:00:09. > :00:14.Right now we are making the last minute preparations for the
:00:14. > :00:18.Magicians - Live! Our audience have arrived. Hello! APPLAUSE Now time
:00:18. > :00:23.for our celebrities to find out what this week's forfeit is. So far,
:00:23. > :00:30.we have seen Keith Duffy with a mouthful of molten metal, the Hoff
:00:30. > :00:37.take on the Samurai sword and Mel Giedroyc squashed on a bed of nails.
:00:37. > :00:43.Tonight, Tina hobby, Myleene Klass and Adam Woodyatt -- Tina Hobley,
:00:43. > :00:50.Myleene Klass and Adam Woodyatt join me. You guys ready to find
:00:50. > :00:56.out? Turn around. Unleash the beast! It is the glass walk and
:00:56. > :01:00.stone smash. Yes! You will have to walk barefoot across a razor-sharp
:01:00. > :01:06.sea of broken glass. That is not all. Once you reach the middle here,
:01:06. > :01:13.you will have this concrete block placed on your head and smashed
:01:13. > :01:18.with a sledgehammer. Literally a head-to-toe nightmare! Who will win
:01:18. > :01:28.and who will take on that at the end of this show? You decide, folks.
:01:28. > :01:49.
:01:49. > :01:54.Welcome to the Magicians. We are Live from Shepperton Studios,
:01:54. > :02:00.please welcome your host, Darren McMullen and the Magicians.
:02:00. > :02:08.APPLAUSE They have the shock factor - it is Barry and Stuart. America's
:02:08. > :02:16.best-kept secret, until now, it is the awesome Latimer. He's hypnotic,
:02:16. > :02:22.he's hilarious, he's Pete Firman. APPLAUSE How are you, Shepperton?
:02:22. > :02:29.CHEERING Brilliant. Welcome to the Magicians. Prepared to be dazzled
:02:29. > :02:36.by these gents behind me as they take you on a magical masterclass.
:02:36. > :02:40.As always, our magicians will be joined by a Celebrity Apprentice in
:02:40. > :02:47.an attempt to win your vote and avoid tonight's death-defying
:02:47. > :02:53.forfeit. First, let's meet tonight's brave celebrities.
:02:53. > :03:03.Joining Barry and Stuart all the way from Holby City, it is the
:03:03. > :03:04.
:03:04. > :03:12.wonderful Tina Hobley. APPLAUSE With Latimer, she is a Klassy lady,
:03:12. > :03:19.the lovely Myleene Klass. APPLAUSE And pairing up with Pete Firman, it
:03:19. > :03:28.is EastEnders legend, Adam Woodyatt. APPLAUSE This is the Magicians -
:03:28. > :03:31.Live! All these folks on stage are here to impress the pants off you.
:03:31. > :03:36.They will have four tricks to do it. Two of those trick also be
:03:36. > :03:40.performed here in the studio. The team with the lowest number of
:03:40. > :03:46.votes will have to take on tonight's death-defying forfeit.
:03:46. > :03:50.AUDIENCE: Wooh! It is pretty bad. It is the ultimate walk of pain
:03:50. > :03:58.followed by horrendous hammerhead stunt. I wouldn't suggest losing
:03:58. > :04:02.tonight, guys, it could go pear- shaped. Are you ready? Yes. Yes.
:04:02. > :04:07.Yes. You ready out there? AUDIENCE: Yes! Great. Let the
:04:07. > :04:17.competition begin. Up first, doing their thing and trying to win your
:04:17. > :04:18.
:04:19. > :04:22.vote, it is Barry and Stuart with Sorry, ladies and gentlemen, what's
:04:22. > :04:28.happened here is death. Last week we didn't win... We almost killed
:04:28. > :04:32.somebody as well. It is live TV and anything can happen. Hello. This
:04:32. > :04:36.week we have some more dangerous props, but Tina is medically
:04:37. > :04:44.trained? Right? You probably know me best from walking the wards on
:04:45. > :04:49.Holby. How does that feel? Good. Tina is one of our most glamorous
:04:49. > :04:53.assistants. You would expect us to be doing some nice things with her.
:04:53. > :04:58.That is what we are not going to do. We will be playing a cold-blooded
:04:58. > :05:02.guessing game. They are light on details, these boys. We have had
:05:02. > :05:06.first, seconds. We need to halt the decline. They have let me into
:05:06. > :05:13.their world. I don't want to let them down. The forfeit? It is not
:05:13. > :05:17.going to happen. I don't do losing! APPLAUSE Barry and Stuart have yet
:05:17. > :05:20.to face a forfeit. Tina is hoping they will keep their lucky streak
:05:20. > :05:30.alive. Please put your hands together for Barry and Stuart with
:05:30. > :05:32.
:05:32. > :05:36.Thank you. Tonight, we are going to attempt to do something amazing.
:05:36. > :05:41.will get into the red box. We are going to transport Tina into this
:05:41. > :05:44.blue box over here under totally impossible conditions. To make the
:05:44. > :05:50.conditions impossible, we will need the help of some people from the
:05:50. > :05:57.audience. What about you, you, you and you? These guys. Come up the
:05:57. > :06:02.steps. The audience will give you a warm hand as you make your way up.
:06:02. > :06:05.APPLAUSE Thank you. You were sat at the front, it was inevitable! We
:06:05. > :06:12.have to ask a very important question. Are any of you recording
:06:12. > :06:19.this to watch it later? A couple. Turn to camera two, give it a way.
:06:19. > :06:23.You are waving at your future self! If you are not, don't worry. This
:06:23. > :06:29.show will be available for the next seven days on the BBC iPlayer. We
:06:29. > :06:33.gave you all blindfolds when you came up. Put them over your head.
