:00:17. > :00:20.Tonight on The Magicians Phil Tufnell, Arlene Phillips and
:00:20. > :00:26.Masterchef's John and Gregg will be competing for your votes to avoid
:00:26. > :00:33.tonight's death defying forfeit. The audience has arrived. We're
:00:33. > :00:35.about to reveal the horrific forfeit that lies in store for our
:00:35. > :00:38.celebrites. So far we've seen Keith Duffy swallow fire, The Hoff walk
:00:38. > :00:41.on swords, Mel Giedroyc sandwiched in a bed of nails. Last week
:00:41. > :00:44.Myleene Klass had a concrete block smashed on her head. Are you ready
:00:44. > :00:51.to see what it's in store for you? Have a look at this. There you go.
:00:51. > :00:57.Yes. You will become target practice for this guy. He will be
:00:57. > :01:07.attempting to shoot this apple off your head. No. Did I mention, he's
:01:07. > :01:07.
:01:07. > :01:17.going to do it Wyles spinning. Yeah No, no. Don't lose your head,
:01:17. > :01:39.
:01:39. > :01:44.guys. It's The Magicians, live! Live from Shepperton Studios,
:01:44. > :01:50.please welcome your host, Darren McMullen and The Magicians. The
:01:50. > :02:00.sinister Scottish duo, Barry and Staurt. The LA master of magic,
:02:00. > :02:04.
:02:05. > :02:08.Latimer. The hocus-pocus hero, Pete How are you Shepperton? Welcome to
:02:08. > :02:12.The Magicians. We have deception, danger and drama here tonight as we
:02:12. > :02:17.take you on a magical mystery tour that Houdini himself would have
:02:17. > :02:21.been impressed by. Each week our magician are joined by a celebrity
:02:21. > :02:28.apprentice am they will perform four tricks in an attempt to win
:02:28. > :02:34.your votes and avoid tonight's down right Dane rouse forfeit. Let's
:02:34. > :02:41.meet tonight's brave celebrites. Joining Barry and Staurt it's
:02:41. > :02:50.MasterChef maestros, John Torode and Gregg Wallace. With Latimer,
:02:50. > :02:57.it's cricketer, TV host and all round nice guy, Phil Tufnell.
:02:57. > :03:07.Partnering Pete Firman, it's dance diva, Arlene Phillips.
:03:07. > :03:11.CHEERING AND APPLAUSE This is The Magicians, live! Gets
:03:11. > :03:14.louder every week. Celebrity and magician alike will be giving it
:03:14. > :03:18.everything we have tonight in order to impress you at home. They have
:03:18. > :03:22.four tricks to do that. Two of which will be performed live, right
:03:22. > :03:26.here in the studio. The team with the lowest number of votes at the
:03:27. > :03:33.end of the show will have to face their fierce, and take on the death
:03:33. > :03:37.defying forfeit. I thought you might say that. Pretty sure you are
:03:37. > :03:44.over the moon at the thought of an arrow being fired at your head
:03:44. > :03:51.tonight, aren't you? No. Not at all? I don't don't blame you. Are
:03:51. > :03:58.you ready for it? Probably not. Are you ready to watch it? YES! Let the
:03:58. > :04:08.competition begin. Up first, hoping to waltz their way to victory, last
:04:08. > :04:10.
:04:10. > :04:13.week's winner, Pete, with Arlene Phillips. We got one. We got one.
:04:13. > :04:22.Congrat laitions to Pete, she dressing like a man again. I'm
:04:22. > :04:29.proud of him. I tasted it on Saturday. It was sweet! I'm Arlene
:04:29. > :04:36.Phillips a choreographer of West End shows and sometimes TV judge.
:04:36. > :04:43.think we will be good. I'm looking for a second week. I prefer to wore
:04:43. > :04:48.the frock. Barry and Staurt should do a forfeit. It's only fair. We
:04:49. > :04:54.will have all the fun of fair and pin a tail on a donkey. Sounds
:04:54. > :04:58.fabulous. I want to learn how to do card tricks and make people
:04:58. > :05:03.disappear. Keep your eye on my banana. I will cover it with the
:05:03. > :05:12.cloth. I say the words, just like that, it disappears. If twun is
:05:12. > :05:16.ready to take me on as a trainee, I'll be there. It's very simple...
:05:16. > :05:19.He got his first win last week, can Arlene make it two on the trot?
:05:19. > :05:26.With their live grand illusion, please give a big round of applause,
:05:26. > :05:33.everybody, for Pete and Arlene. APPLAUSE
:05:33. > :05:38.That's very nice. That's very nice. Thank you. I don't know if you saw
:05:38. > :05:42.the show last week, you are working with the reigning champion tonight.
:05:42. > :05:47.Pete, I'm honoured to be working with such a star. I don't like to
:05:47. > :05:53.go on about these things, have I shown you my trophy? It's a darts
:05:53. > :06:03.trophy. Darts? Yes. The fellow in the shop said they were magic wands.
