0:00:00 > 0:00:03Everybody, this is Kevin Bacon. Welcome to The Graham Norton Show!
0:00:03 > 0:00:06CHEERING AND APPLAUSE
0:00:08 > 0:00:12This programme contains some strong language.
0:00:20 > 0:00:23Oh! Oh!
0:00:24 > 0:00:26Oh, hello!
0:00:26 > 0:00:29Hello! Hello!
0:00:29 > 0:00:30Good evening, everybody.
0:00:30 > 0:00:33Oh, too much now. That'll do.
0:00:33 > 0:00:37No, no, no, you're just patronising me now, stop it!
0:00:37 > 0:00:41Who enjoyed the long Bank Holiday weekend? Wasn't it lovely?
0:00:41 > 0:00:42Mind you, it's always the same -
0:00:42 > 0:00:44go out for a few drinks and before you know it,
0:00:44 > 0:00:47you're at the kebab shop, embarrassing yourself!
0:00:50 > 0:00:52"I've always loved you!
0:00:52 > 0:00:54"You're so strong and stable!"
0:00:54 > 0:00:56Yeah.
0:00:56 > 0:00:58Hey, great show tonight, ladies and gentlemen.
0:00:58 > 0:01:01The legendary Diane Keaton will be here! Yes!
0:01:01 > 0:01:02CHEERING
0:01:02 > 0:01:04Diane Keaton along with...
0:01:04 > 0:01:06Along with Hollywood stars,
0:01:06 > 0:01:09Jessica Chastain, Kevin Bacon and Michael Fassbender!
0:01:09 > 0:01:10CHEERING
0:01:10 > 0:01:13It's good, right? That's good.
0:01:13 > 0:01:18That... That, I'm here to tell you, is a lot of stars.
0:01:18 > 0:01:19A lot of stars. I mean,
0:01:19 > 0:01:22how am I going to get all those guests onto one sofa?
0:01:22 > 0:01:24If only I had a mathematical genius to help me work it out.
0:01:24 > 0:01:26Ah!
0:01:28 > 0:01:30Diane Abbott.
0:01:30 > 0:01:31The Carol Vorderman of politics(!)
0:01:33 > 0:01:36Did you hear that interview on the radio? Ooh, bad!
0:01:36 > 0:01:38Meanwhile, on the election campaign trail,
0:01:38 > 0:01:41Jeremy Corbyn was unfairly, I feel, caught out by photographers.
0:01:44 > 0:01:48Poor Jeremy. Mind you, sometimes a sign in the background can sum up
0:01:48 > 0:01:50what people are really thinking.
0:01:54 > 0:01:58All right, Tim? In other election news, Theresa May went to Cornwall.
0:01:58 > 0:02:01Now... HE LAUGHS
0:02:01 > 0:02:04Do you think she's ever bought chips before?
0:02:04 > 0:02:07Do you think she's ever SEEN a chip before?
0:02:07 > 0:02:09I mean, I say "bought."
0:02:09 > 0:02:11She took them, then insisted she didn't owe a penny
0:02:11 > 0:02:14and wasn't going to be bullied into paying.
0:02:14 > 0:02:16LAUGHTER AND APPLAUSE
0:02:16 > 0:02:18Yeah. Take that, May.
0:02:18 > 0:02:20Yeah. Chip satire.
0:02:22 > 0:02:26Mrs May said this week she was going to be a bloody difficult woman
0:02:26 > 0:02:30in her negotiations with the EU and made it plain that this country
0:02:30 > 0:02:32will never be ruled by an unelected German.
0:02:34 > 0:02:35She then went to meet the Queen.
0:02:38 > 0:02:41And can we just say, a huge congratulations to Prince Philip?
0:02:41 > 0:02:42I mean, he's earned it
0:02:42 > 0:02:45but he's announced he's standing down from Royal duties.
0:02:45 > 0:02:47Some people have questioned the timing.
0:02:47 > 0:02:50I mean, it's almost like he's trying to avoid something.
0:02:53 > 0:02:55Let's get some guests on!
0:02:55 > 0:02:56APPLAUSE AND CHEERING
0:02:56 > 0:02:59Later, we'll be joined by Alien star and Hollywood heart-throb
0:02:59 > 0:03:00Michael Fassbender. Oh, yeah.
0:03:02 > 0:03:06Plus, we'll have the great new single from Gorillaz, everybody.
0:03:06 > 0:03:07Yeah!
0:03:08 > 0:03:12But first, he starred in hits like Footloose, Mystic River,
0:03:12 > 0:03:13A Few Good Men and Apollo 13.
0:03:13 > 0:03:16Now you can see him in the hilarious new TV show,
0:03:16 > 0:03:17I Love Dick.
0:03:17 > 0:03:20It's a warm welcome back to Kevin Bacon!
0:03:20 > 0:03:23CHEERING AND APPLAUSE
0:03:23 > 0:03:26- Happy to be here.- I'll come in here, I'll shake the hand.
0:03:26 > 0:03:27Oh, we'll embrace. We'll embrace.
0:03:27 > 0:03:28Kevin Bacon!
0:03:31 > 0:03:34She is the Oscar-nominated star of Zero Dark Thirty,
0:03:34 > 0:03:36The Help and The Martian.
0:03:36 > 0:03:40Now she's taking the lead in political thriller Miss Sloane.
0:03:40 > 0:03:42It is the fabulous Jessica Chastain!
0:03:42 > 0:03:46CHEERING
0:03:46 > 0:03:47- Hello!- Hi.
0:03:47 > 0:03:50- Hi. Lovely to see you. I see you so often.- So often!
0:03:50 > 0:03:52Come in. Sit down, sit down.
0:03:53 > 0:03:55And just listen to these films -
0:03:55 > 0:03:58The Godfather, Annie Hall, Reds, First Wives Club,
0:03:58 > 0:03:59Something's Gotta Give.
0:03:59 > 0:04:03She's a true style icon and a Hollywood legend.
0:04:03 > 0:04:07Welcome, for the first time, the great Diane Keaton, everybody!
0:04:07 > 0:04:08APPLAUSE AND CHEERING
0:04:08 > 0:04:10Yes! Are you good?
0:04:10 > 0:04:12Argh! I can't get on!
0:04:12 > 0:04:14You're up! You're on!
0:04:14 > 0:04:17That's the hardest bit! That's the hardest bit.
0:04:19 > 0:04:20Come in and sit down.
0:04:27 > 0:04:29Welcome all. Very nice to see you all.
0:04:29 > 0:04:32- Cheers!- Cheers!- Cheers!
0:04:32 > 0:04:33See, that's a good bit, too.
0:04:33 > 0:04:36- Now, you have the red wine with the ice?- That is correct.
0:04:36 > 0:04:37This is your signature drink?
0:04:37 > 0:04:38That's my drink.
0:04:38 > 0:04:40It's called a Keaton, isn't it?
0:04:40 > 0:04:42- That's correct, too.- Yeah. - You're good, you're very good!
0:04:42 > 0:04:45Oh, I've genned up, yeah. Yeah.
0:04:45 > 0:04:47This is your people,
0:04:47 > 0:04:50these are the people that are in the audience.
0:04:50 > 0:04:52CHEERING
0:04:55 > 0:04:57And they're very happy to see you.
0:04:57 > 0:04:59Really? I doubt it.
0:04:59 > 0:05:00GRAHAM SCOFFS
0:05:02 > 0:05:04But they're very charming looking.
0:05:04 > 0:05:07Yes! Don't lie, Diane, but they...
0:05:08 > 0:05:10- Now, Kevin... - I'm going to have a drink.
0:05:10 > 0:05:12Please, please. Down it in one. Chug it!
0:05:12 > 0:05:15- Kevin, are you going to drink?- I'm going to drink. No, I'm drinking.
0:05:15 > 0:05:17- You are going to have a drink? - Cheers.- Here's to you.
0:05:17 > 0:05:19- Here's to you!- She's lovely. - Oh, my God!- I think she's great.
0:05:19 > 0:05:22- Well, you like her.- I'm obsessed with her and she just said,
0:05:22 > 0:05:24"Here's to you." We cheersed. Here, again.
0:05:24 > 0:05:26- Twice!- Aww.
0:05:26 > 0:05:29- You know, I think Kevin's very attractive.- Yes!
0:05:29 > 0:05:32- Thank you.- He looks great. - Right back at you.
0:05:32 > 0:05:34I haven't seen... When was the last time I saw you?
0:05:34 > 0:05:36- Never!- I don't know, maybe never.
0:05:36 > 0:05:38- Yeah, I know, but look how great! - Yeah.
0:05:38 > 0:05:40- It's a good couch.- Likewise.
0:05:40 > 0:05:43- Yeah.- Likewise. - She's very attractive, you know.
0:05:43 > 0:05:46- You, on the other hand... - I know! I know...
0:05:46 > 0:05:47LAUGHTER
0:05:47 > 0:05:51- You...- I live here, we let ourselves go here.
0:05:53 > 0:05:56And here's the thing, this is extraordinary -
0:05:56 > 0:05:58last weekend, it was...
0:05:58 > 0:05:59This may...
0:05:59 > 0:06:02..the 45th anniversary of The Godfather.
