0:00:02 > 0:00:03- It's New Year's Eve!- Yes, it is.
0:00:03 > 0:00:05- I'm James McAvoy. - I'm Michael Fassbender.
0:00:05 > 0:00:08BOTH: Welcome to The Graham Norton Show!
0:00:25 > 0:00:28Oh! Oh! Yes!
0:00:28 > 0:00:29Hello!
0:00:31 > 0:00:33Hello! Oh!
0:00:33 > 0:00:37Hi, everybody! Hi, hi, hi. Welcome.
0:00:37 > 0:00:40It's New Year's Eve!
0:00:41 > 0:00:43Yay!
0:00:44 > 0:00:46Oh! Thank you very much.
0:00:46 > 0:00:49So, did everyone have a nice Christmas?
0:00:49 > 0:00:51- AUDIENCE:- Yes!
0:00:51 > 0:00:53I thought as much.
0:00:53 > 0:00:55It's over so quick, isn't it?
0:00:55 > 0:00:59It seems like only yesterday I was putting the tree up.
0:00:59 > 0:01:01It actually was yesterday.
0:01:01 > 0:01:04Did anyone wake up Christmas morning and find an old man with a beard
0:01:04 > 0:01:07at the bottom of their bed? Because if you did, sorry about that.
0:01:07 > 0:01:09I got drunk, forgot where I live.
0:01:09 > 0:01:10I'm joking, of course.
0:01:10 > 0:01:12I took things very easy this year.
0:01:12 > 0:01:16I limited myself to just one nice bottle of wine
0:01:16 > 0:01:18that I got delivered to my house. Yeah.
0:01:21 > 0:01:23It was delicious!
0:01:23 > 0:01:252016, wow!
0:01:25 > 0:01:28It will go down in history as a year of world-changing events.
0:01:28 > 0:01:31We voted to leave the EU, Donald Trump became US President
0:01:31 > 0:01:33and, at that point, we felt,
0:01:33 > 0:01:36well, at least nothing else THAT disturbing could happen in politics.
0:01:39 > 0:01:41We were wrong.
0:01:41 > 0:01:44Brexit, Trump, Ed Balls -
0:01:44 > 0:01:48when will the world learn? Don't give us a vote, don't trust us.
0:01:48 > 0:01:50Listen, we've got some great guests joining us tonight
0:01:50 > 0:01:52to help see the year out. Later on,
0:01:52 > 0:01:55we'll say hello to two of my favourite people of the year.
0:01:55 > 0:02:00Irish Olympic rowing heroes, Gary and Paul O'Donovan will be here.
0:02:00 > 0:02:02CHEERING AND APPLAUSE
0:02:05 > 0:02:08If you've seen them, you'll know that I can't wait to meet them.
0:02:08 > 0:02:12They're just fantastic. And, like all good New Year's Eve parties,
0:02:12 > 0:02:13it'll all go Pete Tong at the end.
0:02:13 > 0:02:16Yes, Pete Tong and the Heritage Orchestra are here.
0:02:16 > 0:02:20Yeah! But let's get some guests on.
0:02:20 > 0:02:23He's one of the nation's favourite comedians
0:02:23 > 0:02:26and will be kicking off 2017 with a new series of Room 101.
0:02:26 > 0:02:29It's always a pleasure to welcome back Frank Skinner!
0:02:30 > 0:02:32Hey!
0:02:32 > 0:02:34Hello, sir.
0:02:34 > 0:02:36Lovely to see you. Frank Skinner.
0:02:38 > 0:02:42No Hogmanay is complete without a Scotsman on the sofa.
0:02:42 > 0:02:46We love this BAFTA-winning actor as Professor X in the X-Men movies
0:02:46 > 0:02:49and now he's in the psychological thriller Split.
0:02:49 > 0:02:51It's James McAvoy!
0:02:53 > 0:02:56Hello, sir. Lovely to see you. Have a seat, do.
0:02:59 > 0:03:02This French actress has starred in films like Inception,
0:03:02 > 0:03:06The Dark Knight Rises and an Oscar-winning turn in La Vie En Rose.
0:03:06 > 0:03:09It's bienvenue and bonne annee to Marion Cotillard!
0:03:12 > 0:03:15Hello. How are you?
0:03:15 > 0:03:16Mwah and mwah - showbiz kissing.
0:03:16 > 0:03:18Say hello.
0:03:21 > 0:03:24And he's played everyone, from X-Men's Magneto,
0:03:24 > 0:03:25to Steve Jobs, to Macbeth
0:03:25 > 0:03:29and now he's kickin' ass in the new action fantasy Assassin's Creed.
0:03:29 > 0:03:31It's Michael Fassbender!
0:03:36 > 0:03:38Hello! How are you doing? Lovely to see you.
0:03:38 > 0:03:39Come in, sit down.
0:03:47 > 0:03:50Look at that sofa. It's like a joke, though. It's like an Irishman, a Scotsman,
0:03:50 > 0:03:54an Englishman and a French actress walk into a bar.
0:03:54 > 0:03:59It's a great line-up, but this is what Ringo must have felt like.
0:03:59 > 0:04:00And these are the other ones.
0:04:02 > 0:04:04You stop it, Frank. You stop it.
0:04:04 > 0:04:06- Your movie career's ahead of you. - Yeah.
0:04:09 > 0:04:11Now, did everyone have a nice Christmas?
0:04:11 > 0:04:13- Amazing.- Pretty magical.
0:04:13 > 0:04:15LAUGHTER
0:04:15 > 0:04:17Marion, what was the best present you got?
0:04:17 > 0:04:21- LAUGHTER - Er...
0:04:22 > 0:04:24Salt. Salt and pepper.
0:04:24 > 0:04:27- Very nice. You can always use salt. - Music or seasoning?
0:04:27 > 0:04:29- Yeah, absolutely. - Music or seasoning?
0:04:29 > 0:04:33- Music?- Come on. Salt-N-Pepa. # Mix it up one time. #
0:04:33 > 0:04:35Anybody?
0:04:35 > 0:04:37- Nobody.- Let's Talk About Sex?
0:04:37 > 0:04:39- Nobody.- It was not music.
0:04:39 > 0:04:43Your English is flawless, but if there's any problems with anything
0:04:43 > 0:04:46anyone's saying, Frank Skinner happily speaks fluent French.
0:04:46 > 0:04:48Amazing!
0:04:48 > 0:04:50Do you?
0:04:50 > 0:04:56Um...well, it's been my New Year's resolution to learn French
0:04:56 > 0:04:57since 1986.
0:04:57 > 0:05:00I call it the French resolution.
0:05:04 > 0:05:06So, I have...
0:05:06 > 0:05:08I have had lessons, I've got all the books, the tapes
0:05:08 > 0:05:12and I go hard at it until about mid-February.
0:05:12 > 0:05:15And then I get... You know what it's like with French.
0:05:15 > 0:05:17It falls away.
0:05:17 > 0:05:19It's a beautiful language.
0:05:19 > 0:05:22And, you know... One of my favourite phrases is,
0:05:22 > 0:05:24I don't know if you're familiar with this,
0:05:24 > 0:05:30it's... It's tout le monde sur le balcon.
0:05:30 > 0:05:32I'll see you on the balcony?
0:05:34 > 0:05:36- Are you talking about boobs?- Yes.
0:05:38 > 0:05:41Or perhaps you'd like to explain it, Marion?
0:05:41 > 0:05:44Yeah, well... But it's not the exact sentence.
0:05:44 > 0:05:47- No.- Your book, get rid of it. - I didn't imagine for a second it would be.
0:05:47 > 0:05:51It's, il y a du monde au balcon.
0:05:51 > 0:05:54- OK.- There are a lot of people on the balcony.- Yes.
0:05:54 > 0:05:56Oh...
0:05:56 > 0:06:00If a woman's got a low-cut dress on, that's what French people say.
0:06:00 > 0:06:02"There's a lot of people on the balcony tonight."
0:06:02 > 0:06:06- They're all wanting a fag, though. - Yeah!
0:06:06 > 0:06:09I love it, though. I've used it many times.
0:06:09 > 0:06:12Wrongly, as it turns out.
0:06:13 > 0:06:15Listen, we are... We can't lie,
0:06:15 > 0:06:17we are recording this a little in advance.
0:06:17 > 0:06:19So, what will you actually be doing on New Year's Eve?
0:06:19 > 0:06:22Are you going to be in Ireland? Are there German traditions?
0:06:22 > 0:06:26I'm going to try and be on a beach, if I can make it, um...
0:06:28 > 0:06:30You're Magneto, you'll be fine.
0:06:30 > 0:06:34- Exactly.- No, cos in your household, because your father's German,
0:06:34 > 0:06:37did you have German New Year's traditions and things?
0:06:37 > 0:06:40Not really. I guess the main difference is
0:06:40 > 0:06:43that you open your presents on Christmas Eve,
0:06:43 > 0:06:45- as opposed to Christmas morning.- OK.
0:06:45 > 0:06:47But New Year's, we...
0:06:47 > 0:06:50Most of the time, I was working at the restaurant,
0:06:50 > 0:06:52because my parents had a restaurant,
0:06:52 > 0:06:54so, on New Year's Eve, we were doing that, which was...
0:06:54 > 0:06:57a family event of sorts.
0:06:57 > 0:07:03I once spent New Year's Eve alone and I went out onto the balcony,
0:07:03 > 0:07:04actually...
0:07:05 > 0:07:08- Like a real balcony? - She was a fabulous woman.
0:07:08 > 0:07:09No, a real balcony
0:07:09 > 0:07:12and I could hear people singing Auld Lang Syne,
0:07:12 > 0:07:15and I was on my own in my darkened flat.
0:07:15 > 0:07:19And I realised I was actually doing that.
0:07:19 > 0:07:20It was such a sad thing.
0:07:20 > 0:07:24Really sad, slow, Gangnam Style?
