0:00:02 > 0:00:03This programme contains some strong language
0:00:03 > 0:00:06- Good evening, I'm Elton John.- This is Will Smith.- This is Helen Mirren.
0:00:06 > 0:00:09- My name is Tom Cruise.- I'm Kate Winslet.- I'm Hugh Jackman.
0:00:09 > 0:00:11- I'm Harrison Ford. - And I'm Ryan Gosling.
0:00:11 > 0:00:13Good evening, everyone. I'm Anthony Joshua
0:00:13 > 0:00:16and you're watching The Graham Norton Show.
0:00:16 > 0:00:19Hey, Anthony. I'm Tom Hanks and I'm supposed to be the one to say
0:00:19 > 0:00:22- you're watching The Graham Norton Show.- I got here first.
0:00:22 > 0:00:25- So I'm Anthony Joshua and... - You know what?
0:00:25 > 0:00:27I knew it was going to come down to this!
0:00:27 > 0:00:31Go ahead, roll credits while I throw this guy a beatin'!
0:00:50 > 0:00:52Oh!
0:00:52 > 0:00:54Oh, too kind!
0:00:54 > 0:00:56Thank you very much. Thank you.
0:00:56 > 0:01:00Thank you. Welcome one, welcome all.
0:01:00 > 0:01:04Yes, it's that time again when we take a look back at some of
0:01:04 > 0:01:08the highlights of the past series - and what a series it's been.
0:01:08 > 0:01:12So many guests, so many memories, starting with...
0:01:12 > 0:01:14This is... We were counting up,
0:01:14 > 0:01:18it's the seventh or eighth real person you've played.
0:01:18 > 0:01:21- Oh, yeah, I have. - If the people are still alive
0:01:21 > 0:01:23do you like to meet them, do you seek them out?
0:01:23 > 0:01:27Yes, and I say to them, I've said this to Richard Phillips
0:01:27 > 0:01:32and I said it to Charlie Wilson, Jim Lovell. "Now, look.
0:01:32 > 0:01:36"I'm playing you. So for good or for bad I'm you.
0:01:36 > 0:01:40"And you're going to get that for a long time - I'm you.
0:01:40 > 0:01:42"I am you. Deal with it.
0:01:42 > 0:01:47"Now, as you, I'm going to say things you never said,
0:01:47 > 0:01:51"I'm going to go places you never were.
0:01:51 > 0:01:54"I'm going to do things you never did.
0:01:54 > 0:01:58"That be the case, I'd like to be as authentic as possible."
0:01:58 > 0:02:01And the rest is trading cards.
0:02:01 > 0:02:04When you meet them are you just looking for their blessing or
0:02:04 > 0:02:07do you kind of absorb something, do you get something out of it?
0:02:07 > 0:02:10I do want to know what they have to say about it cos they've
0:02:10 > 0:02:11always read the screenplay and I say,
0:02:11 > 0:02:15"If you think anything is actual horse cock in this, let me know."
0:02:15 > 0:02:18What did I just say?!
0:02:18 > 0:02:19We all heard you.
0:02:19 > 0:02:23"If there's some NONSENSE in this..."
0:02:23 > 0:02:28I didn't know that was an expression.
0:02:28 > 0:02:31You want to know if they have any problems cos there's things
0:02:31 > 0:02:33that just would never happen. You want to be right and authentic
0:02:33 > 0:02:38but really what I'm looking for is a tick, a gesture, a posture,
0:02:38 > 0:02:41way to stand, a turn of phrase that I can turn into my own
0:02:41 > 0:02:44- and reflect them.- It's inevitable, ladies and gentlemen,
0:02:44 > 0:02:47we will be queuing up to see The Anthony Joshua Story.
0:02:47 > 0:02:52So when the biopic is made, who would you like to play you?
0:02:52 > 0:02:53Tom Hanks.
0:02:57 > 0:03:00Now, let me tell you.
0:03:00 > 0:03:04I will say things you never said.
0:03:04 > 0:03:06I will do things you never did.
0:03:06 > 0:03:09Go places I've never been.
0:03:09 > 0:03:12That being said, I'm going to be you.
0:03:12 > 0:03:14We've got a picture of you at the Emmys.
0:03:14 > 0:03:17There you are being congratulated by Alexander Skarsgard.
0:03:17 > 0:03:20You are so provocative, Graham.
0:03:20 > 0:03:22Why are you showing that?
0:03:22 > 0:03:24It's a lovely moment of celebration.
0:03:24 > 0:03:28- I kissed my husband, too. - He is right there.
0:03:28 > 0:03:31LAUGHTER AND APPLAUSE
0:03:31 > 0:03:35It looks like Keith is applauding the kiss.
0:03:35 > 0:03:40- "That's a good kiss."- "Yeah, good kiss, guys. Well done, everybody."
0:03:40 > 0:03:43I did kiss him because...
0:03:43 > 0:03:46But you gotta understand, I did everything with Alex, you know...
0:03:46 > 0:03:48We saw it!
0:03:48 > 0:03:51LAUGHTER
0:03:51 > 0:03:54I've got an amazing, supportive,
0:03:54 > 0:03:57gorgeous husband who I love more than anything in the world.
0:03:57 > 0:04:03- And I gave Alex a congratulatory kiss and he's like a mannequin.- Yes.
0:04:03 > 0:04:06LAUGHTER
0:04:09 > 0:04:12The last time we were here, actually Keith was with you.
0:04:12 > 0:04:16He was being very tight-lipped about your 50th birthday celebrations.
0:04:16 > 0:04:19- Oh, right.- So what had he organised?
0:04:19 > 0:04:23Um, he did some fireworks and, um...
0:04:24 > 0:04:25Other stuff.
0:04:25 > 0:04:28LAUGHTER
0:04:29 > 0:04:31And we'll draw a veil there.
0:04:33 > 0:04:37You've got so many movies in the pipeline, lots of things coming
0:04:37 > 0:04:43out, but I noticed still no sign of the Fresh Prince of Bel Air reboot
0:04:43 > 0:04:45that everyone wants.
0:04:45 > 0:04:48CHEERING
0:04:48 > 0:04:51They do! Make it for them!
0:04:51 > 0:04:55I'd have to be Uncle Phil in that one.
0:04:55 > 0:04:57I'm going to be 50, you know.
0:04:57 > 0:05:02"Come on, Aunt Viv, I'm 50, I can't go out on my own?"
0:05:02 > 0:05:07But then you drove the fans wild cos you posted this.
0:05:07 > 0:05:12How did this happen? Did you bump into them or was it a reunion?
0:05:12 > 0:05:17So, every year, Karen has a charitable event
0:05:17 > 0:05:22and she hosts a lunch with the cast of The Fresh Prince.
0:05:22 > 0:05:24So we do that every year and it'll be, you know,
0:05:24 > 0:05:2810 or 12 people from around the world that have won this lunch.
0:05:28 > 0:05:32- Wow!- So that's in Los Angeles and the people flew in
0:05:32 > 0:05:37and we have the lunch with the fans who gave the most to charity.
0:05:37 > 0:05:41And you mentioned you would play Uncle Phil. A weird thing happened.
0:05:41 > 0:05:44- I think you were in Africa and you bungee jumped.- Yes.
0:05:44 > 0:05:48Some people filmed this and you filmed the rest. Here you are.
0:05:48 > 0:05:49There you go.
0:05:49 > 0:05:52- You were filming it yourself on a GoPro or something.- Yeah, yeah.
0:05:52 > 0:05:54People noticed that if you freeze-frame it
0:05:54 > 0:05:58- at a certain point...- Yes. - ..you look remarkably like...
0:05:58 > 0:06:02LAUGHTER AND APPLAUSE
0:06:02 > 0:06:03You look like James Avery.
0:06:03 > 0:06:06- It's crazy, right?- Yes!
0:06:06 > 0:06:11- Yeah. You're never bungee jumping again.- Yeah!
0:06:11 > 0:06:14Now, usually when I introduce the couch I say,
0:06:14 > 0:06:16"Do you all know each other?"
0:06:16 > 0:06:19But you and I, bit gooseberry cos this is, I think,
0:06:19 > 0:06:21the first time we've ever had this.
