:00:22. > :00:28.Acts last week, Barry & Stuart, Latimer and Pete ferment teamed up
:00:28. > :00:34.with celebrity apprentices to bring the drama, comedy and mind blowing
:00:34. > :00:40.illusions. Pete and Keith lost the view it vote and had to India the
:00:40. > :00:47.fiery forfeit. That might have been my first fiery forfeit but it will
:00:47. > :00:51.definitely be my last. Tonight, three new celebrities have one aim,
:00:51. > :00:58.to win your vote. My life is on the line. Everyone is feeling the
:00:58. > :01:02.pressure. I always win, I am not here to finish second. Prepare for
:01:02. > :01:06.mind-bending acts of madness and high-pressure lives are illusions.
:01:06. > :01:16.Who will triumph and he will have to face this week's dreaded four
:01:16. > :01:39.
:01:39. > :01:46.fit? Prepare to be mesmerised. This Live from Shepperton Studios,
:01:46. > :01:51.please welcome your host, Darren McMullen and The Magicians! Twisted
:01:51. > :02:01.twisters Barry & Stuart, all the way from LA, world champion of
:02:01. > :02:04.
:02:04. > :02:10.magic, Latimer. And all away from Middlesbrough, it is Pete Firman!
:02:10. > :02:15.Hello, everybody, are you ready to have some fun?! Welcome to The
:02:15. > :02:20.Magicians. Prepare to be bamboozled as we take you into this wonderful
:02:20. > :02:23.world of magic. Each week, The Magicians will be joined by a
:02:23. > :02:29.different celebrity apprentice and have to perform four eye-popping
:02:29. > :02:34.magic tricks and attempt to win your vote and avoid tonight's death
:02:34. > :02:40.defying forfeit. All that in a minute. But first, let's meet
:02:40. > :02:49.tonight's celebrities. Joined in last week's winners, Barry & Stuart,
:02:49. > :02:58.it is TV's Mr Nasty, it is Craig Revel Horwood!
:02:58. > :03:03.Pairing up with Latimer it is the one, the only, Mr David Hasselhoff!
:03:03. > :03:12.And with last week's loser, Pete Firman, she is out standing in her
:03:12. > :03:22.field, it is Countryfile's Julia Bradbury. This is The Magicians
:03:22. > :03:25.
:03:25. > :03:28.Good luck to everybody tonight. You are going to need it. They have
:03:28. > :03:33.just four tricks in order to woo you guys at home and if that was
:03:33. > :03:36.not hard enough, two of them are performed right here in the studio
:03:36. > :03:40.live. The team with the lowest number of votes at the end of the
:03:40. > :03:44.show will have to take on tonight's death defying forfeit and trust me,
:03:44. > :03:52.it is not for the faint-hearted. Here is the moment just before we
:03:52. > :03:57.went live when the celebrities found out what the forfeit is.
:03:57. > :04:03.samurai sword is renowned for having the sharpest blade in the
:04:03. > :04:08.world. In tonight's forfeit, the losing Act must walk barefooted up
:04:08. > :04:13.a samurai sword ladder. Once at the top they will lie on a bed of
:04:13. > :04:17.razor-sharp swords. A melon will be placed on their stomach and a
:04:17. > :04:26.swordsman will attempt to slice it. Who will have to face the forfeit?
:04:26. > :04:31.Who is for the job? -- who is for the chop?
:04:31. > :04:37.That actually looks genuinely dangerous tonight. Good luck!
:04:38. > :04:45.Rather them than me. Audience, are you ready? Yes! Are you ready? All
:04:45. > :04:49.right, let the competition begin. They have got four tricks to try
:04:49. > :04:59.and schmooze their way into your good books. Here is Latimer and
:04:59. > :05:04.
:05:05. > :05:09.How is it going? Sorry I am late, just came in from the beach. My
:05:09. > :05:15.name is David Hasselhoff. Some people know me as the Hoff. Need I
:05:15. > :05:19.say more? It is incredibly exciting to be accepted into the secret
:05:19. > :05:24.world of the magician. Working with David is literally like working
:05:24. > :05:30.with a legend. We can take a card like this, bend it and change it
:05:30. > :05:34.just like that. Jason is the best magician I have ever seen. We will
:05:34. > :05:39.reunite you with your old friend. We could be doing the world's
:05:39. > :05:42.biggest card trick. I will teach you how to read minds and how do
:05:42. > :05:52.you feel about dressing up? If the hot cannot handle the pressure, who
:05:52. > :05:54.
:05:54. > :05:59.can? Forfeits? No. Of does not do forfeits. You are crazy.
:05:59. > :06:06.Guys, is it just me or are you a bit star-struck? That guy is a
:06:06. > :06:11.living legend. David Hasselhoff! I grew up watching that show,
:06:11. > :06:16.Baywatch. For his performance only. Amazing. And the show obviously
:06:16. > :06:23.with the car, Knight Rider. The over-thirties probably remember
:06:23. > :06:33.that. Are you ready to seek Dave do his thing? Yes! Picking off tonight,
:06:33. > :06:44.
:06:45. > :06:54.totally live, put your hands You really know how to arrive at.
:06:55. > :07:01.
:07:01. > :07:11.Nice outfit. I am been injure. I am We need a volunteer. How about you?
:07:11. > :07:21.From the third rose. Over here. You, sir. Don't be scared. What is your
:07:21. > :07:22.
:07:22. > :07:29.name? Paul. Let's give it up for Paul. Nice to meet you, Paul.
:07:29. > :07:36.you. I'm going to be doing an illusion for one person, that is
:07:36. > :07:46.you. How would you like my crate? Why have you got your initials.
:07:46. > :07:48.
:07:48. > :07:58.Where am I? It is on the inside of This works a lot better with you
:07:58. > :08:04.inside the box. You were doing well. -- you are doing well. You're doing
:08:04. > :08:10.OK. We are trying to contain the powers of the Hoff. Paul, if you
:08:10. > :08:20.stand on the step, that would be great. Just come right up. We will
:08:20. > :08:24.use the one ring, two hands and one I'm going to show you how magic can
:08:24. > :08:29.be if you remove one of your senses. When I ask you to close your eyes,
:08:29. > :08:35.I want you to close your eyes but do not open them until I tell you.
:08:35. > :08:45.If you cheat, the entire effect will be ruined. De think he should
:08:45. > :08:51.
:08:51. > :08:56.play a long? Yes! He is a ring, Close your eyes. I want you to
:08:56. > :09:02.imagine everything. I want you to match and this ring floating around,
:09:02. > :09:12.shoot up in the air and land right back on to my head. Paul, a few
:09:12. > :09:31.
:09:31. > :09:37.reach for it and touch you, if I crossed my arms over you would feel
:09:37. > :09:41.it. Open Your eyes. I want you to do one thing, I am going to lock my
:09:41. > :09:47.arms in this position. I want you to keep your eyes closed and make
:09:47. > :09:51.sure my arms did not move. I want you to imagine one more time, have
:09:51. > :09:57.the ring floater up in the air and in your imagination, I want you to
:09:57. > :10:07.watch that ring float around the room 17 times. I will count them.
:10:07. > :10:10.
:10:10. > :10:16.Just kidding, I will not do all of them! Paul, focus, focus. Grabbed
:10:16. > :10:25.my wrist here. This is where it gets really tricky. Using a hand to
:10:25. > :10:32.grab that ring, just pull on it. Tell them it is solid. It is solid.
:10:32. > :10:38.Now, I want you to close your eyes. I want you to grab that ring. Is a
:10:38. > :10:42.solid? With your eyes closed, grabbed my wrist again. I am going
:10:42. > :10:47.to reach over and then grab this rain and lift it over your head. I
:10:47. > :10:53.will waive it over my arm and wave it over your arm. I will tappets
:10:53. > :11:03.once on the top, once on the bottom and link on your arm. You open your
:11:03. > :11:13.