0:07:27 > 0:07:30Listen, well, I'm glad we've cleared up what we're all doing.
0:07:30 > 0:07:32So, let's talk about our first film tonight.
0:07:32 > 0:07:35Michael and Marion together in Assassin's Creed.
0:07:35 > 0:07:37It's out tomorrow, January 1st.
0:07:37 > 0:07:41I should say there's loud explosions in it, so maybe go later in the day.
0:07:41 > 0:07:45Now, obviously, it's based on a video game and, apparently,
0:07:45 > 0:07:49100 million copies of this game have been sold.
0:07:49 > 0:07:52So, you only really need a few of those people to go to your movie.
0:07:52 > 0:07:54That's what I said.
0:07:55 > 0:07:59- So, you've never played the game before?- No.- Marion?- No.
0:07:59 > 0:08:00Have you played it now?
0:08:00 > 0:08:02- I have.- I haven't.
0:08:05 > 0:08:08- Was it helpful? No?- Yes.
0:08:08 > 0:08:10It was helpful for me because, basically,
0:08:10 > 0:08:15there's a lot of parkour in the game, which is, I guess,
0:08:15 > 0:08:17- kind of urban gymnastics. - Yeah, yeah.
0:08:17 > 0:08:20And, so, it's a lot of that.
0:08:20 > 0:08:22Basically, the action takes place in the regression.
0:08:22 > 0:08:26We go back to 15th-century Spain, the Spanish Inquisition.
0:08:26 > 0:08:30And, so, by hooking up to this machine, called the animus,
0:08:30 > 0:08:34we can... It's sort of like, I guess, a genetic DeLorean.
0:08:34 > 0:08:38It's like a genetic time machine that allows you to go back
0:08:38 > 0:08:40to various times in history
0:08:40 > 0:08:44and, through your ancestor, relive their experiences.
0:08:44 > 0:08:47- So Marion's trying to locate... - You're more the science-y person.
0:08:47 > 0:08:49- Yes.- Here comes the science part.
0:08:49 > 0:08:53The science part is working with the animus
0:08:53 > 0:09:00and using people, as Callum Lynch, played by Michael, to...
0:09:00 > 0:09:05to help her reach this goal in finding the Apple of Eden
0:09:05 > 0:09:10where the code she is searching for is.
0:09:10 > 0:09:12And why are they doing that?
0:09:16 > 0:09:18I have no idea.
0:09:19 > 0:09:22Listen, we've got a clip of Assassin's Creed.
0:09:22 > 0:09:25This is the two of you and you're about to enter the animus,
0:09:25 > 0:09:29which is the big machine that takes you back for the first time.
0:09:33 > 0:09:34What is it?
0:09:34 > 0:09:37I'm sorry, Cal, this is not the way I like to do things.
0:09:37 > 0:09:39Then don't do it.
0:09:39 > 0:09:42CAL SCREAMS
0:09:44 > 0:09:46What do you want from me?
0:09:46 > 0:09:47Your past.
0:09:47 > 0:09:50Listen to me carefully, Cal.
0:09:50 > 0:09:53You're about to enter the animus.
0:09:53 > 0:09:55What you're about to see, hear and feel
0:09:55 > 0:09:59are the memories of someone who's been dead for 500 years.
0:09:59 > 0:10:00Wait a minute...
0:10:06 > 0:10:07Synchronisation achieved.
0:10:09 > 0:10:11Commence regression.
0:10:13 > 0:10:15Oh!
0:10:19 > 0:10:22And...as I was saying, lots of...
0:10:22 > 0:10:25lots of action sequences and stunts and everything.
0:10:25 > 0:10:27And, Michael Fassbender, you learnt some special skills,
0:10:27 > 0:10:29- I believe, for this film. - That's right.
0:10:29 > 0:10:31As I was saying, the parkour elements,
0:10:31 > 0:10:34so I got to perfect the roly-poly.
0:10:35 > 0:10:39Now, you must have known how to do a roly-poly at one time in your life?
0:10:39 > 0:10:42- Think you could do one? - Not now. I'm 53!
0:10:42 > 0:10:44But when I was 13, I could do a roly-poly.
0:10:44 > 0:10:48- You think you can do a roly-poly... - No, I have tried.- That's right.
0:10:48 > 0:10:50What is it? I don't know what is it.
0:10:50 > 0:10:52Roly-poly, it's a head over heels... thing.
0:10:52 > 0:10:54- Oh, yeah.- Do you want to see?
0:10:54 > 0:10:57Oh, yes! Yeah! CHEERING AND APPLAUSE
0:10:57 > 0:11:00Well, I might tear the suit, though, that's the problem.
0:11:00 > 0:11:02- You have to do it with me. - But I can't do it!
0:11:02 > 0:11:04- Yes, you can.- No, look, no...
0:11:04 > 0:11:06I will look... I will look...
0:11:06 > 0:11:07AUDIENCE CHEER
0:11:07 > 0:11:11I will look... I will look like...
0:11:11 > 0:11:14It will look like abuse in a nursing home.
0:11:14 > 0:11:16It will look like you've just...
0:11:16 > 0:11:17you've dragged someone out of bed
0:11:17 > 0:11:20and you're kicking them down the corridor.
0:11:20 > 0:11:22We have to show Marion how exactly it works.
0:11:22 > 0:11:24- You do it first.- OK.
0:11:24 > 0:11:26So, basically... I'm going to end up off the stage.
0:11:26 > 0:11:29Don't do that. Are you going to do a really fancy one?
0:11:29 > 0:11:32No. So, basically, you have to keep your hand...
0:11:34 > 0:11:36I could never do that!
0:11:36 > 0:11:38- Never do that!- Try it.
0:11:38 > 0:11:41No, no. I used to do it... I thought you were just going to do that thing
0:11:41 > 0:11:43where you do that and you just roll over.
0:11:43 > 0:11:46- But then you hurt yourself. - I could never do that!
0:11:46 > 0:11:49Place your forearm down first and then tuck your head over.
0:11:49 > 0:11:51- I can't do that.- Try it. - I'll die!
0:11:53 > 0:11:56This is awful. What do I do?
0:11:56 > 0:11:58I'll just stand here in case you go off the edge.
0:11:58 > 0:12:01But I wasn't really paying attention.
0:12:01 > 0:12:02So, you...
0:12:02 > 0:12:06Hand, forearm and then tuck your shoulder over and stay on that side,
0:12:06 > 0:12:08don't go straight down your spine.
0:12:08 > 0:12:11Hand, arm and then just tuck your head.
0:12:11 > 0:12:13- OK.- Don't think about it too much.
0:12:15 > 0:12:19Hand... Hang on. Hand, arm, and then I'll just go over?
0:12:19 > 0:12:23- This bit here.- Yeah.- Hand, this bit, and then just roll over.
0:12:23 > 0:12:25- I won't get over.- Yeah, you will.
0:12:30 > 0:12:32That wasn't it.
0:12:32 > 0:12:33That wasn't it!
0:12:39 > 0:12:41That was amazing.
0:12:44 > 0:12:46New Year's resolution.
0:12:47 > 0:12:51I got to see something there from a third person's point of view
0:12:51 > 0:12:53of something that I've been a part of many, many times,
0:12:53 > 0:12:56which is I'm saying to Michael, "I don't think I can keep going."
0:12:56 > 0:12:58And you're, like, "Yeah, you can."
0:12:58 > 0:13:01Just really quietly and confidently telling you you can until you do.
0:13:02 > 0:13:05It looked like an advert for Injury Lawyers 4U.
0:13:06 > 0:13:09Have you had an accident at work?
0:13:09 > 0:13:10Yes, I have!
0:13:12 > 0:13:14No, because the two of you work together,
0:13:14 > 0:13:16so you have kind of done fights and...
0:13:16 > 0:13:18We've actually fought each other.
0:13:18 > 0:13:20- We have, yes.- A couple of times.
0:13:20 > 0:13:24You have noticed that Michael fights in a particular way.
0:13:24 > 0:13:28- No, he makes certain noises when he fights.- Oh! This again!
0:13:29 > 0:13:33- I know what you're talking about. - You know what I'm talking about? Why, what do you know?
0:13:33 > 0:13:37Because he works out all the time on set and he makes a lot of noise.
0:13:37 > 0:13:40I've boxed with Michael.
0:13:40 > 0:13:42I've never BOXED with Michael, but I've been around Michael
0:13:42 > 0:13:45while he's on the pads and then we take it in turns on the pads.
0:13:45 > 0:13:48And you sound like Ricky Hatton in that you sound like
0:13:48 > 0:13:52you're having it off with somebody, but, like, really energetically.
0:13:52 > 0:13:54- You're like... - HE GROANS REPEATEDLY
0:13:54 > 0:13:56My model was always Monica Seles.
0:13:56 > 0:13:59I don't know where the Ricky Hatton came from.
0:13:59 > 0:14:01Yeah, I don't know. I'm vocal when I sort of...
0:14:01 > 0:14:03It helps me breathe, to be honest.
0:14:03 > 0:14:05- That's why I do it. - To make the noise?
0:14:05 > 0:14:08- Yeah.- But does he make the noise all the time, Marion?
0:14:08 > 0:14:12Yeah, and sometimes you don't really know what he's doing.
0:14:14 > 0:14:15Don't you, Marion?
0:14:19 > 0:14:23- It all burns calories.- When you knock on his trailer door and you say, "What are you doing in there?"
0:14:23 > 0:14:26- Does he go...- IN HIGH-PITCHED VOICE: - .."I'm working out"?
0:14:27 > 0:14:30Oh, I didn't remember this!
0:14:30 > 0:14:33- Yeah.- You guys have talked about the X-Men set, the games you play
0:14:33 > 0:14:37and, like, the last X-Men...
0:14:37 > 0:14:39That's my constipation look.
