0:00:02 > 0:00:03Good evening, everyone. I'm Anthony Joshua,
0:00:03 > 0:00:06- and you're watching The Graham Norton Show.- Hey, hey!
0:00:06 > 0:00:09Anthony! I'm Tom Hanks and I'm supposed to be the one to say,
0:00:09 > 0:00:11- "You're watching The Graham Norton Show"!- Well, I got in first.
0:00:11 > 0:00:14- So I'm Anthony Joshua... - You know what?
0:00:14 > 0:00:16I knew it was going to come down to this!
0:00:16 > 0:00:20Go ahead! Roll credits while I throw this guy a beating!
0:00:20 > 0:00:23CHEERING
0:00:38 > 0:00:40Oh! Oh!
0:00:41 > 0:00:43Why, thank you!
0:00:43 > 0:00:49Thank you very much. Thank you. Oh! Oh! Wow!
0:00:49 > 0:00:53Wow, wow! Hello and welcome.
0:00:53 > 0:00:55Happy New Year, all.
0:00:55 > 0:00:57I tell you, we've got some great men and women on the show tonight,
0:00:57 > 0:01:01and before anyone asks, yes, they're all being paid the same.
0:01:01 > 0:01:02LAUGHTER
0:01:02 > 0:01:05WHISPERING: Nothing. Nothing at all.
0:01:05 > 0:01:06Are you all well?
0:01:06 > 0:01:09I only ask that because I know a lot of people have been sick
0:01:09 > 0:01:10over Christmas and New Year, haven't they?
0:01:10 > 0:01:12Even Theresa May had something unpleasant
0:01:12 > 0:01:14she couldn't seem to get rid of.
0:01:14 > 0:01:15Yeah.
0:01:17 > 0:01:21Jeremy Hunt, he's like the political equivalent of herpes, isn't he?
0:01:21 > 0:01:24Theresa May said her reshuffle would make the Tory Cabinet look
0:01:24 > 0:01:26less pale, male and stale.
0:01:26 > 0:01:29So whereas before it looked like this...
0:01:30 > 0:01:32..now it looks like this! HE GASPS
0:01:32 > 0:01:33LAUGHTER
0:01:33 > 0:01:36So well done, Theresa.
0:01:36 > 0:01:39Meanwhile, in America, a new book about Donald Trump's presidency
0:01:39 > 0:01:43has caused quite the storm. It's called Fire And Fury.
0:01:43 > 0:01:46It came out last week - I mean, the book, not Trump -
0:01:46 > 0:01:47that WOULD be a story!
0:01:47 > 0:01:49Not on my watch!
0:01:51 > 0:01:56Now, I have to warn you, it's one of those books with a very sad ending.
0:01:56 > 0:01:58He's still president.
0:01:58 > 0:02:01The book claims Trump steals all his ideas from other people.
0:02:01 > 0:02:03Well, he certainly got the idea for the Mexican wall
0:02:03 > 0:02:06from when Melania redid their bedroom.
0:02:06 > 0:02:08LAUGHTER
0:02:08 > 0:02:11Hey, let's get some guests on!
0:02:11 > 0:02:15Later, we'll have music from Swedish folk rock duo First Aid Kit.
0:02:15 > 0:02:19Yeah! But first, this man broke box office records
0:02:19 > 0:02:20with the fight of the decade.
0:02:20 > 0:02:22He's an Olympic Gold medallist, an MBE,
0:02:22 > 0:02:24and the heavyweight champion of the world -
0:02:24 > 0:02:26please welcome Anthony Joshua!
0:02:26 > 0:02:29CHEERING
0:02:29 > 0:02:31That's Anthony Joshua.
0:02:31 > 0:02:34Hello, sir! Very nice to see you. Come in. Have a seat.
0:02:34 > 0:02:36Anthony Joshua!
0:02:37 > 0:02:39This Emmy-winning British actress
0:02:39 > 0:02:42continues to wow audiences worldwide in Game Of Thrones.
0:02:42 > 0:02:47Now lending her voice to Aardman's latest animated hit, Early Man,
0:02:47 > 0:02:49it's Maisie Williams!
0:02:49 > 0:02:51CHEERING AND APPLAUSE
0:02:51 > 0:02:53Oh! Shimmery, sparkly!
0:02:53 > 0:02:55Beautiful! Hello, my dear.
0:02:55 > 0:02:56Lovely to see you.
0:02:56 > 0:02:58There's Anthony. Maisie.
0:02:58 > 0:03:01And what better way to start the year
0:03:01 > 0:03:03than with a double Oscar-winning Hollywood great?
0:03:03 > 0:03:06Please welcome one of our all-time favourite guests -
0:03:06 > 0:03:08it's the great Tom Hanks!
0:03:08 > 0:03:12CHEERING
0:03:12 > 0:03:15Beautiful. Tom, good to see you.
0:03:18 > 0:03:20Have a seat, have a seat.
0:03:20 > 0:03:24Oh! Welcome, all. Thank you so much for being here.
0:03:24 > 0:03:27Lovely to see you all. Now I suppose I should check...
0:03:27 > 0:03:31So, Tom, are you a boxing fan? Are you aware of Anthony Joshua's work?
0:03:31 > 0:03:35I'm aware of that there's always a bodacious heavyweight champion
0:03:35 > 0:03:37of the world and I'm sitting on the couch with him right now.
0:03:37 > 0:03:40He'd better not piss me off.
0:03:40 > 0:03:42LAUGHTER
0:03:44 > 0:03:48And everyone loves Game Of Thrones. Everyone loves Game Of Thrones. Yes!
0:03:48 > 0:03:52- Thank you.- It must be weird, you're in the biggest show in the world.
0:03:52 > 0:03:53- Well done, you!- I know.
0:03:53 > 0:03:56- Where do I go now?- Really.
0:03:56 > 0:03:59No - other places, bigger things.
0:03:59 > 0:04:01Don't crush the girl's dreams, Graham.
0:04:01 > 0:04:03But, here's an honour -
0:04:03 > 0:04:07it's very rare we have a guest who is on a stamp.
0:04:07 > 0:04:08Oh, look at that!
0:04:08 > 0:04:12Have you seen this yet? Look at that! Maisie Williams on a stamp.
0:04:12 > 0:04:15- Proper thing - Queen's head and everything.- Let me see.- Yeah!
0:04:17 > 0:04:20- I've not actually seen this yet. - It's a stamp.
0:04:20 > 0:04:22In America...
0:04:22 > 0:04:25In America, you have to be dead to get on a stamp.
0:04:25 > 0:04:27Was your character killed?
0:04:27 > 0:04:30- No.- Not yet.- Not yet.
0:04:30 > 0:04:32It's nice. It's a collector's piece.
0:04:32 > 0:04:33No, it is a collector's piece, yeah.
0:04:33 > 0:04:37Please, let me put on my glasses so I can see because... Oh, my!
0:04:37 > 0:04:40How fantastic! How much does this stamp go for?
0:04:40 > 0:04:42One pence.
0:04:43 > 0:04:45Well, it's a first class stamp, whatever that is.
0:04:45 > 0:04:47- Which goes for what?- I don't know.
0:04:47 > 0:04:49You don't know! You and your e-mail!
0:04:49 > 0:04:51LAUGHTER
0:04:51 > 0:04:53- Just cos you're in a movie called The Post!- Yeah!
0:04:53 > 0:04:56Lot of stamps in that movie, let me tell you.
0:04:56 > 0:05:01- And then, Anthony Joshua has his own postbox.- Yeah, yeah.- You do.
0:05:01 > 0:05:03Got a picture of that.
0:05:03 > 0:05:06- This is... Where is this? - This is in Watford in Hertfordshire.
0:05:06 > 0:05:07SCATTERED CHEERS Lovely.
0:05:07 > 0:05:09- Yeah.- And how do we know it's yours?
0:05:09 > 0:05:12I don't know if my name's on it, I don't know what...
0:05:12 > 0:05:14- But you know it's yours? - I know, that's the main thing.
0:05:14 > 0:05:18- I know it's mine.- How do you know his isn't the newspaper box?
0:05:20 > 0:05:23I'm claiming that as well. I'm claiming anything!