0:06:02 > 0:06:04- Wow.- That's right.- 45 this week.
0:06:04 > 0:06:06And you all gathered... APPLAUSE
0:06:08 > 0:06:11There you are, all gathered together.
0:06:12 > 0:06:15I mean, that must be extraordinary. Because you were...
0:06:15 > 0:06:16That was extraordinary.
0:06:16 > 0:06:18Because you were such different people 45 years ago.
0:06:18 > 0:06:21I was pretty much the same.
0:06:21 > 0:06:22But everybody else was different
0:06:22 > 0:06:24because they're fantastic actors
0:06:24 > 0:06:26and, of course, Francis was so articulate.
0:06:26 > 0:06:29I wish he could have been here and tell the stories
0:06:29 > 0:06:31about what he went through to make that movie.
0:06:31 > 0:06:34And every single choice that he made
0:06:34 > 0:06:37was just like a genius choice and he had to fight for everything.
0:06:37 > 0:06:41I remember he was talking about how they wanted to fire Pacino.
0:06:41 > 0:06:42And they wanted him out.
0:06:42 > 0:06:46And he had shot.... Francis had shot the early scenes,
0:06:46 > 0:06:50where we're just young and he's kind of insecure
0:06:50 > 0:06:52and they kept hating him, the studio.
0:06:52 > 0:06:56And so what happened was that Francis, being a genius,
0:06:56 > 0:06:58he said, "OK, I'm going to shoot this one scene,"
0:06:58 > 0:07:01and he shot the scene so that they wouldn't fire Pacino,
0:07:01 > 0:07:03of where Pacino kills the cop.
0:07:03 > 0:07:05- Do you know?- Yeah. - Where Pacino... Oh, my God!
0:07:05 > 0:07:09In that scene... Al Pacino is so great in that scene.
0:07:09 > 0:07:10It's so moving.
0:07:10 > 0:07:13And, you know, I hadn't seen the movie in 30 years
0:07:13 > 0:07:15so I figured, well, I'm going to be there,
0:07:15 > 0:07:19so I took my computer out and I watched it on the computer
0:07:19 > 0:07:24- and I have to tell you, the movie is genius.- Yeah.
0:07:24 > 0:07:25I mean, I can't believe it.
0:07:25 > 0:07:28And it's all that damned Francis Ford!
0:07:28 > 0:07:29CHEERING AND APPLAUSE
0:07:29 > 0:07:31And then you, too. And you, too.
0:07:31 > 0:07:34You are so important in that film.
0:07:34 > 0:07:35Oh, my God.
0:07:35 > 0:07:37It was great to be there.
0:07:37 > 0:07:39- It was.- Huge kudos to you.
0:07:39 > 0:07:41But it's not interesting to hear about.
0:07:41 > 0:07:43- Sure it is.- Yeah, it is!- Yes, it is.
0:07:43 > 0:07:45You think? It's so boring.
0:07:45 > 0:07:47I like the audience more.
0:07:47 > 0:07:51- GRAHAM LAUGHS - I mean, why don't we talk to them?
0:07:51 > 0:07:52I wonder what they think?
0:07:52 > 0:07:53I've tried that. Really...
0:07:53 > 0:07:56- Oh, it didn't work out?- I...
0:07:56 > 0:07:59- Trust me.- I mean, you're good on your own.
0:07:59 > 0:08:01I've been sat in this chair for nearly 20 years.
0:08:01 > 0:08:02I've talked to them.
0:08:03 > 0:08:05Hey, guess what we're going to do now?
0:08:05 > 0:08:07- Uh-oh.- We're going to talk about your film.
0:08:07 > 0:08:09- Mine?- It's all about you now.
0:08:09 > 0:08:13That's evil. That's an evil gesture.
0:08:13 > 0:08:14No, new film, it's Hampstead.
0:08:14 > 0:08:17And it's out on the 23rd of June.
0:08:17 > 0:08:19This... It's a British film.
0:08:19 > 0:08:20- Yes.- And it's totally British.
0:08:20 > 0:08:25A great cast. And it's based on a true story, but you're the fiction?
0:08:25 > 0:08:28Yeah, I'm the fiction, for sure.
0:08:28 > 0:08:29I'm the fiction. Yes.
0:08:29 > 0:08:31Do you want me to say something about it?
0:08:31 > 0:08:32- It's best.- Yes, I think so.
0:08:34 > 0:08:36Well, it's really a very dear picture.
0:08:36 > 0:08:39Obviously, it's about older people. Do you know? That are...
0:08:39 > 0:08:41Oh, God. I'm the person talking about it?
0:08:41 > 0:08:43- Yeah, it's you.- It has to be me? OK.
0:08:43 > 0:08:44- No-one else is here. - All right, OK.
0:08:44 > 0:08:47- I mean, I've seen it, I can say a bit.- You saw it?- Yeah, of course
0:08:47 > 0:08:49- I did. Yeah.- Well, what did you think?- I really liked it.
0:08:49 > 0:08:52- You did?- I did! - He's sweet. But anyway, blah...
0:08:52 > 0:08:56I have to say that these two people are at a point in their life
0:08:56 > 0:08:58where they're completely stuck
0:08:58 > 0:09:01and they don't know what life is going to bring for them
0:09:01 > 0:09:04and it's a very sweet picture.
0:09:04 > 0:09:05I'm really proud of it.
0:09:05 > 0:09:07I feel happy to be a part of it.
0:09:07 > 0:09:10And the man you see, he was the real part.
0:09:10 > 0:09:12It's Brendan Gleeson, do you all know him?
0:09:12 > 0:09:14Yes! WHOOPS FROM AUDIENCE
0:09:14 > 0:09:17- He's good.- He's fabulous, I love Brendan Gleeson.
0:09:17 > 0:09:20He's really a great actor. And that was odd for me because,
0:09:20 > 0:09:22you know, he's REALLY an actor and then there's me.
0:09:22 > 0:09:24As opposed to all those other schlubs you've worked with(!)
0:09:24 > 0:09:27- Exactly! - LAUGHTER
0:09:27 > 0:09:28"What did she say?"
0:09:30 > 0:09:32Whatever!
0:09:32 > 0:09:35There's a bunch of guys in New York going, "Hey, wait a second!"
0:09:36 > 0:09:39Brendan, he plays a character called Donald,
0:09:39 > 0:09:43- who's based on a real person called Harry?- Mm-hm.
0:09:43 > 0:09:45Harry Hampstead, is he called?
0:09:45 > 0:09:47And do you remember this story? I didn't remember it.
0:09:47 > 0:09:52He squatted on a bit of Hampstead Heath and ended up owning it.
0:09:52 > 0:09:54Which is sort of an amazing story.
0:09:54 > 0:09:56It's an amazing story, yes.
0:09:56 > 0:09:59- But he died a few years ago, the real guy?- He did die.
0:09:59 > 0:10:02- I know.- I tell you what... Er...
0:10:02 > 0:10:04Do we all have to die? Can we get into that?
0:10:04 > 0:10:06- Let's not.- No, OK.
0:10:06 > 0:10:09- We're all having a nice time. - Yeah, yeah. I'm enjoying it, yeah.
0:10:09 > 0:10:11There's more red wine on ice.
0:10:11 > 0:10:14- Yeah, you got to shut me up! - Let's live a little longer!
0:10:14 > 0:10:16I tell you what, let's have a taste of the film.
0:10:16 > 0:10:18Oh, let's have a taste? You mean a clip?
0:10:18 > 0:10:20Well, actually, it's kind of the trailer.
0:10:20 > 0:10:22- Oh, fine, even better. - You see? You're happy.
0:10:22 > 0:10:23Yeah, I don't know what it is.
0:10:23 > 0:10:25- It's in colour, you talk, it's great!- It's in colour?!
0:10:25 > 0:10:27- OK!- You're going to love this. Here it is.
0:10:28 > 0:10:31- Hello?- What?!
0:10:31 > 0:10:33I hope I'm not disturbing you.
0:10:33 > 0:10:34Too late for that.
0:10:34 > 0:10:36This is an eviction notice.
0:10:36 > 0:10:38You're living on land worth millions.
0:10:38 > 0:10:40They really don't want you here.
0:10:40 > 0:10:42It's a shame. If only they got to know me.
0:10:42 > 0:10:43Now, now.
0:10:43 > 0:10:45So am I different to what you expected?
0:10:45 > 0:10:46- You seem... - Go on.
0:10:46 > 0:10:48..cleaner.
0:10:48 > 0:10:49It never stops, does it?
0:10:49 > 0:10:52The whole world wants me to change and now you, too.
0:10:52 > 0:10:53You really want to stay here?
0:10:53 > 0:10:55You're going to have to fight for it.
0:10:57 > 0:10:59The way I live might seem different to a lot of people.
0:10:59 > 0:11:01All I care about is my home
0:11:01 > 0:11:04and, in that regard, I'm no different to any of you.
0:11:06 > 0:11:08- OK...- This is my, um...
0:11:08 > 0:11:09Handyman.
0:11:09 > 0:11:12LAUGHTER AND APPLAUSE
0:11:12 > 0:11:16- See, that was all right! - Yeah!- You survived that.- Yeah.
0:11:17 > 0:11:19Thank you.