0:06:21 > 0:06:23You guys dated at one point.
0:06:23 > 0:06:27- Yeah.- Helen and I?- Yes. - Oh, yes, darling.
0:06:27 > 0:06:32- We didn't date, we lived together. - Oh, wow.- Four years.
0:06:32 > 0:06:35We were a serious item for a while.
0:06:35 > 0:06:38But I remember, Ciaran Hinds and myself,
0:06:38 > 0:06:42we did this film Excalibur together. 1980.
0:06:42 > 0:06:44Our first movie for all of us, really, wasn't it?
0:06:44 > 0:06:47We were so green and ignorant about film-making.
0:06:47 > 0:06:49But I remember being out on the set,
0:06:49 > 0:06:54this was Ardmore Studios in Dublin, and, er...
0:06:55 > 0:06:57..Helen had a break.
0:06:57 > 0:07:00She was filming but she was in costume and we were just visiting,
0:07:00 > 0:07:02we hadn't started work yet.
0:07:02 > 0:07:05And the first AD or second AD said,
0:07:05 > 0:07:08"Would you like to meet Helen Mirren?" I said I'd love to.
0:07:08 > 0:07:15So, she walked from like 100 yards away, dressed as Morgana le Fay
0:07:15 > 0:07:19and Ciaran's my oldest friend and we both went, "Fuck."
0:07:19 > 0:07:24LAUGHTER AND APPLAUSE
0:07:24 > 0:07:27I was smitten. I think Ciaran was smitten, too. I certainly was.
0:07:27 > 0:07:31I never knew that. You've never told me that before. That's amazing.
0:07:31 > 0:07:33- AUDIENCE:- Awww!
0:07:33 > 0:07:38So you do the walking, the yoga, a few trips to the bottle bank,
0:07:38 > 0:07:41- you're probably feeling a bit better.- Right.
0:07:41 > 0:07:45- But then, I mean, it's sort of Shakespearian.- Right.
0:07:45 > 0:07:48- You went to the inauguration. - I know.- And that was because
0:07:48 > 0:07:50you were First Lady not because you've been nominee.
0:07:50 > 0:07:54Right, and I really tried to get out of going.
0:07:54 > 0:08:00I was going, not as the candidate or opponent but as a former First Lady
0:08:00 > 0:08:02because the tradition is Presidents
0:08:02 > 0:08:06and former First Ladies all show up, regardless of Republican or
0:08:06 > 0:08:10Democrat, to show support, continuity of our government.
0:08:10 > 0:08:14So, we thought, "OK, maybe others aren't going."
0:08:14 > 0:08:18LAUGHTER
0:08:18 > 0:08:20We called the Bushes and the elder Bushes were in the hospital,
0:08:20 > 0:08:23which I think was legitimate.
0:08:23 > 0:08:28LAUGHTER AND APPLAUSE
0:08:28 > 0:08:31Then we called the younger Bushes and they said, "Yeah, we're going."
0:08:31 > 0:08:34We called the Carters, they said, "Yeah, we're going."
0:08:34 > 0:08:37So Bill and I looked at each other and said, "Well, we gotta go."
0:08:37 > 0:08:42Oh, my gosh. I tried to describe in the book what that felt like.
0:08:42 > 0:08:44Because I didn't know what to expect.
0:08:44 > 0:08:50What I wanted to have happen was, despite the kind of campaign he ran,
0:08:50 > 0:08:53I wanted him to rise to the occasion of being our President and
0:08:53 > 0:08:57being the President for everybody, not just people who supported him.
0:08:57 > 0:08:59That didn't happen.
0:08:59 > 0:09:03And so we were sitting there and we were listening...
0:09:03 > 0:09:07I was sitting next to George W Bush and Bill was on my other side
0:09:07 > 0:09:12and we were listening to this really dark, divisive speech that
0:09:12 > 0:09:16I describe as "a cry from the white nationalist gut."
0:09:16 > 0:09:19And I was so disappointed.
0:09:19 > 0:09:26Really, so sad that it wasn't an outreach, it was a narrowing
0:09:26 > 0:09:29and a hammering of what he had said before.
0:09:29 > 0:09:33And it's reported - so I put it in the book - it's reported that
0:09:33 > 0:09:37George W Bush says, "That was some weird shit."
0:09:37 > 0:09:42LAUGHTER AND APPLAUSE
0:09:42 > 0:09:43And it was!
0:09:45 > 0:09:48Now, there's a weird thing going on at the moment...
0:09:48 > 0:09:52Well, so many weird things because of Donald Trump, but we're
0:09:52 > 0:09:58suddenly hearing about all these famous people that he asked out.
0:09:58 > 0:10:00And you are one of them.
0:10:01 > 0:10:03Yeah.
0:10:03 > 0:10:05I know.
0:10:05 > 0:10:07You could be the First Lady!
0:10:07 > 0:10:10I could've changed the course of history.
0:10:10 > 0:10:12LAUGHTER
0:10:12 > 0:10:18We were doing Primary Colors, which was a film about the Clintons
0:10:18 > 0:10:20and about that.
0:10:20 > 0:10:24It was at Universal, it was '97, so it was a long time ago.
0:10:24 > 0:10:29So, actually, one only associated Senor Trump with tasteless
0:10:29 > 0:10:31architecture at that point.
0:10:31 > 0:10:38And, well, still a boundless sense of narcissistic kind of madness.
0:10:38 > 0:10:41But I was in my little trailer, which was a normal trailer,
0:10:41 > 0:10:44and it had a phone, like a proper phone, you know...
0:10:44 > 0:10:46- A landline.- ..landline.
0:10:46 > 0:10:50And no-one had ever rung me on it nor had I ever used it.
0:10:50 > 0:10:54In fact, I assumed it was not a working machine.
0:10:54 > 0:10:58And it rang one day and I picked it up and it was Donald Trump.
0:10:58 > 0:11:00- Donald Trump.- What?
0:11:00 > 0:11:04Donald Trump was on the other end of the phone going,
0:11:04 > 0:11:07"Hi, it's Donald Trump here." And I thought someone was having a laugh.
0:11:07 > 0:11:10I said, "Oh, fuck off."
0:11:10 > 0:11:12LAUGHTER
0:11:12 > 0:11:15And he said, "No, I'm ringing to ask you if you would like to, you know,
0:11:15 > 0:11:18"come and stay in one of my lovely apartments
0:11:18 > 0:11:22"and maybe we could have dinner?" And I just didn't know what to say.
0:11:22 > 0:11:27I was just absolutely astounded because how did he get my number?
0:11:27 > 0:11:29I mean, a number that I didn't have!
0:11:29 > 0:11:31LAUGHTER
0:11:31 > 0:11:33- In the trailer!- Yeah.
0:11:33 > 0:11:35So I just said I'd get back to him.
0:11:37 > 0:11:39And in so many ways I wish I had.
0:11:39 > 0:11:42Because if I had gone out with him for dinner,
0:11:42 > 0:11:44I could have done that.
0:11:44 > 0:11:46LAUGHTER
0:11:46 > 0:11:49And then we would all have known
0:11:49 > 0:11:54the truth. Then maybe he wouldn't have been President!
0:12:01 > 0:12:05I'm sure you all saw the footage... It was in the papers
0:12:05 > 0:12:08- and things online of the accident.- Yes.
0:12:08 > 0:12:10And I think we all kind of thought,
0:12:10 > 0:12:12"How did you break an ankle doing that?"
0:12:12 > 0:12:14Cos it looked like you should've broken your jaw or something...
0:12:14 > 0:12:16I know, everyone said that was the stunt...
0:12:16 > 0:12:20I mean, I'm going to run across and hit the side of the wall
0:12:20 > 0:12:22and then pull myself over. That wasn't the mistake.
0:12:22 > 0:12:26- So, you were always meant to not land on the roof?- Yes. Always.
0:12:26 > 0:12:29- OK. So, what you've done is you've brought us some footage...- Mm-hm.
0:12:29 > 0:12:32I think this is so cool to see this from the different angles.
0:12:32 > 0:12:34I can't watch this. I haven't watched it yet.
0:12:34 > 0:12:35Is it in slow-motion?