:06:33. > :06:36.You will be the guardians of the red box. We do need two people. If
:06:36. > :06:42.you and you could follow me, we want you to guard the back and the
:06:42. > :06:48.side of the box. There are black footprints. Step on to those and
:06:48. > :06:52.put your hands on the red handprints. Perfect. Your job will
:06:52. > :06:56.be different. There are footprints on the ledge. Can you stand up
:06:57. > :07:01.there? You will be the guardian of the top of the box. Many people
:07:01. > :07:06.think that we use trapdoors. That is not the case. The next guardian,
:07:06. > :07:12.if you could get underneath the box, there are two red handprints
:07:12. > :07:18.underneath. We have swept under there! You will be the guardian of
:07:18. > :07:28.the front. But Tina needs to get inside. In you get there. I knew
:07:28. > :07:31.you would get me into a big black box. Those are your footprints,
:07:32. > :07:38.those are your handprints. You are the guardian of the front of the
:07:38. > :07:44.red box. It is now completely impossible to get Tina... That's
:07:44. > :07:53.me! From this red box into that blue box over there. If Tina does
:07:53. > :07:57.arrive, she will blow on this special whistle we call the thistle
:07:57. > :08:04.whistle! We want you not to see it just yet so pull your blindfolds
:08:04. > :08:08.over your eyes and put your hands back on the box. Do that now.
:08:08. > :08:15.is going to be a trick for you, guys. We would never ever lie to
:08:15. > :08:19.you. Tina, how is it? Dark. The guy on the side, you have that
:08:19. > :08:22.blindfold on and you have your hands on the side of the box. You
:08:22. > :08:31.are protecting that side of the box right there. Everything fine? You
:08:31. > :08:36.are the King of the guardians. There is no way Tina would be able
:08:36. > :08:40.to get out of the box. The person at the front, we want you to shake
:08:40. > :08:44.Tina's hand. You will reach through and take Tina's hand. Shake her
:08:44. > :08:50.hand. Feel her soft, smooth, feminine skin and place your hand
:08:50. > :08:55.back on the front. The guy at the side, the King of the Guardians.
:08:55. > :09:02.Your hands are on the side of the box. Nothing fishy going on at all.
:09:02. > :09:07.We trust you with the crown jewels! In a minute, if you hear that
:09:07. > :09:11.thistle whistle we need you to pull your blindfolds off. WHISTLE What
:09:11. > :09:16.you are about to see will make no sense. When you watch this back
:09:16. > :09:22.later, it will amaze you. This has not just been a trick for five
:09:22. > :09:31.people, this has been a trick for everybody watching at home.
:09:31. > :09:41.APPLAUSE She is there! There's Tina. Have a seat. Tina! APPLAUSE Thank
:09:41. > :09:46.you. Please have a seat. Wow! Did you like that?
:09:46. > :09:49.AUDIENCE: Yes! That was special. Myleene, how nervous are you
:09:49. > :09:55.tonight about going live with these tricks? Very nervous. I know that
:09:55. > :09:59.Jason won last year. He did. don't want to ruin his run. I have
:09:59. > :10:04.been trying really hard. I have a magical injury. A magical injury?
:10:04. > :10:11.Have you been putting her through her paces? Yes. We went for it this
:10:11. > :10:17.week. It took a lot of trust, on both parts, to make this happen. I
:10:17. > :10:27.am excited. Guys, she has a magical injury. Let's see if Myleene has
:10:27. > :10:27.
:10:27. > :10:31.the magical touch. Here they are. How you doing? This is my shop of
:10:31. > :10:34.magic. I'm Myleene Klass. You probably know me best as a TV
:10:34. > :10:40.presenter. I'm doing the show because I want to find out how the
:10:40. > :10:44.magic works behind the magic. week was great. The act with the
:10:44. > :10:49.most vote is Latimer... It might only be a winning streak of one,
:10:49. > :10:52.but it is still a winning streak. We will re-live some musical
:10:52. > :10:57.memories. Close-up magic. We will be doing a magic trick with one
:10:57. > :11:05.card. How long can you hold your breath? Jason has told me he
:11:05. > :11:09.doesn't like losing. He wants to win. How did I do? You drowned! I
:11:09. > :11:19.want Barry and Stuart and Pete to bring it! I will not make it easy.
:11:19. > :11:32.
:11:32. > :11:36.APPLAUSE Thank you, ladies and gentlemen,
:11:36. > :11:40.for joining us. Today we will do one of the most amazing escapes in
:11:40. > :11:45.the history of magic. We will be handcuffed together, placed in a
:11:45. > :11:52.sack, locked in a cage and then lowered into that freezing-cold
:11:52. > :11:56.water from which we somehow have to try and escape. Houdini tried
:11:56. > :12:00.almost the same effect. He still managed to get out in four minutes.
:12:00. > :12:05.Today, we will try to beat that record because we can't hold our
:12:05. > :12:09.breath for four minutes. We have a clock that will countdown from two
:12:09. > :12:14.minutes. We have emergency divers, an emergency boat and a rescue
:12:14. > :12:22.ambulance, but nobody came here to get rescued. You ready? Ready.
:12:22. > :12:28.everybody else ready? AUDIENCE: Yes! Let's do this. This
:12:28. > :12:35.is a set of handcuffs that will restrain the wrist movement. This
:12:35. > :12:45.restrains arm movement. This is my favourite part of the show.
:12:45. > :12:45.
:12:45. > :15:07.Apology for the loss of subtitles for 141 seconds
:15:07. > :15:12.Surprise, everybody! Thank you so APPLAUSE
:15:12. > :15:16.That was an amazing trick. Please never try that at home. Latimer has
:15:16. > :15:22.another amazing location trick next week with Phil Tufnell. It will be
:15:22. > :15:25.taking place in an art gallery. It starts tomorrow at 2.00pm. So go to
:15:25. > :15:31.bbc.co.uk/magicians and all the details are there. Ladies and
:15:31. > :15:36.gentlemen, Pete and Adam. APPLAUSE How are you? Very well. Thanks for
:15:36. > :15:41.popping on. Pleasure. Pete is still yet to get a win. Could you be his
:15:41. > :15:46.lucky charm? I hope so. He really hopes so. He's not been enjoying
:15:46. > :15:54.these forfeits. Looking at what they showed us earlier, I have been
:15:54. > :15:58.a bit blase... You are nervous now? Yes! Sledgehammer, no. What have
:15:58. > :16:01.you got for us? You remember Barry and Stuart did that water to wine
:16:01. > :16:05.thing, which was awesome. I thought I would keep it on the drinking
:16:05. > :16:11.theme. We will use more than one drink this week. That is the plan.
:16:11. > :16:19.OK. Let's have a look with their first trick of the evening shortly.
:16:19. > :16:28.Let's look at what they have been getting up to behind-the-scenes.
:16:28. > :16:34.Welcome to my magical lair. probably know me best as the lovely
:16:34. > :16:44.Ian Beale in EastEnders. Mel last week, fantastic. Didn't moan once.
