0:00:00 > 0:00:02Hi. I'm Warren Beatty. Welcome to The Graham Norton Show.
0:00:02 > 0:00:04CHEERING
0:00:07 > 0:00:14This programme contains some strong language.
0:00:19 > 0:00:21Oh... Oh!
0:00:21 > 0:00:23Oh!
0:00:23 > 0:00:25CHEERING AND WHISTLING Oh, you're so kind!
0:00:25 > 0:00:27Thank you!
0:00:27 > 0:00:30Hello! Hello...
0:00:31 > 0:00:32Hello, hello.
0:00:32 > 0:00:36Good evening, everyone, you're very welcome.
0:00:36 > 0:00:38Yes, I am thrilled to welcome Hollywood great
0:00:38 > 0:00:41Warren Beatty to the show!
0:00:41 > 0:00:42CHEERING Yes!
0:00:42 > 0:00:44Oh, I'll tell you...
0:00:44 > 0:00:48Warren joins us tonight on a really packed sofa.
0:00:48 > 0:00:50I mean, I hope I haven't overbooked -
0:00:50 > 0:00:53I might have to drag one of my guests kicking and screaming from their seat. Mm.
0:00:53 > 0:00:55LAUGHTER
0:00:56 > 0:00:58Did you see that? Wow.
0:00:58 > 0:01:00A passenger on a United flight was
0:01:00 > 0:01:03"involuntarily relocated"
0:01:03 > 0:01:07from his seat, so they could give it to a crew member.
0:01:07 > 0:01:09Like, hats off to United,
0:01:09 > 0:01:12cos there aren't many companies that can make Ryanair look good.
0:01:12 > 0:01:13LAUGHTER
0:01:14 > 0:01:17Like, Ryanair must have been punching the air!
0:01:17 > 0:01:19"Yes!"
0:01:19 > 0:01:21Or thinking, "Good idea!"
0:01:21 > 0:01:23LAUGHTER
0:01:23 > 0:01:24The 69-year-old doctor
0:01:24 > 0:01:26was left with blood all over his face.
0:01:26 > 0:01:29Ironically, the crew then asked if there was a doctor on board.
0:01:29 > 0:01:32Yeah, there WAS, but you've just kicked the shit out of him.
0:01:32 > 0:01:33LAUGHTER
0:01:33 > 0:01:36Let's get some guests on! CHEERING AND APPLAUSE
0:01:36 > 0:01:38Very excited - later, we'll have music and chat
0:01:38 > 0:01:40from global superstar Jennifer Hudson,
0:01:40 > 0:01:41ladies and gentlemen!
0:01:41 > 0:01:44WHOOPING I know.
0:01:44 > 0:01:46She'll be singing her new single Remember Me.
0:01:46 > 0:01:48But first, he's about to start his final season
0:01:48 > 0:01:52as Doctor Who - Great Scot, it's Peter Capaldi!
0:01:52 > 0:01:53WHOOPING AND APPLAUSE
0:01:54 > 0:01:57- Hello, sir!- Hello.
0:01:57 > 0:02:00Oh, hugging. Lovely to see you. Peter Capaldi!
0:02:00 > 0:02:03- Have a seat, do.- Thank you.
0:02:03 > 0:02:05She's the queen of comedy
0:02:05 > 0:02:07and she's about to make her West End debut
0:02:07 > 0:02:10as Miss Hannigan in Annie - it's only Miranda Hart!
0:02:10 > 0:02:12CHEERING AND APPLAUSE
0:02:12 > 0:02:13Hello.
0:02:13 > 0:02:16- Trendy!- I know.
0:02:16 > 0:02:18Very nice. Come in and sit down.
0:02:18 > 0:02:20Hello, lovely.
0:02:20 > 0:02:23She is one of the hottest stars on TV,
0:02:23 > 0:02:25in Line of Duty, The Missing,
0:02:25 > 0:02:27and now, a new series of hit drama The Durrells -
0:02:27 > 0:02:29it's Keeley Hawes!
0:02:29 > 0:02:30WHOOPING AND APPLAUSE
0:02:30 > 0:02:32- Oh! Hello, Keeley Hawes!- Hello!
0:02:32 > 0:02:34Oh...
0:02:34 > 0:02:36Lovely to see you, my dear. Come in.
0:02:36 > 0:02:38Have a seat.
0:02:39 > 0:02:42And this man truly IS a Hollywood legend.
0:02:42 > 0:02:45He's the Oscar-winning actor, writer, director and producer
0:02:45 > 0:02:48behind Bonnie And Clyde, Heaven Can Wait,
0:02:48 > 0:02:49Dick Tracy and Reds.
0:02:49 > 0:02:51DRUMROLL Please welcome, for the first time,
0:02:51 > 0:02:53Mr Warren Beatty!
0:02:53 > 0:02:55CHEERING, APPLAUSE AND WHISTLING
0:02:57 > 0:02:59Hello!
0:03:00 > 0:03:02Come in, come in, come in. Sit down.
0:03:02 > 0:03:04Warren Beatty, everybody!
0:03:04 > 0:03:07APPLAUSE CONTINUES
0:03:07 > 0:03:09Sit! Sit.
0:03:09 > 0:03:11Thank you.
0:03:11 > 0:03:14Sit, sit, sit, sit. Now, were you guys chatting out the back?
0:03:14 > 0:03:16- "Out the back?" - LAUGHTER
0:03:16 > 0:03:18- Yes.- Yes.
0:03:18 > 0:03:22So did you all explain who you are to Warren?
0:03:22 > 0:03:23- No, not really...- He was very kind
0:03:23 > 0:03:26- and pretended that he knew all of us.- Yes.- Oh, excellent.
0:03:26 > 0:03:27Needed no explanation.
0:03:27 > 0:03:29Oh, good - so did you know them?
0:03:29 > 0:03:30Deeply.
0:03:30 > 0:03:31LAUGHTER
0:03:31 > 0:03:34- Hollywood legend! Hello? - LAUGHTER
0:03:34 > 0:03:36Hollywood come to call.
0:03:36 > 0:03:37But before we do another thing,
0:03:37 > 0:03:40we must say, Peter Capaldi - happy birthday!
0:03:40 > 0:03:42- Happy birthday! - Oh, thank you very much.
0:03:42 > 0:03:44Yes... APPLAUSE
0:03:44 > 0:03:46Thank you.
0:03:49 > 0:03:52And we must ask Peter Capaldi, is this...
0:03:52 > 0:03:53Is this the year of the tattoo?
0:03:53 > 0:03:56Erm...well, I'm not sure.
0:03:56 > 0:03:59I mean, the reason you're asking that is
0:03:59 > 0:04:01my wife got a tattoo of, er...
0:04:01 > 0:04:04On her back, down here, of my name.
0:04:04 > 0:04:07- Peter? - Yes. Which was very sweet of her.
0:04:07 > 0:04:09Mind you, that IS quite a common name.
0:04:09 > 0:04:11LAUGHTER
0:04:11 > 0:04:13She could go again, couldn't she? She'll find another Peter.
0:04:13 > 0:04:15But what I'm worried about
0:04:15 > 0:04:18is I think she wants me to get a reciprocal one.
0:04:18 > 0:04:22- What's HER name? - Well, it's much longer than mine.
0:04:22 > 0:04:24- It's Elaine.- Oh. OK.- Not too bad.
0:04:24 > 0:04:26- It's not MUCH longer.- Yes.
0:04:26 > 0:04:28But it's not such a common name.
0:04:28 > 0:04:31- You might struggle to get another Elaine.- Yeah.- Yeah.
0:04:31 > 0:04:33- And have you...? - I don't have a tattoo.
0:04:33 > 0:04:35- Never?- Never.- Were you ever tempted?
0:04:35 > 0:04:37No.
0:04:37 > 0:04:38LAUGHTER
0:04:38 > 0:04:39Ah, but I think, you know...
0:04:39 > 0:04:41I don't want to say your age,
0:04:41 > 0:04:43but you're older than you were...
0:04:43 > 0:04:45You can say whatever you want. I'm old.
0:04:45 > 0:04:49I think now is the time when... Go tattoo crazy!
0:04:49 > 0:04:50Now's the time to get facial tattoos,
0:04:50 > 0:04:52neck tattoos...
0:04:52 > 0:04:54- You think so?- Yes!
0:04:54 > 0:04:55How much time do you have?
0:04:55 > 0:04:58LAUGHTER Well, we have a tattooist...
0:04:58 > 0:05:00Live. We're going to tattoo you live.
0:05:00 > 0:05:01No, we're not.
0:05:01 > 0:05:05But Miranda, YOU have ink - it's so unlikely that you have ink, but...
0:05:05 > 0:05:08- I have ink? Is that the street way of saying "You've got a tatt"? - Yeah.- "You've got ink"?
0:05:08 > 0:05:11- "You've got ink." - Yeah, people always say
0:05:11 > 0:05:13- "I'm really surprised"... - I can SEE some ink!