:11:13. > :11:18.better. I am going to gave flesh and bone three on. Are you ready?
:11:18. > :11:28.Close your eyes. Here we go. You will feel it, you will feel a
:11:28. > :11:47.
:11:47. > :11:57.What is going on?! What have you been doing in there? I am
:11:57. > :12:23.
:12:23. > :12:28.How are you going to beat that, the halved in a box? He will be
:12:28. > :12:33.difficult. I am a Bic -- I am a bit nervous. The reigning champions,
:12:33. > :12:40.Barry & Stuart took the title last week. We are going to try and give
:12:40. > :12:45.it our best. We have got a few nasty surprises planned for Craig.
:12:45. > :12:50.That is what you want us to see. look forward to it. The tables have
:12:50. > :13:00.turned. You are looking for other people's vote is now. Here they are,
:13:00. > :13:01.
:13:01. > :13:05.Barry, Stuart and Craig. Barry! Stuart!
:13:05. > :13:12.My name is Craig Revel Horwood. You may have seen me on Strictly Come
:13:12. > :13:18.Dancing being rather judgmental. Last week was good. We won the
:13:18. > :13:22.episode. But it is only the first show, anything can happen.
:13:22. > :13:27.grandfather was an amazing magician and I am hoping I will help this
:13:27. > :13:32.legacy continue, darling. You will be placed in a small container and
:13:32. > :13:35.you will defy death. We are going to be in our favourite trick. We
:13:35. > :13:41.will turn the laws of physics on its head and make sure you keep
:13:41. > :13:49.yours. And a bit concerned for my health and safety. That represents
:13:49. > :13:54.a new. Lovely. Will Craig be saved, of course. You can trust us.
:13:54. > :14:04.chances of Craig surviving. We give him... One way round -- and wrong
:14:04. > :14:06.
:14:06. > :14:16.We thought, had it gone wrong? thought it was the end. We thought,
:14:16. > :14:30.
:14:30. > :14:36.So Craig, the grand illusion - we have been practising the trick we
:14:36. > :14:40.call the swimming pool box escape. We tied you up, put you in a box.
:14:40. > :14:44.You had half a minute to escape before the box fell into the
:14:44. > :14:50.swimming pool. I loved that. practised and did really well. You
:14:50. > :14:55.were so confident in your ability to do it, we decided to up the ante.
:14:55. > :15:00.You're going to love it. The first thing we changed was the box. We're
:15:00. > :15:06.going to use this car and lock you inside the boot. We have replaced
:15:06. > :15:10.the swimming pool with this quarry. You are joking. Here's exactly
:15:10. > :15:16.what's going to happen we're going to tie you up and bundle you into
:15:16. > :15:22.the boot of the car just like this. The car will start rolling towards
:15:22. > :15:28.the cliff's edge where it will tumble 100 foot into the water
:15:28. > :15:33.below. The audience standing at the cliff right here - more adoring
:15:33. > :15:38.fans will be down on below on to the pontoon. They'll see as you get
:15:38. > :15:42.out of the boot and leap on to this Queen-sized mattress. We're going
:15:42. > :15:49.to have a helicopter filming at all times. This is the best part - once
:15:49. > :15:52.you have made your escape, the car which we have needlessly filled
:15:52. > :16:02.with explosives will race down and career off the cliff edge.
:16:02. > :16:10.
:16:10. > :16:17.From this moment on, this shot will not cut away.
:16:17. > :16:22.Except this cut right here. This, show, however, will remain
:16:22. > :16:28.continuous allowing you to see Craig make his escape in realtime.
:16:28. > :16:31.Put your hands out. Know we practisinged with the ropes but
:16:31. > :16:37.these are more impressive. sorry, too many changes, the
:16:37. > :16:40.swimming pool becomes a quarry, the box becomes a car riddled with
:16:40. > :16:44.explosive... We're going to change your blind fold into this bag.
:16:44. > :16:47.We're going to take this gaffe that tape and tape together your legs,
:16:47. > :16:52.Craig. This is important for two reasons - first, it's going to be
:16:52. > :16:56.much more impressive than the ropes, and secondly, it will ensure Craig
:16:56. > :17:02.doesn't try to dance while he's in there. We're taped up. Let's go get
:17:02. > :17:05.you into this car boot - this way. Hop with us. That's it. Let's get
:17:06. > :17:09.you in here. Get your feet inside there. We have been pretty mean to
:17:09. > :17:14.Craig so far, so we're going to make your life a little bit easier,
:17:14. > :17:19.Craig, by helping you out with something to get your gaffe that
:17:19. > :17:24.tape off around your feet. We'll give you this plastic knife.
:17:24. > :17:29.Stuart's going to put a brick on to the accelerator of the car he has a
:17:29. > :17:34.rope attached to the gear stick. The moment pulls that rope, the car
:17:34. > :17:38.will start moving to the cliff edge. It will move at a speed of around
:17:38. > :17:43.about 15mph, giving Craig ten seconds to exit the car and leap on
:17:43. > :17:51.to the mattress. If he doesn't make his escape, we have arranged party
:17:51. > :18:01.in his honour. Ann Widdecombe has sent out the invites. Is he ready?
:18:01. > :18:01.
:18:01. > :18:07.BANGING Left hand, right hand. On your toes,
:18:07. > :18:17.Craig. Here comes the mattress. Here is the mattress. Jump. Jump!
:18:17. > :18:57.
:18:57. > :19:01.EXPLOSION APPLAUSE
:19:01. > :19:05.Of course, this is one shot - you know it's not like a trick of
:19:05. > :19:09.camera or something, but when the car went over, your heart was
:19:09. > :19:13.racing. You thought, what's going to happen, is he going to be OK?
:19:13. > :19:16.You know he's supposed to be on that mattress. The car comes into
:19:16. > :19:21.shot. There is no Craig. You're praying he's going to come out.
:19:21. > :19:26.Then the car is going to be over the cliff. Before you know it,
:19:26. > :19:31.explosion. Oh, my God. It's all gone horribly wrong! And then he's
:19:31. > :19:34.up in the helicopter. You think, how did he get there? It was
:19:34. > :19:44.fantastic. It was absolutely brilliant, enthralling. Speechless.
:19:44. > :19:46.APPLAUSE That was absolutely amazing. Yeah.
:19:46. > :19:51.Good that, wasn't it? Craig Revel- Horwood has fans.
:19:51. > :19:55.LAUGHTER I had no idea. About four? Yeah,
:19:55. > :20:00.there is about four there, to be fair, but fans, nonetheless. I
:20:00. > :20:05.didn't want to bring this up - actually, I did. You lost last week.
:20:05. > :20:11.Let's not use that word. It sounds so negative. Can we think of
:20:11. > :20:16.something else? Losing the vote? Least popular. No. Maxine... This
:20:17. > :20:20.week we're going to change it. You were the least popular. Confident
:20:20. > :20:25.for this week? Yeah, confident. Watching that, they had cars,
:20:25. > :20:28.cliffs, explosions. We've got a box of biscuits, so enjoy that. Let's
:20:29. > :20:38.have a look and see what these guys have been conjuring up.
:20:39. > :20:40.
:20:40. > :20:43.APPLAUSE I am Julia Bradbury, TV presenter,
:20:43. > :20:47.explorer and tonight, wannabe magician. I don't know what
:20:47. > :20:51.happened. We ended up doing the forfeit. Maybe the phone number was
:20:51. > :20:57.wrong. So this week we have a little bit of Levitation, then we
:20:57. > :21:04.have a little bit of animal magic - Countryfile, animals, I thought it
:21:04. > :21:09.would be perfect. To top it all off, slicing and dicing. When I was a
:21:09. > :21:16.little girl I always wanted to be the girl chopped in half by the
:21:16. > :21:19.magician. The pressure is really on. Hassel Hoff, Craig Revel-Horwood,
:21:20. > :21:24.big personalities, but I think Julia is going to be able to hold
:21:24. > :21:30.her own. Loser. Here they are with their first trick of the evening,
:21:30. > :21:34.playing with some live, close-up magic, Pete and Julia. Thank you.
