0:00:02 > 0:00:04Hello, I'm Tom Hanks and this is The Graham Norton Show!
0:00:04 > 0:00:05CHEERING AND APPLAUSE
0:00:18 > 0:00:20CHEERING AND APPLAUSE CONTINUES
0:00:23 > 0:00:24Whoa!
0:00:24 > 0:00:26Oh! Oh!
0:00:26 > 0:00:28CHEERING AND APPLAUSE
0:00:28 > 0:00:30Oh! Oh!
0:00:31 > 0:00:33Ahh! Oh!
0:00:33 > 0:00:35Oh! Oh!
0:00:35 > 0:00:37CHEERING AND APPLAUSE CONTINUES Oh! Oh!
0:00:37 > 0:00:39Hello!
0:00:40 > 0:00:43Good evening. Oh, I'm going deaf, so loud.
0:00:43 > 0:00:47Oh, too much! Calm down.
0:00:47 > 0:00:48You're very welcome.
0:00:48 > 0:00:51Yes, making a really big splash on our sofa tonight,
0:00:51 > 0:00:53but in a good way, Tom Hanks is here, everybody.
0:00:53 > 0:00:55CHEERING AND APPLAUSE
0:00:56 > 0:00:58Good, right?
0:00:58 > 0:01:01Now, Tom has starred in so many great films, like Castaway,
0:01:01 > 0:01:03where he was forced to sit and talk
0:01:03 > 0:01:06to an orange volleyball with a face drawn on it.
0:01:06 > 0:01:10Although, to be fair, he's not the only person that's had to do that.
0:01:10 > 0:01:13LAUGHTER
0:01:13 > 0:01:16That must have been...
0:01:16 > 0:01:18APPLAUSE
0:01:19 > 0:01:22That was, ooh, totes awks!
0:01:22 > 0:01:26Now, later in the show gold-medal winning athlete
0:01:26 > 0:01:28Mo Farah will be joining us.
0:01:28 > 0:01:30CHEERING AND APPLAUSE
0:01:30 > 0:01:32Yes!
0:01:32 > 0:01:35A sportsperson, ladies and gentlemen.
0:01:36 > 0:01:38Nice earrings.
0:01:38 > 0:01:39LAUGHTER
0:01:39 > 0:01:41Fully accessorised.
0:01:41 > 0:01:45Yes, Mo Farah - double, double Olympic record holder
0:01:45 > 0:01:47and international Quorn star.
0:01:47 > 0:01:48LAUGHTER
0:01:49 > 0:01:51That's what his CV says.
0:01:51 > 0:01:55Now, there are a lot of tactics involved in running the 5,000
0:01:55 > 0:01:56and 10,000 metres.
0:01:56 > 0:02:00You have to do a sprint finish when they ring that gold bell
0:02:00 > 0:02:01near the end, yeah? Yeah?
0:02:01 > 0:02:05Although, interestingly, if you Google the words "gold",
0:02:05 > 0:02:07"bell" and "end", you get this...
0:02:07 > 0:02:09LAUGHTER
0:02:09 > 0:02:11APPLAUSE Yes, you do.
0:02:12 > 0:02:14Now, Mo will be joining us later
0:02:14 > 0:02:17and we have music from pop sensation Olly Murs, ladies and gentlemen!
0:02:17 > 0:02:19CHEERING AND APPLAUSE Yes.
0:02:19 > 0:02:22He'll give us a number from his new album.
0:02:22 > 0:02:23But let's get some guests on!
0:02:23 > 0:02:25CHEERING
0:02:25 > 0:02:28From hit sitcom Third Rock from the Sun to Hollywood blockbusters
0:02:28 > 0:02:31like Inception, Looper and The Dark Knight Rises,
0:02:31 > 0:02:34this actor is so hot right now it, it's Joseph Gordon-Levitt.
0:02:34 > 0:02:35APPLAUSE AND CHEERING
0:02:35 > 0:02:38Oh, oh! Did you do that on purpose?
0:02:42 > 0:02:44Best entrance ever.
0:02:44 > 0:02:47That's excellent. That is fine.
0:02:49 > 0:02:50Yeah!
0:02:50 > 0:02:54Yeah, beat that, Tom Hanks!
0:02:54 > 0:02:56She was...
0:02:56 > 0:02:59She was Made in Dagenham, and she Clashed with the Titans.
0:02:59 > 0:03:01Now she's playing the great Joan of Arc on the West End stage.
0:03:01 > 0:03:04Please welcome one of our brightest British stars, it's Gemma Arterton!
0:03:04 > 0:03:06CHEERING AND APPLAUSE
0:03:06 > 0:03:08Oh.
0:03:09 > 0:03:12Hello, darling.
0:03:12 > 0:03:13Lovely to see you.
0:03:17 > 0:03:20No, no. You're there, you're there. Beer, you. There.
0:03:20 > 0:03:23- The drink is your clue.- I might have drank some of your wine.
0:03:25 > 0:03:27Just listen to this list of films, ladies and gentlemen -
0:03:27 > 0:03:29Big, Saving Private Ryan, Philadelphia,
0:03:29 > 0:03:31Castaway and Forrest Gump, need I say more?
0:03:31 > 0:03:35It is the double Oscar-winning king of Hollywood, Mr Tom Hanks!
0:03:35 > 0:03:36CHEERING AND APPLAUSE
0:03:42 > 0:03:46All right, I made it, I made it. Good to see you. What a pleasure.
0:03:46 > 0:03:47What a pleasure. Mwah.
0:03:49 > 0:03:51And this young man...
0:03:51 > 0:03:52That was impressive.
0:03:52 > 0:03:55CHEERING AND APPLAUSE That was impressive.
0:03:57 > 0:03:59You can shove up a little bit.
0:03:59 > 0:04:01All together, all together.
0:04:01 > 0:04:02Bring it around.
0:04:02 > 0:04:06- Welcome back, Tom Hanks. - Always a pleasure to be back.
0:04:06 > 0:04:09- American TV shows are copying you, left and right.- Are they?
0:04:09 > 0:04:14Yes, they are. Why, we'll... We have no idea. No concept of why.
0:04:16 > 0:04:20- You're welcome.- Good to be here. Joan of Arc, good Lord.
0:04:20 > 0:04:22Gemma Arterton and of course Joseph's here. Your first time?
0:04:22 > 0:04:24Yes, sir. Glad to be here.
0:04:24 > 0:04:26But, already, I think the best entrance we've ever had.
0:04:26 > 0:04:28I'm glad to hear that. Hey.
0:04:28 > 0:04:30CHEERING AND APPLAUSE
0:04:30 > 0:04:32That's... I mean, you've peaked.
0:04:32 > 0:04:35There isn't an anecdote you can tell that will beat that forward roll.
0:04:35 > 0:04:38You have nightmares every time you come on a show like this.
0:04:38 > 0:04:41"I just hope I don't trip when I'm coming out."
0:04:41 > 0:04:43Then I tripped when I was coming out.
0:04:43 > 0:04:45- You didn't do it on purpose? - No, no. Not at all.
0:04:45 > 0:04:47That's when you should have said, "Yeah, yeah."
0:04:47 > 0:04:49Oh, yeah, right. So I could set it up later.
0:04:49 > 0:04:52- No, I think it was new shoes, that was new shoes.- These, you mean?
0:04:54 > 0:04:57Whoa! Turn down those socks, man.
0:04:57 > 0:04:59LAUGHTER
0:04:59 > 0:05:01- Wow, look at this.- Sorry.
0:05:01 > 0:05:03You're a rebel, Joseph Gordon-Levitt.
0:05:06 > 0:05:08This couch is interesting tonight.
0:05:08 > 0:05:10Because everyone is playing real people,
0:05:10 > 0:05:15either from history or from the headlines, in films and the play.
0:05:15 > 0:05:17But before we get talking about all those things,
0:05:17 > 0:05:20we need to settle a little controversy. A little controversy.
0:05:20 > 0:05:23There was a picture, you have probably seen this,
0:05:23 > 0:05:25it was on the internet and in the papers and things.
0:05:25 > 0:05:27And it's this picture here.
0:05:27 > 0:05:29- Now...- Oh, yeah.
0:05:29 > 0:05:32LAUGHTER So, people are trying to decide
0:05:32 > 0:05:36- if that was Bill Murray or Tom Hanks.- Right, right.
0:05:36 > 0:05:40Well, I've been doing a pale imitation of Bill Murray for most of my career.
0:05:40 > 0:05:42So it actually works out.
0:05:42 > 0:05:45I know that it's not me because I did not take that picture.
