0:00:02 > 0:00:04Hi, I'm Harry Styles and welcome to The Graham Norton Show.
0:00:08 > 0:00:12This programme contains some strong language
0:00:19 > 0:00:22Oh! Oh! Oh!
0:00:22 > 0:00:26Oh, yes! Yes! Yes!
0:00:26 > 0:00:32Oh-ho-ho-ho! This is it! We're doing a show! We are!
0:00:32 > 0:00:34Hello! Good evening!
0:00:34 > 0:00:38Welcome, everyone. Yes, Harry Styles is here.
0:00:38 > 0:00:40CHEERING Yep.
0:00:40 > 0:00:45Oh! I'm with you, I am so excited! I am.
0:00:45 > 0:00:48I'm like Kim Jong-un on fireworks night.
0:00:49 > 0:00:53Plus, Mrs Brown is here and one of the stars of Line Of Duty.
0:00:53 > 0:00:55Are you watching Line Of Duty?
0:00:55 > 0:00:56Oh! Thrilling, isn't it?
0:00:56 > 0:00:59Never knowing who you can trust from a cast of increasingly
0:00:59 > 0:01:00dubious characters.
0:01:00 > 0:01:04Ooh, that reminds me, we're having an election.
0:01:04 > 0:01:07Everybody excited about that? AUDIENCE GROANS
0:01:07 > 0:01:08LAUGHTER
0:01:08 > 0:01:11I wonder if the politicians are as excited as we are?
0:01:11 > 0:01:14Yep, they are.
0:01:14 > 0:01:17Theresa May wants the country to go to the polls.
0:01:17 > 0:01:19Theresa, there aren't any Poles left,
0:01:19 > 0:01:21they all went home after Brexit.
0:01:23 > 0:01:25Of course, while Theresa was secretly planning her
0:01:25 > 0:01:29election strategy, Jeremy Corbyn was visiting a school
0:01:29 > 0:01:30where he took part in a cookery class.
0:01:30 > 0:01:34Aw! Look, he's found something he can beat.
0:01:34 > 0:01:37LAUGHTER
0:01:37 > 0:01:41I know. Jeremy Corbyn has admitted it's going to be hard for him to
0:01:41 > 0:01:43win the election. He has.
0:01:43 > 0:01:47In other news, this man announced he was a Catholic
0:01:47 > 0:01:51and this creature had a shit in the woods.
0:01:51 > 0:01:54APPLAUSE
0:01:54 > 0:01:58In American news, the White House has its annual Easter event.
0:01:58 > 0:01:59Ooh!
0:01:59 > 0:02:01- AUDIENCE:- Ooh!
0:02:01 > 0:02:05Can everyone see that rabbit? Yeah, it's not just me. Yeah.
0:02:05 > 0:02:08"Look, everyone, it's fun standing next to a dumb cartoon animal,"
0:02:08 > 0:02:11the rabbit's saying.
0:02:11 > 0:02:14During the week, North Korea let off a test rocket called a Nodong.
0:02:14 > 0:02:16That's what it's called, a Nodong.
0:02:16 > 0:02:19But Kim Jong-un was left embarrassed after his
0:02:19 > 0:02:23Nodong exploded after just four seconds.
0:02:23 > 0:02:28Don't worry, Kim, just have a cuddle and try again later. Yeah, relax.
0:02:28 > 0:02:31And then finally, congratulations to Victoria Beckham.
0:02:31 > 0:02:35- AUDIENCE MEMBER:- Yay! - Yeah! Yeah! Yeah!
0:02:35 > 0:02:38Who went to Buckingham Palace this week to receive her OBE
0:02:38 > 0:02:40from Prince William. Aww!
0:02:40 > 0:02:42"Hello, I'm posh," they're saying to each other.
0:02:44 > 0:02:48Victoria said it was like a Spice Girls reunion.
0:02:48 > 0:02:52Yeah, because while she was there, she bumped into Ginger and Scary.
0:02:53 > 0:02:56Let's get some guests on!
0:02:56 > 0:03:00Later we will have an exclusive performance of the new
0:03:00 > 0:03:02solo single by Harry Styles.
0:03:02 > 0:03:04CHEERING Yeah.
0:03:04 > 0:03:08But first, from Gavin & Stacey to Would I Lie To You,
0:03:08 > 0:03:09this man is a comedy favourite.
0:03:09 > 0:03:13Now he's back on the road in the new series of The Trip To Spain,
0:03:13 > 0:03:15it's Rob Brydon, everybody!
0:03:15 > 0:03:18CHEERING AND APPLAUSE Whoo!
0:03:18 > 0:03:21- Hello.- You look so dapper. Hugging, hugging! Better at hugging!
0:03:21 > 0:03:23- Dapper, dapper, dapper. - Good to see you. Good to see you.
0:03:25 > 0:03:27All right. Sit down.
0:03:28 > 0:03:31This BAFTA-winning actress rose to fame in This Is England and
0:03:31 > 0:03:34has won rave reviews for her roles in The Replacement and
0:03:34 > 0:03:36Line Of Duty, which is currently thrilling the nation.
0:03:36 > 0:03:39It's Vicky McClure, everybody!
0:03:39 > 0:03:41CHEERING AND APPLAUSE Whoo! Hello!
0:03:41 > 0:03:47- Hello! Lovely to see you! Rob Brydon, Vicky McClure.- Rob!
0:03:47 > 0:03:49And this award-winning Irish comedian
0:03:49 > 0:03:52has created one of the UK's most successful sitcoms.
0:03:52 > 0:03:56Please welcome Mrs Brown herself, it's Brendan O'Carroll!
0:03:56 > 0:03:58CHEERING AND APPLAUSE Hey!
0:03:58 > 0:04:01Hello! Hi! Lovely to see you.
0:04:03 > 0:04:05There you go. Sit down.
0:04:07 > 0:04:09Very good. You're very welcome.
0:04:09 > 0:04:12- Vicky McClure has got some shoes. - I know.
0:04:12 > 0:04:14But I've only got to sit down, so it's fine.
0:04:14 > 0:04:17I'd never usually wear these, but all I've got to do is sit,
0:04:17 > 0:04:20- so it's fine. - They're impressive, they are.
0:04:20 > 0:04:23Now, there's been a lot of screaming already.
0:04:23 > 0:04:25Are you all looking forward to seeing Harry Styles?
0:04:25 > 0:04:26The answer is yes.
0:04:26 > 0:04:29- Yes.- I'm looking forward to it, Graham, yes.
0:04:29 > 0:04:34- Have you met Harry? You must have met...- I've met Harry Styles.- Yeah?
0:04:34 > 0:04:36- I've met Harry Styles. - Have you met Harry Styles?
0:04:36 > 0:04:39I've never met Harry, but I have seen him on TV and...
0:04:39 > 0:04:44I think he's... He's very small. He was only this size on TV.
0:04:44 > 0:04:48And actually, I live in the States and I saw him doing Jimmy Fallon.
0:04:48 > 0:04:51- Ooh, right.- And I mean that in the nicest possible way.
0:04:51 > 0:04:55LAUGHTER
0:04:55 > 0:04:57You've got the expensive cable.
0:04:57 > 0:04:59But he was excellent on Jimmy Fallon.
0:04:59 > 0:05:01They did some sketch stuff and some comedy stuff.
0:05:01 > 0:05:02He does comedy really, really well.
0:05:02 > 0:05:04Now, here's the thing,
0:05:04 > 0:05:07because we know that you know Harry Styles, Vicky McClure,
0:05:07 > 0:05:12because, please explain this, Harry Styles tweeted Vicky McClure.
0:05:12 > 0:05:15Now, might have been, like, "Hiya, nice to see you."
0:05:15 > 0:05:20- No, he tweeted Vicky McClure, "Bargain bucket?"- Yeah.
0:05:20 > 0:05:24- What's that about?- The picture's missing and I don't know why,
0:05:24 > 0:05:28but basically we went to an event and we were sat at the same table
0:05:28 > 0:05:31and, you know, it was a really nice place in London,
0:05:31 > 0:05:35so the food should be quite posh, but it looked like shit.
0:05:35 > 0:05:38I was, like, "I'd prefer to go and get some chicken,"
0:05:38 > 0:05:41so he tweeted me and then, all of a sudden,
0:05:41 > 0:05:45I gained about 20 million followers, people going, "Tell Harry, please!"
