0:00:02 > 0:00:04Hey, I'm Whoopi Goldberg, and this is the Graham Norton Show.
0:00:04 > 0:00:06CHEERING
0:00:22 > 0:00:26Oh! Oh! Hello!
0:00:26 > 0:00:28Hello, everybody! Hello!
0:00:28 > 0:00:31Hello! Hi! Hi! Oh!
0:00:31 > 0:00:33Hello, everybody!
0:00:33 > 0:00:37And welcome! You're very welcome.
0:00:37 > 0:00:39We've got a great show for you tonight.
0:00:39 > 0:00:40Look at you all out there.
0:00:40 > 0:00:43Everyone looking forward to Valentine's Day?
0:00:43 > 0:00:45WHOOPING Are you? Are you?
0:00:45 > 0:00:47Have you all got plans for taking your loved one
0:00:47 > 0:00:49somewhere nice and exclusive?
0:00:49 > 0:00:50GROANING
0:00:50 > 0:00:55Look at you thinking, "This is it. It's happening now."
0:00:55 > 0:00:58Now, I wonder, are there are any single women in the audience?
0:00:58 > 0:00:59CHEERING
0:00:59 > 0:01:01I think you may enjoy the couch.
0:01:03 > 0:01:05You single women, so lucky.
0:01:05 > 0:01:07With no relationship ties on Valentine's night,
0:01:07 > 0:01:10you can stay in and have a threesome with Ben & Jerry.
0:01:12 > 0:01:15VOICE BREAKING: I'm enjoying my me time.
0:01:15 > 0:01:18Ice cream with a salty tear sauce.
0:01:18 > 0:01:19Classic.
0:01:19 > 0:01:21Music, of course, very important for setting the mood
0:01:21 > 0:01:22on Valentine's night.
0:01:22 > 0:01:24Anything will do, you know, CD player, MP3 player,
0:01:24 > 0:01:27just make sure you don't have one of those annoying little speakers.
0:01:27 > 0:01:29You know. Yeah.
0:01:31 > 0:01:34Now, speaking of romance, ladies and gentlemen,
0:01:34 > 0:01:37Nigel Farage has been in the news again. I know.
0:01:37 > 0:01:41This time, Nigel has denied he's having a relationship
0:01:41 > 0:01:44with a French woman who's been living in his house.
0:01:45 > 0:01:47Now, Nigel's wife said
0:01:47 > 0:01:50they have in fact been living apart for a while.
0:01:50 > 0:01:53And as she reminded Nigel, "Leave does mean leave."
0:01:56 > 0:01:58CHEERING AND APPLAUSE
0:02:01 > 0:02:04I'm imagining for Nigel it was quite a soft exit.
0:02:04 > 0:02:06Let's get the guests on!
0:02:07 > 0:02:12Later we'll be joined by Hollywood superstar Denzel Washington.
0:02:14 > 0:02:16And British Blues singer Rag'n'Bone Man
0:02:16 > 0:02:19will be performing his huge hit, Human.
0:02:19 > 0:02:23But first, he sent shivers down our spine in The Fall,
0:02:23 > 0:02:26and now he's back as seductive billionaire Christian Grey
0:02:26 > 0:02:28in Fifty Shades Darker, it's Jamie Dornan.
0:02:28 > 0:02:31Oh! Oh!
0:02:31 > 0:02:34- Hello, sir.- Hello. - Lovely to see you.
0:02:34 > 0:02:37- Yes, hugging, hugging.- Hugging. - Showbiz hugging.
0:02:37 > 0:02:38Sit yourself down.
0:02:38 > 0:02:42This man has been one of Hollywood's biggest stars for over 30 years,
0:02:42 > 0:02:44in Bill & Ted, Speed, The Matrix.
0:02:44 > 0:02:49Now he returns as hit man John Wick. It's only the fabulous Keanu Reeves.
0:02:54 > 0:02:57Hello.
0:02:57 > 0:02:58Have a seat, do.
0:02:58 > 0:03:02And with an Oscar, a Grammy,
0:03:02 > 0:03:04three Emmys and a Tony to her name,
0:03:04 > 0:03:06she's quite simply a Hollywood legend.
0:03:06 > 0:03:10Ladies and gentlemen, please welcome Whoopi Goldberg!
0:03:15 > 0:03:17Hello.
0:03:17 > 0:03:20- So good to see you. - And you. Thank you.
0:03:24 > 0:03:27Lovely to see you all. Welcome, welcome.
0:03:27 > 0:03:28Now, welcome back, all.
0:03:28 > 0:03:30You've all been... I say welcome back.
0:03:30 > 0:03:33Whoopi, you've never done the show in this country.
0:03:33 > 0:03:36- Not in this country, no. - No, in America, you were on.
0:03:36 > 0:03:38Yes, well, you always come over. You used to come over.
0:03:38 > 0:03:41- No more. No, no. - Now you're not doing it any more.
0:03:41 > 0:03:43Well, the pound is so weak.
0:03:45 > 0:03:46I am just...
0:03:46 > 0:03:49Well, it's a very exotic sofa, because, you know, the names.
0:03:49 > 0:03:52AIRILY: Whoopi Goldberg. Keanu Reeves.
0:03:52 > 0:03:54ABRUPTLY: Jamie Dornan.
0:03:56 > 0:03:57Yeah...
0:03:57 > 0:04:00No, cos Whoopi is not... Whoopi isn't...
0:04:00 > 0:04:01I mean, nobody christened you Whoopi.
0:04:01 > 0:04:03No, no-one did.
0:04:03 > 0:04:05What were you actually called? Caryn?
0:04:05 > 0:04:08- Caryn, yeah.- Caryn? Why the Whoopi, then?
0:04:08 > 0:04:11Because I was a bit of a farter.
0:04:13 > 0:04:15I always thought that was a joke. Is that real?
0:04:15 > 0:04:18I rarely lie.
0:04:18 > 0:04:20Rarely.
0:04:20 > 0:04:24No, you know, the theatres I worked in were so small,
0:04:24 > 0:04:27they didn't have a lot of backstage room, so if you were gassier...
0:04:27 > 0:04:29all the way through.
0:04:29 > 0:04:33People would say, "You are like a Whoopee Cushion."
0:04:33 > 0:04:37- So that's how... That's what it was, that's what it became.- Oh.- Yes.
0:04:37 > 0:04:40So are you one of those walkers and farters?
0:04:40 > 0:04:43Well, I was a skipper and farter.
0:04:45 > 0:04:48Keanu is such an exotic name, but that is your real name.
0:04:48 > 0:04:50Yes, sir. That is my name.
0:04:50 > 0:04:52Yes.
0:04:52 > 0:04:54What does it mean, now? Is it from Hawaii?
0:04:54 > 0:04:56Yes, it's a Hawaiian name and it means
0:04:56 > 0:04:58"Cool breeze over the mountains."
0:04:58 > 0:05:00- Ooh.- Remind you of anything?
0:05:00 > 0:05:02Yeah.
0:05:05 > 0:05:08My little brother right here, Cool Breeze.
0:05:10 > 0:05:11APPLAUSE
0:05:11 > 0:05:16Jamie Dornan, isn't it true that you can spot a Fifty Shades fan now?
0:05:16 > 0:05:19Oh, yeah, of course.
0:05:19 > 0:05:22Well, over fans of The Fall, I don't think...
0:05:22 > 0:05:23I mean, there's a crossover,
0:05:23 > 0:05:26but Fifty Shades fans are...
0:05:26 > 0:05:29their own kind of, um, thing.
0:05:29 > 0:05:32So, when you're walking down the street with your wife,
0:05:32 > 0:05:35does she go, "There's one coming. I see her. She's coming."
0:05:35 > 0:05:40No, you know, there's a sort of a look in their eyes
0:05:40 > 0:05:46and a sort of desire beyond the normal person
0:05:46 > 0:05:49who's just going to pass you in the street, I'll say that.
0:05:49 > 0:05:51Have you seen the first one, Whoopi?
0:05:51 > 0:05:53- Yes, I have. - Oh.