0:12:35 > 0:12:38Most of it is fine, there's one clip, but I will warn you,
0:12:38 > 0:12:40- it is not for the squeamish.- Gross.
0:12:40 > 0:12:43So you see, I'm wearing two wires. They're basically just safety wires
0:12:43 > 0:12:46because I go at a full tilt and I'm sprinting as hard as I can
0:12:46 > 0:12:49and I hit the side of the wall and that's the stunt.
0:12:49 > 0:12:53I hit the side of the wall and then I'm chasing after Henry, actually.
0:12:53 > 0:12:56- And...- All his fault.
0:12:56 > 0:12:58All his fault. I blame him.
0:12:58 > 0:13:00I hit the side of the wall and then I climb up on the wall
0:13:00 > 0:13:02and I'm supposed to run past camera.
0:13:02 > 0:13:05OK, we've got... This is the shot from behind you. So this...
0:13:05 > 0:13:08You see the speed and the momentum of the run. And it's in London.
0:13:08 > 0:13:11- There we go. - So, it is keeping me up and...
0:13:11 > 0:13:13So, here we go. Look at that. Whoa!
0:13:13 > 0:13:15AUDIENCE GROANS
0:13:15 > 0:13:17Now... Good noise, everybody.
0:13:17 > 0:13:20But you get my point, that you think, "How did you break a leg?"
0:13:20 > 0:13:23- So, let's look at it from the side. - Oh, no, the slow-motion.
0:13:23 > 0:13:24- This is it from the side.- Oh, no.
0:13:24 > 0:13:27No, no. This isn't the bad one. This isn't the bad one, Rebecca.
0:13:27 > 0:13:29- So, this is from the side. Here we go.- We shot it with three cameras.
0:13:29 > 0:13:31- Oh, my gosh.- Here he goes. And boom!
0:13:31 > 0:13:32AUDIENCE GROANS
0:13:32 > 0:13:36Now... Now, we've got a camera which focuses on the foot.
0:13:36 > 0:13:39- Now, if you are squeamish... - Don't watch it.- Don't watch this.
0:13:39 > 0:13:41- Simon still hasn't seen it.- I...
0:13:41 > 0:13:43LAUGHTER
0:13:43 > 0:13:46They keep trying to show it to me and I'm like, "No! I can't."
0:13:46 > 0:13:48I mean, a bone doesn't pop out or anything,
0:13:48 > 0:13:50but it is an odd angle for anyone's foot to be at.
0:13:50 > 0:13:53Nobody's foot should ever have to do this, ever.
0:13:53 > 0:13:55- Yeah, here we go.- Oh, gosh. I haven't watched it.
0:13:55 > 0:13:58He jumps, that speed, that momentum. Here we go.
0:13:58 > 0:14:00Now watch that. Watch this.
0:14:00 > 0:14:03AUDIENCE GROANS
0:14:03 > 0:14:05Do it again.
0:14:05 > 0:14:07LAUGHTER
0:14:07 > 0:14:14But here, here is why Tom Cruise gets paid the big bucks.
0:14:14 > 0:14:19OK? Because this is it from the front angle, OK?
0:14:19 > 0:14:22You've just seen what has happened to his foot. Now watch this.
0:14:22 > 0:14:24I knew I broke it instantly.
0:14:24 > 0:14:27So you are down. Now, anyone else would go, "Well, that's over." No.
0:14:27 > 0:14:32Up he gets. Up he gets and he's running.
0:14:32 > 0:14:33APPLAUSE
0:14:33 > 0:14:35That's phenomenal.
0:14:39 > 0:14:43I got a letter with a script saying, "We're making Paddington 2
0:14:43 > 0:14:45"and there's this part
0:14:45 > 0:14:48"of an extremely self-obsessed ex-famous actor
0:14:48 > 0:14:50"now fallen on hard times..."
0:14:50 > 0:14:52LAUGHTER
0:14:52 > 0:14:54And I was a fraction hurt.
0:14:56 > 0:15:00But it was a very funny script and, in a way, it was therapeutic.
0:15:00 > 0:15:05I have deep reservoirs of actual narcissism
0:15:05 > 0:15:09and neurosis and anger and hatred of others
0:15:09 > 0:15:11that I was able to tap.
0:15:11 > 0:15:14Did you base it on specific actors?
0:15:14 > 0:15:15Well, as I said, a lot of it came from me,
0:15:15 > 0:15:18in the way a sort of self-portrait,
0:15:18 > 0:15:21but there were actors from my past.
0:15:21 > 0:15:25In the '80s I did theatre.
0:15:25 > 0:15:27- Remember that.- I remember that!
0:15:27 > 0:15:29I mean, there were some brilliant characters.
0:15:29 > 0:15:34A wonderful old boy in the theatre who... He was so good,
0:15:34 > 0:15:36and, you know, the show would start at 8:00pm,
0:15:36 > 0:15:40but at 3:00pm from his dressing room you'd start to hear,
0:15:40 > 0:15:43"Nee-mee-nee-mee-nee-mee, maaaaaa-ah,
0:15:43 > 0:15:46"maaaaaa, scrunchy mouse, loud lion!"
0:15:46 > 0:15:48LAUGHTER
0:15:48 > 0:15:50"Loud lion!"
0:15:50 > 0:15:52And as a result, he had a wonderful voice
0:15:52 > 0:15:57and he was just marvellously smooth and seamlessly pervy.
0:15:57 > 0:15:58He used to...
0:15:58 > 0:16:01I was sharing a dressing room with another young actor
0:16:01 > 0:16:04and he always used to knock on our door before a show,
0:16:04 > 0:16:06pretending it was to say good luck,
0:16:06 > 0:16:08but, actually, it was to see us in our pants.
0:16:08 > 0:16:10LAUGHTER
0:16:10 > 0:16:13- Different times!- Different times. - Different times!
0:16:13 > 0:16:16LAUGHTER
0:16:16 > 0:16:19Meanwhile, in Paddington 2...
0:16:19 > 0:16:23LAUGHTER AND APPLAUSE
0:16:27 > 0:16:30But now, Will Ferrell, you have a love of dance, I know.
0:16:30 > 0:16:34Now, if Shirley volunteered to show you a couple of simple moves...
0:16:34 > 0:16:37Well, I mean, yes, of course,
0:16:37 > 0:16:41but I can already tell she doesn't believe in my ability.
0:16:41 > 0:16:43LAUGHTER
0:16:43 > 0:16:46- I believe in your ability. - I mean, everyone got rave reviews.
0:16:46 > 0:16:50- You had that funny left arm. - I had the bad left arm.
0:16:50 > 0:16:52Well, you could make up for it now, right?
0:16:52 > 0:16:55What could you show him that would be very quick?
0:16:55 > 0:16:57- I could show you a cucaracha. - OK, fine.
0:16:57 > 0:17:00- You know, you're playing Hero, the music?- OK, yes, yeah.
0:17:00 > 0:17:03- Because that's a rumba.- OK, a rumba. - So, a rumba is a sensual dance,
0:17:03 > 0:17:07- it's a dance of love.- Wait, hold on, are we doing a cucaracha or rumba, which is it?
0:17:07 > 0:17:11The action is a cucaracha but the dance is the rumba.
0:17:11 > 0:17:13I'm totally lost.
0:17:13 > 0:17:15Close your eyes
0:17:15 > 0:17:18and try not to get too excited down in the nether regions.
0:17:18 > 0:17:20LAUGHTER
0:17:20 > 0:17:25How about if you could just go, side, replace, close.
0:17:25 > 0:17:26If you could just do that for me.
0:17:26 > 0:17:29Side, replace, close. Can you do that?
0:17:29 > 0:17:31I love that I'm the only one who has to do this.
0:17:31 > 0:17:34Me too, I love it, too.
0:17:34 > 0:17:38- Side, replace, close. - Side, replace, close.
0:17:38 > 0:17:40Are you supposed to say that out loud, right?
0:17:40 > 0:17:43No, no. But whatever I do...
0:17:43 > 0:17:47Side, replace, close. There you go.
0:17:47 > 0:17:49Oh, yes!
0:17:49 > 0:17:51CHEERING AND APPLAUSE
0:17:51 > 0:17:54Roll that little hip. Yes, we'll have a bit of that.