:16:44. > :16:49.
:16:49. > :16:55.I squealed like a girl! Argh! I am sore. Barry and Stuart and Latimer,
:16:55. > :17:00.step aside. There is a new gun in town. This is the outfit. Whose?
:17:00. > :17:09.Yours! I haven't done all this work with Pete to end up doing the
:17:09. > :17:14.forfeit. I would rather do the forfeit! APPLAUSE Try to avoid that
:17:14. > :17:19.horrendous forfeit tonight, please clap your hands and stamp your feet
:17:19. > :17:23.for Pete and Adam, everybody. APPLAUSE That is very nice. Thank
:17:24. > :17:29.you very much. Wow! That is great. Adam, you will really like this
:17:29. > :17:35.next one. Hopefully. With you being the landlord on EastEnders, I
:17:35. > :17:40.thought we could re-create the Queen Vic. I'm - my character is
:17:40. > :17:46.not the landlord. I've got the chippy. Can't do magic with fried
:17:46. > :17:53.food. I have prepared a drinks trick. You know what this is?
:17:53. > :17:55.That is an orange juice carton. This is my pension right here! This
:17:55. > :18:02.will revolutionise the drinks industry. Doesn't matter what you
:18:02. > :18:11.put in it, you can get anything you like out of it. What you doing?
:18:11. > :18:15.Says concentrate! LAUGHTER No, no! No. Save it! Exactly. If you are
:18:15. > :18:19.not together, it looks like sympathy! I will fill it up with
:18:19. > :18:25.this. I love orange juice. Every morning, when I get up after I
:18:25. > :18:31.Google myself I pour a large glass of freshly-squeezed orange juice.
:18:31. > :18:41.The lady down there, with the cardigan, grab that glass. He won't
:18:41. > :18:41.
:18:41. > :18:47.bite. This is delicious. Have a sip of that. Freeshly-squeezed between
:18:47. > :18:53.-- freshly-squeezed between Pete's thighs this morning! That is why
:18:53. > :18:57.there's bits in it! After my orange juice, I had my cereal. You can't
:18:57. > :19:07.put orange juice on to that. You need another drink - milk. Ladies
:19:07. > :19:08.
:19:08. > :19:13.and gentlemen, that is milk. Look, Adam, look, it's passed your eyes!
:19:13. > :19:19.I can turn it into any drink I want? Whatever you want. What is
:19:19. > :19:24.your favourite thing? I like chocolate milk. Think it and it
:19:24. > :19:32.will come. Chocolate milk, chocolate... Got a sweet tooth?
:19:32. > :19:38.Show them. Look at that. APPLAUSE That is clever, mate. What do you
:19:38. > :19:43.want to do now? Something refreshing. We don't have to have
:19:43. > :19:53.that cold shower again, do we? In the park, what I like to have is
:19:53. > :19:56.
:19:56. > :20:05.this, a cloudy lemonade. APPLAUSE What's next? We have milk, milk,
:20:05. > :20:10.lemonade, round the corner... Cranberry juice! APPLAUSE I am
:20:10. > :20:16.taking requests. Any drink you like I will pour? I'm getting worried
:20:16. > :20:26.about that glass and sledgehammer, so I would like a nice glass of
:20:26. > :20:27.
:20:27. > :20:36.wine? There you go. Pete, I meant it. I am getting worried about that
:20:36. > :20:44.forfeit, so I really do want a glass of wine. That's not bad.
:20:44. > :20:51.that. Let's distribute them. Would you like to try one of the drinks?
:20:51. > :20:59.Grab whatever you fancy. Want the coke, the milk? You can have the
:20:59. > :21:05.wine. Any ID? Want the chocolate milk? Are they what they say they
:21:06. > :21:11.are? That is cranberry juice. Taste it. Is that a decent wine?
:21:11. > :21:15.Fantastic. The best thing about these cartons is they cost nothing
:21:15. > :21:20.because friends, there is nothing to find. If I tear it up, there are
:21:20. > :21:24.no gadgets, no moving parts, there is nothing at all, it is just
:21:24. > :21:34.cardboard. You can have that! APPLAUSE A souvenir. I have one
:21:34. > :21:40.
:21:40. > :21:47.more thing to say - get out of my pub! APPLAUSE Brilliant. I loved
:21:47. > :21:50.that. Pete and Adam are coming to my 30th! The acts have performed
:21:50. > :21:54.their first trick each which means the phone lines are now open for
:21:54. > :21:59.you at home to stop your favourite celebrity and magician walking on
:21:59. > :22:09.broken glass. You need to pick up the phone and save them. The
:22:09. > :22:14.
:22:14. > :22:20.The calls will cost 15p from a BT landline. Calls will be much more
:22:20. > :22:29.from mobiles. For full terms and conditions, please go to
:22:29. > :22:32.bbc.co.uk/magicians. Plenty more coming your way. Here is a quick
:22:32. > :22:36.look. Will Barry and Stuart and Tina's House of Horrors get your
:22:37. > :22:43.vote? To try and escape the forfeit, Latimer and Myleene perform a
:22:43. > :22:53.miracle on ice. Pete and Adam employ some shock tactics of their
:22:53. > :22:54.
:22:54. > :22:58.own as they go out to impress. APPLAUSE It's the lovely Tina
:22:58. > :23:03.Hobley and Barry and Stuart, everybody. APPLAUSE Welcome. How
:23:03. > :23:11.are you? All right. You went for the nice approach last week. Nice
:23:11. > :23:15.guys finish second. Kids, listen up, be nasty! So you going to flip
:23:15. > :23:20.things again tonight? We will mix it up. We will be nasty this week.
:23:20. > :23:25.We have some devious things. have. Dark and sinister things.
:23:25. > :23:29.can't lose. No! Have you had a concrete block on your head before?
:23:30. > :23:35.No. It is not great. The pressure of doing live magic - and I don't
:23:35. > :23:39.want to let these guys down. They have two wins under their belt. We
:23:39. > :23:49.will see what happens later on. Now taking their blend of magic to the
:23:49. > :23:58.
:23:58. > :24:04.street, it is Barry and Stuart with I don't think anyone can be our
:24:04. > :24:12.frog. Only the person who can predict the future can be a frog.
:24:12. > :24:22.Who wants to get involved? Would you like to be the frog? Do you
:24:22. > :24:24.