0:05:23 > 0:05:26You got a gold and a red medal at the Olympics.
0:05:26 > 0:05:27We're very proud of you!
0:05:27 > 0:05:31Anthony Joshua, he's only two belts away from total world domination.
0:05:31 > 0:05:33- Wow!- But here's the thing -
0:05:33 > 0:05:37you are actively looking for a cool boxing name.
0:05:37 > 0:05:38I haven't got one.
0:05:38 > 0:05:41No, so it's Anthony AJ Joshua right now?
0:05:41 > 0:05:45- You can say that, yeah, Anthony AJ. - That's your name.
0:05:45 > 0:05:47That's my name, yes. It works.
0:05:48 > 0:05:51- You're right.- It works!
0:05:51 > 0:05:54But have you tried any cool names?
0:05:54 > 0:05:57Honestly, um...Big Josh.
0:05:57 > 0:06:00They call my dad Big Josh, I'm Big Josh, I don't know!
0:06:00 > 0:06:02- How about Mailbox Joshua?- Mail...
0:06:02 > 0:06:05I deliver!
0:06:05 > 0:06:10- Oh!- I think we... I think that's it!
0:06:10 > 0:06:12- That's it!- Right here, my friend.
0:06:12 > 0:06:17- Tom Hanks did it.- Yeah.- That's good. - It's very good.
0:06:17 > 0:06:20And before we move on, I have a thank you to say,
0:06:20 > 0:06:24because Tom Hanks very kindly... I was at work and I got this.
0:06:24 > 0:06:27you sent me a copy of your book, and I was, you know, thrilled,
0:06:27 > 0:06:29cos it's a lovely cover...
0:06:29 > 0:06:30- Hold that bad boy up!- Yeah.
0:06:32 > 0:06:35So I got the book, and then I opened it up, I opened it up and look!
0:06:35 > 0:06:37- It was signed.- I like that.
0:06:37 > 0:06:40"To Graham Norton, enjoy the read, Tom Hanks."
0:06:40 > 0:06:41Now, I have to say, I'll be honest,
0:06:41 > 0:06:44when I saw it was to Graham Norton, I thought,
0:06:44 > 0:06:45"He's no recollection of who I am,"
0:06:45 > 0:06:47he's just been sat in a room and told to write my name,
0:06:47 > 0:06:50but I didn't mind, I was still thrilled,
0:06:50 > 0:06:54but now I feel you didn't think I was going to read it, did you?
0:06:54 > 0:06:57I thought that you would put it on a pile of other things
0:06:57 > 0:07:00that came to you unbidden and it would lay there for years.
0:07:00 > 0:07:03And can you tell the people what you did to ensure
0:07:03 > 0:07:05that you knew whether or not I read it?
0:07:05 > 0:07:08Well, the canary in a coal mine
0:07:08 > 0:07:11is a little thing you put in a contract that says,
0:07:11 > 0:07:13if that is in your dressing room,
0:07:13 > 0:07:15that means they've read your contract.
0:07:15 > 0:07:19Like, "I insist on brown M&Ms only,"
0:07:19 > 0:07:21so if you've come in and only brown M&Ms are there -
0:07:21 > 0:07:23"Ah, these people have read the contract."
0:07:23 > 0:07:25They saw the canary in a coal mine.
0:07:25 > 0:07:27So I put a little message in there for you to see if, in fact,
0:07:27 > 0:07:29you would read the book.
0:07:29 > 0:07:33Yes, cos when I got to page 57, I got this message.
0:07:33 > 0:07:36- What is it?- "Graham, screw you!"
0:07:36 > 0:07:38LAUGHTER
0:07:38 > 0:07:40I'm so glad I read it!
0:07:45 > 0:07:48Why I didn't put it on page 357, I'll never know.
0:07:48 > 0:07:52- I gave you some slack there. - Do you do that for all of them?
0:07:52 > 0:07:53It's a very funny thing to do.
0:07:53 > 0:07:57To the people I think deserve a little nudge, yes, yes, I do.
0:07:57 > 0:08:00Listen, Tom Hanks, you're here to tell us about your new movie,
0:08:00 > 0:08:02the Steven Spielberg movie,
0:08:02 > 0:08:03- The Post.- Yes.
0:08:03 > 0:08:06It opens next Friday, the 19th, and this is...
0:08:06 > 0:08:08It's one of those... The pedigree is crazy.
0:08:08 > 0:08:12- It's Hanks, it's Streep, it's Spielberg.- Yeah.
0:08:12 > 0:08:15That's a lot of marquee, if you know what I mean.
0:08:16 > 0:08:19Big trailers. Er, yeah. Yeah.
0:08:19 > 0:08:22We all read this independently of each other
0:08:22 > 0:08:24and said, "Well, I'd like to be involved with this."
0:08:24 > 0:08:27And, lo and behold, Magic Meryl did, too,
0:08:27 > 0:08:28and then I got the call from Steven
0:08:28 > 0:08:31and he said he was going to suit me up and put me in again, so...
0:08:31 > 0:08:34And have you ever come close to working with Meryl Streep before?
0:08:34 > 0:08:36Not a whit. Actually, I was officially... Thank you.
0:08:36 > 0:08:39Oh, I have to say the title of the movie first.
0:08:39 > 0:08:42- I was officially a producer of Mamma Mia!- Oh, yes!
0:08:42 > 0:08:46- How about that? Thank you. - APPLAUSE
0:08:46 > 0:08:50- No, no, no. No.- Mama Mia! 2 on the way.- Yes, it's coming.
0:08:50 > 0:08:54And I tried... I actually tried out for the role...
0:08:54 > 0:08:56I wanted to hire myself,
0:08:56 > 0:09:00but my singing voice would have scared the children, so...
0:09:00 > 0:09:05But, no, this was the first time that I got to call her,
0:09:05 > 0:09:08- appear in a cohort.- Wow!
0:09:08 > 0:09:10It's hard to get used to working with Meryl,
0:09:10 > 0:09:12because she has these trumpet players
0:09:12 > 0:09:15that come on to the set just before she does.
0:09:15 > 0:09:19HE TOOTS A FANFARE
0:09:19 > 0:09:23"Ladies and gentlemen, Meryl Streep. Please do not look her in the eye."
0:09:24 > 0:09:27She comes in and.... I'm ragging on her.
0:09:27 > 0:09:30She's great fun and a magnificent person to work with.
0:09:30 > 0:09:32But the story about The Washington Post,
0:09:32 > 0:09:34tell the people about who you play.
0:09:34 > 0:09:36I play Ben Bradlee and she plays Katharine Graham
0:09:36 > 0:09:39of The Washington Post of All The President's Men fame -
0:09:39 > 0:09:41- Nixon and Watergate.- Hm-mm.
0:09:41 > 0:09:43This actually happened prior to that,
0:09:43 > 0:09:46when it was the old New York Post, it was...
0:09:46 > 0:09:50The Pentagon Papers, the top-secret report on America's
0:09:50 > 0:09:52involvement in the Vietnam War,
0:09:52 > 0:09:56is printed by the New York Times for three days,
0:09:56 > 0:09:59and, as competitors, we want to be able to report
0:09:59 > 0:10:02the same story as well but we don't have the Pentagon Papers.
0:10:02 > 0:10:04While we get our sources,
0:10:04 > 0:10:08the Justice Department in the Richard Nixon White House
0:10:08 > 0:10:11shuts down the New York Times from printing any more about this story,
0:10:11 > 0:10:15so for us to get them and to write them up and to print them ourselves
0:10:15 > 0:10:19risked Katharine Graham losing the newspaper,
0:10:19 > 0:10:20myself being thrown in jail,
0:10:20 > 0:10:24as literally for seditious acts against the state.
0:10:24 > 0:10:30And it is really chilling, cos you used the real Nixon tapes.
0:10:30 > 0:10:34Oh, our movie stars as Richard Nixon...Richard Nixon,
0:10:34 > 0:10:37and he is fantastic!
0:10:37 > 0:10:38He's great.
0:10:38 > 0:10:40But the thing about working with Steven is...
0:10:40 > 0:10:43Much of this deals with old-fashioned telephones.
