0:00:02 > 0:00:04- Good evening, I'm Will Ferrell. - And I'm Mark Wahlberg.
0:00:04 > 0:00:06BOTH: Welcome to The Graham Norton Show!
0:00:20 > 0:00:23CHEERING AND APPLAUSE
0:00:23 > 0:00:26Hello! It's me!
0:00:26 > 0:00:27Hello!
0:00:27 > 0:00:33Hi! Oh! Oh!
0:00:33 > 0:00:37That is so lovely! Thank you. Hello!
0:00:37 > 0:00:39Hello, good evening to you all.
0:00:39 > 0:00:41You're all very welcome. We have got a great show for you tonight.
0:00:41 > 0:00:43Not only have we got four - count 'em -
0:00:43 > 0:00:45four Hollywood hunks, ladies and gentlemen.
0:00:45 > 0:00:48CHEERING They're back there, they are.
0:00:48 > 0:00:50But also joining them later,
0:00:50 > 0:00:53the new Strictly head judge, Shirley Ballas, will be here!
0:00:53 > 0:00:57CHEERING AND APPLAUSE I know! Speaking and that.
0:00:57 > 0:01:00Here's Shirley in action.
0:01:00 > 0:01:02Look at that! So sexy.
0:01:02 > 0:01:04She's even got Bruno interested.
0:01:04 > 0:01:08Strictly has got some amazing professional dancers.
0:01:08 > 0:01:13There's some - Pasha, Aljaz, Giovanni.
0:01:13 > 0:01:17God knows what they'll do after Brexit, but anyway.
0:01:17 > 0:01:21They'll be dancing with brooms!
0:01:21 > 0:01:24Of course there was the usual trip to Blackpool this year.
0:01:24 > 0:01:26You can always tell when Strictly's been to Blackpool.
0:01:26 > 0:01:28Telltale sign outside the hotel -
0:01:28 > 0:01:31when they've washed off their fake tans.
0:01:31 > 0:01:33LAUGHTER AND APPLAUSE
0:01:35 > 0:01:39Let's get some guests on! Later we'll be meeting Shirley Ballas and
0:01:39 > 0:01:42we'll have music and chat from pop trailblazer Kesha.
0:01:42 > 0:01:44Yeah!
0:01:44 > 0:01:48But we start tonight with four stars from the new hit comedy movie
0:01:48 > 0:01:51Daddy's Home 2. Our first father and son duo,
0:01:51 > 0:01:54one is a double Oscar-winning actor and director,
0:01:54 > 0:01:56the other is the star of Boogie Nights, The Departed and Ted -
0:01:56 > 0:01:59please welcome Mark Wahlberg and Mel Gibson!
0:01:59 > 0:02:02That's them, that is!
0:02:02 > 0:02:06Hello! Very good to see you.
0:02:06 > 0:02:07Hello!
0:02:07 > 0:02:10DROWNED OUT BY APPLAUSE
0:02:10 > 0:02:11You're just there.
0:02:13 > 0:02:15That's them.
0:02:15 > 0:02:19Have a seat. And also playing father and son,
0:02:19 > 0:02:22one is the Emmy-winning star of The Crown and 3rd Rock From The Sun,
0:02:22 > 0:02:24the other is the comedy genius behind Anchorman,
0:02:24 > 0:02:25Elf and Stepbrothers.
0:02:25 > 0:02:28Please welcome John Lithgow and Will Ferrell!
0:02:28 > 0:02:31CHEERING AND APPLAUSE
0:02:31 > 0:02:33So sprightly. So sprightly.
0:02:36 > 0:02:38Hello, I haven't seen you in ages.
0:02:41 > 0:02:43Yeah!
0:02:43 > 0:02:45Woo!
0:02:45 > 0:02:48- Woo!- Wooooo!
0:02:48 > 0:02:52AUDIENCE WHOOPS AND CHEERS
0:02:52 > 0:02:55We could just do that all night long.
0:02:55 > 0:02:58Some weeks, wouldn't it just be lovely for 45 minutes, just whoop?
0:02:58 > 0:03:00AUDIENCE WHOOPS AND CHEERS
0:03:00 > 0:03:02Hello, welcome, all.
0:03:02 > 0:03:07You are touring the world, promoting this movie.
0:03:07 > 0:03:12Is it fun? Because it is the father-son, father-son,
0:03:12 > 0:03:15is it a bit like a family holiday? Is it kind of stressful?
0:03:15 > 0:03:17I wouldn't call it a holiday.
0:03:17 > 0:03:21But these guys are great fun, travelling as press companions.
0:03:21 > 0:03:24But making the movie is easy and promoting it is hard.
0:03:24 > 0:03:27- There's no doubt about it. - Don't say that, John!
0:03:27 > 0:03:31Don't let light in on the magic.
0:03:31 > 0:03:33We've saved you for last.
0:03:33 > 0:03:37I don't think we've had any stress, really, the four of us, right?
0:03:37 > 0:03:39Why are you asking me?
0:03:39 > 0:03:42- I'm asking the group as a whole. - What did I do?
0:03:42 > 0:03:44You didn't do anything.
0:03:44 > 0:03:46There has been a lot of stress.
0:03:46 > 0:03:49This is one of the few experiences were everybody gets along,
0:03:49 > 0:03:52it's been a lovely experience. Usually you're shooting a movie,
0:03:52 > 0:03:54people are running right to their trailer.
0:03:54 > 0:03:56You know, going off on the phone.
0:03:56 > 0:03:58Everybody kind of hung out, same thing.
0:03:58 > 0:04:01We're promoting the movie, people are happy to be around each other,
0:04:01 > 0:04:03excited about the film as a whole.
0:04:03 > 0:04:05- So it's been nice. - Mind you, Mel Gibson,
0:04:05 > 0:04:10some people watching this will be very surprised to see you in a big,
0:04:10 > 0:04:12family friendly film like this.
0:04:12 > 0:04:14Are you sort of surprised that you've done that,
0:04:14 > 0:04:16gone back into the heart of Hollywood?
0:04:16 > 0:04:19Sure, after digging ditches for ten years, it's been fun.
0:04:19 > 0:04:22Quite frankly it's been a lot of hard work, personally, professionally.
0:04:22 > 0:04:24And the work goes on, as I think it does with most of us.
0:04:24 > 0:04:26Was there a moment when you think,
0:04:26 > 0:04:28"I'm going to give up public life,
0:04:28 > 0:04:30- "I'm going to get on with my own life"?- Oh, no.
0:04:30 > 0:04:34There's a thing you've chosen, a career and a calling.
0:04:34 > 0:04:38Particularly in directing, where you just have to get back up there and express yourself with storytelling.
0:04:38 > 0:04:41That never went away. All those years I was just writing
0:04:41 > 0:04:44and conceiving different stories, which I still have.
0:04:44 > 0:04:46And back at the Oscars, with Hacksaw Ridge?
0:04:46 > 0:04:48Yes, that was nice.
0:04:48 > 0:04:51APPLAUSE
0:04:51 > 0:04:55- I didn't get the damn thing, but... - It won Oscars, it did win Oscars.
0:04:55 > 0:04:58It was just bait. It was just out of reach.
0:04:58 > 0:04:59They gave it to someone else.
0:04:59 > 0:05:01Ladies and gentlemen, before we do another thing,
0:05:01 > 0:05:03is there a doctor in the house?
0:05:03 > 0:05:05Why, yes, there is.
0:05:05 > 0:05:07Dr Will Ferrell.
0:05:07 > 0:05:10- Whoa!- I am a doctor.
0:05:10 > 0:05:11Since you were last here?
0:05:11 > 0:05:14- Yes.- Who made you a doctor?
0:05:14 > 0:05:17The University of Southern California.