0:14:41 > 0:14:44But in this last X-Men movie, you did a new game,
0:14:44 > 0:14:47which just... None of these games sound fun to me,
0:14:47 > 0:14:49but you obviously like them.
0:14:49 > 0:14:52Well, it's... You kind of get sort of drawn into them.
0:14:52 > 0:14:54It's not that they're enjoyable.
0:14:54 > 0:14:57They're quite...nerve-wracking at times.
0:14:57 > 0:14:59The slapping game just sounds like...
0:14:59 > 0:15:00Cos you're just slapping people.
0:15:00 > 0:15:02The game is that you do a shot, don't you?
0:15:02 > 0:15:04And then, right after you take the shot,
0:15:04 > 0:15:06- you get slapped in the face.- Yeah.
0:15:08 > 0:15:11So, wait a minute, do you buy the person the shot,
0:15:11 > 0:15:13they drink it and then you slap them?
0:15:13 > 0:15:14What are you talking about?
0:15:14 > 0:15:16This is New Year, people are buying me drinks.
0:15:17 > 0:15:21No. No, it's just... You pour it each and you both have one,
0:15:21 > 0:15:24and you both get hit. Yeah.
0:15:24 > 0:15:26Whoohoo! I know. I know.
0:15:26 > 0:15:29- Fun!- Although it did lead to employment for me, which was good.
0:15:29 > 0:15:33- How did this happen?- Remember that party we were at in San Diego,
0:15:33 > 0:15:35- at Comic Con?- Didn't you knock someone out there?
0:15:35 > 0:15:36Shut up!
0:15:38 > 0:15:42James is never coming on the show with Michael again.
0:15:42 > 0:15:45Anyway... During the particular...
0:15:47 > 0:15:50I've never felt less male in my life.
0:15:52 > 0:15:57During the particular open-handed strike that you're talking about,
0:15:57 > 0:16:00the director of the film that I'm on to talk about tonight, Split,
0:16:00 > 0:16:03M Night Shyamalan, saw all that going down, and he was, like,
0:16:03 > 0:16:06"Hey, that's the bald guy that I should get for my film."
0:16:06 > 0:16:10And, so, he invited me over and was, like, "Hey, man, I like your style.
0:16:10 > 0:16:12"Do you want to come and have a chat sometime?"
0:16:12 > 0:16:13I was, like, "OK, cool. See you!"
0:16:13 > 0:16:15Then we made a movie with each other,
0:16:15 > 0:16:18- because of that moment. - That's amazing!
0:16:18 > 0:16:21Well, I can sort of see why because, actually, we should talk about it.
0:16:21 > 0:16:24The new movie, Split, it opens on the 20th of January
0:16:24 > 0:16:27and it's a terrific kind of creepy thriller,
0:16:27 > 0:16:31and it does play into that lunatic you were in the bar that night.
0:16:31 > 0:16:34- Right.- Because you play a very complicated character.
0:16:34 > 0:16:40No, I do. He's a guy who suffers from dissociative identity disorder,
0:16:40 > 0:16:45so he has, within one body, 23 people share that body.
0:16:45 > 0:16:50And during the film, as much as the advertising material says,
0:16:50 > 0:16:52"James McAvoy will play 23 people!"
0:16:52 > 0:16:55I don't. The character's got 23, I play nine.
0:16:55 > 0:16:58That's still quite impressive when you think about it, OK?
0:16:58 > 0:17:01I even said to the people at Universal,
0:17:01 > 0:17:05"You might as well say James flies in this movie," and then I don't,
0:17:05 > 0:17:07do you know what I mean?
0:17:07 > 0:17:08Whatever. So...
0:17:08 > 0:17:13part of it is that he has to take some young girls and...
0:17:13 > 0:17:18and they are to, in some way, energise him.
0:17:18 > 0:17:21So, it sounds really creepy and horrible.
0:17:21 > 0:17:24- No, it is.- And it is, but it's also really funny as well.
0:17:24 > 0:17:28I don't know if you'll use one of the funny bits or the creepy bits,
0:17:28 > 0:17:30but it is quite daft and funny at times as well,
0:17:30 > 0:17:32which I'm quite proud of, really.
0:17:32 > 0:17:35Cos it's always good fun to do that, sort of, like, it's creepy,
0:17:35 > 0:17:38it's scary, you think everybody's going to die,
0:17:38 > 0:17:41and then you go "Wakawakawaka," at the same time. I quite like that.
0:17:41 > 0:17:42Do you get more money
0:17:42 > 0:17:46- for playing someone with multiple personality disorder?- I actually...
0:17:46 > 0:17:49Cos they're getting nine characters out of you for the same money.
0:17:49 > 0:17:51Yes, yeah.
0:17:51 > 0:17:56You do nine times the amount of work for just not very much pay, but...
0:17:56 > 0:17:59Don't get me wrong, it was nice pay.
0:17:59 > 0:18:02You know, it was a very low budget film, but it was still nice pay.
0:18:02 > 0:18:05But, yeah, you've got nine times the amount of characters to build
0:18:05 > 0:18:07in the same amount of time it usually takes you
0:18:07 > 0:18:10to struggle to make one. So there was times where I was really worried
0:18:10 > 0:18:12and there was times where I was a bit scared, but, yeah,
0:18:12 > 0:18:16the director's an amazing director, and he's one of the most...
0:18:16 > 0:18:20sort of clued up on his own stuff that I've ever worked with,
0:18:20 > 0:18:21so that was actually really helpful.
0:18:21 > 0:18:25We've got a clip. This is you as Barry, the fashion designer,
0:18:25 > 0:18:28- talking to your psychiatrist.- Right.
0:18:28 > 0:18:29Who are you?
0:18:34 > 0:18:35Barry.
0:18:37 > 0:18:38I don't think you are.
0:18:40 > 0:18:42I've developed a nose for sensing
0:18:42 > 0:18:45whom I'm talking to and whom I'm not.
0:18:46 > 0:18:47Have I done something?
0:18:47 > 0:18:50You've e-mailed for an unscheduled appointment
0:18:50 > 0:18:52two days in a row.
0:18:52 > 0:18:54I'm just feeling overwhelmed.
0:18:54 > 0:18:56Garden variety issues.
0:18:57 > 0:19:03I think Orwell or Jade or Samuel or Heinrich had the light for a moment
0:19:03 > 0:19:07and e-mailed me, and you're here to tell me everything's OK.
0:19:07 > 0:19:09I e-mailed you.
0:19:11 > 0:19:13May I talk to one of them, please?
0:19:18 > 0:19:19That can't happen.
0:19:22 > 0:19:24Good. Good.
0:19:27 > 0:19:29I can't wait to see that, man.
0:19:29 > 0:19:32Actors talk about, you know, taking their characters home with them,
0:19:32 > 0:19:35so in a movie like this, is that worse or better?
0:19:35 > 0:19:37Because you can't take them all home.
0:19:37 > 0:19:39It's worse. It's worse, it's worse.
0:19:39 > 0:19:44Luckily, weirdly, I was playing a guy that, essentially,
0:19:44 > 0:19:49is 24 guys and a couple of them want to do terrible things to people.
0:19:49 > 0:19:52And I was able to just go home and watch cartoons with my kid
0:19:52 > 0:19:55and be all right, which is weird. It says a lot about me, I think.
0:19:55 > 0:19:59The only time I've ever had trouble - and you guys might have something to say on this -
0:19:59 > 0:20:01the only time I've ever had trouble in my entire career
0:20:01 > 0:20:04was when I played Macbeth on stage and people said
0:20:04 > 0:20:06that I was pretty, um...
0:20:06 > 0:20:10I wasn't my usual self and I wasn't necessarily much fun
0:20:10 > 0:20:13to be around when I came home.
0:20:13 > 0:20:17Because when you won the Oscar, Marion, for Edith Piaf,
0:20:17 > 0:20:19in La Vie En Rose - which is an amazing performance -
0:20:19 > 0:20:21but I've heard you in interviews talking about...
0:20:21 > 0:20:23which seems like that was a character you couldn't shake.
0:20:23 > 0:20:26Yeah, that was the first time I had trouble getting...
0:20:26 > 0:20:28rid of her,
0:20:28 > 0:20:31which I was very ashamed of, I have to say,
0:20:31 > 0:20:34because I thought, "It's a job, I'm an actress,
0:20:34 > 0:20:38"I shouldn't be affected by any of my roles,"
0:20:38 > 0:20:45but I had spent six months, more than six months with her
0:20:45 > 0:20:48and I really entered another dimension.
0:20:48 > 0:20:52I didn't see my friends and family for this amount of time
0:20:52 > 0:20:54because when I would see them,
0:20:54 > 0:20:58they would find me weird and I didn't like it.
0:20:58 > 0:21:01Well, first of all I was weird because I was shaved,
0:21:01 > 0:21:06my eyebrows were shaved and my hair was shaved
0:21:06 > 0:21:10but, yeah, it took me a while to just...
0:21:10 > 0:21:12because the thing, when you do a movie,
0:21:12 > 0:21:15you spend a lot of time with this person
0:21:15 > 0:21:20you fell in love with, in a way, and then the last cut...
0:21:20 > 0:21:25is... I mean, you'll never share, you know, your life
0:21:25 > 0:21:28with this person any more.
0:21:28 > 0:21:32So, sometimes it can be kind of brutal, but...
0:21:32 > 0:21:33but I'm fine now.
0:21:33 > 0:21:35LAUGHTER
0:21:35 > 0:21:38Not to traumatise you, but watching the movie,
0:21:38 > 0:21:42it is unbelievable that it's not you singing,
0:21:42 > 0:21:44that you lip-synced everything.
0:21:44 > 0:21:48That was the hardest part of the preparation, actually.
0:21:48 > 0:21:51It's very technical, it's super-boring.