0:05:13 > 0:05:15Yeah, that's a peace...
0:05:15 > 0:05:17That's my dove, and heart.
0:05:17 > 0:05:19- What?- Peace and love, man.
0:05:19 > 0:05:20Oh, there's the dove, I see. Yes, I get it.
0:05:20 > 0:05:23I've got a lovely, erm...
0:05:23 > 0:05:26You know when you've had socks on all day, and you've got a...
0:05:26 > 0:05:28LAUGHTER
0:05:28 > 0:05:31I just showed that to the nation for the Easter weekend, so there's a treat!
0:05:31 > 0:05:34- That's bad circulation. - Is it bad circulation?
0:05:34 > 0:05:36- Apparently so. - Oh, great, thanks(!)
0:05:36 > 0:05:38That's what happens when you...
0:05:38 > 0:05:39- And Miranda - he's a Doctor.- Yeah!
0:05:39 > 0:05:41And I'm old!
0:05:41 > 0:05:43And I've got a tattoo here
0:05:43 > 0:05:46of Chinese symbols, which I won't show you
0:05:46 > 0:05:48because I'd...show my breasts on television.
0:05:48 > 0:05:50- LAUGHTER - And the shoe was bad enough.
0:05:50 > 0:05:53And it's Chinese symbols, but I don't know what it means...
0:05:53 > 0:05:56- Maybe it says "Peter". - It might say "Peter"
0:05:56 > 0:05:57LAUGHTER
0:05:57 > 0:06:00But once, I was getting on a Tube,
0:06:00 > 0:06:03and a Thai man came up to me and said,
0:06:03 > 0:06:07"I promise you I'm not joking, but in my language, that means
0:06:07 > 0:06:08" 'Mind the gap.' "
0:06:08 > 0:06:10LAUGHTER
0:06:10 > 0:06:12And I was like, "Oh, come on..."
0:06:12 > 0:06:15And he was like, "Honestly, I swear on my life." So I don't know.
0:06:16 > 0:06:19And there's a lot of tattoos on the couch, because Keeley Hawes...
0:06:19 > 0:06:21Do you have a tattoo?
0:06:21 > 0:06:23I DID have a tattoo.
0:06:23 > 0:06:24Oh.
0:06:24 > 0:06:27Oh...! Yes, I did, and I got it removed.
0:06:27 > 0:06:29What was it of?
0:06:29 > 0:06:31The "ink".
0:06:31 > 0:06:34- My "ink"...- Yeah. - ..was...
0:06:34 > 0:06:37- It was a dolphin.- Oh...
0:06:37 > 0:06:40Sorry to anybody who does have a dolphin, I'm sure it's lovely.
0:06:40 > 0:06:43But I got "inked" when I was 17,
0:06:43 > 0:06:48- and then I started having children and things and thought, "Mm."- Oh.
0:06:48 > 0:06:50The dolphin became more of a manatee.
0:06:50 > 0:06:51Yes.
0:06:51 > 0:06:53LAUGHTER
0:06:53 > 0:06:56Now, Warren, the last time we all saw you,
0:06:56 > 0:06:58you were involved in...
0:06:58 > 0:06:59well, the TV moment,
0:06:59 > 0:07:02if not of the year, the decade,
0:07:02 > 0:07:03at the end of the Oscars.
0:07:03 > 0:07:07- Not the century? - Let's go with century, yeah.
0:07:07 > 0:07:08It probably WILL be -
0:07:08 > 0:07:11in compilations, that moment will be shown...a LOT.
0:07:11 > 0:07:14- Uh-huh.- So, end of the Oscars...
0:07:14 > 0:07:16I mean, you handled it brilliantly, I have to say,
0:07:16 > 0:07:18because it's a big live television show
0:07:18 > 0:07:22and there must have been an awful lot of stuff going on in your head.
0:07:22 > 0:07:24What was going on in your head?
0:07:24 > 0:07:28I thought, "Well, maybe this is a misprint."
0:07:28 > 0:07:30- You know?- Yeah.
0:07:30 > 0:07:32"And I shouldn't foul up the show
0:07:32 > 0:07:35"just because someone made a little error."
0:07:35 > 0:07:38Cos it did look like you handed it to Faye, as in, kind of like,
0:07:38 > 0:07:40"Well, I'll let HER do it."
0:07:40 > 0:07:43- No, no, no. No... - LAUGHTER
0:07:43 > 0:07:45My instructions were
0:07:45 > 0:07:48take the envelope when I walked out -
0:07:48 > 0:07:50I couldn't have it before that -
0:07:50 > 0:07:53then I go out, then I say something...
0:07:53 > 0:07:55- Yeah. - ..and then I open the envelope
0:07:55 > 0:07:57and then I give it to Faye,
0:07:57 > 0:08:01and she then says what it says.
0:08:02 > 0:08:04And she did.
0:08:04 > 0:08:06Well, it looked like it said
0:08:06 > 0:08:07the name of the movie.
0:08:07 > 0:08:09La La Land.
0:08:09 > 0:08:11And presumably afterwards, it was bedlam.
0:08:11 > 0:08:12Was it just chaos afterwards?
0:08:12 > 0:08:14Well, I...
0:08:14 > 0:08:16I guess you could say it's chaos.
0:08:16 > 0:08:18LAUGHTER
0:08:18 > 0:08:20But also, that night, it must have been
0:08:20 > 0:08:21all anyone could talk about.
0:08:21 > 0:08:23No, that's not true.
0:08:23 > 0:08:25People talk about themselves.
0:08:25 > 0:08:27LAUGHTER
0:08:28 > 0:08:31APPLAUSE
0:08:35 > 0:08:37Now - ladies and gentlemen,
0:08:37 > 0:08:39Warren Beatty is here to talk about his new film,
0:08:39 > 0:08:42Rules Don't Apply - it's out on the 21st of April.
0:08:42 > 0:08:44Now, you don't make films very often,
0:08:44 > 0:08:46but when you do, you REALLY make them -
0:08:46 > 0:08:49you write 'em, direct 'em, you're in 'em, you produce them...
0:08:49 > 0:08:52And it's been 15 years since the last one,
0:08:52 > 0:08:54so is there a particular reason why now?
0:08:56 > 0:08:58- Well... - HE CLEARS HIS THROAT
0:08:58 > 0:09:01..we have these four kids,
0:09:01 > 0:09:05which I like to call our four small Eastern European countries,
0:09:05 > 0:09:07I negotiate with them.
0:09:07 > 0:09:09LAUGHTER
0:09:09 > 0:09:14And they are all more interesting to me than any 50 movies,
0:09:14 > 0:09:22and so, now that we're approaching the, er...empty nest period,
0:09:22 > 0:09:26then I'll maybe go and make some movies, but...
0:09:26 > 0:09:28I don't know if I said to you,
0:09:28 > 0:09:32I have sometimes compared making a movie to vomiting.
0:09:32 > 0:09:33LAUGHTER
0:09:33 > 0:09:35- I don't like to vomit.- No.
0:09:35 > 0:09:37- I rarely vomit.- Good.
0:09:37 > 0:09:41But something builds up and you think about it for a long time
0:09:41 > 0:09:44and you don't do anything, you try to avoid working.
0:09:44 > 0:09:47And then finally, you say, "Well..."
0:09:47 > 0:09:50- HE SIGHS - "..I think maybe I'll just feel better
0:09:50 > 0:09:51"if I go ahead and throw up."
0:09:51 > 0:09:54LAUGHTER
0:09:54 > 0:09:57- And then, er...you make a movie. - Lovely!
0:09:57 > 0:09:58APPLAUSE
0:09:58 > 0:10:00Thank you.
0:10:01 > 0:10:04So this one, Rules Don't Apply, is terrific -
0:10:04 > 0:10:05well, also, I love films like this.
0:10:05 > 0:10:10It's a film set in Hollywood, in the 1950s,
0:10:10 > 0:10:12and it's a mix of historical people, fictional people...
0:10:12 > 0:10:14and then it's hard - it's a romantic comedy, I guess?
0:10:14 > 0:10:17It's a light romantic comedy
0:10:17 > 0:10:20with two kids that I think are so...
0:10:20 > 0:10:24You know, Lily Collins is wonderful,
0:10:24 > 0:10:28and Alden Ehrenreich, who is now the new Han Solo...
0:10:28 > 0:10:31- Wow. - ..and they're just really good.
0:10:31 > 0:10:34They're funny and they're sweet, and it's...
0:10:34 > 0:10:36It's a romantic story between
0:10:36 > 0:10:40these two kids who then have the fortune, or misfortune,
0:10:40 > 0:10:46to get involved with a kinda crazy old...rich guy.
0:10:46 > 0:10:47LAUGHTER
0:10:47 > 0:10:49Howard Hughes. He's not playing himself.
0:10:49 > 0:10:50Howard Hughes, yeah.