0:05:53 > 0:05:56It's weird meeting Jamie now, isn't it?
0:05:56 > 0:06:00No, you know, at one point, you know, it would have -
0:06:00 > 0:06:03if it was ten years ago, it probably would have been weird.
0:06:03 > 0:06:06But now, you know, I look and I see just a really great kid,
0:06:06 > 0:06:07a great actor.
0:06:07 > 0:06:10It's, like, you can't go after this.
0:06:12 > 0:06:14You can't go after this.
0:06:14 > 0:06:18You can't flirt, you've got to just kind of be old.
0:06:23 > 0:06:25- Have you seen it, Keanu? - Yeah.
0:06:25 > 0:06:26I'll leave it there.
0:06:28 > 0:06:31- Now, Whoopi Goldberg, ladies and gentlemen, returns!- Uh-oh.
0:06:31 > 0:06:33You were last on the London stage seven years ago,
0:06:33 > 0:06:36and now you're back at the Palladium doing a one-woman show.
0:06:36 > 0:06:37It's tomorrow night.
0:06:37 > 0:06:42It's already sold out, so they're doing a second later show.
0:06:42 > 0:06:48- What time does it start? - Oh... About 10.30, 11.
0:06:48 > 0:06:53- I think it's 11.- Might be 11. - Have you met British people at 11?
0:06:53 > 0:06:56Why do you think I came back?
0:06:56 > 0:06:58Yeah.
0:06:58 > 0:07:02- That's going to be quite a show. - I think so. I think so.
0:07:02 > 0:07:07- I'm so ready for it. You know... - They'll be really ready for it.
0:07:07 > 0:07:10You bring a Guinness, I'll bring a Guinness, we'll all party together.
0:07:10 > 0:07:13So what can people expect in the show?
0:07:13 > 0:07:16It's more you than characters, it's more like stand-up.
0:07:16 > 0:07:19It's my version. It's about, you know...
0:07:19 > 0:07:22It's about what happens when you don't realise
0:07:22 > 0:07:24that you have gotten older.
0:07:24 > 0:07:29I tell you, I went to a Steely Dan concert recently.
0:07:29 > 0:07:31I was looking around, I thought,
0:07:31 > 0:07:34"Damn, there's some old people at this concert."
0:07:34 > 0:07:39There were all these old hippies and stuff.
0:07:39 > 0:07:41"Do they know how old...?"
0:07:41 > 0:07:43And then I passed a mirror.
0:07:45 > 0:07:47I was like, "Oh, shit!
0:07:47 > 0:07:49"Me too!"
0:07:49 > 0:07:52So it's about waking up and realising
0:07:52 > 0:07:55you're not the youngest thing in the room any more,
0:07:55 > 0:07:57but all the things that that entails,
0:07:57 > 0:08:00cos everything is on the floor, you're picking it up,
0:08:00 > 0:08:02you're putting it on your head.
0:08:02 > 0:08:03It's a whole thing.
0:08:03 > 0:08:07Guys, all the stuff that happens to y'all.
0:08:07 > 0:08:08WHOOPI CHUCKLES
0:08:08 > 0:08:13- LAUGHTER - You know...- What happens to us?!
0:08:13 > 0:08:16Come to the show, I'll tell you everything.
0:08:17 > 0:08:21Weren't you talking about the mysterious hair loss for women?
0:08:21 > 0:08:23You mean the balding pudenda?
0:08:23 > 0:08:25- That's what I mean. Yes. - What?
0:08:25 > 0:08:28- The balding pudenda.- Pudenda?
0:08:28 > 0:08:29- Yes.- Pudenda.- Yeah, I've got you.
0:08:29 > 0:08:31What is that?
0:08:31 > 0:08:34- Well, in one's youth...- Wait, do I want to know what this is?
0:08:34 > 0:08:36I don't know, I don't know if you do.
0:08:36 > 0:08:38- But I will just put it this way. - Let's hear it.
0:08:38 > 0:08:41There was once a time where....
0:08:45 > 0:08:47I don't even know if I should tell it.
0:08:47 > 0:08:49- I'm really scared! - Tell it, tell it.
0:08:49 > 0:08:52I can't believe you don't know what a pudenda is.
0:08:52 > 0:08:54Can you say pubic hair? I can say pubic hair?
0:08:54 > 0:08:56Pubic hair? Yes!
0:08:56 > 0:08:59AUDIENCE EXCLAIMS
0:08:59 > 0:09:03You're not a doctor, but we'll still let you.
0:09:03 > 0:09:06- Once where there was an afro... - Right.
0:09:06 > 0:09:09..that I could put beads on and braid...
0:09:09 > 0:09:11LAUGHTER
0:09:13 > 0:09:15- Wow!- Yeah.
0:09:15 > 0:09:18..there is now Paul Shaffer's head.
0:09:18 > 0:09:19Paul... Oh, OK. OK.
0:09:19 > 0:09:22OK, empty bald. There we go.
0:09:22 > 0:09:25But there's more to it, but you have to come.
0:09:25 > 0:09:27You have to...
0:09:27 > 0:09:29LAUGHTER AND APPLAUSE
0:09:32 > 0:09:34They seem willing, they seem willing.
0:09:34 > 0:09:35They do seem willing.
0:09:35 > 0:09:38Here's the thing, ladies and gentlemen, Whoopi Goldberg,
0:09:38 > 0:09:40your first big film role,
0:09:40 > 0:09:43- your first Oscar nomination, The Color Purple.- Yes.
0:09:43 > 0:09:45The audition for that, for Steven Spielberg,
0:09:45 > 0:09:48did you do, like, a whole show for him?
0:09:48 > 0:09:51Yeah, I'd been doing my show in New York.
0:09:51 > 0:09:56When we were just about finished, my manager said,
0:09:56 > 0:10:01"Oh, Steven Spielberg can't make it to the show in New York.
0:10:01 > 0:10:07"He'd like you to come to LA and do your show at Amblin Studios",
0:10:07 > 0:10:10which is his studio.
0:10:10 > 0:10:13I was like, "What?!"
0:10:13 > 0:10:16They said, "He wants you to come." I said, "But why?"
0:10:16 > 0:10:19"Cos he wants to see the show."
0:10:19 > 0:10:24I said, "Oh, OK." Cos I thought they were kidding.
0:10:24 > 0:10:30So when I got to Los Angeles and got to the studio I thought,
0:10:30 > 0:10:34"Oh, maybe this is real." So I go in.
0:10:36 > 0:10:39His secretary comes and he comes and gets me.
0:10:39 > 0:10:43All I can think of is, "Oh, shit."
0:10:43 > 0:10:46Wait, wait, there's, like, no other people there?
0:10:46 > 0:10:51- No, it's just...- There wasn't like a sound stage and...?- No.
0:10:51 > 0:10:54- No, they took me right into his office.- He's sitting there.
0:10:54 > 0:10:57He's sitting there and he's smiling at me.
0:10:57 > 0:11:00- He said, "I want to see your show." - Come on!
0:11:00 > 0:11:03- I swear to God.- Come on!
0:11:03 > 0:11:07So I did the show and he laughed a lot. He liked it.
0:11:07 > 0:11:08Then he said, "More."
0:11:08 > 0:11:12I had been instructed not to do any more than the show.
0:11:12 > 0:11:15- So what happened?- Well...
0:11:15 > 0:11:21I had one more piece called Bleetee, B-L-E-E-T-E-E,
0:11:21 > 0:11:27about what would happen if ET landed in Oakland.
0:11:27 > 0:11:31Now, Oakland, California at the time was a very...
0:11:31 > 0:11:34You know, it was a rough area, phones didn't work,
0:11:34 > 0:11:36so it was a whole thing.
0:11:36 > 0:11:38So Bleetee lands, he meets these two kids,
0:11:38 > 0:11:44they take him to the projects, he wants to phone home, no phones work.
0:11:44 > 0:11:48He then falls in with some guys who are running prostitutes
0:11:48 > 0:11:51and he gets a Jheri curl.
0:11:51 > 0:11:54I don't know if you remember, Jheri curls were...
