And it's actually a comedy, we're discovering in rehearsals.
0:17:35 > 0:17:38It's weird, it's a very, very funny play that Tony has written.
0:17:38 > 0:17:40It's incredibly tragic but incredibly funny.
0:17:40 > 0:17:43It's basically about how the six or seven main characters
0:17:43 > 0:17:47are attempting to make sense of this modern plague.
0:17:47 > 0:17:50- There's massive excitement about this production.- Yeah.
0:17:50 > 0:17:53If you don't live in London, can't get to London,
0:17:53 > 0:17:55it is going to be beamed to cinemas around the world through one
0:17:55 > 0:17:57of those NT Live things.
0:17:57 > 0:18:0020th of July, so you've got plenty of time to get ready.
0:18:00 > 0:18:04And then a week later, 27th of July is the second part.
0:18:04 > 0:18:09Not to put people off, but altogether, it's about seven hours long, you think?
0:18:09 > 0:18:11- I don't know how long it is. - Speak quicker!
0:18:13 > 0:18:14They're going to cut a lot!
0:18:14 > 0:18:18It's absolutely going to be worth your time.
0:18:18 > 0:18:21Wait! I take that back, I'm not sure if it is yet!
0:18:21 > 0:18:24Oh, say it is! Sell, sell, sell!
0:18:24 > 0:18:27You're Oscar nominated, how bad can you be?!
0:18:28 > 0:18:32The play itself is absolutely worth your time, I swear to you,
0:18:32 > 0:18:35it's a life-changing experience in the theatre.
0:18:35 > 0:18:38Annette, you must have seen this the first time around?
0:18:38 > 0:18:41Indeed. In fact, it was done the first time in Los Angeles.
0:18:41 > 0:18:44It was the first time I had been in LA
0:18:44 > 0:18:47when a theatre piece really became an event.
0:18:47 > 0:18:51So it was done at the Mark Taper Forum, downtown. You would go for the day.
0:18:51 > 0:18:54You would go to the matinee, just like I'm sure people will do here.
0:18:54 > 0:18:57You would go to the matinee, you have a bite to eat
0:18:57 > 0:18:59and then you see the evening performance.
0:18:59 > 0:19:04Then it went to New York, it was a huge event. Yes, it's incredible.
0:19:04 > 0:19:08Yeah. Now, it's a chat show, so I'm very excited to tell you
0:19:08 > 0:19:13that on our couch tonight we have a record holder. Yes, we do.
0:19:13 > 0:19:16That record holder is Asa Butterfield.
0:19:16 > 0:19:18No, you ARE a record holder, aren't you?!
0:19:18 > 0:19:20Yeah, I guess.
0:19:20 > 0:19:24- That's what I've been told! - I hold a record, yeah.
0:19:24 > 0:19:27He's very fast at doing something. Any guesses, Andrew?
0:19:28 > 0:19:30How old are you?
0:19:30 > 0:19:31He's 19!
0:19:34 > 0:19:36I'll stop you!
0:19:36 > 0:19:38What are the things you're very fast at?
0:19:38 > 0:19:41Neither of them are at all useful.
0:19:42 > 0:19:44I can clap very fast.
0:19:44 > 0:19:47Take that, audience!
0:19:47 > 0:19:51Somebody on the couch has said, "I'm better at clapping than the audience!"
0:19:51 > 0:19:55And then I can type the alphabet very fast as well.
0:19:55 > 0:19:57It came about, really weirdly.
0:19:57 > 0:20:01But when you say very fast, tell us, what is your best time?
0:20:01 > 0:20:05- My best time for typing the alphabet is 1.97 seconds.- Wow!
0:20:07 > 0:20:10- And what's the world record? - I think it's under one second.
0:20:10 > 0:20:12Oh, is it? Oh, so you're NOT a record holder at all?
0:20:12 > 0:20:14No.
0:20:15 > 0:20:17What a waste of time this has been!
0:20:17 > 0:20:22Oh, I know! It's a record ATTEMPT, we're going for a record attempt!
0:20:22 > 0:20:27They have set, there's a website, they've set this up where there is
0:20:27 > 0:20:29a clock, the alphabet,
0:20:29 > 0:20:32and as you type the thing, the alphabet lights up.
0:20:32 > 0:20:36- I had one, my brother showed me it. - Can you show us on this?- I can.
0:20:36 > 0:20:39- Is it the same one?- I don't know.
0:20:39 > 0:20:42I like that you're bringing your drink with you!
0:20:42 > 0:20:45- Type the alphabet.- It's all there.