:21:34. > :21:38.Oh, oh that's nice. Thank you very much. Julia and I are going to need
:21:38. > :21:44.some help from the audience, and I think she's over there -
:21:44. > :21:47.Countryfile's very own Julia Bradbury. Thank you. The great
:21:47. > :21:53.thing about being part of a magician show is you could get
:21:53. > :21:58.picked to be a part of it - you look vulnerable - I mean lovely.
:21:58. > :22:02.What's your name? Hannah. Give Hannah a round of applause. Get her
:22:02. > :22:08.a mic. You stay there. You're going to do a bit of mind reading for us
:22:08. > :22:13.now? Yes, yes. You see, you're a deceptive man. Yeah, that's my game.
:22:13. > :22:18.You are. What I like about you, Pete. Don't push it. But powerful.
:22:18. > :22:22.You have a strong mind. Let's just go with powerful. I would rather
:22:22. > :22:26.that. Hiya, Hannah. This is for you, Julia. You can take those and
:22:26. > :22:30.explain what we're doing here. have some lovely imagine biscuits
:22:30. > :22:35.here. Pete Firman is going to do something very unusual, combine
:22:35. > :22:40.mind reading with animals and a bit of drawing as well. Yes, yes, but I
:22:40. > :22:46.am not very gifted in this department. I am not an artist,
:22:46. > :22:50.have a GCSE. You're going to pick a biscuit, concentrate on it, and
:22:50. > :22:57.I'll draw the animal. You do that I'll avert my pretty little eyes.
:22:57. > :23:05.Pick a biscuit. Keep it to yourself. Keep it. Done that Hannah? Uh-huh.
:23:05. > :23:10.To do this, I'm going to have to go into that trance. Hang on. Oh, I'm
:23:10. > :23:16.in a trance! A deep, deep trance! LAUGHTER
:23:16. > :23:21.Two minutes. I am going to draw it, please concentrate. That's great
:23:21. > :23:24.you just keep concentrating on that animal. I am going to pick up on
:23:25. > :23:28.your vibrations. Good vibrations. What I am going to do is show the
:23:28. > :23:32.audience the animal first so I can't change my mind. This is the
:23:32. > :23:41.animal I was receiving - please, please. It was done in haste - the
:23:41. > :23:45.animal I was receiving. What's the animal? A camel. You know what?
:23:45. > :23:50.That really is remarkable because I got a camel - I mean, look at that
:23:50. > :23:55.- wow! Well done. I'm just going to pinch myself - no, that is really
:23:55. > :23:59.happening. It could just be beginner's luck, Hannah. So dig in
:23:59. > :24:02.there, select another animal. Concentrate. Keep it to yourself.
:24:02. > :24:07.I'm going to draw a completely different drawing. Going into a
:24:07. > :24:10.trance! A deep, deep - further and further this time! A thousand
:24:10. > :24:14.fathoms, I am all the way at the bottom. I am there!
:24:14. > :24:17.LAUGHTER In a trance, going the draw the
:24:17. > :24:23.animal in pants! Keep concentrating. I am going to show the audience
:24:23. > :24:24.before I show you. So don't give anything away. This is the animal
:24:24. > :24:28.that I - LAUGHTER
:24:28. > :24:35.Please! This is the imagine I was receiving. Let's get confirmation.
:24:35. > :24:42.The animal, please. A rhino. Really? That's - it's a rhino.
:24:42. > :24:47.is a rhino. Wow! Wow! Hey, I tell you what, it's a gift, but I have
:24:47. > :24:51.kept the receipt, so it's all right. Third time is a charm. I am going
:24:51. > :24:54.to keep doing this until you like it. I really am. Could you please
:24:54. > :25:00.concentrate this time. One more animal. Take your pick. Take your
:25:00. > :25:04.pick. Really, it's going to work this time. Concentrate on the
:25:04. > :25:05.animal. Yeah. I don't need to do the trance thing. I am already
:25:05. > :25:11.there. LAUGHTER
:25:11. > :25:14.Drawing the animal, right, gallery styley - going to show the audience
:25:14. > :25:19.first. Please! This is serious. LAUGHTER
:25:19. > :25:29.In a loud voice, Hanna, what was the animal you were thinking of?
:25:29. > :25:29.
:25:29. > :25:35.Aer.After. A what? What?Er.After. Really? Do they do those in that?
:25:35. > :25:42.Ooh awkward. Missed a few details because I forgot the spots. Got to
:25:42. > :25:47.put the spots on like that this is aer.After with a rare affliction.
:25:47. > :25:48.We don't laugh at afflictions here. I think I can fix it with magic,
:25:48. > :25:53.though. APPLAUSE
:25:54. > :26:03.This is just a drawing. There are no moving parts.
:26:03. > :26:09.APPLAUSE Well done. Well done. You did it.
:26:09. > :26:13.APPLAUSE Have a little hug there. He should
:26:13. > :26:16.have a little box to stand on. With all that done and dusted all of our
:26:16. > :26:22.magicians have done their first trick, which could only mean one
:26:22. > :26:25.thing - the phone lines are now open, so if you want to save your
:26:25. > :26:31.favourite celebrity and magician from the forfeit, pick up the phone.
:26:31. > :26:41.It's only going face to face with a Samurai warrior, no biggie. The
:26:41. > :26:56.
:26:56. > :27:00.Full terms and conditions can be found at bbc.co.uk/magicians. Now,
:27:00. > :27:05.remember, they've got three more tricks to perform before we reveal
:27:05. > :27:11.who is safe and who will take on the death-defying forfeit. Yes. It
:27:11. > :27:21.is ooh! Next up with their street magic in Bristol, we have the
:27:21. > :27:33.
:27:33. > :27:38.lovely Barry and Stuart and Craig. Stand by. Head first. As quickly as
:27:38. > :27:48.you can, no air out. That's it. That's excellent. Get in. Oh,
:27:48. > :27:51.
:27:51. > :27:57.darling! New York arms. That's the one, yes. All the way down. Doing
:27:57. > :28:00.it with style now, Craig. Samba, pointy toes - that's it.
:28:00. > :28:04.APPLAUSE There we go, Craig Revel-Horwood
:28:04. > :28:08.sealed in a balloon for your viewing pleasure. We're going to do
:28:08. > :28:13.a trick now. We need someone heeps. Could you take out your purse -
:28:13. > :28:18.what is your name? Sophie. Take out your licence or a bank card. It has
:28:18. > :28:23.to be a quick trick, otherwise, he will suffocate. We have a driver's
:28:23. > :28:27.licence. A driver's licence. would know it if you saw it again.
:28:28. > :28:31.Yes. Looks nothing like you, but this should work nonetheless. We're
:28:32. > :28:41.going to take it and place it against the wall of the balloon
:28:42. > :28:43.
:28:43. > :28:53.right here. I am going to place my Here we go, Craig, are you ready?
:28:53. > :28:53.
:28:53. > :29:00.am ready. I am through. Craig, can you reach up? This is the hardest
:29:00. > :29:10.bit. Get that corner without tearing the balloon. My hands are
:29:10. > :29:10.
:29:10. > :29:17.shaking. Get it through. Sophie, come forward. Have a look. Is that
:29:17. > :29:21.your driver's licence in there? Yeah. That's your picture? Yeah.
:29:21. > :29:24.That's a lovely picture. We got it in there the hard way. Let's get it
:29:24. > :29:30.out the easy way. A big round of applause for Craig Revel-Horwood.
:29:30. > :29:33.APPLAUSE I don't know how it happened.