0:10:43 > 0:10:48No-one can capture the suspicion or the suspense of either a phone call
0:10:48 > 0:10:51being made or a phone call being waited upon,
0:10:51 > 0:10:53so there's an awful lot of these
0:10:53 > 0:10:56fabulously dynamic scenes in the movie.
0:10:59 > 0:11:00Hello?
0:11:00 > 0:11:05These are kind of like old-fashioned pay phones, you know, coin boxes.
0:11:05 > 0:11:08LAUGHTER
0:11:08 > 0:11:13Cher-king! Cher-king! Cher-king! Cher-king!
0:11:13 > 0:11:16DIALLING NUMBERS NOISE
0:11:16 > 0:11:19Goes on for ever, and you are on the edge of your seat -
0:11:19 > 0:11:22"Make the call! Please make the phone call!"
0:11:22 > 0:11:24That's what Steven Spielberg can do like nobody else.
0:11:24 > 0:11:26Listen, we've got a clip.
0:11:26 > 0:11:29- This is your character, Ben Bradlee, presenting your dilemma...- Oh!
0:11:29 > 0:11:31..to the publisher, Katharine Graham.
0:11:33 > 0:11:35So can I ask you a hypothetical question?
0:11:35 > 0:11:37Oh, dear, I don't like hypothetical questions.
0:11:37 > 0:11:41Well, I don't think you're going to like the real one, either.
0:11:43 > 0:11:44Do you have the Papers?
0:11:46 > 0:11:48Not yet.
0:11:51 > 0:11:52Oh, gosh. Oh, gosh.
0:11:52 > 0:11:57Because you know the-the position that would put me in. You know...
0:11:57 > 0:12:00We have language in the prospectus...
0:12:00 > 0:12:02Yeah, I know, I know that the bankers can change their mind
0:12:02 > 0:12:05and I know what is at stake.
0:12:05 > 0:12:08You know, the only couple I knew that both Kennedy
0:12:08 > 0:12:12and LBJ both wanted to socialise with was you and your husband,
0:12:12 > 0:12:14and you own the damn paper.
0:12:15 > 0:12:17That's the way things worked.
0:12:17 > 0:12:20Politicians and the press, they trusted each other, so they could go
0:12:20 > 0:12:22to the same dinner party and drink cocktails and tell jokes
0:12:22 > 0:12:24while there was a war raging in Vietnam...
0:12:24 > 0:12:28Ben, I don't know what we're talking about. I'm not protecting Lyndon...
0:12:28 > 0:12:30No, you got his former Secretary Of Defense, Robert McNamara,
0:12:30 > 0:12:33the man who commissioned the study...
0:12:33 > 0:12:36I'm not protecting him, I'm not protecting any of them,
0:12:36 > 0:12:37I'm protecting the paper.
0:12:39 > 0:12:41You know what was real funny about that?
0:12:41 > 0:12:43If I may say...
0:12:43 > 0:12:45Um...
0:12:45 > 0:12:48In the United States, I grew up saying "Viet-narm"
0:12:48 > 0:12:51cos on the West Coast, we said, "Viet-narm, Viet-narm, Viet-narm,"
0:12:51 > 0:12:55and Ben Bradlee called it "Viet-nam" and it was often...
0:12:55 > 0:13:00I said, "Listen, while there was a war going on in Viet...NAM..."
0:13:00 > 0:13:05I had to retrain myself, my vocalisation.
0:13:05 > 0:13:07And this is... We were counting up.
0:13:07 > 0:13:11I think it's about the seventh or eighth real person you've played.
0:13:11 > 0:13:13- Oh, yeah, I have. - If the people are still alive,
0:13:13 > 0:13:16do you like to meet them, do you seek them out?
0:13:16 > 0:13:18Yes, and in fact, I say to them,
0:13:18 > 0:13:22I've said this to Richard Phillips and I said it to Charlie Wilson,
0:13:22 > 0:13:26Jim Lovell, I said, "Now, look, I'm playing you.
0:13:26 > 0:13:29"So, for good or for bad, I'm you,
0:13:29 > 0:13:33"and you're going to get that for a long time - I'm you, I'm you.
0:13:33 > 0:13:35"Deal with it.
0:13:35 > 0:13:40"Now, as you, I'm going to say things you never said,
0:13:40 > 0:13:43"I'm going to go places you never were,
0:13:43 > 0:13:46"I'm going to do things you never did.
0:13:46 > 0:13:50"That being the case, I'd like to be as authentic as possible."
0:13:50 > 0:13:51LAUGHTER
0:13:51 > 0:13:54And the rest is trading cards.
0:13:54 > 0:13:57And when you meet them, are you just looking for their blessing,
0:13:57 > 0:14:00or do you kind of absorb something, do you get something out of it?
0:14:00 > 0:14:01I do want to know what they have to say about it,
0:14:01 > 0:14:04cos they've always read the screenplay and I want to say,
0:14:04 > 0:14:06"If you think anything is actually horse cock in this,
0:14:06 > 0:14:08"let me know, because..."
0:14:08 > 0:14:09What did I just say?!
0:14:09 > 0:14:11LAUGHTER
0:14:11 > 0:14:12We all heard you.
0:14:12 > 0:14:15"If there's some nonsense in this, please..."
0:14:16 > 0:14:18I didn't know that was an expression!
0:14:18 > 0:14:21Once again, we've got "he delivers"
0:14:21 > 0:14:24and you have what I just said as well.
0:14:24 > 0:14:27It's all been mine, right here on your top-notch show.
0:14:27 > 0:14:30You want to know if they have any problems
0:14:30 > 0:14:32because there's things that just would never happen,
0:14:32 > 0:14:36you want to be right and authentic, but really what I'm looking for
0:14:36 > 0:14:40is a tic, a gesture, a posture, a way to stand, a turn of phrase
0:14:40 > 0:14:43that I could turn into my own and reflect them somehow.
0:14:43 > 0:14:45Cos it's inevitable, ladies and gentlemen,
0:14:45 > 0:14:47we will be queuing up to see the Anthony Joshua Story.
0:14:47 > 0:14:52So when the biopic is made, who would you like to play you?
0:14:52 > 0:14:54- Tom Hanks.- Yeah!
0:14:54 > 0:14:56LAUGHTER
0:14:56 > 0:14:59- Let me tell you, let me tell you... - Get some tanning on!
0:15:01 > 0:15:04I will say things you never said.
0:15:04 > 0:15:06I will do things you never did.
0:15:06 > 0:15:09- I will go places you've never been. - You will go places I never went!
0:15:09 > 0:15:12That said, I'm going to be you.
0:15:12 > 0:15:16What's interesting is, the news of today, all the fake news
0:15:16 > 0:15:20and everything, and then what you just starred in.
0:15:20 > 0:15:24What's the feedback of the times, cos you brought a film...
0:15:24 > 0:15:27Actually, they... A lot of people are saying that,
0:15:27 > 0:15:30"Well, you obviously made this about current events,
0:15:30 > 0:15:34"you obviously changed things around and steered it towards 2017."
0:15:34 > 0:15:36The truth is, we didn't change a thing!
0:15:36 > 0:15:39All we did was reflect the historic record
0:15:39 > 0:15:42and it just so happens to be ripped right out of today's headlines.
0:15:42 > 0:15:45Not just about politics and the President and the free press
0:15:45 > 0:15:50but also gender issues and equality in the workplace, what have you.
0:15:50 > 0:15:53But then what's so odd is that it's so...
0:15:53 > 0:15:56As you say, it reflects what's going on, and yet ironically,
0:15:56 > 0:15:58is it true the White House have asked
0:15:58 > 0:16:00for a private screening of this?
0:16:00 > 0:16:03Well, I think that's... They do that.
0:16:03 > 0:16:05I think anybody who is president can call up and say,
0:16:05 > 0:16:08"Send me the movie." Whether they watch it or not I don't know.
0:16:08 > 0:16:11- Leave a note in there, in the DVD.- Yeah!
0:16:11 > 0:16:14- LAUGHTER - What did I say?- "Screw you!"
0:16:18 > 0:16:22- Shoot a new scene! - Shoot a whole new scene!
0:16:22 > 0:16:24You and Meryl, just going...