0:10:50 > 0:10:53But it's not really a movie about Howard Hughes,
0:10:53 > 0:10:56but Howard Hughes has always struck me as kind of a funny guy.
0:10:56 > 0:11:00Not a bad guy, but...amusing,
0:11:00 > 0:11:02and a good obstacle
0:11:02 > 0:11:07to a love affair between these two, I think, spectacular kids
0:11:07 > 0:11:09that I was lucky enough to get to do this movie.
0:11:09 > 0:11:11Well, listen, we'll talk about it some more,
0:11:11 > 0:11:14but here's a taste of the movie from the trailer.
0:11:14 > 0:11:15I behaved like a cheap floozy,
0:11:15 > 0:11:17and I'm not some tease of a virgin...
0:11:17 > 0:11:18You've done nothing wrong.
0:11:18 > 0:11:20- ..trying to steal another woman's husband...- Need help?
0:11:20 > 0:11:22Mr Hughes wants to see you...
0:11:26 > 0:11:27Well, hello!
0:11:27 > 0:11:30That's Marla Mabrey. What the hell is she doing here?
0:11:30 > 0:11:32You said you wanted the girl with the two Ms.
0:11:32 > 0:11:33Yes! Marilyn Monroe.
0:11:33 > 0:11:34Ah!
0:11:34 > 0:11:36Have you heard from people that I'm crazy?
0:11:36 > 0:11:38All right, come on...
0:11:38 > 0:11:40If what you are is crazy, then give me some more crazy!
0:11:41 > 0:11:44You make an old guy courageous, Marla.
0:11:44 > 0:11:46Did somebody give that to you?
0:11:46 > 0:11:48She hit the jackpot!
0:11:53 > 0:11:55You ain't seen nothin' yet.
0:11:59 > 0:12:02Thank you.
0:12:06 > 0:12:09And that cast is, when you see it - like, boom-boom-boom, like that -
0:12:09 > 0:12:11- that's an incredible cast.- Yeah.
0:12:11 > 0:12:13Makes me want to get a tattoo.
0:12:13 > 0:12:14LAUGHTER
0:12:14 > 0:12:17No, all sorts of people -
0:12:17 > 0:12:19Annette Bening, who's been on the show...
0:12:19 > 0:12:21She's my superior half, Annette Bening.
0:12:21 > 0:12:23- Good booking. Very good booking. - Thank you.
0:12:23 > 0:12:25And how did you say it, Alden...?
0:12:25 > 0:12:28- Ehrenreich.- Ehrenreich. - Alden Ehrenreich, yeah.
0:12:28 > 0:12:32- Alden Ehrenreich. And you were saying he's the new Han Solo. - He's the new Han Solo.
0:12:32 > 0:12:34Cos back in the '70s, it seemed like everyone
0:12:34 > 0:12:36was up for Han Solo - Harrison Ford did it...
0:12:36 > 0:12:38Were you ever offered Han Solo?
0:12:38 > 0:12:40No.
0:12:40 > 0:12:41LAUGHTER
0:12:41 > 0:12:43But didn't you turn down Superman?
0:12:43 > 0:12:45That's...that's an interesting story.
0:12:45 > 0:12:46LAUGHTER
0:12:46 > 0:12:48I was offered Superman -
0:12:48 > 0:12:52I'm told that I was the first person that was offered Superman,
0:12:52 > 0:12:55and I, erm...
0:12:56 > 0:12:58..I didn't think it was a very good idea
0:12:58 > 0:13:01to put a comic strip into a movie.
0:13:01 > 0:13:03LAUGHTER
0:13:03 > 0:13:05And I said "I'm really not interested in that,"
0:13:05 > 0:13:09and the person who had called me about it
0:13:09 > 0:13:11said, "No, you really should take it seriously.
0:13:11 > 0:13:14"They may spend some money on this."
0:13:14 > 0:13:20And I said, "Well, I don't want to do a comic strip in a movie."
0:13:20 > 0:13:22"Well, think about it, please think about it."
0:13:22 > 0:13:24I said, "OK, I'll think about it."
0:13:24 > 0:13:27"And call me back, because they really want you to do this,
0:13:27 > 0:13:29!and I think it can be a big deal."
0:13:29 > 0:13:32So I called my assistant and I said,
0:13:32 > 0:13:34"Go out, please, and get me some long underwear."
0:13:35 > 0:13:38"Long underwear - why? What are you talking about?
0:13:38 > 0:13:39"You don't wear long..."
0:13:39 > 0:13:41I said, "Just get me the long underwear, please.
0:13:41 > 0:13:44So she brought back the long underwear,
0:13:44 > 0:13:46and I took my pants off
0:13:46 > 0:13:48and I put the long underwear on
0:13:48 > 0:13:50I opened up the full-length mirror,
0:13:50 > 0:13:52and I looked at myself,
0:13:52 > 0:13:54and I went to the telephone and I said, "Just forget it!"
0:13:54 > 0:13:56LAUGHTER
0:13:58 > 0:13:59APPLAUSE
0:14:05 > 0:14:07Warren, so many things have been written about you,
0:14:07 > 0:14:09so many "facts"...
0:14:09 > 0:14:11Interesting facts, that we don't examine,
0:14:11 > 0:14:12- have been thrown out.- Mm-hm.
0:14:12 > 0:14:15I know you don't like talking about this,
0:14:15 > 0:14:17so I'm just going to read them out,
0:14:17 > 0:14:19and we'll just try and read your expression...
0:14:19 > 0:14:22- Uh-huh.- ..to see if you're confirming or denying them.
0:14:22 > 0:14:23LAUGHTER
0:14:23 > 0:14:25- MIRANDA:- This is a fun game!
0:14:25 > 0:14:26LAUGHTER
0:14:26 > 0:14:28It's sort of a Psychic Sal.
0:14:28 > 0:14:32- I mean, feel free, if you want to... - Feel free.- ..confirm or deny them.
0:14:32 > 0:14:35- Yeah.- OK, here we go.
0:14:35 > 0:14:37You used to wash your hair every day
0:14:37 > 0:14:38with a six-pack of beer.
0:14:39 > 0:14:42- LAUGHTER Any truth...? - No.- Oh, he's denying that. OK.
0:14:42 > 0:14:43That was my one!
0:14:43 > 0:14:45LAUGHTER
0:14:45 > 0:14:47- Yes?- Yeah, I did that all the time.
0:14:47 > 0:14:48- Uh-huh?- That was cider.
0:14:48 > 0:14:51No-one has that much hair - one can would do you.
0:14:51 > 0:14:54- A six-pack seems excessive. - I would think, yeah.
0:14:54 > 0:14:56You and Jack Nicholson had your own secret passageway
0:14:56 > 0:14:58into the Playboy Mansion.
0:15:04 > 0:15:05Is that true?
0:15:05 > 0:15:07Well, I think the story was printed
0:15:07 > 0:15:10that there was a tunnel going from Jack's house,
0:15:10 > 0:15:15which is near my house, all the way over to Hefner's house,
0:15:15 > 0:15:19which would probably have cost in the neighbourhood of 1 billion.
0:15:20 > 0:15:23- So, no, that is not true.- OK.
0:15:23 > 0:15:25Was it worth it?
0:15:27 > 0:15:30You've lost the Oscar you won for Best Director for Reds.
0:15:30 > 0:15:33- That is a lie. - OK, you know where it is.- Yeah.
0:15:33 > 0:15:36I'm not asking, I'm just pointing that out. OK.
0:15:36 > 0:15:38You photo-shopped the Heaven Can Wait poster
0:15:38 > 0:15:40to make your crotch look larger.
0:15:40 > 0:15:43LAUGHTER
0:15:43 > 0:15:44No.
0:15:44 > 0:15:47Just asking. Just asking!
0:15:47 > 0:15:49Did you mean the crotch?
0:15:49 > 0:15:52- The crotch?- The crotch, that bit.
0:15:53 > 0:15:56That's... You mean the hips? What are you talking about?
0:15:56 > 0:15:58I would say that area.
0:16:00 > 0:16:03Sort of in-between that hip and that hip,
0:16:03 > 0:16:04below your belly button
0:16:04 > 0:16:06and before the space between your legs.
0:16:06 > 0:16:08LAUGHTER AND APPLAUSE
0:16:08 > 0:16:09- You didn't?- No.
0:16:12 > 0:16:14I like how specific you were.
0:16:14 > 0:16:17I thought you were speaking about what is in the crotch.
0:16:17 > 0:16:18Oh, no, no, no.
0:16:18 > 0:16:20Well, I don't know, did you do THAT?
0:16:20 > 0:16:22- No.- You never touched your crotch.
0:16:22 > 0:16:24I never touched the crotch.
0:16:24 > 0:16:26Now, this is the famous one.
0:16:26 > 0:16:30Carly Simon wrote the song You're So Vain about you.
0:16:30 > 0:16:32- How would I know?- Didn't she...?
0:16:32 > 0:16:34Has she said?
0:16:34 > 0:16:36I don't know.