0:20:45 > 0:20:50OK. So, basically, you start typing and the clock starts, OK?
0:20:50 > 0:20:54Jeez. When I did this, the game was called Finger Frenzy.
0:20:54 > 0:20:56OK!
0:20:56 > 0:20:57LAUGHTER
0:20:58 > 0:21:02Maybe that's what you were googling when you found it!
0:21:04 > 0:21:08- I'm going to give it a go. - Honestly, this is good. Watch this, watch this.
0:21:08 > 0:21:10Come on, come on!
0:21:10 > 0:21:12For the record! CHEERING
0:21:12 > 0:21:14Here we go, here we go...
0:21:19 > 0:21:23- Oh! Try it again! Reset! - Where's the mouse?- Reset.
0:21:23 > 0:21:27- Reset. The first try.- OK. It was nerves!
0:21:27 > 0:21:32- It's a different keyboard layout. - It's the best of 20!
0:21:35 > 0:21:36Yes, yes...
0:21:36 > 0:21:40It's this game! I need Finger Frenzy!
0:21:40 > 0:21:42- APPLAUSE - I need Finger Frenzy!
0:21:45 > 0:21:47- Anybody else want a go?- No!
0:21:47 > 0:21:49- Harriet Harman, no?- No!
0:21:51 > 0:21:53All right, well, let's try fast clapping, then!
0:21:55 > 0:21:57LAUGHTER DROWNS OUT SPEECH
0:21:57 > 0:21:59I have no idea what this is...
0:21:59 > 0:22:03I watched a video on YouTube of someone who holds the world record.
0:22:03 > 0:22:05I'm getting all of these things off YouTube, it's amazing.
0:22:05 > 0:22:08So, there's a technique. Most people clap like this.
0:22:08 > 0:22:10It's the usual thing.
0:22:10 > 0:22:14But if you sort of flex like this,
0:22:14 > 0:22:17then it starts to speed up.
0:22:19 > 0:22:21Wow, that's very impressive!
0:22:27 > 0:22:30I would just say, enjoy this time, because now you can legally drink,
0:22:30 > 0:22:32these games are over for you!
0:22:33 > 0:22:36There will be far less time on YouTube learning how to clap fast,
0:22:36 > 0:22:38I promise you! Very impressive.
0:22:38 > 0:22:42Right, Annette Bening, you bring us a fabulous film -
0:22:42 > 0:22:4520th Century Women - it opens next Friday.
0:22:45 > 0:22:47I LOVE films like this.
0:22:47 > 0:22:51- Thank you.- It's just got a great ensemble cast, and it's
0:22:51 > 0:22:55a particular sort of American film that you guys are so good at making.
0:22:55 > 0:22:56Tell us about it.
0:22:56 > 0:23:00Mike Mills wrote and directed it, it's 1979, Santa Barbara,
0:23:00 > 0:23:04so this is pre-digital, which is kind of an interesting thing now,
0:23:04 > 0:23:07to look back at a time before we had the digital age.
0:23:07 > 0:23:12And I'm playing the mom who's trying to figure out
0:23:12 > 0:23:15my own life and raise my son,
0:23:15 > 0:23:18and I've got the son and he's trying to grow up and figure out me.
0:23:18 > 0:23:21And we've got a group of people living in the house,
0:23:21 > 0:23:25we've got Greta Gerwig, who's a punk artist, kind of wild woman,
0:23:25 > 0:23:29but who also has problems and has an illness. And we have
0:23:29 > 0:23:32Elle Fanning, who plays his friend,
0:23:32 > 0:23:35who is a bad-ass teenage girl, amazing.
0:23:35 > 0:23:36And Billy Crudup.
0:23:36 > 0:23:40And it's based on the director's mother.
0:23:40 > 0:23:43- Own life, yes.- I found her a really sympathetic character.
0:23:43 > 0:23:47Cos she's trying SO hard to be the best mother she can be.
0:23:47 > 0:23:51Right, but I like her because she's not an idealised mom,
0:23:51 > 0:23:53she just is a real human being.
0:23:53 > 0:23:57- Oh, no, she's failing constantly! - Exactly!- We've got a clip.
0:23:57 > 0:23:59This is your character presiding,
0:23:59 > 0:24:03you know, you're trying to be liberal, lovely mom.
0:24:03 > 0:24:05- Yes.- At a dinner party.
0:24:05 > 0:24:07Jamie, would you please wake up Abbie?
0:24:09 > 0:24:12- Er, Abbie? - Stop it, I'm menstruating.
0:24:14 > 0:24:17Abbie, you know what, you're menstruating, OK,
0:24:17 > 0:24:19but do you have to say it?