:29:33. > :29:37.was amazing. It just literally went through. You couldn't see how it
:29:38. > :29:47.went through, but it just did. Unbelievable. Mind-blowing.
:29:48. > :29:55.little turn. Down you go. Oh, That was brilliant, did you like
:29:55. > :30:00.that? Amazing stuff. Next up, more live magic in the studio. With
:30:00. > :30:08.their Live Grand Illusion, it is Pete and Gillian! Tired of cuts and
:30:08. > :30:15.bruises at work? Using plaster as Willie nearly? The new needed this.
:30:15. > :30:24.How does it work? It is very simple. You spray on part of your body that
:30:24. > :30:33.he needs to protect. It is a squirt that prevents her at. It even
:30:33. > :30:38.smells like me. Yes, burnt hair. Let's see how this stainless-steel
:30:38. > :30:44.fork works. We recommend a full- body treatment to maximise its
:30:44. > :30:52.effectiveness. Why do I need it? For protection. Protection against
:30:52. > :30:58.what? An accident in a TV studio with a maximum -- massive
:30:58. > :31:02.industrial fan. This fan blade is made of solid steel. It slices, it
:31:02. > :31:06.dices, it turns at 3,000 revolutions per second. Anything
:31:06. > :31:13.that gets in its wake will be chopped off. Just ask my brother,
:31:13. > :31:23.Geraldine! Julia, you look a bit afraid. This is not what you
:31:23. > :31:25.
:31:25. > :31:32.There is something for you to perch on. Perch? Yes, you can sit down.
:31:32. > :31:37.Just give it a whack, Geraldine. There you go, slick. I know we
:31:37. > :31:42.didn't do this in rehearsals but I didn't want to alarm you. You look
:31:42. > :31:51.so scared! I will show you how it works. You might have to kick off
:31:51. > :31:56.your shoes. I need you to set up here. These are real? Yes, sit on
:31:56. > :32:01.there. Because of the spray, Julia will be completely protected from
:32:01. > :32:11.the fan. But should she need some extra protection, we have this
:32:11. > :32:20.shield. That is kind. Note, that is to protect me. This soup cost a
:32:20. > :32:27.fortune. 3, 2, 1, go through, Julia. Yes! Out! She has passed the first
:32:27. > :32:37.test. Do you think you can go all the way through? No way! Seriously.
:32:37. > :32:42.
:32:42. > :32:51.3, 2, one. Arm through, first. Put Did you use spray my legs? I cannot
:32:51. > :33:01.remember. I will give you another blast. Ladies and gentlemen, Julia
:33:01. > :33:06.
:33:06. > :33:16.Bradbury! A little squirt really Pete Firman and Julia Bradbury,
:33:16. > :33:16.
:33:16. > :33:19.everybody! If you do happen to have an over sized industrial fan at
:33:19. > :33:23.home, don't do that. It is dangerous. David, alters the
:33:23. > :33:29.weirdest thing you have got at home? I have something in my home
:33:29. > :33:36.which no one else in the world has. One of my co-stars from my shows.
:33:36. > :33:42.Is that where Pamela has been? Pamela! She has not been on TV.
:33:42. > :33:45.Pamela. You are with the world champion of magic who came second
:33:45. > :33:48.last week. What happened? I think the magic last week was really
:33:49. > :33:54.strong but I felt that we needed to make a connection with the
:33:54. > :34:00.audiences at home so in a little bit, I want you to grab four cards
:34:00. > :34:05.and give them to each person in the room. We will be doing some magic
:34:05. > :34:10.for millions of people at the exact same time. We will look forward to
:34:10. > :34:20.it. Before that, this is the Location Grand Illusion, give it up
:34:20. > :34:49.
:34:49. > :34:54.Thank you! Thank you so much. I am Jason Latimer. First of all, I want
:34:54. > :34:58.to say thank you so much for coming today. We will be doing something
:34:58. > :35:04.which involves the entire group, a demonstration of pure randomness.
:35:04. > :35:08.We will try to spell a word. I did bring a friend to help me. I think
:35:08. > :35:18.you may know him. Ladies and gentlemen, are a big round of
:35:18. > :35:21.
:35:21. > :35:31.applause for Mr David Hasselhoff! I just found these girls on the
:35:31. > :35:35.beach. Hello, folks. We are going to take two sets her of alphabets
:35:35. > :35:40.so we have 52 shirts of different letters. I'm going to throw them
:35:40. > :35:46.into the audience. Try and catch them with your hands and not your
:35:46. > :35:51.face. It never works. These will all come together in an amazing
:35:51. > :35:57.trick. The chances of finding the letter you are looking for would be
:35:57. > :36:03.two out of 52. The chances of finding Multiple letters would be
:36:03. > :36:07.two out of 52 times 51 and so forth. The chances of spelling of words is
:36:07. > :36:12.literally in the millions but we are adding another level. We have
:36:12. > :36:16.got a box of ping-pong balls here. David will be marking four of the
:36:16. > :36:22.ping-pong balls with a number. We will mix them up and throw them
:36:22. > :36:32.into the audience. If you have a T- shirt, make sure you get a ping-
:36:32. > :36:38.
:36:38. > :36:44.52 letters. Four % chance of catching a ping-pong ball. The
:36:44. > :36:47.chance of spelling anything is literally in the billions. And you
:36:47. > :36:54.are saying what you can predict what the word is going to be.
:36:54. > :37:01.thought I could give it a shot. you have a ping-pong ball with a
:37:01. > :37:08.number one, step forward. Great, perfect. Perfect. Person with a
:37:08. > :37:14.number two. No. 3. It is all blondes, I love this show. How do
:37:14. > :37:20.you do this? A billion to one. than that. It is a huge number. In
:37:20. > :37:25.fact, I have an idea of what the word will be, Hoff. You are saying
:37:25. > :37:31.that this word will be Hoff. Everybody else, put your T-shirts
:37:31. > :37:38.on. Make sure you have a random at the. The different T-shirts are
:37:38. > :37:43.different letters. We have all the different letters of the alphabet.
:37:43. > :37:47.Are you ready, Hoff? Yes, you are saying the word is going to be Hoff
:37:47. > :37:57.and I am going to go with the billion that is wrong because I
:37:57. > :37:58.
:37:58. > :38:08.have a different word. First letter, if you would. What is it? It is OK.
:38:08. > :38:08.
:38:08. > :38:18.You are wrong. Nice and big. I was right. I can see that. Both of you
:38:18. > :38:27.
:38:27. > :38:36.You have got to give him a hand, he did get a word. That is not a word.
:38:36. > :38:46.It is a name. I predicted that. You want to see my prediction? Yes.
:38:46. > :38:53.
:38:53. > :39:03.want to see my prediction? Ladies, I but he beat! Let me show you my
:39:03. > :39:13.
:39:13. > :39:23.Check it out, Michael! It was absolutely unbelievable. No idea,
:39:23. > :39:31.
:39:31. > :39:36.Great trick, great car. That brings us to the halfway mark. Plenty more
:39:36. > :39:46.to come. If you want to save your favourite from the chopping block,
:39:46. > :39:53.
:39:53. > :39:58.Calls cost 15 p from a BT landline. Mobiles will cost considerably more.
:39:58. > :40:03.Is get the bill pair's permission. It is time for their spectacular
:40:03. > :40:13.live close-up magic trick. Please welcome the delightful Barry &
:40:13. > :40:14.
:40:14. > :40:16.Stuart and Craig. Thank you. We are also used to seeing Craig Revel
:40:16. > :40:19.Horwood in the light entertainment show Strictly Come Dancing but he
:40:19. > :40:24.is working with us this week. We thought it would be fitting if he
:40:24. > :40:29.did something dark and twisted. we are going to do something really
:40:29. > :40:39.weird which we call Satan's eyeballs. Please welcome, dressed
:40:39. > :40:44.