0:17:54 > 0:17:56So, no matter what I do, you're going to do that.
0:17:56 > 0:17:58My left arm is acting up!
0:17:58 > 0:18:01LAUGHTER
0:18:01 > 0:18:04- Ready for the music? - Yes, we're ready for the music.
0:18:04 > 0:18:07- OK, let's play the music. - Why are you looking at me?
0:18:07 > 0:18:11MUSIC: Hero by Enrique Iglesias
0:18:11 > 0:18:15- Are you ready? I'll start you.- Oh, OK.
0:18:16 > 0:18:19- Can you keep that rhythm? - Probably not.
0:18:19 > 0:18:21LAUGHTER
0:18:21 > 0:18:25- Doesn't matter what I do. - Oh, I just keep doing that...
0:18:28 > 0:18:31LAUGHTER
0:18:31 > 0:18:33CHEERING AND APPLAUSE
0:18:39 > 0:18:41Beautiful! Oh, my God.
0:18:44 > 0:18:48CHEERING
0:18:53 > 0:18:56That's the cucaracha! It's Shirley and Will!
0:18:56 > 0:18:59CHEERING AND APPLAUSE
0:18:59 > 0:19:02Oh! Come and sit down!
0:19:07 > 0:19:11And recently you were just reunited with Robert Redford in...
0:19:11 > 0:19:14You have to be careful how you say it - Our Souls...
0:19:14 > 0:19:16LAUGHTER
0:19:16 > 0:19:18Our Souls At Night.
0:19:18 > 0:19:21LAUGHTER CONTINUES
0:19:21 > 0:19:23- Arseholes, in Ireland...- Oh!
0:19:23 > 0:19:25LAUGHTER
0:19:25 > 0:19:30I'm not sure they audience-tested that title.
0:19:30 > 0:19:33"Our" Souls At Night!
0:19:38 > 0:19:40- Oh, my God.- You first...
0:19:40 > 0:19:41LAUGHTER CONTINUES
0:19:41 > 0:19:43Welcome, Jane!
0:19:43 > 0:19:46You first worked with Robert Redford nearly 60 years ago.
0:19:46 > 0:19:49- Yeah.- What an amazing thing.
0:19:49 > 0:19:51It's like bookends of your life.
0:19:51 > 0:19:54You know, in the beginning of our movies together,
0:19:54 > 0:19:57we checked into a hotel as newlyweds who hadn't done it yet,
0:19:57 > 0:20:00and at the end of our careers, we're...
0:20:00 > 0:20:04Well, no, my career's going to keep going but his won't!
0:20:04 > 0:20:08At the end of his career, we do a movie where
0:20:08 > 0:20:11- we're checking into a hotel to do it for the first time.- Wow.- No way!
0:20:11 > 0:20:14Yeah. While we were shooting the scene I thought,
0:20:14 > 0:20:16"This feels familiar. "Hey, Bob, you remember?"
0:20:16 > 0:20:19No, he didn't remember.
0:20:19 > 0:20:21- Is that true he is stopping now? - It's what he says.
0:20:21 > 0:20:24- But he won't really. - Well, he should.
0:20:24 > 0:20:29LAUGHTER AND APPLAUSE
0:20:29 > 0:20:33OK, tell you what. Let's practise your suspicious poker faces.
0:20:33 > 0:20:35So you're suspicious, but you didn't do it.
0:20:35 > 0:20:38OK. So we'll just imagine someone on this sofa has just let one rip.
0:20:38 > 0:20:40THEY SNIGGER
0:20:40 > 0:20:42OK. Already you're terrible, Ken. You're useless.
0:20:42 > 0:20:45- You're the detective! - But someone HAS let one rip,
0:20:45 > 0:20:46and I didn't want to say.
0:20:49 > 0:20:51That's what's so terrible.
0:20:54 > 0:20:57APPLAUSE
0:20:59 > 0:21:02OK, come on, focus, everyone. OK... Here we go, here we go.
0:21:02 > 0:21:04So somebody...
0:21:04 > 0:21:06Somebody has let one drop.
0:21:06 > 0:21:08DRAMATIC MUSIC
0:21:08 > 0:21:10Is it Josh?
0:21:10 > 0:21:12He looks like a farter.
0:21:12 > 0:21:15He suspects...Ken.
0:21:15 > 0:21:17Ken had a big lunch.
0:21:21 > 0:21:25Michelle has never farted in her life.
0:21:25 > 0:21:27APPLAUSE
0:21:27 > 0:21:31THEY ALL LAUGH
0:21:31 > 0:21:34Judi's smelling it really strongly.
0:21:34 > 0:21:38LAUGHTER AND APPLAUSE
0:21:45 > 0:21:47Johnny's channelling a bloodhound.
0:21:47 > 0:21:50HE MOUTHS
0:21:50 > 0:21:52Or is it the host?
0:21:52 > 0:21:55FART NOISE It was the host.
0:21:55 > 0:21:57I like Scotch eggs.
0:21:59 > 0:22:05Idris Elba, we think of Idris Elba as a leading man, a ladies' man.
0:22:05 > 0:22:09- But you haven't actually done that many love scenes.- No.
0:22:09 > 0:22:11Why is that? How is that?
0:22:11 > 0:22:14Um...uh...
0:22:15 > 0:22:18- Aw...!- I just haven't had the opportunity, you know.
0:22:18 > 0:22:21I've done a lot of films where there's a lot of guys.
0:22:21 > 0:22:23You know. No, that's not true.
0:22:23 > 0:22:25- I just haven't... - That's no excuse.
0:22:27 > 0:22:29I guess you're right!
0:22:31 > 0:22:34How can I say it? I just haven't been in a romantic...
0:22:34 > 0:22:36That would be a real good movie.
0:22:36 > 0:22:39- What are you saying, Chris? - No, I'm not...!
0:22:39 > 0:22:41Um...
0:22:41 > 0:22:43But, no, no, I haven't...
0:22:43 > 0:22:45- LAUGHTER - Trying to think of a tag!
0:22:45 > 0:22:48"Bros In The Mountains", something like that?
0:22:48 > 0:22:50But the director...
0:22:50 > 0:22:53The director had never directed a love scene, is that right?
0:22:53 > 0:22:54Yeah, that's true.
0:22:54 > 0:22:57- So...- Awkward. - Kate Winslet, step forward.
0:22:57 > 0:23:00I'm afraid I had to get quite bossy, because...
0:23:00 > 0:23:03So, I've done a few of these kinds of scenes before
0:23:03 > 0:23:05and so we get there and poor Hany, our director,
0:23:05 > 0:23:08he's such a lovely man, and he was really quite nervous,
0:23:08 > 0:23:10he had an extensive shot list, and I'm thinking,
0:23:10 > 0:23:12"We're absolutely never going to get all this done.
0:23:12 > 0:23:15"What kind of scene is this, anyway? There's, like, 25 shots."
0:23:15 > 0:23:18And Idris was... You were a little bit nervous, weren't you?
0:23:18 > 0:23:21- Not really, no.- OK.
0:23:21 > 0:23:25That was my game, you know, just to get in there, deadly.
0:23:25 > 0:23:27Anyway, so, everything was moving quite slowly
0:23:27 > 0:23:31and I'm like, "Right, look, OK. We need to really start filming this.
0:23:31 > 0:23:32"What's with all this chat?"
0:23:32 > 0:23:34And Hany said, "Actually, I'm really kind of nervous.
0:23:34 > 0:23:36"I've actually never... I've really never shot
0:23:36 > 0:23:38"anything like this before."
0:23:38 > 0:23:40And Idris said, "No, and I haven't done much of it, either."
0:23:40 > 0:23:43And I went, "OK, boys, OK.
0:23:43 > 0:23:46"Put the camera over there, we'll do this, we'll do that..."
0:23:46 > 0:23:48And then Idris said, "Keep your socks on."
0:23:48 > 0:23:50And I'm like, "Keep my socks on?
0:23:50 > 0:23:52"Everything else is off, what's with the socks?"
0:23:52 > 0:23:54He said, "No, I've got a foot thing."