0:11:19 > 0:11:23And your character in the film, she dresses quite like, um...
0:11:23 > 0:11:24- Me?- Yes! Yes.
0:11:24 > 0:11:27- Because you are very recognisable. - Why?
0:11:27 > 0:11:30Because you have a look, you have a kind of iconic look.
0:11:30 > 0:11:32Jessica's nodding, it's not just me.
0:11:32 > 0:11:34- Yeah, iconic look.- Yeah.
0:11:34 > 0:11:36I know that many times I've done a movie
0:11:36 > 0:11:39and I've said, "Can I have the Annie Hall look, please?"
0:11:39 > 0:11:40Me too!
0:11:42 > 0:11:47Was Annie Hall the first time you were given free rein
0:11:47 > 0:11:50- to put together your own look? - It was. Yeah, there it is.
0:11:50 > 0:11:53WHOOPING AND APPLAUSE
0:11:55 > 0:11:56It's amazing.
0:11:56 > 0:11:58It is amazing, and timeless.
0:11:58 > 0:11:59It's timeless?
0:11:59 > 0:12:01Well, cos it was never IN fashion.
0:12:01 > 0:12:03I'm looking at me and I'm thinking, wow...
0:12:03 > 0:12:04That's right, it never was in fashion!
0:12:04 > 0:12:06- You're right. There you go. - It's your look.
0:12:06 > 0:12:08- You know, ploughed your own furrow. - I own it.
0:12:08 > 0:12:09I don't know what to say.
0:12:09 > 0:12:11I don't see anybody in the audience that has it.
0:12:11 > 0:12:12No!
0:12:12 > 0:12:16- I think they rejected it. - No, you're owning it.
0:12:16 > 0:12:17A fashion icon. A true fashion icon.
0:12:17 > 0:12:21Do you ever have days when you think, "You know what,
0:12:21 > 0:12:23"I'm not going to be Diane Keaton today,
0:12:23 > 0:12:26"I'm going to wear something...? I'm going to break the mould,
0:12:26 > 0:12:28"I'm not going to look like Diane Keaton."
0:12:28 > 0:12:31I wouldn't know how to do that since I am Diane Keaton, aren't I?
0:12:31 > 0:12:33- Yes!- I don't want to do that.
0:12:33 > 0:12:35I just want to be what I want to be, right?
0:12:35 > 0:12:38- I'm going to wear what I like.- Yes. - You think I'm going to break it?
0:12:38 > 0:12:40- Well...- Are you suggesting I should change?
0:12:40 > 0:12:42- No!- I think you are!
0:12:42 > 0:12:46I'm just saying, one day you might like no-one to know who you were.
0:12:46 > 0:12:48They don't know who I am. I live in California.
0:12:48 > 0:12:51You know, all I do is, I get my car and I do what
0:12:51 > 0:12:53everybody else is doing and nobody cares cos, you know...
0:12:53 > 0:12:55You know, they've seen enough of us.
0:12:56 > 0:12:58Really, it's so simple.
0:12:58 > 0:13:01But being recognised can sometimes be to your advantage.
0:13:01 > 0:13:05Jessica Chastain, now, had you broken the law?
0:13:05 > 0:13:06It wasn't me!
0:13:06 > 0:13:08LAUGHTER
0:13:08 > 0:13:10I was in a car and someone else was driving and I kept saying,
0:13:10 > 0:13:12"Please, slow down, slow down,"
0:13:12 > 0:13:14and, of course, they didn't and then we got pulled over
0:13:14 > 0:13:15and the cop went around to the side
0:13:15 > 0:13:18and the person driving was from another country and I was like,
0:13:18 > 0:13:21"Oh, this is just going to be a disaster."
0:13:21 > 0:13:25And the cop looked at me and said, "Are you an actor?"
0:13:25 > 0:13:26And I said, "Yeah."
0:13:26 > 0:13:28And he goes, "What films have you been in?"
0:13:28 > 0:13:31- And I knew that was my moment... - LAUGHTER
0:13:31 > 0:13:33..to get out of the ticket.
0:13:33 > 0:13:37- And I'd better say the right film. - Yeah, yeah.
0:13:37 > 0:13:39So I looked him up and down. I thought,
0:13:39 > 0:13:42"What... You know? The Help? No, probably not."
0:13:42 > 0:13:44And I said Zero Dark Thirty.
0:13:44 > 0:13:47And then he goes, "OK, can I have your picture?"
0:13:47 > 0:13:49And he let me go.
0:13:49 > 0:13:50Wow!
0:13:50 > 0:13:54Kevin Bacon, you did try to do the thing I was talking to Diane about,
0:13:54 > 0:13:57about trying to go out incognito, to not be Kevin Bacon?
0:13:57 > 0:14:01I had a disguise built by a special effects make-up artist.
0:14:01 > 0:14:03- What?!- Is that true?- Yeah.
0:14:03 > 0:14:05- Was it, like, a fake nose? - I don't want to say.- Glasses?
0:14:05 > 0:14:08- I can't say.- Are you wearing it now?- I'm wearing it now!
0:14:08 > 0:14:10I'm not actually Kevin Bacon!
0:14:11 > 0:14:13"I'm Michael Fassbender!"
0:14:14 > 0:14:16- He's so versatile!- I wish!
0:14:16 > 0:14:18Did you like people not recognising you?
0:14:18 > 0:14:22Well, I tell you, you know, people don't talk about the fact
0:14:22 > 0:14:28that being recognisable is 99.9% good.
0:14:28 > 0:14:32Because people are nice to you all day long for absolutely no reason.
0:14:32 > 0:14:34People stop me in the street and say, "Kevin, I love you."
0:14:34 > 0:14:36I mean, who doesn't want to be loved? Right?
0:14:36 > 0:14:39Who doesn't want to have somebody say,
0:14:39 > 0:14:43"I love you. Jessica, Diane, I love you"?
0:14:43 > 0:14:46I mean, that's a great feeling.
0:14:46 > 0:14:47And you can get out of tickets.
0:14:47 > 0:14:52And, you know, they'll give you free sneakers and shit like that.
0:14:52 > 0:14:55But anyway, it's mostly good. Is my point.
0:14:55 > 0:14:58Once in a while you think to yourself, like,
0:14:58 > 0:15:03"What would it be like to just walk through the world anonymously?"
0:15:03 > 0:15:07So I decided to experiment with that. And it worked.
0:15:07 > 0:15:10I mean, obviously, I had it done by professionals
0:15:10 > 0:15:12and applied by professionals,
0:15:12 > 0:15:14and you definitely didn't know it was me.
0:15:14 > 0:15:18And I went to... There's an outdoor shopping mall in California
0:15:18 > 0:15:21- called The Grove which is sort of like the worst place...- Oh, my God!
0:15:21 > 0:15:23It's the worst place you want to walk around in
0:15:23 > 0:15:25- if you're a celebrity.- Yeah.
0:15:25 > 0:15:29That's a guaranteed place you're going to be taking some selfies.
0:15:29 > 0:15:32And, um... I walked straight through The Grove
0:15:32 > 0:15:34and nobody recognised me.
0:15:34 > 0:15:36And it was awful!
0:15:36 > 0:15:38LAUGHTER
0:15:38 > 0:15:45I was like, "This sucks, man! I'm going back to Kevin Bacon ASAP!"
0:15:45 > 0:15:48APPLAUSE
0:15:48 > 0:15:51Now, Jessica Chastain, you give a knockout performance
0:15:51 > 0:15:53in your new movie, Miss Sloane.
0:15:53 > 0:15:56- It's out next Friday...- Oh, my God! - ..the 12th of May.- Look at that!
0:15:56 > 0:16:00- I know! Strong, right? - That's a great one sheet.
0:16:00 > 0:16:03- Strong.- Look at her.- Intimidating.
0:16:03 > 0:16:05Your performance is a real tour de force.
0:16:05 > 0:16:08It's almost like a kind of forensic look
0:16:08 > 0:16:12at how the lobbying groups work in Washington.
0:16:12 > 0:16:16I'm sure we have lobbyists here but it's not the same as Washington,
0:16:16 > 0:16:18where it's big, big business, isn't it?
0:16:18 > 0:16:20Yeah, it's a huge business
0:16:20 > 0:16:23and I didn't really understand it until I took the role.
0:16:23 > 0:16:25I read Jack Abramoff's book, I don't know if you guys know of him?
0:16:25 > 0:16:28He's an American lobbyist who ended up in jail.
0:16:28 > 0:16:29- That's right, yeah.- Yeah.
0:16:29 > 0:16:32And so I thought, this is a really interesting place to start.
0:16:32 > 0:16:35And then I went to DC and met with about a dozen female lobbyists.
0:16:35 > 0:16:37Cos there aren't that many women who do it, is that right?
0:16:37 > 0:16:39No. It's about 10%. I mean...
0:16:39 > 0:16:42First of all, women in American politics is already...
0:16:42 > 0:16:47- It's a tough field for women. - So we hear!- Yeah.
0:16:47 > 0:16:50So, yeah, it's a little less than 10%.
0:16:50 > 0:16:52And so I met with female lobbyists there
0:16:52 > 0:16:55and I was shocked by the amount of money that lobbyists make.
