:00:13. > :00:23.Help me, Obi-Wan Kenobi. You are my only hope. Please be my final guest
:00:23. > :00:24.
:00:24. > :00:34.of the series. Why have you got two Danish pastries on your head?
:00:34. > :00:36.
:00:36. > :00:45.They are my hair. CHEERING AND APPLAUSE
:00:45. > :00:51.Hello. Hello. Hello everybody. Good evening.
:00:51. > :00:55.Welcome to the show. The last show. The last show. I'm going on my
:00:55. > :00:59.holidays next week, yes off to Greece. I'm looking forward to
:00:59. > :01:05.strolling among the ruins. Ah, there they are making more! Greece
:01:05. > :01:09.is not in a good way. Not in a good way. 2,000 years ago they had the
:01:09. > :01:12.Acropolis. Now all they are giving is this.
:01:12. > :01:21.LAUGHTER . It is our last show of the series
:01:21. > :01:28.and we have got a lads night for you. Train spotting star and Jedhi
:01:28. > :01:36.knight, Ewan McGregor is here. Chris ODowd is here.
:01:36. > :01:38.CHEERING AND APPLAUSE And later we will be hearing the
:01:38. > :01:41.number one song from Chample, ladies and gentlemen.
:01:41. > :01:51.-- Example, ladies and gentlemen. There he is. And he will be be
:01:51. > :01:51.
:01:51. > :03:49.Apology for the loss of subtitles for 118 seconds
:03:49. > :03:59.chatting to us. I am very excited How are you doing? I'm very well.
:03:59. > :04:13.
:04:13. > :04:16.It is Ewan McGregor. CHEERING AND APPLAUSE
:04:16. > :04:19.I haven't heard this since Justin Bieber was on the show. Settle
:04:19. > :04:25.yourself, ladies. You look smart, but Chris you just
:04:25. > :04:31.came back from Glastonbury? Yeah, I did Glasto this weekend.
:04:31. > :04:36.Did you do it properly? We tented up by the toilets thinking well
:04:36. > :04:40.that's easy access to the toilets! And you realised your tent is
:04:40. > :04:46.everybody else's toilet, but it was a lot of fun. We had a great time.
:04:46. > :04:55.Beyonce who is or is not backstage right now!
:04:55. > :05:03.Is not being the operative word. LAUGHTER
:05:03. > :05:06.Also Pope Benedict may or may not. That's a cruel game!
:05:06. > :05:10.LAUGHTER Have you done festivals? I haven't
:05:10. > :05:19.done festivals for a long time. Now and again, I think I'll go when I'm
:05:19. > :05:26.50. You see them, don't you? The crowd. The divorcees, you know. "I
:05:26. > :05:32.haven't been to Glastonbury, but I'm going now." Ah, shit.
:05:32. > :05:36.Now you you spilt your tea tea? Yes, I will be there drinking my tea
:05:36. > :05:42.when I'm 50. I thought I was going to have a
:05:42. > :05:46.real celebrity moment. I went to watch Plan B and I went backstage
:05:46. > :05:56.and I saw him before he went on and we had that eye contact thing and
:05:56. > :05:56.
:05:56. > :07:55.Apology for the loss of subtitles for 118 seconds
:07:55. > :07:58.He was fully alive and happy. It is the telling of that. It is a
:07:58. > :08:03.fantastic premise for a film. I'm going to go and see that.
:08:03. > :08:07.And the way it is made, is really interesting. It is beautiful. There
:08:07. > :08:16.is two stories, a father and son father me and Christopher plumber
:08:16. > :08:23.and there is a love story, my character meets a French actress.
:08:23. > :08:33.Listen, we have got a clip this is Christopher Plummer as the dad.
:08:33. > :08:35.
:08:35. > :08:40.Oliver, I'm not sorry I woke you. went to Ackbar. They had
:08:40. > :08:50.wonderfully loud music. What kind of music is that?
:08:50. > :08:51.
:08:51. > :08:58.Probably house music. House music? OK. House...