0:24:19 > 0:24:22And do we really need to know everything that's going on with you?
0:24:22 > 0:24:25What? I'm menstruating!
0:24:25 > 0:24:28- Why is that a big deal? - We don't need to hear about that,
0:24:28 > 0:24:29thank you.
0:24:29 > 0:24:33If you ever want to have an adult relationship with a woman,
0:24:33 > 0:24:36like if you want to have sex with a woman's vagina, you need to
0:24:36 > 0:24:40be comfortable with the fact that the vagina menstruates.
0:24:40 > 0:24:42Just say menstruation, it's not a big deal.
0:24:42 > 0:24:45So start saying it now. Menstruation.
0:24:46 > 0:24:49- No.- Yes. Menstruation.
0:24:50 > 0:24:53- Menstr...uation.- Jamie, no, you don't have to.
0:24:53 > 0:24:56- You're saying it like you're scared. - Abbie.
0:24:56 > 0:24:57Say it like it's normal.
0:24:57 > 0:25:00- Menstruation.- Menstruation. Not bad.
0:25:00 > 0:25:02APPLAUSE AND CHEERING
0:25:08 > 0:25:11Asa nearly did his quick clapping there, he liked it so much!
0:25:11 > 0:25:13Next time!
0:25:13 > 0:25:18- You've got... Is it four children you've got?- I do.
0:25:18 > 0:25:21I mean, those scenes must have resonated with you?
0:25:21 > 0:25:26And she ad-libbed a lot of that scene. It was very, very funny.
0:25:26 > 0:25:29And then Billy at the end says, you know,
0:25:29 > 0:25:35"You can't have sex with just part of the woman and just the vagina,
0:25:35 > 0:25:38"you have to have sex with the whole woman."
0:25:38 > 0:25:41And Greta says, "Yes, but that's slightly off topic!"
0:25:43 > 0:25:47- And that was all improvised. - It's a terrific film, it really is.
0:25:47 > 0:25:51And also we should say, in terms of your own life, congratulations.
0:25:51 > 0:25:55- Next month, is it 25 years you've been married?- Yes.- Well done!
0:25:55 > 0:25:56APPLAUSE AND CHEERING
0:26:01 > 0:26:05I suppose 25 years is a huge achievement anywhere.
0:26:05 > 0:26:09But in Hollywood it seems like it's sort of extraordinary.
0:26:09 > 0:26:10I don't know, we're given more credit.
0:26:10 > 0:26:13I don't know if it is more unusual in Hollywood or not.
0:26:13 > 0:26:15I think there is a lot of divorce everywhere.
0:26:15 > 0:26:20I guess we read about yours - that would be the difference!
0:26:20 > 0:26:24I suppose - I don't think I'm...
0:26:24 > 0:26:28But Warren Beatty had a certain reputation before you.
0:26:28 > 0:26:29LAUGHTER
0:26:29 > 0:26:33Was there a lot of, "it will never last, are you out of your mind"?
0:26:33 > 0:26:37I suppose there were people, I guess people didn't say it to me,
0:26:37 > 0:26:39but I suppose people thought that.
0:26:39 > 0:26:42- They said it to your parents! - Perhaps, yes.
0:26:43 > 0:26:4725 years, can you beat that, Harriet Harman?
0:26:47 > 0:26:48Er, yes!
0:26:50 > 0:26:56Can I just say, though, in 20th Century Women, that face,
0:26:56 > 0:27:00that face - any mum looking at that knows that they've had that face!
0:27:00 > 0:27:06It's all deteriorating all around, and... It's just so brilliant,
0:27:06 > 0:27:08- I can't wait to see it, I can't wait.- It's a great film.
0:27:08 > 0:27:1330 years, 30 years is contained within Harriet Harman's new book,
0:27:13 > 0:27:15A Woman's Work, here it is.
0:27:15 > 0:27:19And it's sort of...it's your life,
0:27:19 > 0:27:23but it's also a story of the women's movement and your career.
0:27:23 > 0:27:26A solicitor, the longest-serving female MP, Deputy Leader
0:27:26 > 0:27:29of the Labour Party, twice Acting Leader of the Labour Party,
0:27:29 > 0:27:31all of that, it's all in here.
0:27:31 > 0:27:34What is the big thing,
0:27:34 > 0:27:37what's the thing that you're proudest of at this point?
0:27:37 > 0:27:40Well, I guess it's being part of that movement of women.
0:27:40 > 0:27:43I mean, I was born and brought up at a time when the most
0:27:43 > 0:27:48important thing for a woman was to kind of get a man,
0:27:48 > 0:27:54and the summit of your ambition was to get a decent man to marry.