0:05:17 > 0:05:20- OK.- Which is my university in Los Angeles.
0:05:20 > 0:05:22I received an honorary doctorate.
0:05:22 > 0:05:28They say it's honorary, I think it's for real.
0:05:28 > 0:05:32I've performed 13 successful surgeries since,
0:05:32 > 0:05:36and 100 that didn't go so well.
0:05:36 > 0:05:39So I'm currently... I have a lot of malpractice issues.
0:05:39 > 0:05:44Yeah, yeah. At these things, you have to do the inspirational speech.
0:05:44 > 0:05:47- Yes.- What did you tell the young people?
0:05:47 > 0:05:51I hadn't been put in that position before.
0:05:51 > 0:05:54Usually, I just make fun of things, right?
0:05:54 > 0:05:58That's easy. But then you have to be earnest.
0:05:58 > 0:06:01That was a difficult task.
0:06:01 > 0:06:07So, I just told them to keep your feet firmly planted on the ground
0:06:07 > 0:06:09and reach for the stars.
0:06:09 > 0:06:12LAUGHTER
0:06:12 > 0:06:16Which I read on the back of a cereal box.
0:06:16 > 0:06:19But then your speech took a very unexpected turn, I feel.
0:06:19 > 0:06:25- At the end?- Yes.- Yeah, I thought I would inspire the graduating class
0:06:25 > 0:06:29by singing a Whitney Houston song to them.
0:06:29 > 0:06:31GRAHAM LAUGHS
0:06:31 > 0:06:33Which one did you choose, Will?
0:06:33 > 0:06:35The theme from The Bodyguard.
0:06:35 > 0:06:37- I Will Always Love You. - I Will Always Love You.
0:06:37 > 0:06:39- That's lovely.- Yes.
0:06:39 > 0:06:43Apparently you sang the whole thing.
0:06:43 > 0:06:45I started thinking,
0:06:45 > 0:06:50do I just sing a couple of lines or do I torture the students and their
0:06:50 > 0:06:53parents by singing the entire song?
0:06:53 > 0:06:56- And I chose the latter.- He's not joking. We have a little clip.
0:06:56 > 0:07:01- This is just a tiny clip of you. Can I just say, you're rather good. - Oh, thank you.
0:07:02 > 0:07:08# And I
0:07:08 > 0:07:16# Will always love you-ooh-ooh
0:07:16 > 0:07:21# Will always love you... #
0:07:21 > 0:07:24APPLAUSE That's good, that is.
0:07:24 > 0:07:27That's not bad.
0:07:27 > 0:07:32Did you see me look down to try to remember the words?
0:07:32 > 0:07:36"Love...you."
0:07:36 > 0:07:40And, John Lithgow, congratulations.
0:07:40 > 0:07:42Not saying a doctorate is a joke, but an Emmy is a proper award.
0:07:42 > 0:07:44- That is.- Proper award.
0:07:44 > 0:07:47But I don't get called a doctor.
0:07:47 > 0:07:51- But you got the Emmy for The Crown, for playing Churchill in The Crown. - That's right.- Very good.
0:07:51 > 0:07:56CHEERING AND APPLAUSE
0:07:56 > 0:08:01You were the only American who snuck through the net into that series?
0:08:01 > 0:08:05That's right. It was incredibly intimidating
0:08:05 > 0:08:10because everybody in England has his or her own Churchill imitation.
0:08:10 > 0:08:12They know his speeches by heart.
0:08:12 > 0:08:14It is the most familiar face
0:08:14 > 0:08:19and sound of the 20th century in England, I think. And here I was,
0:08:19 > 0:08:22this Yank, coming over to play the part.
0:08:22 > 0:08:25You had weird techniques for getting the voice, didn't you?
0:08:25 > 0:08:30Well, he himself had a very weird voice. If you really listened,
0:08:30 > 0:08:35he had an extraordinary lisp that came out of the back of his mouth.
0:08:35 > 0:08:37Instead of the front.
0:08:37 > 0:08:41And he had a very nasal sound,
0:08:41 > 0:08:45as if his entire head was stuffed up like a medicine ball.
0:08:45 > 0:08:50And he had this strange honk, which people don't really know.
0:08:50 > 0:08:53Just every four or five seconds he would...
0:08:53 > 0:08:56HE HONKS NASALLY
0:08:56 > 0:09:00..to the extent his speaking voice was really so
0:09:00 > 0:09:06bizarre that if you actually duplicated it, nobody would buy it.
0:09:06 > 0:09:08So I had to figure out a hybrid.
0:09:08 > 0:09:10Mel Gibson, this is an odd thing.
0:09:10 > 0:09:13Obviously you're Australian but as a young boy
0:09:13 > 0:09:16you had to learn to do the accent?
0:09:16 > 0:09:18I had to, because I came from the United States.
0:09:18 > 0:09:20How old were you when you left America?
0:09:20 > 0:09:23- I was 12 when I went to Australia. - You just sounded like an American?
0:09:23 > 0:09:25- AUSTRALIAN ACCENT: - I had to bung it on.
0:09:25 > 0:09:29I used to use voice exercises, like Barry Humphries.
0:09:29 > 0:09:31- You know, Dame Edna?- Yeah, yeah.
0:09:31 > 0:09:35He wrote these songs called Barry's Party Favourites.
0:09:35 > 0:09:38He used to sing things like...
0:09:38 > 0:09:41# As I walked down the Earls Court Road, into a pub I was lured
0:09:41 > 0:09:44# "Where do you come from", said a nosy Pom
0:09:44 > 0:09:46# As I downed the amber fluid
0:09:46 > 0:09:48# So I told him straight, I'm Australian, mate,
0:09:48 > 0:09:50# I'm here and I'm going to get plastered cos the beer is crook
0:09:50 > 0:09:53# And all the Sheilas look like you, you Pommy bastard! #
0:09:53 > 0:09:56APPLAUSE
0:09:56 > 0:10:00It goes on for verses, but I won't bore you with it.
0:10:00 > 0:10:01And that's where your accent came from?
0:10:01 > 0:10:04- It's a learned... - Yeah, had to learn it.
0:10:04 > 0:10:08Talking of voices, Will, you were saying backstage that, Mark,
0:10:08 > 0:10:11- you do a very good English accent? - He's a master mimic.
0:10:11 > 0:10:15He just did a lovely, fantastic version of a...
0:10:15 > 0:10:17- COCKNEY ACCENT:- ..high-pitched Cockney woman.
0:10:17 > 0:10:20LAUGHTER
0:10:20 > 0:10:21Oh, my gosh.
0:10:21 > 0:10:25It was 15 minutes of material, it was fantastic.
0:10:25 > 0:10:29- He does impressions of John Lithgow. - He does impressions of all of us.
0:10:29 > 0:10:31He does impressions of everybody.
0:10:31 > 0:10:33What are you talking about?
0:10:33 > 0:10:36I haven't seen your impression of me.
0:10:36 > 0:10:39- AS JOHN LITHGOW:- "Dusty!
0:10:39 > 0:10:43"Dusty, give him the stick, Brad."
0:10:43 > 0:10:46APPLAUSE
0:10:46 > 0:10:47Well done.
0:10:49 > 0:10:51Daydies... Daddies? Daydies?
0:10:51 > 0:10:55Daddy's Home 2. I should at least get the name right.
0:10:55 > 0:10:56Daddy's Home 2.
0:10:56 > 0:11:00Already - congratulations - a huge hit stateside.
0:11:00 > 0:11:02Now it's open all over the country here.
0:11:02 > 0:11:06Obviously the two of you are back as warring dad and stepdad.
0:11:06 > 0:11:10So, you've involved grandparents this time, grandfathers.
0:11:10 > 0:11:12We kind of pick up where we left off in the first one.