:08:58. > :09:02.CHEERING AND APPLAUSE He really is fantastic, Plummer. He
:09:02. > :09:07.tells stories about acting, actors stories from Hollywood in the 60s
:09:07. > :09:11.and the people he was knocking about then. He is incredibly modern.
:09:11. > :09:15.When you are acting with him, he is a contemporary actor. He really
:09:15. > :09:20.lives the scenes with you. He is about ten years older than
:09:20. > :09:27.the character he plays? He is about 80, Christopher.
:09:27. > :09:31.It is an amazing story, a little bit true. You have got Christopher
:09:32. > :09:39.Plummer there playing 70 odd, but 80 something. In the film, comes
:09:39. > :09:49.out, his first boyfriend is the doctor from ER. That's not true!
:09:49. > :09:50.
:09:50. > :09:58.That's not going to happen. He does say that young men or young gay men
:09:58. > :10:04.aren't interested in young gay men. That's true. He is at the other end
:10:04. > :10:08.of the bar. But the love story you talked about
:10:08. > :10:12.there, you had to bond with her as well. Yes. The first thing he did,
:10:12. > :10:22.we met each other at Mike's house and the first, I never met Melanie,
:10:22. > :10:28.I loved her in that film. We were about to embark on this love story
:10:28. > :10:32.together and we sit down and I said, "I would like to you split up with
:10:32. > :10:37.each other. You have been in a relationship for a long time and I
:10:37. > :10:44.would like you to improvise through a breakdown. Ewan, I want you to
:10:44. > :10:49.leave Melanie." He Said, "Melanie, you don't want him to leave." The
:10:49. > :10:55.thing about improvisation, you think the other person is going to
:10:55. > :10:58.think this is how I would do it. It is like a master bation scene in a
:10:58. > :11:08.film. It is difficult to pull it off without everybody knowing
:11:08. > :11:16.
:11:16. > :11:26.that's just how you do it. Do you someone. It reminds you that the
:11:26. > :11:52.
:11:52. > :11:57.Like would you rather have a nipple on the end of your nose or a tooth
:11:58. > :12:03.growing out the end of your cheek? Or would you rather have to eat a
:12:03. > :12:08.bathful of poo or have a small bird poo in your mouth every morning for
:12:08. > :12:12.the rest of your life. That's easy. Which would you go
:12:12. > :12:16.for? The bird, wouldn't you? have to do it every day for the
:12:16. > :12:21.rest of your life. But you would get used to it.
:12:21. > :12:29.The bird would become your friend. It would be nace to wake up -- nice
:12:29. > :12:35.to wake-up, here comes the bird. suppose the bird poo is only wee.
:12:35. > :12:39.You could go for a little bird. No, no,, no, you don't get to
:12:39. > :12:43.choose. You said a small bird.
:12:43. > :12:45.So when you are at Glastonbury and you are backstage and there is
:12:45. > :12:49.Beyonce who is waiting for you back here.
:12:49. > :12:54.My friend, yeah. When you are speaking to her, would
:12:55. > :13:03.you rather sneeze and have both barrels blow snot all down your
:13:03. > :13:07.face or cough and shit yourself? LAUGHTER
:13:07. > :13:13.That is a very good one. Both of them are a nightmare.
:13:13. > :13:16.I'm going to have to go with shit. Because you can leave quickly and
:13:16. > :13:22.hope she didn't notice. She wouldn't know.
:13:22. > :13:28.The thing about Glastonbury, the smell wouldn't affect you.
:13:28. > :13:33.would just have to back off. It is a weird example because
:13:33. > :13:38.Beyonce and I are so close! I don't mean any offence.
:13:38. > :13:43.We hang out a lot. We just like to dance together more than anything.
:13:43. > :13:48.She loves to cook. I love to cook. We are just close. Yes.
:13:48. > :13:51.I don't want to talk about it. LAUGHTER
:13:51. > :13:55.I just plucked it as an example. I didn't mean any offence by it.
