Episode 12

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0:00:03 > 0:00:04Good evening, everyone.

0:00:04 > 0:00:07This is Will Smith wishing you a very Merry Christmas

0:00:07 > 0:00:11and saying welcome to The Graham Norton Show!

0:00:11 > 0:00:14CHEERING.

0:00:30 > 0:00:32Hello!

0:00:32 > 0:00:34Hello!

0:00:34 > 0:00:37Oh, you are too kind.

0:00:37 > 0:00:38That's so sweet of you.

0:00:38 > 0:00:39Hello.

0:00:39 > 0:00:40Good evening.

0:00:40 > 0:00:41Welcome, everyone.

0:00:41 > 0:00:43Merry Christmas!

0:00:43 > 0:00:46Yay!

0:00:46 > 0:00:49Oh, we are feeling festive, aren't we?

0:00:49 > 0:00:50Yes, we are.

0:00:50 > 0:00:51So Christmassy.

0:00:51 > 0:00:52Has everyone got their Christmas trees up?

0:00:52 > 0:00:54AUDIENCE: Yes!

0:00:54 > 0:00:57I'm not the police.

0:00:57 > 0:01:00"Yes, we have!"

0:01:00 > 0:01:02Can you believe some people are so stupid they ordered

0:01:02 > 0:01:05a tree too big to fit through their front door?

0:01:05 > 0:01:08Yeah.

0:01:08 > 0:01:11Theresa, really, measure, measure!

0:01:11 > 0:01:15But Theresa May did put a little decoration on top of that tree.

0:01:15 > 0:01:17Yeah.

0:01:17 > 0:01:21I imagine she enjoyed ramming that branch up its arse.

0:01:21 > 0:01:24Now, did you all enjoy your office Christmas parties?

0:01:24 > 0:01:25Did you?

0:01:25 > 0:01:26AUDIENCE: Yes!

0:01:26 > 0:01:28I don't remember.

0:01:28 > 0:01:31Now, look, I hope you remembered the golden rule, ladies

0:01:31 > 0:01:34and gentlemen, don't have sex in the office.

0:01:34 > 0:01:36Don't.

0:01:36 > 0:01:37That's not romantic.

0:01:37 > 0:01:41Wait until you're somewhere nice and cosy and the mood takes

0:01:41 > 0:01:44you and pop upstairs.

0:01:44 > 0:01:50Yeah, ding ding!

0:01:50 > 0:01:51Hey, let's get some guests on.

0:01:51 > 0:01:54Later, we'll have music with former Keane front man Tom Chaplin.

0:01:54 > 0:01:56He'll be performing his new single, Midnight Mass,

0:01:56 > 0:01:57a true Christmas treat.

0:01:57 > 0:02:00But first, no Christmas is complete without this man's

0:02:00 > 0:02:01festive food and cheer.

0:02:01 > 0:02:03Here to talk about his 20th cookbook, please welcome

0:02:03 > 0:02:09award-winning chef and restauranteur Jamie Oliver!

0:02:10 > 0:02:11Hello, sir.

0:02:11 > 0:02:12Lovely to see you.

0:02:12 > 0:02:19You are very smart.

0:02:19 > 0:02:20CHEERING.

0:02:20 > 0:02:22She's gone from soap star to Doctor Who companion and now

0:02:22 > 0:02:25she stars as the Queen herself in the hit series Victoria.

0:02:25 > 0:02:26Please welcome Jenna Coleman!

0:02:26 > 0:02:28CHEERING.

0:02:31 > 0:02:32Very nice.

0:02:32 > 0:02:35Jamie, Jenna, Jenna, Jamie.

0:02:35 > 0:02:38And he's one of the world's biggest movie stars and one of our favourite

0:02:38 > 0:02:40guests on this show.

0:02:40 > 0:02:42It's always a pleasure to welcome the great Will Smith!

0:02:42 > 0:02:46CHEERING.

0:02:46 > 0:02:49Yo!

0:02:49 > 0:02:52Yeah!

0:02:58 > 0:03:00Yeah!

0:03:03 > 0:03:05Well, hey, Merry Christmas, everybody.

0:03:05 > 0:03:07Merry Christmas!

0:03:07 > 0:03:10Merry Christmas!

0:03:10 > 0:03:11I almost wore that same jacket.

0:03:11 > 0:03:13Really?

0:03:13 > 0:03:15That would have been so embarrassing.

0:03:15 > 0:03:17So embarrassing.

0:03:17 > 0:03:19You would have worn it better, I think.

0:03:19 > 0:03:22You look Christmassy, and actually, the two of you look like you're

0:03:22 > 0:03:25going to do something together, because your tie matches your dress.

0:03:25 > 0:03:27We are performing tonight.

0:03:27 > 0:03:28Yeah, blending.

0:03:28 > 0:03:31I look like the driver.

0:03:31 > 0:03:34Where y'all headed tonight?

0:03:34 > 0:03:35So, welcome, all.

0:03:35 > 0:03:39Are we all ready for Christmas?

0:03:39 > 0:03:40Yes, I'm very ready.

0:03:40 > 0:03:43So excited, I can't believe it.

0:03:43 > 0:03:47Presents and food and stuff.

0:03:47 > 0:03:48Yeah, all that good stuff.

0:03:48 > 0:03:50We could talk about Christmas for hours, but I'm distracted

0:03:50 > 0:03:54by the makings of a cocktail.

0:03:54 > 0:03:56Oh, yes.

0:03:56 > 0:03:57Who likes a cocktail at Christmas, everyone?

0:03:57 > 0:03:59AUDIENCE: Yes!

0:03:59 > 0:04:01Do you love a cocktail?

0:04:01 > 0:04:02I'd like a cocktail.

0:04:02 > 0:04:03Shall I endeavour?

0:04:03 > 0:04:04What have you brought us?

0:04:04 > 0:04:07OK, I like to give Britain a little tip every now and again,

0:04:07 > 0:04:10so you need to find yourself a sheath, right?

0:04:10 > 0:04:11Just a minute!

0:04:11 > 0:04:15Hold on, I don't know if I want that drink.

0:04:15 > 0:04:17If you go to the really posh cocktail bars, you get these

0:04:17 > 0:04:20incredible ice cubes that they hand-carve.

0:04:20 > 0:04:23Oh, no!

0:04:23 > 0:04:26We go get a water bomb and we just split it and we peel it off

0:04:26 > 0:04:28and we get a lovely round...

0:04:28 > 0:04:29Bear with me.

0:04:29 > 0:04:31This is what they do in the posh places.

0:04:31 > 0:04:33Then we're going to make a Christmas negroni.

0:04:33 > 0:04:34I love this!

0:04:34 > 0:04:37APPLAUSE.

0:04:37 > 0:04:39I think of myself as a Christmas negroni.

0:04:39 > 0:04:41LAUGHTER.

0:04:41 > 0:04:46Oh, God.

0:04:46 > 0:04:48Only you could have said that.

0:04:48 > 0:04:50I couldn't have got away with that one.

0:04:50 > 0:04:53So, negroni, I want you to think of it as medicine.

0:04:53 > 0:04:54OK.

0:04:54 > 0:04:58Every one of us has someone a bit boring, a bit sort of dodgy coming

0:04:58 > 0:04:59to the Christmas party.

0:04:59 > 0:05:00There's always one.

0:05:00 > 0:05:03So what you do is you take this negroni, AKA medicine,

0:05:03 > 0:05:05and it turns people that are a bit problematic and boring

0:05:05 > 0:05:08into interesting people.

0:05:08 > 0:05:11What's going to happen?

0:05:11 > 0:05:12Yes!

0:05:12 > 0:05:13What's Jamie trying to say?

0:05:13 > 0:05:14I don't know.

0:05:14 > 0:05:17And he's pouring three drinks.

0:05:17 > 0:05:23This is 20 mils of Campari, 20 mils of vermouth rosso,

0:05:23 > 0:05:27which we have scented with a little cinnamon and Christmas fare.

0:05:27 > 0:05:28Yes!

0:05:28 > 0:05:31And then we have a little gin, a little bit of

0:05:31 > 0:05:32clementine to get you going.

0:05:32 > 0:05:33Are you ready for this?

0:05:33 > 0:05:35I'm like, come on, man!