0:11:12 > 0:11:17Mark and I are co-parenting the kids together and everything seems very
0:11:17 > 0:11:21copacetic. Along comes...
0:11:21 > 0:11:23beautiful Don Whitaker, here.
0:11:23 > 0:11:28Brad and Don were very emotional, emotionally available to each other.
0:11:28 > 0:11:31Very progressive in the way that we talk to each other.
0:11:31 > 0:11:32Sloppy, sentimental.
0:11:32 > 0:11:37Wherever we greet each other in public, we give a nice kiss.
0:11:37 > 0:11:40- Kiss him! - There it is, right behind you.
0:11:40 > 0:11:43That could be CGI.
0:11:43 > 0:11:45- We did it.- I don't remember.
0:11:45 > 0:11:48I want these people to see it in the cinema. For real.
0:11:48 > 0:11:52- You want them to pay. - Well, that would help.
0:11:52 > 0:11:55The casting does seem perfect.
0:11:55 > 0:11:58The four of you as a kind of father and son, father and son.
0:11:58 > 0:12:00We think so, sure.
0:12:00 > 0:12:05I assumed the dysfunctional purveyor of tough love.
0:12:05 > 0:12:07Whereas I am just sloppy, sentimental,
0:12:07 > 0:12:09brimming over with emotion.
0:12:09 > 0:12:13- Is that you?- Well, it's a sort of extreme version of me.
0:12:13 > 0:12:17I'm a little bit sentimental myself.
0:12:17 > 0:12:19I am, too.
0:12:19 > 0:12:22- You're emotional? - That's what connects us.
0:12:22 > 0:12:24- MEL:- You're always crying.
0:12:24 > 0:12:29I found myself crying on a commercial airline flight
0:12:29 > 0:12:32watching The Parent Trap.
0:12:32 > 0:12:33LAUGHTER
0:12:33 > 0:12:37My wife looked over to me and was like, "What is going on?"
0:12:37 > 0:12:39I'm like...
0:12:39 > 0:12:43You know what's going to happen, they're all going to get back together.
0:12:43 > 0:12:46But I couldn't help it. Tears were streaming down my face.
0:12:46 > 0:12:48Snot, everything.
0:12:48 > 0:12:51John, apparently, you made yourself cry on a plane?
0:12:51 > 0:12:55I was watching Terms Of Endearment for the first time in many years.
0:12:55 > 0:12:57A movie that I was in.
0:12:57 > 0:12:59LAUGHTER
0:12:59 > 0:13:03It's a sort of weird version of narcissism
0:13:03 > 0:13:05to sob at your own performance.
0:13:05 > 0:13:09"I'm so damn good!"
0:13:09 > 0:13:13"You're breaking my heart!"
0:13:13 > 0:13:16"Damn you, John Lithgow. You did it to me again."
0:13:16 > 0:13:20- I mean, Terms Of Endearment is... - That's so upsetting.
0:13:20 > 0:13:22It's a completely...
0:13:22 > 0:13:26no-fault tear-jerker. It never fails.
0:13:26 > 0:13:29Mark Wahlberg, I've heard you say that as you get older you are
0:13:29 > 0:13:31getting more emotional. You do more boo-hooing?
0:13:31 > 0:13:34- Yes. - LAUGHTER
0:13:34 > 0:13:38No, there's more. Apparently even Disney's got to you now?
0:13:40 > 0:13:44- Do tell.- Didn't you cry watching a film with your kids?
0:13:44 > 0:13:49Or maybe you weren't watching with your kids, maybe you were just watching it, I don't know.
0:13:49 > 0:13:51I get very sentimental.
0:13:51 > 0:13:55The biggest ads that get me now, yes, Shrek makes me cry.
0:13:55 > 0:13:59- All of those films make me cry. - That's cos I'm in it.
0:13:59 > 0:14:02I didn't realise you were in that till the other day.
0:14:02 > 0:14:06I was Lord Farquaad. Very, very moving performance.
0:14:08 > 0:14:12Let's just leave it at that.
0:14:12 > 0:14:15We've got a clip. This is the four of you.
0:14:15 > 0:14:20Mark, your character, his parenting is being called into question.
0:14:20 > 0:14:23- Did you touch the thermostat? Did you turn it up?- Of course not.
0:14:23 > 0:14:26- Did somebody fiddle with the thermostat?- Yes, it's 85 degrees.
0:14:26 > 0:14:3185!? Do you have any idea how much even a few degrees can impact the gas bill?
0:14:31 > 0:14:35- Of course I do, it's unthinkable. - Dad, what's going on here?
0:14:35 > 0:14:38- Why is it so hot?- Someone fiddled with the thermostat.
0:14:38 > 0:14:40What?! Who would do that?
0:14:47 > 0:14:51- What do you think you're doing? - It's roasting in here.
0:14:51 > 0:14:53I like to sleep with my window open.
0:14:53 > 0:14:57Hey, kid. Are you allowed to touch the thermostat at your mom's house?
0:14:57 > 0:14:58Pssht, duh.
0:15:01 > 0:15:05- What is going on?- Adriana, she turned up the thermostat.
0:15:05 > 0:15:10- Said she fiddles with the thermostat in your place any time she damn well pleases.- Is that true?
0:15:10 > 0:15:12Tell me that's not true.
0:15:12 > 0:15:17Oh, criminy, Dusty. You might as well give her your wallet and your 401K while you're at it.
0:15:17 > 0:15:20- Do you let the kids touch the thermostat at your house?- What? No!
0:15:20 > 0:15:22The thermostat is a sacred covenant.
0:15:22 > 0:15:25I can't believe we're even talking about this.
0:15:25 > 0:15:26This is madness!
0:15:37 > 0:15:40Do the Brits call it a thermostat? Cos in Ireland, you call it...
0:15:40 > 0:15:42- The immersion.- The immersion.
0:15:42 > 0:15:45No, they were just messing with your head in Ireland.
0:15:45 > 0:15:47- That's an immersion heater.- Oh...
0:15:47 > 0:15:50That does the hot water.
0:15:50 > 0:15:53They were implying that heats the entire house.
0:15:53 > 0:15:57- No, they said just the water.- They did?- Yeah, you weren't paying attention.- I wasn't listening.
0:15:57 > 0:16:02Daddy's Home 2, was the whole thing filmed in your stomping ground,
0:16:02 > 0:16:04- in Boston?- The whole thing was filmed in Boston, yes.
0:16:04 > 0:16:07Which most people think, "Oh, that's so cool. You get to be home."
0:16:07 > 0:16:11I'm like, "Well, I live in LA for a reason."
0:16:11 > 0:16:15It's always the person... John went to school there, went to Harvard.
0:16:15 > 0:16:17"Oh, love it, yes, great experience."
0:16:17 > 0:16:21Yeah, you went to Harvard. Come to Dorchester for a while, you're not going to love it.
0:16:21 > 0:16:26A lot of people show up unannounced, uninvited, that sort of thing.
0:16:26 > 0:16:28Even with all of you there,
0:16:28 > 0:16:32was Mark by far the most famous person in this film in Boston?
0:16:32 > 0:16:33- Oh, yeah.- He's a folk hero.
0:16:33 > 0:16:39You hear people from across the street yelling his name.
0:16:39 > 0:16:44- And they know him. - MEL:- And they all want money.
0:16:44 > 0:16:47- BOSTON ACCENT:- "Hey, Mark! Mark!
0:16:47 > 0:16:51"It's me, Little Anthony!"
0:16:51 > 0:16:55It's so weird, Mark, this guy, Little Anthony, he's yelling your name.
0:16:55 > 0:16:58He's like, "No, I actually know him."
0:16:58 > 0:17:03But they'll expect jobs, parts in movies,
0:17:03 > 0:17:07trying to figure out other ways to exploit the production.