0:05:45 > 0:05:49And I'm, like, "Oh, my God! What am I meant to do? Shut it down?"
0:05:49 > 0:05:52So I unfollowed him because I just thought...
0:05:52 > 0:05:53- Get a bargain bucket.- Yeah!
0:05:53 > 0:05:56Send it to me, I'll deliver it to Harry, don't worry.
0:05:56 > 0:06:01- And do Harry Style's fans like Line Of Duty?- I don't think...
0:06:01 > 0:06:02I don't know, I haven't noticed.
0:06:02 > 0:06:05All I've noticed since being on this and tagging us all in,
0:06:05 > 0:06:11- I'm, like, "I don't think they're really bothered I'm coming."- I was.
0:06:11 > 0:06:14- Aww, thanks, Brandon. - And so was I, Vicky.- Thanks, Rob.
0:06:14 > 0:06:15- And I.- Thank you.
0:06:15 > 0:06:19- CHEERING AND APPLAUSE - And I backed it up.
0:06:19 > 0:06:21I was looking forward to seeing Vicky more than you were.
0:06:21 > 0:06:25- Well, I don't know. - LAUGHTER
0:06:25 > 0:06:27Listen, let's quickly get on with things,
0:06:27 > 0:06:28because we've got lots to talk about.
0:06:28 > 0:06:31Brendan O'Carroll, Mrs Brown back on Saturday nights,
0:06:31 > 0:06:32All Round To Mrs Brown's.
0:06:32 > 0:06:36It's on Saturday nights, BBC One, tomorrow night it's 9.20 and
0:06:36 > 0:06:40it's one of those shows, it looks like a hoot and a holler to make.
0:06:40 > 0:06:45- It is, yeah.- Is it fun to make? - Yeah, no, it literally is...
0:06:45 > 0:06:49mayhem and then they edit it together and make a show out of it.
0:06:49 > 0:06:50LAUGHTER
0:06:50 > 0:06:52From the very first time we did the pilot,
0:06:52 > 0:06:54the only thing I was sure of,
0:06:54 > 0:06:58I wanted one of the guests to bring their mother on, so that would
0:06:58 > 0:07:01kind of validate, Cathy Brown doing a talk show,
0:07:01 > 0:07:02it would validate,
0:07:02 > 0:07:04they have their mother with them and then the mothers
0:07:04 > 0:07:06can go away and chat, but other than that we had
0:07:06 > 0:07:11a very loose framework and music-wise at the end,
0:07:11 > 0:07:14I didn't want it to be... I'm sure Harry's going to be amazing tonight,
0:07:14 > 0:07:17but you're going to say, "Ladies and gentlemen, Harry Styles,"
0:07:17 > 0:07:19and he's going to sing and I didn't want it to be like that.
0:07:19 > 0:07:23No, no, let's get him in first and chat to him.
0:07:23 > 0:07:26So what I did was, I decided any guest that's coming on
0:07:26 > 0:07:29to sing musically has to sing one of Mrs Brown's favourite songs.
0:07:29 > 0:07:33So, you know, it has to be a Tony Bennett or Frank Sinatra
0:07:33 > 0:07:35and they've got to do a bit of that.
0:07:35 > 0:07:37So James Blunt was the first one to come in and
0:07:37 > 0:07:41he was great! And he started singing, I think it was Moon River.
0:07:41 > 0:07:45# Moon River, wider than a mile... #
0:07:45 > 0:07:49And of course that would turn Mrs Brown on, her nipples were... Pop!
0:07:49 > 0:07:51You're so method.
0:07:51 > 0:07:52I'm so method.
0:07:52 > 0:07:57So as he's singing, I leaned into him like that.
0:07:57 > 0:08:00And he kissed me.
0:08:00 > 0:08:03And I mean, he put his tongue down my throat.
0:08:03 > 0:08:08And genuinely, my wife, who plays my daughter, is there going,
0:08:08 > 0:08:09"Oh, my God!"
0:08:09 > 0:08:12And she said, "You must've been really embarrassed."
0:08:12 > 0:08:15I said, "Actually, it was really nice."
0:08:15 > 0:08:18I'm going to get James to teach her some tricks.
0:08:18 > 0:08:22- He's a lovely kisser, James Blunt. - Listen, we've got a clip.
0:08:22 > 0:08:26This is from tomorrow night's show and this...
0:08:26 > 0:08:28Well, we'll talk about it afterwards.
0:08:28 > 0:08:29This is you with Peter Andre.
0:08:29 > 0:08:31Oh, right. Lovely boy.
0:08:31 > 0:08:33- Beautiful voice.- Yes, agreed.
0:08:33 > 0:08:36- Beautiful.- Go for it.
0:08:44 > 0:08:47- I'm sorry. - He came over and abused me!
0:08:47 > 0:08:51He just... He abused me!
0:08:51 > 0:08:54If I wasn't posh, I'd be saying, "I'm arriving! I'm arriving!"
0:08:56 > 0:08:59If you'd died doing it, you'd come and go at the same time.
0:08:59 > 0:09:02LAUGHTER
0:09:02 > 0:09:04Very good. Now...
0:09:08 > 0:09:10Had Peter Andre forgotten
0:09:10 > 0:09:12that Brendan O'Carroll was in the cardigan?
0:09:12 > 0:09:15- Yes.- Yes?!- They all do.
0:09:15 > 0:09:18The Kaiser Chiefs was the same, Ricky and the Kaiser Chiefs.
0:09:18 > 0:09:20I don't think it would've made it OK, though,
0:09:20 > 0:09:22if Mrs Brown was a woman.
0:09:22 > 0:09:26I don't think that would've justified what he did.
0:09:26 > 0:09:29- Good point well made. - I think it's was what he was doing
0:09:29 > 0:09:31rather than the fact it was Brendan, surely?
0:09:31 > 0:09:33Having said that, my thoughts on it would be,
0:09:33 > 0:09:36if that was a woman who was of that age and of that ilk
0:09:36 > 0:09:38and was a widow for 35 years,
0:09:38 > 0:09:41she might have enjoyed a little bit of frottage.
0:09:41 > 0:09:43With Peter.
0:09:43 > 0:09:46- A little bit of Peter.- A little bit of Peter.- Nibble on Peter.
0:09:46 > 0:09:50And the transformation into Mrs Brown, so...
0:09:50 > 0:09:54- Because it's not a huge... make-up job.- Nope. No.
0:09:54 > 0:09:55Thanks very much!
0:09:55 > 0:09:57LAUGHTER
0:09:57 > 0:09:59- You are kind of, you know, recognisable-ish.- Yeah.
0:09:59 > 0:10:01Because normally when you're Brendan, you've got a beard,
0:10:01 > 0:10:03but I guess you're touring so much, you can't.
0:10:03 > 0:10:06No, I have to shave it off, otherwise I'd look like me mother.
0:10:06 > 0:10:07LAUGHTER
0:10:10 > 0:10:11We have a picture here.
0:10:13 > 0:10:17But physically, is it easy to get into it?
0:10:17 > 0:10:19- Many actors - and, Rob, Rob, you'll be the same.- Mm.
0:10:19 > 0:10:23Obviously, it's something - when you're doing character,
0:10:23 > 0:10:24there's something in the character
0:10:24 > 0:10:26- that you go for that's a hook. - Yeah, yeah.
0:10:26 > 0:10:29And a lot of people, sometimes, it's the way they move their arms
0:10:29 > 0:10:32or move their head, or whatever - for me, it's a walk.
0:10:32 > 0:10:34If I can get the walk of the character,
0:10:34 > 0:10:36I can usually get the rest of the character,
0:10:36 > 0:10:39and Mrs Brown's walk is, to me, it's the key to it.
0:10:39 > 0:10:44She has this walk like she's on a waiting list for a hip operation.
0:10:46 > 0:10:48It could happen any minute, but it's not happening.
0:10:48 > 0:10:50So, she has that walk.
0:10:50 > 0:10:52And there's a little bit of Norman Wisdom in there, as well,
0:10:52 > 0:10:55- the Norman Wisdom walk. Can I show you?- Yeah, please do.
0:10:55 > 0:10:57- She kind of... Where, up here? Where do you...?- Yeah... Yes.
0:10:57 > 0:11:00- There's a step there, be careful. - OK!