0:21:51 > 0:21:53One part was not that boring,
0:21:53 > 0:21:55because I wanted to take singing lessons,
0:21:55 > 0:22:00even though I wouldn't sing, but I needed to learn her technique
0:22:00 > 0:22:04and I wanted to learn how to position my tongue,
0:22:04 > 0:22:06how to position myself,
0:22:06 > 0:22:10the breathing and everything, because it had to be realistic.
0:22:10 > 0:22:12If you don't believe I'm singing,
0:22:12 > 0:22:15then you can throw the movie in the garbage.
0:22:15 > 0:22:18I mean, it's pretty horrible.
0:22:18 > 0:22:19Can I say, I'm gutted.
0:22:19 > 0:22:22I absolutely thought it was you singing in the movie.
0:22:22 > 0:22:24It's so convincing.
0:22:24 > 0:22:26I cried so much at that film.
0:22:26 > 0:22:27It's a really good film.
0:22:27 > 0:22:31And then Graham asked hopefully, can you still do the lip-syncing?
0:22:31 > 0:22:35- I don't know.- If we play a bit, do you think you can do it?
0:22:35 > 0:22:36Oh, shit!
0:22:38 > 0:22:40It's in French, what will we know?
0:22:40 > 0:22:42I know, but I had, I had...
0:22:42 > 0:22:45because...my teeth,
0:22:45 > 0:22:49I mean, the teeth I have in the movie, you know, I wore this...
0:22:49 > 0:22:52I don't know how you call it - "dentiers", the teeth thing.
0:22:52 > 0:22:54- Yes. Dentures.- I had...den..?
0:22:54 > 0:22:56- Dentures.- Dentures.
0:22:56 > 0:22:57Wallies.
0:22:57 > 0:23:00- What?- We would call them wallies up the road.
0:23:00 > 0:23:02- Wallies?- Wallies.
0:23:02 > 0:23:03Not wollies, wallies.
0:23:03 > 0:23:06- Wallies.- Wallies, wallies.
0:23:06 > 0:23:07Wallies.
0:23:07 > 0:23:10I'm glad I'm not the only one who doesn't understand that!
0:23:10 > 0:23:14If we play a bit and you try it, if it's terrible, we'll cut it out
0:23:14 > 0:23:17and if it's marvellous, we'll all clap and cheer.
0:23:17 > 0:23:19- MICHAEL:- Perfect.
0:23:19 > 0:23:20It's like the roly-poly.
0:23:20 > 0:23:22APPLAUSE
0:23:22 > 0:23:23Come on!
0:23:23 > 0:23:25- It's...- The thing is...- OK...
0:23:25 > 0:23:29You know there's a whole physicality that comes with it
0:23:29 > 0:23:31and...and...I'm pregnant.
0:23:31 > 0:23:34Are you standing or sitting? Sitting, sitting.
0:23:34 > 0:23:37- Oh, no, I will sit.- Sit? OK. - Are you kidding?
0:23:37 > 0:23:39Already, already seated.
0:23:39 > 0:23:41- It's like, "Ooh-hoo!" - I think what we've got lined up
0:23:41 > 0:23:45is towards the end of Je Ne Regrette Rien.
0:23:45 > 0:23:47- OK.- Can I have a vodka?
0:23:47 > 0:23:50- No, you can't.- Yeah, shall we all do a shot?- No, I can't!
0:23:53 > 0:23:55OK, roll it, roll it, there. Roll it.
0:23:55 > 0:23:59# ..ca m'est bien egale
0:23:59 > 0:24:04# Non, rien de rien
0:24:04 > 0:24:09# Non, je ne regrette rien
0:24:09 > 0:24:12# Car ma vie
0:24:12 > 0:24:15# Car mes joies
0:24:15 > 0:24:17# Aujourd'hui
0:24:18 > 0:24:24# Ca commence avec toi. #
0:24:24 > 0:24:28CHEERING AND APPLAUSE
0:24:29 > 0:24:31Wow!
0:24:31 > 0:24:33That was so good!
0:24:35 > 0:24:36It's so weird.
0:24:37 > 0:24:40- That was so good.- It was so weird.
0:24:41 > 0:24:44You know, because this face, I mean, it's...
0:24:44 > 0:24:47- Oh, that was so weird.- But you could see it in your eyes and everything.
0:24:47 > 0:24:50- It was fabulous. That was really good.- I've actually...
0:24:50 > 0:24:52I've gone a bit. I'll be honest. I really have.
0:24:52 > 0:24:55- I honestly...- He's got glassy eyes! - I honestly have. That was beautiful.
0:24:55 > 0:24:58- It was amazing.- I love Edith Piaf.
0:24:58 > 0:25:03I have a signed record of Edith Piaf on my wall.
0:25:03 > 0:25:06I went to her grave in Paris to put flowers on her grave.
0:25:06 > 0:25:08- Oh, wow!- I think she's amazing.
0:25:08 > 0:25:11So, that was... I am actually a little bit teary.
0:25:12 > 0:25:14- All right...- Thank you.
0:25:14 > 0:25:16Thank you!
0:25:16 > 0:25:18Frank Skinner is back with a new season of Room 101.
0:25:18 > 0:25:22It returns to BBC on Friday nights, it starts on the 13th of January -
0:25:22 > 0:25:24and presumably it's a winning formula.
0:25:24 > 0:25:26You're not going to change it. It's the same formula.
0:25:26 > 0:25:30No, this is series six of this particular form of it
0:25:30 > 0:25:34so, no, it does well, so we're milking it.
0:25:35 > 0:25:38Just in case, Marion, do you know what Room 101 is?
0:25:38 > 0:25:40I've heard about it.
0:25:40 > 0:25:42- So you know that it's... - It's pretty cool.
0:25:42 > 0:25:46- It is.- You pick things you hate and then I put them in a vault
0:25:46 > 0:25:49- if you argue your case well. - Yeah! Amazing.
0:25:49 > 0:25:52What are some of the things that go in Room 101 this time?
0:25:52 > 0:25:56Catherine Tate chose minimiser bras, which I...
0:25:56 > 0:25:58- No, who knew?- Anyone?
0:25:58 > 0:26:02I didn't know they... I actually wear minimiser pants.
0:26:02 > 0:26:08The idea is if a woman has got... tout le monde sur le balcon...
0:26:08 > 0:26:10LAUGHTER
0:26:10 > 0:26:12- I know that's an approximation. - It's still wrong.
0:26:12 > 0:26:17She can wear something that squeezes all that in and redistributes.
0:26:17 > 0:26:20It's a sort of Communist theory. Re...
0:26:20 > 0:26:23Redistribution of wealth.
0:26:23 > 0:26:25So, it gives you, like, a...
0:26:25 > 0:26:28it gets rid of your back ripples and everything.
0:26:28 > 0:26:30It just moves... It moves stuff about.
0:26:30 > 0:26:32And did that go in Room 101 or not?
0:26:32 > 0:26:36I... No, I fought it, I think.
0:26:36 > 0:26:39Nigel Havers wanted to put Christmas in.
0:26:39 > 0:26:41- THEY GASP - Oh, wow!
0:26:41 > 0:26:42But, you know - Havers gotta hate.
0:26:42 > 0:26:44MUTED LAUGHTER
0:26:46 > 0:26:48Mate, that was better than that.
0:26:49 > 0:26:51I know, you get used to it.
0:26:54 > 0:26:57Obviously Room 101 is very popular - but you did...
0:26:57 > 0:27:01This is terrible. You did have an incident at a charity event.
0:27:01 > 0:27:04Yes, what I did was, I...
0:27:04 > 0:27:07It was a very good cause, and I put up four tickets
0:27:07 > 0:27:10to come and see the recording of Room 101,
0:27:10 > 0:27:13and the auctioneer said, "Right, let's start at £1,000.
0:27:13 > 0:27:16"Come on, £1,000.
0:27:16 > 0:27:18"Come on." Now, when the auctioneer is saying, "Come on"...
0:27:20 > 0:27:22..the first bid - and then I realised
0:27:22 > 0:27:26the horror of putting something up that no-one wants.
0:27:26 > 0:27:27No!
0:27:27 > 0:27:29Anyway, somebody did, to be fair,
0:27:29 > 0:27:32they eventually did pay £1,000, with a lot of moral blackmail,
0:27:32 > 0:27:34so I sort of felt OK.
0:27:34 > 0:27:36And then afterwards, a guy came up to me and said,
0:27:36 > 0:27:38"That was terrible with the tickets."
0:27:38 > 0:27:40I said, "Yeah." He said, "Just...
0:27:40 > 0:27:42"don't feel bad about it. A lot of these people,
0:27:42 > 0:27:44"they weren't living here in the '90s,
0:27:44 > 0:27:46"so they don't know who you are."
0:27:46 > 0:27:48AUDIENCE: Ohh!
0:27:48 > 0:27:49LAUGHTER
0:27:53 > 0:27:54That is so tough.
0:27:56 > 0:27:59A woman came up to me and said, "My husband, he loves you,
0:27:59 > 0:28:01"can I have a photo?" I said, you know, "Sure."
0:28:01 > 0:28:03So I did the photo. She said, "He loves you."
0:28:03 > 0:28:06She said, "I'm not interested in cars."
0:28:09 > 0:28:12And I thought, it's one of the Top Gear, but which...?
0:28:12 > 0:28:16And then her mate said, "What are you taking a picture of him for?"
0:28:16 > 0:28:18"And she said, "You know, Top Gear."
0:28:18 > 0:28:21She said, "No, he's that comedian bloke,"
0:28:21 > 0:28:25and she actually deleted it in front of me.
0:28:25 > 0:28:27LAUGHTER
0:28:27 > 0:28:31She... She could have kept that just for the anecdote, you know?
0:28:31 > 0:28:33And it was that, "Lose that..."
0:28:33 > 0:28:36Wasn't even going to tell her husband it had happened.
0:28:37 > 0:28:40I'll tell you what, we've got a taste of the new series
0:28:40 > 0:28:42of Room 101. Here it is.