0:27:54 > 0:27:58And then after that, your great honour and privilege was to,
0:27:58 > 0:28:01like, be a housewife and to look after him.
0:28:01 > 0:28:05And we were like, "Well, no, we don't think we are second-class
0:28:05 > 0:28:08"citizens, we don't think we should be subordinate to men.
0:28:08 > 0:28:11"We're just going to get out there and absolutely change everything."
0:28:11 > 0:28:15So it was such a kind of time of transition and
0:28:15 > 0:28:17a feeling of revolution, really.
0:28:17 > 0:28:21So the only problem was that we couldn't do anything unless
0:28:21 > 0:28:23we could change politics.
0:28:23 > 0:28:28So it was like the irresistible force of women's movement and the immovable object of Parliament.
0:28:28 > 0:28:31And we had to kind of batter our way in.
0:28:31 > 0:28:35Thankfully, lots of things have changed over the last 30 years.
0:28:35 > 0:28:41But I do find it extraordinary that STILL women are having to have
0:28:41 > 0:28:45a march - even if they're given rights, they're feeling that they have to protect those rights.
0:28:46 > 0:28:51Are you saddened that things haven't moved further in those 30 years?
0:28:51 > 0:28:53Well, I think we have come a long way,
0:28:53 > 0:28:56but we're not equal yet, there's still a long way to go.
0:28:56 > 0:29:00And I think you should never be complacent about rights
0:29:00 > 0:29:01that have been really hard-won,
0:29:01 > 0:29:04because there's always people who want to turn the clock back,
0:29:04 > 0:29:08whether it's on tackling racism or homophobia, there will be people
0:29:08 > 0:29:14who want to seize the opportunity to turn the clock back to the 1950s.
0:29:14 > 0:29:18So you can't really take those rights for granted, they were hard fought-for.
0:29:18 > 0:29:22And I think we're at that moment now, it's not your fault, Annette,
0:29:22 > 0:29:27but Trump is sending this virus across which is legitimising
0:29:27 > 0:29:30all those kinds of reactions.
0:29:30 > 0:29:33I apologise on behalf of my nation.
0:29:33 > 0:29:37I think we need her as President as well as you Prime Minister.
0:29:37 > 0:29:40Have you ever thought of running for office?
0:29:40 > 0:29:42- I have not.- OK!
0:29:43 > 0:29:45Maybe once.
0:29:45 > 0:29:47Do it again.
0:29:47 > 0:29:50But in terms of moving things on, in terms of women,
0:29:50 > 0:29:54how disappointed are you that it's the Conservatives who've
0:29:54 > 0:29:56rustled up two female prime ministers?
0:29:56 > 0:30:00This has been a bit of a paradox/torture for us.
0:30:00 > 0:30:05The first woman Prime Minister was Margaret Thatcher
0:30:05 > 0:30:10and we did not feel that that was a good thing to be celebrating,
0:30:10 > 0:30:12that Margaret Thatcher was the Prime Minister,
0:30:12 > 0:30:14so we had to do lots of marching, holding banners,
0:30:14 > 0:30:17saying, "The First Lady puts women last,"
0:30:17 > 0:30:21and that was her, and now we've got another woman Prime Minister
0:30:21 > 0:30:23and once again, it's a Tory.
0:30:23 > 0:30:26We've got more Labour women MPs than all the other parties put together,
0:30:26 > 0:30:30but at the very top level, it seems to be... I have that song in my head,
0:30:30 > 0:30:33It's Raining Men - you know that song, and it does feel like that.
0:30:33 > 0:30:35Oh, I know that song!
0:30:36 > 0:30:38APPLAUSE
0:30:40 > 0:30:44When you write a book like this, is this you saying, "I'm retiring,
0:30:44 > 0:30:45"I'm out of here"?
0:30:45 > 0:30:47- You know, "Harman out."- Not at all.
0:30:47 > 0:30:50Not at all, actually, and it's funny
0:30:50 > 0:30:54because there is a thing about women and your age.
0:30:54 > 0:30:58It's like, when you're much younger, in politics,
0:30:58 > 0:31:03it is like, oh, you know, young, pretty, a bit distracting,
0:31:03 > 0:31:06a bit flaky, not to be taken seriously, whereas a young man
0:31:06 > 0:31:10will be regarded as very thrusting with loads of promise for the future
0:31:10 > 0:31:13and he is in his prime, whereas the woman is a bit ditzy.