0:11:00 > 0:11:01So, she would walk -
0:11:01 > 0:11:03she just drags that leg a little bit, kind of...
0:11:03 > 0:11:05Oh, that is!
0:11:05 > 0:11:07And as well as that, she also has a little shake in her head
0:11:07 > 0:11:10about halfway through her walk, so, she's going to answer the door,
0:11:10 > 0:11:12she goes, "Who the hell is that, for God's sake?"
0:11:14 > 0:11:18- It's, er... It reminds me of all the old dears I knew...- Yeah, yeah.
0:11:18 > 0:11:19That lumbago walk.
0:11:20 > 0:11:24Presumably, if you are doing impersonations of people,
0:11:24 > 0:11:27it's the voice - do you... I mean, is the rest of it...?
0:11:27 > 0:11:29I... First of all, the people I impersonate
0:11:29 > 0:11:30tend to be people I like,
0:11:30 > 0:11:33so, for me, it's almost a form of affection, in a way.
0:11:33 > 0:11:36You know, if I'm doing somebody's voice - and you hear...
0:11:36 > 0:11:40I'll just hear something that I go,
0:11:40 > 0:11:42"Oh, yeah, that's on my sort of..."
0:11:42 > 0:11:44It's like a musicality, you just hear it,
0:11:44 > 0:11:47so, I don't know, Hugh Grant, I can just sort of...
0:11:47 > 0:11:49- AS HUGH GRANT:- "Ah, you sort of hear that sort of thing,
0:11:49 > 0:11:52"sort of going on in the voice,
0:11:52 > 0:11:55"and the sort of patterns that he has, and rhythms, you know?
0:11:55 > 0:11:58"Gosh, gosh, crikey, crikey, excellent, gosh."
0:11:58 > 0:12:00And you just hear it.
0:12:00 > 0:12:03CHEERING AND APPLAUSE
0:12:05 > 0:12:08Cos the really interesting thing about all three of you
0:12:08 > 0:12:12is that success did not come calling immediately,
0:12:12 > 0:12:14or that early, for any of you.
0:12:14 > 0:12:15Certainly not, no!
0:12:15 > 0:12:17Now, Vicky McClure, you're so sweet,
0:12:17 > 0:12:20because actually you did get a big break early on,
0:12:20 > 0:12:21but it seems like, reading about you,
0:12:21 > 0:12:24every time you got a job, you thought, "This is it!"
0:12:24 > 0:12:27- "This is it!" Yeah. - "I've made it!"- Yeah.- And, er, no.
0:12:27 > 0:12:29No!
0:12:29 > 0:12:30No - until about six years ago.
0:12:30 > 0:12:34It still frightens me - "Why am I on the Graham Norton show?!"
0:12:34 > 0:12:36It's just, you know, it's bizarre - but, yeah, it started off,
0:12:36 > 0:12:39I did a film with Shane Meadows called A Room For Romeo Brass,
0:12:39 > 0:12:41- that I thought, that was it. - Oh, fantastic.
0:12:41 > 0:12:43- So, how old were you then? 17?- 15.- 15, were you?!
0:12:43 > 0:12:45Yeah, I was at school, so I thought I was it,
0:12:45 > 0:12:47and then I found out it was at six cinemas across the country,
0:12:47 > 0:12:49I was like, "what?!"
0:12:49 > 0:12:51Tell them about what you did - I think this is...
0:12:51 > 0:12:53because presumably you got a bit of cash for doing that.
0:12:53 > 0:12:55Oh, yeah, I got a bit of cash, so...
0:12:55 > 0:12:58I thought, "Right, I'm going to share the love,"
0:12:58 > 0:13:02so I wrapped up 500 quid in different sized boxes for my sister,
0:13:02 > 0:13:05and went, "Piss it up the wall!" Yes!
0:13:05 > 0:13:08I just love it, giftwrapping money...
0:13:08 > 0:13:11It was just... You're never going to get a chance to do that,
0:13:11 > 0:13:14and you think to yourself, "That's never going to happen again," so...
0:13:14 > 0:13:16- Yeah.- I was on the dole, and...
0:13:16 > 0:13:19- And... - See, I've never been on the dole.
0:13:19 > 0:13:20Ooh!
0:13:20 > 0:13:22LAUGHTER
0:13:24 > 0:13:26I can't believe I just did that!
0:13:28 > 0:13:30I can't believe that you said that.
0:13:30 > 0:13:32Bitch.
0:13:32 > 0:13:36Um, yeah, I was on the dole when I started,
0:13:36 > 0:13:39and, of course, you go in and they say, "Have you worked this week?"
0:13:39 > 0:13:42"No.
0:13:42 > 0:13:43"No."
0:13:43 > 0:13:45And I would have done a few gigs,
0:13:45 > 0:13:48because at the time was only getting a bit of cash in,
0:13:48 > 0:13:51that nobody knew about, and...
0:13:51 > 0:13:54- Brendan, we're on the television.- Yeah!
0:13:54 > 0:13:56Rob, he does a lot for charity. He does a lot for charity.
0:13:56 > 0:13:59And also, I found out, seven years is the...is the limit.
0:13:59 > 0:14:00- Is that the limit?!- Yeah.
0:14:00 > 0:14:02- It's OK, it's OK.- All right.
0:14:02 > 0:14:04But I'm on the dole queue, and, I mean, the dole queue,
0:14:04 > 0:14:07it was like what you'd see in The Full Monty,
0:14:07 > 0:14:09- it was that kind of dole queue, you know?- Yeah.
0:14:09 > 0:14:11So, I get up to the window and she said,
0:14:11 > 0:14:13"Have you worked at all this week?"
0:14:13 > 0:14:15And as I looked up at her,
0:14:15 > 0:14:18behind her was a notice on the notice board,
0:14:18 > 0:14:22was, "Staff Christmas party, add your name here if you're coming."
0:14:23 > 0:14:24On a poster of me going...
0:14:28 > 0:14:29And I...
0:14:29 > 0:14:32She looked up at me, and said, "Have you worked this week?"
0:14:34 > 0:14:36LAUGHTER
0:14:36 > 0:14:39And she went, "OK." Boom, boom, boom. "There you go."
0:14:39 > 0:14:41APPLAUSE
0:14:41 > 0:14:42That business has gone rather well.
0:14:42 > 0:14:48Cos Rob, sort of similarly, you had work, you are doing radio work...
0:14:48 > 0:14:51Yeah, I went to drama school in Cardiff,
0:14:51 > 0:14:53and while I was there - I left early,
0:14:53 > 0:14:56because I got spotted by Radio Wales, BBC Wales,
0:14:56 > 0:14:59and they gave me my own radio show,
0:14:59 > 0:15:03so I left the college a year early, I was a disc jockey,
0:15:03 > 0:15:06I mean, to me it seemed like I was earning a fortune.
0:15:06 > 0:15:08You know, I bought a little house -
0:15:08 > 0:15:10to me, it was like Graceland, you know?
0:15:10 > 0:15:15I thought it was amazing - but then, the work all dried up,
0:15:15 > 0:15:17so I went from having some money
0:15:17 > 0:15:21- to actually selling our furniture... - Been there.- ..to pay the bills.
0:15:21 > 0:15:24We defaulted on the mortgage and we were having to advertise
0:15:24 > 0:15:27the sofa and a table in the paper
0:15:27 > 0:15:30because I just could not get arrested, you know?
0:15:30 > 0:15:33It's that horrible thing, especially when I was working in the office,
0:15:33 > 0:15:35you'd go, "I've got a big audition, it's massive, I have to go.
0:15:35 > 0:15:37"I have to go and do this audition."
0:15:37 > 0:15:39And then the next day, it's like, "Oh, did you get the audition?"
0:15:39 > 0:15:40"Don't know yet."
0:15:40 > 0:15:43Weeks later, "Did you get...?" "No!"
0:15:43 > 0:15:46And then that's it, for eight years.
0:15:46 > 0:15:48Constantly going, "No, I didn't."
0:15:48 > 0:15:52Like you were saying, Vicky, you'd get a job and you'd sort of think,
0:15:52 > 0:15:54- "Right, here we go."- Yeah. Yeah.
0:15:54 > 0:15:57Because you had this image that if you could get a part in something,
0:15:57 > 0:16:00it would lead... But what's really hard to get is any momentum,
0:16:00 > 0:16:03to get any traction, and get anybody talking about you.