0:11:54 > 0:11:58Black folks had this thing where we would put this stuff in our hair
0:11:58 > 0:12:00and it made it look wet and drippy.
0:12:00 > 0:12:05He had then a powder blue suit and he was running whores.
0:12:05 > 0:12:09When his people came to get him, he shot 'em up, he killed them,
0:12:09 > 0:12:11cos he...
0:12:12 > 0:12:16He didn't recognise... he didn't recognise his people.
0:12:16 > 0:12:20The whole point of doing Bleetee was to remind people
0:12:20 > 0:12:24that it's OK to assimilate, but you can never forget who you are.
0:12:24 > 0:12:29So he's on the floor and I'm thinking, "This can't be good."
0:12:29 > 0:12:32Then he said, "I want to talk to you.
0:12:32 > 0:12:34"I want you to play Celie in The Color Purple."
0:12:34 > 0:12:37I said, "Come on, man, what?!"
0:12:37 > 0:12:40He said, "Yeah." And I burst into tears.
0:12:40 > 0:12:43I said, "I think I could really suck at this."
0:12:43 > 0:12:46He said, "Have you sucked before?"
0:12:46 > 0:12:49LAUGHTER
0:12:53 > 0:12:56And I said, "I've got to tell you, yeah."
0:12:56 > 0:12:59He said, "Well, then, this one won't bother you."
0:12:59 > 0:13:02That's how I got to make that movie.
0:13:02 > 0:13:03Wow, and aren't we glad?
0:13:03 > 0:13:05APPLAUSE Yes.
0:13:08 > 0:13:12Jamie Dornan, you had an even earlier start in showbusiness.
0:13:12 > 0:13:15I believe it was a Christmas show.
0:13:15 > 0:13:16Were you four in your Christmas show?
0:13:16 > 0:13:20I was four when I got my big break. Yeah, four.
0:13:20 > 0:13:25- Yeah. You did have problems. - Yeah, I had one line.
0:13:25 > 0:13:31It was a nativity play, which is familiar to most of us.
0:13:31 > 0:13:35- I was obviously one of the three wise men.- Obviously.
0:13:35 > 0:13:38- You had a beard.- Yeah, exactly.
0:13:38 > 0:13:42Yeah, yeah... I didn't.
0:13:42 > 0:13:43I had to...
0:13:43 > 0:13:45I'm from Northern Ireland,
0:13:45 > 0:13:50which is a peculiar little place where you speak quite funny.
0:13:50 > 0:13:52A lot of words sound the same.
0:13:52 > 0:13:55A lot of the words, you're not sure what you said.
0:13:55 > 0:13:59Anyway, I was the guy who brought the myrrh.
0:14:01 > 0:14:04Which, when I say it, is just like reflective glass.
0:14:04 > 0:14:06You know what I mean? So I was like...
0:14:06 > 0:14:09"So what have you brought?" "The gold." "You brought?"
0:14:09 > 0:14:11"The frankincense."
0:14:11 > 0:14:13I was like, "Oh, my God." "What have you brought?"
0:14:13 > 0:14:14I was like, "The MIRROR."
0:14:14 > 0:14:15LAUGHTER
0:14:15 > 0:14:17They asked me to repeat it.
0:14:17 > 0:14:19"I'm sorry?"
0:14:19 > 0:14:22I guess it's meant to sound slightly different to that.
0:14:22 > 0:14:26They went, "Again." I went, "I brought the MYRRH?"
0:14:26 > 0:14:29I put, like, a tiny different note on it.
0:14:29 > 0:14:33I like that Joseph asked you again. "What?!"
0:14:33 > 0:14:36- Wait, I'm sorry, how old were you? - Four.- Four!
0:14:36 > 0:14:38- I know.- OK.- Yeah.
0:14:38 > 0:14:39- That's tough.- Yeah.
0:14:39 > 0:14:42No, but he made an adjustment to the dialogue.
0:14:42 > 0:14:46To the manor born, you changed it.
0:14:46 > 0:14:49You could see the star in me then,
0:14:49 > 0:14:52is what you're trying to say.
0:14:52 > 0:14:54MIRROR.
0:14:54 > 0:14:56LAUGHTER
0:14:56 > 0:15:02Talking of looking young, Keanu Reeves, you seem unchanged.
0:15:02 > 0:15:04That's not true.
0:15:04 > 0:15:07Well, you seem it, you seem it. Can I ask...? I know, but can I...?
0:15:07 > 0:15:09Tell the people how old you are.
0:15:09 > 0:15:11I'm 5-2.
0:15:11 > 0:15:13- GASPING - Really?- Yeah.
0:15:13 > 0:15:15I always think of you in your 30s.
0:15:15 > 0:15:18I know! Cos he looks it!
0:15:18 > 0:15:21- Yeah!- 52! Look what happened in a year.
0:15:24 > 0:15:27What did I do for the last 12 months?
0:15:27 > 0:15:29What have you been doing, man?
0:15:29 > 0:15:31I looked like that a year ago, I really did.
0:15:31 > 0:15:34Listen, Keanu Reeves, all suited and booted,
0:15:34 > 0:15:37ready to kick some ass in John Wick 2.
0:15:37 > 0:15:40- Well, it's John Wick: Chapter 2, isn't that what it's called?- Yes.
0:15:40 > 0:15:42John Wick: Chapter 2. It's out on the 17th of February.
0:15:42 > 0:15:45Oddly, previews on Valentine's Day.
0:15:45 > 0:15:48I mean, it's a really enjoyable film. I'm not sure it's a date film.
0:15:48 > 0:15:52- It's really a date movie.- Yeah.
0:15:52 > 0:15:54It is!
0:15:54 > 0:15:55No?
0:15:56 > 0:15:59- I'd go.- Right? - Yeah, hell yeah.- Me too.
0:15:59 > 0:16:03If anyone isn't familiar with the character of dangerous John Wick,
0:16:03 > 0:16:07- explain who he is and the situation he's in.- OK, sure.
0:16:07 > 0:16:10- So I play a character named John Wick.- No.- Yeah.
0:16:11 > 0:16:19In it I play a mythical, kind of, legendary assassin,
0:16:19 > 0:16:22but he fell in love and he's married.
0:16:22 > 0:16:24In the first film, John Wick,
0:16:24 > 0:16:29his wife passes away and he wants to retire. That story goes.
0:16:29 > 0:16:34In Chapter 2, he's trying to retire.
0:16:34 > 0:16:38The consequences of being an assassin revisit him,
0:16:38 > 0:16:41and I'm forced to kind of pay a debt.
0:16:41 > 0:16:46That's the beginning of it. John Wick is fighting for his life.
0:16:46 > 0:16:51He's fighting for John to just grieve and be left alone.
0:16:51 > 0:16:55But, my God, so many assassins in this film. It terrifies you.
0:16:55 > 0:16:57You come out of the cinema going...
0:16:57 > 0:17:01Yeah, there's a lot of people who want him dead. It's cool.
0:17:01 > 0:17:04The tone of John Wick, it's really great action,
0:17:04 > 0:17:08but there's humour and there's this kind of fantastical other world,
0:17:08 > 0:17:12hyper-reality of the underworld, of the criminal element,
0:17:12 > 0:17:14then there's the real world.
0:17:14 > 0:17:16So there's a really fun tone to the film.
0:17:16 > 0:17:18But, when you get to set, when you get to set...?
0:17:18 > 0:17:20Cos some of the people...
0:17:20 > 0:17:23- You know, you are fighting a lot of people in this thing.- Yeah, yeah.
0:17:23 > 0:17:26Some of the people are just, like, men mountains.
0:17:26 > 0:17:29I mean, they're just 7'2". You must think, "Really?"
0:17:29 > 0:17:34No, man, I'm John Wick. No, no, John Wick.
0:17:34 > 0:17:37John Wick's got will, he's fighting for his life.
0:17:37 > 0:17:41There's no mountain he can't climb. He'll knock them down.
0:17:41 > 0:17:43Listen, I love this guy, I do, I do.
