0:00:02 > 0:00:04Good evening, I'm Tom Hiddleston, and this is The Graham Norton Show!
0:00:23 > 0:00:26Oh, oh! Oh, ho-ho-ho!
0:00:29 > 0:00:33Hello! Welcome.
0:00:34 > 0:00:36Thank you SO much.
0:00:36 > 0:00:38Thank you.
0:00:38 > 0:00:40No, no...
0:00:40 > 0:00:42Oh, it's lovely.
0:00:42 > 0:00:44It's as if you mean it.
0:00:44 > 0:00:47Hey, we've got a bursting sofa of showbiz for you tonight.
0:00:47 > 0:00:50And, hey, it's been a showbiz week, because it's the Grammy Awards,
0:00:50 > 0:00:52the film Baftas.
0:00:52 > 0:00:55It's awards season, that's what it is -
0:00:55 > 0:00:57- awards season! AUDIENCE:- Whooooo!
0:00:57 > 0:01:00I think it's my favourite of all the four seasons.
0:01:00 > 0:01:02It's like Springwatch for celebrities.
0:01:02 > 0:01:05At the Grammys, Adele was so disappointed that Beyonce
0:01:05 > 0:01:07didn't win Best Album, she snapped her award in half
0:01:07 > 0:01:09to give to her.
0:01:09 > 0:01:12Which sounds impressive, but then she did have five of them.
0:01:12 > 0:01:14"'Ere, one of these is broken.
0:01:14 > 0:01:15"D'ya want it?
0:01:15 > 0:01:17"It's broken. I've got loads, have one!"
0:01:19 > 0:01:22If you missed the Baftas this week, I can tell you that the award
0:01:22 > 0:01:26for Best Male Performance SHOULD have gone to Canadian Prime Minister
0:01:26 > 0:01:28Justin Trudeau.
0:01:29 > 0:01:32That look! I LOVE his look.
0:01:32 > 0:01:36It's like, "I'm not touching THAT - I don't know where that's been.
0:01:36 > 0:01:37"Oh, wait. I do."
0:01:40 > 0:01:42He told us!
0:01:42 > 0:01:46But surely the award for Longest And Most Unwelcome
0:01:46 > 0:01:50Handshake With President Trump must go to the Japanese Prime Minister.
0:01:50 > 0:01:54Have a look. He goes in for the grab. A bit of a shake.
0:01:54 > 0:01:57"Don't touch my hand." Having pictures taken, it's all lovely,
0:01:57 > 0:01:59that's grand. "Just take my hand back.
0:01:59 > 0:02:04"No, I think we've done it. Don't! OK, they've taken the pictures now.
0:02:04 > 0:02:07"I want it...! Stop that now! Yes, thank you.
0:02:07 > 0:02:10"Don't touch my hand!
0:02:10 > 0:02:12- "Oh, thank- BLEEP- for that!"
0:02:14 > 0:02:16Let's get some guests on!
0:02:16 > 0:02:19Later, I'll be shaking hands with the stars
0:02:19 > 0:02:21of Rosencrantz & Guildenstern Are Dead.
0:02:21 > 0:02:23Joshua McGuire and Daniel Radcliffe will be here.
0:02:23 > 0:02:25APPLAUSE AND CHEERING
0:02:25 > 0:02:29But first, this man has had more number ones than any other
0:02:29 > 0:02:31British artist this decade. Now he's back "Disturbing London"
0:02:31 > 0:02:34with his new album, Youth. It's Tinie Tempah, everybody!
0:02:34 > 0:02:35APPLAUSE AND CHEERING
0:02:38 > 0:02:41Youth, see? Look at you, you're so young!
0:02:41 > 0:02:43Tinie Tempah, everybody!
0:02:45 > 0:02:49He's a Bafta, Emmy and Golden Globe winning comedian
0:02:49 > 0:02:51who's created shows like Derek, Extras and The Office.
0:02:51 > 0:02:54Now he's returning to the stand-up stage. Please welcome Ricky Gervais!
0:02:54 > 0:02:56APPLAUSE AND CHEERING
0:02:56 > 0:02:57- Here he is!- Thank you.
0:02:59 > 0:03:02Hello, lovely to see you. Have a seat.
0:03:03 > 0:03:08This brilliant actress chilled us in Luther and won a Golden Globe
0:03:08 > 0:03:10for her sizzling performance in The Affair.
0:03:10 > 0:03:12Now she's bringing Hedda Gabler to the National.
0:03:12 > 0:03:14It's Ruth Wilson, everybody!
0:03:14 > 0:03:15APPLAUSE AND CHEERING
0:03:16 > 0:03:20Hello. Hello. Nice to see you.
0:03:20 > 0:03:22Come in and have a seat.
0:03:23 > 0:03:26He plays Loki in Thor and starred in last year's breakout hit
0:03:26 > 0:03:28The Night Manager. Now he's back,
0:03:28 > 0:03:31with the biggest movie monster of all, in Kong: Skull Island.
0:03:31 > 0:03:33Please welcome Tom Hiddleston, everybody!
0:03:33 > 0:03:35APPLAUSE AND CHEERING
0:03:35 > 0:03:37Hello!
0:03:37 > 0:03:40Nice to see you. Have a seat.
0:03:42 > 0:03:44Whoo!
0:03:47 > 0:03:49Thank you. Whoo!
0:03:50 > 0:03:52- Whoo! AUDIENCE:- Whoo!
0:03:52 > 0:03:55You're glad you didn't wear a top NOW, aren't you? Yes!
0:03:56 > 0:03:59Yeah! Work it, work it!
0:04:01 > 0:04:03Look at Ruth. Ruth is like, "Yeah, back off!
0:04:03 > 0:04:05"I've got this couch."
0:04:07 > 0:04:08Welcome to you all, lovely to see you all.
0:04:08 > 0:04:11I'm so worried that I'm the only one that's made an effort.
0:04:13 > 0:04:16I just realised that I might put mud on you.
0:04:17 > 0:04:19These are actually dirty trainers.
0:04:19 > 0:04:22This is embarrassing.
0:04:22 > 0:04:24- Yes, I didn't notice those. That is piss-poor.- Really sorry.
0:04:27 > 0:04:29Tom's made the actual effort. Suited and booted.
0:04:29 > 0:04:30CHEERING
0:04:30 > 0:04:32Shut up!
0:04:33 > 0:04:36I wanted to say congratulations to you.
0:04:36 > 0:04:39- Why?- Didn't you win a huge award a couple of weeks ago?
0:04:39 > 0:04:42Oh, I did. That's very kind of you. Thank you very much.
0:04:42 > 0:04:43CHEERING
0:04:47 > 0:04:50I'm just humouring him. I didn't win an award.
0:04:50 > 0:04:54You did, you won, like, a huge, special achievement.
0:04:54 > 0:04:57It was almost like a "you're going to die soon" award.
0:04:57 > 0:04:58It was one of them.
0:04:58 > 0:05:00It was a national treasure award.
0:05:00 > 0:05:03National treasure award. Something like that.
0:05:03 > 0:05:06Anyway, talking of people... Moving on!
0:05:06 > 0:05:09They're in my ear, "Tell him to shut up!"
0:05:09 > 0:05:11Talking of knowing each other,
0:05:11 > 0:05:13you guys know each other very well. You acted together.
0:05:13 > 0:05:16We did. We did our first... my first job. Was it YOUR first job?
0:05:16 > 0:05:19It wasn't my first, but it was very near the beginning.
0:05:19 > 0:05:23It SEEMED like it! That's terrible!
0:05:24 > 0:05:26Yeah, it's not a good review.
0:05:26 > 0:05:27It was...
0:05:27 > 0:05:31We'd just left drama school and it was a Channel 5 comedy show
0:05:31 > 0:05:34- called Suburban Shootout.- Yes!
0:05:36 > 0:05:37Yes, high art.
0:05:37 > 0:05:42And we played a young teenage couple, um, just struggling
0:05:42 > 0:05:43with life to find our way.
0:05:43 > 0:05:46And you seem quite close in some of the stills
0:05:46 > 0:05:47that have been released.
0:05:50 > 0:05:52Right, yeah.
0:05:52 > 0:05:55You'd both say no now, wouldn't you? You'd both say no now.
0:05:55 > 0:05:57It was hilarious.
0:05:57 > 0:06:00I play this character who was just back from a year's travelling
0:06:00 > 0:06:02and is quite innocent.
0:06:02 > 0:06:04Are you wrestling?
0:06:04 > 0:06:05Yes, that's what we're doing, we're wrestling.
0:06:05 > 0:06:07He's massaging my leg.
0:06:07 > 0:06:09Oh, that's what he's doing!
0:06:09 > 0:06:12I'm glad we haven't actually got the video version of this.
0:06:14 > 0:06:17Have you been offered acting roles, Tinie?