0:16:31 > 0:16:33I've got to make a phone call.
0:16:34 > 0:16:38I've got to get this in the works. It's going to take a while.
0:16:38 > 0:16:41Now, Maisie's latest film will appeal to children
0:16:41 > 0:16:43and grown-ups everywhere. Early Man.
0:16:43 > 0:16:46It's the latest work from Nick Park and Aardman Studios.
0:16:46 > 0:16:51It opens on the 26th of January, and it's a really sweet, funny story.
0:16:51 > 0:16:53So tell us about it and who you are.
0:16:53 > 0:16:57So it's a pre-historic comedy
0:16:57 > 0:17:02about a tribe who is run,
0:17:02 > 0:17:04head up by a character called Dug,
0:17:04 > 0:17:07who is played by Eddie Redmayne,
0:17:07 > 0:17:10around the time that the Stone Age is being taken over
0:17:10 > 0:17:14by the Bronze Age, and I play a character called Goona,
0:17:14 > 0:17:19who basically helps the tribe win back their home.
0:17:19 > 0:17:21Cos it's all based around football?
0:17:21 > 0:17:25Yeah, so they have a football match between the Bronze Age
0:17:25 > 0:17:28and the Stone Age and my character is from the Bronze Age
0:17:28 > 0:17:32and she's not allowed to play on the sacred turf because she's a woman,
0:17:32 > 0:17:36so she helps the tribe win this football match
0:17:36 > 0:17:38on the condition that she gets to play, too.
0:17:38 > 0:17:40Jeez, sounds like The Post.
0:17:40 > 0:17:42Very similar concept. Very similar.
0:17:42 > 0:17:45- It's as tense. It's as tense. - No pay phones.
0:17:45 > 0:17:52And what happened? You did loads of your voice at one stage, you...
0:17:52 > 0:17:58So I started in 2016 and then finished the end of last year,
0:17:58 > 0:18:01and I just had maybe seven or eight sessions
0:18:01 > 0:18:05over a course of, like, months between,
0:18:05 > 0:18:09and I'd completely forgotten after my first session
0:18:09 > 0:18:11that I, er...
0:18:11 > 0:18:13I was part of the film
0:18:13 > 0:18:17and I got braces put on so I could sort out my wonky teeth,
0:18:17 > 0:18:22and I went back and I was...recording my dialogue
0:18:22 > 0:18:26and I had this little speech impediment that I hadn't noticed,
0:18:26 > 0:18:28and when I went back the time after, they were like,
0:18:28 > 0:18:31"We're going to have re-record absolutely everything
0:18:31 > 0:18:34"that you've just done because you sound strange."
0:18:34 > 0:18:37Cos you've talked to us before, Tom, about that repetition.
0:18:37 > 0:18:40It's the hardest... Honestly, it's gruelling work,
0:18:40 > 0:18:42cos you can't move off the microphone,
0:18:42 > 0:18:45you have to stay right there... Let's play a game.
0:18:45 > 0:18:48What was one of the most nondescript lines your character had?
0:18:48 > 0:18:52- Nondescript? Um... - Well, just like, you know.- Um...
0:18:52 > 0:18:54"Come on, boys, let me play," or something.
0:18:54 > 0:18:56Yeah, great, we'll go with that.
0:18:56 > 0:18:58Now I want you, for all of the audience,
0:18:58 > 0:19:00to wring as many different meanings out of,
0:19:00 > 0:19:03"Come on, boys, let me play," as possible
0:19:03 > 0:19:07- and I will tell you when we're finished.- OK.
0:19:07 > 0:19:09- Is that what they'll do? - That's what recording it is.
0:19:09 > 0:19:11A lot of the time, they're not sure
0:19:11 > 0:19:14whether it's going to be right or not until they get to the animating
0:19:14 > 0:19:18and figuring out how they're going to animate a body around this voice,
0:19:18 > 0:19:23so there's not a lot of pay-off until you watch the film complete.
0:19:23 > 0:19:26- You find out they used the third version that you did.- Exactly.
0:19:26 > 0:19:29- Not 417.- Yeah.- You go in...
0:19:29 > 0:19:31- DESPERATELY:- "Come on, boys, let me play!"
0:19:31 > 0:19:33- DISTRAUGHT:- "Come on, boys, let me play!"
0:19:33 > 0:19:35- CRYING:- "Come on, boys! Let me play!"
0:19:35 > 0:19:38- BAWLING:- "Come on, boys! Let me play!"
0:19:38 > 0:19:40And they're like, "Hm."
0:19:41 > 0:19:44They press... Are they in the booth where they press the talkback?
0:19:44 > 0:19:45Nick likes to be in the booth.
0:19:45 > 0:19:48"Can you...can you do it
0:19:48 > 0:19:51"as though you're having a nervous breakdown?"
0:19:51 > 0:19:53"I am having a nervous breakdown!"
0:19:53 > 0:19:54"I guess I just did."
0:19:54 > 0:19:56"Yeah, that was great.
0:19:56 > 0:19:59"We're going to send a fellow in with some needle-nose pliers
0:19:59 > 0:20:04"to remove your braces, cos we're just...just not getting it."
0:20:04 > 0:20:07- It's very, very hard work. - It's tedious but it was great fun.
0:20:07 > 0:20:09I'd love to do more.
0:20:09 > 0:20:11She's selling the movie.
0:20:11 > 0:20:14They save, for the end, your grunts and things,
0:20:14 > 0:20:15like, in your action sequences.
0:20:15 > 0:20:17But that's my favourite, I enjoy doing that.
0:20:17 > 0:20:20They do that at the very end of the day.
0:20:20 > 0:20:22- Is that like in music, like, ad-libs?- Yeah, yeah!
0:20:22 > 0:20:26Well, no, it's a long list and it says, "Grunt effect,"
0:20:26 > 0:20:29and you sit there going, "Oof! Urgh! Argh!"
0:20:29 > 0:20:32HE GRUNTS
0:20:32 > 0:20:34And you just do as many as you can.
0:20:34 > 0:20:37It was a football match as well, so there's a lot of, "Urgh!"
0:20:37 > 0:20:39- Yeah, exactly.- Very good!
0:20:39 > 0:20:42- I believed it.- I believed it. - I'll tell you what,
0:20:42 > 0:20:44we can have a listen and a watch now.
0:20:44 > 0:20:46This is your character, Goona,
0:20:46 > 0:20:48helping Dug, played by Eddie Redmayne,
0:20:48 > 0:20:50- to steal some footballs.- Yes.
0:20:50 > 0:20:52- Who is that? - THEY GASP
0:20:52 > 0:20:53Scarper!
0:20:53 > 0:20:55Stop! Thieves!
0:20:55 > 0:20:58- This way! - WHISTLE
0:20:58 > 0:21:01Ooh-ooh-ooh! Oh!
0:21:01 > 0:21:02They went that way!
0:21:02 > 0:21:06- KNIGHTS: Huh? - No! That way!- Oh!
0:21:06 > 0:21:08BUGLE BLARES
0:21:11 > 0:21:13Give me those, quick.
0:21:20 > 0:21:22Ow!
0:21:22 > 0:21:24- You're really good!- Thanks.
0:21:25 > 0:21:27I do a lot of practice.
0:21:27 > 0:21:28Wah!
0:21:30 > 0:21:31Oh, marvellous work!
0:21:36 > 0:21:38And what makes it all so special
0:21:38 > 0:21:40is that, you know, they're real, it's 3D.
0:21:40 > 0:21:42Now, I don't know if you know this,
0:21:42 > 0:21:45Aardman have very kindly lent us Goona.
0:21:45 > 0:21:47- SHE GASPS - There she is.- This is real Goona.
0:21:47 > 0:21:51- That's actually what they pose? - Yeah, this is Goona.
0:21:51 > 0:21:56There she is. Look at her. I like the jaunty hand on the hip.
0:21:56 > 0:21:59"I'm good at football but I'm a woman."
0:21:59 > 0:22:00LAUGHTER
0:22:00 > 0:22:02HE GIGGLES
0:22:02 > 0:22:04Isn't that...?
0:22:04 > 0:22:07- Oh, and it is made of... - Plasticine. Indeed.