0:16:55 > 0:16:59And also, I was really shocked by the way they presented themselves.
0:16:59 > 0:17:03- How much money do they make? - Well...- I'm interested!
0:17:03 > 0:17:04- They can make... - LAUGHTER
0:17:04 > 0:17:07- Are you thinking of a change of career?- You think I got a shot?
0:17:07 > 0:17:11Yes, you could do anything you want, but I think you're doing fine!
0:17:11 > 0:17:13How much do they make?
0:17:13 > 0:17:16- They can make millions. - Seriously?- Yeah, it's like...
0:17:16 > 0:17:20You know, a big corporation... You know, Coca-Cola has lobbyists.
0:17:20 > 0:17:25You can hire lobbyists to defeat a bill or try to pass a bill.
0:17:25 > 0:17:28Basically, the term "lobbyist" was coined
0:17:28 > 0:17:31- by the people waiting in the lobby to plead their cases.- Yeah, yeah.
0:17:31 > 0:17:34Yeah, they can make a tonne of money,
0:17:34 > 0:17:36- depending on who's hiring them. - Listen, we've got a clip.
0:17:36 > 0:17:40This is you explaining to your team, because you've basically...
0:17:40 > 0:17:42Sorry, we should have explained that bit...
0:17:42 > 0:17:45So you are lobbyist and you change sides?
0:17:45 > 0:17:48Yes, so basically, the gun lobby tries to hire her
0:17:48 > 0:17:51to get women into guns and she says, "Screw this,
0:17:51 > 0:17:54"I'm going to actually go work for the other side."
0:17:54 > 0:17:56So I think in this clip she's working with
0:17:56 > 0:17:58a bipartisan lobbying agency
0:17:58 > 0:18:01that's fighting to pass the bill for stricter gun regulation.
0:18:01 > 0:18:04True. JESSICA GIGGLES
0:18:04 > 0:18:06- What's the best indicator of voter intention?- Money!- Dollars.
0:18:06 > 0:18:08That's our first prong.
0:18:08 > 0:18:11Grassroots action aimed squarely at soliciting donations.
0:18:11 > 0:18:13Not names on a petition, not clicks in cyberspace.
0:18:13 > 0:18:15Will they know how much we're raising?
0:18:15 > 0:18:17Non-profits have to report on their finances.
0:18:17 > 0:18:20And every Congressional staffer watches filing day like a hawk.
0:18:20 > 0:18:23While you're out there hustling, I'll be working influential senators
0:18:23 > 0:18:25who can deliver their colleagues' votes. That's our second prong.
0:18:25 > 0:18:29Our third is to identify who holds sway in target states.
0:18:29 > 0:18:31Employers, workers' groups.
0:18:31 > 0:18:35Don't just waltz into a Senator's office and make your case.
0:18:35 > 0:18:39Find out who they trust, who they can't afford to piss off.
0:18:39 > 0:18:43Convince that person to make your case.
0:18:43 > 0:18:45THAT is how we win.
0:18:45 > 0:18:47APPLAUSE Ooh!
0:18:49 > 0:18:51Yeah.
0:18:51 > 0:18:52- Tough.- She's tough.
0:18:57 > 0:19:00- I mean, she's tough beyond belief, this...- Super tough.
0:19:00 > 0:19:02- She's also beautiful.- Yes, hello!
0:19:02 > 0:19:05That worked out. The nose is great, don't you think?
0:19:05 > 0:19:07Yeah, I think it's all worked out, yeah!
0:19:07 > 0:19:09- You've got a great nose. - I used to get picked on for my nose.
0:19:09 > 0:19:12- No way, man. That's cool! - Yeah? Well, thanks.
0:19:12 > 0:19:14I had a director once tell me, when I said,
0:19:14 > 0:19:16"Why do you think I'm right for this part?"
0:19:16 > 0:19:19- And he said to me, he goes, "I want to film your nose."- See!
0:19:19 > 0:19:21- LAUGHTER - He was right!
0:19:21 > 0:19:24- So it got me a part. - It's just the beginning.
0:19:24 > 0:19:27- It's gorgeous, it's a great nose. - Oh, thanks!- That's good.
0:19:27 > 0:19:29- OK.- You use it really well.
0:19:29 > 0:19:31LAUGHTER
0:19:31 > 0:19:33Now, when you have been on the show before,
0:19:33 > 0:19:36- you've talked to us about your grandmother.- Yes.
0:19:36 > 0:19:39Now, she's quite, um... I was going to say sexually active.
0:19:39 > 0:19:42- She's not sexually active, well, maybe she is, I don't know...- What?!
0:19:42 > 0:19:45I don't think those words have ever, um, come out of me,
0:19:45 > 0:19:50- that my grandmother was sexually active!- She likes... She likes men.
0:19:50 > 0:19:51- Yes!- She likes men?- Yes.
0:19:51 > 0:19:55- Yes, OK.- And your grandmother has this picture.- Yes?
0:19:55 > 0:19:58- OK, I know this. - So this is on her bedside table.
0:19:58 > 0:20:01This is her and Al Pacino. You introduced them?
0:20:01 > 0:20:04Yes, but she's not sexually active with Al Pacino.
0:20:04 > 0:20:06I just want to put that out there!
0:20:06 > 0:20:09- They make a lovely couple! - She wishes!
0:20:09 > 0:20:12No, I was doing a play with Al.
0:20:12 > 0:20:14It was my first thing, it was in LA, Salome.
0:20:14 > 0:20:17And my grandmother was there and she's a huge fan.
0:20:17 > 0:20:21She loves The Godfather. She'd be freaking out right now!
0:20:21 > 0:20:24And so I said, "Al, I want you to meet my grandmother."
0:20:24 > 0:20:26And he looked at her and he goes,
0:20:26 > 0:20:29"That's your grandmother? Hubba-hubba!"
0:20:29 > 0:20:34LAUGHTER
0:20:34 > 0:20:37Which, of course, made her life!
0:20:37 > 0:20:40And so I took a picture of the two of them and she framed it
0:20:40 > 0:20:42- and put it on her bedside table. - That's nice.
0:20:42 > 0:20:44But now, didn't you, when you got to LA,
0:20:44 > 0:20:47make it your life's mission to get her a boyfriend?
0:20:47 > 0:20:49Yes, which I still haven't done and it's very upsetting to me.
0:20:49 > 0:20:53So if there are any handsome English men out there
0:20:53 > 0:20:58who likes redheads and is not a pervert or anything weird...
0:20:58 > 0:21:00- Yes!- Picky, picky, picky!
0:21:00 > 0:21:03LAUGHTER
0:21:03 > 0:21:07I made a Match.com account for my grandmother.
0:21:07 > 0:21:11And I did a photo shoot for her. Like, I did her make-up.
0:21:11 > 0:21:13- Tasteful, I'm sure. Tasteful? - Very tasteful.- Yeah.
0:21:13 > 0:21:15And then when the men would call, she'd be like,
0:21:15 > 0:21:18"It's someone from the website." I'd be like, "OK..."
0:21:18 > 0:21:19And I would give her hints, like...
0:21:19 > 0:21:21But the guys would call and they'd be like,
0:21:21 > 0:21:25"What are you doing right now?" I'm like, "No, Grandma. Mm-mm!"
0:21:25 > 0:21:27They got to call and make a date.
0:21:27 > 0:21:31You can't just be willy-nilly going out there.
0:21:32 > 0:21:35- So...- Yeah, well, hmm...
0:21:35 > 0:21:37Tick-tock!
0:21:37 > 0:21:39Oh, no!
0:21:39 > 0:21:41You're terrible!
0:21:42 > 0:21:44- How dare you?! - APPLAUSE
0:21:49 > 0:21:52She's already let Al Pacino slip through her fingers!
0:21:52 > 0:21:56But when it comes to on-screen romance, Diane Keaton,
0:21:56 > 0:21:59- I think you like the on-screen romance, don't you?- It's the best.
0:21:59 > 0:22:03I mean, quite frankly, it doesn't get better than on-screen romance.
0:22:03 > 0:22:04Because, frankly, you know,
0:22:04 > 0:22:06think of all the men that you get to kiss
0:22:06 > 0:22:08and you don't pay the price.
0:22:08 > 0:22:10You know, like, in other words, you don't actually have to have a...
0:22:10 > 0:22:12You know, the relationship is perfect
0:22:12 > 0:22:15because you're telling the story, you're in the midst of the story.
0:22:15 > 0:22:19So, yeah, I've enjoyed it. I enjoy it.
0:22:19 > 0:22:21And I also like the audience
0:22:21 > 0:22:24- and if there are some men out there...- Whoa.
0:22:24 > 0:22:25WHOOPS FROM AUDIENCE
0:22:25 > 0:22:29..that I can kiss. Just because it's a friendly gesture.
0:22:29 > 0:22:31There's nothing wrong with that.
0:22:31 > 0:22:33First of all, it's just the greatest.
0:22:33 > 0:22:37I mean, there's nothing better than kissing a man in a movie.
0:22:37 > 0:22:40And people say that's difficult, but they're wrong.
0:22:40 > 0:22:43- They're dead wrong. - It depends on the man.
0:22:43 > 0:22:48- Like... You and me kiss now.- OK. - Oh, I'm going to kiss him!