0:06:17 > 0:06:19I was in Absolutely Fabulous, but just at the start.
0:06:19 > 0:06:20I offered you an acting role.
0:06:20 > 0:06:22Oh, yeah, you offered me an acting role as well, sorry.
0:06:22 > 0:06:24- Turned him down.- Yeah.
0:06:25 > 0:06:27His exact words were, "Nah, bruv."
0:06:29 > 0:06:32Ricky wanted me to be like a stereotypical...
0:06:32 > 0:06:35I'm going to air it all out now. We might as well just solve it now.
0:06:35 > 0:06:37It was the Comic Relief sketch.
0:06:37 > 0:06:40You wanted me to be too-cliche rapper.
0:06:40 > 0:06:41I was a bit...
0:06:41 > 0:06:43David Brent was going to not know who you were,
0:06:43 > 0:06:46- and you were going to pull up... - So he was going to insult me.
0:06:46 > 0:06:50So, it was when I did Equality Street and I was going
0:06:50 > 0:06:54to come out of the studio, and Tinie Tempah was going to come in
0:06:54 > 0:06:56and I was going to get in and I was going to think he was Uber.
0:06:56 > 0:06:58LAUGHTER
0:06:58 > 0:07:00So it was going to be really awkward.
0:07:00 > 0:07:03In hindsight, that could have been quite fun, actually.
0:07:05 > 0:07:08That does sound quite funny. Now, you're performing later.
0:07:08 > 0:07:10- I am, yeah. - So this is the new single.
0:07:10 > 0:07:12- Tell us about the new single. - This is the new single.
0:07:12 > 0:07:13It's called Text From Your Ex.
0:07:13 > 0:07:17I'm very much inspired by everything I listened to when I was growing up,
0:07:17 > 0:07:19so I decided to make an album called Youth.
0:07:19 > 0:07:21I'm 28 years old and I feel like...
0:07:21 > 0:07:24I saw him look at me like, "You bastard!"
0:07:25 > 0:07:27My new album's called Death.
0:07:29 > 0:07:32Just don't release it on the same day as mine.
0:07:33 > 0:07:35Now, Text From Your Ex, it is a cautionary tale.
0:07:35 > 0:07:37Is it something that happened to you?
0:07:37 > 0:07:40Yeah, it's literally, like, real-life extract.
0:07:40 > 0:07:43Most of my songs are about relationships in a positive light.
0:07:43 > 0:07:45I've dated a lot of girls.
0:07:45 > 0:07:46I date a lot of girls.
0:07:46 > 0:07:49That's good of you. That's good of you.
0:07:49 > 0:07:51It's healthy to do that.
0:07:51 > 0:07:52Is that a term, ex-tracks?
0:07:52 > 0:07:55- No. - I thought that was a thing.- No.
0:07:55 > 0:07:58- Good.- Let's not go TOO deep, Tom. Let's not go TOO deep.
0:07:59 > 0:08:02So it's literally texts from my ex.
0:08:02 > 0:08:04One day, you're in a scenario...
0:08:04 > 0:08:07I'm sure everyone here, especially you, if Hedda Gabler
0:08:07 > 0:08:10is true, like, remotely true...
0:08:10 > 0:08:14You get this awkward text where someone sees something
0:08:14 > 0:08:17where you're kind of messing with somebody else and you get
0:08:17 > 0:08:19in a bit of trouble, or vice versa as well.
0:08:19 > 0:08:21You don't have to be the bad person.
0:08:21 > 0:08:25You could see a text from someone that sent it to your partner.
0:08:26 > 0:08:28That's basically what this song is about.
0:08:28 > 0:08:30You were cheating.
0:08:30 > 0:08:31Yes.
0:08:31 > 0:08:33It's about cheating.
0:08:33 > 0:08:34Nicely put.
0:08:34 > 0:08:37To be quite honest with you, I know it sounds crazy, but I think,
0:08:37 > 0:08:40in this day and age, because of the social media we have
0:08:40 > 0:08:44and the ways you can message people, whether it's Snapchat or Instagram
0:08:44 > 0:08:47or Tinder, I feel like cheating is a lot more...
0:08:47 > 0:08:49It's very wrong, but...
0:08:49 > 0:08:52- more virtual.- More virtual.
0:08:52 > 0:08:54It's more of a normal kind of accepted - not accepted thing -
0:08:54 > 0:08:57but there are apps made around the whole concept of it.
0:08:57 > 0:08:58Do you get what I'm saying?
0:08:58 > 0:09:00- LAUGHTER - It's true.
0:09:00 > 0:09:03I've been going out with my girlfriend since
0:09:03 > 0:09:04before computers, though.
0:09:06 > 0:09:09We text each other pictures of the cat.
0:09:10 > 0:09:13No, there's emojis for all these different things now.
0:09:13 > 0:09:17- It's crazy.- But you say you've been dating since before the internet
0:09:17 > 0:09:21and before computers, but you do now, you have a lovely way
0:09:21 > 0:09:24of using social media as a tribute to your partner, Jane.
0:09:24 > 0:09:25Yeah.
0:09:25 > 0:09:27LAUGHTER
0:09:28 > 0:09:30I just...
0:09:30 > 0:09:32I like your in-the-bath faces that you do.
0:09:32 > 0:09:34The in-the-bath faces, but I also get pictures,
0:09:34 > 0:09:37if we're out or something, I sort of lag behind
0:09:37 > 0:09:40and get Jane by herself with no-one around,
0:09:40 > 0:09:42and I take a picture of her and I tweet,
0:09:42 > 0:09:44"Jane with all her friends."
0:09:45 > 0:09:47- Yeah.- She's always alone.
0:09:47 > 0:09:49I can imagine. So, I don't know how funny Jane finds these,
0:09:49 > 0:09:51- but they are funny.- She's fine!
0:09:51 > 0:09:53Here's one you tweeted of Jane.
0:10:00 > 0:10:03The next one... This is exactly what you're describing.
0:10:03 > 0:10:06Jane thinking about making new friends.
0:10:09 > 0:10:12I went, "Jane, look at those crows"!
0:10:13 > 0:10:17Does she not know you're doing this? Does she not think, "Where is he?"
0:10:17 > 0:10:19She sees the tweet.
0:10:19 > 0:10:21This one is...
0:10:28 > 0:10:30Then...
0:10:30 > 0:10:33When she's posing for one of these pictures, does she go,
0:10:33 > 0:10:34"Is this one of those pictures
0:10:34 > 0:10:37"where you're going to make me look like I have no friends?"?
0:10:37 > 0:10:39No, no. I'm so convincing.
0:10:39 > 0:10:43But also, there had to have been a few words at home
0:10:43 > 0:10:45after you posted this one.
0:10:49 > 0:10:51LAUGHTER
0:10:56 > 0:10:57There had to be a gift.
0:10:57 > 0:11:00You must have given her a gift after that.
0:11:00 > 0:11:02Yeah. Well, there you go.
0:11:03 > 0:11:06That's what being in a relationship of 30 years does.
0:11:06 > 0:11:10Hey, lots of things to talk about tonight, but the big movie
0:11:10 > 0:11:14tonight is for Tom Hiddleston, who brings us Kong: Skull Island.
0:11:14 > 0:11:16It's out on the 9th of March.
0:11:16 > 0:11:18I was telling you backstage,
0:11:18 > 0:11:22it is a terrific old-fashioned reboot of a monster movie.
0:11:22 > 0:11:24Sell it to the people.
0:11:24 > 0:11:29Well, in case anyone was wondering, it's a huge movie
0:11:29 > 0:11:32- about a giant monkey. - Oh, thank God.
0:11:32 > 0:11:37And the difference about this one is there's no Empire State Building
0:11:37 > 0:11:41this time, so there's no Fay Wray, there's no Ann Darrow.
0:11:41 > 0:11:43It's set in 1973.
0:11:45 > 0:11:49The President of the United States, Richard Nixon, has withdrawn
0:11:49 > 0:11:52US troops from Vietnam, a bit of an uneasy time in Washington.
0:11:52 > 0:11:54Might sound familiar.
0:11:55 > 0:11:57Are we going to see a big monkey?
0:11:59 > 0:12:02- Is this how this story plays out?! - It's not a true story, is it?
0:12:02 > 0:12:04- No, no!- Don't remember this one.
0:12:04 > 0:12:08Basically, a group of explorers go to this undiscovered island
0:12:08 > 0:12:11in the South Pacific, and what do they find?
0:12:11 > 0:12:14Your favourite - a giant prehistoric ape.
0:12:14 > 0:12:18Also, what's so good is, they just don't find a big monkey.
0:12:18 > 0:12:19There's big LOTS of things.
0:12:19 > 0:12:23There's big lots of things. It's a little bit Planet Earth on steroids.
0:12:23 > 0:12:25Excellent.