0:05:47 > 0:05:51Unless I've had a cranial plate shift that, you know, is medicinal.
0:05:51 > 0:05:53That's not me. I believe that's Bill.
0:05:53 > 0:05:56- Even looking at you now, it does look a little like you.- Yeah.
0:05:56 > 0:05:58I can make that face.
0:05:58 > 0:06:02But don't you have a thing where you have, you think you've got sides.
0:06:02 > 0:06:06Oh, I do. We all know what our good side is.
0:06:06 > 0:06:08I'll show you, if you can come close
0:06:08 > 0:06:10in a hideously embarrassing close-up.
0:06:10 > 0:06:11Right, I will show you right now.
0:06:11 > 0:06:14- Should I start with the good side or the bad side?- Good side.- Really?
0:06:14 > 0:06:17- Yeah.- OK. This is my good side.
0:06:17 > 0:06:19Now, I don't know why.
0:06:19 > 0:06:22But I have a jaw and I have a chin and, you know,
0:06:22 > 0:06:24I have a back of a...
0:06:24 > 0:06:26Actually, could you come around sort of like
0:06:26 > 0:06:27three quarter-ish a little bit?
0:06:27 > 0:06:30OK, there. OK, there, there. Is that it?
0:06:30 > 0:06:32Come in a little tighter, please. A little tighter.
0:06:32 > 0:06:35All right, so far we're still doing OK. It's all right.
0:06:35 > 0:06:39It's not bad. All right, now. Stay there and just watch this.
0:06:42 > 0:06:46LAUGHTER STARTS SLOWLY AND BUILDS
0:06:46 > 0:06:47Oh, dear. Look at that!
0:06:47 > 0:06:49The neck goes away.
0:06:50 > 0:06:52The nose becomes this malformed thing.
0:06:52 > 0:06:55I've got half a cheek sticking out right here.
0:06:55 > 0:06:58So I kind of go from like Richard Gere...
0:06:58 > 0:07:00to Richard Nixon.
0:07:00 > 0:07:03LAUGHTER AND APPLAUSE
0:07:07 > 0:07:08Gemma, can we have your side?
0:07:10 > 0:07:11Er...
0:07:13 > 0:07:16But when you do a photo shoot, do you favour a side?
0:07:16 > 0:07:20I... I think this is my better side.
0:07:20 > 0:07:22- But then... - Then we can never work together.
0:07:22 > 0:07:24LAUGHTER
0:07:24 > 0:07:26Guess we'd have to do all of our love scenes like...
0:07:26 > 0:07:30"I love you, Gemma, I love you. We must leave..."
0:07:30 > 0:07:31We can never do this.
0:07:32 > 0:07:35That's like Cary Grant and Rosalind Russell.
0:07:35 > 0:07:39- And what about yourself, Joseph? Are you aware of a side?- Should I be?
0:07:39 > 0:07:41- No, I don't know.- Tell me. I'm willing to learn.
0:07:41 > 0:07:43Shall we vote?
0:07:43 > 0:07:45- Let's vote.- OK.
0:07:46 > 0:07:47- By applause only.- OK.
0:07:47 > 0:07:49- All right.- This side.
0:07:50 > 0:07:51MODERATE APPLAUSE
0:07:51 > 0:07:53Liking it, liking it.
0:07:55 > 0:07:57Or...
0:07:57 > 0:07:59RAUCOUS APPLAUSE AND CHEERING
0:08:00 > 0:08:02OK, so this side.
0:08:02 > 0:08:07We just thought while you're here, to settle things, to avoid confusion
0:08:07 > 0:08:10in the future, we might re-enact that...
0:08:10 > 0:08:13Oh, do you have an orange jumper?
0:08:13 > 0:08:17- I do, I do. I am fully costumed. - Oh, great.
0:08:17 > 0:08:18I've got some orange things there.
0:08:18 > 0:08:21Now, Gemma, would you mind being...
0:08:21 > 0:08:24I think she's the mother of the baby.
0:08:24 > 0:08:26So there's some sunglasses there.
0:08:26 > 0:08:29And would you mind being the baby?
0:08:29 > 0:08:32- LAUGHTER - Absolutely.
0:08:32 > 0:08:34Oh, you can do that. Actually, that's better.
0:08:34 > 0:08:36Why did we not think of that?
0:08:36 > 0:08:38- Oh, OK, so I'm like here? - You're down in there.
0:08:38 > 0:08:40Down you go. There you go. LAUGHTER
0:08:40 > 0:08:43- You squeeze in, squeeze in. - Like that?
0:08:43 > 0:08:45Like that, smiling.
0:08:45 > 0:08:48LAUGHTER There we go, that is really good!
0:08:49 > 0:08:51CHEERING AND APPLAUSE It is good.
0:08:54 > 0:08:59I think Joseph did the most perfect imitation right there.
0:09:01 > 0:09:02That is an instant study.
0:09:02 > 0:09:04You can keep them if you want.
0:09:10 > 0:09:12Isn't life weird? I never thought I'd be doing this.
0:09:12 > 0:09:15That's some three very good actors there.
0:09:15 > 0:09:17Hey, let's get on to your real jobs.
0:09:17 > 0:09:19Tom's new movie -
0:09:19 > 0:09:20this is the much anticipated Sully.
0:09:20 > 0:09:22I remember the last time you mentioned it,
0:09:22 > 0:09:24you mentioned what this movie was about
0:09:24 > 0:09:26and the whole audience was like, "Ooh, that sounds good."
0:09:26 > 0:09:30Cos it opens here next Friday, the 2nd of December.
0:09:31 > 0:09:35It's such a great movie because some of the inherent drama we know,
0:09:35 > 0:09:39- or we think we know.- Yeah, yeah. That is...
0:09:39 > 0:09:41We all know Act One.
0:09:41 > 0:09:45Hero by pluck and grit lands a plane in the Hudson River,
0:09:45 > 0:09:47becomes the hero of the Hudson.
0:09:47 > 0:09:51And everybody on board survived, every single person.
0:09:51 > 0:09:52I mean, it was a miracle.
0:09:52 > 0:09:54Little babies, ladies who couldn't walk, everybody survived.
0:09:54 > 0:09:56It was a miracle.
0:09:56 > 0:09:58And if you go on YouTube and look at forced water landings,
0:09:58 > 0:10:01you can see what could have happened instead.
0:10:01 > 0:10:03And also didn't realise, I didn't remember, it was really,
0:10:03 > 0:10:08- really cold.- It was January, yes. - So people were in freezing water.
0:10:08 > 0:10:11The extraordinary story is - you see the tug boats,
0:10:11 > 0:10:14the police, those folk dropped everything they were doing
0:10:14 > 0:10:15and went right there.
0:10:15 > 0:10:18I spoke to one guy, I said, "How long were you out on the wing?"
0:10:18 > 0:10:19He said, "If you had have asked me,
0:10:19 > 0:10:21"I would have told you I was there for an hour."
0:10:21 > 0:10:23He went back and looked at the actual footage.
0:10:23 > 0:10:25He was on the wing for seven minutes.
0:10:25 > 0:10:28From landing in the water to rescue - seven minutes.
0:10:28 > 0:10:30- That's incredible. - An extraordinary thing.
0:10:30 > 0:10:32And then everything that happens after the movie
0:10:32 > 0:10:35is Act Two and Three of real life.
0:10:35 > 0:10:37He withstood - it's condensed for the film -
0:10:37 > 0:10:41but he withstood 18 months of depositions and investigation.
0:10:41 > 0:10:43He had to answer complicated questions,
0:10:43 > 0:10:46and very common questions, over and over, over and over and over again.
0:10:46 > 0:10:48"Why did you do that? "Why didn't you try this?
0:10:48 > 0:10:50"What did you have to eat the night before?
0:10:50 > 0:10:52"Did you have a fight with your wife on the phone?
0:10:52 > 0:10:53"Were you stressed in any way?
0:10:53 > 0:10:55"Why didn't you turn this switch instead of that switch?"
0:10:55 > 0:10:58And he had to answer for himself, to the point that he didn't -
0:10:58 > 0:11:00both he and Jeff Skiles, played by Aaron Eckhart,
0:11:00 > 0:11:02the fabulous actor Aaron Eckhart -
0:11:02 > 0:11:04had no idea for a year and a half whether or not they were
0:11:04 > 0:11:07going to keep their jobs, whether or not they would not be able to fly
0:11:07 > 0:11:09for a living and whether or not
0:11:09 > 0:11:11their reputations would be in tatters.
0:11:11 > 0:11:13And the real man, Sully, he was around the filming?
