Episode 5

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0:00:02 > 0:00:05Hello, everybody. I'm Adam Sandler. Welcome to The Graham Norton Show!

0:00:05 > 0:00:08CHEERING AND APPLAUSE

0:00:10 > 0:00:18This programme contains some strong language

0:00:23 > 0:00:26Oh! Oh!

0:00:26 > 0:00:29CHEERING CONTINUES

0:00:31 > 0:00:36Ho-ho! Good evening!

0:00:36 > 0:00:40Welcome to the show!

0:00:40 > 0:00:43Wow! What a welcome! Best audience ever, I'd say.

0:00:43 > 0:00:47I don't think we've had an audience this good before. We haven't!

0:00:47 > 0:00:50Hey, everyone excited about Halloween coming up?

0:00:50 > 0:00:51CHEERING

0:00:51 > 0:00:53That frightened you, didn't it?

0:00:53 > 0:00:56You're thinking, "I didn't know it was Halloween."

0:00:56 > 0:00:57It's Halloween.

0:00:57 > 0:00:59LAUGHTER

0:00:59 > 0:01:01Quick, buy a pumpkin!

0:01:01 > 0:01:05Yes, it's Halloween, that time of the year when little children are

0:01:05 > 0:01:09haunted by the sudden appearance of a terrifying grey-haired witch.

0:01:09 > 0:01:12LAUGHTER

0:01:12 > 0:01:14Of course, we might be cutting that

0:01:14 > 0:01:17joke out if she isn't Prime Minister by Halloween.

0:01:17 > 0:01:20P45, anyone?

0:01:20 > 0:01:24We've got a packed sofa tonight so let's just get some guests on.

0:01:24 > 0:01:27Later, we'll have a performance from musical icon Morrissey.

0:01:27 > 0:01:32Morrissey will be singing over there.

0:01:32 > 0:01:34He'll be performing Spent The Day In Bed.

0:01:34 > 0:01:38But first, she's one of the world's most successful models, recently

0:01:38 > 0:01:41turned actor and now novelist - please welcome Cara Delevingne!

0:01:41 > 0:01:46CHEERING AND APPLAUSE

0:01:46 > 0:01:50Hello, my darling. Lovely to see you. Have a seat, have a seat.

0:01:51 > 0:01:55She shot to fame as Queen Elizabeth in The Crown, now she hits

0:01:55 > 0:01:58the big screen in the true love story Breathe.

0:01:58 > 0:02:00It's Claire Foy, everyone!

0:02:00 > 0:02:04CHEERING AND APPLAUSE

0:02:04 > 0:02:08Hello! Hi. Lovely to see you. Have a seat.

0:02:08 > 0:02:12And we've got two stars from the new comedy drama The Meyerowitz Stories.

0:02:12 > 0:02:15The first is one of America's funniest people.

0:02:15 > 0:02:18From Billy Madison, Happy Gilmore and The Wedding Singer,

0:02:18 > 0:02:22it's a very warm welcome for the first time to Mr Adam Sandler!

0:02:22 > 0:02:26CHEERING AND APPLAUSE

0:02:26 > 0:02:30Hi. Lovely to see you. Have a seat here. Adam Sandler, everybody.

0:02:30 > 0:02:33And she's the double Oscar-winning star of

0:02:33 > 0:02:36Sense And Sensibility, Howard's End and Nanny McPhee.

0:02:36 > 0:02:39Please welcome the great Emma Thompson!

0:02:39 > 0:02:42CHEERING AND APPLAUSE

0:02:48 > 0:02:50Sit down, sit down, sit down.

0:02:50 > 0:02:52Oh!

0:02:52 > 0:02:55Welcome, all. Very nice to see you all.

0:02:55 > 0:02:56Shiny couch.

0:02:56 > 0:02:59Now, by the way, we should say, straight off the bat,

0:02:59 > 0:03:02the great Dustin Hoffman was supposed to be here, cos he's

0:03:02 > 0:03:06- in the movie with you guys as well. - Yeah.- He is.- But he no well.

0:03:06 > 0:03:08- No. AUDIENCE:- Aw!

0:03:08 > 0:03:11Oh, he have-a the food poisoning.

0:03:11 > 0:03:13Apparently it's both ends. It's quite bad.

0:03:13 > 0:03:16Maybe it's a good thing he's not here.

0:03:16 > 0:03:18I think it's a good thing he's not here, yes.

0:03:18 > 0:03:21Adam Sandler, you've never been here before.

0:03:21 > 0:03:23No, I'm very... I'm very happy to be here.

0:03:23 > 0:03:26We're delighted you're here, we're very happy to see you.

0:03:26 > 0:03:30CHEERING

0:03:30 > 0:03:34Adam Sandler fans there but, Cara Delevingne, you're a bit of a fan.

0:03:34 > 0:03:36- I'm a really big fan.- Thank you.

0:03:36 > 0:03:39I mean, I'm a very big fan of everyone on this couch.

0:03:39 > 0:03:42Huge, huge fan. But all of your movies, I swear, like...

0:03:42 > 0:03:44- I know Little Nicky was probably one of my favourite movies.- Really?

0:03:44 > 0:03:47- I've watched it so many times.- That's excellent.

0:03:47 > 0:03:49I actually dressed up as one of the guys for Halloween.

0:03:49 > 0:03:52- You know the one with the boobs on his head?- Really? Aw!

0:03:52 > 0:03:55Anyway. I'll find that picture later.

0:03:55 > 0:03:58- Now, the two of you have just been in Cannes...- Yeah.

0:03:58 > 0:04:01..with your new movie, which you all star in with Dustin.

0:04:01 > 0:04:03- And it went well, I think, it's fair to say.- Yes.

0:04:03 > 0:04:06- A four-minute standing ovation.- Yes.

0:04:06 > 0:04:08- Wow.- That's a thing.

0:04:10 > 0:04:13- They're not afraid to boo in Cannes, are they?- No.

0:04:13 > 0:04:15- If they don't like something, they tell you.- Absolutely.

0:04:15 > 0:04:20We've got a picture of you all at Cannes. There you are, celebrating.

0:04:20 > 0:04:22And this... I was saying to you backstage,

0:04:22 > 0:04:26is this your new look now, Adam Sandler? You're so scrubbed up.

0:04:26 > 0:04:29I hate it. I hate it.

0:04:29 > 0:04:32I'm really not comfortable like this but this is something that

0:04:32 > 0:04:37for years my mother has been yelling at me about.

0:04:37 > 0:04:42For about 25 years of television shows I've looked not that great.

0:04:42 > 0:04:48My wife is sick of it all and so some nice lady come over to

0:04:48 > 0:04:53my office with a bunch of suits and I had to buy 'em.

0:04:53 > 0:04:56- LAUGHTER - You had to buy them?

0:04:56 > 0:05:00- Look, your shirt's trying to escape.- I know. It knows.

0:05:00 > 0:05:05"Get me off this man's body. He doesn't want me to be wearing it."

0:05:05 > 0:05:06Can you tie a tie?

0:05:06 > 0:05:10I can, I learned that for my Bar Mitzvah when I was 13,

0:05:10 > 0:05:16and I've done it for that, and gone to court a few times for tickets.

0:05:16 > 0:05:21That was it. But I can... Dustin Hoffman, actually,

0:05:21 > 0:05:25last night I had this on, he said, "Come here, come here.

0:05:25 > 0:05:29"You need a gangster. Let me give it gangster-style."

0:05:29 > 0:05:31And I said, "No, no, I think it's good." He said,

0:05:31 > 0:05:33"No, no, undo your tie."

0:05:33 > 0:05:36And I undid my tie and he put a gangster...I don't know,

0:05:36 > 0:05:39Windsor, he made it different.

0:05:39 > 0:05:42But it was so short.

0:05:42 > 0:05:44- LAUGHTER - It came to here.