0:31:13 > 0:31:17And then, when she's having her family and she has loads of children,
0:31:17 > 0:31:20she is like, she's just a write-off,
0:31:20 > 0:31:24whereas he's regarded as he has got his family, reassuringly virile.
0:31:24 > 0:31:29And then, when they are older, the man is like experienced,
0:31:29 > 0:31:33wise, like George Clooney, attractive,
0:31:33 > 0:31:36silver-fox type of thing and the woman, when she gets older,
0:31:36 > 0:31:41well, she's just past it! And it's like, when is OUR prime?!
0:31:41 > 0:31:44- APPLAUSE - Bravo!
0:31:46 > 0:31:48That got the quick clap!
0:31:50 > 0:31:55- I'm going to be, like, having my prime NOW.- Good for you!
0:31:55 > 0:31:56Harriet Harman, well done!
0:32:00 > 0:32:05No mistaking, Asa Butterfield is in his prime. Your life is changing.
0:32:05 > 0:32:11This is the first time you did not have to study during a film,
0:32:11 > 0:32:12there were no chaperones around.
0:32:12 > 0:32:14- It was great!- I bet it was!
0:32:14 > 0:32:19I was living by myself, I was in Albuquerque...
0:32:19 > 0:32:21Less great.
0:32:21 > 0:32:23Take it or leave it.
0:32:25 > 0:32:28It was funny, we were making a film, part of it's set on Mars,
0:32:28 > 0:32:32and Albuquerque's got a kind of Mars-like look to it.
0:32:32 > 0:32:35It's a bit of a desert. So we made the most of that.
0:32:35 > 0:32:39I didn't have to have a tutor, I wasn't in school,
0:32:39 > 0:32:41I was a real actor.
0:32:42 > 0:32:47- You live in your own flat now.- Yeah, I've moved out of home, last year.
0:32:47 > 0:32:49Which is cool.
0:32:49 > 0:32:50LAUGHTER
0:32:50 > 0:32:55You've been in films since you were eight! Can you cook?
0:32:55 > 0:32:57How do you know how to do anything?
0:32:57 > 0:33:00I can cook all right.
0:33:00 > 0:33:05Yeah. I do get an unfortunate amount of takeaway.
0:33:06 > 0:33:12I've got this great local food shop opposite, I can walk down the stairs, takes me about 30 seconds,
0:33:12 > 0:33:17and get loads of frozen pizza and tuna and beans, Heinz baked beans.
0:33:17 > 0:33:19Oh, Andrew would love that!
0:33:19 > 0:33:23I've actually become amazing at cooking beans on toast.
0:33:23 > 0:33:25LAUGHTER
0:33:25 > 0:33:28Your first film as an independent young man is
0:33:28 > 0:33:31the science-fiction romance The Space Between Us.
0:33:31 > 0:33:34It opens next Friday and here's a taste of what to expect.
0:33:38 > 0:33:42'My name is Gardner Elliot, I was born on Mars, but I finally
0:33:42 > 0:33:44'found a reason to go to Earth.'
0:33:44 > 0:33:47- I could just see her, you know. - His heart can't handle our gravity.
0:33:47 > 0:33:50- It's too risky.- It's worth it.
0:33:50 > 0:33:53You don't realise how far away you are until there's someone you want
0:33:53 > 0:33:55to be near.
0:33:56 > 0:34:00- He's running out of time. - You have to go back.
0:34:06 > 0:34:10- What is your favourite thing about Earth?- You are, Gardner.
0:34:10 > 0:34:13APPLAUSE
0:34:17 > 0:34:21They make a lot of these science-fiction movies,
0:34:21 > 0:34:25people living on Mars, but this is a really unusual take on it.
0:34:26 > 0:34:29Explain the germ of the idea and the romance.
0:34:29 > 0:34:33Well, it's a science-fiction film.
0:34:33 > 0:34:37But it's got this backdrop, but I think what really drives it is these
0:34:37 > 0:34:41relationships, and it is about this boy who has grown up on Mars for 16 years
0:34:41 > 0:34:44so he has been totally isolated from just about anything.
0:34:44 > 0:34:50So he's an odd guy, he's kind of weird and he's smart, but I really
0:34:50 > 0:34:53had fun just making the most of what made him different because he comes
0:34:53 > 0:34:58to Earth and he hasn't seen anything before, like dogs, cats...
0:34:58 > 0:35:02Literally anything is interesting to him and he is like
0:35:02 > 0:35:04a kid in this teenager's body.
0:35:04 > 0:35:08One of the big things is gravity, because the gravity of Mars...
0:35:08 > 0:35:11I know, I sound like a scientist!