0:17:43 > 0:17:49I feel like if he can beat 'em, I have a shot.
0:17:51 > 0:17:55I've seen and I know he's confident, I go right behind him,
0:17:55 > 0:17:57"Yeah, I'll kick... Come on."
0:17:57 > 0:18:01- Cos he makes you believe that you could do anything.- Yes!
0:18:01 > 0:18:03- I think so anyway.- Awesome.- Yeah.
0:18:03 > 0:18:06Not a broken bone, a few scratches...
0:18:06 > 0:18:08You do get hurt, though, John Wick gets hurt.
0:18:08 > 0:18:09John Wick does get hurt, yeah.
0:18:09 > 0:18:13The director takes quite a glee in really knock...
0:18:13 > 0:18:17Getting hit by cars, getting thrown through windows, getting shot,
0:18:17 > 0:18:19getting stabbed.
0:18:19 > 0:18:23Also, you know, he mixes techniques, so there's judo, Jiu Jitsu,
0:18:23 > 0:18:24then gun work.
0:18:24 > 0:18:28I had a lot of great teachers. I try to do as much action as I can.
0:18:28 > 0:18:30Well, in our clip, you're talking.
0:18:32 > 0:18:36- This is you as a... - Laurence Fishburne!
0:18:36 > 0:18:39Yes, with your old friend Laurence Fishburne. Here we go.
0:18:39 > 0:18:42He's offered 7 million for your life.
0:18:42 > 0:18:467 million is a lot of money, Mr Wick.
0:18:52 > 0:18:55So I guess you have a choice.
0:18:55 > 0:18:59You want a war or do you want to just give me a gun?
0:19:01 > 0:19:06Somebody, please, get this man a gun!
0:19:16 > 0:19:17Let's go.
0:19:25 > 0:19:29Now, obviously, John Wick 2. There were three Matrixes. Matrixeses.
0:19:29 > 0:19:31- I don't know how you say that.- Sure.
0:19:31 > 0:19:34How do you...? Is it Matrixi?
0:19:34 > 0:19:38- It's just The Matrix.- Matrices, I've just been told in my ear, Matrices.
0:19:38 > 0:19:39Who told you that?
0:19:41 > 0:19:43Who told you Matrices?
0:19:47 > 0:19:49- You know that's not right.- Yeah...
0:19:49 > 0:19:53Yeah, he speaks, I speak. That's what happens.
0:19:53 > 0:19:56Talking of sequels, much excitement...
0:19:56 > 0:19:59Well, maybe, is it true? Bill & Ted 3?
0:19:59 > 0:20:01CHEERING
0:20:01 > 0:20:04- Oh, wow.- Please, please. - Oh, really?- Yeah, man, of course.
0:20:04 > 0:20:07Cool. All right, Bill & Ted, still alive.
0:20:07 > 0:20:10No, but I heard this is a thing. Haven't you talked about this?
0:20:10 > 0:20:17Yeah, yeah. The writers had a story and we're trying to make it. Yeah.
0:20:17 > 0:20:21So where are Bill and Ted now? They must be in their 50s now?
0:20:21 > 0:20:25Yeah, it would be Bill and Ted in their 50s.
0:20:25 > 0:20:28I mean, that just makes me laugh right there.
0:20:28 > 0:20:30I mean, what happened to these guys?
0:20:30 > 0:20:33But there's a cool story.
0:20:33 > 0:20:35Basically they're supposed to write a song to save the world
0:20:35 > 0:20:37and they haven't done that.
0:20:37 > 0:20:43So...so the pressure of having to save the world, you know,
0:20:43 > 0:20:47their marriages are falling apart, their kids are kind of mad at them.
0:20:47 > 0:20:50But then someone comes from the future and tells them if they
0:20:50 > 0:20:54don't write the song, it's not just the world now, it's the universe.
0:20:54 > 0:20:57So they have to save the universe because, you know,
0:20:57 > 0:21:02time is breaking apart. So then elements of the past are...
0:21:02 > 0:21:04Whoopi's really into it, by the way.
0:21:04 > 0:21:06- I must be person from the... - You're in it!
0:21:06 > 0:21:09I have to be the person from the future, I have to be.
0:21:09 > 0:21:12Oh, I would so love to go and see Bill & Ted 3 and you're in it...
0:21:12 > 0:21:15- LAUGHTER - Well, yeah, why not?
0:21:15 > 0:21:18- Yeah, there's totally a role for you.- Cos I can't get in a movie with him.
0:21:20 > 0:21:23You know, it's just not going to happen.
0:21:23 > 0:21:25Maybe not those movies, but, like, you know...
0:21:25 > 0:21:27Oh, right, OK. You find someone with some clothes on, I'll come in.
0:21:27 > 0:21:31LAUGHTER
0:21:31 > 0:21:33APPLAUSE
0:21:36 > 0:21:37The air guitar thing,
0:21:37 > 0:21:41is that something, if you're ever in a bar and a guitar song comes in,
0:21:41 > 0:21:45do people just look at you like, "He's going to, he's going to"?
0:21:45 > 0:21:49Yeah, which is kind of cool in a way, it's still alive.
0:21:49 > 0:21:51So the idea is you say "Excellent", and then things happen.
0:21:51 > 0:21:54- Yeah, you do that thing, yeah.- (OK, say "Excellent", say "Excellent.")
0:21:54 > 0:21:56- What?- (Go on.) Say "Excellent".
0:21:56 > 0:21:58OK, I'm going to use this like I'm training.
0:21:58 > 0:22:00You're doing the movie again, you're doing Bill & Ted 3.
0:22:00 > 0:22:02Excellent!
0:22:02 > 0:22:05GUITAR RIFF PLAYS
0:22:05 > 0:22:09Bad! Bad Keanu Reeves!
0:22:09 > 0:22:10That was terrible.
0:22:12 > 0:22:14- Right, Jamie Dornan.- Hello.
0:22:14 > 0:22:18Giving us another hugely anticipated sequel - Fifty Shades Darker.
0:22:18 > 0:22:19- Uh-huh. - WHOOPING
0:22:19 > 0:22:23It's out tonight. WHOOPI CHUCKLES
0:22:23 > 0:22:24Come on, Whoopi.
0:22:25 > 0:22:26Give us a break.
0:22:26 > 0:22:31No, no, cos every time I hear Fifty Shades Darker, I think,
0:22:31 > 0:22:33"Who do I know?"
0:22:34 > 0:22:37You know, cos in the sun, that's what happens to me.
0:22:38 > 0:22:40You'll get it later.
0:22:42 > 0:22:45The first one was such a massive success.
0:22:45 > 0:22:49Is it true it caused a bit of a mini population explosion,
0:22:49 > 0:22:51- the first movie? - It apparently did, yeah.
0:22:51 > 0:22:54Yeah, there was a bit of a baby boom.
0:22:56 > 0:23:00- Yeah, which is a lovely thing. - That is nice.
0:23:00 > 0:23:05But, actually, something really lovely happened to me in a lift...
0:23:05 > 0:23:07Oh, yes? LAUGHTER
0:23:09 > 0:23:13I was in a lift. You can't really get away when you're in a lift.
0:23:13 > 0:23:15There's nowhere to go.
0:23:15 > 0:23:21I got recognised by a very lovely woman who said, "Oh, you're..."
0:23:21 > 0:23:23She was more animated than what I'm doing.
0:23:23 > 0:23:26She was like, "Oh, my God, you're Jamie Dornan."
0:23:26 > 0:23:29I said, "Oh, yeah, thanks. Yeah, that's right"
0:23:29 > 0:23:31I was like, "What floor are we going to?"
0:23:31 > 0:23:33Just trying to change the subject.
0:23:33 > 0:23:35She said, "You know what?
0:23:35 > 0:23:40"For years, my husband and I struggled to conceive.
0:23:40 > 0:23:43"We thought we were going to do IVF
0:23:43 > 0:23:46"and were starting to look at other channels,
0:23:46 > 0:23:52"then after your movie came out, we made a baby naturally."
0:23:52 > 0:23:54Yeah, isn't that nice?