0:05:44 > 0:05:47And he was so happy with how he did it I had to leave it short

0:05:47 > 0:05:49the whole night.

0:05:49 > 0:05:52LAUGHTER

0:05:52 > 0:05:56Now, Claire Foy, you seem ecstatic to be on red carpets.

0:05:56 > 0:05:59- I mean...- Oh, I love them. - No, honestly, look.- Love them.

0:05:59 > 0:06:01- Can't get enough of them. - High as a kite.

0:06:01 > 0:06:03- CARA:- She's actually got one in her house.

0:06:03 > 0:06:06In fairness, this is Claire just after winning a Golden Globe

0:06:06 > 0:06:09for Best Actress. So no wonder she looks so ecstatic.

0:06:09 > 0:06:10There she is.

0:06:10 > 0:06:12LAUGHTER

0:06:12 > 0:06:15You're like, "What's this?"

0:06:15 > 0:06:18I don't really know when they begin and end, that's the point.

0:06:18 > 0:06:21There needs to be some sort of regulating them...

0:06:21 > 0:06:26Plaster a huge, great grin on your face and keep it on the whole night.

0:06:26 > 0:06:28Absolutely.

0:06:28 > 0:06:30Especially in awards ceremonies, you know, the camera goes across

0:06:30 > 0:06:34everybody and people are just picking their teeth...

0:06:34 > 0:06:37looking up in the air and just bored.

0:06:37 > 0:06:40But imagine how happy Claire Foy

0:06:40 > 0:06:45will be because she's on the cover of this month's Vogue.

0:06:45 > 0:06:47Let's see her big smiling face here.

0:06:48 > 0:06:51LAUGHTER

0:06:51 > 0:06:52Do they tell you not to...

0:06:52 > 0:06:56Do they just say, "Whatever you do, do not look happy"?

0:06:56 > 0:06:59- Is that American Vogue or British Vogue?- British Vogue.

0:06:59 > 0:07:02Yeah, because British Vogue you always have to look very stern

0:07:02 > 0:07:04but in American Vogue they like you to smile a little bit.

0:07:04 > 0:07:08- Really?- They like you to look slightly, you know...

0:07:08 > 0:07:10- Mad?- Yeah. That one.

0:07:10 > 0:07:12Is that what I was giving off?

0:07:12 > 0:07:15You have to smile but you can't actually smile.

0:07:15 > 0:07:18- That sort of thing. "Smeyes" they call it.- With the eyes.

0:07:18 > 0:07:22I was wondering, does somebody coach you? Does somebody kind of go,

0:07:22 > 0:07:25"Do not look happy or I'll be over there."

0:07:25 > 0:07:30Well, by that point - you'll know - you've done six hours of sort of

0:07:30 > 0:07:36standing with your arm up and have cramp and by that point if someone

0:07:36 > 0:07:40asks you to genuinely look happy, it's just not going to happen.

0:07:40 > 0:07:45So I just think, be blank and hope for the best.

0:07:45 > 0:07:47It's quite like acting, really.

0:07:47 > 0:07:51In fairness, on red carpets, Cara Delevingne, you...

0:07:51 > 0:07:56- I love it that you say my whole name all the time.- Cara Delevingne.

0:07:56 > 0:07:58- Cara Delevingne. EMMA:- I know what you mean.

0:07:58 > 0:08:02"Cara" feels like I've stopped too soon.

0:08:02 > 0:08:04It is a short name, yeah.

0:08:04 > 0:08:08Cara is something. Is it the in-flight magazine at Aer Lingus?

0:08:08 > 0:08:11LAUGHTER

0:08:11 > 0:08:13It is, isn't it?

0:08:13 > 0:08:16Cara in Gaelic means "friend" so that could be a thing.

0:08:16 > 0:08:19That's probably why I'm not saying Cara.

0:08:19 > 0:08:22- I like it, rolls off the tongue. - Cara Delevingne.

0:08:22 > 0:08:26So, Cara Delevingne, even on a red carpet you can get distracted.

0:08:26 > 0:08:29- There's generally quite distracting things on the red carpet.- Yes.

0:08:29 > 0:08:31Well, this is you with Rihanna.

0:08:31 > 0:08:34LAUGHTER

0:08:34 > 0:08:36Who wouldn't?

0:08:36 > 0:08:41- I'm sorry.- I like it. It's not even subtle. It's just like, "Hello!"

0:08:41 > 0:08:43I mean, I remember cos...

0:08:43 > 0:08:46I've known her for a very long time and I just remember, cos every time,

0:08:46 > 0:08:51especially in that show, she obviously has magnificent...lungs.

0:08:51 > 0:08:55- Yes.- But I just went up to her and said, "You look amazing."

0:08:55 > 0:08:58And every time she was like, "You've gotta be on boob watch."

0:08:58 > 0:09:01Cos, you know, it's definitely something you have to be careful of.

0:09:01 > 0:09:03- Ohhh.- Mm-hm.- I was being a good friend, guys.

0:09:03 > 0:09:06Emma, I feel like you're very happy to have your picture taken.

0:09:06 > 0:09:09- No, not really. - LAUGHTER

0:09:09 > 0:09:12- Really?- Yeah, you're entirely wrong.

0:09:12 > 0:09:17There's a picture, someone posted it on Twitter of you.

0:09:17 > 0:09:20And there's a fence in it and I don't know who's being protected.

0:09:20 > 0:09:22There's a fence in it?

0:09:22 > 0:09:25LAUGHTER

0:09:25 > 0:09:26That's cool.

0:09:26 > 0:09:28That's the Reading Music Festival.

0:09:28 > 0:09:32I saw you there! No, I wish. That would have been amazing.

0:09:32 > 0:09:37That was me and my 54-year-old best mate and 90,000 teenagers.

0:09:37 > 0:09:41I can't tell you. And I thought, "This is nice, this is nice."

0:09:41 > 0:09:43Two things happened.

0:09:43 > 0:09:46First of all, I got into the mosh pit when the Arctic Monkeys

0:09:46 > 0:09:48were playing and I thought,

0:09:48 > 0:09:50"Oh, I'm going to die. I'm going to die."

0:09:50 > 0:09:54I was all crushed in, being moved up and down by people, thinking,

0:09:54 > 0:09:56"Oh, now's when I die.

0:09:56 > 0:10:01"I always wondered and I thought it would probably be young.

0:10:01 > 0:10:03"But I didn't picture this."

0:10:03 > 0:10:08And then we all walked back, you know, with the 90,000 teenagers

0:10:08 > 0:10:10who are all high, and I thought, "This is really quite nice."

0:10:10 > 0:10:14And then someone shat on someone's tent and then someone blew up

0:10:14 > 0:10:20another tent. And then the toilets overflowed and I had to use those

0:10:20 > 0:10:25- little piss things. - The She-Ra.- Shewee!- Oh, Shewee!

0:10:25 > 0:10:29- She-Ra!- She-Ra!- She-Ra!

0:10:29 > 0:10:32Yeah, the little She-things.

0:10:32 > 0:10:36And it's absolutely hilarious because you pee down it and it's

0:10:36 > 0:10:39supposed to go down the chute and instead what it does is take

0:10:39 > 0:10:43all of the wee and push it into your body and down your leg.

0:10:43 > 0:10:45LAUGHTER

0:10:45 > 0:10:48It's a very efficient thing if you want to cover yourself in wee,

0:10:48 > 0:10:51for whatever medical reason - you might have psoriasis or something,

0:10:51 > 0:10:53then it would work.

0:10:53 > 0:10:57- It would be good.- You should have been a doctor.- I know!

0:10:57 > 0:11:01You are wasted as an actress. Wasted!

0:11:01 > 0:11:03It was hell. It was hell.

0:11:03 > 0:11:07I love what people would have thought when they're high at

0:11:07 > 0:11:10Reading Festival running into you and being like,

0:11:10 > 0:11:14"Nanny McPhee! No way is that real!"