:40:44. > :40:49.as the devil himself, Craig Revel Stop, that is wrong. That is not
:40:49. > :40:54.say to him, that is a pirate. Everything you two do his dark,
:40:54. > :41:02.twisted and dangerous and I thought it would be really good to do that
:41:02. > :41:06.wonderful trick, the pirate card trick. Note, we haven't rehearsed
:41:07. > :41:15.and we do not have the eye patches. That is where you are wrong,
:41:15. > :41:21.darling. I found some backstage. I have a lovely little one for myself.
:41:21. > :41:29.We have not got the Paraic deck of cards the there. That is where you
:41:29. > :41:36.are wrong again. -- the pirate's deck of cards.
:41:36. > :41:41.I have got a sore leg. Perfect for a pirate. Get on with it. I hate
:41:41. > :41:47.doing this. The first thing we have to do is find ourself a shipmate.
:41:47. > :41:53.You there, my hearty. I have a pirate's deck of cards and they all
:41:53. > :41:58.different. I'm going to shuffle the cards and I will get you to stop me
:41:58. > :42:07.shuffling. Is that way you want me to stop? Excellent. It is important
:42:07. > :42:12.that you see what this card is but What happens next is the cards are
:42:12. > :42:17.thrown into the air. You forgot the shuffling. You cannot miss the
:42:17. > :42:27.shuffle, that is the best thing. The pirate shuffle is my favourite
:42:27. > :42:55.
:42:55. > :42:59.and the music is brilliant. Look at Barry & Stuart, they are
:42:59. > :43:07.really enjoying themselves at smacked this is the lowest point of
:43:07. > :43:17.my career. He is loving it. I am dying inside. Oh, no, here comes
:43:17. > :43:36.
:43:37. > :43:43.Wright, the cards have now been Paraic shuffled. Stuart! Go and get
:43:43. > :43:47.the cards close I am going to keep half of the cards and I will get
:43:47. > :43:54.the other half. You could say it is all hands on deck. I have the
:43:54. > :44:03.pirate sword. Stuart will see your chosen card and he will stab it
:44:03. > :44:10.with his sword. Are we ready? Drum roll! 3, 2, one. Babbitt, Stuart!
:44:10. > :44:20.have a card! Wait the. What was the card you selected? The four of
:44:20. > :44:36.
:44:36. > :44:41.APPLAUSE Fabulous, darling. Now, Craig has
:44:41. > :44:45.inspired you like he has me to try your hand at magic as well, you can
:44:45. > :44:49.head to our website. They even let me have a go, so it must be easy.
:44:49. > :44:59.It's now time to get into some more street magic, here is Latimer and
:44:59. > :45:05.
:45:05. > :45:09.Hey, how you doing? How is it going? Hi! Would you like to see a
:45:09. > :45:12.demonstration of the art of mind reading? Absolutely. All right. Out
:45:12. > :45:17.of this deck of cards, we have a lot of different values to go for.
:45:17. > :45:23.If you would, pull out any one card you like. OK. And if you would pull
:45:23. > :45:28.out any one card you like. Sure you want that one? Yeah. Great. Hold it
:45:28. > :45:33.close to you so we don't see what it is. Read their minds. See if you
:45:33. > :45:36.can guess her card. OK. Let's see - close your eyes. Can you see the
:45:37. > :45:41.card, because I am going to write your card on this piece of paper.
:45:41. > :45:46.All right. Now, would you be amazed if your card was written on this
:45:46. > :45:53.piece of paper? Indeed, yeah. right. Your card is written on this
:45:53. > :45:58.piece of paper. I have written "your card"... Genius. I can't do
:45:58. > :46:04.it. I couldn't... What are you doing? What are you doing? I'll add
:46:04. > :46:14.a little magic to that. Hold on a second. Ooh, that's hot. What was
:46:14. > :46:18.
:46:18. > :46:23.your card? King of clubs. King of It says... The King of clubs!
:46:23. > :46:29.did it! Woo! She's got another card. I want to get this one right. OK.
:46:29. > :46:39.Just think of the card. Think of the card. Come on, man. Think. Just
:46:39. > :46:40.
:46:40. > :46:44.can't do it. I can't do it! I can't figure... You have been working
:46:44. > :46:48.hard on this all week. I can't figure it out, man. I can't. I
:46:48. > :46:53.can't do it. I am not taking anymore chances. I have no more
:46:53. > :46:59.fingers. Sorry, man. That didn't work out. It's OK. Just really
:46:59. > :47:03.quick, what was your club? Two of hearts. Two of hearts? I got it
:47:03. > :47:07.right. I wrote two of hearts on there. It's in there - the two of
:47:07. > :47:12.hearts - it's in there. You know, I'm telling you - I swear to you,
:47:12. > :47:17.this two of hearts is in there. There is probably no way I can show
:47:17. > :47:23.you here. Put the pieces back together. Put the pieces back
:47:23. > :47:28.together? OK. I'll put them back together. Oh, wait a second - oh!
:47:28. > :47:38.Well, there it is. Two of hearts. You got it!
:47:38. > :47:48.APPLAUSE Two of hearts, baby. Yeah! It's
:47:48. > :47:50.
:47:50. > :47:56.Next up, it's the man who gargled molten metal as last week's loser.
:47:56. > :48:00.He'll be cut up if he looses again, probably quite literally. With
:48:00. > :48:07.their Grand Illusion, it's Pete and Julia. I'll tell you what, Julia,
:48:07. > :48:13.it wasn't fun last week. I had to do the forfeit. They had me eating
:48:13. > :48:19.fire of I was gargling molten metal. It was awful. I saw it. Were you
:48:19. > :48:22.hurt? I burnt my hands. It's murder shaking my maracas. Are you a
:48:22. > :48:31.musician? What do you think I am wearing this for? This is the
:48:31. > :48:36.outfit. Hi, everyone. Hello, hello, hello.
:48:36. > :48:40.I am Julia. This is Pete. He's our magical musician. That's right.
:48:40. > :48:45.Apparently, he's the 18th one-man band in Middlebrough. Seriously.
:48:45. > :48:50.What we've got here, Pete, this is a book of your favourite tunes. You
:48:50. > :48:55.can play every tune in here? one you like. More than 300 I can
:48:55. > :49:01.see. Yeah. Right. I need a little bit of help. I have a feminine
:49:02. > :49:07.intuition a woman might be good at this challenge. You like women?
:49:08. > :49:14.Yeah. You heard. This woman, please come forward. What's your name?
:49:14. > :49:18.Nice to meet you, Jo. Grab hold of this book. You can see all the
:49:19. > :49:23.songs are different. The contents have every song. If you could
:49:23. > :49:26.choose one of those... Keep one in your mind. Choose one. Don't say it
:49:26. > :49:36.out loud. Here's the idea. Concentrate on the song, and I'm
:49:36. > :49:46.
:49:46. > :49:50.going to try and play it for you. Hey? Yes! Was that it? No, I don't
:49:50. > :49:56.think so. What song were you thinking of? I was thinking of When
:49:56. > :49:59.the Saints Go Marching in. I was playing that. Couldn't you hear?
:49:59. > :50:08.That's my favourite song - so much so, I have had it printed on my
:50:08. > :50:12.drum. Hey! Taking it a step further - but not with you - you're clearly
:50:12. > :50:16.tone deaf. Get yourself back there. You can have the book. Oh, thank
:50:16. > :50:20.you. Give her a hand. Give her a hand. Would you - the lady with the
:50:20. > :50:24.red hair - would you come and help us with this second thing, would
:50:24. > :50:31.that be all right? What's your name? Holly. Hi. We're not going to
:50:31. > :50:35.use the book for this. We'll use the thing - the doo-dah. The thing.
