0:00:02 > 0:00:05Good evening. My name is Tom Cruise and you are watching The Graham Norton Show.
0:00:05 > 0:00:08CHEERING AND APPLAUSE
0:00:22 > 0:00:24Oh!
0:00:24 > 0:00:26Oh!
0:00:26 > 0:00:28Oh!
0:00:28 > 0:00:31APPLAUSE DROWNS SPEECH
0:00:31 > 0:00:36Too much. Hello, everybody. Hello, and welcome.
0:00:36 > 0:00:38We are very excited, yes, Tom Cruise is here!
0:00:38 > 0:00:41WILD CHEERING
0:00:41 > 0:00:44Back there. Yeah, Tom is taking a break from filming
0:00:44 > 0:00:48Mission: Impossible 6 to come along with some of his costars for a chat.
0:00:48 > 0:00:52Of course, in the films, Tom's elite band of secret agents,
0:00:52 > 0:00:55you know, they take on jobs that seem utterly impossible.
0:00:55 > 0:00:57Utterly impossible, like, I don't know,
0:00:57 > 0:00:59persuading a Ukip leader to resign.
0:00:59 > 0:01:01That kind of thing.
0:01:01 > 0:01:04Beating Ant & Dec at the National Television Awards.
0:01:04 > 0:01:06That sort of thing.
0:01:06 > 0:01:09And mind you, sometimes the impossible can happen.
0:01:09 > 0:01:10Can you believe it -
0:01:10 > 0:01:14Donald Trump has been the American president for a WHOLE year?
0:01:14 > 0:01:16BOOING
0:01:16 > 0:01:19It seems longer, doesn't it? Were there more months in this last year?
0:01:19 > 0:01:21Were there extra months?
0:01:21 > 0:01:24It is also Donald Trump's 13th wedding anniversary.
0:01:24 > 0:01:2613 years!
0:01:26 > 0:01:29Unlucky for some. LAUGHTER
0:01:29 > 0:01:31It certainly is for Melania.
0:01:31 > 0:01:32Here are the happy couple.
0:01:32 > 0:01:35HE LAUGHS
0:01:37 > 0:01:40Oh! That's just lovely.
0:01:40 > 0:01:44Now, the traditional gift for a 13th wedding anniversary is lace.
0:01:44 > 0:01:46Mm-hm. I think you can tell what Melania is thinking,
0:01:46 > 0:01:49"Please, God, a tablecloth, not lingerie."
0:01:50 > 0:01:52On the subject of happy couples,
0:01:52 > 0:01:55we must say congratulations to Princess Eugenie,
0:01:55 > 0:01:57who got engaged this week. It is a good thing.
0:01:57 > 0:02:01APPLAUSE It's happy news.
0:02:01 > 0:02:02Yay!
0:02:02 > 0:02:05Her boyfriend, Jack, proposed to her while they were on holiday.
0:02:05 > 0:02:07Doesn't really narrow it down.
0:02:07 > 0:02:10Now, it's the... LAUGHTER
0:02:10 > 0:02:13"Is this a holiday?" "Yeah, yeah, this is a holiday."
0:02:15 > 0:02:18Though, to be fair, it is the third most exciting piece
0:02:18 > 0:02:20of Royal news since Harry's engagement
0:02:20 > 0:02:22and Prince William shaving his head.
0:02:23 > 0:02:25Now, I think it looks great. No, it looks good!
0:02:25 > 0:02:27You know, his kids can have fun painting it in time for Easter.
0:02:27 > 0:02:30LAUGHTER
0:02:30 > 0:02:34I believe, I believe that's called a number one all over.
0:02:34 > 0:02:36That's what that's called, which, coincidentally,
0:02:36 > 0:02:39was what Donald Trump wanted for a anniversary present.
0:02:39 > 0:02:41LAUGHTER AND GROANS It's clever, it's clever.
0:02:41 > 0:02:44APPLAUSE Let's get some guests on.
0:02:45 > 0:02:50Later, we will have music and chat from chart-topping Paloma Faith!
0:02:51 > 0:02:55But first, he is one of our most successful comic exports with
0:02:55 > 0:02:57cult hits Spaced, Shaun Of The Dead and Hot Fuzz.
0:02:57 > 0:02:58Now he is Hollywood's hottest geek.
0:02:58 > 0:03:01Please welcome Simon Pegg, everybody!
0:03:01 > 0:03:05APPLAUSE There he is. Hello.
0:03:05 > 0:03:08Look at this suit.
0:03:08 > 0:03:09Yes, you look lovely.
0:03:10 > 0:03:11Yeah!
0:03:11 > 0:03:13From the Man Of Steel to The Man From UNCLE,
0:03:13 > 0:03:16he is the hottest thing to come out of Jersey.
0:03:16 > 0:03:20Is it a bird? Is it a plane? No, it is Henry Cavill.
0:03:20 > 0:03:24There he is. Hello. So nice to see you. Have a seat there.
0:03:24 > 0:03:26You know him, you know him.
0:03:28 > 0:03:31This Swedish actress is fast making a name for herself in films
0:03:31 > 0:03:33such as Girl On The Train, Florence Foster Jenkins
0:03:33 > 0:03:34and The Greatest Showman.
0:03:34 > 0:03:37It is a first-time welcome to Rebecca Ferguson.
0:03:39 > 0:03:43Hello! Hi, lovely to see you.
0:03:43 > 0:03:46Welcome. Have a seat.
0:03:47 > 0:03:50And he's a true Hollywood great and a man on a mission.
0:03:50 > 0:03:54Please welcome our favourite top gun, it is Mr Tom Cruise!
0:03:54 > 0:03:58MUSIC: Mission: Impossible Theme
0:04:00 > 0:04:01So good to see you.
0:04:11 > 0:04:13Oh, look at that. Very nice, very nice.
0:04:13 > 0:04:16Professional, professional, pretending to not know them, it's all good.
0:04:16 > 0:04:19So, this is weird, we've never had this before where people
0:04:19 > 0:04:22are actually making the movie that they have come on to talk about.
0:04:22 > 0:04:23Yeah, we shot all day too.
0:04:23 > 0:04:26- Were you on set today? - We've been on today.
0:04:26 > 0:04:27Yeah, all of us were on set filming.
0:04:27 > 0:04:30What were you doing, running or talking?
0:04:30 > 0:04:33Well, personally, I injected a man in the neck with a tranquilliser,
0:04:33 > 0:04:36put him in prison and got kicked in the head by Henry and that was...
0:04:36 > 0:04:39- ..my day.- Yes.- That sounds like more than a day.
0:04:39 > 0:04:42So, Henry, we know what you did, you kicked him in the head.
0:04:42 > 0:04:45- I kicked him in the head.- Very good. - That wasn't on camera.- No, no.
0:04:45 > 0:04:48- That wasn't for the film. - That was in the trailers.
0:04:48 > 0:04:50- And, Rebecca, were you on today? - I...
0:04:50 > 0:04:52Oh, yes, I actually... I'm going to stand up.
0:04:52 > 0:04:56- I had this pose today with a semi-automatic rifle.- Yes.
0:04:56 > 0:04:58With my belly like this.
0:04:58 > 0:05:00- Shooting bad guys. - Six months pregnant.
0:05:00 > 0:05:03I'm glad you said that, because I wasn't going to say anything. I...
0:05:03 > 0:05:06LAUGHTER That's what gets men in trouble.
0:05:08 > 0:05:12- You are six months pregnant?- I am. I don't know what happened.
0:05:13 > 0:05:15I could guess.
0:05:15 > 0:05:18Yes, six months ago. Yes.
0:05:18 > 0:05:20What were you doing today?
0:05:20 > 0:05:22I was just shooting guns and...
0:05:22 > 0:05:24- Having fun.- Having fun. - Stuff.- Stuff.
0:05:24 > 0:05:27- Shooting gun then...- And where are you? Are you nearly finished?
0:05:27 > 0:05:29- SIMON:- I don't know!- Maybe.
0:05:29 > 0:05:31Are we?
0:05:31 > 0:05:34- We hope so.- You been filming since when? Last...last...?- Last year.
0:05:34 > 0:05:37- Last March or April. - Yeah, yeah, last year.- Yeah.
0:05:37 > 0:05:38So, you must be nearly finished.
0:05:38 > 0:05:41It's because I broke my ankle. We had to shut down.
0:05:41 > 0:05:44- Well, now.- We are about six weeks away.- The ankle. This is...
0:05:44 > 0:05:45So, are you fully recovered. Are you well?
0:05:45 > 0:05:48- It's still broken, but I'm doing well.- No, you're kidding.
0:05:48 > 0:05:49- Is it still broken?- Yeah!
0:05:49 > 0:05:52I mean, it's not fully healed, but we are shooting.
0:05:52 > 0:05:56But that's nuts. Cos we've seen the picture. You're running and doing all the stuff again.
0:05:56 > 0:05:59I know, I know. We have a release date, so we've got to keep going.
0:05:59 > 0:06:02Yeah, otherwise we'll end up going live on the night.
0:06:04 > 0:06:07It's much better, it's much better.
0:06:07 > 0:06:08You probably...
0:06:08 > 0:06:12I'm sure you all saw the footage... It was in the papers
0:06:12 > 0:06:15- and things online of the accident.- Yes.