0:23:54 > 0:23:57I've got a thing, you know. It's just a thing.
0:23:57 > 0:24:00And I'm thinking...and I'm thinking...
0:24:00 > 0:24:03Listen, I didn't want her socks to come off and they were, you know...
0:24:03 > 0:24:07- Hobbit feet.- ..things going on. That would have been...ugh...
0:24:07 > 0:24:09This was a moment, this was a moment.
0:24:09 > 0:24:11Oh, my God. It's Hammer time.
0:24:11 > 0:24:13Listen, I've got very, very big feet
0:24:13 > 0:24:15and they're not particularly beautiful feet, either.
0:24:15 > 0:24:18- They're all right... - I should keep them inside
0:24:18 > 0:24:19the shoes that they're in.
0:24:19 > 0:24:21I'm thinking, "Poor Idris just doesn't want to see my feet,
0:24:21 > 0:24:23"cos maybe he just does not like feet in general,"
0:24:23 > 0:24:27and that's the whole thing. It's the opposite, ladies and gentlemen.
0:24:27 > 0:24:29Idris loves feet.
0:24:29 > 0:24:31CHEERING
0:24:31 > 0:24:35- Listen... - Everyone, take your shoes off!
0:24:35 > 0:24:37I can't wait to see this movie!
0:24:41 > 0:24:45In your book, you tell a story of young love.
0:24:45 > 0:24:48- I think you were on your honeymoon in Europe.- Yes.
0:24:48 > 0:24:50And you were driving, but on a train?
0:24:50 > 0:24:53We went to our travel agent to talk about this.
0:24:53 > 0:24:57We were mid-30s when we got married and we knew that we
0:24:57 > 0:24:59wanted to start a family, so this was like, it.
0:24:59 > 0:25:02We wanted this honeymoon to be really spectacular.
0:25:02 > 0:25:05Spent five weeks in Europe and it was all over.
0:25:05 > 0:25:08So, we started in Switzerland, we were going to rent a car
0:25:08 > 0:25:11and then go to Italy. And the travel agent says,
0:25:11 > 0:25:14"Oh, by the way, instead of driving around the Alps, up and over,
0:25:14 > 0:25:17"you take a train. It's a flatbed car.
0:25:17 > 0:25:21"It takes three cars, bumper-to-bumper, on a flatbed car
0:25:21 > 0:25:25"and then they put, you know, and then you go through the Alps."
0:25:25 > 0:25:27"By the way," he says, wink, wink,
0:25:27 > 0:25:29"There are three tunnels.
0:25:29 > 0:25:32"The first tunnel is about five minutes.
0:25:32 > 0:25:36"The second tunnel is about 8-10 minutes.
0:25:36 > 0:25:40"The third tunnel is 50 minutes long.
0:25:40 > 0:25:42"If you're a honeymooner..."
0:25:42 > 0:25:46And I said, "Say no more."
0:25:46 > 0:25:49LAUGHTER
0:25:49 > 0:25:55So I told my wife and she exhaled and said, "OK."
0:25:55 > 0:25:57LAUGHTER
0:25:57 > 0:26:01We're on the train, there's a van in front of us
0:26:01 > 0:26:05with a bunch of Italian families in front and behind us,
0:26:05 > 0:26:07I mean, as close as you are, I can see the people
0:26:07 > 0:26:10behind us, two couples, two Italian couples.
0:26:10 > 0:26:14And so we start going and we go into the...
0:26:14 > 0:26:18And it's a massive experience emotionally and physically.
0:26:18 > 0:26:21HE IMITATES TRAIN
0:26:21 > 0:26:23And the wind is whipping through and it's pitch-dark.
0:26:23 > 0:26:26- You cannot see anything.- Oh, wow. - And it's fascinating.
0:26:26 > 0:26:31And we come out of the tunnel into the station and I say to Robin...
0:26:31 > 0:26:33"That's one."
0:26:33 > 0:26:36We go up, we start again, we go through the second...
0:26:36 > 0:26:38HE IMITATES TRAIN
0:26:38 > 0:26:40Pitch-dark, can't see anything.
0:26:40 > 0:26:42We come out of it... "That's two."
0:26:42 > 0:26:44And she was, like, "Oh, God!"
0:26:44 > 0:26:48Start the third tunnel, wait till it's absolutely pitch-dark...
0:26:48 > 0:26:50Here we go.
0:26:50 > 0:26:54It's a small rental, with a stick shift
0:26:54 > 0:26:57and I'm, like, trying to get my trousers off,
0:26:57 > 0:27:00she's trying to lower her chair.
0:27:00 > 0:27:06We can't see anything, you cannot see anything, so it's all by feel.
0:27:06 > 0:27:08- And it's, "What's that?" - Awesome.- Amazing.
0:27:08 > 0:27:12And one thing I learned for sure is that
0:27:12 > 0:27:13never be completely nude
0:27:13 > 0:27:16when transferring from one seat over the stick shift...
0:27:16 > 0:27:18LAUGHTER
0:27:18 > 0:27:22Keep your trousers on and do it afterward.
0:27:22 > 0:27:25You see, it's funny, I would recommend it, but...
0:27:25 > 0:27:29LAUGHTER AND APPLAUSE
0:27:29 > 0:27:32- Sorry. Sorry to interrupt. - No, no. Well done.
0:27:33 > 0:27:39So, we are...in flagrante, as they say,
0:27:39 > 0:27:42and what's happening is that my eyes are adjusting.
0:27:42 > 0:27:44I can see her profile.
0:27:44 > 0:27:47She's a beautiful woman. I love her with all my heart.
0:27:47 > 0:27:50And I can see her pretty face and it's great
0:27:50 > 0:27:53and I think the eyes are getting...
0:27:53 > 0:27:56No. The eyes aren't getting used to total pitch-black.
0:27:56 > 0:27:59What happened is that we were coming to a station -
0:27:59 > 0:28:04boom! Sunlight, everything!
0:28:04 > 0:28:09Now, imagine, I'm like this, right?
0:28:09 > 0:28:11On top of...
0:28:11 > 0:28:14And I can see the two couples,
0:28:14 > 0:28:19the Italian couples in the car behind us with their wine and...
0:28:19 > 0:28:24HE SHOUTS IN MOCK ITALIAN
0:28:24 > 0:28:27And the women are going, "Stop it, stop it."
0:28:27 > 0:28:33And my wife says those three words to you, every husband wants to hear.
0:28:33 > 0:28:35"Get off me."
0:28:35 > 0:28:37LAUGHTER
0:28:37 > 0:28:42So I get off, the Italian family, the grandmother is turning the heads
0:28:42 > 0:28:47of the children and I'm struggling to put my trousers back on.
0:28:47 > 0:28:51And I never found out, we never found out if this was a gag,
0:28:51 > 0:28:56if this travel agent did this on purpose, knew all along
0:28:56 > 0:29:00it wasn't 50 minutes, it was more like 15.
0:29:00 > 0:29:03- 15 minutes, though, man!- 15.
0:29:03 > 0:29:08CHEERING AND APPLAUSE
0:29:12 > 0:29:15Now, tonight we're collecting people's special skills.
0:29:15 > 0:29:18- Yes.- So, what might you delight...
0:29:18 > 0:29:21If we were at a party, what would you delight people with?
0:29:21 > 0:29:26I... I... I haven't done it for a long time, but I used to, um,
0:29:26 > 0:29:30- do a velociraptor impression.- Oh!
0:29:31 > 0:29:33She is pissing on you all.
0:29:35 > 0:29:38- We haven't seen it yet.- That level. - We haven't seen it yet...
0:29:38 > 0:29:41- Exactly.- But, OK, do you need anything for this?
0:29:41 > 0:29:44- Um, maybe these shoes off. - OK. Do you need help with that?
0:29:44 > 0:29:47No, no, I can get them off.
0:29:47 > 0:29:48You know the famous scene
0:29:48 > 0:29:51where the velociraptor is looking for the children,
0:29:51 > 0:29:53in the kitchens.
0:29:53 > 0:29:55Oh, yes, I do know, yes.
0:29:55 > 0:29:56I kind of re-enact that.