:13:55. > :13:58.We're just really, really close. Listen, Ewan, you have got
:13:58. > :14:03.interesting choices the films you have made over the years,
:14:03. > :14:10.Trainspotting, Big Fish, the anomaly, the one that seems out of
:14:10. > :14:15.kilter is thaw decided to do Star Wars. Yes. Were you a big fan of
:14:15. > :14:19.Star Wars, was it so much money, what was it? It wasn't so much. I
:14:19. > :14:24.know that. At the time I thought it was a lot of money. No, no, I was a
:14:24. > :14:33.big fan of them. When I was seven when the first one came out. My
:14:33. > :14:41.uncle was in the original three. He played a character called Wedge, he
:14:41. > :14:49.said, "I think I'm getting close to getting this part in Star Wars." He
:14:49. > :14:56.said don't do it. He managed to survive all three, he was an ex-
:14:56. > :15:01.ring pilot. He said if you want to have a career after your your 30s
:15:01. > :15:04.don't do it. I didn't listen to him. Presumably that stage in your
:15:04. > :15:08.career you thought you were famous? Yeah.
:15:08. > :15:11.But then you did Star Wars and it must have moved into a different
:15:11. > :15:18.realm? I don't know. I don't know because I thought I was really,
:15:18. > :15:25.really famous so so it didn't really make much difference to me.
:15:25. > :15:32.I was walking around just being famous. Zblu know You know who I
:15:32. > :15:40.am! I suppose it did change things, but the film itself was the star.
:15:40. > :15:46.Star Wars was the star of our ones. The characters became, you know,
:15:46. > :15:51.more iconic in a way and because he had so much access to technology
:15:51. > :15:55.that became the star of Star Wars was the affects and the effect nolg.
:15:55. > :16:00.I have been left not that bothered by them.
:16:00. > :16:06.Didn't you visit a Star Wars set in Tunisia when you were on one of the
:16:06. > :16:11.bike rides? That was one of my less famous moments. You know uncle
:16:11. > :16:17.Owen's place in the original Star Wars film, they live in this hole
:16:17. > :16:26.in the ground. Yeah. That still exists. It is a tourist
:16:26. > :16:32.attraction for serious Star Wars fans who go to Tunisia to find this
:16:32. > :16:37.hole and look at the old props. It is a bit sad, not them, but the
:16:37. > :16:41.place itself. The people. We went on our motorcycle. We were
:16:41. > :16:47.going past it so we stopped and we said we should go in, it would be
:16:47. > :16:53.funny. So we went down there and I didn't get recognised by anybody!
:16:53. > :16:57.Not one person. I was wearing a Long Way Down T-shirt with McGregor
:16:57. > :17:03.written across my shoulders and not one person recognised me. I found a
:17:03. > :17:08.poster of myself which I stood next to for about 20 minutes.
:17:08. > :17:10.LAUGHTER Nothing. Nothing. Not one person.
:17:10. > :17:20.LAUGHTER I was disappointed. Is it true or
:17:20. > :17:22.
:17:22. > :17:24.not that you kept a light Sabre? officially don't own a light Sabre.
:17:24. > :17:29.LAUGHTER The props guy gave me one. No, he
:17:29. > :17:34.didn't! You bought some light Sabres. Oh,
:17:34. > :17:38.that one is on already. Hang on... You have to know what you are doing
:17:38. > :17:46.with these. You do. Which one would you like?
:17:46. > :17:51.The one in the middle is the one I use. That's Alec Guinness's one.
:17:51. > :17:56.These are really nice. If you bang them against each other,
:17:56. > :18:01.will they break? No. You make the sound effects yourself, don't you?
:18:01. > :18:05.Do you want one? Not at all. Go. Go. Go.
:18:05. > :18:14.Oh, look at that. That's fantastic. Can you make the
:18:14. > :18:18.noises? Is it true that you did this thing like in Rocky as well
:18:18. > :18:26.where they had to, you would make the sound effect yourselves so they
:18:27. > :18:32.had to go back and like sound was a nightmare because it was a bunch of
:18:32. > :18:39.people going whoom. It was Difficult not to make the
:18:39. > :18:44.sound and because it makes that noise when it goes down. Yes.