0:23:54 > 0:23:56- Wow.- I know.
0:23:56 > 0:24:00It is so hard to know how to respond to something like that.
0:24:00 > 0:24:02Got it. Thank you.
0:24:03 > 0:24:05Yeah.
0:24:05 > 0:24:07It was, um... Yeah, it was a nice moment.
0:24:07 > 0:24:10But you want to inspire people with your work.
0:24:10 > 0:24:15- Whatever it takes. - Yeah, hey, he put the work in.
0:24:15 > 0:24:18Fifty Shades Darker, but, actually, this isn't darker.
0:24:18 > 0:24:19It's more romantic, I would say.
0:24:19 > 0:24:22Yeah, I think that's probably true, yeah.
0:24:22 > 0:24:26Yes. There's probably more sex in it...
0:24:26 > 0:24:27GIGGLING
0:24:27 > 0:24:29LAUGHTER
0:24:29 > 0:24:32More sex?! Jamie doesn't speak.
0:24:32 > 0:24:33No.
0:24:34 > 0:24:36I make noises.
0:24:38 > 0:24:43I make, like...American-accented noises throughout.
0:24:43 > 0:24:46Yeah, that's actually a question, though - do they let you do that?
0:24:46 > 0:24:50When you're doing the scenes, does the director say,
0:24:50 > 0:24:54"More vocalisation" or do they say less?
0:24:54 > 0:24:56There's often stuff...
0:24:56 > 0:24:58JAMIE CHUCKLES
0:24:58 > 0:25:00- It's like... - KEANU SCREAMS
0:25:00 > 0:25:04- They're like, "No, that's not good." - No-one comes like that.
0:25:04 > 0:25:07LAUGHTER AND APPLAUSE
0:25:07 > 0:25:08Yeah, they do.
0:25:08 > 0:25:10Yeah, they do, man.
0:25:10 > 0:25:16There are some scenes where they will play music, maybe...
0:25:16 > 0:25:19If it's a wide shot and it's not all...
0:25:19 > 0:25:22It's the closest we get to sort of, kind of,
0:25:22 > 0:25:27just going for it in one piece. They'll play music or something.
0:25:27 > 0:25:30My temptation is always just to try to make Dakota laugh.
0:25:30 > 0:25:32Sometimes I'll do things like...
0:25:32 > 0:25:36When there's a moment where I'm meant to, you know, orgasm,
0:25:36 > 0:25:37I'll be like...
0:25:37 > 0:25:38# Doodle-do do-do-do! #
0:25:38 > 0:25:41LAUGHTER
0:25:41 > 0:25:43See, people do that.
0:25:43 > 0:25:47Which, by the way, if they don't, they should.
0:25:47 > 0:25:50It's like a Ryanair flight when a Ryanair flight lands,
0:25:50 > 0:25:52# Doodle-do do-do-do. #
0:25:59 > 0:26:01Was it nicer for you this time?
0:26:01 > 0:26:05Because last time it was you and everyone else was a woman -
0:26:05 > 0:26:07the director and everybody.
0:26:07 > 0:26:09- This time, it's a man directing. - It is.
0:26:09 > 0:26:10Did that make a difference?
0:26:10 > 0:26:14Och, no, not really, to be honest. I mean, I think whoever is tasked
0:26:14 > 0:26:17with directing those kind of scenes...
0:26:17 > 0:26:21I mean, these guys know, sex scenes are awkward anyway.
0:26:21 > 0:26:23It just needs a very...
0:26:23 > 0:26:26This is why I love him.
0:26:26 > 0:26:28Cos he includes me.
0:26:28 > 0:26:31"These guys know, sex scenes are just really hard."
0:26:31 > 0:26:33It's like, "No, babe."
0:26:33 > 0:26:36- Have you never done a sex scene? - No...
0:26:36 > 0:26:39- What?- But you've been in so many films.
0:26:39 > 0:26:42- Surely somebody at some point...? - No. No, no, no, no.
0:26:42 > 0:26:46- Not in Back In The Habit?- No.
0:26:46 > 0:26:49There might have been a couple of people under that habit,
0:26:49 > 0:26:52but nothing that anybody would see. No, no, no. No.
0:26:52 > 0:26:56- Was that your decision?- No.
0:26:57 > 0:26:59No.
0:26:59 > 0:27:02There's still time for that kind of thing.
0:27:02 > 0:27:04Well, I don't know.
0:27:04 > 0:27:08But it's fun to watch other people kind of get it on.
0:27:09 > 0:27:11- Yeah.- Yeah.- Yeah.- Mm-hmm.
0:27:11 > 0:27:12Hey, let's watch a clip.
0:27:15 > 0:27:16This is you talking.
0:27:18 > 0:27:23- This is you and Dakota Johnson at an auction.- Great.
0:27:23 > 0:27:26- This is going at 10,000.- 10,000.
0:27:26 > 0:27:28Thank you, ma'am. 10,000.
0:27:28 > 0:27:29I didn't know you had a place in Aspen.
0:27:29 > 0:27:31I have a lot of places.
0:27:31 > 0:27:34We have some ski lovers in the room tonight.
0:27:34 > 0:27:36- 19.- 19,000. Thank you, sir.
0:27:36 > 0:27:41- A week of luxury in America's finest ski resort.- 24,000.
0:27:41 > 0:27:47New blood. 24,000, I am bid. Do I hear 25,000?
0:27:47 > 0:27:48That money was for you.
0:27:48 > 0:27:50Now it'll go to someone who needs it.
0:27:50 > 0:27:54I don't know whether to worship at your feet or spank you.
0:27:54 > 0:27:5724,000 going once...
0:27:58 > 0:28:01I think I'll take option two.
0:28:01 > 0:28:04Sold to the young lady in silver.
0:28:04 > 0:28:05Oh!
0:28:10 > 0:28:13Very good. OK, it's time to meet my next guest.
0:28:13 > 0:28:15Just listen to these films.
0:28:15 > 0:28:16Malcolm X, Training Day,
0:28:16 > 0:28:19Philadelphia, American Gangster, Man On Fire -
0:28:19 > 0:28:20he's starred in them all and more.
0:28:20 > 0:28:23It's always a pleasure to welcome back to the show
0:28:23 > 0:28:24the great Denzel Washington!
0:28:24 > 0:28:28CHEERING AND APPLAUSE
0:28:28 > 0:28:29Hello!
0:28:29 > 0:28:31Really lovely to see you.
0:28:36 > 0:28:39Good to see you, brother. How are you doing?
0:28:39 > 0:28:40How are you doing? Nice to meet you.
0:28:40 > 0:28:43Shove down a little, tiny bit. Denzel Washington.
0:28:43 > 0:28:46CHEERING Listen to that.
0:28:46 > 0:28:49All the love. The love, the love.
0:28:49 > 0:28:52- Welcome back, sir, lovely to see you.- Good to be seen by you.
0:28:52 > 0:28:54Now, you know the guys. You've worked with Keanu.
0:28:54 > 0:28:56- I haven't seen you in how long? - I don't know.
0:28:56 > 0:28:59We've passed each other once in a while, here and there, but, yeah.
0:28:59 > 0:29:02Did you work in Britain? Did you make Much Ado About Nothing here?
0:29:02 > 0:29:03No. Greve.
0:29:03 > 0:29:04- Greve! - Greve, outside of Florence.
0:29:04 > 0:29:05Oh, posh.
0:29:07 > 0:29:12Whoopi Goldberg, of course, was it you gave Whoopi her Oscar?
0:29:12 > 0:29:14Yes. Yes, you did.
0:29:16 > 0:29:20Did you see this picture? We look like four-year-olds. Look at that.
0:29:20 > 0:29:23- You know why I was so skinny? I was working on Ricochet.- Oh.
0:29:23 > 0:29:26While we were doing the Oscars, around that time.
0:29:26 > 0:29:29- You're still skinny. - Black, black is the key. Black.
0:29:29 > 0:29:31Legs crossed, black.
0:29:34 > 0:29:37So, your new movie is fabulous. It's Fences.