0:12:25 > 0:12:30Yeah, it is an adventure into the unknown, and human beings
0:12:30 > 0:12:33are put back into the food chain, and they're not at the top.
0:12:33 > 0:12:37OK, we've got a clip. This is basically a bit of the trail,
0:12:37 > 0:12:39and you're in it, and a big monkey. Here you go.
0:12:39 > 0:12:41OK.
0:12:41 > 0:12:44An uncharted island... Let me list all the ways you're going to die.
0:12:44 > 0:12:47Rain, heat... And I haven't even started on the things that
0:12:47 > 0:12:49want to eat you alive.
0:12:50 > 0:12:53That's Kong. This island is his kingdom.
0:12:53 > 0:12:56It's time to show Kong... man is king.
0:12:56 > 0:12:58Ha-ha, you shouldn't have come here!
0:13:02 > 0:13:04We'll double that.
0:13:04 > 0:13:06APPLAUSE
0:13:09 > 0:13:10Thank you.
0:13:10 > 0:13:12- That looks good. - Thank you, thank you.
0:13:12 > 0:13:15I tell you, the really fun thing about it is the '70s thing.
0:13:15 > 0:13:18The soundtrack is great.
0:13:18 > 0:13:20It's got this rock and roll soundtrack,
0:13:20 > 0:13:22Creedence Clearwater Revival.
0:13:22 > 0:13:26You've never seen King Kong in this environment before.
0:13:26 > 0:13:29And it's got this incredible cast, Samuel L Jackson.
0:13:29 > 0:13:34I think Samuel L Jackson says at one point, "Hold on to your butts."
0:13:34 > 0:13:37Which is reason enough to go and see any movie.
0:13:37 > 0:13:39Really. The cast is great.
0:13:39 > 0:13:42- It's him, Brie Larson, John Goodman. - John C Reilly.
0:13:42 > 0:13:45What's odd is, because normally with something that is
0:13:45 > 0:13:48so...computer animation and all that kind of stuff, there is a lot
0:13:48 > 0:13:51of green screen, but you actually went to locations.
0:13:51 > 0:13:53Yeah, I do think actually it's the great...
0:13:53 > 0:13:56Jordan Vogt-Roberts, who directed it, really was insistent
0:13:56 > 0:13:58that we go to places on Earth
0:13:58 > 0:14:01which are both beautiful and dangerous
0:14:01 > 0:14:05so that it didn't feel like a digital environment, it felt
0:14:05 > 0:14:07like a real place.
0:14:07 > 0:14:10So we went to Oahu in Hawaii.
0:14:10 > 0:14:12- Tough gig.- Dangerous! Scary!
0:14:12 > 0:14:14I'm terrified, Tom.
0:14:16 > 0:14:18It's very windy there sometimes!
0:14:18 > 0:14:22Very windy! "The umbrella blew out of my cocktail"!
0:14:26 > 0:14:30Um, and we went to Queensland in Australia.
0:14:30 > 0:14:31That's scary, I'll give you that.
0:14:31 > 0:14:34There are rainforests there, and they have...
0:14:34 > 0:14:37All the most dangerous animals in the world are in the state
0:14:37 > 0:14:38of Queensland in Australia.
0:14:38 > 0:14:40Crazy.
0:14:40 > 0:14:41Snakes, spiders.
0:14:41 > 0:14:45Someone from Queensland going, "Yeah! I escaped!"
0:14:46 > 0:14:49And you'd see the funnel-web spiders starting to...
0:14:49 > 0:14:50Jesus!
0:14:50 > 0:14:53Oh, no, no. No, no.
0:14:53 > 0:14:55People say, "Come to Australia."
0:14:55 > 0:14:58You're right, they've got the most poisonous spiders, snakes,
0:14:58 > 0:15:00jellyfish, sharks, crocodiles.
0:15:00 > 0:15:02And they walk round in flip-flops.
0:15:02 > 0:15:05And I think, "Oh, no. No."
0:15:05 > 0:15:07That's why all the men look like Chris Hemsworth.
0:15:07 > 0:15:10They have to.
0:15:10 > 0:15:12They are fighting for their lives.
0:15:12 > 0:15:14Tinie, where is your...?
0:15:14 > 0:15:16You adopted an animal.
0:15:16 > 0:15:18Yeah. Yeah, that.
0:15:18 > 0:15:22No, I adopted a cheetah, actually, when I was in Kenya.
0:15:22 > 0:15:24- OK! Wow.- A little baby cheetah.
0:15:24 > 0:15:26Pretty cute.
0:15:26 > 0:15:27There we go.
0:15:27 > 0:15:30- Actually, in fairness, that is very cute.- VERY cute.
0:15:30 > 0:15:33Tried to bring him to London, said it wasn't possible.
0:15:35 > 0:15:37Correct. Correct.
0:15:37 > 0:15:39I called him Tinie as well, which was nice.
0:15:39 > 0:15:41That would be so gangster fabulous,
0:15:41 > 0:15:43walking down Hampstead with a cheetah.
0:15:45 > 0:15:48"Who's that?" "I believe it's Tinie Tempah."
0:15:48 > 0:15:50I was really happy to do that.
0:15:50 > 0:15:52We went to Nairobi Reserve Park,
0:15:52 > 0:15:55and it was a pretty great experience.
0:15:55 > 0:15:57And also, on the flipside,
0:15:57 > 0:15:59I'm kind of into taxidermy.
0:15:59 > 0:16:01I don't know if this is going to...
0:16:03 > 0:16:05When you say the flipside...
0:16:06 > 0:16:08Try explaining that to Tinie!
0:16:08 > 0:16:10Right.
0:16:10 > 0:16:11But only if...
0:16:11 > 0:16:14"You're too small right now."
0:16:14 > 0:16:18But later. But only if they say they've died of natural causes.
0:16:18 > 0:16:20To be honest, I don't know what it is.
0:16:20 > 0:16:24I think it's maybe African roots or whatever, but I really love
0:16:24 > 0:16:28the idea of being surrounded by exotic animals.
0:16:28 > 0:16:32So in my house I have a zebra and I have a giraffe as well.
0:16:32 > 0:16:35- Wow!- But not, like, a real one.
0:16:35 > 0:16:37- It was real before.- Yeah.
0:16:39 > 0:16:40A dead one.
0:16:40 > 0:16:44- Yeah.- A dead one.- Yeah, that died of natural...
0:16:44 > 0:16:46like, the flu and stuff.
0:16:48 > 0:16:49A sore throat.
0:16:49 > 0:16:52A sore throat with a giraffe is serious.
0:16:53 > 0:16:54It is, yeah, really.
0:16:54 > 0:16:56- Fatal.- It's really bad.
0:16:56 > 0:16:58Have you got high ceilings, then, in your house?
0:16:58 > 0:16:59Very.
0:17:00 > 0:17:01Or he's drinking.
0:17:02 > 0:17:04"I need one that died drinking.
0:17:06 > 0:17:08"I'm in a council house and I need...
0:17:08 > 0:17:12"Have you got a giraffe that died in its sleep?"
0:17:16 > 0:17:18They never do that with animals, do they?
0:17:18 > 0:17:21They never have taxidermy animals that are like that.
0:17:23 > 0:17:24It's always like a bear like that.
0:17:24 > 0:17:27Just going...
0:17:27 > 0:17:29That's what I want to do with me.
0:17:29 > 0:17:31I want to taxidermy... You can have me.
0:17:31 > 0:17:34When I'm dead, it's just me like that.
0:17:36 > 0:17:38On your sofa.
0:17:38 > 0:17:42- "Here is the Ricky Gervais." - Giraffe, zebra...
0:17:42 > 0:17:43"Who's that?"
0:17:43 > 0:17:46- "Ricky." - "Died of natural causes."
0:17:47 > 0:17:51My mum threatened to get my dog stuffed when he died.
0:17:51 > 0:17:55She wanted him stuffed and put on the wall of our house.
0:17:55 > 0:17:57- The wall?!- She's like, "It'd be lovely to put the head..."
0:17:57 > 0:17:58Dogs don't go on walls.
0:17:58 > 0:18:01The head, our dog's head. Our dog was called Seb.
0:18:01 > 0:18:03He was lovely. Lovely black Lab.
0:18:03 > 0:18:05I had a black Labrador growing up.
0:18:05 > 0:18:07- Did she do that? - No, thank God.
0:18:07 > 0:18:09But it would have been quite frightening.
0:18:09 > 0:18:11But she quite liked the idea of it. She wanted to...
0:18:11 > 0:18:14- Yeah, not that much of a bad thing. - It would be heartbreaking.
0:18:14 > 0:18:16I don't know. It might be quite nice.
0:18:16 > 0:18:18Stroke it every now and then.
0:18:18 > 0:18:20Have it stuffed asleep by the fire, so it's like...