0:16:36 > 0:16:39- OK.- I don't know, I don't know.- OK.
0:16:39 > 0:16:41And the famous one,
0:16:41 > 0:16:43I don't know who did this.
0:16:43 > 0:16:46I like that someone studied maths
0:16:46 > 0:16:50and this is what they used their mathematics degree for -
0:16:50 > 0:16:53they calculated that you've bedded 13,000 women.
0:16:55 > 0:16:57Oh, he's just leaving that one!
0:16:57 > 0:16:59LAUGHTER AND APPLAUSE
0:17:01 > 0:17:02No. That...
0:17:02 > 0:17:05That was a very busy month.
0:17:09 > 0:17:11You would have to live a long time
0:17:11 > 0:17:13to be able to do that, and there's...
0:17:13 > 0:17:15Well, hello!
0:17:17 > 0:17:19And nobody twice.
0:17:21 > 0:17:23And quite a number of people every day.
0:17:23 > 0:17:26But these numbers...
0:17:26 > 0:17:28The answer to your question is no.
0:17:28 > 0:17:30I like that you've thought it through -
0:17:30 > 0:17:33"Is that possible? No, it's not."
0:17:33 > 0:17:34I've been around for so long
0:17:34 > 0:17:39and I've had so many things invented about me that I...
0:17:39 > 0:17:44I...I sort of think sympathetically about...
0:17:44 > 0:17:48How much stuff have you had that has been...?
0:17:48 > 0:17:49I can only imagine.
0:17:49 > 0:17:52Miranda, you had a weird one.
0:17:52 > 0:17:56Yeah, it was sort of so un-showbizzy and kind of strange.
0:17:56 > 0:18:00It was that Heather Small had given me a dog,
0:18:00 > 0:18:02a Scotty dog called Gary.
0:18:06 > 0:18:07Not true?
0:18:07 > 0:18:08Not true.
0:18:08 > 0:18:11Gary played my love interest in the sitcom that I wrote.
0:18:11 > 0:18:16I rather wanted more sort of glamorous...
0:18:16 > 0:18:19You are 25-1 to be the next Doctor Who.
0:18:19 > 0:18:22- Oh, really?- Yes. - Oh, well, there you go.
0:18:22 > 0:18:23Peter.
0:18:25 > 0:18:27Move away.
0:18:28 > 0:18:30- I didn't know that. - You'd be a great Doctor Who.
0:18:30 > 0:18:32- Do you think?!- Yeah!
0:18:32 > 0:18:35I went very high with nerves - "D'you think?!"
0:18:35 > 0:18:37HIGH-PITCHED: "Yes, I will do it!"
0:18:37 > 0:18:39Do you think I'd morph into...?
0:18:39 > 0:18:41Have you done the morph yet?
0:18:43 > 0:18:45Is this a double bluff?
0:18:45 > 0:18:48I've done, erm...I've done...
0:18:48 > 0:18:50I've done my... My death, if you like.
0:18:50 > 0:18:53- Doesn't the other person have to be there?- Not necessarily.
0:18:53 > 0:18:55- Doctor Who...- So, he's about to finish being Doctor Who,
0:18:55 > 0:18:59and then he finishes, but Doctor Who lives on...
0:18:59 > 0:19:01A new actor comes and plays the part, you see.
0:19:01 > 0:19:05- Or act-RESS.- Or actress.- Oh, yes.
0:19:05 > 0:19:07Or highly trained dog.
0:19:08 > 0:19:10We don't know. We just don't know.
0:19:10 > 0:19:11Now, Miranda Hart.
0:19:11 > 0:19:14Miranda Hart's latest venture is the musical theatre,
0:19:14 > 0:19:17in London's glittering West End, in Annie.
0:19:17 > 0:19:21Now, you're not playing Annie, we should hasten to add!
0:19:21 > 0:19:24- A reworking.- Really strange!
0:19:24 > 0:19:27She's taller than the other girls!
0:19:27 > 0:19:29She's had a growing spurt!
0:19:29 > 0:19:31She appears to be very menopausal!
0:19:33 > 0:19:37- You're playing Miss Hannigan. - I'm playing Miss Hannigan.
0:19:37 > 0:19:38Previews begin 23rd May.
0:19:38 > 0:19:40I know people say this,
0:19:40 > 0:19:44but this genuinely is your dream has come true.
0:19:44 > 0:19:46Yes, and it's one of those...erm,
0:19:46 > 0:19:49"be careful what you wish for" things!
0:19:49 > 0:19:54Because, yeah, when I was seven, I think, six or seven,
0:19:54 > 0:19:55I saw Eric Morecambe on telly
0:19:55 > 0:19:57and thought, "I want to be a comedian",
0:19:57 > 0:20:00and then that sort of grew into just being an actress generally.
0:20:00 > 0:20:04And I used to sing all the parts of Annie from an LP
0:20:04 > 0:20:08whenever I got home from school, from the age of about seven,
0:20:08 > 0:20:09and it sort of carried on all my life.
0:20:09 > 0:20:12Then when I saw the film with Carol Burnett, who was just...
0:20:12 > 0:20:14- Oh, my goodness, do you know Carol Burnett?- Mm.
0:20:14 > 0:20:15Oh!
0:20:17 > 0:20:20- I mean, I love you, but she... - Who do you love more?
0:20:20 > 0:20:22Well, I love you more, because you're here now.
0:20:22 > 0:20:25LAUGHTER
0:20:25 > 0:20:27APPLAUSE
0:20:28 > 0:20:2913,001!
0:20:29 > 0:20:31LAUGHTER
0:20:35 > 0:20:37Is it all because...?
0:20:37 > 0:20:39Because Miss Hannigan's the baddie,
0:20:39 > 0:20:41and we don't see you as the baddie.
0:20:41 > 0:20:43That's the other reason that I was really excited
0:20:43 > 0:20:45to have the chance to play it,
0:20:45 > 0:20:48because, yeah, she's also brash and grotesque,
0:20:48 > 0:20:49and she's drunk and she's the baddie,
0:20:49 > 0:20:52and I'm normally playing parts that are sort of like this,
0:20:52 > 0:20:55and vulnerable, and I apologise for existing.
0:20:55 > 0:20:57It's quite a challenge as well
0:20:57 > 0:21:01to sort of put my shoulders back and do the tits-and-teeth thing,
0:21:01 > 0:21:05be brash and, like, " ... you, world"!"
0:21:05 > 0:21:06In fact, look at the way I'm sitting,
0:21:06 > 0:21:08I'm sort of taking the couch on a bit.
0:21:08 > 0:21:10I have got a bit more personally confident because of her.
0:21:10 > 0:21:13- It's quite fun. - You brought it home.- Yeah.
0:21:13 > 0:21:14Fuck you!
0:21:19 > 0:21:22- Children in Annie! Children in Annie.- Children.
0:21:22 > 0:21:25- There's children in Annie. - Please bring your families along.
0:21:25 > 0:21:27Please do.
0:21:27 > 0:21:29Here's Hannigan, "Yeah, yeah...!"
0:21:29 > 0:21:31Learning the American accent's really interesting,
0:21:31 > 0:21:35because one of the first things I was told is that, American,
0:21:35 > 0:21:37you just sort of keep speaking to the end of the sentence
0:21:37 > 0:21:40and you will just keep talking, culturally, until someone butts in,
0:21:40 > 0:21:43because you've got a bit more confidence and you're excited
0:21:43 > 0:21:45and you're optimistic and you'll just keep talking, like that.
0:21:45 > 0:21:48Whereas we sort of go, "Oh, hello, it's very nice to see you."
0:21:48 > 0:21:50And we kind of apologise.
0:21:50 > 0:21:52"Does anyone else want to speak now?"
0:21:52 > 0:21:55- It's that confidence, it's amazing. - It's great.- It's great.
0:21:55 > 0:21:56I worked with an American who said...
0:21:56 > 0:21:59He came in in the morning and he was tired and he was yawning,
0:21:59 > 0:22:00and I said, "How did you sleep?"
0:22:00 > 0:22:02He said, "Well, well, well."
0:22:02 > 0:22:06I said, "How well?" He said, "I slept like a champ."
0:22:06 > 0:22:10We'd say, "Oh, we slept like a log," an inanimate object,
0:22:10 > 0:22:13but to him, he already had a success story going already.
0:22:13 > 0:22:17He was a champ, and that's how he slept, after a big fight.
0:22:17 > 0:22:20It's also like, "I live in a massive house and I earn masses of money,"
0:22:20 > 0:22:23and we're like, "I'm so sorry, I'm in the tax bracket."
0:22:25 > 0:22:28Mustn't admit any sort of success, can we?
0:22:28 > 0:22:30In terms of bringing work home,
0:22:30 > 0:22:34- when you work with your wife, Annette Bening...- Yes.
0:22:34 > 0:22:36..do you have rules?
0:22:36 > 0:22:38- Yes.- Do you go, "we don't talk about it", or "we do"?