0:06:15 > 0:06:16And I think we all kind of thought,
0:06:16 > 0:06:18"How did you break an ankle doing that?"
0:06:18 > 0:06:21Cos it looked like you should've broken your jaw or something...
0:06:21 > 0:06:23I know, everyone said that was the stunt...
0:06:23 > 0:06:27I mean, I'm going to run across and hit the side of the wall
0:06:27 > 0:06:28and then pull myself over.
0:06:28 > 0:06:30That wasn't the mistake.
0:06:30 > 0:06:33- So, you were always meant to not land on the roof?- Yes. Always.
0:06:33 > 0:06:36- OK. So, what you've done is you've brought us some footage...- Mm-hm.
0:06:36 > 0:06:38I think is so cool to see this from the different angles.
0:06:38 > 0:06:41I can't watch this. I haven't watched it yet.
0:06:41 > 0:06:43- REBECCA:- Is it in slow-motion?
0:06:43 > 0:06:45Most of it is fine, there's one clip, but I will warn you,
0:06:45 > 0:06:47- it is not for the squeamish.- Gross.
0:06:47 > 0:06:50So you see, I'm wearing two wires. They're basically just safety wires
0:06:50 > 0:06:53because I go at a full tilt and I'm sprinting as hard as I can
0:06:53 > 0:06:56and I hit the side of the wall and that's the stunt.
0:06:56 > 0:07:00I hit the side of the wall and then I'm chasing after Henry, actually.
0:07:00 > 0:07:02- And...- All his fault.
0:07:02 > 0:07:04All his fault. I blame him.
0:07:04 > 0:07:07I hit the side of the wall and then I climb up on the wall
0:07:07 > 0:07:09and I'm supposed to run past camera.
0:07:09 > 0:07:12OK, we've got... This is the shot from behind you. So this...
0:07:12 > 0:07:15You see the speed and the momentum of the run. And it's in London.
0:07:15 > 0:07:17- There we go.- So, it is keeping me up and...
0:07:17 > 0:07:20So, here we go. Look at that. Whoa!
0:07:20 > 0:07:21EVERYONE GROANS
0:07:21 > 0:07:24Now... Good noise, everybody.
0:07:24 > 0:07:27But you get my point, that you think, "How did you break a leg?"
0:07:27 > 0:07:31- So, let's look at it from the side. REBECCA:- Oh, no, the slow-motion. - This is it from the side.- Oh, no.
0:07:31 > 0:07:33No, no. This isn't the bad one. This isn't the bad one, Rebecca.
0:07:33 > 0:07:36- So, this is from the side. Here we go.- We shot it with three cameras.
0:07:36 > 0:07:39- Oh, my gosh.- Here he goes. And boom! AUDIENCE GROANS
0:07:39 > 0:07:42Now. Now, we've got a camera which focuses on the foot.
0:07:42 > 0:07:46- Now, if you are squeamish... - Don't watch it.- Don't watch this.
0:07:46 > 0:07:48- Simon still hasn't seen it.- I...
0:07:48 > 0:07:50LAUGHTER
0:07:50 > 0:07:53They keep trying to show it to me and I'm like, "No! I can't."
0:07:53 > 0:07:55I mean, a bone doesn't pop out or anything,
0:07:55 > 0:07:57but is an odd angle for anyone's foot to be at.
0:07:57 > 0:07:59Nobody's foot should ever have to do this, ever.
0:07:59 > 0:08:02- Yeah, here we go. REBECCA:- Oh, gosh. I haven't watched it.
0:08:02 > 0:08:05He jumps, that speed, that momentum. Here we go.
0:08:05 > 0:08:07Now watch that. Watch this.
0:08:07 > 0:08:11AUDIENCE GROANS
0:08:11 > 0:08:12- REBECCA:- Do it again.
0:08:12 > 0:08:14LAUGHTER
0:08:14 > 0:08:21But here, here is why Tom Cruise gets paid the big bucks.
0:08:21 > 0:08:26OK? Because this is it from the front angle, OK?
0:08:26 > 0:08:29You've just seen what has happened to his foot. Now watch this.
0:08:29 > 0:08:31I knew I broke it instantly.
0:08:31 > 0:08:34So you are down. Now, anyone else would go, "Well, that's over." No.
0:08:34 > 0:08:37Up he gets. Up he gets and he's running.
0:08:39 > 0:08:42APPLAUSE That's phenomenal.
0:08:48 > 0:08:51- I didn't want to do it again.- No. - I didn't want to do it again.
0:08:51 > 0:08:53I knew instantly it was broken. And I...
0:08:53 > 0:08:57I just... Run past camera, we got the shot, it's in the movie.
0:08:57 > 0:09:00That profile shot, both those shots are in the movie. And Henry...
0:09:00 > 0:09:02Everybody said when you got up and ran out of shot,
0:09:02 > 0:09:05- "Oh, that's so him." - LAUGHTER
0:09:05 > 0:09:08To complete the shot, like, with your foot hanging off,
0:09:08 > 0:09:12- "That's so him." - LAUGHTER
0:09:12 > 0:09:14I just went, I said, "Sorry, guys, it's broken.
0:09:14 > 0:09:17"Take me to the hospital, it's broken. That's a wrap." Everyone...
0:09:17 > 0:09:18..everyone. Crew got on the phone
0:09:18 > 0:09:21- and made their vacation arrangements.- I made a baby.
0:09:21 > 0:09:24LAUGHTER
0:09:24 > 0:09:26We had six months, at least, I thought.
0:09:26 > 0:09:30I told you it was going to be six months. I told you that.
0:09:31 > 0:09:35And when this film finally ends, Henry Cavill...
0:09:35 > 0:09:36- "Finally ends." - LAUGHTER
0:09:36 > 0:09:38We are going to miss each other.
0:09:38 > 0:09:41But, Henry, you are probably not going to miss your face furniture.
0:09:41 > 0:09:43You're not fond of the face furniture, are you?
0:09:43 > 0:09:46Oh, it's not that I'm not fond of it. It's just that, you know...
0:09:46 > 0:09:48- Look at that.- It's just that if I'm walking past schools,
0:09:48 > 0:09:51- people give me funny looks. - LAUGHTER
0:09:51 > 0:09:53It's tough to buy vans.
0:09:55 > 0:09:57I can't give children sweets.
0:09:57 > 0:10:00Cos you normally do that a lot,
0:10:00 > 0:10:02If you hang out in the park long enough, why not?
0:10:02 > 0:10:04"Hey, guys, I'm Superman, come get some sweets."
0:10:06 > 0:10:07"I'm not a stranger, I'm Superman."
0:10:10 > 0:10:12I think he rocks it. Very few men can carry that off.
0:10:12 > 0:10:14No, it's very good.
0:10:14 > 0:10:16Mind you, you know what's annoying about that?
0:10:16 > 0:10:19Is that if Henry Cavill wore a stupid hat,
0:10:19 > 0:10:23you would think, "Oh, that stupid hat looks really good on him."
0:10:23 > 0:10:25And it's not that. He looks really good.
0:10:25 > 0:10:27And they you put it on, it's a stupid hat.
0:10:27 > 0:10:31But now, Simon, this is your fourth Mission: Impossible.
0:10:31 > 0:10:34- It is, yes.- So, you've been working with Tom for what, over 10 years now?
0:10:34 > 0:10:3612 years, we worked it out yesterday, didn't we? Yeah.
0:10:36 > 0:10:39- 12 years, this year.- Oh, wow! So, you know each other very well.
0:10:39 > 0:10:42- Pretty well, we've been in the trenches a long time.- Oh, yeah.
0:10:42 > 0:10:46- Yeah.- So, do you forget that it's Tom Cruise?
0:10:46 > 0:10:48Yes and no. You kind of like...
0:10:48 > 0:10:51On a day-to-day basis, we are working and we are friends
0:10:51 > 0:10:54and it's fun and it's a job.
0:10:54 > 0:10:57But when I'm out...when we're out doing press or whatever,
0:10:57 > 0:11:00I see Tom become Tom, the Tom people know.
0:11:00 > 0:11:03Like I've seen Tom become Tom Cruise, which is...
0:11:03 > 0:11:05- LAUGHTER - ..which is amazing.
0:11:05 > 0:11:08- What does that mean? - I don't know.- Is he Tom Cruise now?
0:11:08 > 0:11:09Is this Tom Cruise?
0:11:09 > 0:11:13He smiles and... Like when we were shooting in Paris
0:11:13 > 0:11:16and we'll be doing a scene and then he'll just go, "Hey, how you doing?"
0:11:16 > 0:11:18And that's Tom becoming Tom because people...
0:11:18 > 0:11:20He is very, very good with his fans.
0:11:20 > 0:11:24And I remember that night in Vienna when we were doing like a recce,
0:11:24 > 0:11:26and we're looking around and it took about 10 minutes for 100
0:11:26 > 0:11:31people to be around us and you were so good with them.
0:11:31 > 0:11:33Just waving and smiling. I'd be punching...
0:11:33 > 0:11:35LAUGHTER
0:11:35 > 0:11:37- Spitting.- No, you wouldn't, Simon.