0:28:42 > 0:28:44Taylor Swift,
0:28:44 > 0:28:49her legs are insured for £26.5 million.
0:28:50 > 0:28:51- Is this true?- Yes.
0:28:51 > 0:28:54- Who's... Who's doing it?- Well...
0:28:54 > 0:28:55Who do you ring?
0:28:55 > 0:28:58I don't think her legs are any better than my legs.
0:28:58 > 0:29:01Honestly, I think my legs are that good.
0:29:01 > 0:29:02Yeah - can we see them?
0:29:02 > 0:29:04There's Taylor Swift. Here's me.
0:29:06 > 0:29:10I think, arguably, my legs are better than hers.
0:29:10 > 0:29:13- They're not your legs. - They are my legs!
0:29:13 > 0:29:15- I swear to you.- They're so shiny.
0:29:15 > 0:29:18- I know, well, I've oiled them. - You've oiled them?!
0:29:18 > 0:29:21If you cover the top half up, it's really...
0:29:21 > 0:29:23I don't know what I'm thinking any more, Frank.
0:29:25 > 0:29:28On the left, those legs are 26.5 million quid's worth.
0:29:28 > 0:29:29What are mine worth? Nothing.
0:29:29 > 0:29:33Have you put the pants over the top of the lace thing?
0:29:33 > 0:29:36That is a border for my pants.
0:29:36 > 0:29:38Oh, wow! OK, it's a slightly different garment.
0:29:38 > 0:29:41I'm glad... Not many people would look at that
0:29:41 > 0:29:42and talk about the pants.
0:29:42 > 0:29:44APPLAUSE
0:29:46 > 0:29:47Good!
0:29:49 > 0:29:51When I look at that picture,
0:29:51 > 0:29:55I can't help thinking that if that was someone else's legs
0:29:55 > 0:29:58that was female, I'd find it slightly arousing...
0:30:00 > 0:30:02..and that's weird that it's my legs.
0:30:02 > 0:30:05It makes me think that if I was, you know, on a desert island,
0:30:05 > 0:30:07I could just look at my own legs a lot.
0:30:07 > 0:30:09Yeah. Well, you could.
0:30:09 > 0:30:11Just put some high heels on and look down.
0:30:11 > 0:30:13- There you go. Yeah.- You don't want to be rescued, though.
0:30:13 > 0:30:16The explaining you have to do to the rescuers.
0:30:16 > 0:30:18Listen, very quickly,
0:30:18 > 0:30:23your other show which is starting on the 24th of January, 8pm on Sky.
0:30:23 > 0:30:25It's the Portrait Artist Of The Year.
0:30:25 > 0:30:27- So, Landscape is done.- On Sky Arts.
0:30:27 > 0:30:29I presented with Baroness Joan Bakewell.
0:30:29 > 0:30:32I wish I had a story about us wrestling behind the scenes
0:30:32 > 0:30:35- or doing weights. - Doing shots and slapping each other.
0:30:36 > 0:30:38It's an amazing programme.
0:30:38 > 0:30:41Celebrities come and get painted by our artists
0:30:41 > 0:30:44and they get four hours to paint these people
0:30:44 > 0:30:48and they produce the most brilliant stuff.
0:30:48 > 0:30:49It's absolutely amazing.
0:30:49 > 0:30:50And I love... I love it.
0:30:50 > 0:30:52I love watching them paint, and I love...
0:30:52 > 0:30:56You get a chance to really stare at the celebrities.
0:30:56 > 0:30:58You know? They sit there, and you...
0:30:58 > 0:31:01Cos, I mean, I would love, now, to just take ten minutes out
0:31:01 > 0:31:03and really stare at you guys, but...
0:31:03 > 0:31:04LAUGHTER
0:31:04 > 0:31:06APPLAUSE
0:31:06 > 0:31:07..but...
0:31:07 > 0:31:10but you can do it on this show.
0:31:10 > 0:31:13And the prize is that the winner,
0:31:13 > 0:31:16the one who, after all the heats and stuff, wins,
0:31:16 > 0:31:21gets a £10,000 commission to paint a much beloved person
0:31:21 > 0:31:23and that then hangs...
0:31:23 > 0:31:27On this occasion, it hangs in the National Gallery of Ireland.
0:31:27 > 0:31:31So, they're actually moving a Vermeer to put this painting in.
0:31:31 > 0:31:34So it's a really big serious thing.
0:31:34 > 0:31:38And can I tell you that the person who's going to be hanging
0:31:38 > 0:31:41in the National Gallery of Ireland is Graham Norton.
0:31:41 > 0:31:43CHEERING AND APPLAUSE
0:31:49 > 0:31:51Is that not supposed to be a secret, Frank?
0:31:51 > 0:31:52I am revealing it...
0:31:52 > 0:31:54We can't say who won it,
0:31:54 > 0:31:58but a person who won it went and painted...
0:31:58 > 0:32:00- Painted me, yeah.- Mm.
0:32:00 > 0:32:03I haven't seen it yet, so... Yeah, I'm smiling now.
0:32:04 > 0:32:06Is it a nude?
0:32:06 > 0:32:08Yes, it's a nude. Yeah.
0:32:09 > 0:32:11Vermeer won, so I was really lucky.
0:32:11 > 0:32:13Now, talking of portraits,
0:32:13 > 0:32:16we've talked about this on the show before.
0:32:16 > 0:32:19James and Michael - I don't know if you know this, Marion -
0:32:19 > 0:32:21but James and Michael, for some reason,
0:32:21 > 0:32:23they inspire a lot of fan art.
0:32:23 > 0:32:26I'm really curious. I'm curious to see how it evolved from that.
0:32:26 > 0:32:28- Well, it hasn't evolved a lot.- Oh.
0:32:28 > 0:32:30We're just... For the end of the year,
0:32:30 > 0:32:34we thought we're going to make a bit of fan art with James and Michael.
0:32:34 > 0:32:38But just to remind ourselves of the quality we're aiming for,
0:32:38 > 0:32:41here are some examples. I think we've shown these before.
0:32:41 > 0:32:43This is just a lovely one.
0:32:44 > 0:32:46Just in case you're confused, Marion,
0:32:46 > 0:32:49that's Michael, that's James.
0:32:49 > 0:32:52- Yeah.- Michael looks like he's put poison in that cherry.
0:32:54 > 0:32:58You will notice a theme in the pictures, Marion.
0:32:58 > 0:33:00So, there is James and Michael.
0:33:00 > 0:33:03Here they are, funnily enough, they're on a balcony.
0:33:04 > 0:33:05- Lovely.- Oh, yeah.
0:33:05 > 0:33:08Am I blowing bubbles?
0:33:08 > 0:33:10For the moment.
0:33:20 > 0:33:24And then the classic James and Michael in the kitchen.
0:33:24 > 0:33:26- Oh, yeah.- Yes.
0:33:27 > 0:33:29I remember that one.
0:33:29 > 0:33:33I'm going, "Michael, will you go for a brownie or a fairy cake?"
0:33:36 > 0:33:37So, we threw this out to the audience
0:33:37 > 0:33:40to see what scenarios they would like to see the two of you in.
0:33:40 > 0:33:44- Right. - So, where is Victoria Godfrey?
0:33:44 > 0:33:46There's Victoria. Look at Victoria!
0:33:46 > 0:33:47Now, look at Victoria.
0:33:47 > 0:33:51She's lovely, she's wearing a necklace, she's got a nice top on.
0:33:51 > 0:33:53This is what she wants to see.
0:33:53 > 0:33:56She shut her eyes and thought, "This is what I want to see.
0:33:56 > 0:34:00"I want to see Michael entering an aeroplane toilet
0:34:00 > 0:34:02"and turning around with a wink
0:34:02 > 0:34:06"and James following behind with a coy McAvoy smile."
0:34:07 > 0:34:09That's what she wants to see.
0:34:09 > 0:34:11- Can I ask something?- Yeah.
0:34:11 > 0:34:13As soon as...
0:34:13 > 0:34:15- What's your name again?- Victoria.
0:34:15 > 0:34:19Victoria as soon as you see this and you've revealed your secret,
0:34:19 > 0:34:21Victoria's secret...
0:34:21 > 0:34:23What?
0:34:23 > 0:34:25Look, quite often guys are like,
0:34:25 > 0:34:26"Oh, I'd love to watch two women go at it,"
0:34:26 > 0:34:29and all that kind of stuff, and then when I've say to women,
0:34:29 > 0:34:32"Would you like to see two guys go at it?" they're all like, "No!"
0:34:32 > 0:34:34But you've bucked the trend.
0:34:35 > 0:34:37Is that actually something women ever actually want to see
0:34:37 > 0:34:39but just won't ever tell me?
0:34:39 > 0:34:41That they actually want to see two guys go at it?
0:34:41 > 0:34:43- Just you two.- Just you two.
0:34:43 > 0:34:46- OK.- It's not generic. OK.
0:34:46 > 0:34:49If myself and Frank go at it, I don't think the audience...
0:34:49 > 0:34:50LAUGHTER
0:34:51 > 0:34:54Where is Naomi Higgs?
0:34:54 > 0:34:56There's Naomi Higgs. Now, Naomi Higgs,
0:34:56 > 0:35:00we asked you for an idea for some artwork.
0:35:00 > 0:35:02She began to type and couldn't stop.
0:35:04 > 0:35:07This is all from her. "Michael loves to exercise."
0:35:07 > 0:35:11We know that's true. "However, James likes to eat cake.
0:35:12 > 0:35:16"Michael is getting a little tired of James being so lazy.
0:35:16 > 0:35:19"He's even starting to get a little fat,
0:35:19 > 0:35:23"so Michael decides to sign James up to a Zumba class."
0:35:23 > 0:35:26Oh! I'm in, I'm in.
0:35:26 > 0:35:30"James rocks up in the most ridiculous outfit Michael has ever seen.
0:35:30 > 0:35:33"That's the last time Michael will ask James to exercise."