0:16:03 > 0:16:05I was very lucky, because - because I was stand-up,
0:16:05 > 0:16:06- I was generating my own work.- Yes.
0:16:06 > 0:16:09So, I was going round knocking on... I had one guy worked for me -
0:16:09 > 0:16:12"worked for me", he managed me for a while - Joe.
0:16:12 > 0:16:15We trained together in the hotel business.
0:16:15 > 0:16:19He became a barman and I became a waiter, and he was quite a genius,
0:16:19 > 0:16:22he's a great guy, but he worked for me -
0:16:22 > 0:16:24he said, "I'll get you gigs. I'll get you gigs."
0:16:24 > 0:16:27So, we used to go into pubs with this cassette tape
0:16:27 > 0:16:29and he'd say, he'd say to the owner, "Listen, you've got a guy,
0:16:29 > 0:16:31"this guy is magnificent, he's hilarious,
0:16:31 > 0:16:33"he's going to pack this place," blah, blah, blah,
0:16:33 > 0:16:36"he's going to do it," and he'd put the tape on...
0:16:36 > 0:16:38and say, "Listen to this," and then we'd all listen,
0:16:38 > 0:16:40and you'd hear - clunk, clunk, cha-ching,
0:16:40 > 0:16:41clunk, clunk, cha-ching, ching-ching,
0:16:41 > 0:16:44and he'd go, "What's that?"
0:16:44 > 0:16:46He said, "That's your fucking till the night he's here."
0:16:46 > 0:16:49LAUGHTER
0:16:49 > 0:16:51- APPLAUSE - And it worked! It worked!
0:16:51 > 0:16:53That's brilliant!
0:16:55 > 0:16:57Now, show business, ladies and gentlemen,
0:16:57 > 0:16:59brings with it many, many honours.
0:16:59 > 0:17:02Brendan, you had a statue in Dublin, didn't you?
0:17:02 > 0:17:04Mrs Brown did.
0:17:04 > 0:17:07- Yes - sorry, yes - Mrs Brown. You didn't.- Oh, wow!
0:17:08 > 0:17:09That's brilliant!
0:17:09 > 0:17:13Those women look like they think it's actually you.
0:17:13 > 0:17:15They seem so delighted by a statue.
0:17:15 > 0:17:17It's women like that who come up to me and go to me,
0:17:17 > 0:17:20"Here, I know a woman just like Mrs Brown."
0:17:20 > 0:17:23And I go, "Obviously you have a mirror."
0:17:23 > 0:17:26And, Rob, you have a sort of statue in Wales.
0:17:26 > 0:17:28Yeah, I do...! Yes.
0:17:28 > 0:17:30We have a picture of it, here we are.
0:17:30 > 0:17:31- Now...- Yeah!
0:17:31 > 0:17:35- What's that made out of?- I think it's made out of iron, or...
0:17:35 > 0:17:38some sort of... it corrodes, it becomes...
0:17:38 > 0:17:41- I don't know the word. It's ferrous, so it's aged since then.- Rusts.
0:17:41 > 0:17:43- Much like me...- It rusts. - It rusts, much like me.
0:17:43 > 0:17:46But there's three of them - that's just above Port Talbot,
0:17:46 > 0:17:48in the hills behind Port Talbot.
0:17:48 > 0:17:50- It's beautiful.- It is rather lovely.
0:17:50 > 0:17:51No, it is!
0:17:51 > 0:17:52Even if I say so myself!
0:17:52 > 0:17:55Well, I didn't make it! I didn't do it!
0:17:55 > 0:17:58I'm allowed to compliment it, I didn't build the bloody thing.
0:18:00 > 0:18:02Who's the artist?
0:18:02 > 0:18:03Oh... Thanks, Brendan(!)
0:18:05 > 0:18:07You did make it yourself!
0:18:07 > 0:18:09- Whoever it is, they're fantastic. - They're brilliant.
0:18:09 > 0:18:12Ladies and gentlemen, Vicky McClure,
0:18:12 > 0:18:14tell the people the extraordinary honour
0:18:14 > 0:18:17the City of Nottingham has bestowed upon you.
0:18:17 > 0:18:20- They've named a tram after me. - Woohoo!
0:18:20 > 0:18:21Wow.
0:18:21 > 0:18:24Here is Vicky McClure with Vicky McClure the tram.
0:18:24 > 0:18:25APPLAUSE
0:18:25 > 0:18:26Now, is it a temporary thing,
0:18:26 > 0:18:28- or is it - that's it now? - I hope not!
0:18:28 > 0:18:30So, that tram, as long as it's running, is Vicky McClure.
0:18:30 > 0:18:34- Yeah, hopefully. - No jokes, Brendan. No jokes.
0:18:34 > 0:18:36The best thing is, in Nottingham...
0:18:36 > 0:18:38I'd get to say, - if I go there, I get to say,
0:18:38 > 0:18:41- "I had a great night last night, I had a few drinks..."- Yeah!
0:18:41 > 0:18:43"..and then I rode home on Vicky McClure."
0:18:43 > 0:18:46That's what my dad said. He went, "Oh, that's brilliant.
0:18:46 > 0:18:49"All my mates are going to be like, 'Yeah, I just rode Vicky McClure.' "
0:18:49 > 0:18:50"Oh, God, yeah, that's a point."
0:18:50 > 0:18:52- It's pretty cool, though.- Yeah.
0:18:52 > 0:18:54- It's very cool. It's very cool. - Yeah.
0:18:54 > 0:18:59- Did you, like, break champagne on it, or anything?- No, just sort of...
0:18:59 > 0:19:01you know, unveiled my name and then got on a tram with my mum,
0:19:01 > 0:19:03because we were doing Christmas shopping,
0:19:03 > 0:19:06and they'd said, "Oh, we'll give you free ride," you know what I mean?
0:19:06 > 0:19:08- One free ride?- One free ride.
0:19:08 > 0:19:10Cut to...
0:19:10 > 0:19:13We're pulling in to our spot, and I can see the ticket man
0:19:13 > 0:19:16coming towards us, and he's like, "Can I get your tickets?"
0:19:16 > 0:19:18"Well... The thing is...
0:19:18 > 0:19:21"I've actually just been given my own tram."
0:19:21 > 0:19:24Presenting plaque, "224 belongs to..."
0:19:24 > 0:19:26"Get off the tram."
0:19:26 > 0:19:28- I was like, "Oh, my God! - Seriously?- Get out of here!
0:19:28 > 0:19:30"You're throwing me off the tram for tram evasion?!"
0:19:30 > 0:19:33- I was mortified!- It's not tram evasion, is it, really?
0:19:33 > 0:19:36- Sorry, no, it's... - That would be evading the tram.
0:19:36 > 0:19:38Which is a good thing to do.
0:19:38 > 0:19:41- You're very presence would have been your defence on that charge.- Right.
0:19:41 > 0:19:45- Right...- Fare evasion.- Fare evasion. - Fare evasion.- Fare evasion, yeah.
0:19:45 > 0:19:47Cos I've evaded trams for years.
0:19:49 > 0:19:53Right, Vicky McClure, the latest Line Of Duty is...
0:19:53 > 0:19:56Oh, it's... Well, you know, it's such a good show.
0:19:56 > 0:19:59It's a great, great, great show.
0:19:59 > 0:20:02Four in, two to go, Sundays, nine o'clock.
0:20:02 > 0:20:04So, anything...?
0:20:04 > 0:20:06- Like, we've got two hours of it left...- No, I know.
0:20:06 > 0:20:08..but anything can happen.
0:20:08 > 0:20:11So much happens as well. Cos I actually...
0:20:11 > 0:20:14I obviously know what happens, but I watched them the other day,
0:20:14 > 0:20:16because you never know what they're going to do in the edit.
0:20:16 > 0:20:18And, yeah, it's great.
0:20:18 > 0:20:21Because even, like, this last one, the...
0:20:21 > 0:20:24- Are we allowed to talk about it? - Spoilers!
0:20:24 > 0:20:26- Are people still watching it on thingy?- Yeah...- iPlayer?
0:20:26 > 0:20:27They must have seen it.
0:20:27 > 0:20:30I mean, there were pictures of Martin being resurrected on...
0:20:30 > 0:20:32LAUGHTER
0:20:32 > 0:20:34..on Sunday, because everybody was worried about him.
0:20:34 > 0:20:38- And it was Easter. - Oh, what a nice Easter touch.