0:11:37 > 0:11:40You did it for my sister as well, I think. You just did that thing
0:11:40 > 0:11:42where you just kind of become Maverick. Just smile.
0:11:42 > 0:11:45LAUGHTER
0:11:45 > 0:11:48- That's Tom Cruise right there. There he is.- There is.
0:11:48 > 0:11:51- Yes, that's him. - I told you he was here.
0:11:51 > 0:11:55But here's an odd thing. Because, Rebecca, your mother is...
0:11:55 > 0:11:58..is she famous in Sweden? She is famous in Sweden.
0:11:58 > 0:12:01Well, no, she is not famous, but she has...
0:12:01 > 0:12:05She hung a lot with the kind of avant-garde, cool people, like Abba,
0:12:05 > 0:12:08- back in the day.- Yes, those avant-garde Abba people.
0:12:08 > 0:12:10LAUGHTER
0:12:10 > 0:12:14They finally went mainstream. I mean they just...they really sold out.
0:12:14 > 0:12:17But she worked with Abba, didn't she?
0:12:17 > 0:12:19So, what she did was...
0:12:19 > 0:12:21- Do know this? This is good trivia. - No, I didn't know.
0:12:21 > 0:12:24No, she did! I think she was dating a man called Ron Spalding
0:12:24 > 0:12:28and he took all of their cover images of their LPs.
0:12:28 > 0:12:33Actually, she is on one of the covers, which...you apparently have.
0:12:33 > 0:12:35I do!
0:12:35 > 0:12:37So, we all know this album, don't we, ladies and gentlemen?
0:12:37 > 0:12:40Abba. There they are in the back of the car, drinking.
0:12:40 > 0:12:41- Is that your mom?- On the other side.
0:12:41 > 0:12:44We turn it around, we turn it around.
0:12:44 > 0:12:47- Now, which one of these people is your mother?- Look at the legs.
0:12:47 > 0:12:49Wait, if I do this, can you see the similarities?
0:12:49 > 0:12:52- Oh, yes.- Here we go.
0:12:52 > 0:12:54LAUGHTER
0:12:54 > 0:12:59Rebecca Ferguson's mother's legs on an Abba album, ladies and gentlemen.
0:12:59 > 0:13:01APPLAUSE DROWNS SPEECH
0:13:01 > 0:13:04Beautiful.
0:13:04 > 0:13:06Oh, and she helped to actually...
0:13:07 > 0:13:10Not translate, but she went through all the lyrics in Swedish
0:13:10 > 0:13:13and helped rewrite them to English, Waterloo.
0:13:13 > 0:13:15- Really?- So, if there's any mistakes, it's her fault.
0:13:15 > 0:13:18It is fair to say, it does make no sense, but...
0:13:18 > 0:13:21But bless her for trying. So, listen, the new Mission: Impossible,
0:13:21 > 0:13:23it won't be coming out until 26 July,
0:13:23 > 0:13:27- but before then, the trailer is being released...?- The Super Bowl.
0:13:27 > 0:13:30- February the...? Is that the fourth? - Yeah.- Fourth.- February 4th, trailer.
0:13:30 > 0:13:33The Super Bowl, we are going to have a little 30-second spot
0:13:33 > 0:13:35and then it's going to send everyone to the internet
0:13:35 > 0:13:36and out in theatres in April.
0:13:36 > 0:13:39Wow! And you've just announced the actual title.
0:13:39 > 0:13:40Mission: Impossible - Fallout.
0:13:40 > 0:13:44- Fallout.- Fallout.- Fallout. CHEERS AND APPLAUSE
0:13:44 > 0:13:46Fallout.
0:13:46 > 0:13:48- OK, so we now know the title.- Yes.
0:13:48 > 0:13:51- Do we know anything else about it? - No.
0:13:51 > 0:13:54Yeah, you know that it's a kind of... It's a...
0:13:54 > 0:13:57It really is a story of...
0:13:57 > 0:14:00It takes into account all the Mission: Impossibles, really.
0:14:00 > 0:14:04And it is a fallout of all the things that we did in the...
0:14:04 > 0:14:07- ..earlier Mission: Impossibles. - Ethan, in particular, yeah.
0:14:07 > 0:14:10Well, it's kind of the good things that we've done
0:14:10 > 0:14:13and they are using it now against us.
0:14:13 > 0:14:17- OK.- So. And Henry is an antagonist.
0:14:17 > 0:14:20- The primary antagonist in the film. - Is that posh for a baddie?
0:14:20 > 0:14:23Well, I would say primary, you have the root...
0:14:23 > 0:14:26You know, you have Lane, who is the baddie, Sean Harris.
0:14:26 > 0:14:28- He's coming back from Rogue Nation. - Oh, OK.
0:14:28 > 0:14:32And we have Michelle Monaghan, Angela Bassett, you know,
0:14:32 > 0:14:35Vanessa Kirby, Ving Rhames, of course, is back.
0:14:35 > 0:14:38Yeah, yeah, yeah. And you are back as Faust.
0:14:38 > 0:14:41Yeah, forget about those other people. I'm back again as well.
0:14:43 > 0:14:45- And Benji Dunn is back. - Yes, of course.
0:14:45 > 0:14:48Do you have a name, Henry?
0:14:48 > 0:14:50- Do I have a name?- Yes.- Yes.
0:14:50 > 0:14:53- August Walker.- Ooh! You had to be a villain.
0:14:53 > 0:14:54- Very fancy.- Say it again.
0:14:54 > 0:14:58I didn't know was August until about halfway through the movie, though.
0:14:58 > 0:15:00I was just referred to as Walker and I saw the chair
0:15:00 > 0:15:02and I was like, "Hold on a second. My first name's August?"
0:15:02 > 0:15:05LAUGHTER
0:15:05 > 0:15:08- And Micky was like, "Yes." - Chris McQuarrie.
0:15:08 > 0:15:12He's the writer, director and kind of creative partner of mine
0:15:12 > 0:15:15and it's his second Mission he's directing.
0:15:15 > 0:15:17Mission: Impossible, obviously, you pays your money,
0:15:17 > 0:15:19you want the big, big stunts.
0:15:19 > 0:15:24Now, the last time you were on the show, you were hinting at this big
0:15:24 > 0:15:28set piece in this movie that you spent years preparing.
0:15:28 > 0:15:31- Yes.- So, I think you can tell us a bit more about it now, right?
0:15:31 > 0:15:32- Now I can tell you a bit more.- OK.
0:15:32 > 0:15:35I spent, really, two years, McQ and I were
0:15:35 > 0:15:38talking about a sequence and it is an aerial sequence with helicopter.
0:15:38 > 0:15:42I wanted... I've studied, you know, many different films.
0:15:42 > 0:15:45So, when I went and I got my helicopter license
0:15:45 > 0:15:46and we were flying aerobatics...
0:15:46 > 0:15:48Can I just stop you for one second there?
0:15:48 > 0:15:53I was surprised you didn't have a helicopter license already.
0:15:53 > 0:15:55- I know, I'm sorry. - It seems so NOT you.
0:15:55 > 0:15:58When they were telling me, "And he got his helicopter license,"
0:15:58 > 0:16:01I was like, "Really? I'm sure I've seen him flying helicopters before."
0:16:01 > 0:16:04- Were you flying without a licence previously?- Yes.
0:16:04 > 0:16:06Not to get you in trouble or anything, but...
0:16:06 > 0:16:08- Yes.- Oh, were you?- Yeah, yeah. - So, no wonder you got it quickly.
0:16:08 > 0:16:11- I know, I know. Very fast. - OK, so you get the license.
0:16:11 > 0:16:14Yeah, and then we just started really working
0:16:14 > 0:16:17on the sequence to see what can we do practical.
0:16:17 > 0:16:19I mean, I think, in terms of action,
0:16:19 > 0:16:22this is probably the largest practical action film ever shot.
0:16:22 > 0:16:24Like, when you look at the films, there's no CGI.
0:16:24 > 0:16:28So, we are going through Paris on a motorcycle. It is just full-on.
0:16:28 > 0:16:31The cars, you know, we're all doing our own stunts.
0:16:31 > 0:16:36And the helicopter sequence is just incredibly...
0:16:36 > 0:16:37..exhilarating and very dangerous.
0:16:37 > 0:16:40So, there is really only one country that would allow us to do it,
0:16:40 > 0:16:44where we had to build special camera rigs for the helicopter.
0:16:44 > 0:16:46And so, I got my license
0:16:46 > 0:16:48and I just trained up on aerobatics and it is different.
0:16:48 > 0:16:51I fly aerobatics in airplanes, but helicopters are very different.
0:16:51 > 0:16:55So, we are flying very low, very close to rock faces in a chase.
0:16:55 > 0:16:57I'm chasing, you know, Henry in the sequence.
0:16:57 > 0:16:59We've got some pictures of it here.
0:16:59 > 0:17:01So now, this is... That's you...
0:17:01 > 0:17:03Is this the end of the sequence or the beginning?
0:17:03 > 0:17:06I think we've got these pictures the wrong way round. I think this is...
0:17:06 > 0:17:07No, they are... It's...
0:17:07 > 0:17:09I can't tell you that right now. It is part of the sequence.
0:17:09 > 0:17:11OK, all right, well, I just think this might be out...
0:17:11 > 0:17:14So, there's Henry hanging out of the helicopter.