0:29:56 > 0:30:00Be kind to me, imagine there's some children that I'm running after
0:30:00 > 0:30:02and they're all scared. Usually I'm doing that at a party
0:30:02 > 0:30:05- and there's lots of kids.- OK. Do you need to jump on a table or anything?
0:30:05 > 0:30:07No, I just need a bit of space, this is good.
0:30:07 > 0:30:10OK. She's an actress, just explore the space.
0:30:10 > 0:30:14- Explore the space.- Yes, good. - Oh, she's happy, she's happy.
0:30:14 > 0:30:16Shall I get out of the way?
0:30:16 > 0:30:18- I'm OK here?- No, cos you can be a part of this.- OK, OK.
0:30:18 > 0:30:20We've got a little bit of music,
0:30:20 > 0:30:22- a little bit of music. - Goodbye, career!
0:30:22 > 0:30:24LAUGHTER
0:30:24 > 0:30:25TENSE MUSIC PLAYS
0:30:39 > 0:30:40Very good!
0:30:43 > 0:30:45Excellent.
0:30:46 > 0:30:50Blade Runner 2049, the expectation, the hopes for this are high.
0:30:50 > 0:30:53Ridley Scott's involved. Harrison, you're involved,
0:30:53 > 0:30:55but presumably this isn't the first time...
0:30:55 > 0:30:59- I'm not just involved... - You're in it. You're on the poster.
0:30:59 > 0:31:02APPLAUSE AND CHEERING
0:31:06 > 0:31:08GRAHAM LAUGHS
0:31:08 > 0:31:11But, OK, my question is this,
0:31:11 > 0:31:14so there must've been mentions of a sequel between...
0:31:14 > 0:31:16It was 1982, wasn't it, when it came out?
0:31:16 > 0:31:20So, between then and now - so, why now, why not before?
0:31:20 > 0:31:23I guess cos Ryan wasn't available.
0:31:23 > 0:31:27LAUGHTER
0:31:27 > 0:31:29Well, for many years he wasn't available.
0:31:29 > 0:31:32Yes. Well, not for 30 years.
0:31:32 > 0:31:36But they were waiting for me to grow up.
0:31:36 > 0:31:40But they decided they'd have to go ahead anyway.
0:31:40 > 0:31:44Well, they finally came up with a good...with a story.
0:31:44 > 0:31:47I read it, I thought it was awesome.
0:31:47 > 0:31:49I thought it was great -
0:31:49 > 0:31:54and as I read it, I read about the character that...Ryan...
0:31:54 > 0:31:56- Ryan?- It's Ryan.
0:31:56 > 0:31:59LAUGHTER
0:31:59 > 0:32:03..came to play, and with great enthusiasm
0:32:03 > 0:32:04I called up the producers
0:32:04 > 0:32:07and I said, "This is great, I can't wait to hear bla-bla-bla...
0:32:07 > 0:32:09"And what a great part.
0:32:09 > 0:32:13"Why don't we see if we can get..."
0:32:13 > 0:32:16- Ryan.- "..Ryan Gosling."
0:32:16 > 0:32:18And they said, "Oh..."
0:32:18 > 0:32:22Did you say Brosling?
0:32:22 > 0:32:27- Gosling.- Yes.- Bryan...- You guys got that on tape?- Ryan Gosling.
0:32:27 > 0:32:33And I said, "Why don't... This is a great part for Ryan Gosling."
0:32:33 > 0:32:36LAUGHTER
0:32:36 > 0:32:40APPLAUSE
0:32:42 > 0:32:46I read somewhere where back then some of the special effects
0:32:46 > 0:32:48were simpler than maybe they are now.
0:32:48 > 0:32:51- Yeah.- So, the Jedi mind control, when you can move objects,
0:32:51 > 0:32:54explain how they did that.
0:32:54 > 0:32:56Well, first of all, George called Star Wars
0:32:56 > 0:32:58"the most expensive low budget movie ever made,"
0:32:58 > 0:33:03and what he meant was every penny had to go up on the screen.
0:33:03 > 0:33:04The ingenuity was fantastic.
0:33:04 > 0:33:08So, for instance, when I was hanging upside down in the Wampa cave,
0:33:08 > 0:33:11they had fishing wire attached to it,
0:33:11 > 0:33:16and pulled it out of my hand and then just reversed the film.
0:33:16 > 0:33:20- Oh, OK.- So it's very simple - but, I mean, the ingenuity is tremendous.
0:33:20 > 0:33:23Now they CGI it and spend way too much money.
0:33:23 > 0:33:26Can we see if we can recreate it in a very low-tech way?
0:33:26 > 0:33:30- I'm game.- OK. So if I give you... If we move that...- All right.
0:33:30 > 0:33:32..if I give you an orange... No, no you're good.
0:33:32 > 0:33:33If I give you an orange...
0:33:33 > 0:33:36Well, maybe you better move them farther, in case my aim is off.
0:33:36 > 0:33:39- So, if you could try to just get it in that general vicinity.- OK.
0:33:39 > 0:33:42So hang on. Wait, wait, wait. So, we've go to look astonished.
0:33:42 > 0:33:44This will all make sense.
0:33:44 > 0:33:48We've got to look astonished when Mark is holding the orange
0:33:48 > 0:33:53and then slowly back to nothing as the orange lands.
0:33:53 > 0:33:56- OK?- OK.- OK, so are we all set?
0:33:56 > 0:33:58- Right. I hope so.- OK.
0:34:03 > 0:34:08APPLAUSE
0:34:08 > 0:34:10I think that was good, I think that was good.
0:34:10 > 0:34:12OK, was this a good one?
0:34:12 > 0:34:15- Was that good? OK. - We'll fix it in editing.- Yeah.
0:34:15 > 0:34:17Let's watch it back, let's watch it back.
0:34:17 > 0:34:19All right. Here we go, OK.
0:34:19 > 0:34:21MUSIC: Yoda And The Force
0:34:26 > 0:34:29LAUGHTER AND APPLAUSE
0:34:29 > 0:34:32- That's good, isn't it? - Very good.- Excellent.
0:34:33 > 0:34:36Cos in Pitch Perfect 1 there was no competition.
0:34:36 > 0:34:38- You nailed it.- Yeah. I think so.
0:34:38 > 0:34:41I was the first person ever cast in Pitch Perfect,
0:34:41 > 0:34:44I was cast four months before anybody else
0:34:44 > 0:34:46and I did have to sing in the audition
0:34:46 > 0:34:50and I was a little nervous, but then I thought,
0:34:50 > 0:34:53"Just crush it." So...
0:34:53 > 0:34:54What did you sing for your audition?
0:34:54 > 0:35:00I sang Lady Gaga, Edge Of Glory, but I did my own body percussion
0:35:00 > 0:35:03- to accompany it.- How do you do that?
0:35:03 > 0:35:06- Should I try to recreate it? - Yes, please!- All right.
0:35:06 > 0:35:10CHEERING
0:35:10 > 0:35:12So, I haven't done this in, like, seven years.
0:35:14 > 0:35:17- OK, so...- Do we need goggles?
0:35:17 > 0:35:21- Are you going to be the casting director?- Yeah.- So, OK.
0:35:21 > 0:35:23I'm Rebel, I'm five foot four,
0:35:23 > 0:35:26still single.
0:35:26 > 0:35:27Here's my song. OK.
0:35:31 > 0:35:35# I'm on the edge of glory
0:35:35 > 0:35:39# And I'm hanging on a moment of truth
0:35:39 > 0:35:43# I'm on the edge of glory
0:35:43 > 0:35:47# And I'm hanging on a moment with you
0:35:47 > 0:35:48# I'm on the edge
0:35:48 > 0:35:51# The edge, the edge, the edge
0:35:51 > 0:35:57# The edge, the edge, the e-e-e-e-dge
0:35:57 > 0:36:02# I'm on the edge of glory... #
0:36:02 > 0:36:05CHEERING AND APPLAUSE
0:36:05 > 0:36:09- Something like that. - You've got the part!
0:36:15 > 0:36:19We've got a selection of special skills on the show tonight,
0:36:19 > 0:36:21and, Gary, you've brought us a real treat.
0:36:21 > 0:36:24Am I right to say, it's something physical?