0:29:37 > 0:29:42It's in selected cinemas tonight, then it's everywhere next Friday.
0:29:42 > 0:29:45This is the first time the famous August Wilson play
0:29:45 > 0:29:48has been filmed, and you star in it and you directed it.
0:29:48 > 0:29:51Congratulations, Oscar-nominated.
0:29:51 > 0:29:53CHEERING AND APPLAUSE
0:29:56 > 0:29:58Alongside Viola Davis, who's...
0:29:58 > 0:30:01Viola Davis, is that like... You know that people say,
0:30:01 > 0:30:03"Oh, if you play tennis against a good person, you get better"?
0:30:03 > 0:30:06- Mm-hmm. - Acting with her must be a joy.
0:30:06 > 0:30:09If you play tennis against a good person, you lose,
0:30:09 > 0:30:11and then you get better.
0:30:11 > 0:30:16You know, 16, 17 years ago, I directed my first film.
0:30:16 > 0:30:20She was one of the first people I hired. I knew how good she was then.
0:30:20 > 0:30:24When I decided to do the play, five or six years ago,
0:30:24 > 0:30:27Scott Rudin and I produced it... Well, he produced it,
0:30:27 > 0:30:31but the first person we decided to hire was Viola for the play.
0:30:31 > 0:30:35She kills it. I mean, she's great in this movie.
0:30:35 > 0:30:37I mean, in fairness, you all are.
0:30:37 > 0:30:40Now, if people don't know the play, tell us about it.
0:30:40 > 0:30:42It's about a family.
0:30:42 > 0:30:44I play a man who was frustrated
0:30:44 > 0:30:47because he didn't make it to the major leagues
0:30:47 > 0:30:49because he was too old and because he was black.
0:30:49 > 0:30:51That's what HE thinks.
0:30:51 > 0:30:57His frustration and anger, if you will, is sort of...
0:30:57 > 0:30:58Without giving it all away.
0:30:58 > 0:31:04It's about fathers and sons, and husbands and wives...
0:31:04 > 0:31:06and other women.
0:31:06 > 0:31:08DENZEL CHUCKLES
0:31:11 > 0:31:16It won the Pulitzer Prize as a play, multiple Tony Awards.
0:31:16 > 0:31:19We revived it in 2010.
0:31:19 > 0:31:22It actually broke the record for the most nominations for any play
0:31:22 > 0:31:24in the history of the Tony Awards.
0:31:24 > 0:31:28Viola won, I won, Best Revival, all of that.
0:31:28 > 0:31:33So here we are now, six years after the play, and I directed the film.
0:31:33 > 0:31:37We're up for Best Picture and Actor and Actress, and Adapted Screenplay.
0:31:37 > 0:31:40August Wilson is up, I'm really happy about that.
0:31:40 > 0:31:41Wow. It's a stunning, stunning film.
0:31:41 > 0:31:44Your character is interesting, because you feel for him,
0:31:44 > 0:31:47- and yet he is, really, quite unsympathetic.- Yeah.
0:31:47 > 0:31:49Well, he writes...
0:31:49 > 0:31:53August Wilson writes ordinary, real people, warts and all.
0:31:53 > 0:31:58Nobody is perfect, it's like life. And he's unapologetic.
0:31:58 > 0:32:04You know, again, without giving it away, Troy is brutally honest.
0:32:04 > 0:32:06OK, we've got a clip.
0:32:06 > 0:32:11- This is yourself and Viola Davis discussing one of your sons.- Uh-oh.
0:32:11 > 0:32:14Why don't you go ahead and let the boy play football, Troy?
0:32:14 > 0:32:16He just wants to be like you with the sports.
0:32:16 > 0:32:18I don't want him to be like me.
0:32:18 > 0:32:20I want him to get as far away from my life as he possibly can get.
0:32:20 > 0:32:23You're the only decent thing that ever happened to me, Rose.
0:32:23 > 0:32:27I wish him that. But I don't wish him nothing else from my life.
0:32:29 > 0:32:32I decided 17 years ago that boy wasn't going to get involved
0:32:32 > 0:32:34in no sports. Not after what they did to me in the sports.
0:32:34 > 0:32:37Why don't you just admit you were too old for the major leagues?
0:32:37 > 0:32:40- For once, why don't you just admit that?- Telling me I was too old.
0:32:40 > 0:32:42I just wasn't the right colour.
0:32:42 > 0:32:46Hell, I'm 53 years old and can do better than Selkirk's 269 right now.
0:32:46 > 0:32:49How were you going to play ball when you were over 40?
0:32:49 > 0:32:50Sometimes I can't get no sense out of you.
0:32:50 > 0:32:51I've got good sense, woman.
0:32:51 > 0:32:55I've got sense enough not to let that boy get hurt playing no sports.
0:32:55 > 0:32:56You're mothering the boy too much,
0:32:56 > 0:32:58worrying about whether people like him or not.
0:32:58 > 0:33:01Everything that boy do, he do for you.
0:33:01 > 0:33:04He wants you to say, "Good job, son." That's all.
0:33:04 > 0:33:07I ain't got time for that, Rose. He's alive, he's healthy.
0:33:07 > 0:33:10He's got to make his own way, I made mine.
0:33:10 > 0:33:13Ain't nobody going to hold his hand when he get out there in the world.
0:33:13 > 0:33:17Times are changed, Troy. People change.
0:33:17 > 0:33:20The world changing and you can't even see it.
0:33:26 > 0:33:31- Thank you. That's actually one of the quieter scenes.- Yeah...
0:33:31 > 0:33:32There's a lot of...
0:33:32 > 0:33:36- Those two-handers you have are sensational.- Sensational.
0:33:36 > 0:33:40But apparently on Broadway, like, people got involved.
0:33:40 > 0:33:45In the film too. Our first screening in Westwood, and women...
0:33:45 > 0:33:49Black, white, yellow, green and blue, started talking back.
0:33:49 > 0:33:52It was interesting. We were cutting the film.
0:33:52 > 0:33:54Vin Diesel was cutting his film up there too.
0:33:54 > 0:33:59He came by, and his sister is his producing partner.
0:33:59 > 0:34:04So I showed him the scene where Viola starts telling the truth
0:34:04 > 0:34:07in a big way. He's sitting, like, where you are,
0:34:07 > 0:34:09and his sister was sitting over there. Screen's up here.
0:34:09 > 0:34:11I just started the scene, "Oh, just watch this."
0:34:11 > 0:34:15She starts going in, and I start hearing, "Mm-hmm."
0:34:15 > 0:34:18I look, and she was... It was like she'd left the room.
0:34:18 > 0:34:21"That's right. Mm-hmm."
0:34:24 > 0:34:28She just started building... I mean... There's...
0:34:28 > 0:34:33It's so real, I guess, and honest, people get involved.
0:34:33 > 0:34:35People literally sometimes get up
0:34:35 > 0:34:37and start talking back to the screen.
0:34:37 > 0:34:39Didn't that happen when you were on stage too?
0:34:39 > 0:34:41Oh, yeah, in the play, forget it.
0:34:41 > 0:34:44- Oh, forget it!- You would hear somebody saying,
0:34:44 > 0:34:48- "She ain't treating him right." - "I'll take him."- "I'll take him."
0:34:50 > 0:34:52I won't give it...
0:34:52 > 0:34:56I can't give it away, but he walks in with a little one,
0:34:56 > 0:34:58and the women went, "Oh, Denzel."
0:34:58 > 0:35:01LAUGHTER
0:35:01 > 0:35:05"Hey, look, let me just go do this..."
0:35:05 > 0:35:08But people get involved. Before they know it, they're in it.
0:35:08 > 0:35:12I mean, it's a testament to how great a write August Wilson is.
0:35:12 > 0:35:14Also, apparently, it was very different,
0:35:14 > 0:35:16cos you filmed on location in Pittsburgh,
0:35:16 > 0:35:19so it's quite different from an LA location or a New York location.
0:35:19 > 0:35:22It was the best, because we were right there where he lives.
0:35:22 > 0:35:24We were right there where August Wilson lived.