0:22:38 > 0:22:41- I do as I'm told.- OK.- Yes.
0:22:41 > 0:22:46But do you discuss the scenes at home or is that all on set?
0:22:46 > 0:22:48We don't discuss it at home.
0:22:51 > 0:22:53I feel that's a full and frank answer.
0:22:55 > 0:22:59- Cos, Keeley Hawes, you're married to Matthew Macfadyen, an actor. - I am indeed.
0:22:59 > 0:23:02What do you do? Do you discuss...? Because you have filmed together.
0:23:02 > 0:23:06- Yes, we have. But we don't discuss it at home either. No.- Thank you.
0:23:06 > 0:23:10- I'm not that odd.- There you are. - No! No-one said that.
0:23:10 > 0:23:13And we don't discuss it when we're...
0:23:13 > 0:23:15- When we're at home either.- Yes. No.
0:23:15 > 0:23:19None of us will speak of this show afterwards.
0:23:19 > 0:23:21It won't even be on the iPlayer.
0:23:21 > 0:23:23We sort of say, "Oh, how was the day?"
0:23:23 > 0:23:25I'm surprised you don't talk about it.
0:23:25 > 0:23:27We don't sit and sort of
0:23:27 > 0:23:30talk about the scenes or talk about acting.
0:23:30 > 0:23:35It would be really boring and a bit weird, I think, maybe.
0:23:35 > 0:23:38- Each to their own. - It's for different people.- Exactly.
0:23:38 > 0:23:40We've got children to talk about, dinners to cook and things.
0:23:40 > 0:23:43- How many do you have?- Three. - Oh, we have four.
0:23:43 > 0:23:45LAUGHTER
0:23:45 > 0:23:47Wow. So competitive!
0:23:51 > 0:23:53Now, Keeley Hawes, she is returning to our TV screens
0:23:53 > 0:23:55next Sunday at eight o'clock on ITV
0:23:55 > 0:23:58with the second series of The Durrells.
0:23:58 > 0:24:01And congratulations, because the first series, big hit.
0:24:01 > 0:24:03- Yes, very nice too, thank you.- Yes.
0:24:03 > 0:24:06No, because it was the biggest new drama ITV had, I think.
0:24:06 > 0:24:09- Something like that, yes. - There are statistics.
0:24:09 > 0:24:11- There are, there are statistics... - You should know them.
0:24:11 > 0:24:13..which I have forgotten.
0:24:13 > 0:24:18But, yes, it was, it was a big hit. People really seemed to love it.
0:24:18 > 0:24:19And congratulations,
0:24:19 > 0:24:22because you've got a BAFTA nomination for Best Drama.
0:24:22 > 0:24:24Yes, very nice, thank you.
0:24:24 > 0:24:25And, no offence to actors,
0:24:25 > 0:24:29but actors do often make their jobs sound slightly harder than they are.
0:24:29 > 0:24:33But you... You are very frank about this.
0:24:33 > 0:24:35You basically said it's like a holiday.
0:24:35 > 0:24:37You go to Corfu and have a lovely time.
0:24:37 > 0:24:41It's gorgeous and the people are so lovely
0:24:41 > 0:24:45and I'm so lucky with the wonderful cast, you know.
0:24:45 > 0:24:50And often you say that and slightly might not mean it, but...
0:24:50 > 0:24:54But hand on my heart, you know, all of the kids...
0:24:54 > 0:24:55And they're such great actors.
0:24:55 > 0:24:58People always say, "What's it like, working with so many kids?"
0:24:58 > 0:24:59Three of them are in their 20s -
0:24:59 > 0:25:02they're not kids, they just do such a great job.
0:25:02 > 0:25:04So, yes, it's very exciting.
0:25:04 > 0:25:05Well, we've got a clip.
0:25:05 > 0:25:09This is you and your children on Corfu from, I think,
0:25:09 > 0:25:10this Sunday's episode,
0:25:10 > 0:25:13where you're trying to think of ways to make money.
0:25:13 > 0:25:15- Obviously very practical.- Yes.
0:25:15 > 0:25:16Urgently need money.
0:25:16 > 0:25:18Come on, everyone, ideas.
0:25:20 > 0:25:22We form a family music band and go on tour.
0:25:25 > 0:25:27Having learned to play instruments.
0:25:27 > 0:25:28I wouldn't normally say this,
0:25:28 > 0:25:31but you two girls need to marry well, quickly.
0:25:31 > 0:25:34I may once have agreed with you, but now I find that offensive.
0:25:34 > 0:25:35Well done, Margo.
0:25:35 > 0:25:37Unless he's really gorgeous.
0:25:37 > 0:25:39Let's kill Aunt Hermione for the inheritance.
0:25:39 > 0:25:42All right, I'll hold her down.
0:25:42 > 0:25:44Oh, my God, you're not joking.
0:25:44 > 0:25:47Right, thank you, everyone, for your superb ideas.
0:25:47 > 0:25:48Today, at the market,
0:25:48 > 0:25:52a provocative Englishman made fun of our produce
0:25:52 > 0:25:54and he was quite right.
0:25:54 > 0:25:56Let's do it properly.
0:25:56 > 0:26:00Let's sell our vegetables and grow more.
0:26:00 > 0:26:03Let's make goat's cheese and honey,
0:26:03 > 0:26:07and let's cook proper English food that nobody here has ever heard of.
0:26:07 > 0:26:10APPLAUSE Beautiful.
0:26:16 > 0:26:19- They have upped the number of animals in this one.- They have.
0:26:19 > 0:26:22- I'd say they doubled it.- OK.- Yes.
0:26:22 > 0:26:25- And apparently a lot of birds in this one.- So many birds.
0:26:25 > 0:26:29- But do you train a bird?- You can.
0:26:29 > 0:26:33We have a seagull called Steven SeaGULL, obviously.
0:26:33 > 0:26:37- Of course.- And he is very good. He's quite angry.
0:26:37 > 0:26:40I think seagulls generally are quite angry.
0:26:40 > 0:26:43But I have a scene with him in this series.
0:26:44 > 0:26:46We have a conversation and he was very good.
0:26:47 > 0:26:51But you have to act with chickens. Now, you cannot train a chicken.
0:26:51 > 0:26:52Chickens, no, no, but it helps...
0:26:52 > 0:26:56If the chicken loves you, like our chicken loves me...
0:26:56 > 0:26:57I'm really proud of that.
0:26:57 > 0:27:01I don't know why, it's quite an odd thing, but it just loves me.
0:27:01 > 0:27:05And, yeah, that helps, because it wants to be near me.
0:27:07 > 0:27:10So, in scenes, does it kind of edge into your close-up?
0:27:10 > 0:27:13Yes, yes!
0:27:13 > 0:27:16We had a very long scene, I was sitting at the kitchen table,
0:27:16 > 0:27:17and this chicken sort of...
0:27:17 > 0:27:19For some reason or other,
0:27:19 > 0:27:21the chicken had to be thrown onto the table.
0:27:21 > 0:27:23And we really look after our animals -
0:27:23 > 0:27:26- it wasn't thrown hard or anything... - LAUGHTER
0:27:26 > 0:27:29It was kicked with a soft shoe.
0:27:29 > 0:27:32And it sort of walked along and,
0:27:32 > 0:27:34I'm not sure how they've edited it,
0:27:34 > 0:27:37but it walked along and...
0:27:37 > 0:27:39It does a lot of this.
0:27:39 > 0:27:41And then did a bit of this,
0:27:41 > 0:27:43and then sort of just stood like this.
0:27:43 > 0:27:45And it wouldn't go away.
0:27:45 > 0:27:49So then I just sort of sit like that with the chicken, you know...
0:27:49 > 0:27:51Can you stroke a chicken? Can you cuddle a chicken?
0:27:51 > 0:27:55- Oh, yeah, you can really cuddle a chicken. Well, this one.- Yes.
0:27:55 > 0:27:56And you can roast them.
0:27:56 > 0:27:58LAUGHTER
0:27:59 > 0:28:01Happy Easter, everyone!
0:28:03 > 0:28:05APPLAUSE
0:28:07 > 0:28:11Obviously, filming can be hard work, but what you do, Warren,
0:28:11 > 0:28:13is this idea of writing it, directing it,
0:28:13 > 0:28:15producing it, starring in the film.
0:28:15 > 0:28:17I just wondered, as a young actor...
0:28:17 > 0:28:21I thought he was going to ask me about affairs with animals.
0:28:21 > 0:28:25Yes, yes. So, in addition to the 13,000 women,
0:28:25 > 0:28:26let's move into the animal kingdom.
0:28:28 > 0:28:32Because you were a successful actor, and presumably, there is
0:28:32 > 0:28:37the temptation to have a lovely life being a successful actor.
0:28:37 > 0:28:40How did you get the confidence? Do you look back and kind of think,
0:28:40 > 0:28:44"How was I confident enough to say, 'I will produce this film, I will be in charge'?"