:18:44. > :18:53.In Rocky, in the first film particularly there is loads of
:18:53. > :18:55.sound effects of Sylvester Stallone going...
:18:55. > :19:05.LAUGHTER Let's have the lights sound.
:19:05. > :19:06.
:19:06. > :19:08.You have to start them up. Off. Off. How do you do that?
:19:08. > :19:18.LAUGHTER There there. It is off off now.
:19:18. > :19:19.
:19:19. > :19:21.When you put it on, it has to make this noise.
:19:21. > :19:31.LAUGHTER You are so good at it. I spent
:19:31. > :19:34.
:19:34. > :19:38.months doing T mine keeps going off when I twirl it. They are They are
:19:38. > :19:48.They are 150 quid each. How much? 150 quid each.
:19:48. > :19:52.They are good, aren't they? Do it over here. Who is who? There you go.
:19:52. > :20:02.Can you throw a ball, Chris? Don't be like that.
:20:02. > :20:03.
:20:03. > :20:09.You go. You go. Let's baseball it instead. Yes!
:20:10. > :20:15.Well done. Very good. APPLAUSE
:20:15. > :20:19.Beautiful. What are you going to do with them? You can have them if you
:20:19. > :20:24.want. Well, we can sign them and give them to charity.
:20:24. > :20:28.That's a good idea. That's a very good idea.
:20:28. > :20:37.I have got to sit here like this for the rest of the interview.
:20:37. > :20:41.You look like a snooker player. Chris ODowd, huge congratulations,
:20:41. > :20:50.Bridesmaids, it is properly, properly funny, isn't it? No, it is
:20:50. > :20:53.a fun film. I'm really happy with LAUGHTER
:20:53. > :20:56.It is brilliant because it is just like it has taken you to a whole
:20:56. > :21:02.new level? I heard all about it. Because it is your first big hit
:21:03. > :21:04.movie, have you been to see it loads? I go every night!
:21:04. > :21:08.LAUGHTER I feel like, this doesn't come
:21:08. > :21:14.along a lot. And it sounds silly, I have seen it 46 times! I have seen
:21:14. > :21:17.it maybe three or four times during the premieres and whatever, I have
:21:17. > :21:22.enjoyed it every time. Night I went the audience because
:21:22. > :21:25.you know, it is mostly women in it and you are the one kind of man.
:21:26. > :21:31.Sure. Every time you came on all the
:21:31. > :21:41.women in the audience went, "Ah." At the end of every scene they were
:21:41. > :21:44.
:21:44. > :21:47.going ah. Women are dumb
:21:47. > :21:51.LAUGHTER They are a bunch of bloody idiots.
:21:51. > :22:01.He is a sweet character. You know the main character, it is hard to
:22:01. > :22:03.
:22:03. > :22:08.come back from that. She is so lovable, you know, everybody wants
:22:08. > :22:13.her to be happy so much. It is more about, it is obvious that my
:22:13. > :22:17.character can probably make her happy more than the other guy.
:22:17. > :22:23.Do you get women coming up to you and hugging you in the street? And
:22:23. > :22:29.things like that? More than that. There has been a lot of that kind
:22:29. > :22:39.of stuff and I'm in a very happy relationship. I'm just so happy
:22:39. > :22:44.
:22:44. > :22:46.that she has been so open to me being so sexual.
:22:46. > :22:49.LAUGHTER No, there has been a lot, he is the
:22:49. > :22:51.kind of character, it is not even women - they want me to be the god
:22:52. > :22:54.godfather to their children rather than get down and naughty.
:22:54. > :22:56.For your girlfriend it must be really annoying that now all these
:22:56. > :22:59.women think you are so lovely. think she likes it.
:22:59. > :23:05.Does she? She likes the idea of anybody finding me attractive as a
:23:05. > :23:09.human being. LAUGHTER
:23:09. > :23:10.In some way it justifies her own decision.