:50:35. > :50:41.Not the book, something more impressive. I think you're going to
:50:41. > :50:47.like this. We have a magic trumpet. Coronet. No thanks. I don't like
:50:47. > :50:54.ice cream. This is something for you to hold on to. Let's move up to
:50:54. > :50:57.the band stand. While we're doing that, could everybody move around
:50:57. > :51:01.the bandstand. You're going to hold hands. Make sure you can all link
:51:01. > :51:06.up - some around the front and the back. Lovely. We're going to move
:51:06. > :51:11.to the middle. Very good. Get yourselves into position. Holly,
:51:11. > :51:18.what we need you to do is think of a song. This can be any song at all.
:51:18. > :51:22.What I want you to do is put the trumpet to your lips - the corn it
:51:22. > :51:28.to your lips. Imagine you're playing the song you have in mind.
:51:28. > :51:34.Playing it - beautiful, gorgeous. Have you done that? Yeah. Fantastic.
:51:34. > :51:40.I'll put this on to the floor of the bandstand. You want me to do
:51:40. > :51:46.it? I can't bend down. Let's come out of the band stand, OK? Mind
:51:46. > :51:51.that, Holly. He's a lethal weapon. Lethal! We have some curtains.
:51:51. > :51:56.Could we drop the your tains, please, all the way. You just keep
:51:56. > :52:03.concentrating on the piece of music you imagined playing with the
:52:03. > :52:07.trumpet. Coronet. Yeah. Everybody, listen. Listen out for some sounds.
:52:07. > :52:10.TRUM, te, Hear that? It's all gone a bit quiet.
:52:10. > :52:16.MUSIC Did that sound like the song? Not
:52:16. > :52:26.very - anything? Yeah, it sounds like it, yes. That's my song.
:52:26. > :52:26.
:52:26. > :52:36.That's your song? Are you sure? What was it? Lady Gaga, Romance.
:52:36. > :52:41.
:52:41. > :52:46.MUSIC When the band appeared, I was
:52:46. > :52:50.amazed. No idea how they got in this It was all the way around no,
:52:50. > :52:54.idea how they got in. I didn't think it would happen. When they
:52:54. > :52:56.started playing my tune, I was like, what, really? I have no idea how
:52:56. > :53:06.the band got there. It was amazing. MUSIC
:53:06. > :53:13.
:53:13. > :53:17.They've only got one trick each left before their fate is decided,
:53:17. > :53:20.so please pick up the phone and vote for your favourite. This is
:53:20. > :53:25.the last time you'll see these numbers on your screen. Make a note
:53:25. > :53:35.of them. The votes will close in approximately ten minutes after
:53:35. > :53:42.
:53:42. > :53:52.everybody has performed. Here come Three, two, one, stab it. I have a
:53:52. > :54:05.
:54:05. > :54:10.I am not taking anymore chances. I have no more fingers. Rrr! Whoa!
:54:10. > :54:20.Strike up the band! I have no idea how the band got
:54:20. > :54:20.
:54:20. > :54:23.Calls cost 15p from a BT landline. Other networks may vary. Calls from
:54:23. > :54:24.mobiles may be considerably more. Please get the bill payer's
:54:24. > :54:29.permission. For full terms and conditions visit
:54:29. > :54:33.bbc.co.uk/magicians. Everyone looking very nervous backstage. We
:54:33. > :54:37.all know why. The celebrities could be sushi very soon if they lose.
:54:37. > :54:44.Next up, get ready to play along at home. We're ready here in the
:54:44. > :54:48.studio. It's live, close-up magic and their last chance to impress
:54:48. > :54:52.you with magic. It's Latimer and the Hoff. Thank you. Everyone in
:54:52. > :54:56.the audience, this is your time to pull out those four cards we
:54:56. > :55:01.provided you with. Everybody at home, make sure everybody has four
:55:01. > :55:05.cards - it doesn't matter what type of cards or what faces they are, as
:55:05. > :55:08.long as they're playing cards and face down in your hand. Place your
:55:08. > :55:12.other hand on top of them. I am going to go over a few moves to
:55:12. > :55:15.make sure everybody is clear on what we need to do. This is a
:55:15. > :55:21.mathematical trick with an element of chance no-one can predict unless
:55:21. > :55:27.you're David Hasselhoff. Hoff! that in mind, the first one is to
:55:27. > :55:30.take the top card and to turn - no. Keep your hands together. Take the
:55:30. > :55:34.first one, turn it over, place it back on top. That's the first move
:55:34. > :55:39.I would ask you to do. The second would be to take the top two cards
:55:39. > :55:43.together, turn them over and place them back on top. They're going to
:55:43. > :55:45.be different cards that are face up and down after we make a bunch of
:55:45. > :55:49.choice, but as long as you grab them together, turn them over and
:55:49. > :55:53.place them back on top, everything would be great. The last move is to
:55:53. > :55:57.cut the cards. That means take as many cards as you want from the top
:55:57. > :56:00.and put them back on the bottom. You can take as many cards as you
:56:00. > :56:05.like as long as you take them from the top and move them to the bottom.
:56:05. > :56:10.Don't push them together or flip the cards over as you do that.
:56:10. > :56:13.Everybody clear? Great. With the cards all face down - make sure
:56:13. > :56:18.they're face down at the beginning. Shuffle all the cards face down,
:56:18. > :56:22.OK? Square them together, place them in your hand, ready to go.
:56:22. > :56:29.You have them in your hand. Take them with your other hand, turn
:56:29. > :56:34.them around and look at the bottom card. Now, remember that card. That
:56:34. > :56:39.is your card at home and in the audience. Got it in your heads? Now
:56:39. > :56:43.turn the cards over and place them back in your hand. OK. Here we go.
:56:43. > :56:47.Take the top card, place it directly to the bottom of the
:56:47. > :56:53.packet. Take the next top card. Turn it over and place it back on
:56:53. > :56:57.top. Now cut as many cards as you like from the top and put them
:56:57. > :57:03.directly to the bottom. Now, take the top two cards together, turn
:57:03. > :57:10.them over together and place them back on top. And cut the cards as
:57:11. > :57:17.deep as you like. Now take the top two cards together, turn them over,
:57:17. > :57:27.place them back on top and cut the cards as deep as you'd like. Now
:57:27. > :57:32.take your index finger and place it choices. You have different choices.
:57:32. > :57:39.You could have cut everywhere. Now using the powers of the Hoff, we'll
:57:39. > :57:44.find that card. "hoff, Hoff, Hoff!" Take the top card, turn it over and
:57:44. > :57:49.put it underneath the other cards. Take the next top card. Do not turn
:57:49. > :57:54.it over and put it on the bottom of the other cards (Mystical voice)
:57:54. > :57:57.Take the next top card, turn it over and put it on the top. Hoff is
:57:58. > :58:02.done. LAUGHTER
:58:02. > :58:06.Spread out those cards. There will be one card facing the opposite
:58:06. > :58:08.direction than the other cards. Pull out that card. If that's your
:58:08. > :58:16.card at home or in the audience, stand up.
:58:16. > :58:23.APPLAUSE Whoa, yeah, baby! Thank you. That's
:58:23. > :58:28.a world record, and you're all a part of it. Woo-hoo! I did it! I'm
:58:28. > :58:32.magic! I'm magic. That was amazing. That is well done. Very well done,
:58:32. > :58:36.and this one better be pretty special too if they want to avoid
:58:36. > :58:46.the chop. It's street magic time with Pete and Julia.
:58:46. > :58:55.
:58:55. > :59:00.It's busy. Yeah. Hello. Sorry. I'm going to be really rude. Can I
:59:00. > :59:06.steal one of you? Come on. Promise you, it will be fine.