:24:24. > :24:29.like frogs? Beat the frog! Don't be shy. Here he is. He is an evil
:24:29. > :24:36.genius. He is a master of hiding. He can hide anywhere. The idea is
:24:36. > :24:46.this. You have to guess which hand the frog is in, left or the right?
:24:46. > :24:50.
:24:50. > :24:55.This hand. He is not there or over here. Because... Oh! That is a
:24:55. > :25:01.victory to the frog. Frog 6 people 0. The rules are simple. All you
:25:01. > :25:10.have to do is guess which hand the frog is in. That one. It's not in
:25:10. > :25:20.that one. It's not in that one. That is because the frog is
:25:20. > :25:22.
:25:22. > :25:32.actually... That is vile! It is not in this hand. It is in my... Is he
:25:32. > :25:35.
:25:35. > :25:40.real? Urgh! You have to decide which hand the frog is in? Right or
:25:40. > :25:50.left? Which one? He is not there. He is not even here. That is
:25:50. > :25:52.
:25:52. > :26:01.because the frog is... Urgh! lose, guys. He's won every time!
:26:01. > :26:09.my God! 32 to the frog, people 0. We have done our job. Let's go.
:26:09. > :26:15.APPLAUSE Yeah, I would say Barry and Stuart are back to their ole'
:26:15. > :26:18.self. Please do not try that at home. Frogs were not harmed during
:26:18. > :26:21.the making of that. You know what time it is?
:26:21. > :26:26.AUDIENCE: No. Do you know what time it is?
:26:26. > :26:35.AUDIENCE: No! It is magic time. Now, with their first live trick of the
:26:35. > :26:41.evening, put your hands together for Latimer and Myleene. APPLAUSE
:26:41. > :26:47.Thank you. Thank you. Tonight, we are going to do a card trick under
:26:47. > :26:51.impossible conditions. We will use the entire audience to find one
:26:51. > :26:55.card. That's right. Here we have made a prediction. No-one is going
:26:55. > :27:00.to touch that prediction. However, we will find a card, in fact we
:27:00. > :27:04.will make a card together but I will need somebody's help. Who is
:27:05. > :27:12.feeling particularly helpful? You look very helpful. The girl in the
:27:12. > :27:18.pink. You have a friendly face. What is your name? Amy. Up you come.
:27:18. > :27:24.Give her a round of applause. APPLAUSE You are looking very
:27:24. > :27:28.helpful. I will give you some bits to hold. Put your arms out. Perfect.
:27:28. > :27:35.There you go. Excellent. Step forward a little bit. I will use
:27:35. > :27:38.one of these, this is a T-shirt. I am putting this in my randomiser.
:27:38. > :27:44.This allows me to find random people in the audience. I need a
:27:44. > :27:51.direction. I need you to go that way, that way or THAT way! Your
:27:51. > :28:01.choice. That way? All right. Somebody catch it. Well done. Stand
:28:01. > :28:07.
:28:07. > :28:14.up. Up you get. That T-shirt says colour? What colour? Red. Thank you.
:28:15. > :28:21.Now, next one is suit. That way, that way or that way? Over there.
:28:21. > :28:25.Here we go. Well caught. Stand up, please. Up you stand. Thank you.
:28:25. > :28:35.You have to choose a suit, so bearing in mind we have gone with
:28:35. > :28:35.
:28:35. > :28:45.red, diamonds or hearts? Diamonds. We need a value. One more direction.
:28:45. > :28:53.That way, that way or that way? Which way? Straight ahead. Over
:28:53. > :29:02.there? OK. There we go. Stand up, please. We need you to
:29:02. > :29:08.choose a value. Anything from ace through to King. Eight. Thank you
:29:08. > :29:18.very much. Lovely. Amy, thank you very much. Give her a round of
:29:18. > :29:20.
:29:20. > :29:26.applause. APPLAUSE Well done. Thank you, Amy. Thank you. Thank you. Now,
:29:26. > :29:32.we made a prediction before the show. Let's review what you guys
:29:32. > :29:37.have put together. So we went for red, then we chose diamonds for the
:29:37. > :29:44.suit and the value is eight. So we are looking for the eight of
:29:44. > :29:54.diamonds. OK. So the question is have we got it right? Inside this
:29:54. > :30:14.
:30:14. > :30:24.box is one card. Can you see that? That is how you do it. Amy. That's
:30:24. > :30:28.for you. Well done. APPLAUSE A great trick and he didn't manage to
:30:28. > :30:37.take anyone's eye out! Looking for his first win of the series, with
:30:37. > :30:42.their location grand illusion, it is Pete and Adam. I am quite
:30:42. > :30:49.excited. Today I get to do one of my famous card tricks. You all
:30:49. > :30:58.right? What you doing? What's the deal? I got the car. The car trick!
:30:58. > :31:03.No, it is a card trick! Card trick, playing cards. Card trick. Oh. What
:31:03. > :31:09.about these? Crikey! You have brought the whole deck then? Yes. I
:31:09. > :31:16.got 52 cars and put a playing card on the roof of every car. We have a
:31:16. > :31:24.different card on every car. Let me show you. Now, grab that corner,
:31:25. > :31:28.pull very carefully. I see. We have the joker. Each of those has a
:31:28. > :31:32.different value? So we have 52 different cards. I have some people
:31:32. > :31:39.over there. Let's do something. Don't fancy getting that off later.
:31:39. > :31:43.Hello, there. Can you help out with something? Yes. What is your name?
:31:43. > :31:48.Anne. Charlie. I have a pack of cards here. I want you to have a
:31:48. > :31:56.look at these. They are all different. That is the way these
:31:56. > :32:03.things are made. I will shuffle the cards. Adam, shuffle the cars!
:32:03. > :32:13.Watch this! Ladies and gentlemen, start your engines and shuffle.
:32:13. > :32:15.
:32:15. > :32:20.Carefully! No, very carefully! HORNS SOUND Park yourselves up.
:32:20. > :32:28.Without hitting each other. Lovely. Just like the M25 on a Friday
:32:28. > :32:32.night! Well done. Right, there you go, Pete. I'm only here! Anne,
:32:33. > :32:38.select one of these cards. Touch the back of any one. Touch the back
:32:38. > :32:43.of a card. That one there? Yes. Would you take that and don't look
:32:43. > :32:49.at it. Hold it between your palms. Very good. You could have had any
:32:49. > :32:54.one of these cards. We need to... You are coming with me. What you
:32:54. > :32:59.have to do is choose a car! On top of all these is a different playing
:32:59. > :33:05.card. It is your choice. Which ever one you want. We are a bit short,
:33:05. > :33:11.we might struggle with that one! This one. This one here? Yes.