0:18:20 > 0:18:23- That would be nice.- That would make sense.- Put your feet on it.- Well...
0:18:25 > 0:18:27Hard to explain to the NEW dog.
0:18:32 > 0:18:33That's REALLY creepy!
0:18:33 > 0:18:36"Huh?!
0:18:36 > 0:18:38- "What's that?" - "That will be you in 15 years."
0:18:38 > 0:18:40"That's where I keep my pyjamas."
0:18:42 > 0:18:43- But you're afraid...- Well.
0:18:43 > 0:18:45What are you afraid of?
0:18:45 > 0:18:48Well, anything in Australia, basically.
0:18:49 > 0:18:51Sharks.
0:18:51 > 0:18:53- That's rational. - That's rational.
0:18:53 > 0:18:55- From Jaws.- I'm the same. - You SHOULD be scared of sharks.
0:18:55 > 0:18:59But you get scared of sharks in places where there cannot be sharks.
0:18:59 > 0:19:01Internet cafes? What do you mean?
0:19:01 > 0:19:03Swimming pools. Swimming pools.
0:19:03 > 0:19:05I had a fear always that they'd come through the flap.
0:19:05 > 0:19:08I still do. If I'm in a swimming pool on my own, I just get...
0:19:08 > 0:19:11- My mind goes...- Yeah, you freak yourself out. Yeah, yeah.
0:19:11 > 0:19:13Those flaps. What if it comes through the flap?
0:19:13 > 0:19:14- You know where that's from?- What if?
0:19:14 > 0:19:17I don't know how a shark would obviously get through there but...
0:19:17 > 0:19:21I had the same fear and I think it's from Thunderball.
0:19:21 > 0:19:22Thunderball?
0:19:22 > 0:19:25You know in Thunderball, the Bond film?
0:19:25 > 0:19:26Yes.
0:19:26 > 0:19:30And the villain, Largo, has two swimming pools and people get
0:19:30 > 0:19:31chucked into the swimming pool.
0:19:31 > 0:19:34And if you've behaved badly, they released the grille
0:19:34 > 0:19:35and the sharks come in.
0:19:35 > 0:19:37- That's what it's from. - That terrified me.
0:19:37 > 0:19:39This might be a bit weird, guys, but do you ever get a
0:19:39 > 0:19:41similar thing, but on the toilet?
0:19:41 > 0:19:43LAUGHTER
0:19:43 > 0:19:45Does that ever happen?
0:19:45 > 0:19:47When you're sitting there for ages and you think,
0:19:47 > 0:19:48"Imagine if something just..."
0:19:48 > 0:19:51Spiders, from Arachnophobia. That happened in that.
0:19:51 > 0:19:53Or the poster of Jaws.
0:19:54 > 0:19:59I worry more about things that come OUT, not that come up.
0:20:01 > 0:20:04Giving birth to a shark - now, that's a weird phobia.
0:20:04 > 0:20:08Right, let's turn to Ruth Wilson.
0:20:08 > 0:20:11Currently starring at the National Theatre as Hedda Gabler.
0:20:11 > 0:20:12It runs till the 21st of March.
0:20:12 > 0:20:15But if you are not in the London area,
0:20:15 > 0:20:20it will be broadcast live in cinemas on the 9th of March.
0:20:20 > 0:20:22And even the people who are familiar with
0:20:22 > 0:20:26Hedda Gabler, this is a very different take on the play.
0:20:26 > 0:20:29Yes. It's a director called Ivo Van Hove.
0:20:29 > 0:20:32And he has a very modern take on the play.
0:20:32 > 0:20:35We are in modern dress, I'm in a little slip.
0:20:36 > 0:20:37Sell those tickets!
0:20:37 > 0:20:41- Exactly! - It's practically see-through.
0:20:43 > 0:20:44I want to see YOU in it now!
0:20:46 > 0:20:48You'd look great, Graham.
0:20:48 > 0:20:50I get covered in tomatoes.
0:20:50 > 0:20:53It's very physical and active.
0:20:53 > 0:20:55And we have sort of light coming from
0:20:55 > 0:20:58under the stage, and it's stunning.
0:20:58 > 0:20:59It looks quite cinematic.
0:20:59 > 0:21:02I saw it a couple of weeks ago.
0:21:02 > 0:21:06It's a really amazing production and Ruth is brilliant in it.
0:21:06 > 0:21:09Well, it's fun. She's a not particularly nice woman.
0:21:09 > 0:21:13Yeah, one of my friends said that you just ruin loads of men's lives.
0:21:14 > 0:21:15Yes, she does.
0:21:15 > 0:21:18She has three men around her and she sends them to their death.
0:21:18 > 0:21:20She's pretty nasty.
0:21:20 > 0:21:22- But she's funny.- I love her. - She's funny.
0:21:22 > 0:21:25She's acerbic and dry and sharp, yes.
0:21:25 > 0:21:27She's dangerous.
0:21:27 > 0:21:29Ricky Gervais, you are famously a very lazy actor.
0:21:29 > 0:21:32- You would not be in a play like this.- No.
0:21:32 > 0:21:34I wouldn't do a play. I wouldn't do a play.
0:21:34 > 0:21:39Because I can walk out on stage to thousands of people
0:21:39 > 0:21:41and just say what I want, but if it's lines,
0:21:41 > 0:21:43if it's Ibsen or Shakespeare,
0:21:43 > 0:21:47I know they probably know the play too, so I could go wrong.
0:21:47 > 0:21:50Do you know what I mean? I wouldn't want to let them down.
0:21:50 > 0:21:51I don't want to have to...
0:21:51 > 0:21:53I don't want that moment of getting something wrong.
0:21:53 > 0:21:57I can't get it wrong when it's me, because I'm making it, or whatever.
0:21:57 > 0:22:00That would be... No, I couldn't do it.
0:22:00 > 0:22:03I was in a production of a Shakespeare play,
0:22:03 > 0:22:07Coriolanus, and there was one night where somebody actually had brought
0:22:07 > 0:22:10the play along and a little night light so they could read it.
0:22:13 > 0:22:17- Jesus!- That would wind you up. - That is just rude, isn't it?
0:22:17 > 0:22:19Or is that weird? Were they academic?
0:22:19 > 0:22:22No, that's not part of the deal.
0:22:22 > 0:22:23They had a night light!
0:22:23 > 0:22:26You're in the Donmar, the smallest theatre in London,
0:22:26 > 0:22:28and they've got a night light!
0:22:28 > 0:22:31I banned ice in drinks at my gigs because it puts me off.
0:22:31 > 0:22:32I'm like a right little fascist.
0:22:32 > 0:22:35I can't stand anyone talking or...
0:22:35 > 0:22:37- No ice in the drinks! - No, because it rattles.
0:22:37 > 0:22:38It's annoying me. I'm talking.
0:22:40 > 0:22:41I can't stand it.
0:22:41 > 0:22:43It's a plastic glass!
0:22:43 > 0:22:45I allow plastic glasses.
0:22:45 > 0:22:48But, no, it's quiet, it's dark, I can't see them.
0:22:48 > 0:22:51Yeah, I couldn't do a play.
0:22:51 > 0:22:52People chatting.
0:22:52 > 0:22:54Tinie, did you do anything in school?
0:22:54 > 0:22:56Have you ever done acting?
0:22:56 > 0:22:58I did The Pied Piper in primary school.
0:22:58 > 0:23:00I was the mayor.
0:23:01 > 0:23:03Is the mayor the baddie in The Pied Piper?
0:23:03 > 0:23:06The mayor is kind of the baddie, yeah.
0:23:06 > 0:23:08He doesn't pay him, does he? So he lets the rats come back.
0:23:08 > 0:23:11All the rats come, and it's a disaster.
0:23:11 > 0:23:12Oh, yes.
0:23:12 > 0:23:14Very challenging role, I imagine!
0:23:16 > 0:23:20Cos Tom Hiddleston, now, one of your...
0:23:20 > 0:23:21You acted in school.
0:23:21 > 0:23:23I mean, how posh is this?
0:23:23 > 0:23:26You go to see a school production, and Tom Hiddleston's in it,
0:23:26 > 0:23:27with Eddie Redmayne.
0:23:28 > 0:23:30Well, yes.
0:23:32 > 0:23:34He was a great talent, even then.
0:23:34 > 0:23:36He was a huge star.
0:23:36 > 0:23:43And we were in the school production of A Passage To India by EM Forster.
0:23:45 > 0:23:48There must have been some really depressed parents
0:23:48 > 0:23:50going in to see that. "A Passage To India!
0:23:50 > 0:23:52"They're doing A Passage To India"!
0:23:54 > 0:23:56How long was it?
0:23:56 > 0:23:59- I've no idea. - About three hours.- Yeah.
0:23:59 > 0:24:01So, all-boys school.