0:11:13 > 0:11:15- You've met him?- Oh...
0:11:15 > 0:11:19The real Sully is the most... There he is.
0:11:19 > 0:11:20His real first name is Chesley.
0:11:21 > 0:11:26Which sounds like a small town off the M1. You know?
0:11:26 > 0:11:29Up near Whipsnade Zoo. "Hey, let's go to Chesley today."
0:11:31 > 0:11:32So he goes by Sully.
0:11:32 > 0:11:37He was very particular about how we portrayed the procedure
0:11:37 > 0:11:39and the emotions of what the movie was.
0:11:39 > 0:11:40Listen, we've got a clip...
0:11:40 > 0:11:41Oh, let's watch the clip.
0:11:43 > 0:11:45LAUGHTER
0:11:45 > 0:11:48This is the moment when you, as Sully,
0:11:48 > 0:11:52make the decision about what you're going to do.
0:11:52 > 0:11:53Mayday, Mayday. This is Cactus 1549.
0:11:53 > 0:11:55We've lost thrust on both engines,
0:11:55 > 0:11:57we are turning back towards LaGuardia.
0:11:57 > 0:12:00- 'Which engine did you lose?' - Both. Both engines.
0:12:04 > 0:12:07- Ignition.- Ignition.- Thrust levers confirmed idle.- Idle.
0:12:08 > 0:12:10'Cactus, 1549.
0:12:10 > 0:12:14'If we can get a view, do you want to try to land runway 13?'
0:12:14 > 0:12:16We are unable. We may end up in the Hudson.
0:12:17 > 0:12:20'It's going to be left traffic, runway 31.'
0:12:20 > 0:12:22- Unable.- 'OK. What do you need to land?'
0:12:22 > 0:12:25BEEPING
0:12:29 > 0:12:34- No relay after 30 seconds. Master one and two confirmed off.- Off.
0:12:34 > 0:12:37- RECORDING:- Too low. Terrain. Too low. Terrain.
0:12:37 > 0:12:38Too low. Terrain.
0:12:44 > 0:12:45This is the captain.
0:12:45 > 0:12:47Brace for impact.
0:12:47 > 0:12:48Now you know...
0:12:48 > 0:12:50APPLAUSE
0:12:52 > 0:12:54Because this, this...
0:12:54 > 0:12:57This is who the man is. This is who the man is.
0:12:57 > 0:13:01He said brace for impact for a very specific reason.
0:13:01 > 0:13:05"Brace for impact" is essentially saying, "Get ready for a bump.
0:13:05 > 0:13:07"Be prepared, we're going to have some..."
0:13:07 > 0:13:09He did not say, "This is the captain.
0:13:09 > 0:13:11"We're going to land in the Hudson River.
0:13:11 > 0:13:12"It's going to be very cold..."
0:13:12 > 0:13:15He didn't give them instructions about what was going to happen,
0:13:15 > 0:13:18because he wanted to keep the panic down to an absolute minimum.
0:13:18 > 0:13:21"Brace for impact, lean forward, do what you're told."
0:13:21 > 0:13:22"Get ready for a water landing,"
0:13:22 > 0:13:26means who knows what to 150 people in a plane.
0:13:26 > 0:13:29"Brace for impact" is still quite bowel loosening, I'd have thought.
0:13:29 > 0:13:31LAUGHTER
0:13:32 > 0:13:34I mean, it was nice of him but...
0:13:34 > 0:13:36LAUGHTER
0:13:37 > 0:13:39I'm going to bring this up with him.
0:13:39 > 0:13:42- Has this made you a more nervous flyer?- Not at all, no.
0:13:42 > 0:13:46I like adventure in the air, I like it to bump around up there.
0:13:46 > 0:13:48You ever do this?
0:13:48 > 0:13:51You ever just try not to buckle your seatbelt when they're walking round?
0:13:51 > 0:13:53LAUGHTER
0:13:55 > 0:13:59Just hold your hands over it and just not really...
0:13:59 > 0:14:01just to see if they're going to check you or not?
0:14:04 > 0:14:07Oh... That will do it. I like adventure.
0:14:07 > 0:14:08Are you a good flyer, Gemma?
0:14:08 > 0:14:11I think I'm a pretty good flyer.
0:14:11 > 0:14:12I too quite enjoy a bump. Yeah, yeah.
0:14:12 > 0:14:16But I've never... I've been lucky not to have been in anything too drastic.
0:14:16 > 0:14:18- You?- I don't want a bump.
0:14:18 > 0:14:21- LAUGHTER - I keep my seatbelt on.
0:14:21 > 0:14:23I don't want any bumps.
0:14:23 > 0:14:24Presumably, this is one of those films,
0:14:24 > 0:14:27they're never going to show this on a plane, are they?
0:14:27 > 0:14:29LAUGHTER
0:14:30 > 0:14:32No, you know... Would you imagine it -
0:14:32 > 0:14:35"Ladies and gentlemen, the in-flight entertainment..."
0:14:35 > 0:14:36LAUGHTER
0:14:38 > 0:14:40"..is Sully." Whoa.
0:14:40 > 0:14:44- I've seen Castaway on a plane. - Really?!
0:14:44 > 0:14:47- Best plane crash in movie history. - They showed that on a plane, really?
0:14:47 > 0:14:49No, I just made it up.
0:14:49 > 0:14:50- Oh, right. - LAUGHTER
0:14:50 > 0:14:53Do they do something, they have a little disclaimer
0:14:53 > 0:14:55at the beginning and go, yeah, "This contains footage..."
0:14:55 > 0:14:57"This will not happen to you."
0:14:57 > 0:14:59LAUGHTER
0:15:01 > 0:15:02Now, the thing about you, Tom Hanks,
0:15:02 > 0:15:04because when we talk to you about films,
0:15:04 > 0:15:06we always imagine that any director, you're in the film,
0:15:06 > 0:15:10- they'll be quite intimidated by having you.- Gee, I wish!
0:15:10 > 0:15:14- But this time the director's Clint Eastwood.- Oh, dear.
0:15:14 > 0:15:16So how did that dynamic pan out?
0:15:16 > 0:15:19Well, you don't want to get one of those Clint Eastwood looks
0:15:19 > 0:15:21from him, you know? You know?
0:15:21 > 0:15:25I can't do it. But, you know, where he kind of just raises...
0:15:25 > 0:15:28- He looks at you. - WHISTLES SPAGHETTI WESTERN THEME
0:15:28 > 0:15:29You go, "Clint, I have this idea.
0:15:29 > 0:15:33"Maybe for the scene if I do that and then throw that over to Aaron and then you can cut."
0:15:33 > 0:15:35He's like...
0:15:35 > 0:15:37LAUGHTER
0:15:37 > 0:15:38Yeah. I wanted...
0:15:38 > 0:15:42There was a guy playing a saxophone in Times Square.
0:15:42 > 0:15:43We were done with the shot.
0:15:43 > 0:15:46I said, "Go over there and give that guy 50 bucks,"
0:15:46 > 0:15:49just let loose with some of those "ohh-ee-ohh-ee-ohh..."
0:15:50 > 0:15:54But he... He treats his actors like horses.
0:15:54 > 0:15:56- Um... - LAUGHTER
0:15:58 > 0:16:00Because, because, when he was doing...
0:16:00 > 0:16:01There's a great show, Rawhide.
0:16:01 > 0:16:05I don't know if you're old enough to remember Rawhide - a Western.
0:16:05 > 0:16:09And he had all these old directors there who directed movies
0:16:09 > 0:16:12that made a big deal about yelling "action."
0:16:12 > 0:16:16"We're rolling, all right, standby. This is a take, everybody ready.
0:16:16 > 0:16:19"3-2-1, action."
0:16:19 > 0:16:23And every time they would do that, the horses they were on would bolt.
0:16:23 > 0:16:26"Action!" And they'd have to go like...
0:16:26 > 0:16:28So when you're in a Clint Eastwood movie,
0:16:28 > 0:16:31you don't even know the camera's rolling and you just hear
0:16:31 > 0:16:33over your shoulder...
0:16:35 > 0:16:37- MIMICS EASTWOOD: - All right, go ahead.
0:16:43 > 0:16:45APPLAUSE
0:16:45 > 0:16:47You know...
0:16:47 > 0:16:51Sometimes you're doing some pretty hard stuff and you just
0:16:51 > 0:16:53keep doing it until you hear him say...
0:16:53 > 0:16:56- AS EASTWOOD: - "That's enough of that."
0:16:56 > 0:16:59And then you move on and you're on to the next set-up.