0:17:14 > 0:17:15There's Henry back there, hanging out.
0:17:15 > 0:17:18He's not even flying a helicopter. I mean, really.
0:17:18 > 0:17:20He had to do it in an armoured helicopter
0:17:20 > 0:17:22because we are doing aerobatics. He's...
0:17:22 > 0:17:24At least I know my own fate, you know?
0:17:24 > 0:17:26He was there at times...
0:17:26 > 0:17:30I was literally on his tail, like, a foot off the tail rotor at times.
0:17:30 > 0:17:32- He had no idea...- There were times where I generally thought,
0:17:32 > 0:17:34"Oh, OK, this is how it goes."
0:17:35 > 0:17:39- You are dedicated.- At least I get killed by Tom Cruise.
0:17:39 > 0:17:41It'll make the papers.
0:17:41 > 0:17:43Henry is lucky cos he can actually fly, anyway. So if...
0:17:43 > 0:17:45- He can just zoom off that way. - Yes, of course.
0:17:45 > 0:17:47LAUGHTER
0:17:47 > 0:17:50APPLAUSE DROWNS SPEECH
0:17:53 > 0:17:55So, here you are flying. Now, I'm guessing...
0:17:55 > 0:17:59That must be after this next bit because this next picture,
0:17:59 > 0:18:03you are on the outside, so someone must be flying the helicopter.
0:18:03 > 0:18:04It can't be...
0:18:04 > 0:18:07Please tell me you didn't get out of the helicopter
0:18:07 > 0:18:08while it was going.
0:18:09 > 0:18:14So, that's you, And I mean, that is you, hanging off the helicopter.
0:18:14 > 0:18:16But this next picture is -
0:18:16 > 0:18:20one, it is just a beautiful picture, but is crazy.
0:18:20 > 0:18:23- So, that's you.- Yes. - I mean, that's...
0:18:23 > 0:18:25AUDIENCE GASPS
0:18:25 > 0:18:28I know, right? I can tell by this, you are quite high.
0:18:29 > 0:18:31We were on the ground that day.
0:18:31 > 0:18:34We're in the ball, hanging underneath.
0:18:34 > 0:18:36The rest of the cast.
0:18:38 > 0:18:41And because, you know, Tom does all this stuff,
0:18:41 > 0:18:44does that mean that you guys have to say yes to everything?
0:18:44 > 0:18:47- Fucking hell, yeah. - LAUGHTER
0:18:49 > 0:18:51They want to. They can't wait.
0:18:51 > 0:18:54- You can't get these guys out of the stunt room.- Do you know what?
0:18:54 > 0:18:57- You can't.- Henry is, like, in the helicopter, he was loving it.
0:18:57 > 0:18:58You were freezing in that helicopter.
0:18:58 > 0:19:00Oh, the helicopter was cold.
0:19:00 > 0:19:03It's a New Zealand winter and the doors are open.
0:19:03 > 0:19:07You posted a picture on your Instagram of you doing a stunt
0:19:07 > 0:19:08which looks very painful.
0:19:08 > 0:19:11I think it is you being lowered down a cliff by your nipples.
0:19:11 > 0:19:14LAUGHTER
0:19:14 > 0:19:18- That was his holiday.- I don't know how they wrote that into the script.
0:19:18 > 0:19:20It's not in the script.
0:19:20 > 0:19:22I love the stiff neck and the thumb.
0:19:22 > 0:19:24STRAINS: "Yeah, I'm fine!"
0:19:24 > 0:19:27It's one of those moments where you are being lowered off this
0:19:27 > 0:19:29a 1,800-foot cliff and you're thinking...
0:19:29 > 0:19:30You know those moments.
0:19:30 > 0:19:33- Yeah, one of those moments. - One of those moments, as you do.
0:19:33 > 0:19:35And you're thinking, "I know I'm perfectly safe
0:19:35 > 0:19:37"because the stunt crew is absolutely fantastic.
0:19:37 > 0:19:40- "Eastward team is..."- Trust the harness.- No, they're really good.
0:19:40 > 0:19:43And you trust the harness and they've all triple-checked everything.
0:19:43 > 0:19:46But it is still 1,800-foot and you are walking off backwards.
0:19:46 > 0:19:49And they are not doing it.
0:19:49 > 0:19:53It is so high and the boats at the bottom, in the fjord,
0:19:53 > 0:19:56are about this big, that it looks like a painting.
0:19:56 > 0:19:59And so you lose all sense of, like, fear
0:19:59 > 0:20:01and adrenaline for the height and start thinking,
0:20:01 > 0:20:04"If I were to fall, could I kind of like squirrel suit with my jacket..."
0:20:04 > 0:20:06LAUGHTER
0:20:06 > 0:20:09"..and make it all the way to the water and maybe just skim?"
0:20:09 > 0:20:12LAUGHTER You've been in Superman too much.
0:20:14 > 0:20:16It has got to you.
0:20:16 > 0:20:19Rebecca Ferguson, obviously, you know, with child now
0:20:19 > 0:20:21so, that makes stunts harder,
0:20:21 > 0:20:25but even when you did the last movie, you seemed quite unsuited.
0:20:25 > 0:20:28- I mean, you did suffer from vertigo going into these.- Oh, yeah.
0:20:28 > 0:20:33So, it seems a bizarre thing to say yes to being in one of these films.
0:20:33 > 0:20:36Well, I didn't really know what I was saying yes to.
0:20:36 > 0:20:40- OK.- Because I don't really know how these films were made.
0:20:40 > 0:20:42So, you know, when I was on the camel in the desert...
0:20:42 > 0:20:43We explained it to you.
0:20:43 > 0:20:48Very quickly and then the first day of shooting, Tom, what did we do?
0:20:48 > 0:20:51- We jumped off of a building.- Yeah. - LAUGHTER
0:20:51 > 0:20:52First day of shooting.
0:20:52 > 0:20:55I think we've got a picture of you.
0:20:55 > 0:21:00- That's me swearing and shouting the naughtiest words ever.- In my ear.
0:21:00 > 0:21:03- In your ear.- She's like, "I'm so sorry. Swear, swear, swear.
0:21:03 > 0:21:08"Did I say that? I'm so sorry. I'm just so... I'm just so... Oh..."
0:21:08 > 0:21:10The worst words ever.
0:21:10 > 0:21:12And then we jump off and he just looks at me
0:21:12 > 0:21:15in the Tom Cruise kind of way and he goes, "Welcome to Mission."
0:21:15 > 0:21:18LAUGHTER
0:21:18 > 0:21:20I don't remember saying that.
0:21:21 > 0:21:24I do not remember saying that.
0:21:24 > 0:21:26- No way!- You did.
0:21:26 > 0:21:28That is way too cheesy. I would never say that.
0:21:28 > 0:21:31- LAUGHTER - You said it's all of us!
0:21:33 > 0:21:37- I remember my special day, too. - LAUGHTER
0:21:37 > 0:21:39Now, normally, ladies and gentlemen, on a show like this,
0:21:39 > 0:21:41we would show a clip of Mission: Impossible,
0:21:41 > 0:21:44- but you haven't finished the film yet.- Sorry.
0:21:45 > 0:21:48So, we thought we'd make a snatch of one of our own.
0:21:48 > 0:21:51Now, one of the most iconic stunts that you do, Tom,
0:21:51 > 0:21:54is the running away from something exploding.
0:21:54 > 0:21:57- You are very good at it. - Thank you very much.
0:21:57 > 0:21:59We've got some stills. There's running away from a van.
0:21:59 > 0:22:02Ooh, that's in the Channel Tunnel there.
0:22:02 > 0:22:05- And this is the exploding fish tank.- Oh, yes.- There you go.
0:22:05 > 0:22:09GRAHAM GASPS Do you know, I've just noticed, that is a very good move.
0:22:09 > 0:22:11- I like that.- Yes, touchdown. - That's excellent.- Score.
0:22:11 > 0:22:13That is very good.
0:22:13 > 0:22:15Presumably timing is key.
0:22:15 > 0:22:17Because these are real explosions.
0:22:17 > 0:22:19They are real explosions. Key.
0:22:19 > 0:22:22That one was particularly very crazy.
0:22:22 > 0:22:25Was this the one where no-one properly told you the timing?
0:22:25 > 0:22:27Yeah, the guy was over there and he said,
0:22:27 > 0:22:29"OK, we're going to go on three."
0:22:29 > 0:22:31And he started going, "Three, two, one."
0:22:31 > 0:22:33And I said, "Whoa, whoa, whoa. Stop. Stop."
0:22:33 > 0:22:35And I'm waiting, we have an explosion that is
0:22:35 > 0:22:36going to go over my head.
0:22:36 > 0:22:40And I said, "You just said on three."
0:22:40 > 0:22:43He said, "Well I meant three." "Well, what does that mean?"
0:22:43 > 0:22:46- LAUGHTER - So I said, "Everyone, just, please..."
0:22:46 > 0:22:49It was like two in the morning and they are setting it up
0:22:49 > 0:22:54and there is broken... There is glass, just tonnes of water and...
0:22:54 > 0:22:57He said, "Well, I'm going to, 'Three, two, one'"
0:22:57 > 0:23:01And I said, "Do I go then or do I go on one? Like, when do I go?"