:23:10. > :23:15.LAUGHTER She doesn't feel so alone. When we
:23:15. > :23:19.got together at the start a lot of people were like, "Really?" This
:23:19. > :23:25.has helped. We have got a clip of you in the
:23:26. > :23:28.movie and it's you and Chrisian Wigg and the wedding planning isn't
:23:28. > :23:33.going well and you are the cop trying to cheer her up.
:23:33. > :23:39.Yes, that sounds rough. It is going to get better, right?
:23:39. > :23:42.wouldn't have thought so. My sister was maid of honour at our cousin's
:23:42. > :23:45.wedding and she found it so stressful that her hair started
:23:45. > :23:50.falling out. That's terrible.
:23:50. > :23:54.It grew back, but it was gross. If I ever had a wedding, I would want
:23:54. > :24:03.everybody to be stress-free, you know. I would like it to be like a
:24:03. > :24:06.carnival. Like people win prizes for guessing the bride's weight.
:24:06. > :24:09.You could have elephants and the bride and groom could walk on a
:24:09. > :24:19.tight rope. What you are talking about there is
:24:19. > :24:25.
:24:25. > :24:27.a circus wedding. APPLAUSE
:24:27. > :24:29.That's one scene in the film, but we shouldn't misrepresent it
:24:29. > :24:35.because it has incredible knock about, physical? It has full on set
:24:35. > :24:42.pieces where a lot of, I want to say a lot of s hit goes down, but a
:24:42. > :24:44.lot of shit goes down. There are sequences of high hilarity as well
:24:44. > :24:48.as being dispersed with real and beautiful moments.
:24:48. > :24:53.I am sure a lot of people would like to know, how does this happen.
:24:53. > :24:57.Chris ODowd in, you know, a successful Channel 4 sitcom, the IT
:24:58. > :25:03.Crowd, how do you go from that to being in the number one film in the
:25:03. > :25:07.planet? I just went and auditioned for it to be honest. And luckily
:25:07. > :25:13.the director of the show or the director of the film was a fan of
:25:13. > :25:20.the IT Crowd because he is a big British comedy person. I went and
:25:20. > :25:24.auditioned and I did like an hour long with Christian who is
:25:25. > :25:28.fantastic and it is probably one of my stronger areas rather than
:25:28. > :25:31.scripted stuff. I kind of it, it went really well and it just kind
:25:31. > :25:41.of happened. Back in the start of your career
:25:41. > :25:41.
:25:41. > :25:43.when you were going for parts, it wasn't so easy, was it?
:25:43. > :25:47.LAUGHTER No, like I am a big dude now, but
:25:47. > :25:56.back then I was like three stone heavier. I wasn't a very natural
:25:56. > :25:59.casting for anything. LAUGHTER
:25:59. > :26:01.I come out of drama school and the problem with coming at the same
:26:01. > :26:04.time, everybody comes out of drama school around the same time. London
:26:04. > :26:07.is suddenly kind of scattered with these thousands of actors that are
:26:07. > :26:10.coming out of drama school. I asked a guy who had just come out and
:26:10. > :26:14.started doing a little bit and bits and pieces and asked him for advice.
:26:14. > :26:18.He said, "You are going to go in loads of general meetings with
:26:18. > :26:22.costume directors and all these just to say hi. Make sure they
:26:22. > :26:28.remember you because they are going to remember, there is loads of
:26:28. > :26:36.people." I went away from that and I thought "OK." Got it.
:26:36. > :26:43.So I decided from there on, I was going to go into every meeting with
:26:43. > :26:53.a casting director and pretend I had been bitten by a dog. So I
:26:53. > :26:56.
:26:56. > :27:05.would go in. I would be at the door and I would kind of just ah hey,
:27:05. > :27:10.I'm Chris. And they were like "how is it going" I just got. Did you
:27:10. > :27:14.see the cocker spaniel. I would pretend I had been bitten and the
:27:14. > :27:22.stories would get more and more complicated. And he was hold ago
:27:22. > :27:24.baby's rattle and I tried to pull it out.