0:11:14 > 0:11:17Covered in wee!

0:11:17 > 0:11:19Nanny McPhee covered in wee.

0:11:19 > 0:11:21LAUGHTER

0:11:21 > 0:11:24- She-Ra.- It's just tragic. - Now, ladies and gentlemen,

0:11:24 > 0:11:27the main event tonight, The Meyerowitz Stories,

0:11:27 > 0:11:30it's streaming now on Netflix and it is - well, you know -

0:11:30 > 0:11:31it's so good.

0:11:31 > 0:11:35- It's terrific.- Thanks. - Thank you.- Proud of it.

0:11:35 > 0:11:36- We are, aren't we?- Yes.

0:11:36 > 0:11:40It's everything you want, it's quirky, it's funny,

0:11:40 > 0:11:42it's serious, it's just terrific.

0:11:42 > 0:11:45So, it's about a dysfunctional family.

0:11:45 > 0:11:47It's sort of children trying to cope with a father who wasn't

0:11:47 > 0:11:49a father, played by Dustin Hoffman.

0:11:49 > 0:11:56- So who do you play?- I play his son. Dustin's character runs the family,

0:11:56 > 0:12:02he's a very smart, strong guy and he's an artist and I play his son

0:12:02 > 0:12:09who didn't become an artist. I'm a piano player but just kind of...

0:12:09 > 0:12:14He doesn't love being in the limelight, he's very nervous

0:12:14 > 0:12:19around that stuff and I feel like a failure.

0:12:19 > 0:12:24I think what it is is Dustin's my dad and Ben Stiller's dad

0:12:24 > 0:12:30and Elizabeth Marvel's dad but he divorced my mom in the movie

0:12:30 > 0:12:36and married another woman and Ben grew up with Dustin and I didn't,

0:12:36 > 0:12:40so we have a different relationship. And then this young lady,

0:12:40 > 0:12:43- you become, I think, Dustin's fourth wife, right?- Mm-hm.

0:12:43 > 0:12:45And it's fair to say, the fourth wife, she quite likes a glass

0:12:45 > 0:12:48- of wine with dinner.- Yeah.

0:12:48 > 0:12:51She's a not-really-functioning-at-all alcoholic.

0:12:51 > 0:12:55There's a passing resemblance to, as I noticed, Professor Trelawney.

0:12:55 > 0:12:57I didn't mean that to happen.

0:12:57 > 0:13:03It is like you just came from one set to the other.

0:13:03 > 0:13:06LAUGHTER AND APPLAUSE

0:13:06 > 0:13:10- I seriously have just realised that. - You never noticed that before?- No.

0:13:10 > 0:13:14Isn't that extraordinary? Anyway, Professor Trelawney obviously is...

0:13:14 > 0:13:17- Now married to Dustin Hoffman. - ..not well.

0:13:17 > 0:13:20But my character is...

0:13:20 > 0:13:22She's somebody who...

0:13:22 > 0:13:26wanted to marry someone who would be something and she thought

0:13:26 > 0:13:30this ageing sculptor would somehow be...

0:13:30 > 0:13:32She would be his muse. You know.

0:13:32 > 0:13:34And that hasn't happened and she doesn't have a relationship

0:13:34 > 0:13:37with the kids and she's a bit messed up.

0:13:37 > 0:13:40- She is an alcoholic so we did enjoy that, didn't we?- You were great.

0:13:40 > 0:13:43We had a laugh. I had a laugh playing an alcoholic.

0:13:43 > 0:13:45I mean, not much acting required, obviously.

0:13:45 > 0:13:47LAUGHTER

0:13:47 > 0:13:49Cheers!

0:13:49 > 0:13:52APPLAUSE

0:13:52 > 0:13:55Adam, what's so sweet about your character - and I think this

0:13:55 > 0:13:58happens a lot in families, where you're kind of the kid who's

0:13:58 > 0:14:02doing most of the care giving but you are the least appreciated.

0:14:02 > 0:14:04- Right, right, absolutely.- Exactly.

0:14:04 > 0:14:08Sorry, not...it reminds you of your own father but, no, not like

0:14:08 > 0:14:12that but your father... He gave you quite a hard time.

0:14:12 > 0:14:17Well, my father was... The difference in the family...

0:14:17 > 0:14:20My father in real life wasn't selfish.

0:14:20 > 0:14:26He was all about his family. But he was a strong guy and he was...

0:14:26 > 0:14:28We definitely...

0:14:28 > 0:14:31We were a little scared of him, we didn't want to make him upset,

0:14:31 > 0:14:34but we loved him more than anything on the planet.

0:14:34 > 0:14:36But, yeah, there was terror.

0:14:36 > 0:14:38LAUGHTER

0:14:38 > 0:14:42But I think the weirdest thing he did was the dog.

0:14:42 > 0:14:46Oh, yeah! Yeah, he named the dog Adam.

0:14:46 > 0:14:48LAUGHTER

0:14:48 > 0:14:51He'd always say, "Adam, Adam, come in here."

0:14:51 > 0:14:53And I'd come in and he'd go, "Not you, the dog."

0:14:53 > 0:14:56LAUGHTER

0:14:56 > 0:14:58GRAHAM LAUGHS

0:14:58 > 0:15:02ALL TALK AT ONCE

0:15:02 > 0:15:04Listen, let's have a look at a clip.

0:15:04 > 0:15:09This is the family, basically discussing the inheritance,

0:15:09 > 0:15:11the legacy, if you will.

0:15:11 > 0:15:13Thinking about selling the house? Why?

0:15:13 > 0:15:15It's very expensive to keep this place up and we're spending

0:15:15 > 0:15:17more time at the country house now.

0:15:17 > 0:15:20- But the country's yours.- I had it before we got married but it's ours.

0:15:20 > 0:15:21Everything is ours now.

0:15:21 > 0:15:25- You're selling all the art? Dad, why?- We don't have room for it.

0:15:25 > 0:15:26Do you want to sell?

0:15:26 > 0:15:28Oh, come on, Cabrera just grounded into a double play.

0:15:28 > 0:15:31- Matt set this up?- I told him it was a family discussion.

0:15:31 > 0:15:34I think it is. I don't think you should sell at all. I'm telling you.

0:15:34 > 0:15:36Didn't expect you to get so upset about it.

0:15:36 > 0:15:38I am. I am upset about it.

0:15:38 > 0:15:40- Why do you care?- I don't know.

0:15:40 > 0:15:43- We've lived here for years. - You haven't.

0:15:43 > 0:15:45This is where Matthew grew up. You lived in Queens with your mother.

0:15:45 > 0:15:48It's a Meyerowitz tradition, this house!

0:15:48 > 0:15:51Oh, I guess I wouldn't know about that.

0:15:51 > 0:15:53I didn't mean it like that.

0:15:53 > 0:15:56She gets sensitive about these things, she feels like an outsider,

0:15:56 > 0:15:58she doesn't have kids of her own.

0:15:58 > 0:16:01I tell her, "Technically, you're their step-mother."

0:16:01 > 0:16:03APPLAUSE

0:16:07 > 0:16:10Presumably one of the joys for you, I mean, it's weird cos he's

0:16:10 > 0:16:13not here, but working with Dustin Hoffman, was that the reason you

0:16:13 > 0:16:16said yes or was it written for you, Adam?

0:16:16 > 0:16:21What happened was...something like me and Ben Stiller know each other

0:16:21 > 0:16:24for a long time and I went to his...

0:16:24 > 0:16:29He got a Walk of Fame star in Hollywood and there was a party

0:16:29 > 0:16:32and Mickey Rooney was there, that was cool.

0:16:32 > 0:16:37And Mickey Rooney and Stiller were tight.

0:16:37 > 0:16:41Anyway, we were hanging out, me and Stiller and I said,

0:16:41 > 0:16:44"I don't see you enough, we have to do a movie some day."