0:35:11 > 0:35:12LAUGHTER
0:35:15 > 0:35:17But Earth's different, right?
0:35:20 > 0:35:25Yeah, so... One of the things we were playing with, I guess,
0:35:25 > 0:35:31to make him stand out and look like an alien, is this change in gravity,
0:35:31 > 0:35:34so Mars is 38% of the Earth's gravity,
0:35:34 > 0:35:37so when he comes here he feels much heavier and we wanted
0:35:37 > 0:35:42to give him this walk which was a bit Ministry Of Funny Walks-ish,
0:35:42 > 0:35:44but not too far.
0:35:44 > 0:35:48I strapped weights to my ankles and sandbags so I could feel
0:35:48 > 0:35:51what it is like to be heavier and walk around.
0:35:51 > 0:35:55And, yeah, I had someone film me whilst I was doing it
0:35:55 > 0:35:59and I could look at it and just really make it funny.
0:35:59 > 0:36:01And make it good.
0:36:01 > 0:36:06You're so consistent with it because you do heavy running as well, not just heavy walking.
0:36:06 > 0:36:08- That's right, and heavy jumping. - Yes!
0:36:08 > 0:36:10Everything takes much more effort.
0:36:10 > 0:36:14- Heavy clapping.- That's right.
0:36:14 > 0:36:18Talking about preparing for roles, you are in another film at
0:36:18 > 0:36:20the moment, Silence, Martin Scorsese's film,
0:36:20 > 0:36:23and you went to Wales to prepare for that?
0:36:23 > 0:36:24- Yes, Wales.- Wales.
0:36:26 > 0:36:30- You're a monk in the film. - A Jesuit priest.
0:36:30 > 0:36:36So part of that preparation was myself and Adam Driver,
0:36:36 > 0:36:41we both played Jesuit priests and... It's set in the 1600s in Japan,
0:36:41 > 0:36:45where Christianity has been outlawed. It is an amazing film,
0:36:45 > 0:36:48it's a Martin Scorsese film - Asa has worked with him,
0:36:48 > 0:36:51and he's made something quite profound.
0:36:51 > 0:36:55But one of the things that we did, we went on a silent retreat
0:36:55 > 0:36:57in Wales, at a place called St Beuno's,
0:36:57 > 0:37:01- which was a beautiful Christian retreat.- It is very beautiful.
0:37:01 > 0:37:06I haven't done the retreat thing, though. Too early for that.
0:37:08 > 0:37:11We had about eight days together in silence, me and Adam.
0:37:11 > 0:37:15We had met each other once in New York and we had a drink and
0:37:15 > 0:37:19we met each other again in Wales in total silence for seven days.
0:37:19 > 0:37:20Did you say hi as you went in?
0:37:20 > 0:37:24No! It was like a mime! It was all mime and mouthing.
0:37:24 > 0:37:25Did you do lots of...
0:37:27 > 0:37:30- ..was there a lot of that?- Yes. It was...
0:37:30 > 0:37:35Really? I always think a vow of silence, like, do you write notes?
0:37:35 > 0:37:38I mean, you must speak at some point!
0:37:38 > 0:37:43No, you really don't. Has anyone ever done a silent retreat?
0:37:43 > 0:37:44One person!
0:37:44 > 0:37:46They can't tell you about it!
0:37:48 > 0:37:52I found it to be a beautiful experience. Gorgeous.
0:37:52 > 0:37:57I very quickly got used to my own company and not having...
0:37:57 > 0:38:01I don't know, it creates a real intimacy with yourself.
0:38:01 > 0:38:05- What's it like when you get out, then?- We lost our minds!
0:38:05 > 0:38:08This is the weird thing.
0:38:08 > 0:38:10We got into a car together and we had
0:38:10 > 0:38:15a three-hour car ride to the airport together, and it was just this
0:38:15 > 0:38:21torrent, just this outpouring of the most vile language and imagery...
0:38:21 > 0:38:25It was as if the devil suddenly went,
0:38:25 > 0:38:29"Where have you been for the last seven days, you bastards?!"
0:38:29 > 0:38:34And suddenly it was the most vile... It was really scary.
0:38:34 > 0:38:36It was genuinely frightening.
0:38:36 > 0:38:39And giggling and crying with laughter.
0:38:39 > 0:38:45Anyway, we ended up having the most disgusting, wonderful conversation
0:38:45 > 0:38:47on the way to the airport.
0:38:47 > 0:38:50Very quickly, we are about to have music from Elbow, and we have
0:38:50 > 0:38:52already had some speed clapping from Asa.