0:22:07 > 0:22:11I think we actually have something for you also.
0:22:11 > 0:22:12A GIFT FOR ME?!
0:22:12 > 0:22:15- From the Aardman people.- Really?
0:22:15 > 0:22:17- Just wait there. Just two seconds. - OK.
0:22:18 > 0:22:22- Did you bring Graham anything? - We brought this together.
0:22:22 > 0:22:25- LAUGHTER AND APPLAUSE - This is...
0:22:25 > 0:22:28Oh, my God!
0:22:28 > 0:22:33How cool is that?! Thank you so much. Wow!
0:22:35 > 0:22:36That's amazing!
0:22:38 > 0:22:41- Oh, my God!- That is so good.
0:22:43 > 0:22:44So now you can be part of the gang.
0:22:44 > 0:22:47I look younger here though. Don't I look younger?
0:22:47 > 0:22:49I look about 47.
0:22:49 > 0:22:50It's mostly the size of the feet...
0:22:52 > 0:22:55That's genius! Do I get to keep this?
0:22:55 > 0:22:57- Absolutely.- OK, show's over. Bye!
0:22:58 > 0:23:00That's fantastic. Thank you so, so much.
0:23:00 > 0:23:02APPLAUSE That's brilliant!
0:23:03 > 0:23:08Now, this is a huge year for Anthony Joshua
0:23:08 > 0:23:12because by the end of 2018, the plan is
0:23:12 > 0:23:16you will be the first man to unify all four belts
0:23:16 > 0:23:18and become the undisputed champion of the world.
0:23:18 > 0:23:21- Potentially.- That's the plan. - That's the plan.- OK.
0:23:21 > 0:23:23CHEERING AND APPLAUSE
0:23:23 > 0:23:27But you've got two belts already.
0:23:27 > 0:23:29- You've got three?- Three.
0:23:29 > 0:23:31- Hang on.- There's five. - Oh, there's five.
0:23:31 > 0:23:33OK, so you've got three, so you need these extra two
0:23:33 > 0:23:36- and they're going to happen this year.- We're working on it.
0:23:36 > 0:23:40Hopefully, you are going to announce a fight soon, I think.
0:23:40 > 0:23:43- So who's the first one with?- It was either out of the two belt holders.
0:23:43 > 0:23:48- So let's say there's A, B, C, D, E. - OK.- So on and so forth.
0:23:48 > 0:23:51So I've got three of them, there's two more left.
0:23:51 > 0:23:53One's in America, one's in New Zealand,
0:23:53 > 0:23:54so I was looking at both options.
0:23:54 > 0:23:56America would have been phenomenal
0:23:56 > 0:23:58cos, you know, when I'm walking down the street,
0:23:58 > 0:24:01the lads are like, "Listen, mate, I need a reason to get to Vegas,
0:24:01 > 0:24:03"when are you going out there to fight?"
0:24:03 > 0:24:06So America would have been amazing, but we've had some difficulties,
0:24:06 > 0:24:09so we're looking to bring the other guy, Joseph Parker,
0:24:09 > 0:24:12who's a tidy champion. There he is there.
0:24:12 > 0:24:14He has one of the other belts.
0:24:14 > 0:24:16- Can I just say...- Yeah, of course.
0:24:16 > 0:24:19..that looks like it's going to be quite an easy fight.
0:24:19 > 0:24:21I definitely hope so.
0:24:21 > 0:24:23But you know what it is?
0:24:23 > 0:24:25He looks like king of pies!
0:24:25 > 0:24:29What's his nickname? Shall we give him a nickname?
0:24:29 > 0:24:31Pie. The Pie.
0:24:31 > 0:24:34- No, I can't underestimate anyone. - No, seriously,
0:24:34 > 0:24:37he must be a world-class athlete but he doesn't look like one, does he?
0:24:37 > 0:24:40You can't underestimate. You know the thing is with boxing, I think,
0:24:40 > 0:24:43you know, the things that you lack you can make up for
0:24:43 > 0:24:46in power in the heavyweight division, and there's not...
0:24:46 > 0:24:48Like, there's not one heavyweight
0:24:48 > 0:24:51that hasn't gone without getting dropped in their whole career
0:24:51 > 0:24:54and that's what I realise, is that a lot of fighters
0:24:54 > 0:24:57have lost their titles through underestimating other athletes.
0:24:57 > 0:25:00Like, for instance, Lennox Lewis. He was filming,
0:25:00 > 0:25:04I think, Ocean's Eleven and he lost his title cos he wasn't focused,
0:25:04 > 0:25:08and no heavyweight champion is one heavyweight champion of the world.
0:25:08 > 0:25:11They're all two-time heavyweight champion, three-time,
0:25:11 > 0:25:13because of the last thing they lose is the power in their punch.
0:25:13 > 0:25:16So I can't... Even though he looks like the pie eater...
0:25:18 > 0:25:21..he's probably packing a wallop as well, so I'm going to be focused,
0:25:21 > 0:25:24- I'm in training camp now. - You know his secret weapon?
0:25:24 > 0:25:27Armpit hair. Look at that.
0:25:27 > 0:25:28Look at that! Looks like
0:25:28 > 0:25:30he's got cats under his arms!
0:25:30 > 0:25:34I'm going to put that in the contract. Shave those armpits, man.
0:25:34 > 0:25:37Or you can buy my Lynx can at Asda, Tesco...
0:25:37 > 0:25:40LAUGHTER AND APPLAUSE
0:25:41 > 0:25:42I'm joking!
0:25:44 > 0:25:50OK. So, they peel him off the floor, they roll him up like a carpet
0:25:50 > 0:25:53and send him back to New Zealand. Who's the American guy then?
0:25:53 > 0:25:55- Who's the next one you have to beat? - He is Deontay Wilder.
0:25:55 > 0:25:59He's got a big mouth. Here he is. As you can see, look at that.
0:25:59 > 0:26:00Can I just say?
0:26:00 > 0:26:02This is going to be harder.
0:26:02 > 0:26:03LAUGHTER
0:26:07 > 0:26:09Yeah, I think you're doing them in the right order.
0:26:12 > 0:26:13But it's interesting.
0:26:13 > 0:26:16So this is the plan next and this is when the guys where I grew up
0:26:16 > 0:26:17can get to Vegas and have a good time
0:26:17 > 0:26:19and watch a bit of boxing as well,
0:26:19 > 0:26:22and this will be the fight that makes history.
0:26:22 > 0:26:25But it's interesting because let's say I've done the hard work,
0:26:25 > 0:26:27so I've managed to keep the four belts,
0:26:27 > 0:26:30and I've got to put everything on the line to bring them back home,
0:26:30 > 0:26:33- so it's a real tough one. - Yeah, because, what's the story?
0:26:33 > 0:26:35So you go into the match with four belts.
0:26:35 > 0:26:38Does he then have five if he beats you?
0:26:38 > 0:26:41- Then he, he creates history.- Oh, my God!- This is the situation we're in.
0:26:41 > 0:26:42AUDIENCE GASPS
0:26:42 > 0:26:45Oh. Good noise, everyone. Very good. That was good.
0:26:45 > 0:26:48- But that is... That's... - It will be in cinemas soon.
0:26:48 > 0:26:51- That is a huge...- Tom.- Yeah. Yeah.
0:26:51 > 0:26:54Stay away from making movies prior to the fight!
0:26:54 > 0:26:55LAUGHTER AND APPLAUSE
0:26:57 > 0:26:59- But that's it, that's it. - That is...
0:26:59 > 0:27:02I imagine you'll be quite nervous that evening, yeah.
0:27:02 > 0:27:04That's a lot. A lot! But you're also...
0:27:04 > 0:27:07You're doing the fighting, you're preparing for all of that,
0:27:07 > 0:27:11but you're also doing some promoting now as well, which is unusual, isn't
0:27:11 > 0:27:14- it, for people when they're still boxing to do promotion?- It's true.
0:27:14 > 0:27:16I've always have the mind-set... I don't know.