0:35:36 > 0:35:39APPLAUSE She wrote that down.
0:35:40 > 0:35:43Where's Matthew Rouse? Where's Matthew? There's Matthew.
0:35:43 > 0:35:45Now, Matthew thought long and hard about it.
0:35:45 > 0:35:47Matthew would like to see the two of you
0:35:47 > 0:35:50like apes picking and eating fleas off one another's backs.
0:35:52 > 0:35:54- And spooning.- Oh, and spooning.
0:35:54 > 0:35:57Of course. Where is Peter Imbong?
0:35:57 > 0:36:01There's Peter Imbong. Peter would like to see James and Michael
0:36:01 > 0:36:04- on a tandem bike.- Aww!- Nice. That's lovely, it's romantic,
0:36:04 > 0:36:07- it's lovely.- Working together. - Working together, yes, yes.
0:36:07 > 0:36:10- Pushing hard. - I like the gorillas.
0:36:10 > 0:36:12Maybe the gorillas on the bike.
0:36:12 > 0:36:15Yes! Yes, you can pick fleas off each other on the bike.
0:36:15 > 0:36:17- Yeah.- Perfect.
0:36:17 > 0:36:20Maybe we were driving through fog, so you can do gorillas in the mist.
0:36:20 > 0:36:23I love... I like it.
0:36:23 > 0:36:24APPLAUSE
0:36:24 > 0:36:26It was high concept.
0:36:26 > 0:36:28It was high concept. We've got a tandem bike,
0:36:28 > 0:36:30so if you bring in the green screen,
0:36:30 > 0:36:33we'll put you on the streets of Paris.
0:36:33 > 0:36:34- OK.- Oh, Christ almighty.
0:36:34 > 0:36:37If you go over to the bike, the two of you...
0:36:37 > 0:36:39and I think, for once, James should be at the back.
0:36:39 > 0:36:40There you go.
0:36:45 > 0:36:48There is a theme about it. You're never at the back in the fan art.
0:36:48 > 0:36:51- OK.- We talked about this last time. - I know. Hang on...
0:36:51 > 0:36:55What is this? Why has Michael got a scarf coming out of his arse?
0:36:55 > 0:36:58Oh, because you put the scarves on, and so it looks like...
0:36:58 > 0:37:00- Oh, yeah, yeah.- It looks like you're going fast.- That's right.
0:37:00 > 0:37:03You see? You wind the scarves round.
0:37:03 > 0:37:04Hang on.
0:37:06 > 0:37:08There you go.
0:37:08 > 0:37:10There you go, lovely. Lovely, lovely.
0:37:10 > 0:37:11OK, OK. So...
0:37:13 > 0:37:14Oh... Oh, Jesus!
0:37:15 > 0:37:17APPLAUSE
0:37:19 > 0:37:23OK, so, can we have a romantic background now, please?
0:37:23 > 0:37:27- Oh, that's cool. Look!- Oh! - That's fabulous. Look at this.
0:37:27 > 0:37:29Let's make it romantic.
0:37:32 > 0:37:34OK, and now be cycling.
0:37:34 > 0:37:37Pretend to be cycling, but don't actually cycle.
0:37:37 > 0:37:39Take a picture, take a picture.
0:37:39 > 0:37:41Beautiful. Well done. Very good!
0:37:41 > 0:37:45Oh, we did it, we did it. APPLAUSE
0:37:45 > 0:37:48Yeah, you're good, you're good. Put them down there. Sit down.
0:37:48 > 0:37:51Thank you very much for doing that!
0:37:51 > 0:37:52That was a disaster.
0:37:52 > 0:37:55- Yeah! - LAUGHTER
0:37:55 > 0:37:58By the way, the people who do this fan art
0:37:58 > 0:38:00just love it when we show it on the show.
0:38:00 > 0:38:02(No, they don't.)
0:38:02 > 0:38:04What does it matter? They're out tonight.
0:38:04 > 0:38:05They'll be at parties.
0:38:05 > 0:38:07(No, they won't.)
0:38:10 > 0:38:13Right, it is New Year's Eve, and looking back,
0:38:13 > 0:38:16there have been - there have - been some good things this year.
0:38:16 > 0:38:19There have! Including, of course, the Rio Olympics.
0:38:19 > 0:38:21I mean, Britain had its best Olympics ever,
0:38:21 > 0:38:23so well done to Team GB -
0:38:23 > 0:38:25but for me and lots of other people,
0:38:25 > 0:38:30it was two young Irish guys who really stole the Olympics.
0:38:30 > 0:38:31AUDIENCE CHEERS
0:38:31 > 0:38:33They won silver for rowing,
0:38:33 > 0:38:36and you've probably seen this, but in case you haven't,
0:38:36 > 0:38:40here they are reacting to their win.
0:38:40 > 0:38:44Lads, listen, Paul, what has the last few hours been like for you?
0:38:44 > 0:38:48Erm... I've been shook enough now, to be honest, since the race thing,
0:38:48 > 0:38:50a bit tired now and the legs are like jelly
0:38:50 > 0:38:53but, um...yeah, I suppose we did a bit of celebrating,
0:38:53 > 0:38:55and did the podium thing
0:38:55 > 0:38:58and got to put on the podium pants, as well, so it was quite nice,
0:38:58 > 0:39:01and...saw the mother and the father and a few other people
0:39:01 > 0:39:03and took a few pictures and that.
0:39:03 > 0:39:06Then I had to go and do this doping control thing,
0:39:06 > 0:39:08so I was there for an hour or two
0:39:08 > 0:39:10trying to pee then into a cup for them.
0:39:10 > 0:39:13There was about ten litres of water as well, so...
0:39:13 > 0:39:16It's full up now, to be honest.
0:39:16 > 0:39:19Gary, it's, like, great craic, though, isn't it?
0:39:19 > 0:39:20He's been busy there.
0:39:20 > 0:39:22I was running around having a great time
0:39:22 > 0:39:24signing photographs and autographs and taking pictures,
0:39:24 > 0:39:26and it was all well and good, you know?
0:39:26 > 0:39:27We'll be fairly tired now.
0:39:27 > 0:39:30- We haven't had a bite to eat since two hours...- After the weigh-in.
0:39:30 > 0:39:33..after the weigh-in. We had a bread roll with some nutella,
0:39:33 > 0:39:34and I'm fairly hungry now,
0:39:34 > 0:39:37but I believe they're on their way with some pizzas for us.
0:39:37 > 0:39:39APPLAUSE Very good.
0:39:39 > 0:39:40They're here tonight!
0:39:40 > 0:39:43Please welcome Gary and Paul O'Donovan.
0:39:43 > 0:39:45Just shove down a bit that way.
0:39:45 > 0:39:47Here they are. Hello!
0:39:47 > 0:39:51Come in. Hello, lovely to see you.
0:39:51 > 0:39:53- Come and sit down there now. - Thank you, Graham.
0:39:55 > 0:39:56There you go.
0:39:56 > 0:39:58Sit, sit, sit, sit, sit. Very good.
0:40:00 > 0:40:02Welcome, Gary and Paul.
0:40:02 > 0:40:04Congratulations.
0:40:04 > 0:40:07That's fantastic. Did you bring your medals with you?
0:40:07 > 0:40:10- No.- Yeah.- You did? Oh, I thought you'd be wearing them.
0:40:10 > 0:40:13Oh, no, they're just casually in the back pocket.
0:40:13 > 0:40:18- There you go.- Look at that. These are proper Olympic medals.
0:40:18 > 0:40:20Wow. Marion, have you seen an Olympic medal?
0:40:20 > 0:40:22Seen some action, there.
0:40:22 > 0:40:23I actually did, yeah.
0:40:23 > 0:40:25Cos the French lads beat us.
0:40:25 > 0:40:27- Oh, was it the French people beat you?- Yeah.
0:40:27 > 0:40:29Oh, the French got the gold.
0:40:29 > 0:40:31AUDIENCE: Oohh...
0:40:32 > 0:40:35Is there anyone in Ireland who hasn't seen those medals?
0:40:35 > 0:40:38They look like they've been round the block, those medals.
0:40:38 > 0:40:41They're fairly tattered, yeah.
0:40:41 > 0:40:42Of course, Michael, down in Killarney,
0:40:42 > 0:40:45word must have reached you of the O'Donovan brothers.
0:40:45 > 0:40:48- KERRY ACCENT:- Oh, for sure. I mean, I wasn't in Killarney at the time
0:40:48 > 0:40:51but everybody knew about it, that's for sure, yeah.
0:40:51 > 0:40:54Marion, watching that clip, could you understand the accent?
0:40:54 > 0:40:57Nothing, not a word.
0:40:57 > 0:41:00I understood "since".
0:41:02 > 0:41:03Just that word.
0:41:03 > 0:41:07You were on the movie set with Michael with his thick Kerry accent!
0:41:14 > 0:41:19Listen, people loved the interviews you did during the Olympics,
0:41:19 > 0:41:23but you guys knew you were being funny while doing the interviews.
0:41:23 > 0:41:25I don't know, I mean...
0:41:25 > 0:41:27I think it was funny because they were being themselves.
0:41:27 > 0:41:28Yeah.
0:41:28 > 0:41:31- Well, to be fair, we weren't trying to be serious, like, but...- Yeah.
0:41:31 > 0:41:33- It just...- It just kind of happened that way, like.
0:41:33 > 0:41:35You did seem very happy to be in Rio.
0:41:35 > 0:41:38I was quite serious about the whole situation, though,
0:41:38 > 0:41:40- and everything we told was the truth, like.- Yeah!
0:41:42 > 0:41:44You have to understand, like,
0:41:44 > 0:41:46people ask us these questions all the time after races.
0:41:46 > 0:41:50It just so happened that they put a camera in front of us in Rio.