0:20:38 > 0:20:39It was!
0:20:41 > 0:20:44And how much... Because you don't get the whole series, do you?
0:20:44 > 0:20:47No, we get the first three eps, we shoot it in two blocks.
0:20:47 > 0:20:50And, you know, to be fair, if they gave me all six,
0:20:50 > 0:20:52I think I'd be a bit overwhelmed.
0:20:52 > 0:20:56Because it's Lines And Lines Of Duty.
0:20:56 > 0:20:58To have all those six out in front of you is a bit daunting.
0:20:58 > 0:21:00And things change, so....
0:21:00 > 0:21:03You've been joined this time by Thandie Newton,
0:21:03 > 0:21:04who's so good in this.
0:21:04 > 0:21:07- So good, and such a great laugh. - Is she fun?
0:21:07 > 0:21:09Honestly, she's really naughty.
0:21:09 > 0:21:13You know, like, I thought, "Oh, God, Thandie Newton, that's brilliant.
0:21:13 > 0:21:19"But, oh, God, the dramas and the potential diva things that might..."
0:21:19 > 0:21:21And it just wasn't like that at all.
0:21:21 > 0:21:25That's interesting, is that a worry? Because the rest of you,
0:21:25 > 0:21:27this is your fourth series. It's your show.
0:21:27 > 0:21:30And then, in she waltzes and has this great big part.
0:21:30 > 0:21:31Is that annoying?
0:21:31 > 0:21:34We love it, because we've always had really great people.
0:21:34 > 0:21:38Lennie James kicked it off incredibly. And Keeley Hawes...
0:21:38 > 0:21:41We've always had really strong actors. And Thandie's great.
0:21:41 > 0:21:44So when a big actress like that comes in, it doesn't bother you?
0:21:44 > 0:21:46- It's just a bit nervous, do you know what I mean?- You're such a liar!
0:21:46 > 0:21:48LAUGHTER
0:21:48 > 0:21:51No, honestly, honest to God, if it was somebody I wasn't that
0:21:51 > 0:21:54sure of, I just wouldn't talk about them that much.
0:21:54 > 0:21:57Listen, we've got a clip for Sunday night's episode.
0:21:57 > 0:22:01And this is Buckells being accused - look away, Rob -
0:22:01 > 0:22:04this is Buckells being accused of dobbing you in it.
0:22:04 > 0:22:05Oh, no!
0:22:05 > 0:22:07Remain at attention.
0:22:09 > 0:22:11DS Fleming here, someone blew her cover.
0:22:11 > 0:22:13Thanks to whoever that was,
0:22:13 > 0:22:15Huntley's entrapped me into discrediting the investigation.
0:22:15 > 0:22:17Now, I told you, fella, if ever there was a leak,
0:22:17 > 0:22:19we'd know it was you.
0:22:21 > 0:22:23Do you have any evidence?
0:22:23 > 0:22:24You've got a bloody nerve.
0:22:26 > 0:22:28See, undercover officers have a lifespan.
0:22:28 > 0:22:31There comes a time when they've been deployed once too often.
0:22:31 > 0:22:33They get recognised or they lose their touch.
0:22:33 > 0:22:36She knows stuff about my personal life. She got that from someone.
0:22:36 > 0:22:39How the hell would I know anything about your personal life?
0:22:39 > 0:22:41It wasn't me, sir.
0:22:41 > 0:22:44Get out! Get out of me sight, go on.
0:22:48 > 0:22:50You lot treat everyone like mugs.
0:22:50 > 0:22:52- Who's the mug now?- Get out!
0:22:59 > 0:23:01It's worse than I thought, sir.
0:23:01 > 0:23:03How?
0:23:03 > 0:23:04They're not scared of us any more.
0:23:04 > 0:23:07APPLAUSE
0:23:09 > 0:23:12- But now, Buckells...- Yeah.
0:23:12 > 0:23:16..despite his hair and suit, has a good point.
0:23:16 > 0:23:17No, he does!
0:23:17 > 0:23:21Because you can only be undercover so many times,
0:23:21 > 0:23:24particularly in the police force.
0:23:24 > 0:23:26It's like I'm the worst undercover cop ever,
0:23:26 > 0:23:27because I get caught every series!
0:23:30 > 0:23:31Now, the other thing, of course,
0:23:31 > 0:23:36that comes with being in shows is publicity photo shoots.
0:23:36 > 0:23:39I know you don't like them, Rob, do you?
0:23:39 > 0:23:43Only because the only thing I can ever do in a photograph is smile.
0:23:43 > 0:23:47- In fact, I'd love to look, you know, moody and...- But you look very...
0:23:47 > 0:23:51Every time I've seen a photograph of you, you look very James Bond-ish.
0:23:51 > 0:23:52Yeah, right.
0:23:54 > 0:23:57I don't know where you're going with that, Brendan, but I don't want to.
0:23:57 > 0:23:59You actually do, you've got a great face...
0:23:59 > 0:24:01Well, all I can ever do is, I can show you,
0:24:01 > 0:24:03if there's camera, that one there?
0:24:03 > 0:24:05- Yeah, yeah.- I have to go like this.
0:24:05 > 0:24:07HE CHUCKLES
0:24:07 > 0:24:09And I make the noise as well.
0:24:09 > 0:24:12Because if I try to be moody, watch this.
0:24:15 > 0:24:17- LAUGHTER - I just look confused.
0:24:22 > 0:24:24So every picture, I'm going...
0:24:25 > 0:24:27We were looking at the Line Of Duty still there.
0:24:27 > 0:24:30There you are. Now, that's good, moody drama.
0:24:30 > 0:24:33Very good, moody drama. And do you enjoy doing these, Vicky?
0:24:33 > 0:24:36The photo shoots, not so much, no.
0:24:36 > 0:24:39Because in showbiz, you can do jazz hands,
0:24:39 > 0:24:40you could be holding a chicken...
0:24:40 > 0:24:44But in drama, presumably there are only so many poses available?
0:24:44 > 0:24:48Yeah, and Martin always bags the pockets first.
0:24:48 > 0:24:51So you get on the shoot, and then you go to go in your pockets,
0:24:51 > 0:24:55- and he's already done it.- Because we noticed you folded your arms here.
0:24:55 > 0:24:58And then, as you say, another Line Of Duty, you must have got
0:24:58 > 0:25:00into the photo shoot, and look at these bastards.
0:25:00 > 0:25:04Pockets, pockets. You can't do pockets.
0:25:04 > 0:25:07- So you're stuck with the arm folding again.- I know!
0:25:07 > 0:25:11Then, come into another room, look at this, Adrian Dunbar,
0:25:11 > 0:25:14he literally sees a bar, he's on it!
0:25:15 > 0:25:20Martin in the corner, poor Vicky, still folding her arms.
0:25:20 > 0:25:23There's nothing else available to her!
0:25:23 > 0:25:26Then, they go, OK, tell you what, let's break it up.
0:25:26 > 0:25:29Let's do one sitting at a table.
0:25:29 > 0:25:30Folding her arms!
0:25:32 > 0:25:35You could've been plugging in the tape recorder, anything!
0:25:35 > 0:25:37No, folding her arms.
0:25:37 > 0:25:40- Then we get to The Replacement. - Oh, shut up...
0:25:40 > 0:25:41It's a whole new, fresh thing.
0:25:41 > 0:25:43- A fresh start for Vicky.- Oh, no!
0:25:43 > 0:25:46Fresh start. Look, the co-starring bitch,
0:25:46 > 0:25:49hands in pockets!
0:25:50 > 0:25:52Poor old Vicky, still folding.
0:25:52 > 0:25:54APPLAUSE
0:25:54 > 0:25:55Oh, my gosh.
0:25:55 > 0:25:58Then, in a weird twist of fate, ladies and gentlemen,
0:25:58 > 0:25:59they take another picture.
0:25:59 > 0:26:01It's catching!
0:26:01 > 0:26:03They've both folded their hands! But now...
0:26:03 > 0:26:08now it's exciting because she...she goes for a break. Now it's solo.
0:26:08 > 0:26:12It's just Vicky McClure by herself, ladies and gentlemen.
0:26:12 > 0:26:15She could pose any way she wants.
0:26:15 > 0:26:18Oh, my God, no!
0:26:20 > 0:26:21Mortifying!