0:16:44 > 0:16:48And I said, "You know we'd make good brothers."

0:16:48 > 0:16:50And he's like, "Yeah, we could definitely..."

0:16:50 > 0:16:53I said that to Tom Cruise, too, but that didn't happen.

0:16:53 > 0:16:55- LAUGHTER - Not yet.- Not yet.

0:16:55 > 0:16:58Actually, you really could play brothers, that's a very good idea.

0:16:58 > 0:17:00I could be Cruise's goofy brother.

0:17:00 > 0:17:04- No, look at them. - Cruise is like that size.- Yeah.

0:17:04 > 0:17:06Younger brother. Small brother.

0:17:06 > 0:17:10But, anyways, Noah and Stiller are very...

0:17:10 > 0:17:15They did two movies together and we all went to lunch and Noah

0:17:15 > 0:17:19came up with this idea and then he wrote it.

0:17:19 > 0:17:24But then Emma and Dustin, that came along after. I couldn't believe...

0:17:24 > 0:17:28That was very exciting. How did it all happen for you, anyway?

0:17:28 > 0:17:29I don't know.

0:17:29 > 0:17:31LAUGHTER

0:17:31 > 0:17:34I think my agent rang me up and said, "Do you want to do this job?"

0:17:34 > 0:17:36And I said yes.

0:17:36 > 0:17:39It was that fascinating.

0:17:39 > 0:17:41- Great story.- Yeah.

0:17:41 > 0:17:44I've worked on that one for a while.

0:17:44 > 0:17:47But I read in an interview, the first time you worked with Dustin,

0:17:47 > 0:17:51- that when you met him it was kind of a thing.- Oh, yeah, yeah, yeah.

0:17:51 > 0:17:55Cos he's one of my great idols. And I met him...

0:17:55 > 0:17:59We did something called Stranger Than Fiction with Will Ferrell.

0:17:59 > 0:18:03- It was a great one. - Nice piece of writing.

0:18:03 > 0:18:08And we had lunch, there was a lunch and it's, like, 15 years ago,

0:18:08 > 0:18:13I think. And I was sitting at the back - I know what it was!

0:18:13 > 0:18:16It was my birthday, actually. It was my birthday lunch.

0:18:16 > 0:18:21And he came...came down the sort of aisle of this restaurant,

0:18:21 > 0:18:24you know, that walk, the sort of...

0:18:24 > 0:18:25Oh, yeah!

0:18:25 > 0:18:28- LAUGHTER - Yeah, it's good.

0:18:28 > 0:18:30APPLAUSE

0:18:30 > 0:18:33Obviously, you know, without the fringes.

0:18:33 > 0:18:38Oh, these trousers are too tight. They're actually parting my vagina.

0:18:38 > 0:18:41LAUGHTER AND APPLAUSE

0:18:41 > 0:18:43I borrowed them.

0:18:43 > 0:18:46I don't think anyone will want them back.

0:18:46 > 0:18:49Oh, you'd be surprised.

0:18:49 > 0:18:52Anyway, I don't know how guys do it. Ow!

0:18:52 > 0:18:53Anyway. Hm.

0:18:53 > 0:18:58And I just had this kind of... this incredible reaction to him

0:18:58 > 0:19:04because it was sort of... It was just like being overwhelmed

0:19:04 > 0:19:07with this sense of all of those things that he'd played that

0:19:07 > 0:19:10had really touched me and moved me,

0:19:10 > 0:19:15you know, from Midnight Cowboy on, just...

0:19:15 > 0:19:20- Especially that one, actually.- Yeah. - That heart-breaking, broken man.

0:19:20 > 0:19:21Yeah, he's a great man.

0:19:21 > 0:19:24But, Emma, do you get that where people have the same reaction

0:19:24 > 0:19:29to you, cos you've really moved them in things or...?

0:19:30 > 0:19:32- Um...- "No."

0:19:32 > 0:19:35You know, the Love Actually thing,

0:19:35 > 0:19:38people do sometimes do that kind of...

0:19:38 > 0:19:40They just do that.

0:19:40 > 0:19:44How many people, I must imagine, go up to you and go, "That scene..."

0:19:44 > 0:19:49Cos, Claire Foy, you get quite an emotional reaction from fans,

0:19:49 > 0:19:53- don't you?- Not so much fans, but one lady I met in a chip shop.

0:19:53 > 0:19:54LAUGHTER

0:19:54 > 0:19:57- Let's go with that story, then. - Just that one lady.

0:19:57 > 0:20:00I really enjoyed meeting you, can I just say to her, wherever she -

0:20:00 > 0:20:03she's not in the audience - if this makes it onto the show.

0:20:03 > 0:20:06If you smell vinegar, she's nearly here.

0:20:06 > 0:20:10I was at the chip shop and a woman came in and we started chatting

0:20:10 > 0:20:13cos they were battering our cod...

0:20:13 > 0:20:15LAUGHTER

0:20:15 > 0:20:17..and we started having a chat and she'd been on a Tinder date

0:20:17 > 0:20:20and she was a bit drunk and she was talking about how it hadn't

0:20:20 > 0:20:23gone very well but hopefully they were going to be friends.

0:20:23 > 0:20:27And then my mum FaceTimed me and for some reason, me picking up

0:20:27 > 0:20:32my iPhone and talking to my mother reminded her of the Queen.

0:20:32 > 0:20:34And she went, "Oh, my God!"

0:20:34 > 0:20:37I went, "Oh, this is..."

0:20:37 > 0:20:40I ended the call with my mum and she went, "I love you so much,

0:20:40 > 0:20:44"I love you so much!" And I think it was a combination between the chat

0:20:44 > 0:20:47we'd had previously, the Tinder date, the alcohol, the chip shop

0:20:47 > 0:20:51element that made the tears come. But it was quite a... We cuddled.

0:20:51 > 0:20:53LAUGHTER

0:20:53 > 0:20:56And it was a special moment. For me, as well.

0:20:56 > 0:20:59I mean, it was a depressing moment for her but I loved her.

0:20:59 > 0:21:02- You made her Tinder so much better. - Yeah, you cheered up a Tinder date.

0:21:02 > 0:21:06- I hope so.- People tell the story and it ends with, "And then..."

0:21:06 > 0:21:09- I really hope she watches this.- It's also fantastically cheery to find

0:21:09 > 0:21:11a member of the royal family in a chip shop.

0:21:11 > 0:21:13LAUGHTER

0:21:13 > 0:21:17Under any circumstances that is a cheery thing.

0:21:17 > 0:21:22- Listen, very quickly, season two of The Crown.- Yes.

0:21:22 > 0:21:25Everyone's very exited. CHEERING AND APPLAUSE

0:21:25 > 0:21:28That comes out in December.

0:21:28 > 0:21:31We all love The Crown.

0:21:31 > 0:21:35This is already your last stint.

0:21:35 > 0:21:39- That's it, yes.- What?- It's over. - Why would you do that to us?!

0:21:39 > 0:21:41Well, because that's it, I'm done.

0:21:41 > 0:21:43But can you not do another season?

0:21:43 > 0:21:45- No.- Why not?

0:21:45 > 0:21:49- No. Don't suggest that, Graham.- Were you always only supposed to do...?

0:21:49 > 0:21:52- Yeah, yeah.- I thought you were supposed to do a...I don't know,

0:21:52 > 0:21:53a bigger chunk.

0:21:53 > 0:21:57No, no, we always knew it was only going to be two series.

0:21:57 > 0:22:00So from the beginning, it's always been what I've known and then

0:22:00 > 0:22:04the part is reincarnated and someone else goes on.

0:22:04 > 0:22:08- That's the nature of the part. - The Queen's like Bond.

0:22:08 > 0:22:10Yeah. Yeah, yeah.

0:22:10 > 0:22:14- Bond, yeah.- Do you know who's stepping into the crown now?