:27:24. > :27:28.LAUGHTER He looked so friendly. He bit. They
:27:28. > :27:32.would offer me plasters and stuff and I did this for four months and
:27:32. > :27:38.every meeting I went into until I went into a meeting and I did the
:27:38. > :27:42.same, ah, Jesus Christ I just got bitten and they were like, that's
:27:42. > :27:52.so so weird. I know because the last time you were here you had
:27:52. > :28:02.
:28:02. > :28:04.been bitten! LAUGHTER
:28:04. > :28:07.I don't know if I thought the meeting was going to end and
:28:07. > :28:09.everybody in the room was going to "I really liked that guy that was
:28:09. > :28:11.bitten by a dog." I didn't work for another year after that.
:28:12. > :28:15.You don't have to audition? Occasionally. Not so much now.
:28:15. > :28:20.Meetings? Yeah, meetings. But in terms of ice breaking you
:28:20. > :28:27.seem gung ho about filming, particularly sex scenes, you just
:28:27. > :28:32.get on with it? Yes. Is that fair? That is fair. They
:28:32. > :28:38.are tricky. I don't know, I don't like them very much. The the sex
:28:38. > :28:40.scenes are awkward. No, it is not funny!
:28:40. > :28:43.LAUGHTER They are serious things. It is
:28:43. > :28:50.awkward and it is because it is a very strange and bizarre thing to
:28:50. > :28:55.be doing. It is not a normal situation going, "Hello I am Ewan."
:28:55. > :28:59.You have to and also, I'm I'm 40 and the actresses get younger and
:28:59. > :29:03.younger and I get worried that they think you might be taking advantage
:29:03. > :29:08.of that. It is an awkward thing. I don't really like it and I find
:29:08. > :29:12.they are not useful unless I made made films like Young Adam where
:29:12. > :29:20.they are more about sex and the sex scenes are more about character and
:29:20. > :29:24.story and that's fine. That's good. But gra sex scenes are embarrassing
:29:24. > :29:30.to watch and do. The Christian Bale sex scene
:29:30. > :29:36.sounds... Yeah, that was fun. Was it? Yes.
:29:36. > :29:41.No, no, I did have a sex scene with Christian Bale which I did to the
:29:41. > :29:46.best of my ability. Zblurp on a roof -- you were on a
:29:46. > :29:51.roof or something? We were on a roof. I was play ago rockstar and
:29:52. > :29:56.we would have a shag on top of a rooftop in King's Cross, but they
:29:56. > :30:04.wanted to shoot it from another rooftop, a wide shot. We did close-
:30:04. > :30:12.up stuff, but this was a wide shot. The director, we heard the kind of
:30:12. > :30:19.of "action." We started slowly. Slowly with and the film crew are
:30:19. > :30:29.on the other side and it went on and on. It was really going now.
:30:29. > :30:29.
:30:29. > :30:32.That's it. LAUGHTER
:30:32. > :30:38.And then I just thought - there he is. And then I thought I would have
:30:38. > :30:44.come by now. So I went round to the other side of his ear on the non
:30:44. > :30:54.camera side and I said, "I think I would have come by now." I looked
:30:54. > :30:59.
:30:59. > :31:00.over and they were packing up the camera.
:31:00. > :31:04.LAUGHTER They must have gone cut really
:31:04. > :31:08.quietly, you know. LAUGHTER
:31:08. > :31:12.Did anyone ever talk about it ever wards? They thought it was a
:31:12. > :31:17.sensitive thing and should just leave us to it.
:31:17. > :31:22.There is nothing wrong with "cut" nothing wrong with that.
:31:22. > :31:25.The moment. It is nearly time for music. But before that, let's look
:31:25. > :31:32.at our last website of the series. We like to look at websites. It is
:31:32. > :31:38.our final one. The end of our series. The end of a series. It is
:31:39. > :31:45.called perfect timed photos.com -- perfectlytimedphotos.com. It is
:31:45. > :31:55.that thing where you know with shutter speeds you have just taken
:31:55. > :32:00.
:32:00. > :32:08.a I can a picture at the right moment. This is a dog doing an
:32:08. > :32:18.impersonation of a kang a kangaroo. It looks like someone has thrown a
:32:18. > :32:19.