0:27:16 > 0:27:18I've always understood that athletes kind of come to the end
0:27:18 > 0:27:21of their careers and they say, "OK, I'm starting a management company,
0:27:21 > 0:27:23"I want to guide younger athletes,"
0:27:23 > 0:27:26because I think it's the natural transition from athlete
0:27:26 > 0:27:28to what I'm going to do in retirement, but I always thought
0:27:28 > 0:27:31it's always good to be two steps ahead of the game
0:27:31 > 0:27:34and kind of use the momentum when I'm competing
0:27:34 > 0:27:37to kind of guide and help athletes. So, like,
0:27:37 > 0:27:40I grew up in Watford, moved to London,
0:27:40 > 0:27:42so I'm a proud sponsor of my gym where I grew up,
0:27:42 > 0:27:44so all the kids there, I support them,
0:27:44 > 0:27:46and now I've got two of my good friends
0:27:46 > 0:27:49who are with the management company,
0:27:49 > 0:27:53and Lawrence Okolie, Joshua Buatsi, who are fighting Feb 3rd,
0:27:53 > 0:27:56and it's kind of guiding them, giving them the best advice.
0:27:56 > 0:27:59And not only advice, they can bounce ideas off me as well.
0:27:59 > 0:28:01It's just like an organic relationship
0:28:01 > 0:28:03and I know that sometimes people want to see
0:28:03 > 0:28:06if the grass is greener and, as I said, come to me for advice,
0:28:06 > 0:28:08it's no problem, I know how the game goes
0:28:08 > 0:28:10and if you ever want advice on where to go next,
0:28:10 > 0:28:12- we can always guide you onto that as well.- Yeah, yeah, yeah.
0:28:12 > 0:28:16Boxing now is, like, rock and roll, I mean, everybody flocks to it,
0:28:16 > 0:28:19but you've also mixed with royalty, Prince Harry himself.
0:28:19 > 0:28:23He asked you to take part in his Radio 4 programme?
0:28:23 > 0:28:24There's a picture.
0:28:24 > 0:28:27He asked me to take part in his Radio 4 programme.
0:28:27 > 0:28:29- It was an honour, you know?- Yeah.
0:28:29 > 0:28:31Was that before or after you hit him?
0:28:33 > 0:28:35Looks like he's recovering from a blow there.
0:28:35 > 0:28:39That's me smiling at the six security guards watching me as well!
0:28:39 > 0:28:41HE GROWLS
0:28:41 > 0:28:46- No, but a real humble guy, really cool guy.- You going to the wedding?
0:28:46 > 0:28:49I would love to, you know, and big respect to Harry, you know.
0:28:49 > 0:28:52- He took one of the sisters. - LAUGHTER AND APPLAUSE
0:28:52 > 0:28:56He took one of the sisters! So big respect to him.
0:28:56 > 0:28:59And I would love to, you know. I'd love to.
0:28:59 > 0:29:02Be handing out some Jamaican rum.
0:29:05 > 0:29:09- Behind the bar.- You go to the afters, the afters, the disco, yeah.
0:29:09 > 0:29:14See if she's got any sisters, aunties, cousins.
0:29:14 > 0:29:16I'm single!
0:29:19 > 0:29:21Cos fighting...
0:29:21 > 0:29:24You've been in so many movies, you must have done umpteen fights.
0:29:24 > 0:29:28Oh, dear. I-I... No. Not one.
0:29:28 > 0:29:31- You've done some.- He ran. He ran.
0:29:31 > 0:29:34- I ran. - LAUGHTER AND APPLAUSE
0:29:36 > 0:29:38Yeah, but I run fast.
0:29:38 > 0:29:40- Very fast.- I run fast.
0:29:40 > 0:29:44No, when it comes down to fight scenes, I get cast as the pie eater.
0:29:44 > 0:29:49I did have one. I got beat up by Paul Bettany in The Da Vinci Code
0:29:49 > 0:29:53and it was a moment where... We had rehearsed it a little bit
0:29:53 > 0:29:57and in movie fights, everybody treats it like it's a real fight.
0:29:57 > 0:30:00- Serious?- Everybody, "OK, are you ready?" "I'm ready."
0:30:00 > 0:30:03And you know, you miss each other like that. It's like that.
0:30:03 > 0:30:06But Paul came rushing in and I met him
0:30:06 > 0:30:09and what had to happen, he was supposed to knock me down
0:30:09 > 0:30:12against a desk and then I landed on the ground.
0:30:12 > 0:30:17- And the way it sounded was... - HE GRUNTS
0:30:17 > 0:30:20- HE BLOWS A RASPBERRY WHISPERS:- Because I farted.
0:30:25 > 0:30:29When I hit the floor...I farted,
0:30:29 > 0:30:33so that's why somebody else gets to play. I...
0:30:34 > 0:30:36I don't think that's happened to me.
0:30:36 > 0:30:38Does that ever happen in the middle of the ring?
0:30:38 > 0:30:41But remember, you do things that don't actually happen...
0:30:43 > 0:30:47Yeah, Joseph Parker does. HE GROANS
0:30:47 > 0:30:50- Maisie, you had started in the show so young, at 12.- Yeah.
0:30:50 > 0:30:52So did you have to do...?
0:30:52 > 0:30:56- They obviously had to train you to do all your fight scenes.- Yeah.
0:30:56 > 0:31:00My character was also learning, so as my character learned, I learned.
0:31:00 > 0:31:03She wasn't, like, amazing from the first episode,
0:31:03 > 0:31:05like, she wasn't supposed to know what she was doing,
0:31:05 > 0:31:09so it was nice that as the seasons went on, I learnt more and more.
0:31:09 > 0:31:10Yeah, cos now you're proper kick-ass.
0:31:10 > 0:31:16When we're fake punching at each other, yeah, but not in real life.
0:31:16 > 0:31:19Although I'd never underestimate, like, your opponent, you know.
0:31:19 > 0:31:22LAUGHTER
0:31:22 > 0:31:25- Do you learn the head whip as well? - Yeah.
0:31:25 > 0:31:28Throw a punch right there and I'll show you. Boom!
0:31:28 > 0:31:29Ooh, it's good. HE BLOWS A RASPBERRY
0:31:29 > 0:31:32Oh! LAUGHTER
0:31:36 > 0:31:39You sell it after the fact.
0:31:39 > 0:31:43And you get fans wanting a really specific thing from you.
0:31:43 > 0:31:46Yeah, it's a little odd. So my character on the show,
0:31:46 > 0:31:51- she has a list of people that she wants to kill.- You're crazy?
0:31:51 > 0:31:55Well, no, they're all justified for sure.
0:31:57 > 0:31:59And she has a list and she recites the names
0:31:59 > 0:32:03and she's been through a lot of trauma, a bit of a back story,
0:32:03 > 0:32:05and it's what keeps her going and it's what keeps her fighting,
0:32:05 > 0:32:07even though she's lost both of her parents.
0:32:07 > 0:32:09So a lot of people come up to me in the street
0:32:09 > 0:32:15- and they want me to recite the names but then add their name.- Oh!
0:32:15 > 0:32:18- I would actually like that as well. - LAUGHTER
0:32:18 > 0:32:21- Do you know the names?- I do, yeah.
0:32:21 > 0:32:25- There's a lot of them. Yeah.- Yeah. You speak quite quickly.
0:32:25 > 0:32:27Which camera? Which camera should she...? Yeah, there we go.
0:32:27 > 0:32:29Have we got some tension music or anything?
0:32:29 > 0:32:31DRAMATIC MUSIC PLAYS Here we go, here we go. OK.
0:32:31 > 0:32:33Off you go. Off you go.
0:32:33 > 0:32:35Joffrey. Cersei.
0:32:35 > 0:32:39Ilyn Payne. The Mountain.
0:32:39 > 0:32:43Beric Dondarrian. Thoros of Myr.
0:32:43 > 0:32:45The Red Woman.
0:32:45 > 0:32:46Tom Hanks.
0:32:46 > 0:32:48TOM SPLUTTERS LAUGHTER
0:32:48 > 0:32:49Anthony Joshua.
0:32:51 > 0:32:53- Graham Norton.- Yay!
0:32:54 > 0:32:57You was waiting for that. You was waiting!
0:32:57 > 0:32:58Please kill me!