0:23:01 > 0:23:02LAUGHTER
0:23:02 > 0:23:04"Do I go on one? Are you going to push the button?
0:23:04 > 0:23:07"Is it going to explode on one?" It was, you know...
0:23:07 > 0:23:09He kind of looked at me like..." I don't know."
0:23:09 > 0:23:12- LAUGHTER - "I'm not sure."
0:23:12 > 0:23:14- Around then.- Around then.
0:23:15 > 0:23:18- Just go. Just run.- "When you hear the explosion, just go."
0:23:18 > 0:23:21"Yeah, you really ought to run cos it's very dangerous."
0:23:21 > 0:23:24"Yes, it's very dangerous, I would run real fast if I were you."
0:23:24 > 0:23:25"If I was you, I wouldn't hang around."
0:23:25 > 0:23:29Well, listen, what we've done is we've got a green screen here.
0:23:29 > 0:23:33So we are going to raise up a green screen at great speed.
0:23:33 > 0:23:35LAUGHTER
0:23:35 > 0:23:39APPLAUSE
0:23:39 > 0:23:42OK, while we are waiting for that...
0:23:42 > 0:23:45..while we're waiting for that, we're going to get some members of
0:23:45 > 0:23:48the audience to do this. But in terms of this, Tom,
0:23:48 > 0:23:51what we're going to do, they're going to start back there.
0:23:51 > 0:23:53They're going to run, OK?
0:23:53 > 0:23:55They're going to run to here
0:23:55 > 0:23:57and then that's the top of the explosion and they're going to want
0:23:57 > 0:24:00to get height and presumably facial expression.
0:24:00 > 0:24:03So, in terms of jumping, what's the best way to get height?
0:24:03 > 0:24:05- Are they going to land in the mats? - Yeah, that's the idea.
0:24:05 > 0:24:07Well, first of all, watch your ankle on the mat cos...
0:24:07 > 0:24:10- LAUGHTER He knows this, he knows this.- Yes.
0:24:10 > 0:24:13OK, let's get some people to do this.
0:24:13 > 0:24:16We will get to you. Hang on. Who...? Now...
0:24:16 > 0:24:18Who wants to do it?
0:24:18 > 0:24:21You want to do it? OK, you can come do it. Come do it.
0:24:21 > 0:24:22- What is your name?- Jamie.
0:24:22 > 0:24:24Jamie, lovely. Cheers for Jamie.
0:24:28 > 0:24:30- Oop.- He's not doing well.
0:24:30 > 0:24:33- Watch your ankle. Watch your ankle, man.- Come this way. Come this way.
0:24:33 > 0:24:35- Up you go.- You shouldn't let him do it. He fell off the step!
0:24:35 > 0:24:37LAUGHTER
0:24:37 > 0:24:42Up you go. So, Tom, tips for Jamie.
0:24:42 > 0:24:45What sort of facial expression should he go for?
0:24:45 > 0:24:47- Fear?- Just whatever feels natural. Just...
0:24:47 > 0:24:50- The most important thing is don't get blown up. - Don't get blown up.
0:24:50 > 0:24:53- So I'm trying not to get blown up? - Yeah, that's it. Try not to get blown up.
0:24:53 > 0:24:58- I'm escaping.- You are escaping.- Yes, escaping.- But you are brave.- Yeah.
0:24:58 > 0:24:59- You're brave.- He's brave.
0:24:59 > 0:25:01You know, you can't look terrified.
0:25:01 > 0:25:03- You are frightened, but you are still brave.- Yes.
0:25:03 > 0:25:06- Frightened but brave. I'm not going to go too high.- Why?
0:25:06 > 0:25:07No, I'll do it for you.
0:25:07 > 0:25:09I like that, "I'm not going to go to high."
0:25:09 > 0:25:11LAUGHTER
0:25:11 > 0:25:13- Do what you feel comfortable. - So, what's the countdown?
0:25:13 > 0:25:16- Is it three, two, one? - Three, two, one, go.
0:25:16 > 0:25:21- OK, so you're going on one. HENRY:- On three.- On two.- Three.
0:25:21 > 0:25:23No, one.
0:25:23 > 0:25:25- You do it, Simon. - Three, two, one, go.
0:25:25 > 0:25:28OK, here we go. Here we go. Here we go, Jamie.
0:25:28 > 0:25:32ALL: So, it's three, two, one, go!
0:25:32 > 0:25:35- Ahh! - APPLAUSE
0:25:35 > 0:25:38That was good, Jamie. Excellent.
0:25:43 > 0:25:45- Well done, Jamie.- That was very good.
0:25:47 > 0:25:49OK, well done, Jamie.
0:25:49 > 0:25:51- Should we see it?- Yes.
0:25:51 > 0:25:53OK, have a seat, have a seat. Let's see it.
0:25:53 > 0:25:55Oh, there's Jamie. MUSIC: Mission: Impossible Theme.
0:25:55 > 0:25:57He's running, he's running.
0:25:57 > 0:26:00Oh! He looked like he was loving it.
0:26:00 > 0:26:02Loving life.
0:26:04 > 0:26:07Do we have a woman who'd like to do it? Oh, you would like to do it?
0:26:07 > 0:26:09OK, here you go. You go. Are you all right in that dress?
0:26:09 > 0:26:11- Yeah, it's fine.- OK, fine.
0:26:11 > 0:26:14- What's your name?- Maddie.- Maddie, all right, Maddie, up here.
0:26:14 > 0:26:18There you go. OK, here comes Maddie. So, you saw Jamie.
0:26:18 > 0:26:21You saw Jamie, so it is very important that you just piss all over that.
0:26:21 > 0:26:23LAUGHTER
0:26:23 > 0:26:27- OK, so, women just do it the same, right, Rebecca?- Yes, we do.
0:26:27 > 0:26:31Absolutely. And think, think up. OK? I want you to think up.
0:26:32 > 0:26:35- Elevation, we are looking for elevation.- And relax you face.
0:26:35 > 0:26:38Jamie was like a stone. LAUGHTER
0:26:38 > 0:26:42- SIMON:- One thing, Jamie did when Jamie did it, which you saw in the playback,
0:26:42 > 0:26:44was it looked like Jamie did a really big fart.
0:26:44 > 0:26:46LAUGHTER
0:26:46 > 0:26:49That exploded. Don't do that.
0:26:49 > 0:26:53- OK, here goes Maddie, here goes Maddie. REBECCA:- You can do it.
0:26:53 > 0:26:56- And just remember - have fun. - ALL: Three, two, one, go!
0:26:57 > 0:27:00- Ahh! - APPLAUSE
0:27:00 > 0:27:02Oh, that is going to be good.
0:27:02 > 0:27:04That's going to be good, Maddie.
0:27:04 > 0:27:08Well done. There you go, love. Have a seat. We'll have a look.
0:27:08 > 0:27:11- You guys want to shake...? - OK. No, they don't.
0:27:11 > 0:27:14- They are not nice like you.- Yeah. - OK, here's Maddie.
0:27:14 > 0:27:17MUSIC: Mission: Impossible Theme
0:27:22 > 0:27:23Supercool Maddie.
0:27:26 > 0:27:30Should we do one more? One more. One more, let's get someone...
0:27:33 > 0:27:36You'd like to do it. Oh, you would be so good at it.
0:27:36 > 0:27:38Come on. Have a go. Have a go.
0:27:39 > 0:27:43- What's your name?- Evelyn. - Sorry?- Evelyn.- Evelyn.
0:27:43 > 0:27:46OK, Evelyn, up you go, Evelyn. Here we go.
0:27:46 > 0:27:48We're rooting for you, Evelyn.
0:27:51 > 0:27:56So, you are OK? You are fit? You are fit? OK. Right now you are fit.
0:27:57 > 0:27:59At the moment, you are OK.
0:27:59 > 0:28:02OK, you've seen the others, you've seen the others.
0:28:02 > 0:28:05I think the important thing is, particularly, because you look
0:28:05 > 0:28:06so beautiful, big face at the end. OK?
0:28:06 > 0:28:09So we're looking for height here, Evelyn, height. And then forward.
0:28:09 > 0:28:12- REBECCA:- I'd take my shoes off. - I know.- OK?- Take your shoes off.
0:28:12 > 0:28:16- You are good? You are good? - I'm good.- OK, lovely.
0:28:16 > 0:28:18This is Evelyn, going for it.
0:28:18 > 0:28:20LOUD CHEERS AND APPLAUSE Wait, wait, wait.
0:28:20 > 0:28:25So, here we go. Three, two, one, go.
0:28:25 > 0:28:27Ahh!
0:28:30 > 0:28:32Well done, Evelyn!
0:28:32 > 0:28:34- You did so good.- That was amazing.
0:28:36 > 0:28:38- You all right?- I'm fine. - There we go.
0:28:40 > 0:28:41OK, let's have a look.
0:28:41 > 0:28:44Good job. Let's watch Evelyn.
0:28:44 > 0:28:48MUSIC: Mission: Impossible Theme Here she goes, here she goes!
0:28:55 > 0:28:58I fear she may not be Mission: Impossible 7.
0:28:58 > 0:29:01It was a lovely day out at the dynamite factory.