0:22:48 > 0:22:49This is exciting!
0:22:49 > 0:22:52No, no... This is, like... I cannot tell you,
0:22:52 > 0:22:54this is so exciting for me. This is so exciting for me.
0:22:54 > 0:22:57First of all, I hit them! Because if you don't hit them...
0:22:57 > 0:23:00- Look, he needs punishment. - OK.- I take his face and say...
0:23:00 > 0:23:03And then you go like this, you say, "You big idiot!" Mwah!
0:23:03 > 0:23:06- Oh!- I'm going to do it again, you big idiot. Mwah!
0:23:06 > 0:23:08Oh, I love that!
0:23:08 > 0:23:11That's made my life! That has made my life.
0:23:11 > 0:23:15- Now I'm going to kiss Kevin! - OK...- Can I kiss Kevin?
0:23:15 > 0:23:18- If Kevin's willing?- Are you ready, Kevin?- Am I willing(?)
0:23:18 > 0:23:20LAUGHTER
0:23:20 > 0:23:22- Whoo!- Whoo!- Whoohoo!
0:23:22 > 0:23:24Oh, Kevin!
0:23:24 > 0:23:26See, he's so good!
0:23:26 > 0:23:28That was so good.
0:23:28 > 0:23:29APPLAUSE
0:23:29 > 0:23:32- Go on!- Yeah, I want to kiss Jessica, too.
0:23:32 > 0:23:34Yeah, you have to.
0:23:34 > 0:23:36Even though, you know, she's not a man...
0:23:36 > 0:23:38Look at that girl.
0:23:38 > 0:23:40First of all, the nose is great, OK?
0:23:40 > 0:23:44What I'm going to do is I'm going to touch that sweet nose, right?
0:23:44 > 0:23:47And then a big kiss, like she's my dear daughter.
0:23:47 > 0:23:49You little baby, you've been bad.
0:23:49 > 0:23:52- You've been a bad girl. - Oh, my God! What is happening?
0:23:52 > 0:23:55I don't know. I don't know about you, but you better be better!
0:23:55 > 0:23:56Mwah!
0:23:56 > 0:23:57What?!
0:23:59 > 0:24:00Fabulous.
0:24:00 > 0:24:02I feel better.
0:24:03 > 0:24:05- It's good.- It's OK.
0:24:05 > 0:24:08I mean, you know, I could try it out on the audience, though,
0:24:08 > 0:24:10it would be much better!
0:24:10 > 0:24:13CHEERING AND WHOOPING
0:24:13 > 0:24:15What a long show that turned into!
0:24:17 > 0:24:18Can I just say...
0:24:18 > 0:24:21- bucket list!- Yeah, amen!
0:24:21 > 0:24:23APPLAUSE
0:24:23 > 0:24:25Amen!
0:24:25 > 0:24:27That was amazing. That was amazing.
0:24:27 > 0:24:30Er, now, ladies and gentlemen, er...
0:24:30 > 0:24:34Miss Sloane is a great name for a film, it's a really good name.
0:24:34 > 0:24:37Hampstead - a good, solid title.
0:24:37 > 0:24:39OK, first of all, Hampstead...
0:24:39 > 0:24:42- First of all...- Oh?- ..I love London.
0:24:42 > 0:24:45And London, to me, is the most...
0:24:45 > 0:24:47- Oh, I shouldn't talk about it? - Now you want to talk about it!
0:24:47 > 0:24:51LAUGHTER
0:24:51 > 0:24:53Yeah, I shouldn't drink.
0:24:53 > 0:24:56You know, but I do love London because...
0:24:56 > 0:25:00GRAHAM LAUGHS
0:25:00 > 0:25:01I should be dismissed.
0:25:04 > 0:25:06- Keep going.- London is so fabulous
0:25:06 > 0:25:08because it's just a beautiful city.
0:25:08 > 0:25:11And if you're lucky enough to be in the centre,
0:25:11 > 0:25:12then you can just walk around
0:25:12 > 0:25:15and it's just the greatest walking place ever, don't you think?
0:25:15 > 0:25:17Absolutely, I'm with you, yes.
0:25:17 > 0:25:19CHEERING AND APPLAUSE
0:25:19 > 0:25:21- London.- London.
0:25:21 > 0:25:23Number one, number one.
0:25:23 > 0:25:25- Hey, Diane.- What? Uh-oh.
0:25:25 > 0:25:27- I Love Dick. - We're not going to kiss again?
0:25:27 > 0:25:28- I Love Dick...- You love Dick?
0:25:28 > 0:25:30..is the name of Kevin Bacon's new show.
0:25:30 > 0:25:33I Love Dick? Are you kidding?
0:25:33 > 0:25:35That's the best, but why?
0:25:35 > 0:25:37He's just about to tell us.
0:25:37 > 0:25:39I Love Dick. It's available to watch...
0:25:39 > 0:25:41It's a comedy.
0:25:41 > 0:25:43Yeah, it HAS to be a comedy!
0:25:43 > 0:25:47It's available to watch on Amazon Prime from the 12th May.
0:25:47 > 0:25:49Did you just say yes because it was called I Love Dick?
0:25:49 > 0:25:51Yes.
0:25:51 > 0:25:52Because it is a great title.
0:25:52 > 0:25:54Yeah. I mean, I said yes
0:25:54 > 0:25:57because I knew that after we finished the show,
0:25:57 > 0:26:01I would be doing press and I would constantly be hearing
0:26:01 > 0:26:03interviewers say, "I Love Dick, I Love Dick.
0:26:03 > 0:26:05"I Love Dick.
0:26:05 > 0:26:08"Tell us about...I Love Dick".
0:26:10 > 0:26:11Well, do tell us about...
0:26:11 > 0:26:14- You play Dick, obviously. - I play Dick, yeah.
0:26:14 > 0:26:18I Love Dick is a show from Jill Soloway,
0:26:18 > 0:26:22who created Transparent, and its her next show after that.
0:26:22 > 0:26:27And it's a lot about the female gaze.
0:26:27 > 0:26:29It's about female desire.
0:26:29 > 0:26:36It's about... It's an all-female writers' room.
0:26:36 > 0:26:40And it's about a couple that comes to a small town in Texas,
0:26:40 > 0:26:44played by Kathryn Hahn, who's incredible,
0:26:44 > 0:26:47and Griffin Dunne, who's also fantastic.
0:26:47 > 0:26:49- Griffin Dunne?- Yeah. - That's interesting.
0:26:49 > 0:26:55They are a couple and they have sort of lost a bit of the fire
0:26:55 > 0:26:56in their relationship,
0:26:56 > 0:27:03and they get obsessed with this kind of mythical artist,
0:27:03 > 0:27:07cowboy, teacher dude named Dick.
0:27:07 > 0:27:12And their mutual obsession with him reignites their sexual relationship.
0:27:12 > 0:27:16So it's a very kind of bizarre love triangle,
0:27:16 > 0:27:19but it's very funny and it's sexy,
0:27:19 > 0:27:22and it's kind of interesting
0:27:22 > 0:27:26because it is about, truly about female desire
0:27:26 > 0:27:28and about...
0:27:28 > 0:27:30I-I am the object.
0:27:30 > 0:27:32You know, I'm objectified.
0:27:32 > 0:27:34- I'm liking this.- Yeah.
0:27:34 > 0:27:37This is a clip. This is where the character, Chris,
0:27:37 > 0:27:41is meeting the object of her obsession, Dick, for the first time.
0:27:41 > 0:27:44Is it possible that I saw you on a horse yesterday?
0:27:44 > 0:27:46Yeah, I have a ranch just outside of town.
0:27:46 > 0:27:49Oh. How big? Curious...
0:27:49 > 0:27:50You want to know how big...
0:27:52 > 0:27:53..my ranch is?
0:27:55 > 0:27:58No more polite to ask a rancher the size of his acreage
0:27:58 > 0:28:00than to ask a lady her age.
0:28:00 > 0:28:01Duly noted.
0:28:03 > 0:28:04I'm just...
0:28:04 > 0:28:07For the record I'm on the dividing line.
0:28:07 > 0:28:11I'm straddling 40-ish.
0:28:11 > 0:28:12Straddling?
0:28:14 > 0:28:15Er...
0:28:15 > 0:28:17Wow!
0:28:17 > 0:28:19CHEERING AND APPLAUSE
0:28:20 > 0:28:21Very good.
0:28:22 > 0:28:26Very quickly, I just want to ask you, do you know,
0:28:26 > 0:28:33and if you do can you explain what BFCUKB means?
0:28:34 > 0:28:36- You came up with this. - Oh, BFCUKB?- Yeah.
0:28:36 > 0:28:40Oh, OK, yeah, I know what that is. Um...
0:28:41 > 0:28:46We were doing a movie called Apollo 13.
0:28:46 > 0:28:48Not called, that sounds like...
0:28:48 > 0:28:50"A little movie I like to call..."
0:28:50 > 0:28:53I'm not that guy. Please. It popped out, I didn't mean to do that.
0:28:53 > 0:28:56I'm so sorry, apologies. We'll erase that piece of it later.
0:28:56 > 0:28:58Graham...
0:29:01 > 0:29:03I was filming Apollo 13.