:32:19. > :32:23.tennis ball at its nuts! tennis ball at its nuts!
:32:23. > :32:33.This is so clever. It is like two dachshunds and they are in a rush
:32:33. > :32:36.
:32:37. > :32:42.down a lane. "We're Coming." LAUGHTER
:32:42. > :32:48.They are so cute. Finally, there is a few of people
:32:48. > :32:57.with animals. It kind of looks worse than it is. Is this it? This
:32:57. > :33:04.is a lady playing frisbee. Oh god. LAUGHTER
:33:04. > :33:08.Oh my god. LAUGHTER
:33:08. > :33:14.You think that's bad. Look at the smile on her face. She is smiling
:33:14. > :33:24.now. That's why it is perfectly timed photos. Wait until you see
:33:24. > :33:37.
:33:37. > :33:39.the next one. Everyone is fine. No one got hurt, but check that out.
:33:39. > :33:49.LAUGHTER It looks like the girl has just
:33:49. > :33:57.
:33:57. > :34:00.told a joke and the dog is going... LAUGHTER
:34:00. > :34:01."cat you say." It is like the dog is going, "Wait, I need to sneeze."
:34:01. > :34:03.LAUGHTER Oh my god.
:34:03. > :34:13.This is a brilliant encounter of someone being taken by surprise by
:34:13. > :34:15.
:34:15. > :34:23.an animal. There we go.
:34:23. > :34:31.LAUGHTER Very good.
:34:31. > :34:41.Right, it's time for music. Singing his number one song, Change The Way
:34:41. > :35:01.
:35:01. > :35:04.Everybody point to the sky. Here we go.
:35:04. > :35:09.# I've never been afraid of the highest heights
:35:10. > :35:15.# Or afraid of flying now # I've never been afraid of the
:35:15. > :35:19.wildest fights # Not afraid of dying
:35:19. > :35:27.# But now I want off this ride cause your scaring me and I don't
:35:27. > :35:34.like where we're going # I need a new fun fair cause your
:35:34. > :35:38.scaring me and I don't like where were going
:35:38. > :35:48.# And now you're gonna miss me # I know you're gonna miss me
:35:48. > :35:56.
:35:56. > :36:01.# I guarantee you'll miss me cause you changed the way you kiss me
:36:01. > :36:05.# Cause you changed the way you kiss me
:36:05. > :36:10.# We used to be so so soulful # Al Green on the background vocals
:36:10. > :36:14.# T total were on the next high # We get by with a so called soul
:36:14. > :36:20.mate made for each other chit chat # But that dried up wise up to the
:36:20. > :36:23.cutting edge facts # Now I'm chilling on my jack Jones
:36:23. > :36:25.# Looking for a way back home but I can't get back
:36:25. > :36:27.# Our love feels wrong please wind it back
:36:27. > :36:37.# Our love feels wrong can't hide the cracks
:36:37. > :36:40.
:36:40. > :36:44.# I guarantee you'll miss me cause you changed the way you kiss me
:36:44. > :36:49.# I've never been afraid of the highest heights
:36:49. > :36:59.# Or afraid of flying now # I've never been afraid of the
:36:59. > :37:03.wildest fights # Not afraid of dying
:37:03. > :37:05.# I need a new fun fair cause your scaring me and I don't like where
:37:05. > :37:15.we're going # I guarantee you'll miss me cause
:37:15. > :37:30.
:37:30. > :37:33.you changed the way you kiss me # Because you changed the way you
:37:33. > :37:35.kissed me # # Our love feels wrong please
:37:35. > :37:40.wind it back # Our love feels wrong can't hide
:37:40. > :37:45.the cracks # I guarantee you'll miss me cause
:37:45. > :37:55.you changed the way you kiss me # I guarantee you'll miss me cause
:37:55. > :37:56.
:37:56. > :38:06.you changed the way you kiss me # I guarantee you'll miss me
:38:06. > :38:06.
:38:06. > :38:11.# Because you changed the way you kiss me #
:38:12. > :38:18.CHEERING AND APPLAUSE Thank you.