:33:12. > :33:15.want this one here? Yes. In you get. Stay with that. If you could
:33:15. > :33:23.negotiate your way over there? I will try and shove them out of the
:33:23. > :33:32.way. Got one, Pete! Back a bit. You come in here. You go in there. Come
:33:32. > :33:37.on, then. Mind that Jag. That is nice, that. Where you going?
:33:37. > :33:46.LAUGHTER Don't let anyone tamper with that car. They have picked a
:33:46. > :33:52.car and you have been holding on to that playing card. Would you turn
:33:52. > :34:02.it face-up? That is a three of clubs. Charlie could have picked
:34:02. > :34:14.
:34:14. > :34:19.any car. So, if you could peel the Anne, you can see all of the cards
:34:19. > :34:28.are different. Let's see what Charlie got. You all sorted? Yes.
:34:28. > :34:38.We are looking for the three of clubs here. Here it comes. Did it
:34:38. > :34:40.
:34:40. > :34:50.work? Keep pulling. Have a good look! APPLAUSE It's a perfect
:34:50. > :34:58.
:34:58. > :35:05.match! Unbelievable. I don't know how he did it! Pete, that was
:35:05. > :35:15.impressive. Thank you. You want to impress them? Get that lot back in
:35:15. > :35:15.
:35:15. > :35:22.the box! APPLAUSE We are at the half-way mark now. All our acts
:35:22. > :35:26.have performed two tricks each. They have two tricks left to
:35:26. > :35:36.impress you, guys. Only you at home can save them. Here come the
:35:36. > :35:43.
:35:43. > :35:50.Calls will cost 15p from a BT landline. Calls from mobiles will
:35:50. > :35:54.cost much more. Now, it is time for some more live close-up magic. Keep
:35:54. > :36:04.your eyes peeled in the studio and put your hands together for Barry
:36:04. > :36:05.
:36:05. > :36:10.and Stuart with Tina. APPLAUSE Thank you. Now, people often ask us
:36:10. > :36:16.is it possible for you to use your magical skills to attract the
:36:16. > :36:26.ladies? I can say honestly that I would never ever do such a thing.
:36:26. > :36:26.
:36:26. > :36:30.But Barry here, he does. Lonely, mysterious male, magician, late 20s,
:36:30. > :36:37.early 20s, seeks lady for magical fun. Here comes a lady now, a
:36:37. > :36:44.beautiful and famous lady. APPLAUSE This is seduction using magic 101
:36:44. > :36:50.or how to get chicks using tricks! Picture the scene, you are in a bar,
:36:50. > :36:56.intro deuce yourself -- introduce yourself in a sophisticated
:36:56. > :37:01.manner... Hello? I have already ordered. Tell her something
:37:01. > :37:08.interesting about yourself? I like to draw balls. Golf balls, tennis
:37:08. > :37:12.balls, footballs. You are an oddball! It is going great. She is
:37:12. > :37:16.interested. Time to bring out the big guns. Get your drawing pads and
:37:17. > :37:24.show her your trick. You know, I can draw a perfectly geometric
:37:24. > :37:29.circle without the aid of a compass. Watch. That is rubbish! It's a
:37:29. > :37:35.meatball. She is not impressed. Women love a man with a sense of
:37:35. > :37:42.humour. Zoe Ball! What a kick in the... Bowling ball. It looks like
:37:42. > :37:49.a bowling ball. No matter what your date says, she is h always right.
:37:49. > :37:56.That is my favourite type of ball. Really is. I'm not into sketches, I
:37:56. > :38:06.prefer sculptures. OK. Maybe you would like something more 3D.
:38:06. > :38:29.
:38:29. > :38:33.Strike! APPLAUSE Brilliant. Great stuff. Maybe it
:38:33. > :38:43.saved them from the forfeit tonight. Let's see if they can be outdone
:38:43. > :38:56.
:38:56. > :39:02.now with some street magic from Your name was? Sam. We will do a
:39:02. > :39:09.card trick that is going to blow your mind. You thinking of a card?
:39:09. > :39:13.Yes. OK. What card are you thinking of? Two of diamonds. There it is.
:39:13. > :39:19.Go ahead and pull that card out. will make it unique to you with the
:39:19. > :39:28.help of this wand. We will get you to sign your name across the card.
:39:28. > :39:33.Sign your name across the card. I hold your hand? Yes. Now I will
:39:33. > :39:39.take this card, I will give it one cut into the pack of cards, all
:39:39. > :39:46.right? One cut. Myleene, take off the gloves. My turn now! This is
:39:46. > :39:50.what I have been training for. will not touch any... There we go.
:39:50. > :39:59.Jason has trained me to be able to snap my fingers and bring your card
:39:59. > :40:09.to the top of the pile. OK? Here we go. Apprentice in action. That is
:40:09. > :40:18.your card. No. They are laughing. Don't worry. Check the top section.
:40:18. > :40:28.Any of those? No. OK. Top half? Shout if you see your card. Shout
:40:28. > :40:32.loud! No. You haven't seen the card at all? Not there. She has made the
:40:32. > :40:36.card vanish! Wow! We should bring the card back. Shall we bring the
:40:36. > :40:42.card back? Yes. Place your hands like this. Snap on the count of
:40:42. > :40:52.three. One, two, three. Did you feel that? You know, I think the
:40:52. > :40:54.
:40:54. > :40:59.card is back. Let's have a look. my God! What did you see? Is it
:40:59. > :41:09.underneath the ice? Is that your card? That is my card. That is my
:41:09. > :41:19.name and two of diamonds. Go ahead. Knock it out. There you go. Oh my
:41:19. > :41:24.
:41:24. > :41:28.God. That is my card. That is my card. Wow! That is insane. APPLAUSE
:41:28. > :41:32.Well done to Latimer there. Sorry to everyone that tripped over that
:41:33. > :41:36.big hole in the ice! Next up we are coming back live with a grand
:41:36. > :41:40.illusion in the studio. I have seen them backstage, they are very
:41:40. > :41:46.nervous about this, folks. Make sure you give them a big round of
:41:46. > :41:56.applause here. Don't adjust your sets, it is not Seigfried and Roy,
:41:56. > :41:56.