0:33:02 > 0:33:05Very quickly, Anthony, this match isn't set yet,
0:33:05 > 0:33:09- but are you in training now?- Yeah. - So are you still doing this thing?
0:33:09 > 0:33:10You posted this video
0:33:10 > 0:33:14and it's a training technique I've never seen before.
0:33:14 > 0:33:16Is this a genuine training technique?
0:33:16 > 0:33:19LAUGHTER
0:33:20 > 0:33:22Do you know what it is, right?
0:33:22 > 0:33:24This is...
0:33:24 > 0:33:27- A cat toy?- This is a cat toy, yeah!
0:33:27 > 0:33:30All products sold in Asda, Tesco... I'm joking! I'm joking!
0:33:30 > 0:33:34It's just made from a normal cap, elastic string and a tennis ball.
0:33:34 > 0:33:37- Boxing's like that, I swear to you, it's so grassroots.- Market this.
0:33:37 > 0:33:41This is... It's the exciting game that everybody loves to play!
0:33:41 > 0:33:44It's punch ball. Yes, punch ball. Hours of fun...
0:33:44 > 0:33:49Quite easy to make. Quite easy to make.
0:33:49 > 0:33:52But do you know what it is? That is the reality we live in,
0:33:52 > 0:33:55because that was about the 1,000th video that I had done
0:33:55 > 0:34:00that looked good. I'm not good at this. I'm not good at it!
0:34:00 > 0:34:03Can we go back to it? Just see how marvellous you are.
0:34:03 > 0:34:04You are really good in the video.
0:34:04 > 0:34:07- Can we see the video again? Here we go.- You nail this bad boy.
0:34:07 > 0:34:09Look at that.
0:34:10 > 0:34:13The ball takes some beating!
0:34:13 > 0:34:15There's a lot of editing in this!
0:34:17 > 0:34:21Does this mean you will be able to defeat any tennis ball?
0:34:24 > 0:34:27It is much harder than it looks cos I tried it this afternoon. Try it.
0:34:27 > 0:34:31I'm good at that, thank you very much. This is the host...
0:34:31 > 0:34:33LAUGHTER
0:34:33 > 0:34:35That's why they pay me.
0:34:35 > 0:34:38Cos I can do this shit.
0:34:38 > 0:34:42I tried this this afternoon, cos that does not look hard, does it?
0:34:42 > 0:34:44- That does not look hard.- No. - Let's see.
0:34:44 > 0:34:47Do you throw it up and hit it, or what you do?
0:34:47 > 0:34:49However you feel comfortable, there's no right or wrong technique,
0:34:49 > 0:34:51but just keep it away from your face.
0:34:51 > 0:34:55- Keep it going. - Oh! That's quite good!
0:34:55 > 0:34:58That's quite good! Oh, oh, oh! Oh!
0:34:58 > 0:34:59APPLAUSE
0:35:08 > 0:35:10Missed me by that much.
0:35:10 > 0:35:13If you got it on the right camera, I took it right in the face.
0:35:13 > 0:35:16- Right, quickly, it's music time. - Does that not look like fun?
0:35:16 > 0:35:20- It is fun, yeah!- We have one for everybody in the audience.
0:35:21 > 0:35:23Ooh, you're chasing Oprah, aren't you?
0:35:23 > 0:35:27You get a punch ball, you get a punch ball, you get a punch ball.
0:35:27 > 0:35:30APPLAUSE OK, it is music time.
0:35:30 > 0:35:33This Swedish folk band are one of my favourite artists at the moment.
0:35:33 > 0:35:36They were nominated for Best International Group at the Brits
0:35:36 > 0:35:39and last year, they stormed the stage at Glastonbury.
0:35:39 > 0:35:41Here performing It's A Shame, it is First Aid Kit!
0:35:41 > 0:35:44CHEERING
0:35:59 > 0:36:01# Lately
0:36:01 > 0:36:03# I've been thinking about the past
0:36:03 > 0:36:05# How there is no holding back
0:36:05 > 0:36:09# No point in wasting sorrow
0:36:09 > 0:36:13# On things that won't be here tomorrow
0:36:16 > 0:36:18# But you and I
0:36:18 > 0:36:20# Well, we don't need to speak
0:36:20 > 0:36:22# It's a secret that we keep
0:36:22 > 0:36:27# Out of view and out of sight
0:36:27 > 0:36:30# Just say when and we'll say good night
0:36:34 > 0:36:38# Tell me it's OK
0:36:38 > 0:36:43# To live life this way
0:36:43 > 0:36:49# Sometimes I want you to stay
0:36:49 > 0:36:54# I know it's a shame
0:36:56 > 0:36:59# Shame
0:37:00 > 0:37:07# Shame
0:37:14 > 0:37:16# Now I
0:37:16 > 0:37:18# Spend so much of my time
0:37:18 > 0:37:20# Going out of my mind
0:37:20 > 0:37:24# Trying so hard to be of use
0:37:24 > 0:37:27# But what you cannot gain, you lose
0:37:31 > 0:37:33# In LA
0:37:33 > 0:37:35# The sun's almost too bright
0:37:35 > 0:37:37# I cannot get it right
0:37:37 > 0:37:41# The emptiness I feel
0:37:41 > 0:37:44# And now none of it seems real
0:37:49 > 0:37:53# Tell me it's all right
0:37:53 > 0:37:58# If I just spend the night
0:37:58 > 0:38:04# Sometimes I just can't bear to walk away
0:38:04 > 0:38:09# I know it's a shame
0:38:11 > 0:38:13# Shame
0:38:15 > 0:38:22# Shame
0:38:25 > 0:38:30# Tell me it's OK
0:38:30 > 0:38:34# If I ask you to stay
0:38:34 > 0:38:41# Sometimes the night cuts through me like a knife
0:38:41 > 0:38:46# I know it's a shame
0:38:46 > 0:38:51# I know it's a shame
0:38:51 > 0:38:59# I know it's a shame
0:39:01 > 0:39:05# Shame
0:39:06 > 0:39:09# Shame
0:39:11 > 0:39:18# Shame. #
0:39:22 > 0:39:25CHEERING AND APPLAUSE
0:39:27 > 0:39:33Oh, First Aid Kit! Great job, ladies! Come on over, do.
0:39:33 > 0:39:35Very good.
0:39:35 > 0:39:39- Hello. Are you Klara or Johanna? - Johanna.- Johanna. Johanna.
0:39:39 > 0:39:41Klara. Hi, come in, sit down.
0:39:41 > 0:39:47- Thank you.- This is Johanna and Klara. Anthony, Maisie, Tom.
0:39:47 > 0:39:49- Gang's all here.- What a pleasure.
0:39:49 > 0:39:53- Tom.- Hi, I'm Klara.- Nice to meet you.- Lovely to meet you.
0:39:53 > 0:39:56Very, very good. Thank you so much. That sounded fantastic.
0:39:56 > 0:40:00- Drink your champagne, do. You've earnt it.- Why not?- Yes.- Cheers.
0:40:00 > 0:40:03It's A Shame is off the new album, Ruins,
0:40:03 > 0:40:05and that's out next Friday, isn't it, the 19th?
0:40:05 > 0:40:09- Mm-hm.- Yes. So what's the story?
0:40:09 > 0:40:12- Have you moved to LA, no? - No.- No.- No.
0:40:12 > 0:40:15- But you made this record in LA? - No.- No.- Oh.
0:40:15 > 0:40:19- Have you ever been to LA?- Yes!
0:40:19 > 0:40:21We're back on track, we're back on track.
0:40:21 > 0:40:25- We wrote the record in LA.- I knew there was some connection, didn't I?
0:40:25 > 0:40:27I'm not just making it up.
0:40:27 > 0:40:29But now, is it true you're not a fan of LA?
0:40:29 > 0:40:32No...we love LA. We just, um...
0:40:32 > 0:40:35LAUGHTER They hate it.
0:40:35 > 0:40:40Well, the thing was, we had this trip planned, we were going to go,
0:40:40 > 0:40:43right, and it was very exciting and then,
0:40:43 > 0:40:46my relationship ended just before going there.
0:40:46 > 0:40:51- Oh.- So I was not in a great state when we came there.