0:24:01 > 0:24:03"We're only halfway"!
0:24:04 > 0:24:08And Eddie, the great Eddie Redmayne, the now Oscar-winning Eddie Redmayne
0:24:08 > 0:24:10was playing the female lead.
0:24:10 > 0:24:14And in A Passage To India, there's an expedition to this
0:24:14 > 0:24:17cultural landmark called the Marabar Caves, by elephant.
0:24:17 > 0:24:20I'm delighted to reveal that I played
0:24:20 > 0:24:23the front right leg of the elephant that Eddie was riding on.
0:24:25 > 0:24:28So there was four of you to make the elephant?
0:24:28 > 0:24:30- That's right, yeah. - And he was sitting on you?
0:24:30 > 0:24:31He's sitting...
0:24:31 > 0:24:35We're holding a table with a cushion on top of it and also
0:24:35 > 0:24:39a tablecloth to cover our faces, because our bodies are the elephant.
0:24:39 > 0:24:41Yes, so that's...
0:24:41 > 0:24:43Sounds awful.
0:24:45 > 0:24:48You've just got that picture in your head.
0:24:48 > 0:24:50I imagine sitting there thinking, "I haven't had a drink,
0:24:50 > 0:24:53"we're at school, they are carrying some boy dressed as a girl
0:24:53 > 0:24:55"on top of the table."
0:24:55 > 0:24:58"And my son is playing the front leg."
0:24:59 > 0:25:01I can't even say, "That's my boy!"
0:25:02 > 0:25:05- Front leg!- Great.
0:25:05 > 0:25:07"Cast, IMDb, front leg."
0:25:07 > 0:25:08Great.
0:25:08 > 0:25:10Because, Ruth, you have appeared with Eddie Redmayne,
0:25:10 > 0:25:13- or you haven't appeared with Eddie Redmayne?- No, I've never...
0:25:13 > 0:25:14There was a point at which I was
0:25:14 > 0:25:16almost going to be cast in something with him.
0:25:16 > 0:25:21But apparently, our faces next to each other, we both have
0:25:21 > 0:25:24extraordinary-looking faces, so they thought
0:25:24 > 0:25:27they were too weird-looking next to each other on screen.
0:25:27 > 0:25:30That's what I was told by the producer.
0:25:30 > 0:25:33- They said that?!- Both our faces are too extraordinary to be opposite
0:25:33 > 0:25:35each other on one frame.
0:25:35 > 0:25:38- Everyone would be put off. - Wow! Think of this couch.
0:25:39 > 0:25:42I think we've got a picture of Eddie.
0:25:42 > 0:25:44Let's have a little picture of Eddie up.
0:25:44 > 0:25:46You look all right.
0:25:46 > 0:25:49I don't know. Apparently, two extraordinary-looking weird faces.
0:25:49 > 0:25:51- TINIE:- They do look a bit related.
0:25:51 > 0:25:54It might have been that.
0:25:54 > 0:25:57It might have been that, actually. It might have looked incestuous.
0:25:57 > 0:25:58That would put people off.
0:25:58 > 0:26:01Yes, supposed to be lovers, rather than brothers or sisters.
0:26:01 > 0:26:03People would be waiting for the subplot
0:26:03 > 0:26:06- the whole way through the film. - Exactly.
0:26:06 > 0:26:08Talking of families, Tinie, your mother is quite concerned
0:26:08 > 0:26:10about the whole hip-hop thing.
0:26:10 > 0:26:13Yes, she is so concerned that she's here. Somewhere.
0:26:13 > 0:26:15- Mum? She's there.- Where's Mrs Tempah?
0:26:15 > 0:26:19- Hi, Mum.- There she is. Hello. Hi.
0:26:19 > 0:26:20APPLAUSE
0:26:24 > 0:26:27Hey, Mum, stop embarrassing me.
0:26:27 > 0:26:30She's so concerned that she's basically here now.
0:26:30 > 0:26:33To be honest with you, I haven't told anybody this,
0:26:33 > 0:26:35but she's always messaging me on WhatsApp.
0:26:35 > 0:26:38I don't know why my sister showed her how to use it,
0:26:38 > 0:26:42but she always messages me on WhatsApp, and she says,
0:26:42 > 0:26:46"You need to make more love songs," because love songs are the way
0:26:46 > 0:26:48to people's hearts.
0:26:48 > 0:26:52So, as a result, when I went to do Top Gear, I met Seasick Steve
0:26:52 > 0:26:54and we started making this song.
0:26:54 > 0:26:56It's not on my album, which is coming out soon.
0:26:56 > 0:27:00But we made a song called 2,500 Roses, that I made
0:27:00 > 0:27:03with Seasick Steve, purely because my mum told me
0:27:03 > 0:27:06- to make more love songs. - Aw, good son, good son.
0:27:06 > 0:27:09One day, maybe people will hear that.
0:27:09 > 0:27:12Now, Ricky Gervais is also back on stage.
0:27:12 > 0:27:14His first stand-up show in seven years.
0:27:14 > 0:27:16Did you mean to wait seven years?
0:27:16 > 0:27:18No, it just kept...
0:27:18 > 0:27:19It gets pushed back.
0:27:19 > 0:27:21The last one I did was, I don't know - well, seven years ago.
0:27:21 > 0:27:23Was that the one in Hammersmith?
0:27:23 > 0:27:26- Yeah.- The Science one?
0:27:26 > 0:27:27No, I ended up in Wembley.
0:27:27 > 0:27:30- Hammersmith AND Wembley I did Science.- I saw the Science one.
0:27:30 > 0:27:32- Oh, cheers, man.- That couldn't have been seven years ago.
0:27:32 > 0:27:34- I think it was. I think it was. - Was it?
0:27:34 > 0:27:36Why do you say that, Tinie?
0:27:36 > 0:27:39Because I feel like seven years ago is a long, long time.
0:27:39 > 0:27:41But I actually went to see that show.
0:27:41 > 0:27:44- Cheers, man.- Yeah.- Did you pay? - Well...
0:27:46 > 0:27:47- You didn't, did you? - I didn't pay.
0:27:47 > 0:27:48But now that you've said
0:27:48 > 0:27:51you turn the lights off on your audience, I don't know.
0:27:51 > 0:27:53You're not on the guest list next time.
0:27:53 > 0:27:55It's called Humanity. It starts next week, on the 21st,
0:27:55 > 0:27:57and then basically runs through the rest of the year.
0:27:57 > 0:28:01It runs through the rest of the year, ending up in LA.
0:28:01 > 0:28:04- And I don't have to pay for this one?- You're on the guest list, man.
0:28:04 > 0:28:05Perfect.
0:28:05 > 0:28:07- Sweet!- You have to pay.
0:28:09 > 0:28:11If I come as half an elephant...
0:28:11 > 0:28:14The front leg, yeah!
0:28:14 > 0:28:15"The table's moving."
0:28:17 > 0:28:19What's it about?
0:28:19 > 0:28:22It's sort of about how the world's got worse.
0:28:22 > 0:28:25It's basically me ranting from the most privileged
0:28:25 > 0:28:26position imaginable.
0:28:26 > 0:28:30I think it's my most honest as well, because the great thing
0:28:30 > 0:28:33about stand-up, unlike writing a film or TV - when you write
0:28:33 > 0:28:36a TV or film, you do it, and you do your best guess,
0:28:36 > 0:28:38you edit it, put it out there and that's it,
0:28:38 > 0:28:40there's nothing you can do about it.
0:28:40 > 0:28:42Whereas I can change it every single night.
0:28:42 > 0:28:45It's like evolution by natural selection.
0:28:45 > 0:28:47They pick your best hour.
0:28:47 > 0:28:49If they laugh, it stays in.
0:28:49 > 0:28:51If they don't, it goes, or you work on it.
0:28:51 > 0:28:55So after 50 gigs, everything works, the gasps,
0:28:55 > 0:28:57the laughs, the walk-outs.
0:28:57 > 0:29:01You call it Humanity but I'm sure you'll be talking about all sorts
0:29:01 > 0:29:03- of things in the show. - Yeah, it's a jump-off point.
0:29:03 > 0:29:06I've always done that sort of pompous faux academic,
0:29:06 > 0:29:09because I thought it was quite funny to pretend it was a lecture
0:29:09 > 0:29:14and then just talk about Hitler and masturbation.
0:29:14 > 0:29:18I don't know why I put those together.
0:29:18 > 0:29:19I don't know...
0:29:19 > 0:29:21Masturbating to Hitler.
0:29:21 > 0:29:23That's the new album.
0:29:26 > 0:29:29The shows you do, you did one on animals, didn't you?
0:29:29 > 0:29:34Yes, Animals, Politics, Fame and Science.
0:29:34 > 0:29:37Animals, I know you've talked about animals a lot,
0:29:37 > 0:29:39because you were very young...