:41:56. > :44:27.Apology for the loss of subtitles for 141 seconds
:44:27. > :44:34.it is Firman and Woodyatt, everyone. # Where have all the good men gone
:44:34. > :44:44.# Where's the street-wise Hercules # To fight the rising odds
:44:44. > :44:48.# Isn't there a white knight... # # Late at night I toss and I turn
:44:48. > :44:53.# And I dream of what I need # I need a hero
:44:53. > :44:58.# I'm holding out for a hero # Till the end of the night
:44:58. > :45:03.#''s got to be strong # He's got to be fast
:45:03. > :45:12.# He's got to be fresh from the fight. #
:45:12. > :45:22.APPLAUSE # He's got to be larger-than-life
:45:22. > :45:36.
:45:36. > :45:46.# Somewhere after midnight # In my wildest fantasy... #
:45:46. > :45:49.
:45:49. > :45:55.# I need a hero! # APPLAUSE
:45:55. > :46:05.Oh, Pete and Adam. Would you look at that? Amazing. That is just the
:46:05. > :46:06.
:46:06. > :46:13.suits! Wow! You are a bit out of breath? Yes. I couldn't contain the
:46:13. > :46:20.belt! Shouldn't have had that extra sandwich before! Wasn't he great?
:46:20. > :46:29.APPLAUSE You have pulled out all the stops this week. I have been
:46:29. > :46:32.practising my lunge all week. acts have one trick left to save
:46:32. > :46:36.themselves from walking on broken glass and having a concrete block
:46:36. > :46:46.smashed on their head. The vote lines will close in ten minutes.
:46:46. > :46:58.
:46:58. > :47:03.If you don't like sketches, maybe you would like something more 3D?
:47:03. > :47:11.you would like something more 3D? You ready? To save Latimer and
:47:11. > :47:21.Myleene, add 02. That way, that way or that way? Over there. Here we go.
:47:21. > :47:22.
:47:22. > :47:32.Oh my God! And to save Pete and Adam, add 03. Unbelievable. Milk,
:47:32. > :47:39.
:47:39. > :47:44.milk, round the corner... Cranberry Calls cost 15p from a BT landline.
:47:44. > :47:49.Other networks may vary. Please get the bill payer's permission. Full
:47:49. > :47:52.terms and conditions are at bbc.co.uk/magicians. OK, there you
:47:52. > :47:56.go. Get it done. It is time to get back into the magic. This trick
:47:56. > :48:01.happened in the dark so we will be using night-vision cameras to
:48:01. > :48:11.capture the action. It is the spooky Barry and Stuart with Tina
:48:11. > :48:19.
:48:19. > :48:24.Tonight, we will do a very different grand illusion. We have
:48:24. > :48:27.arranged for people who believe in ghosts to come and meet us at this
:48:27. > :48:31.disused hospital. They don't know we are magicians. They think they
:48:31. > :48:36.are taking part in a ghost hunting show where Tina is our celebrity
:48:36. > :48:41.guest. There is one twist - we don't believe in ghosts. We will
:48:41. > :48:51.use our magic to make it look like we have made contact but not with a
:48:51. > :48:57.
:48:57. > :49:03.spirit, with Santa Claus. Ho, ho, Thanks for coming along today.
:49:03. > :49:07.are joined by Tina Hobley from Holby City. The reason we are in
:49:07. > :49:12.this hospital is that the patients claim there was a man that would
:49:13. > :49:17.visit them every winter at the same time. They said he would bring a
:49:17. > :49:22.delivery. The man had a big beard and... I'm getting something. I am
:49:22. > :49:32.seeing this man. He's got long fingernails. They gave him the
:49:32. > :49:34.
:49:34. > :49:38.nickname Nails. No, it is not Nails. It is Claws! We are trying to find
:49:38. > :49:44.Claws. We will move deeper into the building. We will do something
:49:44. > :49:49.which might seem unorthodox. You might have had they would use
:49:49. > :49:53.garlic to ward off vampires. I have here a root vegetable, we will use
:49:53. > :49:59.this carrot. What I would like you to do - I would like you to place
:49:59. > :50:09.it inside your pocket. Let's move deep into the building. If you
:50:09. > :50:10.
:50:10. > :50:20.could follow us? To bring Claws to us they would leave him an offering,
:50:20. > :50:24.a glass of milk. We have a bell. am going to give you this bell. Try
:50:24. > :50:29.and keep it as still as you can. Chris, I will give you this glass
:50:29. > :50:35.of milk. I want you - you can keep your glove on. Tina, call out to
:50:35. > :50:42.any spirits and ask them to touch somebody in the room. If there are
:50:42. > :50:50.any spirits, please could you make yourself present. I felt something
:50:50. > :50:56.on my neck. What was it like? A touch? Like a sharp sort of feeling.
:50:56. > :51:06.Like a nail? Possibly. You were holding on to the carrot. Could you
:51:06. > :51:08.
:51:08. > :51:18.take it out of your pocket? It has not gone bad? It has. Itz's gone
:51:18. > :51:24.all -- It's gone all... The milk... It is going down here. Don't move.
:51:24. > :51:27.Claws wants to talk to one of us. The patient watched them while he
:51:28. > :51:35.was sleeping. He could tell who was naughty and nice. We will see if he
:51:35. > :51:44.wants to talk to anyone who has been naughty right now. Argh!
:51:44. > :51:53.God! Did you move your hand? didn't do anything! I felt my arm
:51:53. > :52:00.being grabbed away. I swear on my life. Where's Barry? I don't know.
:52:00. > :52:07.Barry?! Where's Barry gone? Barry! Barry! Claws must have taken him.
:52:07. > :52:13.Let's go down this way. I feel that we should. Tina, if you could go
:52:13. > :52:22.ahead of us? This is the last place where Claws was seen. Claws, if you
:52:22. > :52:32.are here, please make yourself known to us now. Argh! Tina! Guys,
:52:32. > :52:42.run! Run! Ho, ho, ho. # You better watch out
:52:42. > :52:43.
:52:43. > :52:53.# Santa Claus is coming to town. # It's going down here. I felt
:52:53. > :53:02.something on my arm. I felt the bell move. Argh! It made me jump.