0:05:35 > 0:05:38Now, once you sip this, if you don't become more interesting,

0:05:38 > 0:05:42I don't know what's going to happen.

0:05:42 > 0:05:43It's going.

0:05:43 > 0:05:44Lovely.

0:05:44 > 0:05:46Pass it down, it's like school.

0:05:46 > 0:05:48We have four, we have four.

0:05:48 > 0:05:49Cheers.

0:05:49 > 0:05:50Merry Christmas!

0:05:50 > 0:05:52ALL: Merry Christmas!

0:05:52 > 0:05:56This is a bit like A Christmas Carol and we are Scrooge, because I'm

0:05:56 > 0:05:58like, "Merry Christmas, everybody!"

0:05:58 > 0:06:03There are 600 Tiny Tims.

0:06:03 > 0:06:04OK.

0:06:04 > 0:06:06Come on.

0:06:06 > 0:06:07So, that is delicious.

0:06:07 > 0:06:08The world is changing.

0:06:08 > 0:06:11Hold on, I'll be the judge of whether or not it's delicious.

0:06:11 > 0:06:13No, I like that.

0:06:13 > 0:06:14It has just enough Christmas in it.

0:06:14 > 0:06:17Here's the thing...

0:06:17 > 0:06:18No, that's very good.

0:06:18 > 0:06:20You want a sip?

0:06:20 > 0:06:23Hold on.

0:06:23 > 0:06:25Here we go.

0:06:25 > 0:06:28I drank from this side, so you can drink from that side.

0:06:28 > 0:06:30You can drink from the other side.

0:06:30 > 0:06:30See what you think.

0:06:30 > 0:06:32Is this like feeding a gremlin after midnight?

0:06:32 > 0:06:33How's that?

0:06:33 > 0:06:34That's good, that's good.

0:06:34 > 0:06:37CHEERING AND APPLAUSE.

0:06:37 > 0:06:38It's good, isn't it?

0:06:38 > 0:06:40It's nice.

0:06:40 > 0:06:41Yeah.

0:06:41 > 0:06:44HE MOUTHS.

0:06:44 > 0:06:53LAUGHTER.

0:06:57 > 0:07:01Yeah, a Christmas to remember.

0:07:01 > 0:07:02That was the Christmas...

0:07:02 > 0:07:06Oh.

0:07:06 > 0:07:08Jenna Coleman, you have almost turned into a Christmas

0:07:08 > 0:07:10tradition in yourself, in that you did the Doctor

0:07:10 > 0:07:14Who Christmas special, then Death Comes To Pemberley,

0:07:14 > 0:07:17which was on at Christmas, and this year you have got

0:07:17 > 0:07:17the Victoria Christmas special.

0:07:17 > 0:07:19Yeah.

0:07:19 > 0:07:22Is it weird, because you are at home, does everybody have to stop

0:07:22 > 0:07:23and watch you on telly?

0:07:23 > 0:07:26I think my family thought this year was going to be a break...

0:07:26 > 0:07:28And no.

0:07:28 > 0:07:30Without a Christmas special.

0:07:30 > 0:07:33Do you watch it or do you kind of Sky Plus it

0:07:33 > 0:07:35and then come back to it?

0:07:35 > 0:07:37My grandma will always watch it unless Wimbledon's on,

0:07:37 > 0:07:40and then I get Sky Plussed all of the time.

0:07:40 > 0:07:43And then we usually go 50-50, so you get the drunk games room

0:07:43 > 0:07:47and then my grandparents watching the telly.

0:07:47 > 0:07:49Aww.

0:07:49 > 0:07:52Or it gets to like the heat of the moment and Matt Smith

0:07:52 > 0:07:55is about to die on Doctor Who and suddenly my niece Millie

0:07:55 > 0:07:59will do a little dance in front of the telly.

0:07:59 > 0:08:00Get out of the way!

0:08:00 > 0:08:01I'm going to put this down.

0:08:01 > 0:08:03I'll hold that for you, darling.

0:08:03 > 0:08:06Absolutely delicious, but I'm so scared what might happen.

0:08:06 > 0:08:07There we go.

0:08:07 > 0:08:08Actually, it's hitting me already.

0:08:08 > 0:08:09I'm like...

0:08:09 > 0:08:17Girl, that's a pretty dress you've got!

0:08:17 > 0:08:20Has that got a little kick to it?

0:08:20 > 0:08:21Yeah.

0:08:21 > 0:08:22No, it's a glow.

0:08:22 > 0:08:24It makes everyone nicer.

0:08:24 > 0:08:26Let's start with our first Christmas treat, Will Smith's movie Bright.

0:08:26 > 0:08:29This started streaming today on Netflix.

0:08:29 > 0:08:34It's one of those films, it's like nothing you've seen before.

0:08:34 > 0:08:37It's when genres collide.

0:08:37 > 0:08:40But you've got a very good way of describing it to people.

0:08:40 > 0:08:42Yeah, Bright is, it's out today, that's right, I like that.

0:08:42 > 0:08:45How y'all doing here?

0:08:45 > 0:08:47LAUGHTER.

0:08:47 > 0:08:49No, it's...

0:08:49 > 0:08:53Sort of imagine Training Day, it's Training Day, so it's a sort

0:08:53 > 0:08:57of gritty LA cop drama, so it's like Training Day

0:08:57 > 0:09:01meets Lord Of The Rings.

0:09:01 > 0:09:02Right?

0:09:02 > 0:09:04It sounds like he's making that up.

0:09:04 > 0:09:05No.

0:09:05 > 0:09:09They are like, oh, Will's stupid.

0:09:09 > 0:09:12Imagine that Lord Of The Rings was 4,000 years ago but all

0:09:12 > 0:09:15of the creatures came forward into the modern day, so it's

0:09:15 > 0:09:21a modern-day rough LA cop drama, but there's orcs and fairies

0:09:21 > 0:09:26and elves, as if they've come in to society.

0:09:26 > 0:09:30So it's essentially about racism, right?

0:09:30 > 0:09:35In a really interesting, bizarre, fun action way.

0:09:35 > 0:09:38It takes you about five or ten minutes to get your head round it.

0:09:38 > 0:09:40Yeah.

0:09:40 > 0:09:42And then, once you are in it, you are in it,

0:09:42 > 0:09:44and the world is so complete.

0:09:44 > 0:09:45Yes, it's really bizarre.

0:09:45 > 0:09:47Joel Edgerton plays an orc and he's the first orc

0:09:47 > 0:09:50on the Los Angeles Police Department.

0:09:50 > 0:09:51What's that, an orc?

0:09:51 > 0:09:52An orc.

0:09:52 > 0:09:54What is it?

0:09:54 > 0:09:55Come on, everybody knows what an orc is!

0:09:55 > 0:10:00LAUGHTER.

0:10:00 > 0:10:02Now, having said that, I do know what orcs are,

0:10:02 > 0:10:03but what is an orc?

0:10:03 > 0:10:06See, Jenna doesn't know either.

0:10:06 > 0:10:08Don't know what an orc is.

0:10:08 > 0:10:12It's the thing that Joel Edgerton is in the movie.

0:10:12 > 0:10:15Put the picture...

0:10:15 > 0:10:16There it is, that's an orc.

0:10:16 > 0:10:17That's an orc.

0:10:17 > 0:10:19But a lot of them have bigger teeth.

0:10:19 > 0:10:20You'll see.

0:10:20 > 0:10:21Yes.

0:10:21 > 0:10:24It is directed by David Ayer, who wrote Training Day.

0:10:24 > 0:10:25Yes, he wrote Training Day.

0:10:25 > 0:10:28He did Suicide Squad, so he's into that, you know,

0:10:28 > 0:10:33really weird stuff.

0:10:33 > 0:10:38It's a whole lot better than it's sounding right now, trust me.

0:10:38 > 0:10:40Here's a clip to demonstrate what we're talking about,

0:10:40 > 0:10:42and this is you and Joel Edgerton, your orc partner,

0:10:42 > 0:10:52preparing for a shoot-out.

0:10:55 > 0:10:56Running out of patience.

0:10:56 > 0:10:58I wish you wouldn't.

0:10:58 > 0:10:59Let's give them the wand.

0:10:59 > 0:11:01What?

0:11:01 > 0:11:03Look, we're going to get everyone in here killed and he's

0:11:03 > 0:11:05going to take the damn wand anyway.