0:28:44 > 0:28:47I don't think you ever have confidence.
0:28:47 > 0:28:50You just think, "Well, let's try it."
0:28:52 > 0:28:55But I would say that from the beginning,
0:28:55 > 0:28:58I had an inclination to be a control freak,
0:28:58 > 0:29:00if that's what you mean.
0:29:00 > 0:29:03I wanted to, you know, put the thing together.
0:29:03 > 0:29:06But really, from the beginning.
0:29:06 > 0:29:09Wow. And also, I suppose, the thing is it worked.
0:29:09 > 0:29:12If it hadn't worked then we wouldn't even be talking about this.
0:29:12 > 0:29:13No, it would be limited.
0:29:14 > 0:29:16Because this is extraordinary,
0:29:16 > 0:29:20and no-one else has done this - two films, Heaven Can Wait and Reds,
0:29:20 > 0:29:25you were Oscar-nominated four times for each film.
0:29:25 > 0:29:27Oscar-nominated as the producer, the director,
0:29:27 > 0:29:28the writer and the star.
0:29:28 > 0:29:30No-one else has done that, have they?
0:29:30 > 0:29:32Orson Welles did it once.
0:29:32 > 0:29:33But you did it twice.
0:29:33 > 0:29:36Yeah! Take that, Orson!
0:29:36 > 0:29:37- Yeah.- Yeah!
0:29:37 > 0:29:39You're not done, you could do it a third time.
0:29:39 > 0:29:41APPLAUSE
0:29:44 > 0:29:46Because you've stayed in Hollywood,
0:29:46 > 0:29:48you've stayed making movies in Hollywood,
0:29:48 > 0:29:50so you are always dealing, I guess,
0:29:50 > 0:29:54- with somebody from a studio or somebody.- Yeah.
0:29:54 > 0:29:55What are the biggest fights about?
0:29:55 > 0:29:57What's the biggest fight you've had, making a movie?
0:29:57 > 0:30:00Has it been about casting, has it been script, budget?
0:30:00 > 0:30:04What have been the big... drawing a line in the sand?
0:30:04 > 0:30:06I think of them as discussions.
0:30:07 > 0:30:12Jack Warner got very mad at me when we were doing Bonnie And Clyde.
0:30:12 > 0:30:16He wanted things changed and that's become somewhat of a...
0:30:16 > 0:30:21But our voices rose and I was a kid and he was not
0:30:21 > 0:30:24and finally, he said, "Look..."
0:30:24 > 0:30:26And I won't use the language,
0:30:26 > 0:30:29because I feel it would be inappropriate at this time...
0:30:29 > 0:30:31Yeah, Miranda.
0:30:31 > 0:30:33Yo!
0:30:33 > 0:30:35LAUGHTER
0:30:35 > 0:30:36OK. Then he said,
0:30:36 > 0:30:39"It's my fucking name on the water tower."
0:30:39 > 0:30:42And I took a deep breath,
0:30:42 > 0:30:44he had said it was his name on the water tower,
0:30:44 > 0:30:49I walked to the window and I looked out and I said,
0:30:49 > 0:30:51"Uh-huh - no, it's my initials."
0:30:53 > 0:30:55- Oh!- Oh, hello!
0:30:55 > 0:30:57He said, "All right, do whatever you want."
0:30:58 > 0:31:00APPLAUSE
0:31:02 > 0:31:05And in terms of dealing with Hollywood, Peter,
0:31:05 > 0:31:08Peter Capaldi, Oscar winner - he shares an Oscar with you.
0:31:08 > 0:31:11But you... No, you did win an Oscar.
0:31:11 > 0:31:13- Don't look like that. - Yes, yes, get on with it.
0:31:13 > 0:31:16But the story I want, and it's such a kind of...
0:31:16 > 0:31:20It's how brutal Hollywood can be. Peter has such a...
0:31:20 > 0:31:21Anyway, tell your story.
0:31:21 > 0:31:25It was...I won an Oscar for directing a short film.
0:31:25 > 0:31:27I didn't know you could win Oscars for short films,
0:31:27 > 0:31:28but there you are, it happened.
0:31:28 > 0:31:31Very exciting, went to Hollywood. Marvellous, wonderful.
0:31:31 > 0:31:35And I sold a script to a company called Miramax,
0:31:35 > 0:31:36who were very famous.
0:31:36 > 0:31:38And they let me...
0:31:38 > 0:31:41I came back home to Britain and I worked on this script
0:31:41 > 0:31:42and they were paying me and it was lovely.
0:31:42 > 0:31:44I bought my house and all that stuff.
0:31:44 > 0:31:47And we did it over the phone and stuff like that and they said,
0:31:47 > 0:31:50"OK, we're going to make this movie."
0:31:50 > 0:31:53So they booked me on a flight to New York and I was going to
0:31:53 > 0:31:56fly over and start discussions about it.
0:31:56 > 0:31:59I got on the flight, got to the hotel,
0:31:59 > 0:32:00a big dream car outside,
0:32:00 > 0:32:04got into the car and the driver was a lovely guy.
0:32:04 > 0:32:07He was called Ralph and he said, "What are you doing here?"
0:32:07 > 0:32:10I said, "Well, I'm just going down to begin work on my movie.
0:32:10 > 0:32:14"We're going to start talking about casting, probably,
0:32:14 > 0:32:15"and preproduction." He said, "Great,"
0:32:15 > 0:32:18and he said, "I have to take you down to the office."
0:32:18 > 0:32:21I said, "Yeah," and he said, "Then I have to wait for you."
0:32:21 > 0:32:24And I said, "No, you probably don't have to wait because
0:32:24 > 0:32:27"we're probably going to go for a meal and have some champagne."
0:32:27 > 0:32:29He said, "No, I've been told to wait."
0:32:29 > 0:32:30Oh...
0:32:30 > 0:32:32"All right, OK."
0:32:32 > 0:32:35But I still think I'm a big shot by this time, so I gave him a big tip.
0:32:35 > 0:32:38I said, "You have that, Ralph. Thanks very much.
0:32:38 > 0:32:41"You can wait if you like, but we're going to be a while, probably."
0:32:41 > 0:32:45And I go into the offices and meet the guy who is in charge,
0:32:45 > 0:32:48Bob, who basically says,
0:32:48 > 0:32:51"We ain't going to do this. It's over."
0:32:51 > 0:32:52And that was it.
0:32:52 > 0:32:54We weren't going to do anything else,
0:32:54 > 0:32:56we weren't going to talk about production,
0:32:56 > 0:33:00we weren't going to talk about other projects.
0:33:00 > 0:33:02It was just over, there was the door...
0:33:02 > 0:33:03"But your driver's waiting."
0:33:05 > 0:33:08And I got into the car and I was sort of in shock.
0:33:08 > 0:33:12I didn't know what to do because I had no money.
0:33:12 > 0:33:14I spent all my money, I had no career as an actor
0:33:14 > 0:33:17because that was over cos I decided to be a director,
0:33:17 > 0:33:18and I was laughing.
0:33:18 > 0:33:20I said, "It's over."
0:33:20 > 0:33:22Ralph was saying, "But what's happened to you?"
0:33:22 > 0:33:25I said, "I was going to make a movie
0:33:25 > 0:33:28"and now I'm not going to make a movie, and I've got no money,
0:33:28 > 0:33:30"I've got no career, I've got nothing."
0:33:30 > 0:33:33And we got out of the car and he gave me my tip back.
0:33:33 > 0:33:35Oh!
0:33:35 > 0:33:37APPLAUSE
0:33:40 > 0:33:41That's New York!
0:33:43 > 0:33:45Does that happen, though? Is it cut-throat?
0:33:45 > 0:33:47Twice a week, twice a week.
0:33:47 > 0:33:49- Not to Warren.- No.
0:33:51 > 0:33:53Well, listen, it's all ended happily,
0:33:53 > 0:33:56because Peter Capaldi now is back where he belongs
0:33:56 > 0:33:58for one final season with Doctor Who.
0:33:58 > 0:34:01Tomorrow night, 7.20, BBC One. So, this is bye-bye?
0:34:01 > 0:34:03This is bye-bye, yeah.
0:34:03 > 0:34:04Have you finished, finished, finished?
0:34:04 > 0:34:07I've still got the Christmas special to do.
0:34:07 > 0:34:11- So we finished on Friday, we've been filming for ten months.- OK.
0:34:11 > 0:34:13It was shoot day 205, was last Friday,
0:34:13 > 0:34:16so we're all pretty exhausted.
0:34:16 > 0:34:18But if you've done the...
0:34:18 > 0:34:20Ah, well, you've got to watch it and see.
0:34:20 > 0:34:25I have done the death of my character.
0:34:25 > 0:34:26OK, so...
0:34:26 > 0:34:29Wait a minute, are you the 13th Doctor as well?
0:34:29 > 0:34:33- Do you just come back as yourself? - Well, that's the surprise!- Surprise!