0:29:03 > 0:29:05Oh, yes?
0:29:05 > 0:29:11With, sadly, Bill Paxton, who passed this year
0:29:11 > 0:29:14and Tom Hanks.
0:29:14 > 0:29:16And we were shooting this scene
0:29:16 > 0:29:20and I said to Ron Howard,
0:29:20 > 0:29:25I said, "Hey, man, I think what you need here is a BFCUKB."
0:29:26 > 0:29:29And he goes, "We need a what?"
0:29:29 > 0:29:32I said, "I think it would really help, like, this moment
0:29:32 > 0:29:34"for a BFCUKB."
0:29:34 > 0:29:38And he goes, "OK, I give up, what's a BFC...?"
0:29:38 > 0:29:41I said, "A big fucking close-up of Kevin Bacon."
0:29:45 > 0:29:47APPLAUSE
0:29:47 > 0:29:49Very good, very good.
0:29:51 > 0:29:54Right, listen, we must meet our next guest.
0:29:54 > 0:29:57From X-Men to Steve Jobs and Prometheus,
0:29:57 > 0:29:59he's one of Hollywood's hottest stars.
0:29:59 > 0:30:01Now he's back with the latest Alien movie.
0:30:01 > 0:30:04Ladies and gentlemen, please welcome Michael Fassbender!
0:30:04 > 0:30:06CHEERING AND APPLAUSE
0:30:06 > 0:30:08Hey!
0:30:08 > 0:30:11Hi! So good to see you.
0:30:13 > 0:30:15That's Diane Keaton.
0:30:18 > 0:30:20Jessica Chastain.
0:30:22 > 0:30:24And Kevin Bacon.
0:30:24 > 0:30:26Good to see you.
0:30:26 > 0:30:28You're sitting there.
0:30:28 > 0:30:30CHEERING AND APPLAUSE
0:30:33 > 0:30:35Michael Fassbender has very kindly just left
0:30:35 > 0:30:37the premiere of Alien: Covenant.
0:30:37 > 0:30:39- Yeah.- How was that?
0:30:39 > 0:30:41It looked like it was in good shape.
0:30:41 > 0:30:44I sort of left before the film started.
0:30:44 > 0:30:46You thought it was safe.
0:30:46 > 0:30:48Yes, I thought it was the right time to leave.
0:30:48 > 0:30:51Sorry, Diane, have you met Michael Fassbender?
0:30:51 > 0:30:53- No...- Well, you have now.
0:30:53 > 0:30:55We just said hi.
0:30:55 > 0:30:58OK. Yeah, but you haven't met previously?
0:30:58 > 0:31:00No, I've never seen you, have I?
0:31:00 > 0:31:03- No, we've never met. - Have you kissed?
0:31:03 > 0:31:05Yeah, we've kissed but we've never met.
0:31:05 > 0:31:07Cos everybody else has!
0:31:07 > 0:31:09Now I'm a freak, I understand that.
0:31:09 > 0:31:11- Don't worry.- You might as well.
0:31:11 > 0:31:13- You might as well, you kissed all of us.- Oh, my God!
0:31:13 > 0:31:16- She just kissed everyone. - We all kissed her.
0:31:16 > 0:31:18We've all kissed. We've all kissed.
0:31:18 > 0:31:20You kissed me!
0:31:20 > 0:31:21You started it!
0:31:21 > 0:31:23- What now?- You get two.- Oh.
0:31:26 > 0:31:28Congratulations.
0:31:28 > 0:31:30APPLAUSE
0:31:31 > 0:31:35Now can I go into the audience and start kissing?
0:31:35 > 0:31:36No, not yet.
0:31:36 > 0:31:38- Soon.- I'm ready.
0:31:38 > 0:31:40Pucker up, everyone, she'll be with you shortly.
0:31:40 > 0:31:42It'll be like a deli counter.
0:31:42 > 0:31:44"Now kissing..."
0:31:44 > 0:31:49I had this idea that Diane Keaton was going to go to bed tonight
0:31:49 > 0:31:53thinking, "The last man I kissed was Kevin Bacon," but no!
0:31:55 > 0:31:57She just clearly traded up.
0:31:57 > 0:31:58The night is not over.
0:32:00 > 0:32:01That is true.
0:32:01 > 0:32:03There's a lot of audience members.
0:32:03 > 0:32:05We must talk. Alien: Covenant,
0:32:05 > 0:32:07it's out next Friday, May 12th.
0:32:07 > 0:32:10So everyone's been waiting for this film, talking about this film,
0:32:10 > 0:32:12guessing what's going on in this film.
0:32:12 > 0:32:15What can you tell us about the film?
0:32:15 > 0:32:18It basically goes back to the first Alien.
0:32:18 > 0:32:23So the sort of DNA of that is there for sure,
0:32:23 > 0:32:26in terms of the Xenomorph, which is the Alien,
0:32:26 > 0:32:30is back, which people were disappointed they didn't see,
0:32:30 > 0:32:31I guess, in Prometheus.
0:32:31 > 0:32:34And also just the horror elements of that first film.
0:32:34 > 0:32:37It's very much a thriller, horror film.
0:32:37 > 0:32:41And then it's got a lot of the sort of philosophy from Prometheus,
0:32:41 > 0:32:44in terms of like, where do we come from, who created us,
0:32:44 > 0:32:47and the idea of creation as a whole,
0:32:47 > 0:32:50and then, of course, AIs, you know, artificial intelligence
0:32:50 > 0:32:54and where our future lies with that.
0:32:54 > 0:32:57And so you play David.
0:32:57 > 0:32:58I play David, yes.
0:32:58 > 0:33:00- From Prometheus? - That's right.- That David.
0:33:00 > 0:33:02And can you tell us any more?
0:33:02 > 0:33:03No.
0:33:05 > 0:33:07Oh, there's another robot!
0:33:07 > 0:33:09Yeah, for sure, there's another robot.
0:33:09 > 0:33:11There's a guy called Walter.
0:33:11 > 0:33:12Who you play as well.
0:33:12 > 0:33:14I play also Walter, yeah.
0:33:14 > 0:33:16He plays Walter, too.
0:33:16 > 0:33:18- I play Walter, yeah. - How's Walter doing?
0:33:18 > 0:33:19Walter's OK.
0:33:19 > 0:33:24He's, you know, he's kind of... He's more of a boring...
0:33:24 > 0:33:26I mean, if you wanted to have a good time,
0:33:26 > 0:33:29- I would go out with David. - Oh, David's better?
0:33:29 > 0:33:30That says so much about you.
0:33:30 > 0:33:32What do you mean?
0:33:32 > 0:33:34- I would go out with Walter. - What do you mean?!
0:33:34 > 0:33:36Walter's nice, relaxed, lovely.
0:33:36 > 0:33:39Yes, he's nice, you know, but he's kind of neutral.
0:33:39 > 0:33:41You're not getting an opinion off Walter.
0:33:41 > 0:33:42I have a lot of opinions.
0:33:42 > 0:33:45OK, that's good, you don't need any more.
0:33:45 > 0:33:46Let's have a look at a clip.
0:33:46 > 0:33:51This is you as Walter trying to help the crew to trap the Alien.
0:33:51 > 0:33:52OK.
0:33:57 > 0:33:58OK, Walter, where is it?
0:34:01 > 0:34:04It's on B deck, starboard side, descending into C level.
0:34:05 > 0:34:06K 13.
0:34:10 > 0:34:13COC 61, open air lock 17.
0:34:13 > 0:34:15We're going in.
0:34:17 > 0:34:18K 20, secured.
0:34:24 > 0:34:25FEEDBACK SQUEALS
0:34:26 > 0:34:28APPLAUSE
0:34:29 > 0:34:31That was good.
0:34:33 > 0:34:35That was Walter.
0:34:35 > 0:34:36Yeah.
0:34:36 > 0:34:39I heard that in the first movie, Prometheus, there was a lot
0:34:39 > 0:34:43of outtakes, a lot of David stuff that didn't get in.
0:34:43 > 0:34:45Um, no.
0:34:45 > 0:34:46Or was that in this film?
0:34:46 > 0:34:49I mean there's probably lots of extra stuff.
0:34:49 > 0:34:53I wanted to have David sort of dancing on sort of
0:34:53 > 0:34:55the disco deck of the ship,
0:34:55 > 0:34:58at the end, when the credits are rolling.
0:34:58 > 0:35:02I thought it might be quite funny to do like a Napoleon Dynamite
0:35:02 > 0:35:06sort of exit for the character.
0:35:06 > 0:35:08But Ridley didn't go for it.
0:35:08 > 0:35:09I still don't understand why.
0:35:09 > 0:35:11But you learnt the dance, didn't you?
0:35:11 > 0:35:12No.
0:35:12 > 0:35:14I thought you did learn the dance.
0:35:14 > 0:35:18No, I mean I've done the robot probably back in 1987,
0:35:18 > 0:35:21when I was going through the breakdance phase.
0:35:21 > 0:35:23I love that you went through a breakdance phase.
0:35:23 > 0:35:26Oh, yeah, I love the fact that breakdance made it to Fossa,
0:35:26 > 0:35:28and there was a breakdance club.
0:35:28 > 0:35:30In Kerry, there was a breakdance club in Kerry?