0:17:07 > 0:17:09Other opportunities to create.
0:17:09 > 0:17:14We were shooting a movie, The Perfect Storm, George Clooney.
0:17:14 > 0:17:17- Sorry. - LAUGHTER
0:17:17 > 0:17:20I had a bunch of friends visit, show up in Gloucester.
0:17:20 > 0:17:22We were kind of standing around between set-ups and all the
0:17:22 > 0:17:26equipment is there and everything. They're looking at this Panavision camera.
0:17:26 > 0:17:28They're like, "Whoa, what is that?" I said, "It's a camera."
0:17:28 > 0:17:31They said, "That looks expensive." I said, "Yeah, it's expensive."
0:17:31 > 0:17:34They're like, "We should steal that."
0:17:34 > 0:17:37Like, "How much is that worth?" I'm like, "250,000."
0:17:37 > 0:17:41"Oh, we're throwing that in the trunk." I'm like, "What are you going to do with it?
0:17:41 > 0:17:44"Are you going to sell it to the guy in the corner store for, like, 50 bucks?"
0:17:44 > 0:17:49The guy's going to be walking around, filming his kids with a Panavision camera?
0:17:49 > 0:17:52Yes, that was a very, very real incident.
0:17:52 > 0:17:54There's lots of adult laughs in this
0:17:54 > 0:17:56- but it is a movie for families.- Yes.
0:17:56 > 0:17:59There are lots of kids in it.
0:17:59 > 0:18:03We hear there's a burgeoning romance between the Ferrell clan
0:18:03 > 0:18:07- and the Wahlberg clan. Is this true? - Well, uh,
0:18:07 > 0:18:10- Mark's daughter... - Uh, uh, uh...
0:18:10 > 0:18:12What? Spit it out.
0:18:14 > 0:18:19My oldest son told me Mark's daughter requested to follow him
0:18:19 > 0:18:21- on Instagram. - GRAHAM GASPS
0:18:21 > 0:18:24Oh, now it's following him, huh?
0:18:24 > 0:18:28- Or vice versa. - Yeah, uh-huh.
0:18:28 > 0:18:31- I don't know how it works. - What did you call my daughter?
0:18:31 > 0:18:35This is starting to sound like the Montagues and the Capulets.
0:18:35 > 0:18:39- You know what, I did come to grips... - It burned white hot for one second.
0:18:39 > 0:18:43I did come to grips with the fact that it is inevitable at some point
0:18:43 > 0:18:47she will have a dating life and be involved with somebody.
0:18:47 > 0:18:50And if there were ever two parents...
0:18:50 > 0:18:52What a fun...
0:18:52 > 0:18:56..that would spawn a child that I think would be polite, kind,
0:18:56 > 0:19:00thoughtful, respectful and worthy of my child's time,
0:19:00 > 0:19:03it would be from Will and his lovely wife, Viv.
0:19:03 > 0:19:06- They are spectacular. - AUDIENCE: Awww!
0:19:06 > 0:19:09APPLAUSE
0:19:09 > 0:19:12And so I decided I wouldn't do anything to the kid,
0:19:12 > 0:19:15but I'll crack Will's fucking head open as quickly as that.
0:19:15 > 0:19:19LAUGHTER
0:19:19 > 0:19:21He's just joking.
0:19:23 > 0:19:26- He's just joking. - We'll see.
0:19:26 > 0:19:29That's why I'm sitting over here.
0:19:29 > 0:19:33Daddy's Home 2, clearly, the name suggests it is a sequel.
0:19:33 > 0:19:35Here's the thing - is this true, Mel Gibson,
0:19:35 > 0:19:39that there might be a Lethal Weapon... Would it be 5?
0:19:39 > 0:19:43- 5, 6, I don't know, I've lost count. - Another one, anyway.
0:19:43 > 0:19:45- One of them.- Is it going to happen?
0:19:45 > 0:19:48I'm not sure, but I met with Danny and Donner, the director.
0:19:48 > 0:19:49We watched him in a stage play.
0:19:49 > 0:19:53It was very good. We started incubating the idea.
0:19:53 > 0:19:56It may come to pass, we're not sure. But we're swapping ideas.
0:19:56 > 0:20:01- But have you got the germ of the idea of what would bring them back together?- Sure.
0:20:01 > 0:20:05I think we'll call it Flaccid Weapon or...
0:20:05 > 0:20:07Maybe Lethal Haemorrhoids.
0:20:07 > 0:20:10LAUGHTER
0:20:10 > 0:20:16We have to mention Braveheart, everybody's favourite film.
0:20:16 > 0:20:18CHEERING AND APPLAUSE
0:20:18 > 0:20:22The Scottish accent in that, how hard was that for you?
0:20:22 > 0:20:25It was difficult, but I was up there and immersed among people who all
0:20:25 > 0:20:28needed subtitles. "What did you say?"
0:20:28 > 0:20:32They'd have to repeat it. Eventually it kind of worked its way into my
0:20:32 > 0:20:35- lexicon.- Is it true that Sean Connery helped you?
0:20:35 > 0:20:39At dinner one night he did. We were having...
0:20:39 > 0:20:41We were at Andy Vajna's place, and he's Hungarian.
0:20:41 > 0:20:43He made goulash.
0:20:43 > 0:20:49Now, imagine Sean Connery saying that word. He said...
0:20:49 > 0:20:53- AS SEAN CONNERY:- "I want some bread rollsh wi' ma goulashh."
0:20:53 > 0:20:56Fantastic.
0:20:56 > 0:20:58I've never forgotten it.
0:20:58 > 0:21:01- "Goulashh."- "Goulashh."
0:21:01 > 0:21:04Makes you just want to say it, right? "Goulashh!"
0:21:04 > 0:21:07Talking about iconic roles, ladies and gentlemen, John Lithgow...
0:21:07 > 0:21:11I did not know this until I was reading about you earlier.
0:21:11 > 0:21:13- Star Wars, Yoda.- Yeah.
0:21:13 > 0:21:17You played Yoda but on the radio?
0:21:17 > 0:21:20That's right. I... You didn't know this?
0:21:20 > 0:21:24- What is going on? - What did you talk about on set?
0:21:24 > 0:21:26How did we not get into this?
0:21:26 > 0:21:29It's a little piece of Lithgow trivia.
0:21:29 > 0:21:31Oh, OK.
0:21:31 > 0:21:35About a year after Empire Strikes Back came out as a movie,
0:21:35 > 0:21:37George Lucas produced it as a radio series.
0:21:37 > 0:21:41And he got Mark Hamill and Billy Dee Williams and Anthony Daniels.
0:21:41 > 0:21:46But Frank Oz didn't want to play Yoda merely on the radio.
0:21:46 > 0:21:49I was rehearsing a play with John Madden at the time,
0:21:49 > 0:21:52John Madden the film director back then was a big-time
0:21:52 > 0:21:54radio director.
0:21:54 > 0:21:56And he was directing me in a play.
0:21:56 > 0:22:01And he shared the fact that he just couldn't find anyone. And I said...
0:22:01 > 0:22:04- AS YODA:- Oh, impatient is he.
0:22:04 > 0:22:06LAUGHTER
0:22:06 > 0:22:10He hired me on the spot. It was the quickest job I ever got.
0:22:10 > 0:22:15- Opportunist!- If you care to find it, by God, that's me as Yoda.
0:22:15 > 0:22:17- Oh, my God.- And a very persuasive...
0:22:17 > 0:22:19It makes me cry every time I hear it.
0:22:19 > 0:22:23LAUGHTER AND APPLAUSE
0:22:27 > 0:22:29Right, let's meet our next guest.