0:11:05 > 0:11:07I'm not giving that guy the wand.

0:11:07 > 0:11:08Over my dead body.

0:11:08 > 0:11:10He's going to have to kill me first.

0:11:10 > 0:11:15So you want to die in a gunfight in a nasty-ass titty bar?

0:11:15 > 0:11:16I want to die.

0:11:16 > 0:11:17Let's do it right now.

0:11:17 > 0:11:19We're going to titty-bar gunfight die.

0:11:19 > 0:11:21Let's do it right here, right now.

0:11:21 > 0:11:23I just wish your dumb ass was a better shot.

0:11:23 > 0:11:24Let's go, on three.

0:11:24 > 0:11:25Let's do it.

0:11:25 > 0:11:26One, two, three.

0:11:26 > 0:11:28SCREAMING.

0:11:28 > 0:11:31Oh!

0:11:35 > 0:11:39I'm sure you are wearing some make-up in this film...

0:11:39 > 0:11:40I know, yeah!

0:11:40 > 0:11:42Joel Edgerton's wearing a lot.

0:11:42 > 0:11:45It was terrible.

0:11:45 > 0:11:48Joel Edgerton, he had four hours a day in make-up.

0:11:48 > 0:11:53So he would do four hours and then I'd show up like this.

0:11:53 > 0:11:56So he would have the four hours and I'd come on set

0:11:56 > 0:11:58and go, hey, all right, Joel, what's up?

0:11:58 > 0:12:01He'd go, mm-hmm.

0:12:01 > 0:12:02No.

0:12:02 > 0:12:04So I felt bad taking most of the money.

0:12:04 > 0:12:08LAUGHTER.

0:12:08 > 0:12:09Yeah.

0:12:09 > 0:12:15APPLAUSE.

0:12:15 > 0:12:18You've got so many movies in the pipeline, lots of things

0:12:18 > 0:12:23coming out, but I notice still no sign of the Fresh Prince Of Bel Air

0:12:23 > 0:12:26reboot that everyone wants.

0:12:26 > 0:12:29CHEERING.

0:12:29 > 0:12:30They do!

0:12:30 > 0:12:31Man...

0:12:31 > 0:12:33Make it for them!

0:12:33 > 0:12:38I'd have to be Uncle Phil, and that I wouldn't like.

0:12:38 > 0:12:40Come on, Uncle Phil!

0:12:40 > 0:12:41I'm 50.

0:12:41 > 0:12:43I can't go out on my own.

0:12:43 > 0:12:44No, you did...

0:12:44 > 0:12:47You did drive the fans wild, because you posted this.

0:12:47 > 0:12:52Was it a reunion?

0:12:52 > 0:12:57So, every year, Karen has a charitable event,

0:12:57 > 0:13:02and she hosts a lunch with the cast of the Fresh Prince,

0:13:02 > 0:13:06so we do that every year, and it will be ten or 12 people

0:13:06 > 0:13:10from around the world that have one lunch,

0:13:10 > 0:13:13so that's in Los Angeles and the people flew in and we had

0:13:13 > 0:13:18the lunch with the fans who gave the most to charity.

0:13:18 > 0:13:20And you mentioned you would play Uncle Phil.

0:13:20 > 0:13:21A weird thing happened.

0:13:21 > 0:13:24I think you were in Africa and you bungee jumped.

0:13:24 > 0:13:25I bungee jumped, yes.

0:13:25 > 0:13:27Some people filmed this and then you filmed

0:13:27 > 0:13:30the rest, so here you are.

0:13:30 > 0:13:33And you are filming yourself on a GoPro or something.

0:13:33 > 0:13:36And people notice that, if you freeze-frame it at a certain

0:13:36 > 0:13:40point, you look remarkably like...

0:13:46 > 0:13:47That's crazy, right?

0:13:47 > 0:13:48Yes!

0:13:48 > 0:13:49You are never bungee jumping again.

0:13:49 > 0:13:51Yeah, yeah!

0:13:51 > 0:13:54It's all the blood rushing to my head.

0:13:54 > 0:13:58That's really like, who's going through it frame by frame?

0:13:58 > 0:14:00I love it.

0:14:00 > 0:14:02Right, Jenna Coleman's Christmas treat for us is Victoria,

0:14:02 > 0:14:05a Christmas special.

0:14:05 > 0:14:09It goes out on ITV on Christmas Day at 9pm, and it's sort of perfect

0:14:09 > 0:14:14because so much of our Christmas came from Victoria,

0:14:14 > 0:14:19kind of that period.

0:14:19 > 0:14:21Yeah, from Albert really, so it's before the Christmas tree

0:14:21 > 0:14:24was even in England, so there's a lot of, why on earth

0:14:24 > 0:14:29would you bring a forest into your home for Christmas?

0:14:29 > 0:14:32It is an odd thing, but it's lovely.

0:14:32 > 0:14:35Yeah, and it was before Christmas cards were invented,

0:14:35 > 0:14:37so you kind of see Christmas is becoming Christmas

0:14:37 > 0:14:39as we now know it.

0:14:39 > 0:14:42So, you get that side of it, you get how they created Christmas,

0:14:42 > 0:14:45but there is also this, and this is true, the story

0:14:45 > 0:14:47about her adopting the child.

0:14:47 > 0:14:48Yeah.

0:14:48 > 0:14:49Yeah.

0:14:49 > 0:14:53So, Victoria got an unexpected Christmas gift, which was a young

0:14:53 > 0:14:58girl called Sarah Forbes, who was going to be sacrificed

0:14:58 > 0:15:01and then got sent over to Victoria as a gift,

0:15:01 > 0:15:04and Victoria decided to educate her.

0:15:04 > 0:15:06This was from Africa?

0:15:06 > 0:15:11Yeah.

0:15:11 > 0:15:13He was going to sacrifice her then thought, oh no,

0:15:13 > 0:15:15Victoria would love this.

0:15:15 > 0:15:18I mean, it was unexpected!

0:15:18 > 0:15:22And so difficult to wrap!

0:15:22 > 0:15:26There is a line, where she thinks it is going to be a baby elephant

0:15:26 > 0:15:29and then she arrives into the room and there is complete confusion,

0:15:29 > 0:15:32because you are giving me a little girl and she developed this amazing

0:15:32 > 0:15:35relationship with this young girl throughout her entire

0:15:35 > 0:15:39life and educates her, she becomes part of the court.

0:15:39 > 0:15:42Did you know the story?

0:15:42 > 0:15:45I had never heard this story.

0:15:45 > 0:15:46I had never heard this story.

0:15:46 > 0:15:48We are going to watch a clip.

0:15:48 > 0:15:51This is you and the girl and is there anything else you need

0:15:51 > 0:15:52to tell us about this?

0:15:52 > 0:15:53You didn't sacrifice her, though, right?

0:15:53 > 0:15:54No, no, no.

0:15:54 > 0:15:56Because I'm not going to watch that!

0:15:56 > 0:15:57She lived a happy life.

0:15:57 > 0:15:59Good.

0:15:59 > 0:16:00Merry Christmas.

0:16:00 > 0:16:03Here you all are in a very Christmassy scene.

0:16:16 > 0:16:18My mother, she taught me how to skate.

0:16:18 > 0:16:19Do you remember?

0:16:19 > 0:16:21Yes, I remember.

0:16:21 > 0:16:24That is one thing we can teach Victoria ourselves.

0:16:24 > 0:16:26Hi.

0:16:26 > 0:16:28No, thank you.

0:16:28 > 0:16:30Are you coming?

0:16:30 > 0:16:33Would you like to try skating, Sarah?

0:16:33 > 0:16:34No, thank you, your Majesty.

0:16:34 > 0:16:37But it's quite safe.

0:16:37 > 0:16:38I promise.

0:16:38 > 0:16:39Victoria!

0:16:39 > 0:16:40Hurry!

0:16:40 > 0:16:41We are waiting.

0:16:41 > 0:16:44I'm going to stay here with Sarah.

0:16:46 > 0:16:47Would you like to build a snowman?

0:16:47 > 0:16:51A snowman?

0:16:51 > 0:16:53I'll show you.

0:16:55 > 0:16:59Awww!

0:16:59 > 0:17:02It gets much more exciting!

0:17:02 > 0:17:04It does get exciting, yes.