0:35:30 > 0:35:32- For sure, yeah. - What is breakdance?
0:35:32 > 0:35:34- Breakdance?- Oh...
0:35:34 > 0:35:38I don't know, maybe you could show me because I don't know.
0:35:38 > 0:35:41Do you guys know what breakdance is?
0:35:41 > 0:35:42- AUDIENCE:- No!
0:35:42 > 0:35:45I feel like if we all could try a breakdance move.
0:35:45 > 0:35:47Kevin, you definitely know breakdancing.
0:35:47 > 0:35:50- I have no idea how to break dance. - I'll learn, if you want to teach it.
0:35:50 > 0:35:51CHEERING AND APPLAUSE
0:35:51 > 0:35:53What can you teach us? What have you got?
0:35:53 > 0:35:55Breakdance-wise?
0:35:55 > 0:35:57No. Breakdance is a lot.
0:35:57 > 0:35:58Could you do some robot?
0:35:58 > 0:35:59I might rip something if I try...
0:35:59 > 0:36:02I was going to try a flick swan dive.
0:36:02 > 0:36:03Oh, do you want to do some?
0:36:03 > 0:36:05No, no, that would be very dangerous.
0:36:05 > 0:36:07Yes, please! I don't even know what that is.
0:36:07 > 0:36:09- I haven't done it in years. - Let's try.
0:36:09 > 0:36:11No, no, no, because he's not insured!
0:36:13 > 0:36:16No, Jessica, this could be the end of the BBC.
0:36:16 > 0:36:19If we break Michael Fassbender...
0:36:19 > 0:36:22I could try a flick swan dive, I suppose.
0:36:22 > 0:36:25- Yes!- OK, go on then. CHEERING AND APPLAUSE
0:36:25 > 0:36:27If you do it back here, there's enough room here.
0:36:27 > 0:36:30- Better take this off.- Clip this.
0:36:30 > 0:36:32The microphone's already in the pocket.
0:36:32 > 0:36:35You don't need to hear sound effects as I'm going down.
0:36:35 > 0:36:37Because that's attached to here.
0:36:37 > 0:36:38We'll take it out, we'll take it out
0:36:38 > 0:36:40and we'll shove it in somewhere else.
0:36:40 > 0:36:42Excuse me?!
0:36:42 > 0:36:44- Hang on. Here we go.- I can't believe I'm going to do a flick swan.
0:36:44 > 0:36:47I can't believe you're going to do it either.
0:36:47 > 0:36:49For the record, it's her. It's her!
0:36:49 > 0:36:50CHEERING AND APPLAUSE
0:36:50 > 0:36:54Do you want some music? Do you want some music?
0:36:54 > 0:36:55Sure.
0:36:55 > 0:36:57Some music, I guess. Some music.
0:36:59 > 0:37:01Yes!
0:37:01 > 0:37:03CHEERING
0:37:03 > 0:37:05OK. Do you want to wait for some music?
0:37:05 > 0:37:08- Yeah, I'll wait. - OK, here's some music.
0:37:08 > 0:37:11MUSIC: Are "Friends" Electric? by Tubeway Army
0:37:11 > 0:37:13OK.
0:37:13 > 0:37:15INAUDIBLE
0:37:15 > 0:37:17Oh, OK.
0:37:17 > 0:37:18We can't hear you now!
0:37:19 > 0:37:21Where's your one?
0:37:21 > 0:37:24Gary Numan, an influence for Walter the robot.
0:37:24 > 0:37:25LAUGHTER AND APPLAUSE
0:37:25 > 0:37:28Here we go! Turn it up, turn it up, crank it up!
0:37:28 > 0:37:30CHEERING AND APPLAUSE
0:37:36 > 0:37:39CHEERING AND APPLAUSE
0:37:41 > 0:37:43Wow!
0:37:43 > 0:37:46CHEERING AND APPLAUSE
0:37:49 > 0:37:51Wow!
0:37:51 > 0:37:53Now Diane, Diane.
0:37:53 > 0:37:54Come on, Diane!
0:37:56 > 0:37:58That was genius.
0:37:58 > 0:38:00That was genius! Michael Fassbender, everybody!
0:38:00 > 0:38:02Wow!
0:38:02 > 0:38:04OK, we'll mic you up.
0:38:04 > 0:38:07We'll mic you up. But right now, it's time for music.
0:38:07 > 0:38:10This Grammy Award-winning band are back with a bang,
0:38:10 > 0:38:13and they are here tonight performing their current single,
0:38:13 > 0:38:16We Got The Power. It's Gorillaz, everybody!
0:38:16 > 0:38:20CHEERING AND APPLAUSE
0:38:51 > 0:38:54# We got the power to be loving each other
0:38:54 > 0:38:57# No matter what happens
0:38:58 > 0:39:00# We've got the power to do that
0:39:01 > 0:39:04# En a le pouvoir de s'aimer, OK?
0:39:04 > 0:39:09# We got the power to be ringing the great bell out there above us
0:39:10 > 0:39:12# We got the power for that
0:39:14 > 0:39:16# We got the power to do that
0:39:17 > 0:39:20# And we dream of home, I dream of life out of here
0:39:20 > 0:39:24# Their dreams are small, my dreams don't know fear
0:39:24 > 0:39:27# I've got my heart full of hope, I will change everything
0:39:27 > 0:39:28# No matter what I'm told
0:39:28 > 0:39:30# How impossible it seems
0:39:30 > 0:39:33# We did it before and we'll do it again
0:39:33 > 0:39:36# We're indestructible even when we're tired
0:39:36 > 0:39:39# And we've been here before, just you and I
0:39:39 > 0:39:43# Don't try to rescue me, I don't need to be rescued
0:39:43 > 0:39:45# We got the power to be loving each other
0:39:45 > 0:39:48# No matter what happens
0:39:49 > 0:39:52# We've got the power to do that
0:39:52 > 0:39:55# En a le pouvoir de s'aimer, OK?
0:39:55 > 0:40:00# We got the power to be ringing the great bell out there above us
0:40:02 > 0:40:03# We got the power for that
0:40:05 > 0:40:07# We got the power to do that
0:40:08 > 0:40:12# Get yourself up to the silent altar and call me
0:40:15 > 0:40:17# But don't forget the machines
0:40:21 > 0:40:25# Cos if your choice is shipping it down on the M1
0:40:27 > 0:40:30# Then you'll wake up in the morning
0:40:30 > 0:40:33# You'll be storming
0:40:33 > 0:40:34# Oh, oh, oh
0:40:34 > 0:40:37# We got the power to be loving each other
0:40:37 > 0:40:39# No matter what happens
0:40:40 > 0:40:42# We've got the power to do that
0:40:43 > 0:40:46# En a le pouvoir de s'aimer, OK?
0:40:46 > 0:40:51# We got the power to be ringing the great bell out there above us
0:40:53 > 0:40:55# We got the power for that
0:40:56 > 0:40:58# We got the power to do that
0:40:59 > 0:41:02# We got the power
0:41:06 > 0:41:07# We got the power
0:41:12 > 0:41:14# We got the power
0:41:18 > 0:41:21# We got the power
0:41:21 > 0:41:23- # Power!- Power!- Power!- Power!
0:41:23 > 0:41:25# Power!
0:41:25 > 0:41:27# We got the power
0:41:32 > 0:41:34# We got the power
0:41:34 > 0:41:38# En a le pouvoir de s'aimer, OK?
0:41:38 > 0:41:40# We got the power
0:41:44 > 0:41:46# We got the power. #
0:41:46 > 0:41:48APPLAUSE
0:41:48 > 0:41:50Wow! Woo!
0:41:51 > 0:41:53Gorillaz, that was stunning.
0:41:53 > 0:41:55Come on over. Some Gorillaz are coming.
0:41:56 > 0:41:58Come on over.
0:41:58 > 0:42:00This is Jehnny. Hello, Jehnny.
0:42:00 > 0:42:02Congratulations. That was gorgeous.
0:42:02 > 0:42:06Hello, sir, really nice to see you. Thank you very much for doing that.
0:42:06 > 0:42:08Come on in, meet everybody.
0:42:08 > 0:42:12This is Kevin, Jessica, Diane, Michael.
0:42:12 > 0:42:16- Hello.- That's Jehnny and Damon.
0:42:16 > 0:42:18Sorry.
0:42:18 > 0:42:19I've overbooked!
0:42:19 > 0:42:22Hang on. There you go.
0:42:22 > 0:42:25Very good. Now, that is off the new album,
0:42:25 > 0:42:28which is, this is out now, isn't it, Damon?
0:42:28 > 0:42:32- Yeah, it was out this week. - Yeah.- So, yeah, it's out.
0:42:32 > 0:42:33LAUGHTER
0:42:33 > 0:42:34Don't make my head hurt.
0:42:34 > 0:42:36Yeah, it's out. Humanz, Humanz.
0:42:36 > 0:42:39- Oh, that was yours.- That's my one. Mine's alcoholic.
0:42:39 > 0:42:41- I just drank alcohol.- Oh, well. Is that the first time in a while?
0:42:41 > 0:42:43Er, in three years.
0:42:43 > 0:42:45- OK.- Oh, shit!- That's bad.