:38:18. > :38:26.Example, ladies and gentlemen. That's fantastic. Thank you very
:38:26. > :38:28.much. Have a seat. CHEERING AND APPLAUSE
:38:28. > :38:32.Loving it. Loving it. Congratulations, sir.
:38:32. > :38:36.Cheers. Example. You can call me Elliot
:38:36. > :38:41.because it is a grown-up show. The name, I feel like a fool for
:38:41. > :38:51.not understanding why you're called Example.
:38:51. > :38:51.
:38:51. > :39:40.Apology for the loss of subtitles for 118 seconds
:39:40. > :39:44.I went to see you the other day. You were incredible. Was that by
:39:44. > :39:47.accident or did you choose to come and see it? Sometimes people wonder
:39:47. > :39:49.in and out of tents, oh, who's this guy. Go on.
:39:49. > :39:59.LAUGHTER You were incredible.
:39:59. > :40:02.
:40:02. > :40:07.Listen, before we go, we have time for our final story of the series
:40:08. > :40:12.in the red chair. Who's up first? Hello? Hello. What's your name?
:40:12. > :40:19.Marion. What do you do? I'm an emergency planner. Oohh...
:40:19. > :40:24.LAUGHTER What do you do? We make plans for
:40:24. > :40:32.emergencies. APPLAUSE
:40:32. > :40:38.Got it. Got to use your noggi any. I'm all
:40:38. > :40:43.over it. An emergency planner, I get it, right. Off you go. When I
:40:43. > :40:47.was young my mother used to take my brother and my family to see our
:40:47. > :40:51.great granny in Slough. She had a big garden which was a treasure
:40:51. > :40:58.trove for children. My brother was looking in the shed one day and
:40:58. > :41:04.found a big rusty dirty dart board with darts in it. Rusty, dirty old.
:41:04. > :41:10.Sorry darling, carry on, please. And he threw some darts at it. As
:41:10. > :41:14.he was removing the darts, in my exuberance as a child I threw mine
:41:14. > :41:20.and it stuck straight into the back of his head.
:41:20. > :41:26.One more. Definitely. We're up for one more.
:41:26. > :41:32.That was disappointing. We shouldn't end on that one. Stories
:41:32. > :41:37.about people in sheds. Hello. What's your name? William. Where
:41:37. > :41:43.are you from? Brighton, originally from France. Aahhh. I've heard of
:41:43. > :41:46.that. And what do you do? I'm a school
:41:46. > :41:54.teacher. Oh, right. A day off today?
:41:54. > :42:01.LAUGHTER Using his time effectively. That
:42:01. > :42:07.must have been a tough vote. I've got Graham Norton tickets, oh,
:42:07. > :42:12.the strike ballot is coming up. Right, William. Off you go. It's a
:42:12. > :42:18.dog story. When I was at university, I helped my Nan choose a Yorkshire
:42:18. > :42:23.Terrier. She chose one called Jessie. I was servicing the car. I
:42:23. > :42:28.finished, I reversed the car, and I heard a squeaking sound, soy
:42:28. > :42:33.thought that must be the belt squeaking. I got out of the car and
:42:33. > :42:38.to my horror I saw Jessie nrt wheel. I rushed it to the vet. My cousin
:42:38. > :42:42.on the phone "You've killed the dog." The vet says she's got
:42:42. > :42:46.fractured pelvis. We have to put her down. I said I would nurse her
:42:46. > :42:50.and hopefully she might get better. 15-year-old dog, cataract, couldn't
:42:50. > :42:52.hear a thing, death's door and she made it and she's still with us
:42:52. > :42:56.today. APPLAUSE
:42:56. > :42:59.Lovely story. You can walk.
:42:59. > :43:09.Thank you. APPLAUSE
:43:09. > :43:11.
:43:11. > :43:16.You're still an idiot for driving over it. Well done everyone. By the
:43:16. > :43:20.way if you'd like to join us on the show and have a go in the red chair,
:43:20. > :43:30.contact us via the website. Huge thanks to my guests tonight
:43:30. > :43:31.