0:16:59 > 0:17:00It's intimidating as hell.
0:17:00 > 0:17:04- Wait, is it that every time, "That's enough of that"?- Yeah.- Every time?
0:17:04 > 0:17:06- Instead of cut. - He doesn't say...
0:17:06 > 0:17:10No, he'll stay stop if it means you're going to do it again.
0:17:10 > 0:17:13- But it's mostly... - AS EASTWOOD:- That's enough of that.
0:17:14 > 0:17:17You go, "Hey, thanks for the vote of confidence(!)"
0:17:17 > 0:17:21- LAUGHTER AND APPLAUSE - Please stop.
0:17:23 > 0:17:27Right, now also playing a heroic role is Gemma Arterton.
0:17:27 > 0:17:30Because she is Joan of Arc in Saint Joan,
0:17:30 > 0:17:33at the Donmar Warehouse from the 9th of December
0:17:33 > 0:17:35till the 18th of February.
0:17:35 > 0:17:38But you are doing one of those beamed into cinemas
0:17:38 > 0:17:41- all over the world on the 16th of February?- Yes, we are.
0:17:41 > 0:17:43Pop that into your diaries now. Plan ahead.
0:17:43 > 0:17:46Now, George Bernard Shaw, he wrote the play in the 1920s.
0:17:46 > 0:17:50- Now, this version is very different, I'm told.- Yeah.
0:17:50 > 0:17:53I don't want to say too much about it, but...
0:17:53 > 0:17:55- OK, we'll move on.- No, no, no!
0:17:57 > 0:18:00But I think post-Brexit and post Trump,
0:18:00 > 0:18:02I think it's quite interesting.
0:18:02 > 0:18:04Wait, Trump? What?
0:18:05 > 0:18:07He won?!
0:18:07 > 0:18:09You're on your press tour, you get home - what?!
0:18:10 > 0:18:14But, I mean, you can tell us that it's kind of set now.
0:18:14 > 0:18:19Yeah, it's sort of like as if a medieval saint walked into Deutsche Bank.
0:18:19 > 0:18:23Oh, OK. That sounds good. I'm liking it already.
0:18:23 > 0:18:27And in the original play, I think I'm right, that you don't,
0:18:27 > 0:18:30obviously cos it's quite difficult to get through the actresses,
0:18:30 > 0:18:33but you don't burn at the stake every night?
0:18:33 > 0:18:34They stop just before that.
0:18:34 > 0:18:37But are you going to try and do a bit of burning at the stake?
0:18:37 > 0:18:38We don't know yet.
0:18:38 > 0:18:40We're only midway through rehearsals,
0:18:40 > 0:18:42so it's still up for grabs.
0:18:42 > 0:18:46- I kind of hope not. Because... - Yeah.
0:18:46 > 0:18:50Because usually that's when you go off and you have a glass of wine.
0:18:50 > 0:18:52But, yeah, no, I don't know. We'll see.
0:18:52 > 0:18:55You have to come and see it and then you can find out.
0:18:55 > 0:18:58Or we'll just see the Donmar's now in ashes and we'll go,
0:18:58 > 0:19:00"I guess they went with the fire idea."
0:19:00 > 0:19:01LAUGHTER
0:19:01 > 0:19:02Fire?
0:19:04 > 0:19:06But, I have to say, you could be burnt at the stake.
0:19:06 > 0:19:10Because you rarely live through anything.
0:19:10 > 0:19:12What do you mean?
0:19:12 > 0:19:15Well, drowned in oil in Bond, killed by vampires in Byzantium.
0:19:15 > 0:19:16Head cut off in The Voices.
0:19:16 > 0:19:18Stabbed in the back - Clash of the Titans,
0:19:18 > 0:19:20fell into a chasm in Prince of Persia
0:19:20 > 0:19:21and possibly worst of all,
0:19:21 > 0:19:25chokes to death on a piece of bread in Gemma Bovery.
0:19:25 > 0:19:28- Yes.- Have you ever lived throughout an entire film?
0:19:28 > 0:19:32There was a period of time where I died every time.
0:19:32 > 0:19:36I think it's this tragic heroine thing, isn't it?
0:19:36 > 0:19:39But I have also been resurrected twice.
0:19:39 > 0:19:40And this will be the third time,
0:19:40 > 0:19:42because I'm resurrected in Saint Joan.
0:19:44 > 0:19:46Spoiler alert(!)
0:19:46 > 0:19:49LAUGHTER
0:19:49 > 0:19:50I just saved 20 quid.
0:19:54 > 0:20:00And, obviously she's a French heroine. But it's set in England.
0:20:00 > 0:20:01Yeah.
0:20:01 > 0:20:03- Cos, do you live in France now? - No.
0:20:03 > 0:20:08I live in London, but I work there a lot so I'm often there.
0:20:08 > 0:20:09Because your French is...
0:20:09 > 0:20:11You have spoken French in films.
0:20:11 > 0:20:12- I mean, you've...- Yeah.
0:20:12 > 0:20:14Which suggests your French is very good, I would say.
0:20:14 > 0:20:15C'est pas mal.
0:20:15 > 0:20:18J'ai entendu que vous parlez francais aussi?
0:20:18 > 0:20:20Moi je parle un peu de francais, oui.
0:20:20 > 0:20:21Ah, c'est impressionant!
0:20:21 > 0:20:23AUDIENE: Ooh
0:20:23 > 0:20:24Merci.
0:20:26 > 0:20:29Mais c'est bien quand une femme parle francais, je crois.
0:20:29 > 0:20:31- C'est feminin.- D'accord.
0:20:31 > 0:20:34Nigel Farage's just thrown his television at the window.
0:20:34 > 0:20:36LAUGHTER
0:20:36 > 0:20:38I know who that is!
0:20:38 > 0:20:40APPLAUSE
0:20:42 > 0:20:43Do you speak other languages?
0:20:43 > 0:20:45- Me, no.- Have you ever tried?
0:20:45 > 0:20:48No. I now, you know, swear words in a few languages.
0:20:50 > 0:20:51Can insult people in Greek.
0:20:53 > 0:20:56Oh, they like it. Insult us.
0:20:56 > 0:21:00You travel a lot and I read somewhere where you have
0:21:00 > 0:21:06- packing down. That is a fine art in the Hanks' household.- Oh, yeah.
0:21:06 > 0:21:09Well, often for work, you're going to be gone for a long time,
0:21:09 > 0:21:12so you've got a number of bags you've got to have at the ready.
0:21:12 > 0:21:15So, yeah, my routine is pretty simple.
0:21:15 > 0:21:20I strip down completely naked and give myself two hours.
0:21:20 > 0:21:21- So I... - LAUGHTER
0:21:25 > 0:21:28- That's my routine for something else. - LAUGHTER
0:21:28 > 0:21:30- Two hours?- Oh, yeah.
0:21:30 > 0:21:33APPLAUSE
0:21:34 > 0:21:37Yeah, you got to put, you know, you may be wearing underwear,
0:21:37 > 0:21:38you're going to need...
0:21:38 > 0:21:43So, you know, you start with a blank canvas and build-up.
0:21:43 > 0:21:45The dog, I have a dog that worships me.
0:21:45 > 0:21:47The dog is often confused by those two hours.
0:21:51 > 0:21:53Are we going for a walk?
0:21:53 > 0:21:55LAUGHTER
0:21:55 > 0:21:59You have some ideas that I am not familiar with.
0:21:59 > 0:22:03Listen, we're going to talk about another movie tonight
0:22:03 > 0:22:04and its Joseph Gordon-Levitt's Snowden,
0:22:04 > 0:22:07which is another fascinating portrayal
0:22:07 > 0:22:08of a real figure from recent years.
0:22:08 > 0:22:12- It's out on December 9th. It is.- It is.
0:22:12 > 0:22:14Now, he's not Julian Assange. He's the other one.
0:22:14 > 0:22:16That's... Yeah, well that's true.
0:22:16 > 0:22:20And I'll admit, I confused the two before really looking into it.
0:22:20 > 0:22:24They're easy to confuse. Yeah, Julian Assange runs WikiLeaks.
0:22:24 > 0:22:25Edward Snowden is someone else.
0:22:25 > 0:22:31He worked at the NSA and the CIA. Sort of like GCHQ here, I suppose.
0:22:32 > 0:22:35And he took classified information and he handed it over
0:22:35 > 0:22:37to journalists at the Guardian, actually.
0:22:38 > 0:22:42And that information revealed that the government was conducting
0:22:42 > 0:22:47illegal and, you know arguably unethical mass surveillance,
0:22:47 > 0:22:50that goes against the constitution of the United States.