0:17:04 > 0:17:06Presumably you didn't film this in winter?

0:17:06 > 0:17:08No.

0:17:08 > 0:17:12I mean, because apparently I do a lot of Christmas specials and I'm

0:17:12 > 0:17:15doing Christmas for like six months of the year.

0:17:15 > 0:17:16I've been having Christmas since July.

0:17:16 > 0:17:19Snow business.

0:17:19 > 0:17:20Really?

0:17:20 > 0:17:22And it's really hard to improvise in Victorian

0:17:22 > 0:17:24language about a snowman, I've discovered.

0:17:24 > 0:17:27Yes, making small talk!

0:17:27 > 0:17:31The thing is, you just went from school to Emmerdale.

0:17:31 > 0:17:33You didn't go to drama school in between.

0:17:33 > 0:17:34No.

0:17:34 > 0:17:35Straight in?

0:17:35 > 0:17:37Yeah, I didn't know what I was doing.

0:17:37 > 0:17:40Because it is one of those weird jobs were people kind of think,

0:17:40 > 0:17:44you learn it and then say it and that's the end of it, but

0:17:44 > 0:17:45there's a lot of technical stuff.

0:17:45 > 0:17:51Yeah, there is like, find your light and you'd be like...

0:17:51 > 0:17:53Yeah, there really is, find your light?

0:17:53 > 0:17:55You had a problem with marks as well, hitting your mark.

0:17:55 > 0:17:57I could never hit a mark.

0:17:57 > 0:17:59I am a good multitasker, when you have to...

0:17:59 > 0:18:01I mean, throw me a prop and I'm totally lost,

0:18:01 > 0:18:05but it would always be like, hit your mark and I did a couple

0:18:05 > 0:18:08of days on Captain America and it was the first film I had ever

0:18:08 > 0:18:11done and it was like really big and obviously the setups

0:18:11 > 0:18:14are massive and all I remember, I had obviously not hit my mark

0:18:14 > 0:18:22and I remember feeling someone like slap the bottom of my leg.

0:18:22 > 0:18:24You are in my mark, girl!

0:18:24 > 0:18:28That's my mark, move!

0:18:28 > 0:18:31What was it like, on Doctor Who, when it was another actor,

0:18:31 > 0:18:32it was his first job?

0:18:32 > 0:18:33Yeah.

0:18:33 > 0:18:36It was his first job out of drama school and you know

0:18:36 > 0:18:37what a sausage is, right?

0:18:37 > 0:18:38A sausage?

0:18:38 > 0:18:39Yeah.

0:18:39 > 0:18:41Like...

0:18:41 > 0:18:43LAUGHTER.

0:18:43 > 0:18:47Note that she didn't ask me!

0:18:47 > 0:18:52I'm jealous!

0:18:52 > 0:18:53Yeah.

0:18:53 > 0:18:55It's like 11 o'clock.

0:18:55 > 0:19:00Do you call it something different in America?

0:19:00 > 0:19:01Unless it's like meat!

0:19:01 > 0:19:02Maybe.

0:19:02 > 0:19:03Then we probably call it something different.

0:19:03 > 0:19:07There is a big confusion somewhere.

0:19:07 > 0:19:09But, still, we call marks that are raised here a sausage.

0:19:09 > 0:19:11Yeah, we don't say that in the States.

0:19:11 > 0:19:14It's called a sausage mark.

0:19:14 > 0:19:15A sausage mark.

0:19:15 > 0:19:17No, we call them raised marks.

0:19:17 > 0:19:18Really?

0:19:18 > 0:19:19LAUGHTER.

0:19:19 > 0:19:21Interesting.

0:19:21 > 0:19:24Anyway, it was this guy's first day and it was like 11

0:19:24 > 0:19:27o'clock and I was like, we were setting up a shot and I

0:19:27 > 0:19:28went, can I get a sausage please?

0:19:28 > 0:19:31And, I paid no attention and then someone came and brought a mark

0:19:31 > 0:19:33and this guy was like, I'm so relieved.

0:19:33 > 0:19:36I literally thought it was like 11 o'clock and time

0:19:36 > 0:19:38for Jenna's morning sausage!

0:19:38 > 0:19:39Being a diva.

0:19:39 > 0:19:40Sausage!

0:19:40 > 0:19:42Sausage!

0:19:42 > 0:19:45Oh, man, that girl don't get her 11 o'clock sausage...

0:19:45 > 0:19:47We are going to shoot nothing today!

0:19:47 > 0:19:51Jamie Oliver, famously, you were plucked from obscurity,

0:19:51 > 0:19:55as a sous chef and then you got your own series.

0:19:55 > 0:19:59I don't think I knew this, series one, didn't go that well.

0:19:59 > 0:20:01Well, not the series.

0:20:01 > 0:20:03The programme one.

0:20:03 > 0:20:05Not the big whole series of.

0:20:05 > 0:20:07LAUGHTER.

0:20:07 > 0:20:09Yeah, it was the first one, I had never actually

0:20:09 > 0:20:12wanted to be on telly, so we did the first show

0:20:12 > 0:20:13and it was terrible.

0:20:13 > 0:20:14It was really, really bad.

0:20:14 > 0:20:17AUDIENCE: AWWWW!

0:20:17 > 0:20:20That was me before my face grew into my lips, all right?

0:20:20 > 0:20:22LAUGHTER.

0:20:22 > 0:20:24But, no, basically it was really bad and I think...

0:20:24 > 0:20:27It is an interesting lesson to be learned about mistakes or failure

0:20:27 > 0:20:31or however you want to look at it, because then we went back,

0:20:31 > 0:20:34we had to re-budget the programmes and actually, that is when I started

0:20:34 > 0:20:36to look off camera, talked to the director,

0:20:36 > 0:20:42have a conversation, BE myself, cut the music

0:20:42 > 0:20:44to the music of my record collection, at home,

0:20:44 > 0:20:46and then be a bit more documentary about it,

0:20:46 > 0:20:49so really if it hadn't been for that massive terrible programme that

0:20:49 > 0:20:51you have never and will never see...

0:20:51 > 0:20:53It has to be there somewhere, has it not been...?

0:20:53 > 0:20:56There is probably some in the archives, but I've just got

0:20:56 > 0:20:59a feeling, that it was shot on tape, which is terrible and it has

0:20:59 > 0:21:02aged badly and also, there has been a fire

0:21:02 > 0:21:03at the production company that owned it.

0:21:03 > 0:21:04That you started!

0:21:04 > 0:21:08LAUGHTER.

0:21:08 > 0:21:11You know, I am the same, with the words and the sort of lingo

0:21:11 > 0:21:13that goes with filming, they used to shout, speed!

0:21:13 > 0:21:16And I will go, what is this drug problem?

0:21:16 > 0:21:18LAUGHTER.

0:21:18 > 0:21:19Check the gate!

0:21:19 > 0:21:20We haven't got a gate!

0:21:20 > 0:21:22There is no garden!

0:21:22 > 0:21:24Now, here is the thing, the Fresh Prince, that was your

0:21:24 > 0:21:25very first acting job.

0:21:25 > 0:21:26Yeah.

0:21:26 > 0:21:28You had never acted before.

0:21:28 > 0:21:29Never acted.

0:21:29 > 0:21:31So presumably you did that thing of just learning on set?

0:21:31 > 0:21:32Yes, absolutely.

0:21:32 > 0:21:35Yeah, that was, I was very, very focused on being successful,

0:21:35 > 0:21:40so I learned the entire script and I learned everybody else's line

0:21:40 > 0:21:44and I knew everything about it and, if you watch like the first four

0:21:44 > 0:21:52or five episodes, you can see, I am mouthing the other people's line!

0:21:52 > 0:21:53Yeah.

0:21:53 > 0:21:57I would be, like, if you said no way, I would be like...

0:21:57 > 0:21:59I was like, oh my God!

0:21:59 > 0:22:00It's like, people...

0:22:00 > 0:22:02Nobody noticed, because psychologically you're looking

0:22:02 > 0:22:05at the person who is talking, but it is terrible.

0:22:05 > 0:22:07I can't bear to watch.

0:22:07 > 0:22:10It makes me want to go back and watch them now.

0:22:10 > 0:22:12I know!

0:22:12 > 0:22:13Yeah.