0:26:21 > 0:26:22But now... Wait, though!
0:26:22 > 0:26:27Now there's a huge cast, a huge cast of Broadchurch, right? Broadchurch.
0:26:27 > 0:26:30They're doing a big group shot, all on the beach. Here they all are.
0:26:30 > 0:26:32We'll just pan along here now. So, there they all are.
0:26:32 > 0:26:35There's one family. Oh, look, she's got the one hand in.
0:26:35 > 0:26:37Hands down, hands down.
0:26:37 > 0:26:39Person standing in a tent.
0:26:39 > 0:26:43Other family, other family, what have we got? Holding a hand, nice.
0:26:43 > 0:26:45There she is!
0:26:48 > 0:26:52- Do you know what, though? I've got pockets tonight.- Oh, look at you!
0:26:52 > 0:26:53Beautiful!
0:26:55 > 0:26:57- I predict we will never see you...- You won't now!
0:26:57 > 0:26:59We will never see you do that again.
0:26:59 > 0:27:03Yeah, I'm now absolutely buggered because what am I going to do?
0:27:04 > 0:27:06Oh, dear. Now, ladies and gentlemen,
0:27:06 > 0:27:10- Rob Brydon back with Steve Coogan in The Trip, this time to Spain.- Spain.
0:27:10 > 0:27:14It's Thursdays, 10pm on Sky Atlantic. Also on Now TV.
0:27:14 > 0:27:18And is this one of these no-brainer things where they come to you,
0:27:18 > 0:27:21and they go, "Would you like...?" "Yes. I would like to do that."
0:27:21 > 0:27:24It is now but the first time, Michael Winterbottom,
0:27:24 > 0:27:27who created it, directed it, comes up with the stories,
0:27:27 > 0:27:30and we improvise most of the dialogue, but he came up to us,
0:27:30 > 0:27:32we'd done a film with him and he said, "Look, I've got this idea.
0:27:32 > 0:27:36"Six half hours, the two of you in restaurants, and you just talk."
0:27:36 > 0:27:42And we said, "What?" I said to him, "You may get enough good stuff
0:27:42 > 0:27:45"for one half hour." I said, "But six?"
0:27:45 > 0:27:50But it's interesting because Steve and I have a chemistry, and we...
0:27:50 > 0:27:56We have a sort of simpatico with timing and we're quite
0:27:56 > 0:28:00different in many ways but we've got lots of areas where we overlap,
0:28:00 > 0:28:05and we're actually very similar. And it...it's become a lovely thing.
0:28:05 > 0:28:08And how... I mean, I know everyone must ask you this,
0:28:08 > 0:28:10but, you, you know...
0:28:10 > 0:28:12He's Steve Coogan, you're Rob Brydon.
0:28:12 > 0:28:14You are versions of yourself?
0:28:14 > 0:28:19Yeah, a lot of it is very truthful. It is how we would be.
0:28:19 > 0:28:23It's a real mix of totally, yeah, that's totally how we are.
0:28:23 > 0:28:25But then there's a lot of stuff...
0:28:25 > 0:28:29I mean, we would never sit over lunch and do the impressions
0:28:29 > 0:28:32- back and forth. We would never be... - No-one believes you.
0:28:32 > 0:28:36- No-one believes you. - Not for a moment!
0:28:36 > 0:28:38If you sat in on our real meals, the meals we have in the evening,
0:28:38 > 0:28:40we ended up in tears one night,
0:28:40 > 0:28:44talking about getting older, and family, and relationships.
0:28:44 > 0:28:46- But that's in!- No, I don't think...
0:28:46 > 0:28:50Episode one, episode one, you do do a thing about age, and marriage,
0:28:50 > 0:28:54- and all that stuff.- No, but in the real meal, it was hugs and tears.
0:28:55 > 0:28:56It was full-on.
0:28:56 > 0:29:00But it's one of the things that people find interesting
0:29:00 > 0:29:02about it, you know, is it real or is it not?
0:29:02 > 0:29:03Let's have a taste.
0:29:03 > 0:29:07This is the two of you, well, walking around Spain.
0:29:07 > 0:29:10Lindsay Kemp was the guy in The Wicker Man who invited
0:29:10 > 0:29:12Edward Woodward into the pub
0:29:12 > 0:29:15and he's also the guy who taught David Bowie mime.
0:29:15 > 0:29:16That's where I know him from.
0:29:16 > 0:29:20- He's teaching Dancing In The Street with Mick Jagger.- Doubtful.
0:29:20 > 0:29:22That's very... No, he was much more refined than that.
0:29:22 > 0:29:25- AS JAGGER:- Had a great time, remember, David? Do you remember?
0:29:25 > 0:29:26Yeah, I do remember. It was...
0:29:26 > 0:29:28You wore a really long coat, do you remember?
0:29:28 > 0:29:31- Yes, I do, it was very much improvised on the day.- That's right.
0:29:31 > 0:29:33- Low-budget.- It was for Comic Relief so we just...
0:29:33 > 0:29:36- Very long coat, remember, David? - Yeah, I do. Are you all right, Mick?
0:29:36 > 0:29:38You seem to be talking in a rather exaggerated way.
0:29:38 > 0:29:40No! I'm just remembering a good time.
0:29:40 > 0:29:43- Do you remember, David, really long coat?- Have you dropped some speed?
0:29:43 > 0:29:45- What?- You sound like you've done some speed.
0:29:45 > 0:29:47I'm Mick Jagger, you know.
0:29:47 > 0:29:50LAUGHTER AND APPLAUSE
0:29:53 > 0:29:58- I think, is it in episode one you talk about Mick Jagger?- Oh, yeah.
0:29:58 > 0:30:00- Is that a true story? - Now, that's true.
0:30:00 > 0:30:02Again, some of the stories are true.
0:30:02 > 0:30:04Now this is a true story that I was...
0:30:04 > 0:30:06This was about a Christmas and a bit ago.
0:30:06 > 0:30:09I was at a party in a house, and he was there.
0:30:09 > 0:30:13And I'd met him before at something, so he came over, and he's chatting.
0:30:13 > 0:30:15And he's a remarkable man.
0:30:15 > 0:30:19He's 73, but... I think I'm right in saying that.
0:30:19 > 0:30:24He's as thin and wirey as anything. But he's got energy.
0:30:24 > 0:30:27It's like in Cocoon, you know when that light goes "Psh!"
0:30:27 > 0:30:31He has energy emanating from him. It's remarkable!
0:30:31 > 0:30:33And we talked, and it was all nice.
0:30:33 > 0:30:35And my wife and I were leaving,
0:30:35 > 0:30:37went down the stairs from the first floor.
0:30:37 > 0:30:41As we were heading towards the door, I heard, "Rob! Rob!"
0:30:42 > 0:30:44And I looked around, "What, what?"
0:30:44 > 0:30:46And he was on the landing, and he went,
0:30:46 > 0:30:48"Don't throw those bloody spears at me."
0:30:53 > 0:30:56And I looked and I thought, "What?" And I said, "What?"
0:30:56 > 0:30:59He went, "Don't throw those bloody spears at me. Aah!"
0:31:01 > 0:31:05And I had no idea. I was thinking, "What is going on?
0:31:05 > 0:31:09"Is he having a stroke?" He's in the age range, you know.
0:31:10 > 0:31:15And then I realised, "Oh, he's doing Michael Caine in Zulu."
0:31:17 > 0:31:21He's doing me from The Trip doing... So I realised, so I went,
0:31:21 > 0:31:23- AS MICHAEL CAINE: - "I've told you before.
0:31:23 > 0:31:26"If you're not going to sing, I don't want to bloody know.
0:31:26 > 0:31:27"Now get back in the other room!"
0:31:27 > 0:31:29And he went, "A-a-a-h!"
0:31:34 > 0:31:36And he was gone. It's true.
0:31:38 > 0:31:40And what's the David Bowie story?
0:31:40 > 0:31:43Well, that's another true one that's in the show.
0:31:43 > 0:31:47Some years ago, I was in my kitchen at home. I'd never met David Bowie.
0:31:47 > 0:31:49And he was on the radio being interviewed.
0:31:49 > 0:31:52And the interviewer said, "What you do when you're on the tour,
0:31:52 > 0:31:54"on the bus? Do you watch stuff?"