0:38:52 > 0:38:55Don't worry, I'm not going to make you do anything else.
0:38:55 > 0:38:58I can't believe I am asking four-time Oscar nominee Annette Bening this,
0:38:58 > 0:39:02but apparently your elbows are pretty...loose?
0:39:04 > 0:39:08It's true. I have a little elbow trick.
0:39:08 > 0:39:11- Would you like to see my elbow trick?- You know they do!
0:39:11 > 0:39:13APPLAUSE
0:39:16 > 0:39:18May I hand you my bracelet?
0:39:18 > 0:39:21- This is serious. - Everyone gets to try this.
0:39:21 > 0:39:23CLATTER
0:39:23 > 0:39:27- What?- Was that your elbow?! - He doesn't want to try.
0:39:27 > 0:39:30- OK, so your hands go backwards to begin with.- Hang on.
0:39:30 > 0:39:32So, backwards to begin with.
0:39:32 > 0:39:36And then you bring them underneath
0:39:36 > 0:39:38and then you open them up
0:39:38 > 0:39:40and you put your head through.
0:39:40 > 0:39:42Oh, my... Wow!
0:39:42 > 0:39:43APPLAUSE
0:39:46 > 0:39:49- I couldn't do that. Could you do it?- I can't.
0:39:49 > 0:39:53- And I've got a flexible body. - You're 19, you're made of elastic!
0:39:53 > 0:39:55Wow, well done. Very good.
0:39:55 > 0:39:57I don't know if that's very exciting, but there you have it.
0:39:57 > 0:39:59We enjoyed it.
0:39:59 > 0:40:00Right, it is time for music.
0:40:00 > 0:40:02This award-winning British rock band
0:40:02 > 0:40:06are back with their seventh studio album, Little Fictions.
0:40:06 > 0:40:10Here performing Magnificent (She Says), please welcome Elbow!
0:40:18 > 0:40:20# This is where
0:40:21 > 0:40:24# This is where the bottle lands
0:40:27 > 0:40:31# Where all the biggest questions meet
0:40:32 > 0:40:36# With little feet stood in the sand
0:40:38 > 0:40:45# This is where the echoes slow to nothing on the tide
0:40:48 > 0:40:51# And where a tiny pair of hands
0:40:53 > 0:40:56# Finds a sea-worn piece of glass
0:40:58 > 0:41:01# And sets it as a sapphire in her mind
0:41:05 > 0:41:07# And there she stands
0:41:08 > 0:41:12# Throwing both her arms around the world
0:41:16 > 0:41:21# A world that doesn't even know
0:41:21 > 0:41:26# How much it needs this little girl
0:41:26 > 0:41:33# It's all gonna be magnificent, oh
0:41:33 > 0:41:40# She says, it's all gonna be magnificent
0:41:43 > 0:41:51# And my heart, there defrosting in a gaze
0:41:53 > 0:41:58# Wasn't built to be that way
0:41:58 > 0:42:01# Suddenly I understand
0:42:04 > 0:42:08# There on the sand
0:42:13 > 0:42:18# Throwing both her arms around the world
0:42:21 > 0:42:25# A world that doesn't even know
0:42:25 > 0:42:31# How much it needs this little girl
0:42:31 > 0:42:38# It's all gonna be magnificent, oh
0:42:38 > 0:42:45# She says, it's all gonna be magnificent
0:42:49 > 0:42:57# She says, it's all gonna be magnificent
0:42:59 > 0:43:07# She says, it's all gonna be magnificent
0:43:15 > 0:43:18# The echoes slow
0:43:20 > 0:43:23# The bottle lands
0:43:25 > 0:43:28# The echoes slow
0:43:30 > 0:43:33# And there she stands. #
0:43:41 > 0:43:45APPLAUSE
0:43:45 > 0:43:49Elbow, everybody!
0:43:49 > 0:43:51Beautiful. Are you coming over?
0:43:54 > 0:43:56Thank you so much.
0:43:56 > 0:43:59Ladies and gentlemen, what of the violinists?
0:43:59 > 0:44:04Thank you. Guy, Asa, Harriet, Annette, Andrew.
0:44:04 > 0:44:05There we go.
0:44:08 > 0:44:11Sit down, you look like you've earned that.
0:44:11 > 0:44:14The rest of the band are thinking they should have come over now.
0:44:14 > 0:44:19I can't believe it. There was a Guinness in it and they said no.
0:44:19 > 0:44:21That is from the album,
0:44:21 > 0:44:24Little Fictions which is out today.