0:35:24 > 0:35:28We were right there where a lot of people got involved.
0:35:28 > 0:35:30There was a man who lived behind us, Mr Greenly.
0:35:30 > 0:35:33He couldn't hear well, and he would come out every day and ask if
0:35:33 > 0:35:35I wanted coffee, during the scene, or any time.
0:35:35 > 0:35:39"Denzel, how are you?" "We're shooting now." "Huh?"
0:35:39 > 0:35:43"We're shooting now, Mr Greenly." "You want some coffee?"
0:35:43 > 0:35:46"Nah, we're going to go ahead and shoot." "Huh?
0:35:46 > 0:35:48"Go on, make the movie. Go and make the movie.
0:35:48 > 0:35:50"I'll be in the house."
0:35:51 > 0:35:52He'd just come out.
0:35:52 > 0:35:56He'd get a chair and sit, like he was watching a movie.
0:35:56 > 0:35:58It was like he was watching the movie.
0:35:58 > 0:36:00The movie was in his back yard.
0:36:00 > 0:36:02I'm not going to see it, I've seen it.
0:36:02 > 0:36:05- Know what was sweet? Sorry, I didn't mean to cut you off.- No, no.
0:36:05 > 0:36:08We had a screening in Pittsburgh,
0:36:08 > 0:36:10and he came in a suit and tie and just proud.
0:36:10 > 0:36:13He still couldn't hear, so he had a guy whisper in his ear
0:36:13 > 0:36:16to tell him what we were saying, you know?
0:36:16 > 0:36:18But he was so proud... He was, he was...
0:36:18 > 0:36:21Well, he wasn't in the movie, but he was a part of it.
0:36:21 > 0:36:25- It's like he made it. Yeah. - Yeah, he really directed it.
0:36:25 > 0:36:29Listen, good luck with the film. Good luck on the 26th at the Oscars.
0:36:29 > 0:36:33- Thank you.- Presumably your lovely wife will be going with you.
0:36:33 > 0:36:35- My wife is right back there. - Oh, really? Oh, wow.
0:36:35 > 0:36:39She's back there because she wants to see some folks out here.
0:36:39 > 0:36:41There's some folks she wants to see.
0:36:41 > 0:36:46And my son, who's an actor, he does a show... A father's shameless plug.
0:36:46 > 0:36:49..Ballers, which co-stars with The Rock.
0:36:49 > 0:36:52- He loves you. - Oh, yeah?
0:36:52 > 0:36:54So she was trying to get him on the phone so he could say hi.
0:36:54 > 0:36:56- Oh, I'll say hi. - But at least take a picture.
0:36:56 > 0:36:59I'll try not to keep you. LAUGHTER
0:37:02 > 0:37:05Sorry you've got to do this boring shit.
0:37:08 > 0:37:09There's going to be a photo out there.
0:37:09 > 0:37:13Whoopi is having a photo with Jamie, yeah. We'll set up a photo studio.
0:37:13 > 0:37:14It'll be lovely.
0:37:14 > 0:37:18It's music time. This man went from the underground hip-hop scene
0:37:18 > 0:37:22to top of the charts, and has just won the Brits Critics' Choice Award.
0:37:22 > 0:37:25Here performing the hit single Human, it's Rag'n'Bone Man.
0:37:25 > 0:37:28CHEERING
0:37:32 > 0:37:34# I'm only human
0:37:35 > 0:37:37# I'm only, I'm only
0:37:39 > 0:37:41# I'm only human
0:37:41 > 0:37:42# Human
0:37:43 > 0:37:45# Maybe I'm foolish
0:37:45 > 0:37:46# Maybe I'm blind
0:37:46 > 0:37:48# Thinking I can see through this
0:37:48 > 0:37:50# And see what's behind
0:37:50 > 0:37:51# Got no way to prove it
0:37:51 > 0:37:55# So maybe I'm blind
0:37:55 > 0:37:58# But I'm only human after all
0:37:58 > 0:38:01# I'm only human after all
0:38:01 > 0:38:02# Don't put the blame on me
0:38:04 > 0:38:06# Don't put the blame on me
0:38:09 > 0:38:11# Take a look in the mirror
0:38:11 > 0:38:12# And what do you see?
0:38:12 > 0:38:14# Do you see it clearer
0:38:14 > 0:38:17# Or are you deceived
0:38:17 > 0:38:19# In what you believe?
0:38:20 > 0:38:23# Cos I'm only human after all
0:38:23 > 0:38:26# And you're only human after all
0:38:26 > 0:38:28# Don't put the blame on me
0:38:29 > 0:38:31# Don't put the blame on me
0:38:34 > 0:38:37# Some people got the real problems
0:38:37 > 0:38:40# Some people out of luck
0:38:40 > 0:38:44# Some people think I can solve them
0:38:44 > 0:38:46# Lord heavens above
0:38:46 > 0:38:49# I'm only human after all
0:38:49 > 0:38:52# I'm only human after all
0:38:52 > 0:38:55# Don't put the blame on me
0:38:55 > 0:38:57# Don't put the blame on me
0:39:00 > 0:39:02# Don't ask my opinion
0:39:02 > 0:39:03# Don't ask me to lie
0:39:03 > 0:39:05# Then beg for forgiveness
0:39:05 > 0:39:07# For making you cry
0:39:08 > 0:39:11# For making you cry
0:39:11 > 0:39:15# Cos I'm only human after all
0:39:15 > 0:39:17# You're only human after all
0:39:17 > 0:39:19# Don't put the blame on me
0:39:20 > 0:39:23# Don't put the blame on me
0:39:24 > 0:39:29# Oh, some people got the real problems
0:39:29 > 0:39:31# Some people out of luck
0:39:32 > 0:39:35# Some people think I can solve them
0:39:35 > 0:39:37# Lord heavens above
0:39:37 > 0:39:40# I'm only human after all
0:39:40 > 0:39:43# I'm only human after all
0:39:43 > 0:39:46# Don't put the blame on me
0:39:46 > 0:39:48# Don't put the blame on me
0:39:50 > 0:39:51# Cos I'm only human
0:39:51 > 0:39:53# I make mistakes
0:39:53 > 0:39:55# I'm only human
0:39:55 > 0:39:56# That's all it takes
0:39:56 > 0:39:59# To put the blame on me
0:39:59 > 0:40:01# Don't put the blame on me
0:40:04 > 0:40:08# Cos I'm no prophet or Messiah
0:40:11 > 0:40:18# You should go looking somewhere higher
0:40:19 > 0:40:23# Cos I'm only human after all
0:40:23 > 0:40:26# I'm only human after all
0:40:26 > 0:40:27# Don't put the blame on me
0:40:29 > 0:40:31# Don't put the blame on me
0:40:33 > 0:40:34# Cos I'm only human
0:40:34 > 0:40:36# I do what I can
0:40:36 > 0:40:38# I'm just a man
0:40:38 > 0:40:39# I do what I can
0:40:39 > 0:40:42# Don't put your blame on me
0:40:43 > 0:40:46# Don't put your blame on me. #
0:40:48 > 0:40:50CHEERING AND APPLAUSE
0:40:50 > 0:40:51Wow!
0:40:53 > 0:40:56Beautiful!
0:40:56 > 0:40:59Rag'n'Bone Man, great job. Come over here.
0:40:59 > 0:41:00Come and join us.
0:41:00 > 0:41:02That was so gorgeous.
0:41:02 > 0:41:04Thank you very much. Come in, sit down.
0:41:04 > 0:41:10That's Jamie Dornan, Keanu, Whoopi, Denzel, there we all are.
0:41:10 > 0:41:11Very good.
0:41:11 > 0:41:13Whoo!
0:41:13 > 0:41:15- Have a seat. - I'll go for a small one.
0:41:15 > 0:41:21- Wait, wait, wait, come on here, man. - Are you sure?- Yeah, man.- All right.
0:41:21 > 0:41:24Because I was watching you from a distance,
0:41:24 > 0:41:27I didn't quite understand just how big you are.
0:41:29 > 0:41:32Well, that's very nice of you to say.