0:22:29 > 0:22:32She is the queen of Latin and new head judge on Strictly.
0:22:32 > 0:22:35Dancing the cha cha chat show anecdote,
0:22:35 > 0:22:38please welcome to the floor, Shirley Ballas! She's here.
0:22:38 > 0:22:41CHEERING AND APPLAUSE
0:22:41 > 0:22:43Oh, wow! Look at you!
0:22:43 > 0:22:45Wow! Hello!
0:22:45 > 0:22:47Lovely to meet you.
0:22:47 > 0:22:52That's Will. Much hugging, much hugging going on. Will, John
0:22:52 > 0:22:57- and Mel. And Mark. - Marky Mark.- OK, lovely.
0:22:57 > 0:22:59She's working the sofa.
0:22:59 > 0:23:03- I'm working the sofa. - Have a seat.
0:23:03 > 0:23:05How glamorous.
0:23:05 > 0:23:07We all feel a bit underdressed now, Shirley.
0:23:07 > 0:23:10Can I borrow your jacket?
0:23:10 > 0:23:15So now... Shirley is basically head judge on our Dancing With The Stars.
0:23:15 > 0:23:18- Do you all watch Dancing With The Stars?- Oh, yeah...
0:23:18 > 0:23:21LAUGHTER
0:23:21 > 0:23:24John I believe. The rest, no, I don't.
0:23:24 > 0:23:27A cursive glance.
0:23:27 > 0:23:29So, listen, congratulations.
0:23:29 > 0:23:31- Thank you. - Because it's Shirley's first year.
0:23:31 > 0:23:35- She's never done this before. - Never, no TV.
0:23:35 > 0:23:37The show is bigger than ever.
0:23:37 > 0:23:40Were you worried before you kind of get out there?
0:23:40 > 0:23:44Well, I do, I get butterflies, cos I've never done any TV before,
0:23:44 > 0:23:48so... Just going from being a dance teacher and travelling the world
0:23:48 > 0:23:51teaching competitive dancers to dance to suddenly being the head
0:23:51 > 0:23:54- judge on Strictly was a little overwhelming.- What happens? Because,
0:23:54 > 0:23:58so, you know, you're Shirley Ballas, you're a dance teacher, you're getting on with your life,
0:23:58 > 0:24:02you're pushing your supermarket trolley, nobody knows who you are. And then on the Sunday or the Monday
0:24:02 > 0:24:08suddenly 11 million people have seen you. What happens to your...
0:24:08 > 0:24:10Presumably everyone in the street knows you now?
0:24:10 > 0:24:13No, because they go around with a cellphone like this.
0:24:13 > 0:24:15So I feel pretty safe when I go on the train.
0:24:15 > 0:24:17They just have their cellphone or their earphones in.
0:24:17 > 0:24:21I think maybe three, four, five maximum people have recognised me.
0:24:21 > 0:24:24- You're kidding?- No. - Aww, do bother if you see her.
0:24:24 > 0:24:26LAUGHTER
0:24:26 > 0:24:32- I'm OK.- So, now, your son was sort of pivotal in you getting this job.
0:24:32 > 0:24:34Yes, Mark, he's on Dancing With The Stars.
0:24:34 > 0:24:37- And...- There he is, there he is, look, on Dancing With The Stars.
0:24:37 > 0:24:40- Yes, with Kim Kardashian. - How many times has he won?
0:24:40 > 0:24:42He's won it twice.
0:24:42 > 0:24:45And my foster son six times and my foster daughter twice.
0:24:45 > 0:24:46So ten times in all.
0:24:46 > 0:24:49- Holy Moley!- That's not brag...
0:24:49 > 0:24:51APPLAUSE
0:24:51 > 0:24:53That's impressive, that is impressive.
0:24:53 > 0:24:56So your son is on Dancing With The Stars.
0:24:56 > 0:24:58So what, does he get wind that Len is...
0:24:58 > 0:25:02- Wind?- Do a lot of dancers get wind?
0:25:02 > 0:25:04He looked odd in that picture.
0:25:04 > 0:25:07- A lot of dancers suffer from wind. - They do.
0:25:07 > 0:25:11- It gets trapped. It's all that holding it in.- The diaphragm.
0:25:11 > 0:25:18- So your son, does he hear about Len...stepping away?- He did.
0:25:18 > 0:25:20- OK.- He got wind...- Yes.
0:25:20 > 0:25:24Len was stepping away and he suggested that I go for the job.
0:25:24 > 0:25:27And even though I've done no TV or anything,
0:25:27 > 0:25:29he just thought it would be a good idea.
0:25:29 > 0:25:32So I did and I was fortunate enough to get the position,
0:25:32 > 0:25:35which has been amazing.
0:25:35 > 0:25:37- It's thrilling. - And here's an odd thing.
0:25:37 > 0:25:40You were at an advantage on the first week.
0:25:40 > 0:25:44When the celebrities walked down the stairs, apparently, you could tell who could dance.
0:25:44 > 0:25:47I can tell by the way people sit, if they've got good posture,
0:25:47 > 0:25:51or if they... If they're using their core,
0:25:51 > 0:25:54if their feet are...
0:25:54 > 0:25:56Thank you, Marky Mark.
0:25:56 > 0:25:59By the way, that... I raised my son with Marky Mark the whole time.
0:25:59 > 0:26:02- Lovely, thank you, darling. - That's what I was calling him.
0:26:02 > 0:26:05Feet slightly turned out at five to one. Very nice there.
0:26:05 > 0:26:09And good posture. Yes, I can tell them by the way they walk, if they're fluid and flow.
0:26:09 > 0:26:11Now you're going to get locked in that position.
0:26:11 > 0:26:14- Better relax and breathe at some point.- It's interesting, Shirley,
0:26:14 > 0:26:17because we have a couch of men
0:26:17 > 0:26:19who have quite a lot of dance experience.
0:26:19 > 0:26:23And I know we've shown you some clips of their dances.
0:26:23 > 0:26:26We'd show them on the show but we can't afford to.
0:26:26 > 0:26:28But we showed you...
0:26:28 > 0:26:31We showed you backstage, so now, Will,
0:26:31 > 0:26:34obviously great dance work in Blades Of Glory, but in Old School,
0:26:34 > 0:26:37you did your own choreography, didn't you?
0:26:37 > 0:26:40Yes, a beautiful ribbon dance.
0:26:40 > 0:26:43- We all remember the ribbon dance. - Yes.
0:26:43 > 0:26:45Look at that air, look at that lift.
0:26:45 > 0:26:48Yes, I did have a little look and I thought he did very,
0:26:48 > 0:26:51very well with his ribbon. His left arm had a lot to be desired.
0:26:51 > 0:26:54- Really?- And it was a good job your ribbon didn't have feet,
0:26:54 > 0:26:58because you tripped over a little bit in the middle, didn't you? You were a little bit off-balance.
0:26:58 > 0:27:01- Lost your core a little bit. - I did that because it's a comedy.
0:27:01 > 0:27:04LAUGHTER AND APPLAUSE
0:27:08 > 0:27:11Now, let's look at Mark Wahlberg. Obviously in Boogie Nights you did
0:27:11 > 0:27:14do boogie, you were on the dance floor.
0:27:14 > 0:27:18Now... This is a terrible question, but...
0:27:20 > 0:27:23Was it in there all the time? Or...
0:27:23 > 0:27:25- Yes.- Were you dancing around it?
0:27:25 > 0:27:30No, we would have just, like, a bird seed bag at that point.
0:27:30 > 0:27:32Pantyhose with birdseed.
0:27:32 > 0:27:35You could see it dangling around my knee there.
0:27:35 > 0:27:37Is that it? Oh, my God, I do see that.
0:27:37 > 0:27:42- I thought that was... Yes.- That's why they call it pole dancing.