0:29:03 > 0:29:06Oh, dear. Now, Henry, this is your first film with Tom Cruise,
0:29:06 > 0:29:07but it wasn't meant to be.
0:29:07 > 0:29:10You were supposed to be in another film with Tom Cruise.
0:29:10 > 0:29:12Well, we had the opportunity, yes.
0:29:12 > 0:29:16The Man From UNCLE, originally Tom was playing Napoleon Solo.
0:29:16 > 0:29:20And I auditioned for Armie Hammer's role, Illya Kuryakin.
0:29:20 > 0:29:23And I went to Tom's house in LA and...
0:29:23 > 0:29:25Which is very surreal, by the way,
0:29:25 > 0:29:28when you're trying to make things work in your career
0:29:28 > 0:29:31and you get into a taxi in LA
0:29:31 > 0:29:35and you feel like saying, "Take me to Tom Cruise's house."
0:29:35 > 0:29:36LAUGHTER
0:29:36 > 0:29:39You give an address and you turn up and there's this big
0:29:39 > 0:29:42gate everywhere and it's obviously a nice area.
0:29:42 > 0:29:44- I imagine it's nice.- He's done fairly well for himself.
0:29:44 > 0:29:47The garden is nice, he keeps it nice, yeah.
0:29:47 > 0:29:49- That lawn is cut!- Yeah.
0:29:52 > 0:29:54The hanging baskets, gorgeous.
0:29:56 > 0:29:57Yeah, I got to meet Tom then
0:29:57 > 0:30:01and we read through some lines with Guy Ritchie in his house
0:30:01 > 0:30:03and it was still just very surreal for me thinking,
0:30:03 > 0:30:06"I'm sitting here with Guy Ritchie and Tom Cruise
0:30:06 > 0:30:10"in Tom Cruise's house. Like, when will I stop sweating?"
0:30:10 > 0:30:13LAUGHTER "I'm leaving stains."
0:30:13 > 0:30:17- LAUGHTER - Left a really good impression.
0:30:20 > 0:30:22But then you got the Tom Cruise role
0:30:22 > 0:30:25and so now you're Man From UNCLE, Mission: Impossible,
0:30:25 > 0:30:27two big, big franchises
0:30:27 > 0:30:30and you've talked to us before about how close the James Bond thing came.
0:30:30 > 0:30:32- Yeah.- That you were down to the final two.
0:30:32 > 0:30:34But I like the thing you did then
0:30:34 > 0:30:37when you got your first kind of big pay cheque with your dad.
0:30:37 > 0:30:40Oh, yeah. When I got my first big pay cheque.
0:30:40 > 0:30:42It had been a few years, I'd been working as an actor
0:30:42 > 0:30:44- for a few years... - How much was it?- Ha...
0:30:44 > 0:30:48- Don't ask him that. - I'm just joking.- That's so Swedish.
0:30:50 > 0:30:52200 or 300...
0:30:52 > 0:30:54..pounds.
0:30:54 > 0:30:57So I went back to Jersey with my dad
0:30:57 > 0:31:01and I thought I want to treat myself. I haven't actually got myself anything
0:31:01 > 0:31:02and we were discussing what to do with it.
0:31:02 > 0:31:06And he said, "How about a car?" I was still driving my Peugeot 206.
0:31:06 > 0:31:07It was the first car I ever had.
0:31:07 > 0:31:09- And I was like, you know, it's time to upgrade.- Yeah.
0:31:09 > 0:31:12- This thing struggles uphill at this stage.- Yeah.
0:31:12 > 0:31:15And went to the local fancy garage and there was
0:31:15 > 0:31:18a number of nice cars there and the R8, the Audi R8,
0:31:18 > 0:31:21was one that really stood out to me and I thought, "This is a great car."
0:31:21 > 0:31:26I was looking at it. And my dad was kind of sort of pausing around this other car and I...
0:31:26 > 0:31:27In the really nice section.
0:31:27 > 0:31:31And I was like, "What are you doing over there?" And he said, "I'm just looking at this car."
0:31:31 > 0:31:35And I was like, "Oh, yeah, wow, this is really nice. Yeah, one day, huh?"
0:31:35 > 0:31:36And he went, "Hm."
0:31:36 > 0:31:39- LAUGHTER - And I said, "What do you mean?"
0:31:39 > 0:31:41"Hm."
0:31:41 > 0:31:43He went, "Well, I mean, I'm sure we can make this work."
0:31:43 > 0:31:48And I was like, "It's an Aston Martin DBS, like, you can't just make this work.
0:31:48 > 0:31:50"You can't toy with my emotions like that.
0:31:50 > 0:31:53"It either can or can't." And he's like, "Yeah, well, you know. Yeah.
0:31:53 > 0:31:55"I think it could be a thing, but, you know, think about it.
0:31:55 > 0:31:58"Think about what car you want, the two different cars."
0:31:58 > 0:32:00And I was like, "I'm not thinking about anything.
0:32:00 > 0:32:04"The Aston Martin DBS." And so, that was my second car.
0:32:04 > 0:32:09Wow! That's quite a trajectory.
0:32:09 > 0:32:12Now I'm thinking, though, does it stay on Jersey,
0:32:12 > 0:32:14so your dad gets to drive it all the time?
0:32:14 > 0:32:17- I've now forbade him from driving it.- OK.
0:32:17 > 0:32:19A couple of near scrapes.
0:32:19 > 0:32:22But, yeah, it does actually stay on Jersey, yes.
0:32:22 > 0:32:24But I do like this idea of that, you know, because everyone
0:32:24 > 0:32:27struggles and then suddenly, "Ooh, I've got a bit of money.
0:32:27 > 0:32:30"What am I going to do with my first big pay cheque?"
0:32:30 > 0:32:33Rebecca, do you remember what you did with yours?
0:32:33 > 0:32:35I bought a...
0:32:35 > 0:32:38God, I wish it were something more cool.
0:32:38 > 0:32:41I bought a pair of Dior sunglasses
0:32:41 > 0:32:44and then they got stolen the day after, but they left the case.
0:32:44 > 0:32:47LAUGHTER
0:32:47 > 0:32:51I like, "I bought Aston Martin. I bought some sunglasses."
0:32:52 > 0:32:56- But they were really nice. - MORE LAUGHTER
0:32:56 > 0:32:58Tom Cruise, do you remember what you did with your first
0:32:58 > 0:33:00kind of cheque where you noticed you had some money in the bank?
0:33:00 > 0:33:02Yeah. Yeah.
0:33:02 > 0:33:05LAUGHTER
0:33:05 > 0:33:08Well, you answered that question.
0:33:08 > 0:33:10- Can you say? Is it a terrible thing?- No, no.
0:33:10 > 0:33:14I actually paid for my sister's college education and...
0:33:14 > 0:33:17- Oh, that's so him! - APPLAUSE
0:33:17 > 0:33:18I did.
0:33:21 > 0:33:24And then the next one, I bought my other sister a car.
0:33:24 > 0:33:28- Yeah.- Your sister a car, not yourself?- No. My sister.
0:33:30 > 0:33:32"My Aston Martin." LAUGHTER
0:33:34 > 0:33:36- His dad's Aston Martin.- Yeah.
0:33:36 > 0:33:39Yeah, you should change that to "I bought my dad an Aston Martin."
0:33:39 > 0:33:40Because that's actually what happened.
0:33:40 > 0:33:42I do feel like I've been set up a little bit.
0:33:42 > 0:33:44LAUGHTER
0:33:44 > 0:33:46- Simon Pegg, what did you? - Make it up.
0:33:46 > 0:33:50- No, this is true, I bought a second-hand...- Orphanage.
0:33:50 > 0:33:55- A second-hand orphanage. - LAUGHTER
0:33:57 > 0:34:00I kicked all those little shits out...
0:34:00 > 0:34:04That's where I park my Aston Martin now.
0:34:04 > 0:34:07No, I bought a second-hand Mazda MX5 with my Switch card.
0:34:07 > 0:34:10LAUGHTER
0:34:10 > 0:34:12It was my first pay cheque for Big Train,
0:34:12 > 0:34:17which was a sketch show on BBC TWO and I bought a car
0:34:17 > 0:34:20with my Switch card, which was like a little debit card. You remember.
0:34:20 > 0:34:23See, I thought you would have bought something kind of more nerdy,
0:34:23 > 0:34:25like the Death Star made of Lego or something.
0:34:25 > 0:34:27That seemed to be where you'd go shopping.
0:34:27 > 0:34:31I did once by a Darth Vader helmet which cost more, but...
0:34:31 > 0:34:33- That was slightly later. - Was it original?
0:34:33 > 0:34:36It was one that had been decorated by a graffiti artist.
0:34:36 > 0:34:39They did this whole art project called The Vader Project
0:34:39 > 0:34:41and they decorated all these Darth Vader helmets and I bought one.
0:34:41 > 0:34:44Because that is you. You are a proper...
0:34:44 > 0:34:47..you are a proper fan of all of these things.
0:34:47 > 0:34:49And now you are every...
0:34:49 > 0:34:50..people, nerds are so jealous of you
0:34:50 > 0:34:53because you've done the trifecta, haven't you?
0:34:53 > 0:34:56Yes, Dr Who, Star Trek and Star Wars, yeah.