0:22:50 > 0:22:53Because he has been kind of really demonised.
0:22:53 > 0:22:56- But he was sort of trying to protect people's rights?- Yeah.
0:22:56 > 0:22:59I mean, look, I understand why people call him a criminal.
0:22:59 > 0:23:01That's because he committed a crime, you know.
0:23:01 > 0:23:04When he took that classified information, he broke the law,
0:23:04 > 0:23:06so it's understandable why people would be upset with him.
0:23:06 > 0:23:10This thing is is that the NSA - and, by the way, GCHQ -
0:23:10 > 0:23:12they are also committing crimes
0:23:12 > 0:23:15and they are violating freedoms that are enshrined in our Bill of Rights.
0:23:15 > 0:23:18You know, we have the freedom to have the right to privacy
0:23:18 > 0:23:21and the government's not allowed to invade our privacy without a warrant.
0:23:21 > 0:23:24But what these agencies are doing is just collecting everybody's
0:23:24 > 0:23:27information, through our phones and computers, without warrants.
0:23:27 > 0:23:29- You know?- Because the webcam thing is terrifying.
0:23:29 > 0:23:31They can turn on your webcam, they can turn on the microphone
0:23:31 > 0:23:34on your phone, they can turn on the camera in your phone. Yeah.
0:23:34 > 0:23:36- GEMMA GASPS Gemma?- Hmm.- Jeez.
0:23:36 > 0:23:37LAUGHTER
0:23:37 > 0:23:41That was a funny noise you just made.
0:23:41 > 0:23:42LAUGHTER
0:23:42 > 0:23:44Where's your phone?
0:23:45 > 0:23:47Where is my phone?
0:23:47 > 0:23:49Listen, we've got a clip.
0:23:49 > 0:23:51This is when, you - as Snowden -
0:23:51 > 0:23:55realises the full spying capabilities of the NSA.
0:23:55 > 0:24:00Exhibit A. Oakland resident Justin Pinski posted on a message board.
0:24:00 > 0:24:02"Romania has a storied history of executing their leaders.
0:24:02 > 0:24:05"Couldn't they do us a solid and take out Bush?"
0:24:06 > 0:24:09Oh, this looks juicy. This is from a G-chat.
0:24:11 > 0:24:13"With the biggest python you've ever seen."
0:24:16 > 0:24:19How is all this possible?
0:24:19 > 0:24:23Keyword selectors - "attack", "take out bush".
0:24:23 > 0:24:25So think of it as a Google search,
0:24:25 > 0:24:30except instead of searching only what people make public, we're also looking at everything they don't.
0:24:30 > 0:24:34- So, e-mails, chats, SMS, whatever. - Yeah, but which people?
0:24:34 > 0:24:36The whole kingdom, Snow White.
0:24:39 > 0:24:40APPLAUSE
0:24:42 > 0:24:43Scary.
0:24:45 > 0:24:48Edward Snowden, he's in Moscow.
0:24:48 > 0:24:49He's in exile in Moscow.
0:24:49 > 0:24:53- But you got to spend time with him? - I did, yeah.
0:24:53 > 0:24:56Before we shot, I went over to Moscow and I sat with him
0:24:56 > 0:24:58in an office for about four hours.
0:24:58 > 0:25:00I mean, you know,
0:25:00 > 0:25:03there's other places in the world where you can't, you can't
0:25:03 > 0:25:06stand up and say, "Hey, I think the government's doing something wrong."
0:25:06 > 0:25:10We're really lucky to get to live in countries where we can have these
0:25:10 > 0:25:13kind of conversations, especially here on TV, I'm really grateful.
0:25:13 > 0:25:15So I'm happy that he did what he did,
0:25:15 > 0:25:18just so that we can all be having this conversation right now.
0:25:18 > 0:25:20And, of course, I mean... APPLAUSE
0:25:20 > 0:25:21Yes.
0:25:26 > 0:25:29Obviously, other people are affected.
0:25:29 > 0:25:32And I... I read, I think it was an interview that you gave,
0:25:32 > 0:25:34where you talked about meeting his parents.
0:25:34 > 0:25:37Yeah. Yeah, yeah. His parents came to the premiere.
0:25:37 > 0:25:41And this is the thing about when you play a real-life person.
0:25:41 > 0:25:45I don't suppose you can meet Joan of Arc's parents.
0:25:45 > 0:25:48But, you know, you get certain feedback when you're an actor,
0:25:48 > 0:25:49and that's meaningful.
0:25:49 > 0:25:52It's meaningful when an audience likes the movie or, you know,
0:25:52 > 0:25:55it gets good reviews or maybe it gets good box office or whatever.
0:25:55 > 0:25:57And that's all great.
0:25:57 > 0:25:59But when the parents of this guy,
0:25:59 > 0:26:02who stood up for what he believed in
0:26:02 > 0:26:05and is now living in exile, he can't come home.
0:26:05 > 0:26:10His mom took me aside and was like, "You reminded me of my son."
0:26:10 > 0:26:13And his dad took me aside and he make sure to look me in the eye
0:26:13 > 0:26:16and he said, "I want to thank you for what you did because I know
0:26:16 > 0:26:19"this was risky for you and you're going to," you know,
0:26:19 > 0:26:21"some people aren't going to like you for it.
0:26:21 > 0:26:24"But I really appreciate you doing this for my son."
0:26:24 > 0:26:27And, I mean, I've never received feedback like that
0:26:27 > 0:26:29for an acting job that I did.
0:26:29 > 0:26:31It really means something?
0:26:31 > 0:26:32It meant so much to me.
0:26:32 > 0:26:36I mean, it really made my year to have those moments with his parents.
0:26:36 > 0:26:39And isn't there some hope that Obama might,
0:26:39 > 0:26:42one of the last things he does, might be to pardon him?
0:26:42 > 0:26:43I mean, yeah.
0:26:43 > 0:26:46There's a lot of important and influential human rights groups
0:26:46 > 0:26:48like Amnesty International and the ACLU
0:26:48 > 0:26:52that have appealed to President Obama to pardon Edward Snowden,
0:26:52 > 0:26:54because, you know, ultimately what he did was
0:26:54 > 0:26:57a great service to the country and to the world.
0:26:57 > 0:27:02- You know, whether Obama will do that or not remains to be seen.- Yeah.
0:27:02 > 0:27:06Obviously one of the last things Obama will have done in office
0:27:06 > 0:27:10is to give Mr Tom Hanks the highest civilian honour in America,
0:27:10 > 0:27:12- the Medal of Freedom.- Oh, yeah.
0:27:12 > 0:27:14Really? That's so cool, man.
0:27:14 > 0:27:16CHEERING AND APPLAUSE
0:27:16 > 0:27:18Congratulations.
0:27:18 > 0:27:19Did you meet him?
0:27:19 > 0:27:21- The man himself?- Obama, yeah?
0:27:21 > 0:27:23- Oh, yeah, I've met him a couple of times.- You have?
0:27:23 > 0:27:26- He's the coolest dude in the room. - I don't doubt it.
0:27:26 > 0:27:29- I would really like to meet him. - He is so much the man, it's crazy.
0:27:29 > 0:27:30And it's one of those things,
0:27:30 > 0:27:33cos you have had so many awards, what does that mean?
0:27:33 > 0:27:35It's mind-numbing, you know.
0:27:36 > 0:27:39It's the Medal of Freedom, which means somehow...
0:27:39 > 0:27:43It's funny talking about Edward Snowden,
0:27:43 > 0:27:44there is this...
0:27:44 > 0:27:48We have something which is the freedom that you're talking about.
0:27:48 > 0:27:50I guess it's a look at the work
0:27:50 > 0:27:55that I've done that has both celebrated it and promoted it
0:27:55 > 0:27:57and tried to protect it as well.
0:27:57 > 0:28:00Look, I'm with Admiral Grace Potter,
0:28:00 > 0:28:05the scientist who literally measured out the nanosecond.
0:28:05 > 0:28:09Her, Kareem Abdul-Jabbar, me. It's a pretty good spread.
0:28:09 > 0:28:10It's quite good company, yeah.
0:28:10 > 0:28:12Rubbing elbows at the buffet.
0:28:15 > 0:28:16Yeah, back in a nanosecond.
0:28:16 > 0:28:17LAUGHTER
0:28:19 > 0:28:21The film-maker Michael Moore,
0:28:21 > 0:28:23who actually did call out this whole election.
0:28:23 > 0:28:26I mean, he kind of saw how it was panning out.