0:27:42 > 0:27:44Shirley, were you impressed by his pole dancing?
0:27:44 > 0:27:47- What was the birdseed bit? I missed that.- Have you seen the film?
0:27:47 > 0:27:50- I've seen the film. - Remember that bit at the end?
0:27:50 > 0:27:53- Yes.- That's in there.
0:27:53 > 0:27:55It's birdseed in a, in a tight...
0:27:55 > 0:27:58- OK! - LAUGHTER
0:27:58 > 0:28:01Cos I was going to say I really liked the way he was able
0:28:01 > 0:28:04to thrust his crutch, you know, he had great movement,
0:28:04 > 0:28:07he had beautiful rhythm, very coordinated,
0:28:07 > 0:28:10absolutely coordinated for a dancer.
0:28:10 > 0:28:14And was really, like, rocking it with his pelvic thrusts.
0:28:14 > 0:28:17OK, so Mark's winning so far.
0:28:17 > 0:28:20Mel Gibson in What Women Want.
0:28:20 > 0:28:23Now, I'm no judge, but you looked like you really knew what you were
0:28:23 > 0:28:26doing. Did you rehearse and train for ages to do that?
0:28:26 > 0:28:28Yeah, had a couple of lessons, yeah.
0:28:28 > 0:28:31I mean, you were doing tricks and things.
0:28:31 > 0:28:33I mean, was that all you, or was it a body double?
0:28:33 > 0:28:36Oh, no, that was me. It took a long time.
0:28:36 > 0:28:38They say it was one take, but it was 18 times within a single take.
0:28:38 > 0:28:41Oh, OK. Were you impressed, Shirley?
0:28:41 > 0:28:44Well, your 18 times paid off, because he had a little piece where
0:28:44 > 0:28:50he had his hat on the end of his foot and flicked it, put it on his head, and caressed that hat.
0:28:50 > 0:28:53It was just beautiful the way he twisted it and then threw it...
0:28:53 > 0:28:59that beautiful hat rack, swung it around.
0:28:59 > 0:29:02- Fantastic. You were amazing. - Very good.
0:29:07 > 0:29:10So, all great dancers on the couch, but, but, but,
0:29:10 > 0:29:12on the couch there is only one...
0:29:12 > 0:29:18- Denier of dance?- Only one Primo Ballerino, and that is John Lithgow.
0:29:18 > 0:29:23I give you Primo... Here he is with the New York Ballet.
0:29:23 > 0:29:26LAUGHTER
0:29:26 > 0:29:30It looks like they're moving scenery, but that is you up there.
0:29:30 > 0:29:34- That's right.- But did you dance or were you just...
0:29:34 > 0:29:36Oh, no, I absolutely danced.
0:29:36 > 0:29:39I soloed with the New York City Ballet.
0:29:39 > 0:29:42Now, while we are talking about dancing, we have to talk about
0:29:42 > 0:29:45one of the greatest dance movies of all time. Footloose.
0:29:45 > 0:29:49CHEERING I know!
0:29:49 > 0:29:52You, John, you played the fierce Reverend...
0:29:52 > 0:29:55- Yes.- ..who bans dancing.- Yes.
0:29:55 > 0:29:58But I heard you tell a story, a really sweet story,
0:29:58 > 0:30:01about when you were on the set of...
0:30:01 > 0:30:02Of 3rd Rock From The Sun.
0:30:02 > 0:30:06Yes. There was an episode of 3rd Rock where the aliens ended up
0:30:06 > 0:30:12performing in a circus and there was a tall, handsome young guy who was
0:30:12 > 0:30:14playing the circus strongman.
0:30:14 > 0:30:19And after rehearsing for a couple of days he took me aside and he said...
0:30:19 > 0:30:22"I was choosing my moment to tell you a story.
0:30:22 > 0:30:24"I come from a small town in Louisiana
0:30:24 > 0:30:28"where my dad was a Baptist minister
0:30:28 > 0:30:32"and he wouldn't let the kids dance or listen to rock and roll.
0:30:32 > 0:30:39"Footloose came to town, I went to that movie, and you were my daddy."
0:30:40 > 0:30:42And the next night, I took my dad to that film
0:30:42 > 0:30:46without telling him what it was about.
0:30:46 > 0:30:49By this time, like, tears were streaming down his face.
0:30:49 > 0:30:54He said, I just have to tell you, because of your performance,
0:30:54 > 0:31:00I was the first one of six children that got to go to his high school prom.
0:31:00 > 0:31:02- Awww! AUDIENCE:- Awww!
0:31:02 > 0:31:05Now, I never took Footloose that seriously!
0:31:05 > 0:31:09- To me, that was always my kind of teenybopper film.- Yeah!
0:31:09 > 0:31:13It just, it's the best evidence I've ever heard that you just never know
0:31:13 > 0:31:15what you are throwing out there.
0:31:15 > 0:31:18- That's such a, I love that story, it's so, so sweet.- Yeah.
0:31:18 > 0:31:20APPLAUSE
0:31:20 > 0:31:25Now, Shirley, you were saying you were in a previous life a dance teacher.
0:31:25 > 0:31:27Have you knocked that on the head now?
0:31:27 > 0:31:29- No, I still do that.- Oh, really? You will very soon.
0:31:29 > 0:31:31LAUGHTER
0:31:31 > 0:31:33Yeah, that will become tedious to you really quickly.
0:31:33 > 0:31:37Erm... But now, Will Ferrell, you have a love of dance, I know.
0:31:37 > 0:31:41Now, if Shirley volunteered to show you a couple of simple moves...
0:31:42 > 0:31:45Well, yes, I mean, of course,
0:31:45 > 0:31:49but I can already tell she doesn't believe in my ability.
0:31:49 > 0:31:51LAUGHTER
0:31:51 > 0:31:54- I believe in your ability. - I mean, everyone got rave reviews.
0:31:54 > 0:31:58- You had that funny left arm. - I had the bad left arm.
0:31:58 > 0:32:00Well, you could make up for it now, right?
0:32:00 > 0:32:03What could you show him that would be very quick?
0:32:03 > 0:32:05- I could show you a cucaracha. - OK, fine.
0:32:05 > 0:32:08- You know, you're playing Hero, the music?- OK, yes, yeah.
0:32:08 > 0:32:10- Because that's a rumba. - OK, a rumba.
0:32:10 > 0:32:12So, a rumba is a sensual dance, it's a dance of love.
0:32:12 > 0:32:15Wait, hold on, are we doing a cucaracha or rumba, which is it?
0:32:15 > 0:32:19- LAUGHTER - The action is a cucaracha but the dance is the rumba.
0:32:19 > 0:32:21I am totally lost.
0:32:21 > 0:32:23Close your eyes
0:32:23 > 0:32:27and try not to get too excited down in the nether regions.
0:32:27 > 0:32:28LAUGHTER
0:32:28 > 0:32:33How about if you could just go, side, replace, close.
0:32:33 > 0:32:36If you could just do that for me. Side, replace, close. Can you do that?
0:32:36 > 0:32:38I love that I'm the only one who has to do this.
0:32:40 > 0:32:42- LAUGHTER - Me too, I love it too.
0:32:42 > 0:32:46- Side, replace, close. - Side, replace, close.
0:32:46 > 0:32:48Are you supposed to say that out loud, right?
0:32:48 > 0:32:51No, no. But whatever I do...
0:32:51 > 0:32:54Side, replace, close. There you go.
0:32:54 > 0:32:57Oh, yes! CHEERING AND APPLAUSE
0:32:59 > 0:33:03Roll that little hip. Yes, we'll have a bit of that.
0:33:03 > 0:33:05So, no matter what I do, you're going to do that.