0:42:47 > 0:42:50I think I'm going to have a lot to say.
0:42:51 > 0:42:53"Jehnny would not shut up"!
0:42:54 > 0:42:55Sounded great, Jehnny.
0:42:55 > 0:42:58So, Jehnny, how did you get involved in Gorillaz?
0:42:58 > 0:43:00- Well, we met on Tinder.- Yeah.
0:43:00 > 0:43:03LAUGHTER
0:43:03 > 0:43:04Nice.
0:43:04 > 0:43:06CHEERING AND APPLAUSE
0:43:08 > 0:43:11Well, I'm glad it's worked out. That's great.
0:43:11 > 0:43:13There's a tour.
0:43:13 > 0:43:15Gorillaz are going on tour. Are you going on the tour?
0:43:15 > 0:43:16Yeah, I'm going to do some of it.
0:43:16 > 0:43:19Bits, bits. I mean, we've got a lot of people.
0:43:19 > 0:43:22- Yeah.- But people come and go, you know what I mean?
0:43:22 > 0:43:25No-one sort of comes for the whole tour.
0:43:25 > 0:43:29But we have all of these amazing visuals, so you get the sense
0:43:29 > 0:43:31that they're there anyway.
0:43:31 > 0:43:34That's extraordinary. So is the one constant you?
0:43:34 > 0:43:36If you want to call it a constant, yes.
0:43:38 > 0:43:40So you put it all together and you invite the other people?
0:43:40 > 0:43:43Because that was Noel Gallagher on stage with you, wasn't it?
0:43:43 > 0:43:44Oh, there he is!
0:43:44 > 0:43:47APPLAUSE
0:43:47 > 0:43:48I'm glad that's right!
0:43:51 > 0:43:53So will Noel be doing any of the tour?
0:43:53 > 0:43:55I think you're doing some of it, aren't you?
0:43:55 > 0:43:57- Some of it, yeah.- Bits. Bits.
0:43:57 > 0:44:01- MICHAEL FASSBENDER:- So when did you guys make up?
0:44:01 > 0:44:03Quite a long time ago.
0:44:03 > 0:44:05HE MOUTHS
0:44:05 > 0:44:07Yeah, it's happening now.
0:44:07 > 0:44:10This is part of it.
0:44:10 > 0:44:13And the tour is an enormous tour, isn't it?
0:44:13 > 0:44:15It is quite extensive, yes.
0:44:15 > 0:44:18A lot of it is already sold and done,
0:44:18 > 0:44:21so it's just Europe and Britain.
0:44:21 > 0:44:23Isn't something going on sale soon?
0:44:23 > 0:44:26I think tomorrow, Europe and Britain.
0:44:26 > 0:44:28Oh, OK, good, where we are.
0:44:29 > 0:44:33Woo-hoo! This has worked out really well!
0:44:34 > 0:44:37Well, thank you for bringing all of that,
0:44:37 > 0:44:38and a special shout out for that bell.
0:44:38 > 0:44:40Is that a special bell?
0:44:40 > 0:44:45I had three of those bells made at the Bow Bell foundry.
0:44:45 > 0:44:48I had three notes on the last Gorillaz record.
0:44:48 > 0:44:51There was a song called On Melancholy Hill,
0:44:51 > 0:44:54and it has three notes, D, A and C Sharp,
0:44:54 > 0:44:56and I had those three notes made,
0:44:56 > 0:45:00thinking I was going to play them on the song.
0:45:00 > 0:45:02I never actually played them on the song
0:45:02 > 0:45:04- and they cost, like, £8,000 each. - Wow.
0:45:06 > 0:45:09- But they're the most beautiful bells you could ever imagine.- Yeah.
0:45:09 > 0:45:10Can I ask you a question?
0:45:10 > 0:45:12Yes, you can.
0:45:12 > 0:45:14Is the price the same for the note,
0:45:14 > 0:45:17or does it go up as the note goes up?
0:45:17 > 0:45:20Well, actually, it goes up the lower it gets
0:45:20 > 0:45:21because they have to get bigger.
0:45:21 > 0:45:22I knew there was an answer to that.
0:45:22 > 0:45:24A really high note is really cheap.
0:45:24 > 0:45:26I'm going to sound really thick now
0:45:26 > 0:45:29but what's the cracked bell in Philadelphia?
0:45:29 > 0:45:30The Liberty Bell.
0:45:30 > 0:45:31That's my hometown, baby.
0:45:31 > 0:45:33That's from the same foundry, the Liberty Bell.
0:45:33 > 0:45:36- Oh, it's the same foundry? - You're absolutely right.
0:45:36 > 0:45:37- You knew that?- I knew that.
0:45:37 > 0:45:40I didn't know and that's where I was born and raised so...
0:45:40 > 0:45:42- Well, there you go! - How much is that thing worth?
0:45:42 > 0:45:46So that was probably made with the same moulds
0:45:46 > 0:45:48- that the Liberty Bell was made with. - No kidding.
0:45:48 > 0:45:50Do you want to go and touch it?
0:45:50 > 0:45:51I would love to.
0:45:51 > 0:45:53I can? I can play?
0:45:53 > 0:45:55I Love Dick. OK...
0:45:57 > 0:45:59That's nearly it, but before we go, just time for a visit
0:45:59 > 0:46:02to the big red chair. It's his show.
0:46:02 > 0:46:03Who's there? Who's there?
0:46:03 > 0:46:05- Hi.- Hello, what's your name?
0:46:05 > 0:46:07- Jason.- Jason, lovely. Where are you from, Jason?
0:46:07 > 0:46:08I'm from America.
0:46:08 > 0:46:10OK, keeping that quite vague!
0:46:11 > 0:46:13He's on the run from the police.
0:46:13 > 0:46:15And do you live here, Jason?
0:46:15 > 0:46:18Yeah, for about five months I'm living in London.
0:46:18 > 0:46:19OK, what do you do here?
0:46:19 > 0:46:21I'm dating a French girl.
0:46:22 > 0:46:24Busy, busy, busy!
0:46:24 > 0:46:26Busy, busy, busy.
0:46:26 > 0:46:28All right, off you go with your story, Jason.
0:46:28 > 0:46:29I want to apologise to her
0:46:29 > 0:46:32because this story is about my ex-girlfriend.
0:46:32 > 0:46:34What, not the French girl?
0:46:34 > 0:46:36- Yeah, sorry.- OK, but you went out with someone else.
0:46:36 > 0:46:39- We've all lived. - She's in the audience so, sorry...
0:46:39 > 0:46:42- The French girl, or the ex? - The French girl.- Bonjour.
0:46:44 > 0:46:48So my ex and I had this tradition where we would joke with each other,
0:46:48 > 0:46:50where one of us would sneak up behind the other
0:46:50 > 0:46:54and one of us would stick our hand between the other's legs
0:46:54 > 0:46:56and swipe up really quick
0:46:56 > 0:46:59and then yell, "Credit card accepted!"
0:46:59 > 0:47:03LAUGHTER
0:47:03 > 0:47:06Who's that girl in the beret leaving?
0:47:07 > 0:47:11So one time, we were at the grocery store and I ran up behind her
0:47:11 > 0:47:14and I stuck my hand between her legs and swiped up and I said,
0:47:14 > 0:47:15"Credit card accepted!"
0:47:15 > 0:47:18And she turned around and it wasn't my girlfriend.
0:47:19 > 0:47:22And she started screaming, "What are you doing?"
0:47:22 > 0:47:25And we had this back and forth before she stormed off.
0:47:25 > 0:47:27And then my ex strolled over to me shaking her head and she said,
0:47:27 > 0:47:28"Credit card denied."
0:47:30 > 0:47:31That's not bad.
0:47:31 > 0:47:32Shall we let him walk?
0:47:32 > 0:47:34Michael says walk. You can walk, Jason.
0:47:34 > 0:47:37Walk, walk, walk. Very good. APPLAUSE
0:47:37 > 0:47:39Well done, everyone.
0:47:39 > 0:47:41If you'd like to join us on the show and have a go on that red chair,
0:47:41 > 0:47:44you can contact us via our website at this very address.
0:47:44 > 0:47:45That is it for tonight.
0:47:45 > 0:47:48Please say a huge thank you to my guests, Gorillaz, everybody!
0:47:48 > 0:47:50CHEERING AND APPLAUSE
0:47:50 > 0:47:51Kevin Bacon!
0:47:51 > 0:47:54CHEERING AND APPLAUSE
0:47:54 > 0:47:55Jessica Chastain!
0:47:55 > 0:47:57CHEERING AND APPLAUSE
0:47:57 > 0:47:59Michael Fassbender!
0:47:59 > 0:48:00CHEERING AND APPLAUSE
0:48:00 > 0:48:02And Diane Keaton!
0:48:02 > 0:48:04CHEERING AND APPLAUSE
0:48:04 > 0:48:07Join me next week with pop star Imelda May,
0:48:07 > 0:48:10comedian Jason Manford, actors Billie Piper and Charlie Hannon,
0:48:10 > 0:48:12and iconic British director Guy Ritchie.
0:48:12 > 0:48:15I'll see you then. Good night, everybody. Bye-bye!
0:48:15 > 0:48:18CHEERING AND APPLAUSE