0:28:26 > 0:28:29He has now said and... He said that he wants you.
0:28:29 > 0:28:31You know, I thought he was deranged
0:28:31 > 0:28:34or was not deranged right up until he said that.
0:28:34 > 0:28:37- He wants you to run as president. - Yeah OK. All right, fine.
0:28:37 > 0:28:40He says you're the only hope... APPLAUSE AND CHEERING
0:28:40 > 0:28:41Oh, please. Oh, dear Lord.
0:28:41 > 0:28:43Dear Lord.
0:28:45 > 0:28:48- It's just four years of your life. Do it, Tom!- Yeah, yeah.
0:28:48 > 0:28:51If you cared, you'd do it.
0:28:52 > 0:28:54I'm not qualified
0:28:54 > 0:28:56to be the president of the Three Stooges fan club.
0:28:56 > 0:28:58- Well... - I might take that job.
0:28:59 > 0:29:03Right, it is time to meet my next guest.
0:29:03 > 0:29:07Now, at the Rio Olympics, he won double gold for the second time.
0:29:07 > 0:29:11He's quite simply the greatest long-distance runner of all time.
0:29:11 > 0:29:13Ready, steady, Mo, it's Mr Mo Farah!
0:29:13 > 0:29:14CHEERING AND APPLAUSE
0:29:19 > 0:29:22Hello, sir. Lovely to see you again. Have a seat.
0:29:25 > 0:29:28- Hi.- What a pleasure. Hi, how you doing?
0:29:28 > 0:29:29- Joseph.- Pleased to meet you.
0:29:29 > 0:29:31CHEERING AND APPLAUSE CONTINUES
0:29:34 > 0:29:38I like... I like that you've still got running shoes on.
0:29:38 > 0:29:43- They're comfortable.- At any moment, he could go for a race.
0:29:43 > 0:29:45Very good. Well welcome, Mo.
0:29:45 > 0:29:47- Are you a bit starstruck? - I am, I am big-time.
0:29:47 > 0:29:50I'm like, "Ooh."
0:29:50 > 0:29:52LAUGHTER
0:29:52 > 0:29:54Cos what is it, Captain Phillips that...?
0:29:54 > 0:29:57My favourite movie of Tom is Captain Phillips.
0:29:57 > 0:30:00And I've seen The Green Mile. There's so many of them,
0:30:00 > 0:30:02but my favourite one, because, as you know,
0:30:02 > 0:30:05I was born in Somalia and the guy who was acting,
0:30:05 > 0:30:07he was born in Somalia, Mogadishu, was Barkhad, the guy.
0:30:07 > 0:30:10- And I know him. - You know Barkhad?- Yeah.- Oh.
0:30:10 > 0:30:12- So it was just... - LAUGHTER
0:30:13 > 0:30:17That's like "Oh, you're from England. Do you know my cousin?"
0:30:18 > 0:30:20If you were to meet backstage, you'd say, "Hi, I'm from Somalia."
0:30:20 > 0:30:22I'd say, "Hey, do you know Barkhad Abdi?"
0:30:24 > 0:30:27That's what happens. In Somalia, everybody knows each other and it's just...
0:30:27 > 0:30:31- It's a small world. - But you and he must be like kings.
0:30:31 > 0:30:35Yeah, they've done very well. They've done very well.
0:30:35 > 0:30:39Now, double-double, that's something else. A round of applause for that.
0:30:39 > 0:30:41APPLAUSE AND CHEERING
0:30:44 > 0:30:49But, I don't know, cos in America maybe you didn't follow the story,
0:30:49 > 0:30:52but you really put the nation through it.
0:30:52 > 0:30:56Because when you tripped, right at the start of the 10,000,
0:30:56 > 0:30:57there you are.
0:30:57 > 0:31:02Like, when you got up again, did you think, "Is it worth bothering now?"
0:31:03 > 0:31:07No, because there was a point where I had to make a split decision.
0:31:07 > 0:31:11When you go down and you get nervous and it's just... You panic.
0:31:11 > 0:31:14Every human does. You panic and you're like, "Oh, my God, I've just fallen down.
0:31:14 > 0:31:17"It's over, the race is over." But I just had to get over it and think,
0:31:17 > 0:31:21"God, I worked four years for this. I can't let that happen."
0:31:21 > 0:31:23I was just like, "Just be patient, be patient."
0:31:23 > 0:31:26And, secondly, I promised my daughter Rihanna
0:31:26 > 0:31:27I was going to get her a gold medal.
0:31:27 > 0:31:29So her for her birthday, I told her I was going
0:31:29 > 0:31:31to get her a gold medal cos I was training so hard.
0:31:32 > 0:31:33Wow!
0:31:33 > 0:31:35APPLAUSE
0:31:35 > 0:31:37That's... That's some motivation.
0:31:37 > 0:31:43I've got four kids. The twins, I got two medals from London.
0:31:43 > 0:31:44And then my son got a medal now.
0:31:44 > 0:31:46And Rihanna was just the one only missing.
0:31:46 > 0:31:50As an 11-year-old, you know, they ask questions, "Dad, Dad?"
0:31:50 > 0:31:53Because she kept asking me - "You got the twins a medal, where's my medal, where's my medal?"
0:31:53 > 0:31:57I was like... That was years ago, a couple of years ago.
0:31:57 > 0:32:00I'm like, "OK, I'll work towards it." And I couldn't let her down.
0:32:00 > 0:32:02That's what's kept me going.
0:32:02 > 0:32:05So, do you need to have another child to get another gold medal?
0:32:05 > 0:32:07Is that how that works?
0:32:07 > 0:32:09Is that part of your training?
0:32:09 > 0:32:13I think four is a good number.
0:32:13 > 0:32:15Now, you've brought out a DVD.
0:32:15 > 0:32:21This is a sort of film, it's all about the lead-up to Rio and your experiences in Rio, is that right?
0:32:21 > 0:32:24Yeah. It's about, basically about my life and what it takes to be
0:32:24 > 0:32:27a champion and, you know, I've got four kids.
0:32:27 > 0:32:30It's not easy having four kids. I'm away six months of the year.
0:32:30 > 0:32:34It's basically going inside of my life, what I do day in, day out.
0:32:34 > 0:32:37And I just want to get, you know, show people.
0:32:37 > 0:32:40So if you are an aspiring athlete or if you...
0:32:40 > 0:32:42Will it help people with motivation and stuff?
0:32:42 > 0:32:46I hope it does because that's the whole point of doing this DVD.
0:32:46 > 0:32:49People out there just see you and TV, like, and think,
0:32:49 > 0:32:51"Oh, my God, I can never get up there."
0:32:51 > 0:32:53But you can. I started at the age of 12
0:32:53 > 0:32:55and it's just been hard work and year after year.
0:32:55 > 0:32:58And now, finally, you know what, I have achieved.
0:32:58 > 0:33:01I did dream of myself becoming a four-time Olympic champion.
0:33:01 > 0:33:05Once, I remember watching the Sydney Olympics and thinking,
0:33:05 > 0:33:06"I want to become Olympic champion."
0:33:06 > 0:33:09And then, leading up to Beijing, I didn't even make the final.
0:33:09 > 0:33:12And I had to wait for another four years. And then London, I do double.
0:33:12 > 0:33:16And then another four years in Rio. You know, it is incredible.
0:33:16 > 0:33:19It really is. What's interesting is seeing you again.
0:33:19 > 0:33:22- When were you on the show before? - Just after London.
0:33:22 > 0:33:24- Was just after London?- Maybe. - You're like a different person.
0:33:24 > 0:33:26You're so kind of, you know, self-assured.
0:33:26 > 0:33:28Because the last time, you were quite nervous.
0:33:28 > 0:33:31And now you're just like, "Yeah. Tom Hanks, whatever."
0:33:31 > 0:33:33LAUGHTER
0:33:33 > 0:33:35I've been watching too many movies.
0:33:35 > 0:33:37You know, man, he's been to Rio.
0:33:37 > 0:33:40Once you get back from Rio, it's all...
0:33:40 > 0:33:42No Easy Mile is the name of the DVD,
0:33:42 > 0:33:44it's out on Monday the 5th of December
0:33:44 > 0:33:45and here's a little taste.
0:33:47 > 0:33:50He's unquestionably one of the very best.
0:33:56 > 0:33:59For the last six years I've been away from my family six months of the year.
0:34:01 > 0:34:03Being good's not enough to win a gold medal.
0:34:03 > 0:34:05You've got to be excellent.
0:34:08 > 0:34:12You only get one chance, one moment. And this is my moment.