0:31:54 > 0:31:57And he said... I can't really do David Bowie. He goes,
0:31:57 > 0:31:58- AS BOWIE SINGING:- "Yes, I do."
0:31:59 > 0:32:02Him singing, that's all I can do.
0:32:02 > 0:32:05He said, "I watch this thing called Cruise Of The Gods."
0:32:05 > 0:32:07Which is a show I was in with Steve, actually.
0:32:07 > 0:32:09He said, and it was Mark Radcliffe,
0:32:09 > 0:32:10and he said, "I don't know that one."
0:32:10 > 0:32:14And Bowie said, "Oh, it's really good, you know, it's with that guy,
0:32:14 > 0:32:17"what's his name?" I was going, "It's me!"
0:32:17 > 0:32:18He said, "I don't know."
0:32:18 > 0:32:22He said, "You know, the one from Marion And Geoff,"
0:32:22 > 0:32:24which is a show that I did. And he went, "I don't know."
0:32:24 > 0:32:27I was going, "It's Rob Brydon! It's me!"
0:32:29 > 0:32:30It was the most bizarre...
0:32:30 > 0:32:33David Bowie is struggling to get your name.
0:32:33 > 0:32:37I was shouting at the radio, "It's me!"
0:32:37 > 0:32:40And Mark Radcliffe, I thought a producer's going to tell
0:32:40 > 0:32:42Mark Radcliffe, he's going to say. And he didn't!
0:32:42 > 0:32:46They just went on, that was it. But then...
0:32:46 > 0:32:50And we say this in the show as well, when he died, and it was just
0:32:50 > 0:32:55awful, I looked on Twitter, and he followed about 250 people.
0:32:55 > 0:32:58- And I was one of the people he followed.- Oh, wow!- Wow!
0:32:58 > 0:33:01And when I told Steve this, and we do it on camera as well,
0:33:01 > 0:33:03he was so cheesed off.
0:33:05 > 0:33:06He said,
0:33:06 > 0:33:10- AS STEVE:- "I-I-I have to say, he's now slightly diminished in my eyes."
0:33:12 > 0:33:13Very good.
0:33:13 > 0:33:17Quickly, we must mention the tour because Good Mourning Mrs Brown,
0:33:17 > 0:33:18you've done a big chunk of it,
0:33:18 > 0:33:21but there's more to come in this country.
0:33:21 > 0:33:22Yeah, we've got a middle section,
0:33:22 > 0:33:26five weeks in the summer which finishes at the O2, and then
0:33:26 > 0:33:29we've got the end section, which finishes in Dublin on 17th December.
0:33:29 > 0:33:32- Then we open in Sydney on 15th January.- Wow.
0:33:32 > 0:33:34And the fans who come to the show...
0:33:34 > 0:33:37So, there's a bunch of Harry Styles fans here.
0:33:37 > 0:33:38LOUD CHEERING
0:33:38 > 0:33:42- Yes. You know, those sorts of fans...- We don't get that.
0:33:43 > 0:33:45But you kind of do because where was this?
0:33:45 > 0:33:48- Was this Manchester when you met this guy outside?- Oh, yeah.
0:33:48 > 0:33:49- This guy...- What?
0:33:49 > 0:33:52So, those are... They're not drawings, those are tattoos.
0:33:52 > 0:33:56- They're real tattoos.- You've got pride of place, in fairness.
0:33:56 > 0:33:59- So, he's got everybody. - All the characters. And...
0:34:01 > 0:34:04You can see Gary Hollywood is the closest one to his arse.
0:34:06 > 0:34:10Rory was a bit disappointed with that. But, no, he had all the faces.
0:34:10 > 0:34:13Not only that, if you look at the picture,
0:34:13 > 0:34:17- it looks like we've signed them. - Yes.- We haven't! We haven't.
0:34:17 > 0:34:19He got our signatures.
0:34:19 > 0:34:22They're all our signatures but he got our signatures on
0:34:22 > 0:34:25something else and got them tattooed in heavy black. I mean, that is...
0:34:25 > 0:34:28You know... If he's watching...
0:34:28 > 0:34:30get a fucking life.
0:34:38 > 0:34:40It is time for music. Yes.
0:34:40 > 0:34:42All right.
0:34:42 > 0:34:44Once a member of the biggest boyband in the world,
0:34:44 > 0:34:48his debut solo single has just stormed to the top of the charts
0:34:48 > 0:34:50in, get this, 84 countries.
0:34:50 > 0:34:55Here, performing Sign Of The Times, is Mr Harry Styles!
0:34:55 > 0:34:57LOUD CHEERING AND WHOOPING
0:35:12 > 0:35:16# Just stop your crying It's a sign of the times
0:35:18 > 0:35:21# Welcome to the final show
0:35:23 > 0:35:26# Hope you're wearing your best clothes
0:35:28 > 0:35:32# You can't bribe the door on your way to the sky
0:35:34 > 0:35:38# You look pretty good down here
0:35:38 > 0:35:40# But you ain't really good
0:35:43 > 0:35:47# We never learn, we've been here before
0:35:48 > 0:35:51# Why are we always stuck and running from
0:35:51 > 0:35:53# The bullets
0:35:55 > 0:35:57# The bullets
0:35:59 > 0:36:03# We never learn, we've been here before
0:36:04 > 0:36:07# Why are we always stuck and running from
0:36:07 > 0:36:09# The bullets
0:36:11 > 0:36:13# The bullets
0:36:16 > 0:36:21# Just stop your crying It's a sign of the times
0:36:22 > 0:36:25# We gotta get away from here
0:36:27 > 0:36:30# We gotta get away from here
0:36:32 > 0:36:36# Just stop your crying It'll be all right
0:36:38 > 0:36:42# They told me that the end is near
0:36:42 > 0:36:46# We gotta get away from here
0:36:48 > 0:36:52# Just stop your crying Have the time of your life
0:36:54 > 0:36:58# Breaking through the atmosphere
0:36:58 > 0:37:01# And things are pretty good from here
0:37:04 > 0:37:10# Remember, everything will be all right
0:37:11 > 0:37:14# We can meet again somewhere
0:37:14 > 0:37:18# Somewhere far away from here
0:37:20 > 0:37:23# We never learn, we've been here before
0:37:23 > 0:37:27# Why are we always stuck and running from
0:37:27 > 0:37:29# The bullets
0:37:31 > 0:37:33# The bullets
0:37:36 > 0:37:39# We never learn, we've been here before
0:37:40 > 0:37:43# Why are we always stuck and running from
0:37:43 > 0:37:45# The bullets
0:37:47 > 0:37:49# The bullets
0:37:52 > 0:37:56# Just stop your crying It's a sign of the times
0:37:58 > 0:38:02# We gotta get away from here
0:38:03 > 0:38:06# We gotta get away from here
0:38:08 > 0:38:12# Stop your crying Baby, it'll be all right
0:38:15 > 0:38:18# They told me that the end is near
0:38:18 > 0:38:22# We gotta get away from here
0:38:24 > 0:38:27# We never learn, we've been here before
0:38:27 > 0:38:31# Why are we always stuck and running from
0:38:31 > 0:38:33# The bullets
0:38:35 > 0:38:37# The bullets
0:38:39 > 0:38:43# We never learn, we've been here before
0:38:44 > 0:38:47# Why are we always stuck and running from
0:38:47 > 0:38:49# The bullets
0:38:51 > 0:38:53# The bullets
0:38:56 > 0:39:00# We don't talk enough
0:39:00 > 0:39:04# We should open up
0:39:04 > 0:39:08# Before it's all too much
0:39:12 > 0:39:16# Will we ever learn?
0:39:16 > 0:39:20# We've been here before
0:39:20 > 0:39:24# It's just what we know
0:39:24 > 0:39:26# Oh, o-o-h
0:39:28 > 0:39:34# Stop your crying, baby It's a sign of the times
0:39:34 > 0:39:36# We gotta get away
0:39:38 > 0:39:43# Oh, we got to get away
0:39:43 > 0:39:45# We got to get away
0:39:46 > 0:39:49# We got to get away
0:39:50 > 0:39:56# We got to get away
0:39:58 > 0:40:02# We gotta get away
0:40:02 > 0:40:06# We gotta, we gotta get away
0:40:06 > 0:40:08# We got to
0:40:08 > 0:40:13# We gotta get away. #
0:40:18 > 0:40:22APPLAUSE
0:40:27 > 0:40:30Harry Styles, everybody!