0:44:24 > 0:44:28Look what I've got. I have got it on the vinyl. On the vinyl! I get so
0:44:28 > 0:44:32many of these now. I'm thinking that I might buy a record player...
0:44:34 > 0:44:37..cos I get so many of them. Thank you very much.
0:44:37 > 0:44:40You are touring quite soon, the end of this month?
0:44:40 > 0:44:44We are touring the UK throughout... March.
0:44:44 > 0:44:46LAUGHTER
0:44:46 > 0:44:50- It starts in Dublin in February, doesn't it?- Yes.
0:44:50 > 0:44:54I'm on this. Then it ends in the UK at the end of March.
0:44:54 > 0:44:57That's right. Thank you for that.
0:44:57 > 0:44:59You'll need about 28 pairs of pants.
0:44:59 > 0:45:01Thank you very much.
0:45:01 > 0:45:04Listen, thank you very much, Guy Garvey and Elbow. Beautiful.
0:45:04 > 0:45:06APPLAUSE
0:45:06 > 0:45:09Right, that's nearly it.
0:45:09 > 0:45:12But before we go, we just have time for a visit to the big red chair.
0:45:12 > 0:45:15- Who is there? Hello.- Hi, Graham.
0:45:15 > 0:45:19- Hi. How tall are you?- Six foot two.
0:45:19 > 0:45:21Is that all? You look taller.
0:45:21 > 0:45:25- What is your name, sir?- Keiron. - Where are you from?- Leixlip.
0:45:25 > 0:45:28- Leixlip - it's a lovely part of the world.- Beautiful.
0:45:28 > 0:45:32- Do you still live there?- No, I live in London.
0:45:32 > 0:45:35- What do you do?- Erm, design.
0:45:41 > 0:45:44"Who did that?" "Keiron."
0:45:48 > 0:45:50What do you design, I'm intrigued?
0:45:50 > 0:45:51Shoelaces.
0:45:51 > 0:45:54LAUGHTER
0:45:54 > 0:45:56He's gone, absolutely.
0:45:58 > 0:46:01One more. Let's try one more. Here we go.
0:46:01 > 0:46:03Oh, my God! Hello.
0:46:03 > 0:46:06- Hi.- We...
0:46:08 > 0:46:13- That's my planet.- It's your planet, it's all about the Butterfield.
0:46:13 > 0:46:15- What's your name, sir?- Brad.
0:46:15 > 0:46:19- Where are you from, Brad?- Seattle. - He's from Seattle.- Woo!
0:46:19 > 0:46:22- Are you here on holiday?- I am. - Lovely. What do you do in Seattle?
0:46:22 > 0:46:26- I work in software, sales and marketing.- Lovely.
0:46:26 > 0:46:27Off you go with your story.
0:46:27 > 0:46:30Sure. We were doing a global product roll-out and I was doing
0:46:30 > 0:46:34some training in Reading and about 60 people, men and women in the
0:46:34 > 0:46:37office there and I did some training for those folks and I led the
0:46:37 > 0:46:40whole training exercise.
0:46:40 > 0:46:44One group did a great job, a bunch of guys, who were British
0:46:44 > 0:46:50and I wanted to compliment their presentation, so I said, "Boys,
0:46:50 > 0:46:52"I really like your spunk."
0:46:52 > 0:46:54AUDIENCE GROANS
0:46:54 > 0:46:57I got a big laugh and I didn't quite know what it was all about.
0:46:57 > 0:46:59- Luckily, during a break, one of the guys...- Yeah.
0:46:59 > 0:47:01We all know what that's about.
0:47:01 > 0:47:05Well done, Brad. Well done, everyone.
0:47:05 > 0:47:08If you'd like to join us on the show and have a go in the red chair,
0:47:08 > 0:47:11you can contact us via our website at this address.
0:47:11 > 0:47:13That's it for tonight.
0:47:13 > 0:47:17Please say thank you to my guests - Elbow!
0:47:17 > 0:47:19Asa Butterfield!
0:47:19 > 0:47:22Harriet Harman!
0:47:22 > 0:47:24Annette Bening!
0:47:24 > 0:47:28And Andrew Garfield!
0:47:28 > 0:47:31Join me next week with musical guest Rag'n'Bone Man,
0:47:31 > 0:47:32Fifty Shades' Jamie Dornan,
0:47:32 > 0:47:34Hollywood star Keanu Reeves,
0:47:34 > 0:47:36Oscar winner Denzel Washington,
0:47:36 > 0:47:39and the one and only Whoopi Goldberg.
0:47:39 > 0:47:42I'll see you then! Goodnight, everybody. Goodbye.