0:22:13 > 0:22:15Going even further back, before the acting, before

0:22:15 > 0:22:16Fresh Prince, there was music.

0:22:16 > 0:22:17There was music, yes.

0:22:17 > 0:22:19I was going through my record collection, only the other day.

0:22:19 > 0:22:21Oh no.

0:22:21 > 0:22:22Tragedy.

0:22:22 > 0:22:23No.

0:22:23 > 0:22:25And this, unbelievably, this is 30 years old.

0:22:25 > 0:22:26That is 30 years old.

0:22:26 > 0:22:28This is 30 years old.

0:22:28 > 0:22:30Wow.

0:22:30 > 0:22:32DJ Jazzy Jeff and Fresh Prince.

0:22:32 > 0:22:33CHEERING AND APPLAUSE.

0:22:33 > 0:22:34How old was Will Smith here?

0:22:34 > 0:22:37Yeah, I was 18 in that picture.

0:22:37 > 0:22:39Like, look at my face, what am I trying to accomplish?

0:22:39 > 0:22:42LAUGHTER.

0:22:42 > 0:22:45You want your 11 o'clock sausage, that's what you want!

0:22:45 > 0:22:47LAUGHTER.

0:22:47 > 0:22:50You had a hit record while you were still in high school?

0:22:50 > 0:22:52Yeah, in high school.

0:22:52 > 0:22:54Yeah.

0:22:54 > 0:22:57The single from this album is called Girls Ain't Nothing But Trouble.

0:22:57 > 0:22:58Yeah!

0:22:58 > 0:23:00It's not true, it's not true.

0:23:00 > 0:23:03But it was the single that came out in the last month

0:23:03 > 0:23:07I was in high school, so I was a senior and had a record

0:23:07 > 0:23:11out for probably about 30 days.

0:23:11 > 0:23:16That is too much power for one man to have!

0:23:16 > 0:23:19Didn't they play it at your prom?

0:23:19 > 0:23:23That's awkward, though, like, when you there in a place and, like,

0:23:23 > 0:23:25DJs think it is cool, like if you come in and

0:23:25 > 0:23:28they put your song on.

0:23:28 > 0:23:31It just makes you look stupid.

0:23:31 > 0:23:34You can't be, like...

0:23:34 > 0:23:35WOOOOO!

0:23:35 > 0:23:38All of a sudden, you've got to be like, yeah...

0:23:38 > 0:23:39And everyone is looking at you, like,...

0:23:39 > 0:23:41Is he going to sing?

0:23:41 > 0:23:42Is he gonna sing?

0:23:42 > 0:23:43It's an awkward moment.

0:23:43 > 0:23:45DJs shouldn't do that.

0:23:45 > 0:23:50Very good.

0:23:50 > 0:23:52Now, Jamie Oliver's latest is Five Ingredients,

0:23:52 > 0:23:53Quick And Easy Food.

0:23:53 > 0:23:54It is out now.

0:23:54 > 0:23:55CHEERING AND APPLAUSE.

0:23:55 > 0:23:56Now...

0:23:56 > 0:23:59Yes!

0:23:59 > 0:24:02It is the fastest selling book I have ever done and that just

0:24:02 > 0:24:03means it is resonating.

0:24:03 > 0:24:06And I am shocked at how the young kids have got

0:24:06 > 0:24:09into it because it is kind of like cooking by numbers.

0:24:09 > 0:24:11It is like, making Lego or something, you know.

0:24:11 > 0:24:13And actually, I even got jumped on...

0:24:13 > 0:24:16Not jumped on, but I got complimented by like an 80-year-old

0:24:16 > 0:24:18woman the other day, just saying, and she was clearly

0:24:18 > 0:24:21a good cook, just saying that she was using it

0:24:21 > 0:24:24and her shopping was easier, because it was less stuff to buy

0:24:24 > 0:24:25and all that kind of stuff.

0:24:25 > 0:24:27Yeah.

0:24:27 > 0:24:29OK, so obviously, you could have made it six ingredients.

0:24:29 > 0:24:30Yeah.

0:24:30 > 0:24:31Or maybe...

0:24:31 > 0:24:33I wrote it for four originally.

0:24:33 > 0:24:34OK.

0:24:34 > 0:24:36I kind of...

0:24:36 > 0:24:37You get back and you look...

0:24:37 > 0:24:40Writing a book is quite an emotional thing for me

0:24:40 > 0:24:41for lots of strange reasons.

0:24:41 > 0:24:43It is quite a thing.

0:24:43 > 0:24:47And I had done a good job on four, but then I didn't feel I was giving

0:24:47 > 0:24:50the British public what they needed, which was a bit of magic,

0:24:50 > 0:24:53so the fifth is the magic number, you can give it a little bit

0:24:53 > 0:24:57of a spank.

0:24:57 > 0:24:59Oh!

0:24:59 > 0:25:00Oh!

0:25:00 > 0:25:03All, you had a little flick of the wrist, there, Bam!

0:25:03 > 0:25:04Bam!

0:25:04 > 0:25:07There are your five ingredients, that is all that you need.

0:25:07 > 0:25:08Boom boom boom.

0:25:08 > 0:25:09It is so clever.

0:25:09 > 0:25:12And that's the 11 o'clock sausage, right down at the bottom there.

0:25:12 > 0:25:13Yes.

0:25:13 > 0:25:15LAUGHTER.

0:25:15 > 0:25:17A little bit of chorizo in there.

0:25:17 > 0:25:18It is smoky.

0:25:18 > 0:25:21I have to say, I have overheard people talking about this book,

0:25:21 > 0:25:23people, you would never think, in a million years,

0:25:23 > 0:25:25would be buying a cookbook, but everyone just believes,

0:25:25 > 0:25:27five ingredients, surely, I could do that?

0:25:27 > 0:25:30I think it is in tune with the public now and the way

0:25:30 > 0:25:34we work and we live now.

0:25:34 > 0:25:35Have a look.

0:25:35 > 0:25:38It is delicious.

0:25:38 > 0:25:39You look so handsome!

0:25:39 > 0:25:41Thank you very much.

0:25:41 > 0:25:42Photoshop!

0:25:42 > 0:25:44Do you cook?

0:25:44 > 0:25:47Would you ever sit down and cook?

0:25:47 > 0:25:49I do now.

0:25:49 > 0:25:51Only five ingredients, I can do that!

0:25:51 > 0:25:53Jenna, do you cook?

0:25:53 > 0:25:54I...

0:25:54 > 0:25:56I...

0:25:56 > 0:25:57No.

0:25:57 > 0:25:58LAUGHTER.

0:25:58 > 0:26:00I'm a hazard cook.

0:26:00 > 0:26:02If you have to say I, four times...

0:26:02 > 0:26:03I...

0:26:03 > 0:26:05I...

0:26:05 > 0:26:07I...

0:26:07 > 0:26:08No, you don't, you don't.

0:26:08 > 0:26:10Can you sign this for me?

0:26:10 > 0:26:12I haven't got a pen, but I could do blood.

0:26:12 > 0:26:14For Will Smith...

0:26:14 > 0:26:16Actually, I'm good.

0:26:16 > 0:26:18We should mention, Jamie's other holiday fair is Jamie

0:26:18 > 0:26:21and Jimmy's Friday Night Feast, it is next Friday on

0:26:21 > 0:26:22Channel 4 at eight pm.

0:26:22 > 0:26:23Woooh!

0:26:23 > 0:26:24Sorry!

0:26:24 > 0:26:33Let's have a look at a clip, here you go.

0:26:33 > 0:26:36You only have to do this, like, once or twice a year.

0:26:36 > 0:26:38You can make a batch and freeze it.

0:26:38 > 0:26:39Yeah.

0:26:39 > 0:26:42And when you come back, from a gig, a few prawns...

0:26:42 > 0:26:44You think I'm going to do this when I go home?

0:26:44 > 0:26:45I hope so!

0:26:45 > 0:26:47Never going to happen, is it?

0:26:47 > 0:26:48No.

0:26:48 > 0:26:50I'll be doing this, hello, is that the Thai takeaway?

0:26:50 > 0:26:51LAUGHTER.

0:26:51 > 0:26:53Four, lemongrass.

0:26:53 > 0:26:55And for that...

0:26:55 > 0:26:56Ooooh!