0:40:30 > 0:40:33Brilliant job. Come over.
0:40:33 > 0:40:38And the band, let's hear it for the band. Well done, sir, well done.
0:40:38 > 0:40:42Come and have a sit here. That's Rob Brydon. Vicky McClure.
0:40:42 > 0:40:46Brendan O'Carroll, there they all are. Woo!
0:40:46 > 0:40:51Very good. Sit, sit, sit.
0:40:51 > 0:40:54Thank you so much for doing that. It was great.
0:40:54 > 0:40:57- It was really, really good. - Thank you.- Epic.
0:40:57 > 0:41:00- Do you know people on the couch? Do you know Brendan O'Carroll?- I do.
0:41:00 > 0:41:02- Have you met?- I've met Vicky a few times.- That I know.
0:41:02 > 0:41:05Old bargain bucket there.
0:41:05 > 0:41:08- Of the...- Yes, she does that.
0:41:08 > 0:41:12- You have met?- We have met before.
0:41:12 > 0:41:15You've got the pyjamas I sent you, I'm pleased to see.
0:41:18 > 0:41:21And they look better on you than they would on me.
0:41:23 > 0:41:26We were talking about celebrities having honours.
0:41:26 > 0:41:29There is a few statues and a beautiful tram -
0:41:29 > 0:41:31but do buy a ticket!
0:41:31 > 0:41:35But, Harry, I don't know if you are aware of this.
0:41:35 > 0:41:37In LA there is a beautiful monument.
0:41:37 > 0:41:40Are you familiar with the monument?
0:41:40 > 0:41:42- Is it the puke thing?- It is.
0:41:42 > 0:41:46There it is...
0:41:46 > 0:41:49It was a few years ago.
0:41:49 > 0:41:53But they're replacing it. If it ever rains, the fans replace it.
0:41:53 > 0:41:59- Is it true? Did you throw up there? - I did throw up there, yeah.
0:41:59 > 0:42:01I think my mum put that sign up.
0:42:04 > 0:42:09- That is so odd. - It's interesting, for sure.
0:42:09 > 0:42:11A little niche, maybe.
0:42:11 > 0:42:15But, yeah, they're amazing.
0:42:15 > 0:42:17- Yeah.- I don't know what to say!
0:42:17 > 0:42:21There were these people on eBay selling your hair.
0:42:21 > 0:42:25I didn't know what you were going to say!
0:42:25 > 0:42:28Selling your vomit. It comes out of a bottle.
0:42:28 > 0:42:29Harry Vomit.
0:42:29 > 0:42:34What's that smell? What did you do with your pocket money?
0:42:34 > 0:42:36AUDIENCE GROANS
0:42:38 > 0:42:42- This solo thing is going quite well so far.- Thank you.
0:42:42 > 0:42:46SCREAMING
0:42:46 > 0:42:49That is now in 84 countries or 84 territories.
0:42:49 > 0:42:55Are you now more excited for the album than nervous?
0:42:55 > 0:43:00Erm, I am excited because I'm really proud of it.
0:43:00 > 0:43:03And I have worked quite hard on it.
0:43:03 > 0:43:05Aw!
0:43:05 > 0:43:11He worked so hard...so hard!
0:43:12 > 0:43:17- I am proud of it. There it is. - Jealous much? Look what I've got!
0:43:17 > 0:43:18SCREAMING
0:43:18 > 0:43:20Yeah, yeah.
0:43:20 > 0:43:23- I actually don't have one of those. - I do. It's really good.
0:43:23 > 0:43:25You worked really hard on it.
0:43:28 > 0:43:31It's out on the 12th of May. That is the important thing.
0:43:35 > 0:43:38- Here is the question. You are solo now.- Yes.
0:43:38 > 0:43:41This is all new to you.
0:43:41 > 0:43:45Is it just lovely being by yourself or is there a bit of,
0:43:45 > 0:43:48"I kind of a tiny bit miss being in the band"?
0:43:48 > 0:43:54There's a lot more room in dressing rooms. But I don't feel on my own.
0:43:54 > 0:43:58I have an amazing band, who I feel very lucky to get to play with.
0:43:58 > 0:43:59- They're amazing.- Yeah.
0:43:59 > 0:44:02APPLAUSE
0:44:02 > 0:44:05I know you love them. I don't doubt that.
0:44:05 > 0:44:08But...when you are travelling with them,
0:44:08 > 0:44:13do they stay in as nice a hotel as you?
0:44:13 > 0:44:18Or are they in a slightly, slightly fewer stars after its name than you?
0:44:18 > 0:44:22- Be honest.- Where are they? - They're gone now.
0:44:22 > 0:44:23They're back in the Travelodge!
0:44:27 > 0:44:29They're already stealing soap!
0:44:32 > 0:44:36I know you love them and you feel a great kinship with them.
0:44:36 > 0:44:39But do they stay in the same hotel as you? No, they don't.
0:44:39 > 0:44:42APPLAUSE
0:44:42 > 0:44:44Moving on!
0:44:44 > 0:44:46Here's the thing - being a cultural icon,
0:44:46 > 0:44:48all sorts of stories get printed about you.
0:44:48 > 0:44:51So, last week, Warren Beatty was here and we did this thing with him
0:44:51 > 0:44:53where we just read out some of the mad stories
0:44:53 > 0:44:56that have been in papers about him over the years...
0:44:56 > 0:44:57This could be fun.
0:44:57 > 0:45:00..and we tried read your expression.
0:45:00 > 0:45:03- There will be a camera very close on your face as I read these out.- OK.
0:45:04 > 0:45:08We will try to gauge, from your face...
0:45:08 > 0:45:10And you're young. Your face moves!
0:45:10 > 0:45:13LAUGHTER
0:45:13 > 0:45:15- Let's see. Are you ready?- No.
0:45:15 > 0:45:17It's the Warren Beatty Deadpan Challenge.
0:45:19 > 0:45:22You took a carrot cake to a Fleetwood Mac concert?
0:45:24 > 0:45:26That's a yes.
0:45:26 > 0:45:31- That is a yes.- I did. I like carrot cake.- And Fleetwood Mac, hopefully?
0:45:31 > 0:45:33Love.
0:45:33 > 0:45:37You and Liam got chlamydia from a koala bear?
0:45:42 > 0:45:46- I'd like to confirm that's not true, by the way.- OK.
0:45:46 > 0:45:50You were thinking of becoming an estate agent?
0:45:53 > 0:45:55That's a no.
0:45:55 > 0:45:58Set your face for this one. I really want to see this one.
0:45:58 > 0:46:00- Hang on.- Here we go.
0:46:02 > 0:46:06You had a sexual relationship with Barack Obama?
0:46:06 > 0:46:09LAUGHTER
0:46:10 > 0:46:15- You are wavering. - I'm legally not allowed to say.
0:46:16 > 0:46:19- Do you want to see a picture of him? - Don't, it hurts!
0:46:22 > 0:46:24You keep your skin in check with sheep placenta?
0:46:24 > 0:46:26- That's not true. - OK, fair enough.
0:46:26 > 0:46:28LAUGHTER
0:46:29 > 0:46:33Finally, you auditioned to be the new Hans Solo?
0:46:35 > 0:46:39- That might be a yes! - I think that's a yes.
0:46:39 > 0:46:42THEY SHOUT
0:46:42 > 0:46:46You just smile and everybody thinks, "He is! That's all true!"
0:46:46 > 0:46:49- Well done.- Thanks.- Listen, good luck with the album. 12th of May!
0:46:49 > 0:46:52APPLAUSE, SCREAMING
0:46:52 > 0:46:55Right. No time for Red Chairs, I'm afraid.
0:46:55 > 0:46:59So, please thank my lovely guests - Mr Harry Styles...
0:46:59 > 0:47:02Rob Brydon...
0:47:02 > 0:47:05Vicky McClure...
0:47:05 > 0:47:07and Brendan O'Carroll!
0:47:07 > 0:47:11Join me next week, with Eurovision hopeful Lucie Jones,
0:47:11 > 0:47:13Star Wars' John Boyega,
0:47:13 > 0:47:15Pirate of the Caribbean Orlando Bloom,
0:47:15 > 0:47:19and a great comedy double act of Amy Schumer and Goldie Hawn.
0:47:19 > 0:47:21I'll see you then! Goodnight and bye-bye!