0:22:14 > 0:22:16Yes, I do.

0:22:16 > 0:22:17HE GASPS Do you really?!

0:22:17 > 0:22:18I just assumed you'd say no.

0:22:18 > 0:22:22- No, I do. I'm not going to tell you. - Can we tickle you till you tell us?

0:22:22 > 0:22:25- No, don't, cos I will tell you. - LAUGHTER

0:22:25 > 0:22:28- Please!- Is it someone we know? Is it someone we know?

0:22:31 > 0:22:33- Yeah, yes. - Is it?

0:22:33 > 0:22:36- Yes. I mean...- Somebody famous?

0:22:36 > 0:22:38Stop it!

0:22:38 > 0:22:40It's someone who acts for a living.

0:22:40 > 0:22:44A professional actor's going to play the role. OK.

0:22:44 > 0:22:45LAUGHTER

0:22:45 > 0:22:47I like what they've done with this.

0:22:47 > 0:22:51- You're not allowed to tell us, right?- Absolutely not.

0:22:51 > 0:22:53- Oh, OK. All right, move on. - Do you not know?

0:22:53 > 0:22:56This isn't going to get us anywhere, Graham.

0:22:56 > 0:22:59- Oh, do you know?!- Uh, no.

0:22:59 > 0:23:02- I don't know.- No? But your husband Greg's in it.

0:23:02 > 0:23:04- So does he not...?- Oh, yeah.

0:23:04 > 0:23:07My husband, yes, he's in it, yes.

0:23:07 > 0:23:09- GERMAN ACCENT:- Yes, he is in it. He is Mountbatten.

0:23:09 > 0:23:11LAUGHTER

0:23:11 > 0:23:14- GERMAN ACCENT:- But I'm not villing to say any more.

0:23:14 > 0:23:18- Why am I doing a German accent? - I don't know. It's good, it's good.

0:23:18 > 0:23:22- What's odd, of course, is you have also played the Queen.- Yes, I have.

0:23:22 > 0:23:24Not as well as Claire, I have to tell you.

0:23:24 > 0:23:25You're looking good, though.

0:23:25 > 0:23:28Look, look, look at my face, I looked like a slapped arse.

0:23:28 > 0:23:31LAUGHTER

0:23:31 > 0:23:33A very good one.

0:23:33 > 0:23:37- And Claire is so good in it. - Fantastic.

0:23:37 > 0:23:41But you've said there are some kind of little tricks you use,

0:23:41 > 0:23:45like for the voice you have a little trick for the voice.

0:23:45 > 0:23:49Well, I'm Mancunian, originally,

0:23:49 > 0:23:52and the only thing I've kept is how I pronounce one.

0:23:52 > 0:23:54- Which is I say... - MANCUNIAN ACCENT:- "One."

0:23:54 > 0:23:56Which is completely wrong.

0:23:56 > 0:23:59And it took me about five months of just drilling of going...

0:23:59 > 0:24:00- QUEEN'S ACCENT:- "One!"

0:24:00 > 0:24:02- As opposed to... - MANCUNIAN ACCENT:- "One."

0:24:02 > 0:24:04And I still slip every once in a while.

0:24:04 > 0:24:06Matt had his own whole situation with "was" and "because"

0:24:06 > 0:24:09- and all this sort of stuff. But... - QUEEN'S ACCENT:- "One."

0:24:09 > 0:24:12I'm losing it already. I can already feel her going.

0:24:12 > 0:24:15But, yeah, I really had to just...

0:24:15 > 0:24:17Every time before a take I'd be like...

0:24:17 > 0:24:20- QUEEN'S ACCENT: - "One, one, one, one."

0:24:20 > 0:24:22- It's so weird.- It's an extraordinary voice, isn't it?

0:24:22 > 0:24:25- It's so bizarre.- It's the weirdest bloomin' voice.

0:24:25 > 0:24:27- It's so hard to do. - And it's still weird.

0:24:27 > 0:24:31When she does the afternoon speeches at Christmas it's like going back

0:24:31 > 0:24:35in time, you just go, how does anyone still speak like that?

0:24:35 > 0:24:36It's extraordinary.

0:24:36 > 0:24:38Maybe she does the same thing.

0:24:38 > 0:24:40- QUEEN'S ACCENT: - "One, one, one, one."

0:24:40 > 0:24:42LAUGHTER

0:24:42 > 0:24:47APPLAUSE

0:24:47 > 0:24:50Now, listen, Claire, you're actually here tonight to tell us about

0:24:50 > 0:24:53your new film. It's called Breathe. It opens tonight.

0:24:53 > 0:24:56And it's a mind-boggling story and it's sort of extraordinary

0:24:56 > 0:25:00that we don't - I certainly did not know this story.

0:25:00 > 0:25:05Robin Cavendish and his wife, and both of them were proper,

0:25:05 > 0:25:10- sort of, pioneers.- Yeah. They were sort of forced into that position.

0:25:10 > 0:25:16Robin contracted polio in Africa and their life was seemingly

0:25:16 > 0:25:20going incredibly well, they were young, they were in love, the going

0:25:20 > 0:25:24was good, and then suddenly he was told he had three months to live.

0:25:24 > 0:25:27She was eight months pregnant at the time and during that time

0:25:27 > 0:25:31gave birth to the producer of the film, Jonathan Cavendish.

0:25:31 > 0:25:32He's the producer of the film.

0:25:32 > 0:25:36Oh, it makes me feel a bit emotional talking about it.

0:25:36 > 0:25:40And it's the story of about how he was given three months to live

0:25:40 > 0:25:45and he just kept on living and it gets to a point where, you know,

0:25:45 > 0:25:49he goes through a period of depression and there's a sort of

0:25:49 > 0:25:52facedown moment where they have to decide whether he's going to

0:25:52 > 0:25:55keep going down this route of depression and misery,

0:25:55 > 0:25:57or whether he's just going to say,

0:25:57 > 0:26:00"This is it and we're going to make the best of it."

0:26:00 > 0:26:05And they...changed the lives of disabled people around the world.

0:26:05 > 0:26:09They made the first - they invented and made the first wheelchair

0:26:09 > 0:26:13for responauts, people who rely on breathing apparatus to live.

0:26:13 > 0:26:17Which meant that people who had been confined to iron lungs and

0:26:17 > 0:26:20hospital for the rest of their days could live and breathe and

0:26:20 > 0:26:22get out there and live their lives.

0:26:22 > 0:26:26It's amazing that a patient invented it. Not a doctor.

0:26:26 > 0:26:28Well, yeah, because at the time, you know,

0:26:28 > 0:26:31it's an interesting thing with disability or anything like that.

0:26:31 > 0:26:34People want to do the best for people, it's not that people

0:26:34 > 0:26:36are trying to keep people in their place.

0:26:36 > 0:26:40- Yeah.- You want to help people and you want people to live.

0:26:40 > 0:26:43But they were just terrified and modern medicine is an

0:26:43 > 0:26:47incredible thing but it takes risk and Robin Cavendish was

0:26:47 > 0:26:50willing to risk his life and they changed people's lives.

0:26:50 > 0:26:53I can't even tell you. Extraordinary people.

0:26:53 > 0:26:56And he's brilliantly played by Andrew Garfield.

0:26:56 > 0:26:58You play Diana, the wife.

0:26:58 > 0:27:01It's a terrific movie and you are terrific in it.

0:27:01 > 0:27:04Here's a taste of what to expect from Breathe.

0:27:04 > 0:27:06I'm not feeling too good.

0:27:06 > 0:27:08I can't move. What's going on?

0:27:08 > 0:27:09Robin?

0:27:09 > 0:27:11Get him on a respirator!

0:27:11 > 0:27:14People paralysed by polio don't last long.

0:27:14 > 0:27:15Can't move anything from the neck down.

0:27:15 > 0:27:17Can't even breathe for yourself.