0:29:39 > 0:29:41You always were interested in nature and animals.
0:29:41 > 0:29:43I've always been fascinated with science and nature.
0:29:43 > 0:29:45That's probably my first love.
0:29:45 > 0:29:47Before film, or comedy, or even music.
0:29:47 > 0:29:49Yeah, and...
0:29:50 > 0:29:53I remember when I was about...
0:29:53 > 0:29:55Along with that, growing up in my family,
0:29:55 > 0:29:57everyone was winding everyone up.
0:29:57 > 0:30:02I was the youngest of four, and I remember once when my sister
0:30:02 > 0:30:05must've been about 25 or something.
0:30:05 > 0:30:07I was, like, eight.
0:30:07 > 0:30:09And they used to take me out in the woods.
0:30:09 > 0:30:11And I used to be foraging.
0:30:11 > 0:30:14I used to love insects and I knew about space and everything.
0:30:14 > 0:30:19And I found a perfect little discarded snakeskin.
0:30:19 > 0:30:21And I picked it up and my sister was scared of it.
0:30:21 > 0:30:24And I suddenly thought, "I've got her." And I was teasing her.
0:30:24 > 0:30:25And she was going, "Put it down, it's got germs."
0:30:25 > 0:30:27And I was running around chasing her.
0:30:27 > 0:30:29And she went, "You're not coming in the car with that."
0:30:29 > 0:30:31So I left it there.
0:30:31 > 0:30:35And then when I was about 15, I was at home with some of my mates
0:30:35 > 0:30:38and I decided to wind her up and I started teasing her about how
0:30:38 > 0:30:40she was scared of snakes, I chased her with a snakeskin.
0:30:40 > 0:30:43And she chose that time to tell me that I'd actually been running
0:30:43 > 0:30:45around with a used condom.
0:30:45 > 0:30:47LAUGHTER
0:30:57 > 0:30:58So, yeah...
0:30:58 > 0:31:00"Look, it left its poison!"
0:31:04 > 0:31:06Right, time to meet our final guests.
0:31:06 > 0:31:09They are the double act in the new production of Rosencrantz & Guildenstern Are Dead.
0:31:09 > 0:31:13Please welcome Joshua McGuire and our good friend Daniel Radcliffe. They're here.
0:31:13 > 0:31:14CHEERING
0:31:16 > 0:31:19Hello! Good to see you.
0:31:22 > 0:31:24THEY TALK OVER EACH OTHER
0:31:26 > 0:31:29There's room, isn't there? There's room, there's room.
0:31:29 > 0:31:31There's room, there's room.
0:31:31 > 0:31:33Hello. How are you?
0:31:33 > 0:31:35Yay, yay. Lovely to see you.
0:31:35 > 0:31:38Now, before we talk about another thing, very quickly,
0:31:38 > 0:31:41Daniel Radcliffe, time traveller. We've had this on the show before.
0:31:41 > 0:31:44- Right, yes.- I don't know if you're familiar with this.
0:31:44 > 0:31:47Daniel Radcliffe, time traveller. This is the collection so far.
0:31:47 > 0:31:48- Right.- Daniel Radcliffe.
0:31:50 > 0:31:51Daniel Radcliffe.
0:31:51 > 0:31:54- I'm a lady from the past! - And this is my favourite one.
0:31:54 > 0:31:55Daniel Radcliffe.
0:31:56 > 0:31:57That's amazing.
0:31:57 > 0:32:00I look like a lot of old women in the past.
0:32:00 > 0:32:02But very rarely men or boys.
0:32:02 > 0:32:05About two days ago, two days ago, someone found another one.
0:32:05 > 0:32:06Oh, good.
0:32:06 > 0:32:10This is a young lady in 1922.
0:32:10 > 0:32:12There she is.
0:32:14 > 0:32:17It's... These are all my past lives.
0:32:17 > 0:32:21- You've had a lot.- I was a slightly depressed lady in a lot of them.
0:32:21 > 0:32:24If you think you've spotted Daniel Radcliffe
0:32:24 > 0:32:25in a former life, do get in touch.
0:32:25 > 0:32:28Please contribute to this growing collection.
0:32:28 > 0:32:33Daniel and Joshua are together in Rosencrantz & Guildenstern Are Dead.
0:32:33 > 0:32:35Previews start next Saturday
0:32:35 > 0:32:36and then it opens properly,
0:32:36 > 0:32:40when you're really good at it. It will open on the 7th of March.
0:32:40 > 0:32:45And Rosencrantz and Guildenstern, obviously, bit players in Hamlet
0:32:45 > 0:32:48but in the Stoppard play are the stars.
0:32:48 > 0:32:51You're much better at this than me. Sorry, do you mind? I've been
0:32:51 > 0:32:52dumping Josh in it with this question, because
0:32:52 > 0:32:54it's quite a hard play to explain,
0:32:54 > 0:32:56so I'm going to let him do all of it.
0:32:56 > 0:32:58It's two supporting characters from Hamlet kind of thrust
0:32:58 > 0:33:02centre stage, and they don't know who they are, where they are,
0:33:02 > 0:33:04why they are there, what they're doing, what they need to do,
0:33:04 > 0:33:06- and they don't want to die.- Yeah.
0:33:06 > 0:33:08- That's key.- That's pretty much it.
0:33:08 > 0:33:09And it's very, very funny.
0:33:09 > 0:33:12It's like if Shakespeare had written some sort
0:33:12 > 0:33:15of mashup of The Truman Show and Groundhog Day, and I also keep
0:33:15 > 0:33:18thinking about The Matrix, but don't expect anything
0:33:18 > 0:33:21that's like The Matrix, if you come and see the show.
0:33:21 > 0:33:22Wow, this sounds amazing!
0:33:22 > 0:33:27Everyone now thinks that you guys are doing some kind of slow-mo
0:33:27 > 0:33:29kung fu in a leather jacket.
0:33:29 > 0:33:31- We might be. - We might be, yeah.
0:33:31 > 0:33:33If we can set them up to expect that, the actual show
0:33:33 > 0:33:34will be a lot better.
0:33:34 > 0:33:37It doesn't open until the 7th of March. There's plenty of time.
0:33:37 > 0:33:40And this is a very special production because
0:33:40 > 0:33:42the play is 50 years old.
0:33:42 > 0:33:44Am I right - I didn't know this - the original production
0:33:44 > 0:33:46was in the Old Vic, where you're doing it?
0:33:46 > 0:33:49Yes. I don't know, was the Old Vic there when it was put on?
0:33:49 > 0:33:52Yeah, it was the Old Vic, because the National Theatre was there.
0:33:52 > 0:33:53And so they...
0:33:53 > 0:33:56It was first done in Edinburgh, and then it made Tom Stoppard
0:33:56 > 0:33:59an overnight sensation, and they brought it
0:33:59 > 0:34:00to the National the next year.
0:34:00 > 0:34:02It did totally make his reputation. It made him a huge star.
0:34:02 > 0:34:06He also wrote it when he was younger than us, which is really annoying.
0:34:06 > 0:34:08You are younger than Tinie Tempah.
0:34:08 > 0:34:11- How old are you?- I'm 27.
0:34:11 > 0:34:14- Yeah, you ARE younger than me. I'm 28.- In your face, Tinie.
0:34:14 > 0:34:17Even though I'm no longer the youngest, can I tell you guys
0:34:17 > 0:34:19why this is the best day of my life?
0:34:19 > 0:34:21You're not going to believe this, you really ain't.
0:34:21 > 0:34:25Earlier this morning, Graham, I saw Ralph Fiennes
0:34:25 > 0:34:30in Carluccio's so, technically, I have seen Harry Potter
0:34:30 > 0:34:32and Voldemort on the same day.
0:34:32 > 0:34:35CHEERING
0:34:38 > 0:34:40This is like the best day ever.
0:34:40 > 0:34:42You don't understand.
0:34:42 > 0:34:44I'm, like, jizzing, literally.
0:34:45 > 0:34:47And again, your mother is here!
0:34:50 > 0:34:53I assume Jizzing is a character from Harry Potter.
0:34:55 > 0:34:57Yes, it's a thing. It's a thing.
0:34:57 > 0:35:00So the thing is, because you've done stage work before,
0:35:00 > 0:35:02you obviously like the theatre.
0:35:02 > 0:35:05But equally, it's an odd thing for somebody like you
0:35:05 > 0:35:07with a film background,
0:35:07 > 0:35:09that stage-door moment, there's nothing...
0:35:09 > 0:35:11You have to leave the building.
0:35:11 > 0:35:13So is there a way...?
0:35:13 > 0:35:16Have the two of you got a game plan?
0:35:16 > 0:35:18I'm Dan's security.
0:35:18 > 0:35:21- That's how it works. - Josh is helping me out.