:59:06. > :59:12.What's your name? Robin. You're happy to be our victim - I mean
:59:12. > :59:17.volunteer? Yeah. Do a bit of furniture removal. He taught me
:59:17. > :59:21.this magic. What I want you to do is push against my hands, push,
:59:21. > :59:27.push, really, really do that. can try this yourself at home. All
:59:28. > :59:33.you need is a wall or door frame to push against. If you don't, where
:59:33. > :59:36.are you watching this? Relax. Let your arm go down. Let your arm go
:59:36. > :59:40.down, and I think you'll feel quite naturally it's just going to start
:59:40. > :59:46.to rise. You should try that. It's brilliant. You didn't just put your
:59:46. > :59:53.arm back up, did you? No, it's really light. It feels like it's
:59:53. > :59:57.floating like a balloon? Yeah. Magic fingers! I taught you well.
:59:57. > :00:01.You did, ObiWan Kenobi. I'll use a few more people to help. Can you
:00:01. > :00:05.come around the back? Would that be all right? You're close. Just come
:00:05. > :00:09.around the back here. Fantastic. Just get yourself around here -
:00:09. > :00:15.absolutely fantastic. That's great. I am going to pick you up, Robin.
:00:15. > :00:19.Is that all right? Good thing she's petite. Guys, if you could help me
:00:19. > :00:23.- Julia, you support her head. Excellent. You just grab below her
:00:23. > :00:28.knees. Got you, Robin. It's OK. don't have to hold on to me. We
:00:28. > :00:32.have you. Put your hands on your chest. OK. Imagine all your muscles
:00:32. > :00:35.in your body tensing up. Do that now and relax. Imagine yourself
:00:35. > :00:40.getting lighter and lighter. That's excellent, really good. If you
:00:40. > :00:45.could just sort of peel away slowly - that's great, excellent. And if
:00:45. > :00:51.you could do the same thing, I've got you. I won't let you go.
:00:51. > :00:54.I'm just going to let this arm leave and this as well. If you
:00:54. > :01:01.could slowly let go... No, no, no, no. It's all right. It's OK.
:01:01. > :01:05.Remember the feeling of your arm. Hold on. There we go. There we go.
:01:05. > :01:10.I can actually push down on your body. Do you feel all right?
:01:10. > :01:15.feels a bit weird. I'll just put your upright. You were absolutely
:01:15. > :01:25.sensational. Feel all right? A bit lightheaded? No, I am OK. Giveler a
:01:25. > :01:29.
:01:29. > :01:35.I'm having a light ale! Suddenly she was able to float in the air
:01:35. > :01:39.and there was no support whatsoever. I don't know how he did it. I don't
:01:39. > :01:47.have to explain it. I have never seen that before in my life.
:01:47. > :01:52.APPLAUSE So, we have come to the final performance of the night.
:01:52. > :01:57.The phone lines will close in five minutes, just after the Live Grand
:01:57. > :02:07.Illusion. Please give it up for the amazing Barry, the wonderful Stuart
:02:07. > :02:11.and Craig. Thank you. The last -- for the last
:02:11. > :02:15.illusion of the evening, we thought we were do something dangerous,
:02:15. > :02:21.something which has killed 12 men. Your magic is dangerous so I
:02:21. > :02:25.decided to make it more fun. I thought if the trip went well we
:02:25. > :02:35.could blow on these wonderful party Blair was. Like a celebration at
:02:35. > :02:35.
:02:35. > :02:44.the end? Yes. I can live with that. Ladies and Gentlemen, marvel at the
:02:44. > :02:50.colossal which is the French That killed 12 men? How my supposed
:02:50. > :02:54.to get my head inside that? He is not your head that is going in
:02:54. > :03:00.there. It is the small version of the full-size one which we will get
:03:00. > :03:04.to in a minute. Let's explain what is going to happen. Imagine my
:03:04. > :03:12.finger is Craig Revel Horwood. Let me make a couple of adjustments
:03:12. > :03:20.first. Strike a pose. A perfect likeness! Now it is perfect.
:03:20. > :03:24.Fabulous, darling! So I place my head in the guillotine. The short
:03:25. > :03:31.blade should penetrate through the finger, hopefully without harm. I
:03:31. > :03:39.will release it after three. Three, two, one. There we go. Completely
:03:39. > :03:47.unharmed! The Blades goes through my neck, I take an enormous bow,
:03:47. > :03:54.darling and we have to celebrate on -- by blowing on our part to blows.
:03:54. > :04:03.I am ready to go. Ladies and gentlemen, I give you Madame
:04:03. > :04:11.guillotine! This is the one that killed 12 men. Let me get you into
:04:11. > :04:16.the stocks. I am concerned about a safety device. Craig, but we are
:04:16. > :04:22.live. Remember the secret safety button. Press at once, it is safe,
:04:22. > :04:29.press it again, dangerous. I will say Barry, are you ready? He will
:04:29. > :04:35.say... Yes, all set. The new press the button and make it safe.
:04:35. > :04:40.would rather it was safe from the start. This razor-sharp but Blade
:04:40. > :04:45.is very sharp and very dangerous. Despite that, it should pass
:04:45. > :04:53.straight through Craig's neck without harm. Let me ready the
:04:53. > :05:03.Blades. Are you set? Ready. Let's count down from three. 3, 2,...
:05:03. > :05:04.
:05:04. > :05:11.stop, stop, stop! I forgot my party... Party blower! How could
:05:11. > :05:21.you forget the party blower? Let me place that in between your lips
:05:21. > :05:43.
:05:43. > :05:52.there. Are you ready? All set, Barry & Stuart with Craig,
:05:52. > :05:59.everybody! What has it been like working with Craig this week?
:05:59. > :06:04.has done all right. How was the neck? I swallowed a party blower,
:06:04. > :06:09.darling. A stitch in time, they say. How did you find everything
:06:09. > :06:15.tonight? I found it absolutely amazing. So nerve-racking. I think
:06:15. > :06:18.the audience at home must have seen me shaking. You survived death
:06:18. > :06:24.multiple times. You were the one being dredged and not doing the
:06:24. > :06:30.dredging this week. Yes, I don't like that -- being judged and not
:06:30. > :06:35.doing the dredging. David Hasselhoff, singer, actor, judge,
:06:35. > :06:39.can we had magician now? Working with Latimer has been great and all
:06:39. > :06:49.you guys. Being behind the scenes I have been welcomed into a secret
:06:49. > :06:49.
:06:49. > :06:54.world of magic. He has been great. Has Julia done enough? I hope so.
:06:54. > :06:59.We tried our best, that is all we can give. We are about to find out.
:06:59. > :07:03.We have now seen all our acts performed their tricks. The phone
:07:03. > :07:07.lines are now closed. Please stop calling because your vote will not
:07:07. > :07:14.count and you may be charged. While we are tallying up the votes, we
:07:14. > :07:17.have a special guest for you. He is one of the stars of Cirque de los -
:07:17. > :07:20.- Cirque du Soleil and The Magicians in Sweden. Please put
:07:20. > :07:30.your hands together for Michael Halvarson and his glamourous
:07:30. > :07:38.
:07:38. > :07:45.I have not done this before. I like that lady, the blonde. Put your
:07:45. > :07:52.hand up. Can you please stand up. That is perfect. Get a microphone
:07:52. > :07:59.on you. And you need one other person. What is your name? Helen.
:07:59. > :08:09.Please stand up, Helen. We will get a microphone on Helen. Thank you.
:08:09. > :08:10.
:08:10. > :08:18.My name is Michael. You are Helen and this is Debbie. Please stand
:08:18. > :08:23.over here. Just relax. We have not met before, have we? Know. No.
:08:23. > :08:28.here to check your attention. To do that, you do not need to be
:08:28. > :08:33.frightened. It is very easy. I have a yellow ball. This is very easy
:08:33. > :08:43.because if we take this yellow ball, put it into my hand, I blow and it
:08:43. > :08:44.