0:27:20 > 0:27:22How do you live like this?

0:27:22 > 0:27:24You get used to it.

0:27:24 > 0:27:27I love you. And I want Jonathan to know you.

0:27:27 > 0:27:30- You can't love this.- Yes, I can.

0:27:30 > 0:27:33- There must be something I can do. - Get me out of here.

0:27:34 > 0:27:36Robin's going to leave the hospital.

0:27:36 > 0:27:38No-one with your husband's disability

0:27:38 > 0:27:40exists outside a hospital.

0:27:40 > 0:27:42Has anyone ever tried? Robin?!

0:27:42 > 0:27:44Robin?!

0:27:44 > 0:27:46- You all right, darling? - Much better.

0:27:50 > 0:27:52Aw, don't.

0:27:52 > 0:27:56DROWNED OUT BY APPLAUSE

0:27:56 > 0:27:59Now, ladies and gentlemen, Cara Delevingne brings us a new

0:27:59 > 0:28:01string to her already crowded bow.

0:28:01 > 0:28:06It's a novel. I've got it here. It's called Mirror, Mirror.

0:28:06 > 0:28:10It's out now. What can people expect?

0:28:10 > 0:28:11AUDIENCE WHOOP

0:28:11 > 0:28:13APPLAUSE

0:28:13 > 0:28:16It's a book. It has words. That's good for a book.

0:28:16 > 0:28:19- Yeah.- So, basically, it's a fictional novel.

0:28:19 > 0:28:23It's classed as a young adult novel but I feel like adults can read it.

0:28:23 > 0:28:26I've had a lot of older friends read it and it really brings you

0:28:26 > 0:28:29back to being a teenager cos it's very visceral, it describes

0:28:29 > 0:28:33very much the smells and the emotions and the hormones and

0:28:33 > 0:28:35all that fun stuff, as being a teenager is.

0:28:35 > 0:28:38But it's about four friends growing up in London

0:28:38 > 0:28:43and...it's...it's, again, for everybody, you know, we've all

0:28:43 > 0:28:45been there, it can be a turbulent rollercoaster at times,

0:28:45 > 0:28:47there's lots of ups and downs.

0:28:47 > 0:28:51It's also got a few twists in there which are really, really good.

0:28:51 > 0:28:55And it's got a kind of crime/mystery solving element to it as well.

0:28:55 > 0:28:58I've heard you talk about it, you have a real sense of

0:28:58 > 0:29:01ownership of this book and this story and these characters,

0:29:01 > 0:29:04but at the same time you're very open to the fact you wrote it

0:29:04 > 0:29:07with Rowan Coleman. So did that work?

0:29:07 > 0:29:09Technically, how does that work?

0:29:09 > 0:29:13So, that process, I mean, growing up, you know, at school I had

0:29:13 > 0:29:16no confidence in myself at writing,

0:29:16 > 0:29:19because my grades weren't always good in English and stuff like that.

0:29:19 > 0:29:23I loved writing so much but because I never got an A,

0:29:23 > 0:29:25I just thought I would never be able to do it.

0:29:25 > 0:29:27But I love writing, it was always such a passion for me,

0:29:27 > 0:29:30especially dealing with things, mental health issues and

0:29:30 > 0:29:33stuff like depression, it's such a great way to express yourself.

0:29:33 > 0:29:38The process of going about it, I had these ideas, I met a few writers,

0:29:38 > 0:29:41Rowan was the person I met and you know when you just click with

0:29:41 > 0:29:44someone and you have that, when you're creating something, and you

0:29:44 > 0:29:47just have that spark and these ideas of things just started

0:29:47 > 0:29:52- flowing out of us.- Would you sit in a room together?- Yeah, yeah, yeah.

0:29:52 > 0:29:56I met a few different writers, cos I wanted to find the right person,

0:29:56 > 0:29:57I had ideas already.

0:29:57 > 0:30:00I wrote a diary when I was younger and I had all these kind of pictures

0:30:00 > 0:30:03and notes and things that I wanted to bring into it and she was

0:30:03 > 0:30:07- just the one.- And what interested me, cos I guess your fan base,

0:30:07 > 0:30:09you know, there's a lot, you know, you've got the amazing Instagram

0:30:09 > 0:30:12followers and Twitter and things,

0:30:12 > 0:30:17is it a big leap to say those people can commit to a whole novel,

0:30:17 > 0:30:19you know, a chunk of book?

0:30:19 > 0:30:24Well, yesterday I did a book signing and I had mostly young girls

0:30:24 > 0:30:26and, weirdly, older men...

0:30:26 > 0:30:28LAUGHTER

0:30:28 > 0:30:30That is weird, isn't it?

0:30:30 > 0:30:33One of the guys came up and he was wearing a T-shirt saying,

0:30:33 > 0:30:34"May I suggest this sausage?"

0:30:34 > 0:30:37And I was looking at it and I was going,

0:30:37 > 0:30:39"You may but I may not say yes."

0:30:39 > 0:30:42- LAUGHTER - That was interesting.

0:30:42 > 0:30:45He bought two books so I was like, "Thanks!"

0:30:45 > 0:30:49But, you know, so many of these girls came up to me and were just,

0:30:49 > 0:30:52you know that thing where people shake, that always freaks me out

0:30:52 > 0:30:55cos I'm like, "It's OK, I'm going to hug the shake out of you."

0:30:55 > 0:30:59But they'd come up to me and just go, "You really helped me

0:30:59 > 0:31:06"come out to my family and realise it was OK to be gay," or "It's OK

0:31:06 > 0:31:09"to be depressed and have anxiety and go through that and be honest

0:31:09 > 0:31:12"about it." And that for me is the reason why I do this.

0:31:12 > 0:31:15If I can in any way help a teenager go through what I was going through

0:31:15 > 0:31:18and come out of it, that's why I'm here, you know.

0:31:18 > 0:31:20Well, congratulations, it's a big deal.

0:31:20 > 0:31:22CHEERING

0:31:28 > 0:31:30Earlier on, we were talking about dealing with parents and

0:31:30 > 0:31:32having to take care of parents,

0:31:32 > 0:31:35but even at your age, Cara Delevingne, your mother...

0:31:35 > 0:31:39Has your mother been banned from fashion shows now?

0:31:39 > 0:31:41She should be!

0:31:41 > 0:31:42She sounds like a liability.

0:31:42 > 0:31:45Ah, yeah... No, Mum, you're not. Don't worry.

0:31:45 > 0:31:47SHE MOUTHS

0:31:47 > 0:31:48She, uh...

0:31:48 > 0:31:51I mean, you know parents can be...you know, embarrassing at

0:31:51 > 0:31:54these things, and my parents are very proud and amazing and

0:31:54 > 0:31:55adorable - there she is.

0:31:55 > 0:31:58And I think she came to a show and she was backstage with me

0:31:58 > 0:32:01and they were ushering her to her seat and she walked down,

0:32:01 > 0:32:03outside, backstage, the middle of the catwalk!

0:32:03 > 0:32:06Just before it was about to start. And people were trying to get her.

0:32:06 > 0:32:09She walks down the front row and I see her on the camera from

0:32:09 > 0:32:12backstage spotting people in the audience in the front row and

0:32:12 > 0:32:13walking up to them.

0:32:13 > 0:32:16I think she tried to walk up to Anna Wintour and kiss her and say

0:32:16 > 0:32:18hello and wouldn't sit down.

0:32:18 > 0:32:20People were trying to start the show and they had to

0:32:20 > 0:32:24literally physically grab her and put her in some chair somewhere.

0:32:24 > 0:32:26Very funny.

0:32:26 > 0:32:29But it must be lovely, you know, for all your parents, to see your

0:32:29 > 0:32:31success and to enjoy it.

0:32:31 > 0:32:37Cos was it your mum was on the set of The Waterboy?