0:33:05 > 0:33:08- My left arm is acting up! - LAUGHTER
0:33:08 > 0:33:11- Ready for the music? - Yes, we're ready for the music.
0:33:11 > 0:33:15- OK, let's play the music. - Why are you looking at me?
0:33:17 > 0:33:22MUSIC: Hero by Enrique Iglesias
0:33:22 > 0:33:25- Are you ready? I'll start you.- Oh, OK.
0:33:25 > 0:33:27- Can you keep that rhythm? - Probably not.
0:33:27 > 0:33:29LAUGHTER
0:33:29 > 0:33:32- Doesn't matter what I do. - Oh, I just keep doing that...
0:33:34 > 0:33:37LAUGHTER
0:33:37 > 0:33:41CHEERING AND APPLAUSE
0:33:47 > 0:33:50Beautiful! Oh, my God.
0:33:51 > 0:33:54WHOOPING
0:34:02 > 0:34:05That's the cucaracha! It's Shirley and Will!
0:34:05 > 0:34:08CHEERING AND APPLAUSE
0:34:10 > 0:34:13Oh! Come and sit down!
0:34:15 > 0:34:18Never too early for a 10 from Shirley.
0:34:20 > 0:34:23Beautiful! APPLAUSE
0:34:25 > 0:34:27Right, it's time for music.
0:34:28 > 0:34:31You rocked that so much, you killed it!
0:34:31 > 0:34:34Oh, my God, you were just, dude...
0:34:37 > 0:34:40That's my boy!
0:34:40 > 0:34:42Beautiful. Right, it's time for music.
0:34:42 > 0:34:45And this award-winning hit maker is back with a number one album, Rainbow.
0:34:45 > 0:34:50Performing Learn To Let Go, it is Kesha!
0:34:50 > 0:34:53CHEERING AND APPLAUSE
0:35:04 > 0:35:08# Been a prisoner of the past
0:35:09 > 0:35:13# Had a bitterness when I looked back
0:35:15 > 0:35:19# Was telling everyone it's not that bad
0:35:21 > 0:35:25# Until all my shit hit the fan
0:35:25 > 0:35:28# I know I'm always like telling everybody
0:35:28 > 0:35:30# "You don't gotta be a victim
0:35:30 > 0:35:32# "Life ain't always fair, but hell is living in resentment
0:35:32 > 0:35:37# "Choose redemption, your happy ending's up to you"
0:35:38 > 0:35:41# I think it's time to practise what I preach
0:35:41 > 0:35:43# Exorcise the demons inside me
0:35:43 > 0:35:48# Whoa, gotta learn to let it go
0:35:48 > 0:35:52# The past can't haunt me if I don't let it
0:35:52 > 0:35:55# Live and learn and never forget it
0:35:55 > 0:35:59# Whoa, gotta learn to let it go
0:36:03 > 0:36:07# Had a boogeyman under my bed
0:36:08 > 0:36:14# Putting crazy thoughts inside my head
0:36:14 > 0:36:19# Always whispering, "It's all your fault"
0:36:20 > 0:36:25# He was telling me, "No, you're not that strong"
0:36:25 > 0:36:28# I know I'm always like telling everybody,
0:36:28 > 0:36:30# "You don't gotta be a victim
0:36:30 > 0:36:32# Life ain't always fair, but hell is living in resentment
0:36:32 > 0:36:37# Choose redemption, your happy ending's up to you"
0:36:37 > 0:36:41# So I think it's time to practise what I preach
0:36:41 > 0:36:43# Exorcise the demons inside me
0:36:43 > 0:36:48# Whoa, gotta learn to let it go
0:36:48 > 0:36:51# The past can't haunt me if I don't let it
0:36:51 > 0:36:54# Live and learn and never forget it
0:36:54 > 0:36:59# Whoa, gotta learn to let it go
0:37:00 > 0:37:03# I'm done reliving my bad decisions
0:37:03 > 0:37:06# I see now maybe there's a reason
0:37:06 > 0:37:12# Why, I, I, I, I, I I been through hell and back
0:37:12 > 0:37:16# Yeah, honestly, it's what made me who I am
0:37:16 > 0:37:19# Holding on to wasted time
0:37:19 > 0:37:25# Gotta learn to let go in life
0:37:25 > 0:37:28# So I think it's time to practise what I preach
0:37:28 > 0:37:31# Exorcise the demons inside me
0:37:31 > 0:37:35# Whoa, gotta learn to let it go
0:37:36 > 0:37:39# The past can't haunt me if I don't let it
0:37:39 > 0:37:42# Live and learn and never forget it
0:37:42 > 0:37:46# Whoa, gotta learn to let it go
0:37:48 > 0:37:50# Hey-eh-eh-eh, yeah
0:37:51 > 0:37:53# Hey-eh-eh-eh, yeah
0:37:53 > 0:37:58# Learn to let go, learn to let go
0:37:59 > 0:38:02# Hey-eh-eh-eh, yeah
0:38:02 > 0:38:05# Hey-eh-eh-eh, yeah
0:38:05 > 0:38:10# Learn to let go Learn to let go. #
0:38:11 > 0:38:15CHEERING AND APPLAUSE
0:38:18 > 0:38:22Kesha, everybody!
0:38:22 > 0:38:25Well done, come on over, you!
0:38:26 > 0:38:29Oh, the hat! Beautiful. Hello!
0:38:29 > 0:38:33CHEERING DROWNS SPEECH
0:38:35 > 0:38:37If you could scoot up a bit...
0:38:42 > 0:38:45- If you could all squeeze up a bit. - Traditional, singers down that end?
0:38:45 > 0:38:47- Now, Shirley, did you watch Kesha walk over?- Yes.
0:38:47 > 0:38:50- Is she a dancer? - Yes, she's got rhythm.
0:38:50 > 0:38:53Oh, God. What? Kinda...
0:38:53 > 0:38:57- Now, Kesha, that is off your new album, Rainbow.- Yeah!
0:38:57 > 0:39:00- And huge congratulations.- Thank you! - It's out now.
0:39:00 > 0:39:04First since 2014 but already it's been number one in America, right?
0:39:04 > 0:39:07CHEERING AND APPLAUSE
0:39:07 > 0:39:10- Yes! Yes!- My fans are the best. As you know.
0:39:10 > 0:39:13- Well, we've had them on here before.- Yeah!
0:39:13 > 0:39:16And, yeah, they took it to number one.
0:39:16 > 0:39:18And that does feel good, I'm not going to lie.
0:39:18 > 0:39:20- Yeah.- But they did that, so... - And listen, on this album,
0:39:20 > 0:39:23there's collaborations with all sorts of people.
0:39:23 > 0:39:25- One of our favourites, Dolly Parton! - Oh, yes, she's the best.
0:39:25 > 0:39:28- PERSON IN CROWD:- Woo! - That one "woo"!
0:39:28 > 0:39:31LAUGHTER
0:39:31 > 0:39:35So... But Dolly Parton, she is connected to you via your mum, is that right?
0:39:35 > 0:39:39Well, yeah, I met her once at the chiropractor when I was 10.
0:39:39 > 0:39:44- It's the only time I've met her. - I'm sure she does have back problems but anyway...
0:39:44 > 0:39:46LAUGHTER
0:39:46 > 0:39:49But we didn't actually get to be in the same room
0:39:49 > 0:39:51recording the song.
0:39:51 > 0:39:55But my mom wrote a song which she recorded in, like, a billion years ago.
0:39:55 > 0:39:58And then we recorded it together, but separately,
0:39:58 > 0:40:01because of technology, on this album.
0:40:01 > 0:40:04But it is a famous song, it's, "Old flame, can't hold a candle to you?"
0:40:04 > 0:40:07- Yeah, "Old flames can't hold a candle to you."- Your mom wrote that?