0:41:32 > 0:41:37- You're like one of the people Keanu Reeves beats up in John Wick.- OK.
0:41:37 > 0:41:43Right, so that is Human off the album of the same name, Human.
0:41:43 > 0:41:48- Here we go. That is out now, isn't it?- It is.- In all formats.- Today.
0:41:48 > 0:41:51- Today?- Yeah.- Spread the word, guys, spread the word.
0:41:51 > 0:41:53- And it's called I'm Only Human? - It's called Human.
0:41:53 > 0:41:54- Human.- Just Human.
0:41:54 > 0:41:57- Just Human.- Got you.- (Human.)
0:41:57 > 0:42:00- I should say I can call you Rory, right?- Yes.
0:42:00 > 0:42:02That's the name my mother gave me, so...
0:42:02 > 0:42:06- OK, let's use it.- Perfect.
0:42:06 > 0:42:11- Here's the thing, you were bubbling along, you were doing hip-hop.- Yes.
0:42:11 > 0:42:14And so... Did you know you could sing like that?
0:42:14 > 0:42:15Kind of.
0:42:15 > 0:42:19I used to sing a little bit in the shower and, you know,
0:42:19 > 0:42:20the places that people sing.
0:42:20 > 0:42:26But I kind of realised it was in tune, and then...
0:42:26 > 0:42:28And then my old man said,
0:42:28 > 0:42:31"Have a couple of beers and go and sing on stage."
0:42:31 > 0:42:32So that's what I did.
0:42:32 > 0:42:35Cos I was a bit nervous, you know, stage fright, a little bit.
0:42:35 > 0:42:40But you only do it one time. You do it one time, it takes one time.
0:42:40 > 0:42:43Well, this is the place I want to be, yeah.
0:42:43 > 0:42:46Because you'd been working in hip-hop, doing MCing and stuff
0:42:46 > 0:42:49on a lower level, like, are you enjoying the success?
0:42:49 > 0:42:51Like, does it suit you?
0:42:51 > 0:42:52Yeah.
0:42:52 > 0:42:55LAUGHTER
0:42:55 > 0:42:58APPLAUSE
0:42:58 > 0:43:00Kind of, kind of.
0:43:00 > 0:43:03Listen, good luck, cos you're up for Best Breakthrough Artist
0:43:03 > 0:43:06- at the Brits in a couple of weeks. - I am indeed.- So you'll be there.
0:43:06 > 0:43:08- Best of luck to you. I hope it goes well.- Thank you.
0:43:08 > 0:43:10Thanks for doing that. It was gorgeous. Absolutely gorgeous.
0:43:10 > 0:43:13Rag'n'Bone Man, everybody. CHEERING
0:43:13 > 0:43:15OK. That's nearly everything.
0:43:15 > 0:43:18We've just got time for a visit to the Big Red Chair. Who's there?
0:43:18 > 0:43:22- Hello.- Hello.- Hi, what's your name? - My name's Anita.- Anita, lovely.
0:43:22 > 0:43:24Where do you live, Anita?
0:43:24 > 0:43:28I live in Manchester, and it's my birthday today.
0:43:28 > 0:43:30LAUGHTER
0:43:34 > 0:43:38- What?!- What does she want, a prize?!
0:43:38 > 0:43:41We were all born!
0:43:43 > 0:43:46- What is that? - That is cold, man, that is cold.
0:43:46 > 0:43:49"It's my birthday", whatever!
0:43:49 > 0:43:51But you're only human, though, Graham, too!
0:43:51 > 0:43:55- Oh, he's quoting your song back at you.- Yeah, Denzel.
0:43:55 > 0:43:57Let's reload the chair.
0:43:59 > 0:44:00Hello.
0:44:00 > 0:44:03- Hello.- What's your name?- Eleanor. - Eleanor, lovely.
0:44:03 > 0:44:04What do you do, Eleanor?
0:44:04 > 0:44:07- I'm a charity campaigner. - A charity campaigner. She's staying.
0:44:07 > 0:44:09She's staying right there.
0:44:09 > 0:44:11OK, off you go with your story.
0:44:11 > 0:44:14Well, a while ago I was going on dates through Tinder,
0:44:14 > 0:44:18and I met a nice guy and conversation was flowing.
0:44:18 > 0:44:19We were talking about Bristol,
0:44:19 > 0:44:23where my family is from and where he was from.
0:44:23 > 0:44:26We decided to go out on a second date, so I gave him my number.
0:44:26 > 0:44:30When I got home, he messaged me, and his surname came up on my phone.
0:44:30 > 0:44:34It was quite an unusual surname, same as my mum's surname.
0:44:34 > 0:44:37That's when I realised I'd gone on a date with my cousin.
0:44:37 > 0:44:39Oh, that's not right. That's...
0:44:44 > 0:44:47You look sheepish. It wasn't you, was it?
0:44:47 > 0:44:50You look a bit like... "This is very awkward."
0:44:50 > 0:44:52Shall we have one more?
0:44:52 > 0:44:55Yes, OK. OK, here we go. This is the one.
0:44:55 > 0:44:57Hello, sir, what's your name?
0:44:57 > 0:44:59- Hello, I'm Ed.- Ed, lovely. Where are you from, Ed?
0:44:59 > 0:45:01- I'm from York, but I live in London.- Excellent.
0:45:01 > 0:45:05A lot of information right there to process. What do you do in London?
0:45:05 > 0:45:10- I'm a research technician.- Oh, he's quite vague. Nothing good, I'd say.
0:45:11 > 0:45:13OK, Ed, off you go with your story.
0:45:13 > 0:45:16So a couple of years ago, I used to work in a coffee shop.
0:45:16 > 0:45:18I was making a flat white for a customer,
0:45:18 > 0:45:21which is the one with the nice, little floret pattern on the top.
0:45:21 > 0:45:23- Oh, yes. - But I was in a bit of a rush.
0:45:23 > 0:45:25I thought the coffee I'd made was OK,
0:45:25 > 0:45:28and I was about to hand it to the customer when my friend tapped on
0:45:28 > 0:45:32my shoulder and said, "Um, you might want to take a second look at that."
0:45:32 > 0:45:35So I looked down, and sure enough, instead of a nice,
0:45:35 > 0:45:38pretty floret pattern, I'd managed to make a penis.
0:45:38 > 0:45:40This put me in a bit of a dilemma.
0:45:40 > 0:45:44I was like, "Do I give it to him and hope he's not noticed,
0:45:44 > 0:45:49"or do I say, 'I'm sorry, sir, I've put a cock in your coffee'?"
0:45:50 > 0:45:53So I decided to just give it to him and hope he didn't notice.
0:45:53 > 0:45:56He looked down at it and went, "Oh.
0:45:56 > 0:46:00I've never had one of those in my coffee before."
0:46:00 > 0:46:01That's it.
0:46:01 > 0:46:03That's quite a good story. Shall we let him walk?
0:46:03 > 0:46:05Yeah, he can walk.
0:46:08 > 0:46:10Well done. Well done, everyone.
0:46:10 > 0:46:12If you'd like to join us on the show and have a go on the Red Chair,
0:46:12 > 0:46:15you can contact us via our website, to this very address.
0:46:15 > 0:46:17That is it for tonight. Please say thank you to my guests -
0:46:17 > 0:46:21Rag'n'Bone Man...
0:46:21 > 0:46:24Jamie Dornan...
0:46:24 > 0:46:26Keanu Reeves...
0:46:26 > 0:46:29Whoopi Goldberg...
0:46:29 > 0:46:32Denzel Washington.
0:46:32 > 0:46:36Join me next week with rap star Tinie Tempah, actress Ruth Wilson,
0:46:36 > 0:46:38comedian Ricky Gervais,
0:46:38 > 0:46:40and actors Joshua McGuire, Daniel Radcliffe
0:46:40 > 0:46:41and Tom Hiddleston.
0:46:41 > 0:46:44I'll see you then. Goodnight, everybody. Bye-bye.
0:46:44 > 0:46:47CHEERING AND APPLAUSE