0:32:37 > 0:32:43Sure, sure. Yes, yes. My mother, she has humiliated me a lot, yes.

0:32:43 > 0:32:48She doesn't know when she's watching the monitor and she has the

0:32:48 > 0:32:52headphones on that she can be heard and she was, you know,

0:32:52 > 0:32:56watching the monitor while I was doing my Waterboy acting and,

0:32:56 > 0:32:59I don't know, she's just nuts, my mother.

0:32:59 > 0:33:03She's a good, lovely lady. I just remembered a story.

0:33:03 > 0:33:06It's funny about my mother.

0:33:06 > 0:33:10Like 20 years ago or whatever it was, I was at the Golden Globes.

0:33:10 > 0:33:15I got nominated for a Golden Globe, so I took my parents.

0:33:15 > 0:33:17Just like you.

0:33:17 > 0:33:21I took my parents and they kind of invited themselves,

0:33:21 > 0:33:27but anyway, I remember my mother just gets excited, like your mom,

0:33:27 > 0:33:30to talk to people or see people or screams out, "Who's that?"

0:33:30 > 0:33:34So somebody gave my mother the thing, like if you're going to

0:33:34 > 0:33:37point at somebody, do it like...

0:33:37 > 0:33:41Point in a different direction and we'll follow the thumb to who

0:33:41 > 0:33:43you're pointing to.

0:33:43 > 0:33:45She's like, "What? What?"

0:33:45 > 0:33:48You point that way but the thumb is who you're talking about and

0:33:48 > 0:33:51you get away with a little better. Like that.

0:33:51 > 0:33:56And I swear to God, Elton John was about eight feet away and I'm

0:33:56 > 0:34:00seeing my mother getting all crazy and then she starts going,

0:34:00 > 0:34:02"Is that...?"

0:34:02 > 0:34:05LAUGHTER

0:34:05 > 0:34:07APPLAUSE

0:34:11 > 0:34:13Thank you.

0:34:13 > 0:34:16Talking of meeting famous faces, there's a weird thing going on

0:34:16 > 0:34:20at the moment - well, so many weird things because of Donald Trump.

0:34:20 > 0:34:26But we're suddenly hearing about all these famous people that

0:34:26 > 0:34:30he asked out. And you are one of them.

0:34:30 > 0:34:32Yeah.

0:34:32 > 0:34:34I know.

0:34:34 > 0:34:36You could be the First Lady!

0:34:36 > 0:34:40I could've changed the course of history.

0:34:40 > 0:34:42LAUGHTER

0:34:42 > 0:34:47We were doing Primary Colors, which was a film about the Clintons

0:34:47 > 0:34:49and about that.

0:34:49 > 0:34:53It was at Universal, it was '97, so it was a long time ago.

0:34:53 > 0:34:59So, actually, one only associated Senor Trump with tasteless

0:34:59 > 0:35:00architecture at that point.

0:35:00 > 0:35:07And, well, still a boundless sense of narcissistic kind of madness.

0:35:07 > 0:35:10But I was in my little trailer, which was a normal trailer,

0:35:10 > 0:35:13and it had a phone, like a proper phone, you know...

0:35:13 > 0:35:16- A landline.- ..landline.

0:35:16 > 0:35:20And no-one had ever rung on me on it nor had I ever used it.

0:35:20 > 0:35:23In fact, I assumed it was not a working machine.

0:35:23 > 0:35:27And it rang one day and I picked it up and it was Donald Trump.

0:35:27 > 0:35:29- Donald Trump.- What?

0:35:29 > 0:35:33Donald Trump was on the other end of the phone going,

0:35:33 > 0:35:37"Hi, it's Donald Trump here." And I thought someone was having a laugh.

0:35:37 > 0:35:39I said, "Oh, fuck off."

0:35:39 > 0:35:41LAUGHTER

0:35:41 > 0:35:44And he said, "No, I'm ringing to ask you if you would like to, you know,

0:35:44 > 0:35:47"come and stay in one of my lovely apartments

0:35:47 > 0:35:49"and maybe we could have dinner?"

0:35:49 > 0:35:51And I just didn't know what to say.

0:35:51 > 0:35:56I was just absolutely astounded because how did he get my number?

0:35:56 > 0:35:58I mean, a number that I didn't have!

0:35:58 > 0:36:00LAUGHTER

0:36:00 > 0:36:01- In the trailer!- Yeah.

0:36:01 > 0:36:05So I just said I'd get back to him.

0:36:05 > 0:36:08And in so many ways I wish I had.

0:36:08 > 0:36:11Because if I had gone out with him for dinner,

0:36:11 > 0:36:13I could have done that.

0:36:13 > 0:36:16LAUGHTER

0:36:16 > 0:36:18And then we would all have known...

0:36:18 > 0:36:23the truth. Then maybe he wouldn't have been President!

0:36:28 > 0:36:31Well, it's time to meet our musical guest tonight.

0:36:31 > 0:36:34This music legend shot to fame as the enigmatic frontman of

0:36:34 > 0:36:39The Smiths, and since then he's found huge success as a solo artist.

0:36:39 > 0:36:41Performing his new single Spent The Day In Bed,

0:36:41 > 0:36:44please welcome, for the first time, Morrissey!

0:36:44 > 0:36:47CHEERING

0:37:08 > 0:37:10# Spent the day in bed

0:37:10 > 0:37:13# Very happy I did

0:37:13 > 0:37:16# Yes, I spent the day in bed

0:37:16 > 0:37:18# As the workers stay enslaved

0:37:18 > 0:37:22# I spent the day in bed

0:37:22 > 0:37:24# I'm not my type, but

0:37:24 > 0:37:27# I love my bed

0:37:27 > 0:37:30# And I recommend that you

0:37:30 > 0:37:33# Stop watching the news

0:37:35 > 0:37:40# Because the news contrives to frighten you

0:37:40 > 0:37:44# To make you feel small and alone

0:37:46 > 0:37:50# To make you feel that your mind isn't your own

0:37:51 > 0:37:54# So I spent the day in bed

0:37:54 > 0:37:56# It's a consolation

0:37:56 > 0:38:00# When all my dreams

0:38:00 > 0:38:02# Are perfectly legal

0:38:02 > 0:38:05# In sheets for which I paid

0:38:05 > 0:38:07# I am now laid

0:38:07 > 0:38:11# And I recommend

0:38:11 > 0:38:13# To all of my friends that they

0:38:13 > 0:38:17# Stop watching the news

0:38:18 > 0:38:23# Because the news contrives to frighten you

0:38:24 > 0:38:28# To make you feel small and alone

0:38:29 > 0:38:33# To make you feel that your mind isn't your own

0:38:35 > 0:38:38# Oh, time, do as I wish

0:38:38 > 0:38:40# Time, do as I wish

0:38:40 > 0:38:43# Oh, time, do as I wish

0:38:43 > 0:38:46# Time, do as I wish

0:38:46 > 0:38:49# Oh, time, do as I wish

0:38:49 > 0:38:51# Time, do as I wish

0:38:51 > 0:38:54# Oh, time, do as I wish

0:38:54 > 0:38:56# Do as I wish

0:38:56 > 0:38:59# I spent the day in bed

0:38:59 > 0:39:01# You can please yourself

0:39:01 > 0:39:05# But I spent the day in bed

0:39:05 > 0:39:08# Pillows like pillars

0:39:08 > 0:39:11# Life ends in death

0:39:11 > 0:39:13# So there's nothing wrong with

0:39:13 > 0:39:16# Being good to yourself

0:39:16 > 0:39:19# Be good to yourself for once

0:39:19 > 0:39:24# And no bus, no boss, no rain, no train

0:39:24 > 0:39:30# No bus, no boss, no rain, no train

0:39:30 > 0:39:35# No bus, no boss, no rain, no train

0:39:35 > 0:39:40# No emasculation, no castration

0:39:40 > 0:39:46# No highway, freeway, motorway

0:39:46 > 0:39:51# No bus, no boss, no rain, no train

0:39:51 > 0:39:56# No bus, no boss, no rain, no train

0:39:56 > 0:40:02# No bus, no boss, no rain, no train. #

0:40:05 > 0:40:08CHEERING AND APPLAUSE

0:40:08 > 0:40:09Thank you!