0:36:24 > 0:36:26- Yes, it's physical.- It's physical.
0:36:26 > 0:36:28I don't know if it's very special!
0:36:28 > 0:36:31Do you want to tell us what we're going to watch
0:36:31 > 0:36:33or shall we just see it?
0:36:33 > 0:36:36Er, it's... Well, yes, it's...
0:36:36 > 0:36:40My wife actually recorded it on an iPhone in the trailer
0:36:40 > 0:36:43and it's Winston Churchill doing James Brown.
0:36:43 > 0:36:45HE GASPS This sounds special.
0:36:45 > 0:36:48- It's a new level. - So, here is Winston Churchill.
0:36:48 > 0:36:50This is so many layers!
0:36:50 > 0:36:51This is so meta now.
0:36:51 > 0:36:55It's Gary Oldman does Winston Churchill doing James Brown.
0:36:55 > 0:36:57For the Oscar.
0:36:57 > 0:36:59SOUL MUSIC PLAYS
0:36:59 > 0:37:01LAUGHTER AND APPLAUSE
0:37:12 > 0:37:14Very good!
0:37:14 > 0:37:17CHEERING
0:37:17 > 0:37:19Excellent!
0:37:21 > 0:37:24Now, obviously, three sex symbols on our couch tonight -
0:37:24 > 0:37:26but, Jamie Dornan,
0:37:26 > 0:37:31oddly, you arrived at sex symbol status quite late in life.
0:37:31 > 0:37:32- I did.- Yes.
0:37:32 > 0:37:35So, tell us the story about... I think you were...
0:37:35 > 0:37:36What were you? About 15?
0:37:36 > 0:37:40This is one of the worst stories in my locker.
0:37:40 > 0:37:43- Unpack it.- Big debates about whether I should tell it, but fuck it.
0:37:43 > 0:37:46LAUGHTER AND CHEERING
0:37:46 > 0:37:48When I was... It actually had a big effect on me as a kid -
0:37:48 > 0:37:51it has a big effect on, I'm sure, lots of kids -
0:37:51 > 0:37:55but I was very sporty when I was a kid, but I was a late developer.
0:37:55 > 0:37:58I was small, I wasn't very hairy,
0:37:58 > 0:38:00just one of those guys who was a bit behind,
0:38:00 > 0:38:04and I was young for my year, and it had a big effect on me.
0:38:04 > 0:38:05Anyway...
0:38:05 > 0:38:08I was sort of balancing playing rugby at school
0:38:08 > 0:38:12and doing a bit of amateur dramatics on the side,
0:38:12 > 0:38:14and it all culminated in we got to the final -
0:38:14 > 0:38:16Liam will know this - of the Medallion Shield,
0:38:16 > 0:38:20which, when you're 15, is the biggest thing that could happen,
0:38:20 > 0:38:22and I went to a school called Methody,
0:38:22 > 0:38:23and we were playing against our main rivals
0:38:23 > 0:38:25at Ravenhill, which is Ulster's ground,
0:38:25 > 0:38:27and it was such a massive thing.
0:38:27 > 0:38:29There was going to be a big party afterwards.
0:38:29 > 0:38:32But also, that same night,
0:38:32 > 0:38:36befell the All-Ireland final of the Amateur Dramatic Society
0:38:36 > 0:38:41where I was performing Chekhov's The Cherry Orchard
0:38:41 > 0:38:43and I think I was a waiter or something -
0:38:43 > 0:38:46I was on stage a lot, but didn't really have any lines,
0:38:46 > 0:38:47didn't have anything to say.
0:38:47 > 0:38:49And I thought, "Right, I will be able to go, play rugby,
0:38:49 > 0:38:52"hopefully win that and then go and do the play
0:38:52 > 0:38:55"and then go to the party for the rugby afterwards."
0:38:55 > 0:38:57Now, at 15 I looked about seven.
0:38:59 > 0:39:01I had no hair or anything.
0:39:01 > 0:39:04Anyway, in the play, they had given me
0:39:04 > 0:39:08this sort of black, very highly flammable wig
0:39:08 > 0:39:11that they used to cut off and Uhu to my face
0:39:11 > 0:39:15to give me a beard, to give the appearance I was older.
0:39:16 > 0:39:19So I thought it would be a good idea...
0:39:19 > 0:39:21LAUGHTER
0:39:21 > 0:39:25..after the curtain came down on this play,
0:39:25 > 0:39:27and I'm going to this party after,
0:39:27 > 0:39:31and, you know, I might meet a girl and maybe she drops a hand...
0:39:31 > 0:39:35LAUGHTER
0:39:35 > 0:39:41So I had the idea to maybe cut off some extra hair off the very...
0:39:41 > 0:39:44By the way, I was a very fair child, I had blond hair.
0:39:46 > 0:39:47So I went into the dressing room
0:39:47 > 0:39:51and I went into like the toilets and cut off all this very curly...
0:39:53 > 0:39:55..jet, jet black hair,
0:39:55 > 0:39:59and put it in a wee pile and got my Uhu glue and just...
0:40:00 > 0:40:02..put it around there.
0:40:02 > 0:40:06Stuffed it in. I remember standing in front of the mirror
0:40:06 > 0:40:08and going, "That looks all right."
0:40:15 > 0:40:17Just the lengths you go to.
0:40:17 > 0:40:19Obviously, I went to the party.
0:40:19 > 0:40:25I think I kissed a girl, urging her to sort of...without forcing her...
0:40:27 > 0:40:29..urging her to sort of go down,
0:40:29 > 0:40:31cos on this one... for one night only...
0:40:31 > 0:40:35..it was actually quite an impressive place to put your hand.
0:40:35 > 0:40:38Anyway, that didn't happen and, actually, thank God it didn't,
0:40:38 > 0:40:42because I got home and it was a car crash down there.
0:40:42 > 0:40:44It was an absolute car crash.
0:40:45 > 0:40:48Was the removal painful?
0:40:48 > 0:40:53I'll tell you why the removal was so painful, physically and emotionally.
0:40:53 > 0:40:56I did actually have about three pubes...
0:40:57 > 0:41:00- ..naturally developed pubes.- Mm, mm.
0:41:00 > 0:41:03- They went as soon as I...- Yeah.
0:41:04 > 0:41:06APPLAUSE
0:41:09 > 0:41:13Oh, dear! Jack, in the movie, this is something I've heard about you.
0:41:13 > 0:41:16For every movie you do,
0:41:16 > 0:41:20you write and perform a theme song.
0:41:20 > 0:41:22- Well...- Yet I've seen Jumanji,
0:41:22 > 0:41:26and there didn't appear to be any of you.
0:41:26 > 0:41:28The movie hasn't been officially released yet...
0:41:28 > 0:41:32- Is my tie doing something funny? - I got you.- Thank you.
0:41:32 > 0:41:35I told YOU to fix his tie.
0:41:35 > 0:41:39- I told you.- Thank you, guys for fixing my tie.- Stop touching me.
0:41:39 > 0:41:41I'm getting to talk for the first time.
0:41:41 > 0:41:44- LAUGHTER AND APPLAUSE - The song...
0:41:48 > 0:41:51Has this been a very long press tour?
0:41:53 > 0:41:55I love these guys.
0:41:55 > 0:41:56I co-wrote a song.
0:41:56 > 0:42:00We were all kind of messing around with the theme song and me
0:42:00 > 0:42:03and Nick Jonas actually put the finishing touches on it
0:42:03 > 0:42:06and we shot a music video hoping to release it soon,
0:42:06 > 0:42:10- but do you want a little taste of it?- Please, yes!
0:42:10 > 0:42:12This might be the only time you hear it, I don't know
0:42:12 > 0:42:16if it's going to make the final cut, but it's pretty powerful.
0:42:16 > 0:42:19# Jumanji
0:42:19 > 0:42:25# It's a jungle inside your soul
0:42:25 > 0:42:31# Somewhere deep inside at the end of the world... #
0:42:31 > 0:42:34CHEERING AND APPLAUSE
0:42:34 > 0:42:36Beautiful!
0:42:36 > 0:42:39# Jumanji
0:42:39 > 0:42:43# And survival your only goal
0:42:43 > 0:42:46# Plunge the jewel inside
0:42:46 > 0:42:49# Say the name of the game... #
0:42:49 > 0:42:51Here we go.