0:34:33 > 0:34:36No, I can't tell you what's going to happen,
0:34:36 > 0:34:38but it's going to be very interesting.
0:34:38 > 0:34:41And not to pry, but is there any particular reason
0:34:41 > 0:34:43why you say bye-bye now?
0:34:43 > 0:34:45I think I've always...
0:34:45 > 0:34:49You know, Doctor Who is a great job
0:34:49 > 0:34:54but it's a bit of a television factory, you know?
0:34:54 > 0:34:59You do 12 episodes a year, and I just worry
0:34:59 > 0:35:01that I wouldn't be able to do...
0:35:01 > 0:35:05I wouldn't be able to continue doing my best work because,
0:35:05 > 0:35:08you know, I like to be able to learn the lines and do some preparation
0:35:08 > 0:35:11and come in and give it the vigour and fun.
0:35:11 > 0:35:14- And not hate it. - And not hate it, yes.
0:35:14 > 0:35:18So I just thought, you know, "While you're enjoying it, leave."
0:35:18 > 0:35:20But in terms of doing press and things, obviously Doctor Who
0:35:20 > 0:35:24is all over the world, so you have to do press everywhere.
0:35:24 > 0:35:28- But was it in Germany you had an awkward...?- Oh, I went to Berlin.
0:35:28 > 0:35:32I love Berlin but, you know, being British, of course,
0:35:32 > 0:35:34you still are a little bit uptight there,
0:35:34 > 0:35:38and people do say to you, "Don't mention the war."
0:35:38 > 0:35:42So you try... If you remember, the war I mean is the last one,
0:35:42 > 0:35:43the Second World War.
0:35:43 > 0:35:47So I went there, and we'd never gone to Berlin to publicise
0:35:47 > 0:35:50Doctor Who before, so I was very nice and thinking,
0:35:50 > 0:35:52"I'll not mention the war."
0:35:52 > 0:35:55And the very first journalist I met, he said to me,
0:35:55 > 0:36:00"Is it true that the Daleks are based on the Nazis?"
0:36:00 > 0:36:02LAUGHTER
0:36:04 > 0:36:06And I thought, "What do I say?
0:36:06 > 0:36:09"Will I offend the Nazis if I say yes?
0:36:09 > 0:36:10"Oh, to hell with them.
0:36:10 > 0:36:13"Yes, of course they were based on the Nazis."
0:36:13 > 0:36:16- Are they based on the Nazis? - Yeah!- Oh!
0:36:18 > 0:36:19Is that why they do that?
0:36:19 > 0:36:21They walk around like that and say,
0:36:21 > 0:36:23"Exterminate, exterminate, exterminate."
0:36:23 > 0:36:24They're Cockney Nazis.
0:36:26 > 0:36:28There are a few of those.
0:36:28 > 0:36:31Let's enjoy a moment from tomorrow's opening episode.
0:36:31 > 0:36:35- This is you and your new companion. - Yeah.- Two new companions.
0:36:35 > 0:36:37Yes, that's right. We've got the wonderful Pearl Mackie,
0:36:37 > 0:36:39who is playing the character of Bill Potts,
0:36:39 > 0:36:42who's wonderful, and also, Matt Lucas is joining us as well,
0:36:42 > 0:36:45- so there's a whole new team in the TARDIS.- Woo-hoo!
0:36:45 > 0:36:48Well, this is you and Pearl Mackie, playing Bill Potts,
0:36:48 > 0:36:49entering the TARDIS.
0:36:51 > 0:36:55- I'll tell you what, let's just pop into my box.- Your box?
0:36:55 > 0:36:57What good is getting in your box going to do?
0:36:57 > 0:37:00What an extraordinarily long and involved answer this is going to be.
0:37:03 > 0:37:05How is nothing getting in? We're trapped in here!
0:37:05 > 0:37:09- Nothing gets through these doors. - But they're made of wood.
0:37:09 > 0:37:10They've got windows!
0:37:16 > 0:37:21Look, this is all mad, I know, but that's the guy I told you about.
0:37:21 > 0:37:25Heather? Only I don't think it's really her.
0:37:27 > 0:37:29I know this is hard to believe.
0:37:29 > 0:37:31I know you're not exactly a sci-fi person...
0:37:35 > 0:37:37Time and relative dimension in space.
0:37:40 > 0:37:42TARDIS for short.
0:37:44 > 0:37:46APPLAUSE
0:37:47 > 0:37:48OK!
0:37:50 > 0:37:53It's time for music.
0:37:53 > 0:37:58Now, this lady is a multi-platinum Oscar and Grammy-winning superstar.
0:37:58 > 0:38:00Here performing her latest single,
0:38:00 > 0:38:03Remember Me, please welcome Jennifer Hudson.
0:38:03 > 0:38:05CHEERING AND APPLAUSE
0:38:14 > 0:38:15# There you are
0:38:16 > 0:38:18# Yeah, you found me
0:38:19 > 0:38:22# Strong enough to break my sleep
0:38:23 > 0:38:24# Say it hurt
0:38:25 > 0:38:27# Say you're lonely
0:38:27 > 0:38:30# Say I forgot to give you what you need
0:38:32 > 0:38:34# Well, I promised you gold
0:38:34 > 0:38:36# Yet I have it to hold
0:38:36 > 0:38:39# I was bound to
0:38:39 > 0:38:41# I was bound to
0:38:41 > 0:38:43# I couldn't give any more
0:38:43 > 0:38:46# Cos it's already yours
0:38:46 > 0:38:48# Look around you
0:38:48 > 0:38:51# Look around you
0:38:59 > 0:39:02# So do you remember me
0:39:02 > 0:39:04# Remember me
0:39:04 > 0:39:06# In those moments just before you sleep?
0:39:06 > 0:39:08# Before you sleep
0:39:08 > 0:39:11# I know you remember me
0:39:11 > 0:39:13# Remember me
0:39:13 > 0:39:15# Swear to me the memory isn't seen
0:39:15 > 0:39:17# It isn't seen
0:39:17 > 0:39:20# Promise me
0:39:21 > 0:39:24# That it doesn't make your heart beat
0:39:24 > 0:39:26# Oh
0:39:26 > 0:39:28# Doesn't make your heart beat
0:39:29 > 0:39:31# Well, I know you
0:39:32 > 0:39:33# You know me
0:39:34 > 0:39:37# Oh, baby, we don't even gotta speak
0:39:38 > 0:39:40# All you hear, same as you
0:39:40 > 0:39:43# What you feel, feel it too
0:39:43 > 0:39:47# All you gotta do is read, yeah
0:39:47 > 0:39:50# But nothing you ever said
0:39:50 > 0:39:52# That could drive me away
0:39:52 > 0:39:54# I'm inside you
0:39:54 > 0:39:56# I'm inside you
0:39:56 > 0:39:59# So if you make a mistake
0:39:59 > 0:40:00# Let me carry your weight
0:40:00 > 0:40:03# I'm beside you
0:40:03 > 0:40:07# I'm beside you
0:40:07 > 0:40:09- # So do you - Remember me
0:40:09 > 0:40:12- # Remember me - Remember me
0:40:12 > 0:40:15# In those moments just before you sleep?
0:40:15 > 0:40:16# Just before you sleep
0:40:16 > 0:40:18- # I know you - Remember me
0:40:18 > 0:40:21- # Remember me - Remember me
0:40:21 > 0:40:25- # Swear to me the memory isn't seen - It isn't seen
0:40:25 > 0:40:28# Promise me
0:40:29 > 0:40:32# That it doesn't make your heart beat
0:40:32 > 0:40:34# Oh
0:40:34 > 0:40:37# Doesn't make your heart beat
0:40:37 > 0:40:39# I'm here when you want me
0:40:39 > 0:40:41# When you want me
0:40:43 > 0:40:46# There's no place I'd rather be
0:40:46 > 0:40:48# You may not know it
0:40:48 > 0:40:50# May not know it
0:40:50 > 0:40:55# But it doesn't end like this
0:40:55 > 0:41:00# It doesn't end like this
0:41:01 > 0:41:04# I know you
0:41:04 > 0:41:06# Remember me
0:41:06 > 0:41:09# In those moments just before you sleep
0:41:09 > 0:41:10# Before you sleep
0:41:10 > 0:41:15# I know you remember me
0:41:15 > 0:41:18# Swear to me
0:41:18 > 0:41:20# Swear to me
0:41:20 > 0:41:24# Promise me
0:41:24 > 0:41:28# That it doesn't make your heart beat
0:41:28 > 0:41:36# No, it doesn't make your heart beat. #
0:41:36 > 0:41:40CHEERING AND APPLAUSE
0:41:40 > 0:41:41Woo!
0:41:43 > 0:41:44Wow!
0:41:46 > 0:41:48Jennifer Hudson, everybody!
0:41:48 > 0:41:52How beautiful was that? Come on over, do!
0:41:52 > 0:41:55And well done, the orchestra and everything, the singers.
0:41:55 > 0:41:58Hello, darling. Jennifer Hudson!