0:40:07 > 0:40:10- Uh-huh.- Because your mum is credited with lots of songs on here.- Yeah.
0:40:10 > 0:40:13We write a lot of songs together which is kind of, like,
0:40:13 > 0:40:16weird and twisted because we write, like, songs about eating men...
0:40:16 > 0:40:19- Yeah.- But also love songs.- Yeah! LAUGHTER
0:40:19 > 0:40:22So, your mum's around for the album but is she around for the tour?
0:40:22 > 0:40:24Yeah, she comes with me most everywhere.
0:40:24 > 0:40:28- She flew out this morning, so she's not here.- And is that annoying or great?
0:40:28 > 0:40:31- Super fucking annoying! - LAUGHTER
0:40:31 > 0:40:35- So, you are like, "bye!"- I mean, can you imagine?- I know, it sounds awful.
0:40:35 > 0:40:38- I mean, it's awful.- I mean, I love my mother but...- You do.
0:40:38 > 0:40:41Yeah, but you know... Christmas is coming, that'll be fine.
0:40:41 > 0:40:43LAUGHTER
0:40:43 > 0:40:45Well, listen, that was a fantastic performance.
0:40:45 > 0:40:48Thank you for bringing all that glitter and show with you.
0:40:48 > 0:40:52- Thank you.- And congratulations with the album. Well done!- Thank you.
0:40:52 > 0:40:55CHEERING AND APPLAUSE Kesha, everybody!
0:40:58 > 0:41:02That is nearly it. Just before we go, just time for a visit to the big red chair.
0:41:02 > 0:41:06- OK, who's in the big red chair? OK, hello!- Hello!- Hi! What's your name?
0:41:06 > 0:41:10- I'm Tutu.- Tutu?- Yes. - OK. And where you from, Tutu?
0:41:10 > 0:41:13Originally from Ethiopia but I live in Reading at the moment.
0:41:13 > 0:41:18- Now, can anyone hear Tutu? - Yes, I can hear you!
0:41:18 > 0:41:20LAUGHTER
0:41:21 > 0:41:26So, it's working in one direction. LAUGHTER
0:41:26 > 0:41:29Who did that? Who did that?
0:41:32 > 0:41:34APPLAUSE
0:41:34 > 0:41:36WHOOPING AND LAUGHING
0:41:36 > 0:41:40- Wow.- I just wanted to show her how to work it.
0:41:40 > 0:41:44This is going to be a trying red chair session, ladies and gentlemen.
0:41:44 > 0:41:46OK, let's try one more.
0:41:46 > 0:41:49- Hello.- Hello, hello.- Hi, what's your name?- My name's Darren.
0:41:49 > 0:41:51Darren, lovely, where you from, Darren?
0:41:51 > 0:41:54- I'm from London and I run a gay travel company.- A gay travel company?
0:41:54 > 0:41:57- Oh, right.- You should be booking. - Yes, sorry...
0:41:57 > 0:41:59LAUGHTER
0:41:59 > 0:42:04- Really?- I'll give you a special service.- I love my gay travels!
0:42:06 > 0:42:08LAUGHTER AND APPLAUSE
0:42:10 > 0:42:13At the gay airport, in the gay plane.
0:42:13 > 0:42:15LAUGHTER
0:42:15 > 0:42:18- Was your name John, was it? - Darren.- Darren?
0:42:18 > 0:42:22John's my boyfriend's name, how did you know that?
0:42:22 > 0:42:25Deep. OK, Darren... Off you go with your story.
0:42:25 > 0:42:29OK, so, I used to be a journalist and my old boss was a bit lonely,
0:42:29 > 0:42:32couldn't get any men in her life, so I thought for her birthday
0:42:32 > 0:42:36I'd get her a special present, which was a vibrator.
0:42:36 > 0:42:38I decided to give her a vibrator, she put it in her handbag
0:42:38 > 0:42:40and forgot it was there.
0:42:40 > 0:42:42Next morning, she had to get up for a meeting.
0:42:42 > 0:42:43Where was the meeting?
0:42:43 > 0:42:45Buckingham Palace.
0:42:45 > 0:42:49- Totally forgot that she had the vibrator in her bag.- Good story!
0:42:49 > 0:42:52She gets to security and has to go through the metal detector
0:42:52 > 0:42:55and the airport security-style scanner.
0:42:55 > 0:42:58It comes up on the screen showing this huge vibrator,
0:42:58 > 0:43:00she suddenly realises it's in there.
0:43:00 > 0:43:03Kind of looks all sheepish, looks at the security man, who sees it.
0:43:03 > 0:43:06Says to her, ahem, we'll just let you through.
0:43:06 > 0:43:10- But that's how she smuggled a vibrator into Buckingham Palace. - Good story!
0:43:10 > 0:43:12CHEERING AND APPLAUSE
0:43:14 > 0:43:19OK, OK... One more? One more. This is the last one.
0:43:19 > 0:43:20That was a good story.
0:43:20 > 0:43:23OK, he's just being carried away.
0:43:24 > 0:43:28Who's this? Oh, look who's back!
0:43:28 > 0:43:30CHEERING AND APPLAUSE
0:43:30 > 0:43:33It's Tutu two!
0:43:34 > 0:43:38- Hi, Tutu!- Hi.- So, now, before you were so rudely interrupted...
0:43:39 > 0:43:43..erm, you were telling us a very complicated where you were from story?
0:43:43 > 0:43:45No, I come from Ethiopia originally
0:43:45 > 0:43:48but I came this country 20 years ago.
0:43:48 > 0:43:51- OK, and where do you live? - I live in Reading.- Reading, lovely.
0:43:51 > 0:43:53And what do you do, Tutu?
0:43:53 > 0:43:56I run my own cafe, called Tutu's Ethiopian Table.
0:43:56 > 0:43:58It's called...that! OK.
0:44:00 > 0:44:03So, Tutu, off you go with your story.
0:44:03 > 0:44:0720 years ago, I used to work for Thames Water, with 40 people on
0:44:07 > 0:44:12the team and I used to do data entry at the computer, people's details.
0:44:12 > 0:44:16And I was stuck on what I'm doing and I asked my colleague,
0:44:16 > 0:44:20I say, who's our team leader, to ask, because I was having problems.
0:44:20 > 0:44:24So, he told me, go and ask Ginger Minge.
0:44:24 > 0:44:27- LAUGHTER - So, that time, I don't understand languages,
0:44:27 > 0:44:31so I went straight to the person. I said, "Hello, Ginger Minge!"
0:44:31 > 0:44:35- LAUGHTER - So, now I know what that means.
0:44:35 > 0:44:40Yes, I'm sure you do. You can walk, Tutu. Go on! Very good.
0:44:42 > 0:44:45We could have missed that story!
0:44:45 > 0:44:46Well done, everyone.
0:44:46 > 0:44:50If you'd like to join us on the show and have a go in the red chair,
0:44:50 > 0:44:52contact us via our website at this very address...
0:44:52 > 0:44:55That is it for tonight. Please say thank you to my guests.
0:44:55 > 0:44:57Kesha, everybody! CHEERING
0:44:57 > 0:44:59Mark Wahlberg!
0:44:59 > 0:45:02Mr Mel Gibson!
0:45:02 > 0:45:08John Lithgow! Will Ferrell! And Shirley Ballas!
0:45:09 > 0:45:13Do join me next week with musical guest P!nk,
0:45:13 > 0:45:16actor and writer Stephen Fry, pop star Robbie Williams,
0:45:16 > 0:45:18actress Carey Mulligan and living legend Sir Elton John.
0:45:18 > 0:45:23I'll see you then, goodnight everybody. Bye-bye!
0:45:23 > 0:45:25CHEERING AND APPLAUSE