0:34:15 > 0:34:16- APPLAUSE - Wow.
0:34:22 > 0:34:24Now, running, as we know, a very sexy sport.
0:34:24 > 0:34:27Proof of that is Mr Tom Hanks.
0:34:27 > 0:34:31I believe your wife, one of her favourite scenes is you running.
0:34:31 > 0:34:35Oh...Oh, dear. The running away scene.
0:34:35 > 0:34:39Yes. Every interview will be about Forrest Gump at some point.
0:34:39 > 0:34:40You'll have the same thing.
0:34:40 > 0:34:44You'll be answering questions about St Joan for the rest of your life.
0:34:44 > 0:34:48I was... I had done, not the workouts,
0:34:48 > 0:34:51but I had worked out quite a bit and it was all about running.
0:34:51 > 0:34:54And I must say that my "butt-ocks",
0:34:54 > 0:34:59as Forrest would say, were as firm as tinned hams.
0:34:59 > 0:35:01They were just... They were just the...
0:35:01 > 0:35:05I've seen the movie and I've seen it and every now and again
0:35:05 > 0:35:07if it comes by on the cable,
0:35:07 > 0:35:10my wife will just go, "Just leave it here, honey.
0:35:10 > 0:35:14"I want to see that one scene where you're running away from the camera.
0:35:14 > 0:35:16"I want to have a look at that fine Hanks' ass!"
0:35:16 > 0:35:18LAUGHTER
0:35:18 > 0:35:21APPLAUSE
0:35:21 > 0:35:22But it's not there any more.
0:35:22 > 0:35:25But in the day, man, it was...
0:35:25 > 0:35:28I must say, I even think it's a beautiful thing to behold.
0:35:30 > 0:35:33And actually there's another link between Mo and Tom.
0:35:33 > 0:35:36Because the last time you were on, remember those memes
0:35:36 > 0:35:39people would do, the Mo Farah running away from things.
0:35:39 > 0:35:44- So, Mo Farah running away from a bear.- Oh!
0:35:44 > 0:35:46Mo Farah in a bull run.
0:35:46 > 0:35:49Mo Farah in the Sound of Music.
0:35:49 > 0:35:52LAUGHTER
0:35:52 > 0:35:56And there is one of Mo Farah running away from Forrest Gump.
0:36:03 > 0:36:05One of the reasons I remember Tom
0:36:05 > 0:36:07and obviously it's amazing what he does,
0:36:07 > 0:36:11is when you go out for a run, "Run, Forrest, run!"
0:36:12 > 0:36:15- But it's a nice thing, it's a compliment.- It's lovely.
0:36:15 > 0:36:17You've got to think, you've gone to all that trouble of becoming
0:36:17 > 0:36:20a famous runner, and they're still calling you another name.
0:36:20 > 0:36:21How hard is Mo?
0:36:21 > 0:36:23LAUGHTER
0:36:23 > 0:36:26Run, Farah, run. Maybe that could work. See, there you go.
0:36:26 > 0:36:33- Run, Farah run. Take it, folks. It is my gift unto you.- They are.
0:36:33 > 0:36:35Actually, could you do a lovely thing, Tom,
0:36:35 > 0:36:36could you do a lovely thing?
0:36:36 > 0:36:39Just cos Mo's here - he's the greatest runner in the world.
0:36:39 > 0:36:41Could you do the line from Forrest Gump where
0:36:41 > 0:36:44he suddenly discovers how much he likes running?
0:36:44 > 0:36:45I would be happy to do it,
0:36:45 > 0:36:47but you must show the lady with the cue card,
0:36:47 > 0:36:51cos otherwise people will think that I've actually memorised this.
0:36:51 > 0:36:56Show the lady with the cue card, cut over to her. Just show... See?
0:36:56 > 0:36:58There she is. She's there.
0:36:58 > 0:36:59I will in fact do it. OK, it is...
0:36:59 > 0:37:02- This is for you, Mo. - This is for you, Mo.
0:37:02 > 0:37:05"Now you wouldn't believe me if I told you, but I could run
0:37:05 > 0:37:07"like the wind blows.
0:37:07 > 0:37:12"From that day on, if I was going somewhere, I was RUNNING."
0:37:13 > 0:37:16CHEERING AND APPLAUSE
0:37:16 > 0:37:19It's going to haunt you for the rest of your days.
0:37:19 > 0:37:21Don't embrace it too much.
0:37:23 > 0:37:24It makes us happy.
0:37:24 > 0:37:28All right, it's time for our musical performance.
0:37:28 > 0:37:30This man has gone from X Factor hopeful
0:37:30 > 0:37:33to one of Britain's biggest music stars.
0:37:33 > 0:37:36Performing his single Years and Years, it's Olly Murs!
0:37:36 > 0:37:37CHEERING AND APPLAUSE
0:37:40 > 0:37:42# When I'm alone, in the dark
0:37:42 > 0:37:47# I paint a picture inside my mind
0:37:48 > 0:37:50# Of all the things that I wanted
0:37:50 > 0:37:54# But I never thought I would find
0:37:55 > 0:37:58# And it blows my mind
0:37:58 > 0:38:04# Because there you are by my side
0:38:04 > 0:38:06# Maybe you know, maybe you don't
0:38:06 > 0:38:09# But it's a question I have to ask
0:38:11 > 0:38:14# I know we're young, and we've got life
0:38:14 > 0:38:17# But life always goes so fast
0:38:19 > 0:38:22# But while you're mine
0:38:22 > 0:38:27# Yeah, it feels like time's on our side
0:38:28 > 0:38:32# Years and years, forever young
0:38:32 > 0:38:35# Years and years, yet to come
0:38:35 > 0:38:38# I take every second of every minute
0:38:38 > 0:38:41# Long as you're in it, you know I'm winning
0:38:44 > 0:38:48# Years and years, we won't forget
0:38:48 > 0:38:51# The time and place that we met
0:38:51 > 0:38:55# And I remember it all so clear
0:38:55 > 0:38:59# You signed your name on my heart Saying you were here
0:39:03 > 0:39:05# No, we're not at the end
0:39:05 > 0:39:08# But we came close maybe once or twice
0:39:11 > 0:39:17# We got burned but we learned not to listen to bad advice
0:39:17 > 0:39:21# Now I know you're mine
0:39:21 > 0:39:26# Cos it feels like time's on our side
0:39:27 > 0:39:31# Years and years, forever young
0:39:31 > 0:39:34# Years and years, yet to come
0:39:34 > 0:39:37# I take every second of every minute
0:39:37 > 0:39:41# Long as you're in it, you know I'm winning
0:39:43 > 0:39:46# Years and years, we won't forget
0:39:46 > 0:39:50# The time and place that we met
0:39:50 > 0:39:53# And I remember it all so clear
0:39:54 > 0:39:56# You signed your name on my heart
0:39:56 > 0:39:58# Saying you were here
0:39:58 > 0:40:02# It doesn't matter where we go
0:40:02 > 0:40:05# It's all I want, it's all I know
0:40:06 > 0:40:11# This feeling's never ever getting old
0:40:11 > 0:40:17# It's all I know, oh-oh oh-oh
0:40:17 > 0:40:20# Know, oh-oh oh-oh
0:40:22 > 0:40:26# Years and years, forever young
0:40:26 > 0:40:29# Years and years, yet to come
0:40:29 > 0:40:32# I take every second of every minute
0:40:32 > 0:40:36# Long as you're in it, you know I'm winning
0:40:38 > 0:40:41# Years and years, we won't forget
0:40:41 > 0:40:45# The time and place that we met
0:40:45 > 0:40:48# And I remember it all so clear
0:40:49 > 0:40:51# You signed your name on my heart
0:40:51 > 0:40:53# Saying you were here
0:40:53 > 0:40:57# Years and years
0:40:57 > 0:41:01# Years and years
0:41:01 > 0:41:05# Years and years
0:41:05 > 0:41:07# You signed your name on my heart
0:41:07 > 0:41:10# Saying you were here. #
0:41:11 > 0:41:14APPLAUSE AND CHEERING
0:41:16 > 0:41:17Thank you very much.
0:41:18 > 0:41:19Olly Murs!
0:41:19 > 0:41:21Great song, come on over.
0:41:23 > 0:41:25Wow, that's a classic. Well done.
0:41:25 > 0:41:27Have a seat here. Here's Joseph.
0:41:27 > 0:41:29Gemma. Tom and Mo.
0:41:29 > 0:41:32CHEERING AND APPLAUSE CONTINUES Marvellous!