0:35:21 > 0:35:24But you did do a clever thing to stop the paparazzi.
0:35:24 > 0:35:26Well, I mean, it's not... Yes.
0:35:26 > 0:35:29- I think it IS clever. - Thank you very much.
0:35:29 > 0:35:32We happened upon it by accident because I don't change my clothes
0:35:32 > 0:35:34as often as I should, but we realised that,
0:35:34 > 0:35:36as I was leaving the theatre, because I wore the same thing
0:35:36 > 0:35:39basically every day, and we realised on the third day of me wearing
0:35:39 > 0:35:42the same thing, they just didn't bother, because they thought,
0:35:42 > 0:35:43"This looks like it's from every other day
0:35:43 > 0:35:45"that we've been taking photos of him."
0:35:45 > 0:35:49That is always the question, how can you possibly...
0:35:49 > 0:35:51I did a play once, The Cripple Of Inishmaan,
0:35:51 > 0:35:55and there was this woman who came to every performance
0:35:55 > 0:35:58for two weeks and sat in the front row, the middle of the front row.
0:35:58 > 0:36:00She had this very loud laugh,
0:36:00 > 0:36:02and she would laugh at all the right points,
0:36:02 > 0:36:04but for much longer than everybody else.
0:36:04 > 0:36:07Eventually on the third day, people were complaining about her
0:36:07 > 0:36:09and someone went up to her and asked her to move,
0:36:09 > 0:36:11and it transpired she was French and didn't speak English.
0:36:11 > 0:36:15So we were like, "What are you laughing at? What are you getting out of the show?"
0:36:15 > 0:36:18Because it's Martin McDonagh and heavy Irish accents,
0:36:18 > 0:36:19and it's very confusing.
0:36:19 > 0:36:22And I've met her a few times and I probably shouldn't be
0:36:22 > 0:36:23telling this story on TV.
0:36:23 > 0:36:26She won't understand it!
0:36:26 > 0:36:29I've met her at the stage door and I always sign and I always try
0:36:29 > 0:36:32and initiate conversation with her. She never says anything to me.
0:36:32 > 0:36:36She thinks he's an old woman from the '30s.
0:36:36 > 0:36:37She thinks she knows me!
0:36:39 > 0:36:42"You're my nan. You're my nan!"
0:36:42 > 0:36:44Because, Tinie, you are very nice to your fans.
0:36:44 > 0:36:47Yes, I have sexy fans, though.
0:36:47 > 0:36:49I have very sexy, hot fans.
0:36:49 > 0:36:51I believe you.
0:36:52 > 0:36:54- No, OK, not all of my fans are sexy. - I'M one of your fans.
0:36:54 > 0:36:57- Yeah...- See?
0:36:57 > 0:36:58OK, not all of my fans are sexy.
0:36:59 > 0:37:01Not all of them, but I do have a lot.
0:37:01 > 0:37:04And then the ones that are not, just to make it clear
0:37:04 > 0:37:07that there is a clear difference, I have also employed
0:37:07 > 0:37:09some of my fans as well.
0:37:09 > 0:37:11You see, isn't that a clever thing to do?
0:37:11 > 0:37:14Is there like...? Do you employ them if they are sexy, or if they're not?
0:37:14 > 0:37:18That's what I'm saying, if they are not sexy, I need to make that clear,
0:37:18 > 0:37:19all right?
0:37:19 > 0:37:24If they're not sexy, then there are two fans I have employed.
0:37:24 > 0:37:26OK, Tinie, do you understand what you're saying?
0:37:26 > 0:37:30Do you realise what your words are saying?
0:37:30 > 0:37:34- They won't mind!- There's two people watching this show now in tears.
0:37:34 > 0:37:36They definitely won't mind.
0:37:36 > 0:37:38- They won't mind! - They won't mind.
0:37:38 > 0:37:40But basically...
0:37:40 > 0:37:44- How much are you paying them?! - OK. No.
0:37:44 > 0:37:46Let me explain. It will make more sense.
0:37:46 > 0:37:49One is not dressed as a giraffe and one as a zebra.
0:37:49 > 0:37:51LAUGHTER
0:37:53 > 0:37:56No. No.
0:37:56 > 0:37:59Don't worry about it. I will explain on another day.
0:37:59 > 0:38:03Very quickly, we must mention, Joshua, your series Lovesick is back
0:38:03 > 0:38:06on Netflix for a third series.
0:38:06 > 0:38:07Absolutely, yes.
0:38:07 > 0:38:09But, now, why did they change the name?
0:38:09 > 0:38:12- From Scrotal Recall? - Yes. It was a brilliant name.
0:38:12 > 0:38:15- That's great.- That's quite catchy.
0:38:15 > 0:38:16I think you put it quite well.
0:38:16 > 0:38:19You say it's a good name but not for that show.
0:38:19 > 0:38:20For a different show.
0:38:20 > 0:38:25- Yeah.- I mean, you got so used to it that when people asked you
0:38:25 > 0:38:28what you were doing, you'd be like, "Oh, I'm doing Scrotal."
0:38:28 > 0:38:30And they'd be like, "What?"
0:38:30 > 0:38:32"Uh, Scrotal Recall."
0:38:32 > 0:38:35Apparently, when the first series was happening,
0:38:35 > 0:38:39an agent e-mailed the producer, and either something went wrong
0:38:39 > 0:38:43on autocorrect or they got the name of the show wrong, and the header
0:38:43 > 0:38:45of the e-mail was Scrotum Rectum.
0:38:47 > 0:38:48That sounds like a great show.
0:38:48 > 0:38:50A very different show.
0:38:50 > 0:38:53There is also your life... I did see someone shout, "Lovesick,"
0:38:53 > 0:38:55at you on the street the other day.
0:38:55 > 0:38:57And your life would be very different
0:38:57 > 0:39:00- if people were shouting, "Scrotal," at you.- Yes.- A plus point.
0:39:00 > 0:39:03Talking of other jobs, we can't end without mentioning
0:39:03 > 0:39:07the brilliant episode that, Daniel, you did with Ricky in Extras.
0:39:07 > 0:39:09Aw, amazing.
0:39:09 > 0:39:12- Thank you for that again.- It's got a snake in it, as well, hasn't it?
0:39:12 > 0:39:15A snake. It's got a snake. Exactly. Same...
0:39:15 > 0:39:18Diana Rigg. That was a hell of a day.
0:39:18 > 0:39:20How were you allowed to...?
0:39:20 > 0:39:23Because you were still doing Harry Potter when...
0:39:23 > 0:39:27We had to be so close to it but not actually put him in Harry Potter.
0:39:27 > 0:39:30That's why I'm a Boy Scout and not a schoolboy in a school uniform.
0:39:30 > 0:39:35They managed to get Gryffindor colours but we couldn't do...
0:39:35 > 0:39:39And the joke was that he was still a schoolboy in his real life.
0:39:39 > 0:39:44So he was playing a sort of exaggerated, adolescent...
0:39:44 > 0:39:47And you were only about 17, weren't you?
0:39:47 > 0:39:49Younger. I think I was about 15 or 16.
0:39:49 > 0:39:52And he was playing an adolescent who used to brag about sex
0:39:52 > 0:39:55but had never had sex, and that was the gag.
0:39:55 > 0:39:59And there was a bit on the bus where he is showing me the condom
0:39:59 > 0:40:02he's going to use, and he flicks it and it lands
0:40:02 > 0:40:04on Dame Diana Rigg's face.
0:40:04 > 0:40:07And of course, that is one take.
0:40:07 > 0:40:09I remember going over to her and going,
0:40:09 > 0:40:12"Just put it over your eye a little bit."
0:40:12 > 0:40:15There is Dame Diana Rigg and I'm going, "A bit more like that,"
0:40:15 > 0:40:16pulling a condom over her face.
0:40:16 > 0:40:18Was there soup on it as well?
0:40:18 > 0:40:20- No, that's a different... - Have I mashed up two episodes?
0:40:20 > 0:40:22That's a dream.
0:40:24 > 0:40:27This is like DVD extras. Let's enjoy the scene again.
0:40:28 > 0:40:30Hey, gang. What we doing?
0:40:30 > 0:40:31Just been eating.
0:40:31 > 0:40:33Yeah, sweet.
0:40:33 > 0:40:35Look, thanks for covering my arse earlier.
0:40:35 > 0:40:37The offer still stands.
0:40:37 > 0:40:39- What offer?- You know...
0:40:44 > 0:40:47Just going to go and get a drink. Does anybody want anything?
0:40:47 > 0:40:49- I'll have a cup of tea. - Get me a bourbon, would you, babe?
0:40:49 > 0:40:51I think it's mostly just teas and coffees.
0:40:51 > 0:40:53Yeah, get me a cup of joe, would you? And make it strong.