0:40:51 > 0:40:55- I feel bad now that I brought it up. - Oh, no, it's OK.
0:40:55 > 0:40:58You're all good again, yeah. You got a record out of it, who cares?
0:41:00 > 0:41:03- That's WAY more important than a relationship.- Yeah.
0:41:03 > 0:41:05Are you greeted at the airport with that question?
0:41:05 > 0:41:08You know, "Did you just broke up with somebody?
0:41:08 > 0:41:10"Welcome to Los Angeles."
0:41:13 > 0:41:15I would mention your tour, but there's no need,
0:41:15 > 0:41:19- it's sold out already.- Wow.- Yeah. That's amazing.
0:41:19 > 0:41:24Congratulations. Are you going to add extra dates or anything?
0:41:24 > 0:41:27- Well, we'll be back in the summer. - Yeah.- Festivals.
0:41:27 > 0:41:29Oh, OK. You do the festivals and all those sorts of things.
0:41:29 > 0:41:32- Yes.- Excellent. I love the music. - Thank you.- Good luck with the tour.
0:41:32 > 0:41:35Thank you so much for doing that. First Aid Kit, everybody.
0:41:35 > 0:41:36CHEERING AND APPLAUSE
0:41:37 > 0:41:41OK. That's nearly it,
0:41:41 > 0:41:44but we do have time for a visit to the big red chair.
0:41:44 > 0:41:47Yes, who's there? Hello!
0:41:47 > 0:41:50- Hello.- Hi, what's your name? - I'm Katie.- Katie. Lovely.
0:41:50 > 0:41:52- Where are you from, Katie? - I'm from Guildford.- Guildford.
0:41:52 > 0:41:55She's from Guildford, it's a lovely part of the world. Commuter belt.
0:41:55 > 0:41:59- It's no LA.- No, it's not, no. She's happy.
0:41:59 > 0:42:01Um, so what do you do in Guildford?
0:42:01 > 0:42:03- Well, I actually work in London. - Oh, right. You commute.
0:42:03 > 0:42:07See, I told you it was a commuter belt. What do you do in London?
0:42:07 > 0:42:09I work in foetal medicine at St George's Hospital.
0:42:09 > 0:42:13Wow. Proper, serious job. Wow! Off you go with your story.
0:42:13 > 0:42:15OK, it was back in 2000, 2001,
0:42:15 > 0:42:19I was lucky enough to be on a sailing holiday in the Greek islands
0:42:19 > 0:42:23and we dropped in on a harbour called Fiscardo on Kefalonia
0:42:23 > 0:42:24and it's around about the time
0:42:24 > 0:42:26when Captain Corelli's Mandolin was being filmed
0:42:26 > 0:42:30and rumour was that Tom Hanks was playing the lead.
0:42:30 > 0:42:36As I know now, it's not true, but we had decided to eat at a taverna
0:42:36 > 0:42:39and because we'd had quite a few drinks on board,
0:42:39 > 0:42:42the crew, well, not the crew, but friends and family that I was with,
0:42:42 > 0:42:45they ended up going off down to the taverna where we'd booked
0:42:45 > 0:42:48and I cleared up the boat and I came on afterwards.
0:42:48 > 0:42:50I was walking towards the other tavernas on the quayside
0:42:50 > 0:42:53and somebody caught my eye, like, really caught my eye,
0:42:53 > 0:42:56and I thought, "Oh, I know that person..."
0:42:56 > 0:42:59LAUGHTER
0:42:59 > 0:43:01It wasn't you, was it?
0:43:01 > 0:43:03Well, I actually have been to Fiscardo in Kefalonia and I was
0:43:03 > 0:43:06there around the time they were making Captain Corelli's Mandolin.
0:43:06 > 0:43:09- No, you weren't! No, you weren't! - It's very possible.
0:43:09 > 0:43:14- I want to hear the rest of the story!- No, you're making that up.
0:43:14 > 0:43:16I want to know what happens next.
0:43:16 > 0:43:20- Kefalonia is right across from Ithaca.- You are making that up.
0:43:20 > 0:43:23I have been to... I have been sitting in a taverna
0:43:23 > 0:43:26in Kefalonia, in Fiscardo many, many times.
0:43:26 > 0:43:29- Shall we see if it was you? - Well...
0:43:29 > 0:43:31Is she still alive?
0:43:31 > 0:43:34I don't know! Can we mend her? Can be rebuild her?
0:43:34 > 0:43:39OK, let's get her back. OK. So, cut to the chase.
0:43:39 > 0:43:42- Was it Tom Hanks?- Yes!- Oh, my God!
0:43:47 > 0:43:50That was a short story, she built it long.
0:43:50 > 0:43:53- That's amazing!- Yeah, yeah.- Wow!
0:43:53 > 0:43:56- Oh, but it's fabulous.- That's incredible.- Greece is fantastic.
0:43:56 > 0:44:01Poor story but Greece, lovely. OK, shall we try one more? One more.
0:44:01 > 0:44:04One more. This is the charm. This is the charm. Hello.
0:44:04 > 0:44:06- Hello.- Hi. What's your name?- Lisa.
0:44:06 > 0:44:09Lisa. Lovely, Lisa. And what do you do?
0:44:09 > 0:44:15- I work in marketing, financial services.- Ooh! OK, I am no wiser.
0:44:15 > 0:44:17Off you go with your story.
0:44:17 > 0:44:20OK, it's about 20 years ago, I'd been on the pill for a little while,
0:44:20 > 0:44:23decided it was time for a change, wanted to try out the cap...
0:44:23 > 0:44:25LAUGHTER
0:44:25 > 0:44:30- I love this story!- You are not... You are not...
0:44:30 > 0:44:32I love this story!
0:44:32 > 0:44:35OK, so you're off the pill, you're trying the cap, why not?
0:44:35 > 0:44:36Ring the changes.
0:44:36 > 0:44:40OK, so, family planning clinic, met this very lovely nurse
0:44:40 > 0:44:43who demonstrated to me pictorially how to use the cap,
0:44:43 > 0:44:46- how to insert it, make sure it was comfortable, etc.- Yeah, of course.
0:44:46 > 0:44:49And then handed it to me and said, "OK, now you need to try."
0:44:49 > 0:44:51Told me to take off my bottom half
0:44:51 > 0:44:55and I got into the squat position, which the pictures had suggested.
0:44:55 > 0:44:57She then said she needed to pop out and she'd be back
0:44:57 > 0:45:00in five minutes when I could ask any questions.
0:45:00 > 0:45:01So I got down to the job,
0:45:01 > 0:45:03I was struggling somewhat with this cap,
0:45:03 > 0:45:06to get it in, to get it in the right position, at which point
0:45:06 > 0:45:10I heard a very sharp, sudden cough and looked up to see the whole
0:45:10 > 0:45:15waiting room staring in at me where she had not close the door properly.
0:45:15 > 0:45:17AUDIENCE GROANS
0:45:18 > 0:45:20You can walk!
0:45:20 > 0:45:24- Thank you.- Very good story!
0:45:24 > 0:45:28Beautiful! Beautiful! Mwah! Mwah!
0:45:28 > 0:45:30Well done, everybody.
0:45:30 > 0:45:32If you'd like to join us on the show and have a go in that red chair,
0:45:32 > 0:45:35you can contact us via our website at this address.
0:45:35 > 0:45:36That is it for tonight.
0:45:36 > 0:45:39Please say a huge thank you to all of my guests -
0:45:39 > 0:45:41First Aid Kit. CHEERING AND APPLAUSE
0:45:41 > 0:45:44Anthony Joshua! CHEERING AND APPLAUSE
0:45:44 > 0:45:47Maisie Williams! CHEERING AND APPLAUSE
0:45:47 > 0:45:49And Mr Tom Hanks! CHEERING AND APPLAUSE
0:45:51 > 0:45:54Join me next week with singer-songwriter Sigrid,
0:45:54 > 0:45:5850 Shades' Jamie Dornan, Oscar-nominated Liam Neeson
0:45:58 > 0:46:01and the great Dame Helen Mirren. I'll see you then.
0:46:01 > 0:46:02Good night, everybody, bye-bye!
0:46:02 > 0:46:05CHEERING