0:34:56 > 0:34:57You've been in them all.
0:34:57 > 0:35:01Yes. I wrote Star Trek as well, which is an added point.
0:35:01 > 0:35:04If I was a bit of chocolate, I would eat myself, wouldn't I?
0:35:04 > 0:35:06LAUGHTER
0:35:06 > 0:35:09And if you are listening to this and kind of thinking,
0:35:09 > 0:35:12I don't remember Simon Pegg in Star Wars.
0:35:12 > 0:35:15You were in it, you are properly in it. Here you are. That...
0:35:19 > 0:35:20You had a character name and everything.
0:35:20 > 0:35:25Unkar Plutt. Yeah. He was a junk dealer on the planet Jakku.
0:35:25 > 0:35:28And I was wearing that in 50-degree heat.
0:35:28 > 0:35:31And I had these big rubber, silicon gauntlets on which
0:35:31 > 0:35:33were my fingers.
0:35:33 > 0:35:36And when I took them off, I could pour the sweat out.
0:35:36 > 0:35:38If you're interested, your sweat is a sort of milky colour.
0:35:38 > 0:35:41GROANS TURN TO LAUGHTER
0:35:43 > 0:35:45Cos, Henry, you are quite a nerd as well.
0:35:45 > 0:35:49I mean, you must have been so geeked to be Superman, to kind of like...
0:35:49 > 0:35:53- Yeah, yeah. No, I am a geek.- Yeah.
0:35:53 > 0:35:56- We talk a bit on set about stuff, don't we?- Yeah, we do.
0:35:56 > 0:35:59- Quietly in dark corners. - We have comic chats.
0:35:59 > 0:36:02We're actually... We're... Can I tell this story? We were in...
0:36:02 > 0:36:04- REBECCA:- He doesn't have a chance to answer?- He didn't say yes.
0:36:04 > 0:36:06What's he going to say?
0:36:06 > 0:36:09- It's like, "Henry, get in this helicopter. You OK?" - HE IMITATES HELICOPTER
0:36:09 > 0:36:11- SHOUTS:- "No!"
0:36:11 > 0:36:15We were shooting a car chase in Paris and it was me,
0:36:15 > 0:36:17Tom, Sean Harris, Ving Rhames and Henry.
0:36:17 > 0:36:20You just asked him if he could tell it, you didn't ask me.
0:36:20 > 0:36:23- Can I tell this story? You come out all right.- Oh, yeah.
0:36:23 > 0:36:25This is the one... Oh, yeah.
0:36:25 > 0:36:28It is a very cramped car, particularly with Ving
0:36:28 > 0:36:31and Henry, who are both big guys and me in the middle,
0:36:31 > 0:36:33bombing around Paris. And every time we finished the shot, we have
0:36:33 > 0:36:36to reset the shot, drive back to the start point so we can do it again.
0:36:36 > 0:36:39Henry has had enough of sitting in the cramped car, so he says,
0:36:39 > 0:36:41"Can I run back? I'll run back to..."
0:36:41 > 0:36:43- Cos you do a bit of running, don't you?- Yeah, yeah.
0:36:43 > 0:36:47So, Henry took off and ran back to position one whereas we...
0:36:47 > 0:36:48And we just drove next to him going...
0:36:48 > 0:36:52HE HUMS THE SUPERMAN THEME SONG
0:36:53 > 0:36:57He was doing the score, we were just driving. He did the whole thing.
0:36:57 > 0:36:58The whole way right next to him.
0:36:58 > 0:37:01It's one of the coolest moments of my life is having Tom Cruise
0:37:01 > 0:37:02do that driving next to you.
0:37:05 > 0:37:07You know you've made it.
0:37:11 > 0:37:13Right, it is time for music.
0:37:13 > 0:37:16This Brit Award-winning songstress is back with a number one album,
0:37:16 > 0:37:18The Architect.
0:37:18 > 0:37:21Performing Till I'm Done, it is Paloma Faith, everybody.
0:37:34 > 0:37:38# I'm a fighter and I made it through
0:37:38 > 0:37:42# Solid gold survivor That's my attitude
0:37:42 > 0:37:44- # But I didn't know - I didn't know
0:37:44 > 0:37:46- # I didn't know - I didn't know
0:37:46 > 0:37:49# I had to be your hero
0:37:49 > 0:37:54# Baby, don't ask me to be strong for you as well
0:37:54 > 0:37:58# Pushed off the edge and now I'm back from hell
0:37:58 > 0:38:00- # But I didn't know - I didn't know
0:38:00 > 0:38:02- # I didn't know - I didn't know
0:38:02 > 0:38:06# I had to be your hero, mm-mm-mm
0:38:06 > 0:38:10- # So give me light - I'm not built to carry us both
0:38:10 > 0:38:14- # So give me light - Time to rest my weary bones
0:38:14 > 0:38:20- # So give me light - You've got to go your own road
0:38:21 > 0:38:23# Help me see
0:38:23 > 0:38:25# Just when I thought I'd had enough
0:38:25 > 0:38:26# Had no more light and no more love
0:38:26 > 0:38:28# It's not over
0:38:28 > 0:38:31# It's not over
0:38:31 > 0:38:32# I won't save you when I'm weak
0:38:32 > 0:38:35# Only got so much left to give
0:38:35 > 0:38:36# It's not over
0:38:36 > 0:38:38# It's not over
0:38:38 > 0:38:40# Till I'm done
0:38:40 > 0:38:41# Oh-oh, oh-oh, ooh
0:38:41 > 0:38:43# Oh-oh, oh-oh, ooh
0:38:43 > 0:38:46# Oh-oh, oh-oh, ooh
0:38:46 > 0:38:49- # Till I'm done - # Oh-oh, oh-oh, ooh
0:38:49 > 0:38:51# Oh-oh, oh-oh, ooh
0:38:51 > 0:38:54# Oh-oh, oh-oh, ooh
0:38:54 > 0:38:56# Till I'm done
0:38:58 > 0:39:02# You look at me and see how much I take
0:39:02 > 0:39:06# But with this heart of glass I'm about to break
0:39:06 > 0:39:08- # But I didn't know - I didn't know
0:39:08 > 0:39:10- # I didn't know - I didn't know
0:39:10 > 0:39:14# I had to be your hero, mm-mm-mm
0:39:14 > 0:39:18- # So give me light - I'm not built to carry us both
0:39:18 > 0:39:22- # So give me light - Time to rest my weary bones
0:39:22 > 0:39:29- # So give me light - You've got to go your own road
0:39:29 > 0:39:30# Help me see
0:39:30 > 0:39:33# Just when I thought I'd had enough
0:39:33 > 0:39:35# Had no more light and no more love
0:39:35 > 0:39:36# It's not over
0:39:36 > 0:39:39# It's not over
0:39:39 > 0:39:40# I won't save you when I'm weak
0:39:40 > 0:39:42# Only got so much left to give
0:39:42 > 0:39:44# It's not over
0:39:44 > 0:39:46# It's not over
0:39:46 > 0:39:48# Till I'm done
0:39:48 > 0:39:50# Whatcha think you ever did for me before?
0:39:50 > 0:39:52# So give me light
0:39:52 > 0:39:54# Blocked out the sun and let the moon fall on the floor
0:39:54 > 0:39:56# So give me light
0:39:56 > 0:39:58# I am empty, ain't got nothing left to give
0:39:58 > 0:40:00# So give me light
0:40:00 > 0:40:03# And no, you ain't the one I wanna be with
0:40:03 > 0:40:05# Just when I thought I'd had enough
0:40:05 > 0:40:07# Had no more light and no more love
0:40:07 > 0:40:08# It's not over
0:40:08 > 0:40:11- # It's not over - It's not over
0:40:11 > 0:40:12# I won't save you when I'm weak
0:40:12 > 0:40:14# Only got so much left to give
0:40:14 > 0:40:16# It's not over
0:40:16 > 0:40:18- # I can't save you - It's not over
0:40:18 > 0:40:21- # Just when I thought I'd had enough - Ooh!
0:40:21 > 0:40:22# Had no more light and no more love
0:40:22 > 0:40:24# It's not over
0:40:24 > 0:40:27# It's not over
0:40:27 > 0:40:29- # I won't save you when I'm weak - Ooh!
0:40:29 > 0:40:30# Only got so much left to give
0:40:30 > 0:40:32# It's not over
0:40:32 > 0:40:36- # It's not over - Till I'm done
0:40:36 > 0:40:37# Oh-oh, oh-oh, ooh
0:40:37 > 0:40:39# Oh-oh, oh-oh, ooh
0:40:39 > 0:40:42# Oh-oh, oh-oh, ooh
0:40:42 > 0:40:45- # Till I'm done - Oh-oh, oh-oh, ooh
0:40:45 > 0:40:47# Oh-oh, oh-oh, ooh
0:40:47 > 0:40:50- # Oh-oh, oh-oh, ooh - It's not over
0:40:50 > 0:40:52# Till I'm done. #
0:40:52 > 0:40:54APPLAUSE
0:40:59 > 0:41:01Paloma Faith, everybody!
0:41:01 > 0:41:05Great job! And the backing singers and the band.
0:41:05 > 0:41:08Hello, darling. So lovely to see you.