0:42:51 > 0:42:53APPLAUSE
0:42:53 > 0:42:56# Jumanji!
0:42:56 > 0:42:59# Jumanji!
0:42:59 > 0:43:03# Jumanji!
0:43:03 > 0:43:06# Jumanji! #
0:43:06 > 0:43:11- CHEERING AND APPLAUSE - Thank you.- Wow!
0:43:11 > 0:43:15Level upon level, beautiful work!
0:43:17 > 0:43:20Now, normally, ladies and gentlemen, on a show like this,
0:43:20 > 0:43:22we would show a clip of Mission: Impossible,
0:43:22 > 0:43:26- but you haven't finished the film yet.- Sorry.
0:43:26 > 0:43:29So, we thought we'd make a snatch of one of our own.
0:43:29 > 0:43:32Now, one of the most iconic stunts that you do, Tom,
0:43:32 > 0:43:35is the running away from something exploding.
0:43:35 > 0:43:37- You are very good at it. - Thank you very much.
0:43:37 > 0:43:40We've got some stills. There's running away from a van.
0:43:40 > 0:43:43Ooh, that's in the Channel Tunnel there.
0:43:43 > 0:43:46- And this is the exploding fish tank.- Oh, yes.- There you go.
0:43:46 > 0:43:49Do you know, I've just noticed, that is a very good move.
0:43:49 > 0:43:52- I like that.- Yes, touchdown. - That's excellent.- Score.
0:43:52 > 0:43:54That is very good.
0:43:54 > 0:43:56Presumably timing is key.
0:43:56 > 0:43:58Because these are real explosions.
0:43:58 > 0:44:00They are real explosions. Key.
0:44:00 > 0:44:03That one was particularly very crazy.
0:44:03 > 0:44:06Was this the one where no-one properly told you the timing?
0:44:06 > 0:44:08Yeah, the guy was over there and he said,
0:44:08 > 0:44:10"OK, we're going to go on three."
0:44:10 > 0:44:12And he started going, "Three, two, one."
0:44:12 > 0:44:14And I said, "Whoa, whoa, whoa. Stop. Stop."
0:44:14 > 0:44:16And I'm waiting, we have an explosion that is
0:44:16 > 0:44:20going to go over my head. And I said, "You just said on three."
0:44:20 > 0:44:24He said, "Well, I meant three." "Well, what does that mean?"
0:44:24 > 0:44:27So I said, "Everyone, just, please..."
0:44:27 > 0:44:30It was like two in the morning and they are setting it up
0:44:30 > 0:44:34and there is broken... There is glass, just tonnes of water and...
0:44:34 > 0:44:37He said, "Well, I'm going to, 'three, two, one.'"
0:44:37 > 0:44:42And I said, "Do I go then or do I go on one? Like, when do I go?"
0:44:42 > 0:44:45"Do I go on one? Are you going to push the button?
0:44:45 > 0:44:47"Is it going to explode on one?" It was, you know...
0:44:47 > 0:44:50He kind of looked at me like... "I don't know."
0:44:50 > 0:44:53- LAUGHTER - "I'm not sure."
0:44:53 > 0:44:56- Around then.- Around then.
0:44:56 > 0:44:59- Just go. Just run.- "When you hear the explosion, just go."
0:44:59 > 0:45:02"Yeah, you really ought to run cos it's very dangerous."
0:45:02 > 0:45:04"Yes, it's very dangerous, I would run real fast if I were you."
0:45:04 > 0:45:06"If I was you, I wouldn't hang around."
0:45:06 > 0:45:10Well, listen, what we've done is we've got a green screen here.
0:45:10 > 0:45:14So we are going to raise up a green screen at great speed.
0:45:14 > 0:45:16LAUGHTER
0:45:16 > 0:45:19APPLAUSE
0:45:19 > 0:45:22OK, while we are waiting for that...
0:45:22 > 0:45:25While we're waiting for that, we're going to get some members of
0:45:25 > 0:45:28the audience to do this. But in terms of this, Tom,
0:45:28 > 0:45:31what we're going to do, they're going to start back there.
0:45:31 > 0:45:34They're going to run, OK?
0:45:34 > 0:45:35They're going to run to here
0:45:35 > 0:45:38and then that's the top of the explosion and they're going to want
0:45:38 > 0:45:41to get height and presumably facial expression.
0:45:41 > 0:45:43So, in terms of jumping, what's the best way to get height?
0:45:43 > 0:45:46- Are they going to land in the mats? - Yeah, that's the idea.
0:45:46 > 0:45:48Well, first of all, watch your ankle on the mat cos...
0:45:48 > 0:45:51- LAUGHTER He knows this, he knows this.- Yes.
0:45:51 > 0:45:54OK, let's get some people to do this.
0:45:54 > 0:45:57We will get to you. Hang on. Who...? Now...
0:45:57 > 0:45:58Who wants to do it?
0:45:58 > 0:46:01You want to do it? OK, you can come do it. Come do it.
0:46:01 > 0:46:04- What is your name?- Jamie. - Jamie, lovely. Cheers for Jamie.
0:46:08 > 0:46:10- Oop.- He's not doing well.
0:46:10 > 0:46:13- Watch your ankle, man, watch your ankle.- Come this way. Come this way.
0:46:13 > 0:46:16- Up you go.- You shouldn't let him do it. He fell off the step!
0:46:16 > 0:46:18LAUGHTER
0:46:18 > 0:46:23Up you go. So, Tom, tips for Jamie.
0:46:23 > 0:46:25What sort of facial expression should he go for?
0:46:25 > 0:46:29- Fear?- Just whatever feels natural. Just... The most important thing is
0:46:29 > 0:46:32- don't get blown up. - So I'm trying not to get blown up?
0:46:32 > 0:46:34Yeah, that's it. Try not to get blown up.
0:46:34 > 0:46:38- I'm escaping.- You are escaping.- Yes, escaping.- But you are brave.- Yeah.
0:46:38 > 0:46:41- You're brave.- He's brave. You can't look terrified.
0:46:41 > 0:46:44- You are frightened, but you are still brave.- Yes.
0:46:44 > 0:46:47- Frightened but brave. I'm not going to go too high.- Why?
0:46:47 > 0:46:48No, I'll do it for you.
0:46:48 > 0:46:50I like that, "I'm not going to go too high."
0:46:50 > 0:46:51LAUGHTER
0:46:51 > 0:46:54- Do what you feel comfortable. - So, what's the countdown?
0:46:54 > 0:46:57- Is it three, two, one? - Three, two, one, go.
0:46:57 > 0:47:02- OK, so you're going on one. - On three.- On two.- Three.
0:47:02 > 0:47:04No, one.
0:47:04 > 0:47:06- You do it, Simon. - Three, two, one, go.
0:47:06 > 0:47:09OK, here we go. Here we go. Here we go, Jamie.
0:47:09 > 0:47:13- ALL:- Three, two, one, go!
0:47:13 > 0:47:15- Ahh! - APPLAUSE
0:47:15 > 0:47:19That was good, Jamie. Excellent.
0:47:24 > 0:47:28- Well done, Jamie. - That was very good.
0:47:28 > 0:47:32- OK, well done, Jamie. Should we see it?- Yes.
0:47:32 > 0:47:34OK, have a seat, have a seat. Let's see it. Oh, there's Jamie.
0:47:34 > 0:47:36MUSIC: Mission: Impossible Theme.
0:47:36 > 0:47:37He's running, he's running.
0:47:37 > 0:47:41Oh! He looked like he was loving it.
0:47:41 > 0:47:44Loving life. Well done.
0:48:11 > 0:48:13OK, Tom, in three, two...
0:48:13 > 0:48:15- What does that mean? - A cue to start talking.
0:48:15 > 0:48:17LAUGHTER
0:48:21 > 0:48:23You see what I'm saying?
0:48:23 > 0:48:25I don't know, he's like, "Three, two," and he points.
0:48:25 > 0:48:28Does that mean I start talking at that point? OK, good.
0:48:28 > 0:48:31- I go on the point. - Go on the point.- OK, good.