0:41:50 > 0:41:52And also, you won a silver medal,
0:41:52 > 0:41:54- so suddenly everyone was interested. - Yeah, yeah.- Yeah.
0:41:54 > 0:41:57The great thing is, Ireland has never won any medal
0:41:57 > 0:42:00- in rowing before, have they? - Well...- Not at the Olympics.
0:42:00 > 0:42:02They've a few World Championship titles, right,
0:42:02 > 0:42:05but it's the first Olympic medal, yeah. Whoohoo!
0:42:05 > 0:42:07AUDIENCE CHEERS Very good.
0:42:10 > 0:42:14And the interview where you talked about your approach to the race,
0:42:14 > 0:42:16the phrases you used in that -
0:42:16 > 0:42:18so, explain to people what you said in that.
0:42:18 > 0:42:20- Do you know which one?- Which one? - What did we say?
0:42:20 > 0:42:23- About going A to B as fast as you can.- Oh, yeah.- Yeah.
0:42:23 > 0:42:25It is a fairly simple sport, like.
0:42:28 > 0:42:29There's a start line and a finish line.
0:42:29 > 0:42:31Don't complicate things, like.
0:42:31 > 0:42:33People do complicate it, like.
0:42:33 > 0:42:36Your man says "go" at the start, and there's a hooter at the finish,
0:42:36 > 0:42:38and if you can get from "go" to the hooter,
0:42:38 > 0:42:41- then...- No bullshit, like.- Yeah.
0:42:42 > 0:42:45And then this thing about closing your eyes and pull like a dog.
0:42:45 > 0:42:47- Yeah. - That phrase, who came up with that?
0:42:47 > 0:42:49- That was Paul.- That was mine, yeah.
0:42:49 > 0:42:52- Is "pull like a dog" - is that a phrase?- No!
0:42:52 > 0:42:54It is now, apparently!
0:42:55 > 0:42:57It's everywhere now in Ireland.
0:42:57 > 0:43:00- Yeah.- It is.- Like, you'll be walking down the street, there,
0:43:00 > 0:43:01in Dublin or somewhere,
0:43:01 > 0:43:04and a fella would shout across the road, like, "Pull like a dog."
0:43:04 > 0:43:06- "Pull like a dog," yeah. - The best ever!
0:43:06 > 0:43:09Lads will be encouraging inside a nightclub,
0:43:09 > 0:43:11"Close your eyes and pull like a dog."
0:43:15 > 0:43:19Have you ever had a member of your desired sex
0:43:19 > 0:43:21tell you to pull like a dog?
0:43:23 > 0:43:24LAUGHTER
0:43:26 > 0:43:28The questions are getting harder now.
0:43:29 > 0:43:32But... But wasn't there a guy that came up to you in a...?
0:43:32 > 0:43:35That's right. Some fella came up to Paul inside a nightclub
0:43:35 > 0:43:38- in Skibbereen, like, and he had a... - Oh, a tattoo, yeah!
0:43:38 > 0:43:40Like proper ink tattoo, like,
0:43:40 > 0:43:43across his full forearm saying, "Pull like a dog".
0:43:43 > 0:43:46- Wow.- I was like, that was nuts, like.
0:43:46 > 0:43:48He may live to regret that.
0:43:48 > 0:43:50Probably wanking away, there.
0:44:01 > 0:44:04Marion, it's just as well, it's just as well.
0:44:04 > 0:44:06You're missing nothing.
0:44:07 > 0:44:09So, now, we've got a picture of you.
0:44:09 > 0:44:13- This is the day you came back to Skibbereen.- Yeah.
0:44:13 > 0:44:14So, like, an amazing...
0:44:14 > 0:44:17APPLAUSE
0:44:17 > 0:44:20- Incredible.- Oh, it was incredible. - Unbelievable, yeah.
0:44:20 > 0:44:21Because if you haven't been to Skibbereen -
0:44:21 > 0:44:24a lot of people won't have been to Skibbereen - it's not a big town.
0:44:24 > 0:44:26- How many people? - It's a small little town.
0:44:26 > 0:44:27The population is about 1,500 people,
0:44:27 > 0:44:31and they were saying there was about 15,000 turned up to the homecoming.
0:44:32 > 0:44:34The town was crazy, like, yeah.
0:44:34 > 0:44:37And presumably, you're never going to have to buy a drink again.
0:44:38 > 0:44:40Ah, it depends, like...
0:44:41 > 0:44:44At home, we're the same two fellas, like, down in Skibbereen,
0:44:44 > 0:44:47and they've no respect for anything down there, like.
0:44:47 > 0:44:50A silver medal's nothing to them. God almighty.
0:44:50 > 0:44:53Yeah, no, we get charged away in Skibbereen. It's no problem.
0:44:53 > 0:44:57I suppose because, you know, sport, there's a lot of discipline,
0:44:57 > 0:44:59a lot of training,
0:44:59 > 0:45:03and now there's all the fun side of things,
0:45:03 > 0:45:05you know, travelling around,
0:45:05 > 0:45:08people are recognising you and coming up to you in nightclubs...
0:45:08 > 0:45:10- The Graham Norton Show, that kind of stuff.- Exactly.
0:45:10 > 0:45:13So is it going to be harder to get back in the boat?
0:45:13 > 0:45:15No, it's the same.
0:45:15 > 0:45:18Like, you just put the boat down in the water and sit in it, you know?
0:45:18 > 0:45:20LAUGHTER AND APPLAUSE
0:45:23 > 0:45:26There might be fans blocking the way sometimes,
0:45:26 > 0:45:28but we just ask them to move out the way, and...
0:45:28 > 0:45:30Please and thanks and all that.
0:45:30 > 0:45:31Frank, do you row?
0:45:31 > 0:45:34I did row recently. I...
0:45:34 > 0:45:37Not... I mean, in a rowing boat.
0:45:37 > 0:45:41I crashed into the side of a swimming pool...
0:45:42 > 0:45:44- Where the hell were you rowing? - With four...
0:45:44 > 0:45:47It was a very posh hotel, and...
0:45:48 > 0:45:51The people, you know the way posh people look posh
0:45:51 > 0:45:54even in swimming costumes, you just know, before they speak.
0:45:54 > 0:45:57I said, "Can you help me, please? I'm stuck."
0:45:57 > 0:45:58And they just looked...
0:45:58 > 0:46:01They were literally too posh to push.
0:46:02 > 0:46:05I was stranded there and I couldn't work out...
0:46:05 > 0:46:07I really would have needed you guys.
0:46:07 > 0:46:10- Well, they're here now. - In the end, a man threw me a rope.
0:46:10 > 0:46:13We had life jackets on, me and my son.
0:46:13 > 0:46:16I mean, the water was this deep.
0:46:16 > 0:46:19- I'm just going to give them the opposite end of rowing.- Yeah.
0:46:19 > 0:46:21Another side to it.
0:46:21 > 0:46:23- What's the story now...? - Cool story, bro.
0:46:27 > 0:46:30The reviews are in.
0:46:33 > 0:46:36Guys, guys, guys, try and be funny for your entire life
0:46:36 > 0:46:39and then, and then give him shit.
0:46:42 > 0:46:45I've been shot down by a rower.
0:46:47 > 0:46:49- JAMES:- Oh, there's a leak in your boat, pal.
0:46:49 > 0:46:51They weren't around in the '90s.
0:46:52 > 0:46:54APPLAUSE
0:46:57 > 0:46:59Now, here's the thing.
0:46:59 > 0:47:01So, your fame has gone all around the world
0:47:01 > 0:47:03and you guys have probably seen this,
0:47:03 > 0:47:05I'm sure somebody has shown you this,
0:47:05 > 0:47:08but I don't think these people will have seen it.
0:47:08 > 0:47:10There's a video of children in Thailand...
0:47:10 > 0:47:12- Have you seen this video?- Yeah.
0:47:12 > 0:47:16So, there's children in Thailand singing a special tribute...
0:47:16 > 0:47:19- Have you seen it?- No.
0:47:19 > 0:47:20This is incredible.
0:47:20 > 0:47:23It's quite bonkers, it's quite bonkers, this,
0:47:23 > 0:47:25but it's kids in Thailand singing a special tribute
0:47:25 > 0:47:29- to the two of you and your Irish canoe.- Canoe, yeah.
0:48:03 > 0:48:05CHEERING AND APPLAUSE
0:48:05 > 0:48:06That's crazy.
0:48:08 > 0:48:13All right, it is time for our musical performance
0:48:13 > 0:48:16and we are ending 2016 with something really special.
0:48:16 > 0:48:19These guys have been selling out arena shows
0:48:19 > 0:48:24with their classic mix of club anthems with orchestral strings.
0:48:24 > 0:48:27Here, performing right here, right now and Lola's Theme,
0:48:27 > 0:48:30please welcome Pete Tong and the Heritage Orchestra.
0:49:03 > 0:49:05# Right here, right now
0:49:05 > 0:49:09# Right here, right now Right here, right now
0:49:09 > 0:49:11# Right here, right now
0:49:11 > 0:49:15# Right here, right now Right here, right now
0:49:15 > 0:49:17# Right here, right now
0:49:17 > 0:49:19# Right here, right now
0:50:15 > 0:50:18# Ooh, yeah
0:50:20 > 0:50:23# Looking back
0:50:23 > 0:50:28# I know I was walking around in disguise
0:50:28 > 0:50:31# It's a fact
0:50:31 > 0:50:36# I was just a lost soul I needed a guide
0:50:36 > 0:50:42# And the moment that you came to change my life
0:50:42 > 0:50:44# Looking back together, yeah
0:50:44 > 0:50:50# You fired up my heart and made me smile
0:50:50 > 0:50:53# And you and I know that
0:50:53 > 0:50:55# I'm a different person
0:50:55 > 0:50:56# Yeah
0:50:56 > 0:50:59# Turn my world around
0:51:00 > 0:51:03# I'm a different person
0:51:03 > 0:51:04# Yeah
0:51:04 > 0:51:07# Turn my world around
0:51:08 > 0:51:10# I'm a different person
0:51:10 > 0:51:12# Yeah
0:51:12 > 0:51:15# Turn my world around... #
0:51:16 > 0:51:17Come on, guys!