:08:44. > :08:51.disappears. Hold your horses. It reappears over here. It will be
:08:51. > :08:59.better. I will show you. I want you to hold out your hands like this.
:08:59. > :09:06.Super-duper. I want you to hold this ball in this hand. I want you
:09:06. > :09:12.to hold it up like that, even better. No, not bad. If you hold it
:09:12. > :09:17.like this, you can feel the ball. can. If you hold it tight like that,
:09:17. > :09:24.you know here is the ball. Hold it tight and neck sure you have the
:09:24. > :09:31.ball. I have the ball. Hold it tight. I want you to do the same
:09:31. > :09:37.thing. Did you see what she did? Hold out your hands. Great. Because,
:09:37. > :09:47.also, I have a second ball. And this one, I want you to hold a be
:09:47. > :09:49.
:09:49. > :09:57.here. Hold at high and can you see she holds that? Hold it exactly
:09:57. > :10:05.like that. That is perfect. I will show you something which you will
:10:05. > :10:13.What I am going to show you is the best trick I know. I will make a
:10:13. > :10:19.bad ball travel from here to here by magic. At the same time, I will
:10:19. > :10:29.let that ball travel in the opposite direction. Hold your
:10:29. > :10:33.
:10:33. > :10:40.horses. Open your hands. And they have changed places! I love this
:10:40. > :10:46.trip myself. But, this time, I want you once more to do exactly as they
:10:46. > :10:52.do. Hold out your hands like this and do like I did. Bend your left
:10:52. > :10:59.arm, bend your right arm. Look down on your hands and say it after me:
:10:59. > :11:08.I cannot believe it's true. I will remember this for the rest of my
:11:08. > :11:18.life. Because I can't believe he took my watch. Oh, my God! He took
:11:18. > :11:26.
:11:27. > :11:36.my watch. Is it right? I am so amazed. That was amazing. This is
:11:37. > :11:40.
:11:40. > :11:48.great, Darren. Bring in there were. -- bring it lower. I get it. This
:11:48. > :11:55.bag, actually, I will not touch this. If you open the bag, can you
:11:55. > :12:05.find something, reach inside. What is it that you can find?
:12:05. > :12:06.
:12:06. > :12:15.watches. Yes. This one is yours and this one is yours. Oh, my God, yes.
:12:15. > :12:25.That is amazing. Thank you very much. Thank you very much. Michael
:12:25. > :12:31.
:12:31. > :12:38.OK, it is forfeit time, folks. Can I have the results, please? Here
:12:38. > :12:45.they come. Thank you, gorgeous. OK. I can now reveal the act with the
:12:45. > :12:55.most votes tonight and definitely safe from performing the forfeit,
:12:55. > :12:56.
:12:56. > :13:03.it is making me nervous just talking about it is... Barry &
:13:03. > :13:11.Stuart and Craig again! Of yes! your hands together for the
:13:11. > :13:16.winners! CHEERING AND APPLAUSE The act with
:13:16. > :13:24.the fewest votes who will now be walking barefoot over razor-sharp
:13:24. > :13:34.swords and have to face the terrifying samurai slice is...
:13:34. > :13:43.
:13:43. > :13:48.It is anathema and the Hoff! -- What happened? I don't know! Maybe
:13:48. > :13:53.they just want to see more of year. These guys will say goodbye to
:13:53. > :14:00.their loved ones. We will remind you at home what they will attempt.
:14:00. > :14:05.Here it is. The samurai sword is renowned for
:14:05. > :14:13.having the sharpest blade in the world. In tonight's forfeit, the
:14:13. > :14:18.losing act must walk barefooted up eight Samurai sword for ladder.
:14:18. > :14:25.They will lie on a bed of swords. A melon will be placed on their
:14:25. > :14:30.stomach and a source -- swordsman will attempt to slice it. That does
:14:30. > :14:34.not look fun at all. In no circumstances should you attempt
:14:34. > :14:38.these at home. They are very dangerous. I will show you how
:14:38. > :14:48.sharp these things are here. Is what they will be walking up with
:14:48. > :14:49.
:14:50. > :14:55.Then they will have to live over here. They will be lying on them.
:14:55. > :15:05.Finally, they will be sliced and diced with this guy and this sort
:15:05. > :15:07.
:15:07. > :15:17.here. Very, very, very sharp indeed. I need you in your position. I want
:15:17. > :15:24.
:15:24. > :15:28.to see you did this. We are doing Guys, you have to pay attention.
:15:28. > :15:32.Whatever you do, just listen to everything Latimer says here. If
:15:32. > :15:36.you don't, it could be very, very dangerous. You have seen they're
:15:36. > :15:44.incredibly sharp. I am going to throw over to you, Latimer. Take it
:15:44. > :15:47.away. David, for this one - this one is very simple -
:15:47. > :15:52.SHOUTING Hold on one second. I want to make
:15:52. > :15:56.sure your foot is evenly spaced across the blades. One, that would
:15:56. > :16:00.be bad. Three, that's better. I guarantee you, it will not be
:16:00. > :16:05.comfortable, but make sure it's spread across all blades. It will
:16:05. > :16:08.not be comfortable. I know. Make sure your foot goes flat across all
:16:08. > :16:18.the blades. Ready? Oh, yeah. foot at a time, all right?
:16:18. > :16:26.
:16:26. > :16:33.the blade. Wow! Got it? On three - one - are you guys excited?
:16:33. > :16:43.AUDIENCE: YEAH! It hurts already. Hoff, off.
:16:43. > :17:02.
:17:02. > :17:11.on, Hoff. Come on, Hoff! AUDIENCE: Hoff, Hoff, Hoff!
:17:11. > :17:17.I can't do it. Give me a hand. Ahhh! Whoa! Last one. Come on. And
:17:17. > :17:27.the other one. Just go straight to the end. Wow. Go all the way to the
:17:27. > :17:36.
:17:36. > :17:39.end. Ahh! Whoa! Whoa! I'm never going to do that again. Never again.
:17:39. > :17:47.Woo! Same thing as before, just a little
:17:47. > :17:54.bit bigger. All right? Same thing. Spread out your body... Yeah.
:17:54. > :17:59.means basically from your knees to your elbow across the blades. Keep
:17:59. > :18:06.your body stiff until laid down, then gentle when you're on the
:18:06. > :18:12.blades, OK? Stiff and then be gentle?! And relax when they're
:18:12. > :18:18.there. How do your feet feel? very good. Wait until your back is
:18:19. > :18:28.done with this one. Stiff, then relaxed. OK. Ahh! Ahh! Ahh! All
:18:29. > :18:37.
:18:37. > :18:41.right. All right. Thank you. sliced Hoff! Ahh! Wow. I'm going to
:18:41. > :18:47.go. Ready. Well, he's not that big - that's
:18:47. > :18:51.easy for you, dude. Come on. Man, sliced Hoff. All right. Now,
:18:51. > :18:56.there's a couple more instructions, but I am going to wait until you're
:18:56. > :19:01.perfectly on the blades. there's more. When do you guys stop
:19:01. > :19:08.working out? Just kidding! So what do I - I come here, lay back? Just
:19:08. > :19:15.fall in your arms? APPLAUSE
:19:15. > :19:24.AUDIENCE: Hoff, Hoff, Hoff!
:19:24. > :19:28.Ow! Where are my hands? Right down here? Whoa! Oh, joy! Hoff? Hoff?
:19:28. > :19:35.thought I liked working with you, dude. It has been a pleasure, first
:19:35. > :19:41.of all. OK, guys, guys, just what I need you to do - don't block that
:19:41. > :19:47.blade... Oh, my God! The blade they're going to... Three, two -
:19:47. > :19:54.one. Oh! Come on, man. I'm trying to bring Knight Rider back. Whoa!
:19:54. > :20:04.Keep your hands still, David. hi, how are you? Good, man. Do me a
:20:04. > :20:08.