0:26:56 > 0:26:59We are going to give it a little spank.

0:26:59 > 0:27:01Did you just spank the lemongrass?

0:27:01 > 0:27:02Yes.

0:27:02 > 0:27:04I did.

0:27:04 > 0:27:07That is the name of my new band, actually.

0:27:07 > 0:27:09Not a lot of cooking.

0:27:09 > 0:27:10There was a little.

0:27:10 > 0:27:11And you do...

0:27:11 > 0:27:13you film at the end of Southend Pier.

0:27:13 > 0:27:14Yes.

0:27:14 > 0:27:16A mile and a quarter out to sea, you know,

0:27:16 > 0:27:19you guys are coming in next year, thanks for confirming that.

0:27:19 > 0:27:20You did get great guests, though.

0:27:20 > 0:27:23We did get great guests, but historically, it has always been

0:27:23 > 0:27:26people that are real foodies, that is why they would come out,

0:27:26 > 0:27:29because it is an hour outside of London, but it is a different

0:27:29 > 0:27:31interview, a different vibe, to cook with someone

0:27:31 > 0:27:34is quite a precious thing, and you are just sort of tuning

0:27:34 > 0:27:36into memories, moments, and we had a really nice mix

0:27:36 > 0:27:38of actors and singers and all sorts, but this year,

0:27:38 > 0:27:47I did get Luke Skywalker, Mark Hamill.

0:27:47 > 0:27:49Yes!

0:27:49 > 0:27:52And that was a moment for me, because obviously he was a big

0:27:52 > 0:27:53part of my childhood.

0:27:53 > 0:27:54You are a proper Star Wars fan.

0:27:54 > 0:27:55I am a proper...

0:27:55 > 0:27:57Actually, so is Jimmy, and we were fighting,

0:27:57 > 0:28:01we were trying to get the line in, and steal each other's lines

0:28:01 > 0:28:01to ask the question.

0:28:01 > 0:28:05And it was one of the most brilliant, but one of the hardest

0:28:05 > 0:28:07interviews I have ever done, because he's got so many stories,

0:28:07 > 0:28:11like, they are just tangenting all over the place and me and Jim

0:28:11 > 0:28:13were trying to bring it back, and it wasn't happening,...

0:28:13 > 0:28:15And it is like, you can't get a word in edgewise,

0:28:15 > 0:28:17yeah, I know that feels.

0:28:17 > 0:28:19If you think, Jamie Oliver is exaggerating, about how much

0:28:19 > 0:28:27of a fan he is of Star Wars, here is a picture...

0:28:27 > 0:28:34This is you, this is Jamie taking a couple of his kids to school.

0:28:34 > 0:28:35Oh yes!

0:28:35 > 0:28:38LAUGHTER.

0:28:38 > 0:28:39Yeah.

0:28:39 > 0:28:41And that is a proper...

0:28:41 > 0:28:43Just look how proud Poppy and Daisy are, they love it.

0:28:43 > 0:28:45It is tough being a teenager's dad.

0:28:45 > 0:28:48I am trying to get better at it and I went to parents evening and,

0:28:48 > 0:28:50stop being embarrassing, I'm only breathing!

0:28:50 > 0:28:52After that, I'm trying to calibrate my embarrassingness

0:28:52 > 0:28:53and what I felt was appropriate.

0:28:53 > 0:29:03I bought that.

0:29:06 > 0:29:11That is from Pinewood Studios, legit mould, massive jostling

0:29:11 > 0:29:13around the growler there.

0:29:13 > 0:29:14Honestly, credit to the real Stormtroopers there,

0:29:14 > 0:29:18when you run with that, there is chafing.

0:29:18 > 0:29:20Yeah, yeah, yeah.

0:29:20 > 0:29:23In America, you would have been shot for wearing that!

0:29:23 > 0:29:25When you wear that, you do feel powerful.

0:29:25 > 0:29:27Really?

0:29:27 > 0:29:30Literally, a minute after that, I walked out into the street

0:29:30 > 0:29:35and stopped a bus.

0:29:35 > 0:29:38And then, a hilarious thing is the bus driver is a similar age,

0:29:38 > 0:29:41and he's like, I'm stopping.

0:29:41 > 0:29:43Not normal.

0:29:43 > 0:29:45And then I go, and he opened the door...

0:29:45 > 0:29:46IMPERSONATES BUS DOOR.

0:29:46 > 0:29:47Even sounds right!

0:29:47 > 0:29:49Have you had any problems with the rebellion?

0:29:49 > 0:29:51He went...

0:29:51 > 0:29:52Move on.

0:29:52 > 0:29:58APPLAUSE AND CHEERING.

0:29:58 > 0:30:00Science-fiction fans, they are a different breed of fan,

0:30:00 > 0:30:03and you know this, Jenna, after Doctor Who.

0:30:03 > 0:30:05They always own you.

0:30:05 > 0:30:08You will always be a part of that world for them.

0:30:08 > 0:30:12Do you still go to the conventions and comic cons and things?

0:30:12 > 0:30:14Yeah, or even, you know, just around London and someone

0:30:14 > 0:30:17will be sat next to you, and you hear this faint...

0:30:17 > 0:30:23SHE HUMS DOCTOR WHO THEME.

0:30:23 > 0:30:25It's a whole world I didn't know existed before Doctor Who.

0:30:25 > 0:30:27Didn't you have to sign somebody's underwear?

0:30:27 > 0:30:29Oh, yeah.

0:30:29 > 0:30:30Well, I was asked to.

0:30:30 > 0:30:32Oh, you refused.

0:30:32 > 0:30:35Yeah.

0:30:35 > 0:30:40They said, "Bigger on the inside".

0:30:40 > 0:30:41Bigger.

0:30:41 > 0:30:42It's a Tardis reference.

0:30:42 > 0:30:44Have you ever seen Doctor Who?

0:30:44 > 0:30:45No, I have not.

0:30:45 > 0:30:47It's bigger on the inside.

0:30:47 > 0:30:48OK, got it.

0:30:48 > 0:30:50It's a line.

0:30:50 > 0:30:51I was like, well, that's not fun.

0:30:51 > 0:30:53LAUGHTER.

0:30:53 > 0:30:56I get it.

0:30:56 > 0:30:58Now, talking of science-fiction classics, it is a year

0:30:58 > 0:31:03of anniversaries, 20 years since the original Men In Black.

0:31:03 > 0:31:04Oh, wow.

0:31:04 > 0:31:06I know!

0:31:06 > 0:31:0720 years, wow.

0:31:07 > 0:31:08APPLAUSE.

0:31:08 > 0:31:11Well, that's a new movie.

0:31:11 > 0:31:13That's a new one, yeah.

0:31:13 > 0:31:20When people say lines to you, it's like, you shouldn't do that.

0:31:20 > 0:31:23For the fans, we should like help, don't walk up to people and say

0:31:23 > 0:31:26the line from the movie, because it's like people

0:31:26 > 0:31:27going, "Hey, Will!"

0:31:27 > 0:31:28"I'll make this look good!"

0:31:28 > 0:31:35I'm like, that's not how that line goes.

0:31:35 > 0:31:36It's just awkward.

0:31:36 > 0:31:39Yeah, man, only 73,000 people said that to me.

0:31:39 > 0:31:42So it's like, it creates awkward moments.

0:31:42 > 0:31:44We won't do that.

0:31:44 > 0:31:45Cancel that idea.

0:31:45 > 0:31:49I didn't realise, Steven Spielberg, he produced it.

0:31:49 > 0:31:53Yeah, Steven Spielberg produced the Men In Blacks.

0:31:53 > 0:31:57So the two of you, you would go to screenings of this film.

0:31:57 > 0:32:00Well, that was like, that was one of my...

0:32:00 > 0:32:02I was brand-new, making movies, I'm excited, so they had what's

0:32:02 > 0:32:05called test screenings, where they show the movie to people

0:32:05 > 0:32:08before it comes out, so I'm going and it's my first test

0:32:08 > 0:32:10screening for Men In Black,

0:32:10 > 0:32:14I'm excited, and we are in the back and I'm like, hey, we've got

0:32:14 > 0:32:17to go in and get a seat.

0:32:17 > 0:32:20And Steven said, no, you don't get to go in.

0:32:20 > 0:32:23I was like, no, I want to see the movie!