0:51:22 > 0:51:28# Like a little piece of heaven finally found
0:51:28 > 0:51:30# Looking back together, yeah
0:51:30 > 0:51:36# You rebuilt my heart up from the ground
0:51:36 > 0:51:39# And you and I know, baby
0:51:39 > 0:51:41# I'm a different person
0:51:41 > 0:51:43# Yeah
0:51:43 > 0:51:45# Turn my world around
0:51:46 > 0:51:49# I'm a different person
0:51:49 > 0:51:50# Yeah
0:51:50 > 0:51:53# Turn my world around
0:51:53 > 0:51:55# Turn my world around
0:51:55 > 0:51:56# I'm a different person
0:51:56 > 0:51:58# Yeah
0:51:58 > 0:52:00- # Turn my world around - Yeah, yeah
0:52:00 > 0:52:02# Turn my world around
0:52:02 > 0:52:04# I'm a different person
0:52:04 > 0:52:06# Yeah
0:52:06 > 0:52:08# Turn my world around
0:52:08 > 0:52:10# World around, yeah
0:52:10 > 0:52:14# World around, yeah World around, yeah
0:52:14 > 0:52:16# World around, yeah
0:52:16 > 0:52:18# World around. #
0:52:18 > 0:52:19CHEERING AND APPLAUSE
0:52:27 > 0:52:28Absolutely amazing.
0:52:28 > 0:52:30Pete Tong, come and join us -
0:52:30 > 0:52:33and let's hear it for the Heritage Orchestra.
0:52:33 > 0:52:37Cookie on vocals, there, and Jules Buckley, the conductor.
0:52:37 > 0:52:40Hello, sir, come and have a seat. Do sit down.
0:52:42 > 0:52:43How are you?
0:52:43 > 0:52:46That is... It's just brilliant, Pete.
0:52:46 > 0:52:50- It really is. Yes, hello, hello. That's Pete Tong.- Hello, hello.
0:52:50 > 0:52:52- That's who that is.- How are you? - Listen, it's fantastic,
0:52:52 > 0:52:56and that is obviously off the album, Classic House, which is out now.
0:52:56 > 0:52:58And it's one of those things, I was saying to Frank,
0:52:58 > 0:53:01you think, "Will this work?" But it's just brilliant.
0:53:01 > 0:53:04Yeah, we got asked to do a prom in 2015
0:53:04 > 0:53:07and it got to the end of the night and we were backstage
0:53:07 > 0:53:09and looking at each other thinking, "What shall we do now?"
0:53:09 > 0:53:12It kind of went viral after that for a couple of weeks
0:53:12 > 0:53:15and there was this huge groundswell of demand for us to do it again.
0:53:15 > 0:53:18We've just completed three sell-out arena shows,
0:53:18 > 0:53:21and it's been the craziest thing I've ever done in my life.
0:53:21 > 0:53:24But you now - you're selling tickets for, is it next December?
0:53:24 > 0:53:26Yeah, then everyone was going, like, "Why can't we go?"
0:53:26 > 0:53:28So we've already put next Christmas on sale
0:53:28 > 0:53:30which sounds absolutely crazy.
0:53:30 > 0:53:31- Wow!- It's mad, isn't it?
0:53:31 > 0:53:33And what happens back there?
0:53:33 > 0:53:36- I mean... In your bit. - Well, we make...
0:53:36 > 0:53:38LAUGHTER
0:53:38 > 0:53:40A lot of clapping.
0:53:40 > 0:53:42- A lot of looking enthusiastic. - "Whay!"
0:53:42 > 0:53:46Aren't they brilliant? No, I'm kind of firing in bits of production
0:53:46 > 0:53:48and stuff we did in the studio
0:53:48 > 0:53:51that isn't made by violins and horns and stuff like that.
0:53:51 > 0:53:54- Beautifully done, it is. - We love it, we love it.
0:53:54 > 0:53:58And the album is just great. Pete Tong. APPLAUSE
0:53:58 > 0:53:59Very quickly,
0:53:59 > 0:54:03it's almost time for us to pass you over to the fireworks
0:54:03 > 0:54:04and the bells, but before we do,
0:54:04 > 0:54:06just time for our final visit of the year
0:54:06 > 0:54:08to the big red chair. Who's there?
0:54:08 > 0:54:10- Hello.- Hi!
0:54:10 > 0:54:12LAUGHTER
0:54:18 > 0:54:20It could be a great story.
0:54:20 > 0:54:22- What's your name, sir?- It's Lewis.
0:54:22 > 0:54:24Lewis, lovely. And what do you do, Lewis?
0:54:24 > 0:54:27I work in acquisitions for a film and TV company.
0:54:27 > 0:54:29Well, now, somebody's doing that.
0:54:29 > 0:54:30It's him.
0:54:32 > 0:54:35Off you go with your story, Lewis.
0:54:35 > 0:54:37So, when I was a bit younger,
0:54:37 > 0:54:40I was on my way to my friend's birthday party
0:54:40 > 0:54:43and that week I had just been dumped by my girlfriend,
0:54:43 > 0:54:44so I was quite upset,
0:54:44 > 0:54:47but my friend assured me that this would be the exact thing
0:54:47 > 0:54:48I needed to take my mind off it.
0:54:48 > 0:54:51So I get there, I drink too much and I pass out in the garden.
0:54:51 > 0:54:53A couple of hours later,
0:54:53 > 0:54:57I stumble upstairs and I pass out in the bedroom on the coats.
0:54:57 > 0:54:58And a couple of hours later go by
0:54:58 > 0:55:00and my friend just starts nudging me,
0:55:00 > 0:55:03at least I thought he was nudging me,
0:55:03 > 0:55:05but my head is spinning, so I open my eyes
0:55:05 > 0:55:10and my friend is on top of me having sex with a girl from the party.
0:55:15 > 0:55:18We went as far as we needed to go with that story.
0:55:18 > 0:55:20How was he on top of him and she...?
0:55:20 > 0:55:22Where was she in the equation?
0:55:22 > 0:55:25We'll get someone from fan art to explain it to you.
0:55:25 > 0:55:28That would help. That would definitely help.
0:55:28 > 0:55:30OK, one more, one more, OK, this is it.
0:55:30 > 0:55:31This is the last one.
0:55:31 > 0:55:32- Hello.- Hello!
0:55:32 > 0:55:34- Hi, what's your name?- Alexandra.
0:55:34 > 0:55:36Alexandra, and where are you from, Alexandra?
0:55:36 > 0:55:39- London.- London, London, the capital.
0:55:39 > 0:55:41- And what do you do?- I'm a lawyer.
0:55:41 > 0:55:43Oh, that's fine. What sort of law?
0:55:43 > 0:55:45- Commercial property. - Commercial property.
0:55:45 > 0:55:47Sure, it hurts no-one. Off you go with your story.
0:55:47 > 0:55:50OK, so, primary school, history week,
0:55:50 > 0:55:53I had forgotten to tell my mother that I needed a costume
0:55:53 > 0:55:56for the fancy dress competition.
0:55:56 > 0:55:58She was pretty cross, you know, night before,
0:55:58 > 0:56:01running around trying to cobble something together.
0:56:01 > 0:56:05Next morning, I find myself dressed in my dad's brown shirt,
0:56:05 > 0:56:06a pair of shorts of my brother,
0:56:06 > 0:56:08my hair scraped back off my head
0:56:08 > 0:56:11and my mother is drawing something on my face with eyeliner.
0:56:11 > 0:56:15A couple of hours later, I'm going down a catwalk...
0:56:15 > 0:56:17finding all the teachers sniggering at me
0:56:17 > 0:56:19and I have absolutely no idea who I am.
0:56:19 > 0:56:22It turns out that my mother thought it would be a great idea
0:56:22 > 0:56:25to send her seven-year-old daughter to history week at school
0:56:25 > 0:56:26dressed as Adolf Hitler.
0:56:26 > 0:56:28APPLAUSE
0:56:28 > 0:56:30- Walk.- I think so. - I'd walk her.- You walk.
0:56:30 > 0:56:32Nicely, walk nicely.
0:56:32 > 0:56:34Well done!
0:56:34 > 0:56:36And, of course, if you'd like to join us on the show
0:56:36 > 0:56:37and have a go in that big red chair, you can.
0:56:37 > 0:56:40Go via our website at this very address.
0:56:40 > 0:56:42That is it for tonight -
0:56:42 > 0:56:43and, indeed, for this year.
0:56:43 > 0:56:45Please say thank you to all my guests tonight.
0:56:45 > 0:56:46Pete Tong...
0:56:46 > 0:56:48APPLAUSE
0:56:48 > 0:56:51The O'Donovan brothers...
0:56:51 > 0:56:52Frank Skinner...
0:56:52 > 0:56:54James McAvoy...
0:56:55 > 0:56:57..Marion Cotillard...
0:56:57 > 0:57:00and Mr Michael Fassbender.
0:57:02 > 0:57:08We are back on Friday 6th of January with a red chair special.
0:57:08 > 0:57:09You asked for it, you got it.
0:57:09 > 0:57:11Until then, have a very happy New Year.
0:57:11 > 0:57:13Goodnight everybody, bye-bye!
0:57:13 > 0:57:15CHEERING AND APPLAUSE
0:57:36 > 0:57:39Er...now, can I just say...
0:57:39 > 0:57:41Those boys went all the way to Rio.
0:57:41 > 0:57:44They've just left their medals on the table.
0:57:44 > 0:57:47LAUGHTER AND APPLAUSE
0:57:50 > 0:57:53HE CHUCKLES
0:57:56 > 0:57:58I'll make sure they get them sent.