0:41:37 > 0:41:39Sit down, sit down, sit down.
0:41:40 > 0:41:42Thanks for bringing the whole service to town,
0:41:42 > 0:41:45- that was a lot of people. - It's a lot of people out there.
0:41:45 > 0:41:47- Thank you for having me.- And that was an exclusive, wasn't it?
0:41:47 > 0:41:50Yes, exclusive, Years and Years, from the new album, 24 Hours.
0:41:50 > 0:41:52Kerching! LAUGHTER
0:41:52 > 0:41:54- And album - number one?- Yes.
0:41:54 > 0:41:57- Number one last week. - CHEERING AND APPLAUSE
0:41:59 > 0:42:03- Absolutely amazing. So, thank you. - But you are, you are such...
0:42:03 > 0:42:06You are like a proper hard grafter, worker.
0:42:06 > 0:42:09I think I follow you on Twitter cos I see everything you do
0:42:09 > 0:42:10and you've been plugging away.
0:42:10 > 0:42:13You're doing everything - breakfast shows, kid shows, everything.
0:42:13 > 0:42:16- You're just working, working, working.- I'm everywhere.
0:42:16 > 0:42:20No, I love my job. I think, all of us, we just love what we do.
0:42:20 > 0:42:21So I love music, love doing it.
0:42:21 > 0:42:25So, yeah, just get out there as much as I can.
0:42:25 > 0:42:27So, Olly Murs, he's young.
0:42:27 > 0:42:30You'd think of all the people here who'd understand
0:42:30 > 0:42:32how social media works, would be him.
0:42:32 > 0:42:34I'm older than time.
0:42:34 > 0:42:36Every time you're on this show
0:42:36 > 0:42:39I have to explain AGAIN how Twitter works.
0:42:40 > 0:42:44- Thank you.- You put it on Twitter, people can see it, Olly.
0:42:46 > 0:42:50I know. But, you know, you're giving fans what they want on Twitter, aren't you...?
0:42:50 > 0:42:52The fans didn't deserve this, I feel, Olly.
0:42:52 > 0:42:55- ALL:- Oh!
0:42:56 > 0:42:57Were you packing for a trip?
0:42:57 > 0:42:58LAUGHTER
0:42:59 > 0:43:02APPLAUSE
0:43:03 > 0:43:05Oh, God, you're embarrassing me.
0:43:05 > 0:43:07What was going on in your head?
0:43:07 > 0:43:09I get that you got a bit drunk and...
0:43:09 > 0:43:12By the way, can I just say, for your skin tone,
0:43:12 > 0:43:14those shorts are an awful choice.
0:43:14 > 0:43:15LAUGHTER
0:43:15 > 0:43:19It looks like loose skin has fallen down your legs.
0:43:19 > 0:43:22But, anyway, I get it, you're having a laugh. You took the picture.
0:43:22 > 0:43:25But did you need to tweet it, Olly?
0:43:25 > 0:43:27- I'm sorry.- No, you look lovely.
0:43:27 > 0:43:29And Gemma's getting quite the eyeful there.
0:43:31 > 0:43:33It's on my profiles.
0:43:33 > 0:43:35GRAHAM LAUGHS
0:43:35 > 0:43:36Lovely(!)
0:43:36 > 0:43:38When are you going to be touring this album?
0:43:38 > 0:43:40I'll be touring next year. So in March next year,
0:43:40 > 0:43:42we're going to be touring up and down the country,
0:43:42 > 0:43:43starting in Glasgow, doing the O2 everywhere.
0:43:43 > 0:43:45It's going to be brilliant.
0:43:45 > 0:43:47Always lovely to see you. Come back again.
0:43:47 > 0:43:50- Olly Murs, everybody.- Thank you. - CHEERING AND APPLAUSE
0:43:51 > 0:43:53Nearly it, but before we go,
0:43:53 > 0:43:55we've got time for a visit to the big red chair.
0:43:55 > 0:43:56Who have we got? Hello, sir.
0:43:56 > 0:43:58- Hello, sir.- Hi, what's your name?
0:43:58 > 0:43:59LAUGHTER
0:44:00 > 0:44:03- My name's Adam Shaw, Graham. - Adam? Adam, OK.- Yes.
0:44:03 > 0:44:05What do you do, Adam?
0:44:05 > 0:44:08- I'm an actor.- And where are you from?- I'm from Pudsey.
0:44:08 > 0:44:10Pudsey?
0:44:12 > 0:44:13LAUGHTER
0:44:13 > 0:44:15APPLAUSE
0:44:21 > 0:44:23Wait, that guy looks... That guy actually looks familiar to me.
0:44:23 > 0:44:24You know him?
0:44:24 > 0:44:27He... Have we ever worked together?
0:44:27 > 0:44:29Let's get him back.
0:44:29 > 0:44:34- Is he allowed to be back in the chair?- Yeah, he can come back. Adam?
0:44:34 > 0:44:35Oh, there he is. Adam.
0:44:36 > 0:44:38OK. Joseph took against you.
0:44:38 > 0:44:40But Tom thought you looked familiar.
0:44:40 > 0:44:43I am hopefully, yeah. I owe Tom quite a lot
0:44:43 > 0:44:48because my very first acting job was Saving Private Ryan
0:44:48 > 0:44:51and, on paper, it looked great.
0:44:51 > 0:44:55You know, I'm working with Tom, one of the best screen actors going.
0:44:55 > 0:44:57Working with Spielberg, one of the best directors,
0:44:57 > 0:44:59well, still the best director in the world.
0:44:59 > 0:45:01So, on paper, it looked great.
0:45:01 > 0:45:03But then on my first day, I realised that I couldn't swim.
0:45:05 > 0:45:07And they threw me over, obviously, you know the movie,
0:45:07 > 0:45:08they threw me over the landing craft.
0:45:08 > 0:45:11Oh, that's right! We were in the Higgins boats together.
0:45:11 > 0:45:14And I lied about being able to swim. I lied about being American.
0:45:14 > 0:45:19- LAUGHTER - I'm actually from Pudsey,
0:45:19 > 0:45:22which is in Leeds, you know.
0:45:22 > 0:45:26And then they put me in a fireproof suit and I'm going,
0:45:26 > 0:45:28"Where's the fire?"
0:45:28 > 0:45:31So then I was about to get burnt to death, I don't know.
0:45:31 > 0:45:36Tom, do you remember the... The AD showed me the action.
0:45:36 > 0:45:38- He put me in the water with you? - Yes, yes.
0:45:38 > 0:45:41And I turned to you and I said, "I've no idea what I'm doing."
0:45:44 > 0:45:47- You were just out of drama school. - That was it.
0:45:47 > 0:45:49And that was the moment I told you
0:45:49 > 0:45:51and we both questioned why I was there.
0:45:51 > 0:45:53- Yeah. - LAUGHTER
0:45:53 > 0:45:57Is the end of this story that Tom Hanks saved your life?
0:45:57 > 0:46:00He did really save my life. He literally saved my life.
0:46:00 > 0:46:05- Did he, really?- It was pretty deep water, as I recall. You know?
0:46:06 > 0:46:08CHEERING AND APPLAUSE
0:46:08 > 0:46:09Can he walk or flip? Walk, flip?
0:46:11 > 0:46:13- Well... - Oh, he's walking. He walked.
0:46:13 > 0:46:16As I recall, when it was all done, I said,
0:46:16 > 0:46:19"Just out of drama school huh? Welcome to the big-time!"
0:46:21 > 0:46:23APPLAUSE
0:46:23 > 0:46:24Well done, everyone.
0:46:24 > 0:46:27If you'd like to join us on the show and have a go on the red chair
0:46:27 > 0:46:30you can drop us a line on the website at this very address.
0:46:30 > 0:46:32That is it for tonight.
0:46:32 > 0:46:35Please say thank you to my guests, Mr Olly Murs.
0:46:36 > 0:46:38Mo Farah!
0:46:38 > 0:46:40Jason Gordon-Levitt!
0:46:42 > 0:46:44Gemma Arterton.
0:46:44 > 0:46:46And Mr Tom Hanks.
0:46:46 > 0:46:48CHEERING AND APPLAUSE
0:46:48 > 0:46:51Join me next week with singer Emeli Sande,
0:46:51 > 0:46:53top chef Jamie Oliver.
0:46:53 > 0:46:56Hollywood heart-throb Chris Pratt and Oscar winner Jennifer Lawrence.
0:46:56 > 0:46:57I'll see you, then. Until then, bye-bye!
0:46:57 > 0:47:00CHEERING AND APPLAUSE