:53:02. > :53:06.It was all going off. I'm glad I'm going home soon! APPLAUSE Just when
:53:06. > :53:10.you thought those guys couldn't get any darker, they managed to make
:53:10. > :53:16.Christmas creepy as well. This next pair have been roaming around
:53:16. > :53:26.Leamington Spa, this is their last trick for the night. With their
:53:26. > :53:31.
:53:31. > :53:36.street magic, it is Pete and Adam. You will get your shoes wet! Get
:53:36. > :53:43.them. Hello. Can I stop you? Can I show you a quick trick? Come in a
:53:43. > :53:47.bit closer. What is your name? Fiona. Sophie. Would you do me a
:53:47. > :53:52.favour? We haven't got a table - I want this to be seen. Would you
:53:52. > :53:58.hold on to this box? I have a few things inside. I have a pack of
:53:58. > :54:04.cards, Adam. Sorry. And I have a pad and a pen and I will write down
:54:04. > :54:11.a prediction. You can't see this. Can I see it? Yes. We are the dream
:54:11. > :54:17.team! Am I your assistant? course! I am going to fold up this
:54:17. > :54:23.prediction. Don't peep at it, drop it in the empty box. It is empty?
:54:23. > :54:28.Yes. There is a catch there. Do it up. Lovely. That is great. Adam has
:54:28. > :54:34.a pack of cards. On this pack of cards, Pete has written the names
:54:34. > :54:40.of 52 different animals. There's different animals every card. You
:54:40. > :54:44.hold them. Can you shuffle? Give us your best shuffle. We won't
:54:44. > :54:47.laugh. That's fine. Hold them face- down and I want you to cut half of
:54:47. > :54:51.the cards off with the other hand. You will have to make a decision in
:54:51. > :55:01.a moment of half of those cards that you want to eliminate. It is a
:55:01. > :55:10.big choice. What are you going to do? He's off EastEnders! I like it!
:55:10. > :55:14.You like it? It was a winner. Which one? This one. Keep that. It is the
:55:14. > :55:17.BBC! These are the cards that you wanted to use. I will spread
:55:17. > :55:23.through. I don't want you to take a card. Just touch the back of any
:55:23. > :55:27.card that you like. Touch one. one. OK. Could you hold your hand
:55:27. > :55:32.out like a table? I want you to take this card. You could have had
:55:32. > :55:36.a pig, or a shark, or a goat. Those would have been the cards you
:55:36. > :55:42.picked. You chose this card. Turn it over so the camera can see what
:55:42. > :55:47.animal you have selected. You have chosen rat. If you hold on to that,
:55:47. > :55:57.Adam? Yes. Could you open the box, take out the piece of paper, unfold
:55:57. > :55:59.
:55:59. > :56:04.it and show the paper to the camera. Argh! I don't like rats. It was
:56:04. > :56:08.alive. I don't know where it came from. It was empty. It was empty.
:56:08. > :56:18.Then there was a rat in it. She has a huge phobia of rats. Horrible. I
:56:18. > :56:26.
:56:26. > :56:30.don't know how he did that! Magic! We have only one more trick left in
:56:30. > :56:35.tonight's competition, folks. The phone lines will be closing in five
:56:35. > :56:44.minutes. You guys think you have done all you can? Think so. Tina
:56:44. > :56:49.has been great. Latimer and Myleene have one last chance to work their
:56:50. > :56:59.magic. Closing out our competition with their grand illusion, please
:57:00. > :57:06.
:57:06. > :57:11.give them a round of applause, This one is for the memories of the
:57:11. > :57:17.one that got away. For whatever reason, you couldn't stay. And it
:57:17. > :57:27.doesn't matter how much magic I do, it's not the same without you.
:57:27. > :57:27.
:57:27. > :59:55.Apology for the loss of subtitles for 141 seconds
:59:55. > :00:03.MUSIC: Without You Come on over. One more time for
:00:03. > :00:05.Latimer and Myleene, everyone! APPLAUSE You guys didn't want to
:00:06. > :00:10.come over. You looked quite comfortable over there. How was
:00:10. > :00:18.that? Was that a dream come true learning some magic? Everybody
:00:18. > :00:25.wants to know how to make people disappear. Now I know how to do it,
:00:25. > :00:30.my husband better watch out! was it done? Magicians never tell
:00:31. > :00:37.secret. You are in the Circle now! You always do the lovely romantic
:00:37. > :00:41.stuff. He is a softie. No, working with Myleene is a dream come true.
:00:41. > :00:47.Magic! Any minute now, Tina, you could be doing that forfeit. How
:00:47. > :00:53.are you feeling? Nervous. How do you feel about walking on glass?
:00:53. > :01:03.I'm not doing it! You sure? Hope not. Do you think you have done
:01:03. > :01:03.
:01:03. > :01:09.enough? I hope so. I had mouth-to- mouth. Frogs... In your mouth.
:01:09. > :01:16.know. Pete, did the big old school of Vegas... One more for the road.
:01:16. > :01:22.We pulled out all the stops. I hope we have done enough. Garageling
:01:22. > :01:26.molten metal, you have been -- Gargling by melten metal, you have
:01:26. > :01:31.been squashed. This must be your night? He is getting worried.
:01:31. > :01:36.one is safe. You have a bit of sweat coming up? I was running
:01:36. > :01:41.around. Cut him some slack! That was exercise for me! That was a
:01:41. > :01:46.quick costume change. OK, that is it. That is all. The phone lines
:01:46. > :01:49.have closed. If you do call, your vote won't count and you may be
:01:49. > :01:53.charged. We will be finding out shortly who will be facing
:01:53. > :01:56.tonight's forfeit. While the votes are counted, it is time to enjoy
:01:56. > :01:59.some show-stopping magic with a difference. They have come from
:01:59. > :02:04.Vegas especially to be here tonight. It is some old school magic
:02:04. > :02:14.performed by the best in the world. Put your hands together for David
:02:14. > :02:14.
:02:14. > :05:15.Apology for the loss of subtitles for 141 seconds
:05:15. > :05:20.I wish I could have done that tonight! Well done. Great trick.
:05:20. > :05:24.Time to get serious and find out who is facing the walk of pain and
:05:24. > :05:34.the stone smash. Your votes have been counted and verified. Legs,
:05:34. > :05:39.can I have the results, please? Wooh! OK. I can now reveal to
:05:39. > :05:49.everyone at home and in here the act with the most votes and
:05:49. > :05:57.