0:32:23 > 0:32:25I want to sit right in the centre!

0:32:25 > 0:32:27He was like, no, it's a test screening.

0:32:27 > 0:32:29The audience can't know you're here.

0:32:29 > 0:32:31If they know you're here, it will skew their opinion,

0:32:31 > 0:32:36they'll clap different, so they can't know you are here.

0:32:36 > 0:32:39After the movie starts, we'll let it get started and then

0:32:39 > 0:32:41we'll go in and sit in the back row.

0:32:41 > 0:32:45I was like, who wants to sit in the back row of a movie theatre?

0:32:45 > 0:32:49Those people back there are pissed right now.

0:32:49 > 0:32:52And we sat and I watched Men In Black with Steven Spielberg

0:32:52 > 0:32:58and he explained the movements of the backs of people's heads.

0:32:58 > 0:33:00He was like, you can learn everything you need to know

0:33:00 > 0:33:04from the backs of people's heads watching the movie.

0:33:04 > 0:33:10And we sat and now I can only sit in the back of the movie theatre.

0:33:10 > 0:33:13So it's like, this is the best, this is going to be awkward,

0:33:13 > 0:33:15but you can shoot the back?

0:33:15 > 0:33:17Can you do the back of my head?

0:33:17 > 0:33:20There must be some camera that can get on that side.

0:33:20 > 0:33:25So there is this one.

0:33:25 > 0:33:26Right.

0:33:26 > 0:33:28And this is the dreaded...

0:33:28 > 0:33:31And then there's this one.

0:33:31 > 0:33:37You hate that when you get that one.

0:33:37 > 0:33:38And this is the holy grail.

0:33:38 > 0:33:46When you have them riveted.

0:33:46 > 0:33:49And this is the bottom, the absolute bottom.

0:33:49 > 0:33:59That's the one when it's all bad.

0:34:02 > 0:34:04Listen, it is time for our musical guest.

0:34:04 > 0:34:07He rose to fame as the lead singer of British pop rock band Keane.

0:34:07 > 0:34:09Now he brings us a solo Christmas album.

0:34:09 > 0:34:11Performing the single Midnight Mass, please welcome Tom Chaplin!

0:34:11 > 0:34:15CHEERING.

0:34:28 > 0:34:32# Down every road we come

0:34:32 > 0:34:36# Through driving snow we come

0:34:36 > 0:34:39# All running on empty

0:34:39 > 0:34:46# But still dying to make it home

0:34:46 > 0:34:50# In spite of everything

0:34:50 > 0:34:54# To simple truths we cling

0:34:54 > 0:34:58# To follow the guiding star

0:34:58 > 0:35:04# Of loving our hearts and homes

0:35:04 > 0:35:08# So come on, all ye faithful friends

0:35:08 > 0:35:13# Glory to the bitter end

0:35:13 > 0:35:16# We're coming up to midnight

0:35:16 > 0:35:21# Sing ah-ah-ah-ah-ah

0:35:21 > 0:35:22# Hallelujah

0:35:22 > 0:35:25# Yeah, come on, all ye faithful, believe

0:35:25 > 0:35:33# Let's sing it out for Christmas Eve

0:35:33 > 0:35:35# Cos it's coming up to midnight

0:35:35 > 0:35:37# Sing ah-ah-ah-ah-ah

0:35:37 > 0:35:40# Hallelujah

0:35:41 > 0:35:44# Hallelujah

0:35:52 > 0:35:56# Step in, shake off the snow

0:35:56 > 0:36:01# Safe in the fireglow

0:36:01 > 0:36:03# Raise up our voices

0:36:03 > 0:36:10# Send them echoing on and on

0:36:10 > 0:36:14# Yeah, come on, all ye faithful friends

0:36:14 > 0:36:18# Glory to the bitter end

0:36:18 > 0:36:21# We're coming up to midnight

0:36:21 > 0:36:26# Sing ah-ah-ah-ah-ah

0:36:26 > 0:36:28# Hallelujah

0:36:28 > 0:36:31# Yeah, come on, all ye faithful, believe

0:36:31 > 0:36:35# Let's sing it out for Christmas Eve

0:36:35 > 0:36:39# Cos it's coming up to midnight

0:36:39 > 0:36:44# Sing ah-ah-ah-ah-ah-ah-ah

0:36:44 > 0:36:48# Ah-ah-ah-ah-ah-ah-ah

0:36:48 > 0:36:52# Ah-ah-ah-ah-ah-ah-ah

0:36:52 > 0:36:56# Ah-ah-ah-ah-ah-ah-ah

0:36:56 > 0:37:00# Ah-ah-ah-ah-ah-ah-ah

0:37:00 > 0:37:04# Ah-ah-ah-ah-ah-ah-ah

0:37:05 > 0:37:09# Ah-ah-ah-ah-ah-ah-ah

0:37:09 > 0:37:14# Hallelujah

0:37:24 > 0:37:30# Down every road we come

0:37:30 > 0:37:33# Through driving snow. #

0:37:37 > 0:37:39CHEERING.

0:37:40 > 0:37:42Beautiful!

0:37:42 > 0:37:44Tom Chaplin, thank you so much, and the choir.

0:37:44 > 0:37:46Come on over, Tom.

0:37:46 > 0:37:47Beautiful!

0:37:47 > 0:37:49So Christmassy.

0:37:49 > 0:37:50Thank you so much.

0:37:50 > 0:37:51Merry Christmas.

0:37:51 > 0:37:54Come and say hi to everybody.

0:37:54 > 0:37:56Jamie, Jenna, Will.

0:37:56 > 0:37:59All shove up a bit.

0:37:59 > 0:38:02There we go.

0:38:02 > 0:38:03Very good.

0:38:03 > 0:38:08That is gorgeous, Midnight Mass, and that is off the Christmas album.

0:38:08 > 0:38:10Oh, yes.

0:38:10 > 0:38:12The 12 Tales Of Christmas.

0:38:12 > 0:38:14This is unusual, because it's your second solo album and you've gone

0:38:14 > 0:38:18straight to Christmas.

0:38:18 > 0:38:20You know, yeah.

0:38:20 > 0:38:21So you obviously love Christmas.

0:38:21 > 0:38:22I do love Christmas.

0:38:22 > 0:38:25I found it very inspiring to write about, actually.

0:38:25 > 0:38:27It's not your conventional Christmas album.

0:38:27 > 0:38:31I ended up writing a lot about death.

0:38:31 > 0:38:32Yes!

0:38:32 > 0:38:34I can imagine, yeah.

0:38:34 > 0:38:36Nice and positive.

0:38:36 > 0:38:37Yeah!

0:38:37 > 0:38:39We would like to hold on to Christmas.

0:38:39 > 0:38:40LAUGHTER.

0:38:40 > 0:38:43But I mean, I think Christmas is a time of reflection,

0:38:43 > 0:38:46so it brings up all sorts of feelings for us, obviously

0:38:46 > 0:38:48people that we might have lost along the way,

0:38:48 > 0:38:50but also joy and despair and drunkenness and anger

0:38:50 > 0:38:53and crying on the stairs.

0:38:53 > 0:38:54I get that.

0:38:54 > 0:38:55Crappy presents we didn't want.

0:38:55 > 0:38:59LAUGHTER.

0:38:59 > 0:39:03Now, talking of Christmas, Tom Chaplin, what was the thing?

0:39:03 > 0:39:06One year, you got a turkey...

0:39:06 > 0:39:07How can a turkey be too big?

0:39:07 > 0:39:11Well, we only had a few of us round and we left it to the last

0:39:11 > 0:39:14minute and we ended up being the idiots going

0:39:14 > 0:39:16into the supermarket on Christmas Eve and there was one

0:39:16 > 0:39:20turkey left, that was for like 18-20 people.

0:39:20 > 0:39:25And we cooked it up and obviously there was loads left and my wife,

0:39:25 > 0:39:27bear in mind, was a vegetarian, strict vegetarian at

0:39:27 > 0:39:32the time, so she claimed she didn't want to eat it.

0:39:32 > 0:39:34So, we cooked it, it didn't get finished,

0:39:34 > 0:39:38it got put into the fridge, out in the shed, and I went back

0:39:38 > 0:39:41there, a few days later and most of it was gone!