0:41:08 > 0:41:10That was fantastic. Come and meet everybody.
0:41:10 > 0:41:13It's Simon, Henry, Rebecca, Tom.
0:41:14 > 0:41:17- Nice to see you. - Beautiful job, lady.
0:41:17 > 0:41:19- Very good, very good.- My goodness.
0:41:20 > 0:41:23- Oh, she's shiny.- Hello, lovely to see you.- Lovely to see you.
0:41:23 > 0:41:26Have a seat. Now, so that is off the new album.
0:41:26 > 0:41:29- The Architect.- Congratulations. - Thank you.
0:41:29 > 0:41:32Here you go. That's it. Number one, ladies and gentlemen!
0:41:35 > 0:41:38I love...
0:41:38 > 0:41:39I was listening on the radio.
0:41:39 > 0:41:41I love how happy you are that it's number one.
0:41:41 > 0:41:43- You are not pretending to be cool. - I know!
0:41:43 > 0:41:46- You're just over the moon. - I've never been cool, Graham.
0:41:46 > 0:41:50I feel like I've just come to the office party at the end of the day.
0:41:50 > 0:41:51LAUGHTER
0:41:51 > 0:41:55"Hi, guys. So, as a morale building exercise,
0:41:55 > 0:41:58"I'm here to just brighten up your lives, so you can slave away
0:41:58 > 0:42:00"for another 12 months for my business."
0:42:00 > 0:42:03Here's the weird thing. So, you've recorded this album
0:42:03 > 0:42:05and you were pregnant when you recorded the album.
0:42:05 > 0:42:09- Yeah. As are you.- Now, girl, tell me all about it. No, I'm just joking.
0:42:09 > 0:42:11No, but here's the weird thing. I didn't know this.
0:42:11 > 0:42:13So your voice changes when you're pregnant.
0:42:13 > 0:42:15Well, no, it wasn't when I was pregnant.
0:42:15 > 0:42:19It was afterwards that I felt like it was better.
0:42:19 > 0:42:21- Oh, OK.- Like, because...
0:42:21 > 0:42:25- Have you done it before? Had a baby? - My voice is spectacular.
0:42:25 > 0:42:27- SIMON:- Or a number one album.
0:42:27 > 0:42:29- Have you had a baby? - Yes, I have had.
0:42:29 > 0:42:33So, like, your, sort of, body kind of... Everything moves.
0:42:33 > 0:42:37All the organs move and it opens up and goes a bit wild.
0:42:37 > 0:42:41A bit graphic. LAUGHTER
0:42:41 > 0:42:44- So, I'm like... - Oh, I didn't need that.
0:42:44 > 0:42:46No, I'm quite lucky cos some of the things that were like really
0:42:46 > 0:42:48bugging me, like continual ailments,
0:42:48 > 0:42:53like, never came back because it must've just moved a bit.
0:42:53 > 0:42:57And I think my lungs, like, went into a better place or something.
0:42:57 > 0:43:01And I was like, "I really just want to re-sing everything."
0:43:01 > 0:43:04Cos I'd sung it all pregnant and prepregnancy
0:43:04 > 0:43:06and then I was like, "No, this is better."
0:43:06 > 0:43:08I feel like I can go from low to high.
0:43:08 > 0:43:10But maybe it is psychological because...
0:43:10 > 0:43:13- Maybe should have more babies. - I think I might.
0:43:13 > 0:43:15Like, can we do one now?
0:43:15 > 0:43:18- No. - LAUGHTER
0:43:18 > 0:43:20It's...it's late.
0:43:20 > 0:43:22- It's late, Paloma.- All right.
0:43:22 > 0:43:24There's quite a few nice people to choose from.
0:43:25 > 0:43:28It is quite the gene pool. It really is quite the gene pool.
0:43:28 > 0:43:30You are right.
0:43:30 > 0:43:32- Maybe we can all amalgamate. - Oh, my God.
0:43:32 > 0:43:34Well, Tom needs to work tomorrow, so...
0:43:34 > 0:43:37Let me ask you very quickly. You are off on tour, aren't you?
0:43:37 > 0:43:40- Yeah, in March.- Yeah, fantastic. - I'm really looking forward to it.
0:43:40 > 0:43:42Brilliant. Thank you so much for that great performance.
0:43:42 > 0:43:44- Paloma Faith, everybody.- Thanks.
0:43:47 > 0:43:49Right. That is nearly it,
0:43:49 > 0:43:53but before we go, just time a visit to the Big Red Chair.
0:43:53 > 0:43:55This is your least favourite bit of the show.
0:43:55 > 0:43:57Tom hates this.
0:43:57 > 0:44:00- Who's there? Hello.- Hello.
0:44:00 > 0:44:02- Hi who are you?- My name is John.
0:44:02 > 0:44:04John, hello, John. Where are you from?
0:44:04 > 0:44:06- I'm from Scotland.- Lovely.
0:44:06 > 0:44:08- Happy Burns Day for yesterday. - Thank you.
0:44:08 > 0:44:11LAUGHTER
0:44:13 > 0:44:17- And do you live down here now?- I do, I live in central London.- Oh, right.
0:44:17 > 0:44:20Oh, central London. None of your suburbs for John.
0:44:20 > 0:44:24No, he came from Scotland. He made it!
0:44:24 > 0:44:26Zone one!
0:44:28 > 0:44:30- What do you do, John?- I'm a lawyer.
0:44:30 > 0:44:31Oh, he did make it.
0:44:31 > 0:44:35Oh, yeah. Zone one John.
0:44:35 > 0:44:36OK, off you go with your story.
0:44:36 > 0:44:40- So, my grandad died and... - LAUGHTER
0:44:42 > 0:44:43It happens.
0:44:43 > 0:44:47We were having an open coffin for him at my grandmother's house.
0:44:47 > 0:44:49And they were keeping the coffin out in the conservatory.
0:44:49 > 0:44:51And we were having lots of visitors, coming
0:44:51 > 0:44:53and going to pay their respects.
0:44:53 > 0:44:56So, that damaged the front door to my grandmother's house.
0:44:56 > 0:44:58So, my grandad had been a tradesman.
0:44:58 > 0:45:00We looked up his book of contacts to find someone
0:45:00 > 0:45:02we thought might be able to fix it.
0:45:02 > 0:45:04So, we find a man called Jim, give him a call,
0:45:04 > 0:45:07and he turns up very early the next morning.
0:45:07 > 0:45:08So, he's working away on the door
0:45:08 > 0:45:11and I think, "I should probably make small talk."
0:45:11 > 0:45:14So, I ask him, "Do you want to pop through and see grandad?
0:45:14 > 0:45:15And he sort of casually looked up and said,
0:45:15 > 0:45:17"Yeah, I'll pop through when I'm finished, son."
0:45:17 > 0:45:20So, he finished the job, got up,
0:45:20 > 0:45:23casually walked through into the conservatory,
0:45:23 > 0:45:26at which point, I realised he didn't know Grandad had died.
0:45:26 > 0:45:28LAUGHTER
0:45:28 > 0:45:31So he walked in expecting to see my grandad in his slippers,
0:45:31 > 0:45:33reading the paper but saw my grandad very dead, lying in a coffin.
0:45:33 > 0:45:35LAUGHTER
0:45:35 > 0:45:37The colour completely drained from his face
0:45:37 > 0:45:40he then made this inaudible sort of...ooh!
0:45:40 > 0:45:43Turned round, and just went out the house so quickly.
0:45:43 > 0:45:47And we've never seen him again. And that was about 15 years ago.
0:45:47 > 0:45:48That's a good story.
0:45:48 > 0:45:50You can walk, John. You can walk.
0:45:52 > 0:45:54If you would like to join us on the show and have a go in our
0:45:54 > 0:45:56Big Red Chair, you can contact us
0:45:56 > 0:45:58via our website at this very address. That is it for tonight.
0:45:58 > 0:46:01Please say a huge thank you to all of my guests.
0:46:01 > 0:46:03Paloma Faith.
0:46:04 > 0:46:07Simon Pegg.
0:46:07 > 0:46:09Henry Cavill.
0:46:10 > 0:46:12Rebecca Ferguson.
0:46:12 > 0:46:15And Mr Tom Cruise.
0:46:17 > 0:46:20Thank you. Thank you, Graham.
0:46:20 > 0:46:23Do join me next week with musical guest George Ezra,
0:46:23 > 0:46:25voice judge Will.i.am, Oscar-winner Cuba Gooding Junior
0:46:25 > 0:46:28and for the first time, one of our favourite British stars,
0:46:28 > 0:46:29Imelda Staunton.
0:46:29 > 0:46:31I'll see you then. Goodnight, everyone. Goodbye.
0:46:31 > 0:46:34APPLAUSE
0:46:59 > 0:47:02OK, so come, Tom, in, in three, two...
0:47:02 > 0:47:03What does that mean?
0:47:03 > 0:47:06- I'm going to cue... - LAUGHTER
0:47:09 > 0:47:12- You see what I'm saying?- You are not good at this.- I don't know.
0:47:12 > 0:47:14It is three, two, and then he points.
0:47:14 > 0:47:17Does that mean I start talking at that point? OK, good.
0:47:17 > 0:47:19- I go on the point.- Go on the point. - OK, good. All right.