:05:57. > :06:05.definitely safe from performing the forfeit this week is... Pete and
:06:05. > :06:11.Adam! Yes! Congratulations, guys. Thank you! Some great tricks from
:06:11. > :06:16.them. OK. Between Myleene and Latimer and Barry and Stuart and
:06:17. > :06:21.Tina. I will now reveal the act with the fewest votes tonight who
:06:21. > :06:31.will have to endure walking on broken glass and the horrendous
:06:31. > :06:38.
:06:38. > :06:47.stone smash is... Latimer and Myleene. Sorry, guys. Oh, man!
:06:47. > :06:54.poor thing. Unlucky, my man. I wore the wrong frock! How you feeling?
:06:54. > :06:57.Made up(!) Oh my God! Brilliant. While you grab yourself together, I
:06:57. > :07:06.need a volunteer from the audience. I will remind everyone at home
:07:06. > :07:13.about the horror that is moments away for these two. Tonight's
:07:13. > :07:18.deadly forfeit will see the losing act walk barefoot across a pit
:07:18. > :07:22.filled with razor-sharp shards of glass. Once across the glass, a
:07:22. > :07:26.stone block will be placed on their head and smashed with a
:07:26. > :07:36.sledgehammer. Will they be able to control mind over matter? Or will
:07:36. > :07:38.
:07:38. > :07:46.they bottle it? APPLAUSE Under no circumstances, should you attempt
:07:46. > :07:49.any of these forfeits at home. What is your name? Michael. I want you
:07:49. > :07:58.to verify for everyone this is in fact a real bottle and that is real
:07:58. > :08:02.glass? Real glass. If you want to grab this bottle here, OK, hold it
:08:02. > :08:09.with the top of one hand and hold it against there and take the
:08:09. > :08:18.hammer and give it a smash. Very good. If you want to take that
:08:18. > :08:26.glass and throw it in there. You happy? Real glass. Thank you for
:08:26. > :08:35.your help. Take your seat. Thanks for that(!) APPLAUSE There's no
:08:35. > :08:45.shoes, no gloves, Latimer, watch that glass behind you. Watch that
:08:45. > :08:50.
:08:50. > :08:56.aside, concentrate on everything Latimer says. One slip, it could be
:08:56. > :09:02.fatal. Latimer, it is up to you. You will take her across the broken
:09:02. > :09:06.glass and then you will place concrete block on your head and the
:09:06. > :09:12.sledgehammer will smash the block on your head. Take it away. OK. I
:09:12. > :09:20.wish I could say there is a trick to this one. There is not. It has
:09:20. > :09:23.to do with you staying as relaxed as possible. You really have to
:09:23. > :09:28.gently go down. I know my mum is freaking out watching this right
:09:28. > :09:35.now! The last thing you want to do is panic. Just like the cage, just
:09:35. > :09:44.relax, cold and controlled steps. We will put one foot down, but keep
:09:44. > :09:54.the weight on the back foot. Feel free to adjust. Just... Now?
:09:54. > :09:57.
:09:57. > :10:07.ahead. Slowly. Come on. Come on, Come on. Keep the weight on the
:10:07. > :10:08.
:10:08. > :10:18.back foot. All right. APPLAUSE we are going to slowly increase the
:10:18. > :10:26.
:10:26. > :10:36.weight on the foot. All right? It is not a race. You are doing great,
:10:36. > :10:43.
:10:43. > :10:53.Myleene. Stay focused. AUDIENCE: Come on, Myleene! You can
:10:53. > :10:58.
:10:58. > :11:05.CHEERING AND APPLAUSE Come on, Myleene! You did great.
:11:05. > :11:13.That was horrible. It's a walk in the park! Oh God! I can't believe I
:11:13. > :11:18.did that. For this one, we are going to go -ly go first. OK(!)
:11:18. > :11:24.LAUGHTER It is very important. It is about staying in control. It is
:11:24. > :11:29.a sledgehammer. HE is in control! What I want you to do is not move.
:11:29. > :11:39.OK? He is going to be swinging a sledgehammer, you do not move. I
:11:39. > :11:39.
:11:39. > :11:49.want you to stand upright. Are we ready? Got that balanced on there?
:11:49. > :12:16.
:12:16. > :12:26.Here we go. Here we go. Oh my God! Oh my God! Trust me. OK. Here we go.
:12:26. > :12:41.
:12:41. > :12:51.Down or up? Hang on, do I go down? Balance it on your head. Got it?
:12:51. > :13:02.
:13:02. > :13:09.Stay relaxed. Don't move. Stay still. Oh my God! Argh! OK. Argh!
:13:09. > :13:19.APPLAUSE Give her a round of applause. That
:13:19. > :13:25.
:13:25. > :13:28.Come on down. Oh my God! Well done. Big round of applause! How was
:13:28. > :13:34.that? APPLAUSE That was the most horrible forfeit I have seen so far.
:13:34. > :13:39.What was going through your head? sledgehammer! LAUGHTER Take two
:13:39. > :13:46.seconds before that happened, how were you feeling? If he misses, or
:13:46. > :13:52.what if I'm not listening, am I up, am I down? It was quite heavy, too?
:13:53. > :13:58.Yes. That is the first time you have done it? Yes. You are right.
:13:58. > :14:02.Oh my God! I need to ring my mum! LAUGHTER I am sure she was watching.
:14:02. > :14:11.Great end to the show. There is plenty more next week. Have a look
:14:11. > :14:18.at this. Next time on the Magicians, more mind-bending magic as Arlene
:14:18. > :14:24.Phillips, Phil Tufnell and John and Greg from MasterChef compete for
:14:24. > :14:29.your votes liech. Who will im-- live. Who will impress? Who will
:14:29. > :14:35.face the forfeit? Don't miss it. 7.15pm next Saturday. That is all
:14:35. > :14:39.next week. If you want to be part of Latimer's grand illusion with
:14:39. > :14:45.Phil Tufnell, go to bbc.co.uk/magicians. It is kicking
:14:46. > :14:50.off tomorrow at 2.00pm. Big thank you to all our celebrities and the
:14:50. > :14:56.magicians. Massive thank you to you guys, guys n the studio. Next week