0:40:53 > 0:40:54I don't like the weak shit. Oh!
0:40:59 > 0:41:02Look, when she comes back, make some excuse and leave us alone,
0:41:02 > 0:41:03will you?
0:41:03 > 0:41:05What have you got planned?
0:41:11 > 0:41:12You've unravelled it.
0:41:12 > 0:41:14Ready for action.
0:41:14 > 0:41:15Just hope it's big enough.
0:41:28 > 0:41:32All right, Tinie, the time has come for you to sing for us so...
0:41:32 > 0:41:35- No, I'm OK.- ..if you'd like to make your way along.
0:41:35 > 0:41:37I'll wait here, shall I? Go up by yourself?
0:41:37 > 0:41:40On the music stage. There he goes, off goes Tinie Tempah.
0:41:40 > 0:41:44OK, here he is, performing Text From Your Ex,
0:41:44 > 0:41:46it is Tinie Tempah!
0:41:46 > 0:41:48APPLAUSE AND CHEERING
0:41:50 > 0:41:53# I got a text from your ex, boy
0:41:54 > 0:41:58# She said to look through your texts, boy
0:41:58 > 0:42:02# I'm not the kind of girl to snoop but I had a feeling to
0:42:02 > 0:42:05# And now I'm looking for my next boy
0:42:05 > 0:42:09# See, I got a text from your ex-girl
0:42:09 > 0:42:14# And she was telling me where you were, last night
0:42:14 > 0:42:17# I was chilling on my own, thinking you're alone
0:42:17 > 0:42:20# You were having ... with your ex-girl... #
0:42:20 > 0:42:21- RAPS:- # Graham Norton!
0:42:21 > 0:42:25# Yeah, one text from my ex You know I always flex on my ex
0:42:25 > 0:42:28# You know I got a rep to protect
0:42:28 > 0:42:30# You know I never let it get to my head
0:42:30 > 0:42:32# No, never gettin' vexed when you're wet
0:42:32 > 0:42:35# My DJ bring his decks on the jet Came out when you put me on the sofa
0:42:35 > 0:42:37# I know you wanna get my respect
0:42:37 > 0:42:41# I don't know why you moved to mess What point you tryna prove again?
0:42:41 > 0:42:43# Ah, there you go, gettin' loose again, but ya
0:42:43 > 0:42:45# Try and win, but you lose again, and ya
0:42:45 > 0:42:48# Hanging round those bougie ants Got girls, so you're usin' them
0:42:48 > 0:42:50# But you're gettin' high, gotta lose the chance
0:42:50 > 0:42:52# Gotta love you long time, but you was a ten
0:42:52 > 0:42:55# I got a text from your ex, boy
0:42:55 > 0:42:58# She said to look through your texts, boy
0:42:59 > 0:43:03# I'm not the kind of girl to snoop but I had a feeling to
0:43:03 > 0:43:05# And now I'm looking for my next boy... #
0:43:05 > 0:43:07Make some noise for Imani!
0:43:07 > 0:43:10# I got a text from your ex-girl
0:43:10 > 0:43:15# And she was telling me where you were, last night
0:43:15 > 0:43:18# I was chilling on my own, thinking you're alone
0:43:18 > 0:43:22# You were having ... with your ex-girl
0:43:22 > 0:43:24# I got a
0:43:24 > 0:43:25# Life ain't always what it seems to be
0:43:25 > 0:43:27# Tryna work it out what it means to me
0:43:27 > 0:43:29# Nowadays everybody want a piece of me
0:43:29 > 0:43:31# Notorious, south, west and east, yo
0:43:31 > 0:43:33# That's why I look to seas and the seeker reef
0:43:33 > 0:43:34# Used to check the Tinie man for the DVD
0:43:34 > 0:43:36# He and I reminisce sometimes
0:43:36 > 0:43:38# Peace in east, LA gettin' lean with Dee
0:43:38 > 0:43:40# I don't know why you moved to mess
0:43:40 > 0:43:42# Who you are, from who's your friends, I've got
0:43:42 > 0:43:44# Space for you, and two in the Benz
0:43:44 > 0:43:46# Ain't no night stand if you do it again
0:43:46 > 0:43:50# But now me in amnesia Brandy or Moesha
0:43:50 > 0:43:54# After referendums Girl, I've still got that visa
0:43:54 > 0:43:58# I can't believe you've done this
0:43:58 > 0:44:01# I told you I take no ...
0:44:01 > 0:44:05# And you were supposed to love me
0:44:05 > 0:44:09# Then I got a text from your ex, boy
0:44:09 > 0:44:11# 079 3999
0:44:11 > 0:44:13# On standby, three sixty-five
0:44:13 > 0:44:15# You get high, you testify
0:44:15 > 0:44:17# Who's that girl? You let me lie
0:44:17 > 0:44:19# 079 3999
0:44:19 > 0:44:21# On standby, all at a time
0:44:21 > 0:44:22# You get high, and you testify
0:44:26 > 0:44:28# I got a text from your ex, boy
0:44:30 > 0:44:32# She said to look through your texts, boy
0:44:33 > 0:44:37# I'm not the kind of girl to snoop but I had a feeling to
0:44:37 > 0:44:40# And now I'm looking for my next boy
0:44:41 > 0:44:44# See, I got a text from your ex-girl
0:44:44 > 0:44:45# Graham Norton!
0:44:45 > 0:44:49# And she was telling me where you were, last night
0:44:49 > 0:44:52# I was chilling on my own, thinking you're alone
0:44:52 > 0:44:56# You were having ... with your ex-girl
0:44:56 > 0:44:57# I got a
0:44:57 > 0:44:59# 079 3999
0:45:04 > 0:45:05# Let's go!
0:45:05 > 0:45:07# 079 3999
0:45:12 > 0:45:14# Hey! #
0:45:14 > 0:45:16APPLAUSE AND CHEERING
0:45:16 > 0:45:18Imani, ladies and gentlemen!
0:45:21 > 0:45:23Thank you, thank you.
0:45:23 > 0:45:24Tinie Tempah!
0:45:24 > 0:45:27And Imani Williams. Beautiful.
0:45:27 > 0:45:29Tinie, come up and join me.
0:45:29 > 0:45:31Great job.
0:45:32 > 0:45:34Beautiful, beautiful.
0:45:34 > 0:45:35Have a seat. Squeeze in, squeeze in.
0:45:37 > 0:45:39Great job.
0:45:39 > 0:45:41And, yeah, go on.
0:45:41 > 0:45:43They all want to congratulate you.
0:45:43 > 0:45:46And that's from the new album, Youth, which is out
0:45:46 > 0:45:48on the 31st of March.
0:45:48 > 0:45:49Yes.
0:45:49 > 0:45:52So this album, you're touring it almost immediately.
0:45:52 > 0:45:53Are you going to Australia for it?
0:45:53 > 0:45:55Yeah, so I go March the 1st and then, from there,
0:45:55 > 0:45:59I'm kind of in New Zealand after that and then I come back
0:45:59 > 0:46:01and then we go throughout Europe.
0:46:01 > 0:46:04So...Italy, France -
0:46:04 > 0:46:07- all the European countries. - All THOSE countries.
0:46:09 > 0:46:11Italy, France, the others.
0:46:11 > 0:46:12Yeah.
0:46:12 > 0:46:15All the people we've pissed off, basically.
0:46:15 > 0:46:17- They'll still go and see you. - Yeah, yeah.
0:46:17 > 0:46:19Listen, good luck with the album, good luck with the tour.
0:46:19 > 0:46:22Thank you very much for doing that. Tinie Tempah, everybody!
0:46:24 > 0:46:27Now, I'm afraid that is it for tonight.
0:46:27 > 0:46:29No time for red chairs.
0:46:29 > 0:46:32- Boo-hoo! Oh, shut up. AUDIENCE:- Boooooo!
0:46:32 > 0:46:35Please say thank you to my lovely guests, Tinie Tempah...
0:46:35 > 0:46:37APPLAUSE AND CHEERING
0:46:37 > 0:46:39..Ricky Gervais... APPLAUSE AND CHEERING
0:46:39 > 0:46:41..Ruth Wilson... APPLAUSE AND CHEERING
0:46:41 > 0:46:43..Tom Hiddleston... APPLAUSE AND CHEERING
0:46:43 > 0:46:46..Joshua McGuire... APPLAUSE AND CHEERING
0:46:46 > 0:46:48..Mr Daniel Radcliffe. APPLAUSE AND CHEERING
0:46:49 > 0:46:52Join me next week. We've another star-filled sofa,
0:46:52 > 0:46:55including Sir Patrick Stewart and Wolverine himself, Hugh Jackman.
0:46:55 > 0:46:57I'll see you then. Goodnight, everybody, bye-bye.
0:46:57 > 0:46:59APPLAUSE AND CHEERING