0:41:58 > 0:42:00Come and have a seat, do.
0:42:00 > 0:42:02Peter Capaldi, Miranda Hart,
0:42:02 > 0:42:04Keeley Hawes, Warren Beatty...
0:42:04 > 0:42:06- Thank you so much. - ..all here for you.
0:42:08 > 0:42:10OK.
0:42:10 > 0:42:11Love it, OK.
0:42:12 > 0:42:14Now, yes, sit, sit, sit.
0:42:14 > 0:42:18That was beautiful, thank you very, very, very much. It was gorgeous.
0:42:18 > 0:42:22That of course is the new single. It's out now. It's terrific.
0:42:22 > 0:42:25So, presumably part of an album.
0:42:25 > 0:42:27Yes, that's in the works.
0:42:27 > 0:42:30- That's in the works.- Yes. - Are you recording that now?- I am.
0:42:30 > 0:42:31Thank you very much for that,
0:42:31 > 0:42:33- because I know it was all live and everything.- Oh, yes.
0:42:33 > 0:42:35- That's beautiful, really, really terrific.- Thank you.
0:42:35 > 0:42:38And congratulations on The Voice.
0:42:38 > 0:42:41- You won The Voice. - I won! Team J Hud!- Yes!
0:42:41 > 0:42:43CHEERING AND APPLAUSE
0:42:46 > 0:42:48It's my first season too.
0:42:48 > 0:42:51First season, you were the first ever female judge winner.
0:42:51 > 0:42:54To actually win, so, yeah. I still can't believe it.
0:42:54 > 0:42:57- So, will you be back next year? - I want to be back next year.
0:42:57 > 0:42:59- If you guys will have me back. - Oh, yeah!
0:43:00 > 0:43:02- We love you. - Thank you, thank you.
0:43:02 > 0:43:04Actually, no, before you came out,
0:43:04 > 0:43:07- Peter Capaldi was saying he was a big fan of yours.- Oh, thank you!
0:43:07 > 0:43:09Absolutely. And The Voice I absolutely love.
0:43:09 > 0:43:12And you were so kind to people, and also, you're such a huge talent.
0:43:12 > 0:43:17- Wow.- And also, to have those youngsters there who were
0:43:17 > 0:43:19so gifted and to have a person like yourself teach them
0:43:19 > 0:43:22- and help them was wonderful. Wonderful to see.- Thank you.
0:43:22 > 0:43:25And also because you went through that whole gruelling process
0:43:25 > 0:43:28- because of, obviously, American Idol and everything.- Yeah.
0:43:28 > 0:43:33So, what's the story about you entering a singing competition?
0:43:33 > 0:43:35Well, see, first of all, I started out singing in contests,
0:43:35 > 0:43:38so me and my assistant, who's still my assistant to this day,
0:43:38 > 0:43:40as kids we would go and win all the talent shows
0:43:40 > 0:43:42and we would split the money.
0:43:42 > 0:43:44He would get 10%. So, not too long ago,
0:43:44 > 0:43:47we decided to try our hand at it again.
0:43:47 > 0:43:50We were in Florida and we went to this random bowling alley
0:43:50 > 0:43:53and they so happened to have a karaoke contest.
0:43:53 > 0:43:57And I was like, "Oh, I'll enter this contest and see if I can still win."
0:43:57 > 0:43:59And I actually won and they were so excited. They were like...
0:43:59 > 0:44:01They didn't know I was Jennifer Hudson, they was like,
0:44:01 > 0:44:05"You just won 75." I was like, "I won 75?!"
0:44:05 > 0:44:08And they said, "Come back next week, it'll be even more money."
0:44:08 > 0:44:11I was like, "I will be back. I sure will."
0:44:13 > 0:44:15I won!
0:44:15 > 0:44:17And, Warren, you were saying, did you see...?
0:44:17 > 0:44:22I go way back with Jennifer. I think she's just...
0:44:22 > 0:44:25- HE EXHALES - Thank you so much.
0:44:25 > 0:44:27- That's how I feel about you. - SHE EXHALES
0:44:28 > 0:44:31- Thank you, thank you. - It's hard to put that on a poster.
0:44:31 > 0:44:34Warren Beatty... HE EXHALES
0:44:34 > 0:44:37Now, very quickly, are you going to tour?
0:44:37 > 0:44:40I am! I'm going to come here and sing for you guys,
0:44:40 > 0:44:41so come out and see me.
0:44:41 > 0:44:43This fall, so I'm going to start...
0:44:43 > 0:44:45I don't know what I'm going to call it.
0:44:45 > 0:44:47I want it to be called Music And Me Tour.
0:44:47 > 0:44:50So, um, which will start this fall, so look for me.
0:44:50 > 0:44:52We will. And it will all be the new...
0:44:52 > 0:44:55Because when is this album that you're working on going to be out?
0:44:55 > 0:44:57Well, it better be done by the time the tour happens!
0:44:57 > 0:45:00- Otherwise it's a bit of a wasted opportunity.- Exactly.
0:45:00 > 0:45:02That is the goal. But, you know, I'll be covering, like,
0:45:02 > 0:45:05just everything that I've done, because I'm also an actress as well
0:45:05 > 0:45:07and I sing a lot as my characters in films.
0:45:07 > 0:45:10And it's so many different outlets that people resonate with me,
0:45:10 > 0:45:13so I want to be able to incorporate it all in the tour,
0:45:13 > 0:45:16whether it's from Dreamgirls, American Idol, The Voice -
0:45:16 > 0:45:18I don't care, I want to put it all in there.
0:45:18 > 0:45:20- Have an evening with Jennifer Hudson, how about that?- Wow.
0:45:20 > 0:45:22Well, if it's as good as that, we'll be flocking to it.
0:45:22 > 0:45:25Jennifer Hudson, everybody. Thank you very much.
0:45:25 > 0:45:27CHEERING AND APPLAUSE
0:45:28 > 0:45:31Nearly done, here we go...
0:45:31 > 0:45:32But before we go, of course,
0:45:32 > 0:45:36we do have time for a very quick visit to the Big Red Chair.
0:45:36 > 0:45:39Who's there? Hello!
0:45:39 > 0:45:42- You, sir?- Yes.- Hello.
0:45:42 > 0:45:44LAUGHTER
0:45:44 > 0:45:46High hopes I don't have.
0:45:49 > 0:45:51- What's your name, sir? - David.- David, lovely.
0:45:51 > 0:45:54- And where are you from, David? - Australia.- You live here now?
0:45:54 > 0:45:56Yes, I do, I live in Surrey.
0:45:56 > 0:45:58You live in Surrey, lovely part of the world.
0:45:58 > 0:46:00And what do you do in Surrey, David?
0:46:00 > 0:46:04I design and build exhibitions, so I'm an exhibitionist, really.
0:46:04 > 0:46:07LAUGHTER That was good.
0:46:07 > 0:46:10- APPLAUSE No, it was nice.- Good.- Funny.
0:46:10 > 0:46:13- All right, David, off you go with your story.- OK.
0:46:13 > 0:46:16When I first came over to England, I had a couple of
0:46:16 > 0:46:19interesting moments with the English accent.
0:46:19 > 0:46:20And I had a blocked ear,
0:46:20 > 0:46:25so I had to go to the walkabout centre to get it unblocked.
0:46:26 > 0:46:31And after she'd flushed my ear out, the nurse said to me,
0:46:31 > 0:46:34"Now I want you to oil your ear and your willy."
0:46:35 > 0:46:38And I said to her, "And my willy?"
0:46:38 > 0:46:41She said, "No, annually."
0:46:42 > 0:46:45LAUGHTER That's good!
0:46:45 > 0:46:47You can walk. You can walk!
0:46:50 > 0:46:51Very good!
0:46:51 > 0:46:54Well done, everyone. If you'd like to join us on the show
0:46:54 > 0:46:55and have a go on the red chair,
0:46:55 > 0:46:57you can contact us via website at this very address.
0:46:57 > 0:46:59That is it for tonight, so please say
0:46:59 > 0:47:02a big thank you to my guests, Jennifer Hudson, everybody...
0:47:02 > 0:47:04CHEERING
0:47:04 > 0:47:07It's Peter Capaldi... CHEERING
0:47:07 > 0:47:09..Miranda Hart... CHEERING
0:47:09 > 0:47:12..Keeley Hawes... CHEERING
0:47:12 > 0:47:14..and Mr Warren Beatty.
0:47:14 > 0:47:16CHEERING
0:47:16 > 0:47:19Join me next week when guests include comedian Rob Brydon,
0:47:19 > 0:47:21Line Of Duty's Vicky McClure,
0:47:21 > 0:47:24Mrs Brown's alter ego Brendan O'Carroll
0:47:24 > 0:47:25and pop superstar Harry Styles.
0:47:25 > 0:47:28I'll see you then. Goodnight, everybody, goodbye.
0:47:28 > 0:47:30APPLAUSE