0:40:17 > 0:40:20Fantastic! A big thank you to Morrissey!

0:40:20 > 0:40:23Thank you very much. Have a seat, guys.

0:40:24 > 0:40:26Sounded so good.

0:40:26 > 0:40:29Sounded excellent.

0:40:29 > 0:40:31The voice untouched by time.

0:40:31 > 0:40:34Untouched by time. Right, that's nearly it.

0:40:34 > 0:40:36Before we go, just time for a visit to the Big Red Chair.

0:40:36 > 0:40:39- Who's there? Hello.- Hello.

0:40:39 > 0:40:42- What's your name?- Simony.

0:40:42 > 0:40:45- Lovely. And where are you from?- I'm from Brazil.

0:40:45 > 0:40:48- No? Born and bred in Brazil?- Yes.

0:40:48 > 0:40:51- Oh, OK.- I've been here for 11 years but, yes.

0:40:51 > 0:40:55- OK, and what do you do here?- I'm a lawyer.

0:40:55 > 0:40:57Are you a particular type of lawyer?

0:40:57 > 0:40:59- Yes, I'm a particular type of lawyer.- Is it ruthless?

0:40:59 > 0:41:04No, I wish. I do financial services.

0:41:04 > 0:41:07Always a conversation starter.

0:41:07 > 0:41:09Yes, it really is.

0:41:09 > 0:41:11HE YAWNS

0:41:11 > 0:41:13OK, off you go with your story.

0:41:13 > 0:41:19I moved here about 11 years ago, but as a foreigner you learn English

0:41:19 > 0:41:22as a second language and you only learn the right way to say things.

0:41:22 > 0:41:25You don't learn swear words or anything like that.

0:41:25 > 0:41:29So whenever I would hear a word I didn't know I would try and

0:41:29 > 0:41:31pick from the conversation what the meaning was.

0:41:31 > 0:41:36And I used to work amongst a number of other blokes and our

0:41:36 > 0:41:39manager sat next to us and I would always assume that when

0:41:39 > 0:41:40you're at work you don't swear.

0:41:40 > 0:41:43So they would always be saying to each other, "Oh, I can't be arsed.

0:41:43 > 0:41:45"I can't be arsed, I can't be arsed."

0:41:45 > 0:41:47And I took that as "I can't be ASKED."

0:41:47 > 0:41:51Because you're ASKING me to do something and I can't be ASKED.

0:41:51 > 0:41:54So you go to meet the in-laws, or at the time the prospective in-laws,

0:41:54 > 0:41:57as you do, and you're trying to impress, as you do,

0:41:57 > 0:42:01and then the mother, who's, you know, perfect British lady,

0:42:01 > 0:42:04very respectful, very elegant, she comes and asks me if I wanted

0:42:04 > 0:42:06to do something in particular.

0:42:06 > 0:42:08I said, "Oh, no, thank you, I can't be arsed."

0:42:08 > 0:42:10She went, "Oh!"

0:42:10 > 0:42:12LAUGHTER

0:42:12 > 0:42:14What a story!

0:42:14 > 0:42:17"No, no, I'm not swearing. I just can't be arsed."

0:42:17 > 0:42:19"Oh, again!"

0:42:19 > 0:42:22You can walk, you can walk. Go on, you walk, walk, walk.

0:42:22 > 0:42:25One more? OK, we'll have one more.

0:42:25 > 0:42:28- OK, here we go. OK. Oh, hello.- Hello.

0:42:28 > 0:42:31- Hi. You're really tall.- Thank you. No, this chair's just small.

0:42:31 > 0:42:33I don't think it is. How tall are you?

0:42:33 > 0:42:36- 6'2"?- Oh, not that tall.- No.- OK.

0:42:36 > 0:42:37- What's your name?- Albert.

0:42:37 > 0:42:41- And where you from?- I'm from Holywood in Northern Ireland.

0:42:41 > 0:42:42Lovely.

0:42:42 > 0:42:48- It's a nice place.- What is in... Is there a folk village or something?

0:42:48 > 0:42:52I think it was voted 2002 Best Town in Northern Ireland or something.

0:42:52 > 0:42:54Very good.

0:42:54 > 0:42:56See, there's more than one Hollywood, Adam.

0:42:56 > 0:42:58LAUGHTER

0:42:58 > 0:43:01- And do you live there now? - No, I live here, yeah.

0:43:01 > 0:43:04- What do you do?- I work for a big technology firm.

0:43:04 > 0:43:07A BIG one. A BIG technology one.

0:43:07 > 0:43:10Yeah. Big!

0:43:10 > 0:43:13- Almost as big as me.- It's the technology that got small.

0:43:13 > 0:43:16LAUGHTER

0:43:16 > 0:43:18All right, off you go with your story.

0:43:18 > 0:43:20So I used to live in China...

0:43:20 > 0:43:22GRAHAM LAUGHS

0:43:22 > 0:43:24While I was over there I did a bit of travelling, went to

0:43:24 > 0:43:28Central China and went to a zoo. Pretty bad zoo.

0:43:28 > 0:43:31I went to the infirmary enclosure, which is like the sick animals

0:43:31 > 0:43:35are there, and there was this huge white tiger, beautiful big thing

0:43:35 > 0:43:37in a really small cage.

0:43:37 > 0:43:39This cage was close enough to put your hand in.

0:43:39 > 0:43:41It was no health and safety at all.

0:43:41 > 0:43:43And as the tiger walked towards me I was just admiring a

0:43:43 > 0:43:46beautiful thing and it turned round and walked the other way,

0:43:46 > 0:43:50it just lifted its tail and projectile urinated all over me,

0:43:50 > 0:43:55in my mouth, in my eyes, in my ears.

0:43:55 > 0:43:58- And it's a sick tiger. - Exactly, yeah. 100%.

0:43:58 > 0:44:01And of course all these Chinese people with phones came over

0:44:01 > 0:44:05to me and were taking pictures, going, "You're so lucky, it's amazing when that happens."

0:44:05 > 0:44:08I didn't feel that lucky.

0:44:08 > 0:44:11- But I'm told it is.- Flip or walk?

0:44:11 > 0:44:14- Go for flip.- Oh, you want to be flipped? OK, there he goes.

0:44:14 > 0:44:16Well done.

0:44:16 > 0:44:18Well done, everyone.

0:44:18 > 0:44:21If you'd like to join us on the show and have a go at that Red Chair, you can!

0:44:21 > 0:44:24Just contact us via the website at this very address.

0:44:24 > 0:44:25That is it for tonight.

0:44:25 > 0:44:28Please say a huge thank you to my guests - Cara Delevingne!

0:44:28 > 0:44:30CHEERING AND APPLAUSE

0:44:30 > 0:44:31Claire Foy!

0:44:31 > 0:44:32CHEERING AND APPLAUSE

0:44:32 > 0:44:33Adam Sandler!

0:44:33 > 0:44:35CHEERING AND APPLAUSE

0:44:35 > 0:44:36And Emma Thompson!

0:44:36 > 0:44:38CHEERING AND APPLAUSE

0:44:38 > 0:44:40Do join me next week with comedy star Josh Gad,

0:44:40 > 0:44:42Hollywood actress Michelle Pfeiffer,

0:44:42 > 0:44:44Knight of the theatre Kenneth Branagh,

0:44:44 > 0:44:47and the one and only Dame Judi Dench.

0:44:47 > 0:44:49I'll see you then. Goodnight, everybody, bye-bye!

0:44:49 > 0:44:52CHEERING AND APPLAUSE