0:39:41 > 0:39:43And I was thinking, where has it gone?

0:39:43 > 0:39:48And then I discovered my wife...

0:39:48 > 0:39:49Having a turkey sandwich!

0:39:49 > 0:39:52Has become a meat eater.

0:39:52 > 0:39:54She didn't want to murder this animal in vain,

0:39:54 > 0:39:56but actually, it was just greed, really!

0:39:56 > 0:39:57LAUGHTER.

0:39:57 > 0:39:59And has she stuck with the meat?

0:39:59 > 0:40:05LAUGHTER.

0:40:05 > 0:40:08It is kind of like going black, you never go back!

0:40:08 > 0:40:10APPLAUSE.

0:40:15 > 0:40:17Thank you, Tom, for putting us in such a Christmassy mood.

0:40:17 > 0:40:20It was really lovely, and good luck with the album.

0:40:20 > 0:40:21Thank you.

0:40:21 > 0:40:22Tom Chaplin, everybody!

0:40:22 > 0:40:24APPLAUSE.

0:40:24 > 0:40:25CHEERING AND APPLAUSE.

0:40:25 > 0:40:28OK, that is nearly it, just time for a visit

0:40:28 > 0:40:29to The Big Red Chair.

0:40:29 > 0:40:31Hello!

0:40:31 > 0:40:37Hi there, gang!

0:40:37 > 0:40:40Exactly!

0:40:40 > 0:40:42Not tonight, not tonight.

0:40:42 > 0:40:45Not that attitude, not in here.

0:40:45 > 0:40:46Not in the mood.

0:40:46 > 0:40:50Not in Graham's house!

0:40:50 > 0:40:52It is not children's television!

0:40:52 > 0:40:53What was he thinking?

0:40:53 > 0:40:55OK, let's have another one.

0:40:55 > 0:40:57Hello!

0:40:57 > 0:40:58Hello!

0:40:58 > 0:40:59Hi.

0:40:59 > 0:41:00What's your name?

0:41:00 > 0:41:01Marsha.

0:41:01 > 0:41:02Marsha.

0:41:02 > 0:41:03Lovely.

0:41:03 > 0:41:04And what do you do, Marsha?

0:41:04 > 0:41:05Nothing.

0:41:05 > 0:41:07OK.

0:41:07 > 0:41:09Everyone wants to sit next to Marsha at dinner!

0:41:09 > 0:41:10Have you ever done anything, Marsha?

0:41:10 > 0:41:11I have.

0:41:11 > 0:41:12You have.

0:41:12 > 0:41:13OK.

0:41:13 > 0:41:15What did you use to do?

0:41:15 > 0:41:16I taught exercise.

0:41:16 > 0:41:17Oh yes!

0:41:17 > 0:41:18And I have done make up.

0:41:18 > 0:41:19Yes.

0:41:19 > 0:41:20Raised children.

0:41:20 > 0:41:21Yes.

0:41:21 > 0:41:22Wow.

0:41:22 > 0:41:23Cooked.

0:41:23 > 0:41:24Yes.

0:41:24 > 0:41:26What more do you want?

0:41:26 > 0:41:27APPLAUSE.

0:41:27 > 0:41:28That is a full life!

0:41:28 > 0:41:29That is a full life, yeah.

0:41:29 > 0:41:33I mean, it still doesn't explain why you do nothing!

0:41:33 > 0:41:37Anyway, off you go, Marsha with your story.

0:41:37 > 0:41:39So, many years ago, I had gone into a very

0:41:39 > 0:41:43exclusive clothes shop...

0:41:43 > 0:41:45It's not funny!

0:41:45 > 0:41:46Yet.

0:41:46 > 0:41:50I had gone into a clothes shop, went to try on some clothes

0:41:50 > 0:41:52and there was someone next to me in the next changing room

0:41:52 > 0:41:55and I recognised her.

0:41:55 > 0:41:58So, we spent the next half an hour trying on clothes and we were very

0:41:58 > 0:42:01honest with each other and I said to her, that is really nice

0:42:01 > 0:42:04on you and she said, that's really nice on you and then,

0:42:04 > 0:42:06we were totally honest with each other.

0:42:06 > 0:42:09After about half an hour, she came out of the changing

0:42:09 > 0:42:12room and I said, no, that's really not your colour,

0:42:12 > 0:42:14it just doesn't suit you.

0:42:14 > 0:42:19And she said to me, this is what I came in wearing.

0:42:19 > 0:42:21That is a good story!

0:42:21 > 0:42:24You can walk, you can walk!

0:42:24 > 0:42:26That was actually a good story.

0:42:26 > 0:42:27That was good.

0:42:27 > 0:42:29It had a punch line...

0:42:29 > 0:42:30Yeah.

0:42:30 > 0:42:31And I didn't see it coming!

0:42:31 > 0:42:32Yeah.

0:42:32 > 0:42:35I thought she was going to be a famous person.

0:42:35 > 0:42:37I thought she was going to say, like, Theresa May or something.

0:42:37 > 0:42:38Yes!

0:42:38 > 0:42:40In a kitten heel.

0:42:40 > 0:42:40OK.

0:42:40 > 0:42:42One more, one more.

0:42:42 > 0:42:43Hello!

0:42:43 > 0:42:44Hello!

0:42:44 > 0:42:45Hi, how are you?

0:42:45 > 0:42:46I'm fine, thank you.

0:42:46 > 0:42:47And what's your name?

0:42:47 > 0:42:48It's Gemma.

0:42:48 > 0:42:49Gemma, lovely.

0:42:49 > 0:42:50And what do you do, Gemma?

0:42:50 > 0:42:51I'm a full-time mum.

0:42:51 > 0:42:52Oh, how many kids?

0:42:52 > 0:42:53Three.

0:42:53 > 0:42:54Three, what ages?

0:42:54 > 0:42:5518, 14 and 12.

0:42:55 > 0:42:56That sounds like trouble.

0:42:56 > 0:42:58Yes.

0:42:58 > 0:43:00She is in the teeth of the crocodile right now.

0:43:00 > 0:43:02No wonder you came out for the night!

0:43:02 > 0:43:03Off you go with your story.

0:43:03 > 0:43:06It was my first ever driving test and I was extremely nervous.

0:43:06 > 0:43:10I was taking the test in my own car, so I got to the test centre

0:43:10 > 0:43:13and the examiner came out and she checked around the car,

0:43:13 > 0:43:14to check it was safe.

0:43:14 > 0:43:17She got into the vehicle with me and she had a little look around,

0:43:17 > 0:43:19to check everything was OK.

0:43:19 > 0:43:21She noticed that on the front, there was a little bag

0:43:21 > 0:43:24with nuts and bolts in, which she asked me to remove.

0:43:24 > 0:43:27And put in the back of the car.

0:43:27 > 0:43:30I picked them up and I swung them, at what I thought

0:43:30 > 0:43:32was in between the seats and I smashed the poor

0:43:32 > 0:43:33lady in the face!

0:43:33 > 0:43:35LAUGHTER.

0:43:35 > 0:43:36I split her nose.

0:43:36 > 0:43:40It was pouring with blood.

0:43:40 > 0:43:46And the poor lady was searching for a tissue for this whole time

0:43:46 > 0:43:47and I ended up reversing into a fence.

0:43:47 > 0:43:48During my test.

0:43:48 > 0:43:51Awww, bless, you can walk!

0:43:51 > 0:43:53Well, that is it, everyone.

0:43:53 > 0:43:57If you want to have a go in the Red Chair, you can contact us

0:43:57 > 0:43:58at our website at this very address.

0:43:58 > 0:44:00That is it for tonight.

0:44:00 > 0:44:04Please say a huge thank you to my guests, Mr Tom Chaplin!

0:44:04 > 0:44:06Jamie Oliver!

0:44:06 > 0:44:09Jenna Coleman!

0:44:09 > 0:44:14And Mr Will Smith!

0:44:14 > 0:44:18We will be back here on New Year's Eve for our Hogmanay

0:44:18 > 0:44:20sofa, with Hollywood heart-throbs Zac Efron and the great

0:44:20 > 0:44:21Hugh Jackman.

0:44:21 > 0:44:23We will see you after Christmas.

0:44:23 > 0:44:24Good night, everyone.

0:44:24 > 0:44:28CHEERING AND APPLAUSE.