:06:03. > :06:05.
:06:05. > :06:12.I've been had. I'm demanding excellence tonight. I'm glad you
:06:12. > :06:17.put your faith in me, I want to get it right. One problem. I have never
:06:17. > :06:27.been a magician's assistant before. It doesn't matter. You need to be
:06:27. > :06:33.swift and fast. I'm talking fast like lightning. You have to a pa
:06:33. > :06:43.zaz. Like this? Like this that, but good. I will put you through your
:06:43. > :06:44.
:06:44. > :06:48.paces. I have with me this evening a magical do-jo. Let me tell you
:06:48. > :06:54.there is always room for improvement. That is the spirit,
:06:54. > :07:04.get in the box. Come on Arlene, get up on there. Swing your leg in
:07:04. > :07:10.there. That's it. Don't peak too soon. Down into the box, Arlene.
:07:10. > :07:14.Every corner. I'm trying. I need to get my leg around my neck. She's
:07:14. > :07:18.game. To be honest, I didn't know that was possible. That's
:07:18. > :07:23.impressive. I will close the top doors. It may get dark. Put your
:07:23. > :07:33.hands out the top. So everyone can see. Very good. Ordinarily, ladies
:07:33. > :07:38.and gentlemen, I would thrust, I'm saying, it a number of razor
:07:38. > :07:44.stainless steel swords into the box. Because it's your first day on the
:07:44. > :07:51.job I will cut you some slack, I will shove a broom handle in your
:07:51. > :07:55.face. Can I have a broom, please? No, save it. The ending of this is
:07:55. > :08:01.very weak. Now, look, Arlene I'm coming at you from the side. Your
:08:01. > :08:07.job is to get out of the way. Pete, let me know when you're going
:08:07. > :08:14.to. Ahhh. You handled the first one, I think you can handle the second.
:08:14. > :08:18.Can I have another broom, please? Hilarious. This one is coming in
:08:18. > :08:24.from an an adjacent angle. Do be careful. The last thing you want is
:08:24. > :08:29.a broom handle in your... Can I come out of the box now? We've only
:08:30. > :08:38.just started. This is the beginning. We will test to see if you can get
:08:38. > :08:42.into a really small space. Brace your self Arlene, 3, 2, 1. How
:08:42. > :08:48.about that ladies and gentlemen? Stop, stop, I think she can go all
:08:48. > :08:58.the way now. Breathe in, Arlene. Just like that. Ladies and
:08:58. > :09:02.
:09:02. > :09:12.gentlemen, faster than a speeding bullet, my student, Arlene Phillips.
:09:12. > :09:13.
:09:13. > :09:17.That was amazing. Amazing. You're messing with my mind. How did that
:09:18. > :09:22.happen? MacMagic. That was pretty good, wasn't it? John and Gregg and
:09:22. > :09:26.Barry and Stuart everybody. APPLAUSE
:09:26. > :09:31.You had some of the best fun you had in your life shooting this
:09:31. > :09:35.show? For me, really what is excite being magic what you are seeing
:09:35. > :09:40.next is one of the most exciting things I've done in my life. What
:09:40. > :09:46.is even better, I still don't know how it worked. I've no idea how it
:09:46. > :09:51.worked. For me, thrilling, but extraordinary. The magic is still
:09:51. > :09:54.alive. You guys are currently on the leaderboard with two wins. If
:09:54. > :10:00.you win tonight you have wrapped up the series, no-one can beat you.
:10:00. > :10:05.What will you do to see that happens? Everybody at home can take
:10:05. > :10:11.part. Grab a camera or camera phone, you will be asked to take a photo
:10:11. > :10:15.graph of your TV screens. Get your phones out at home. Let's see how
:10:15. > :10:23.John and Gregg got on performing the location grand illusion with
:10:23. > :10:29.Barry and Staurt. Hello, guys. Welcome to the secret warehouse.
:10:29. > :10:33.I'm John. I'm Gregg. We are best- known for putting people through
:10:33. > :10:38.the mincer on MasterChef. Make sure we win. I don't want to do the
:10:38. > :10:43.forfeit. Really. We haven't done magic before, this is scary.
:10:43. > :10:51.will drop in unsuspecting members of the public. Proving when it
:10:51. > :10:56.comes to food it's the thought that counts and doing a stinker on the
:10:56. > :10:59.closup shot. You have one two and then this one goes. We talk about
:10:59. > :11:05.pressure on MasterChef, today I think we will feel the pressure.
:11:05. > :11:09.don't do live stuff. We do cooking live, nothing like this live. Barry
:11:09. > :11:14.and Staurt are used to winning. If we mess this up we will be angry.
:11:14. > :11:19.We are told if we win the next show we have won the series. If that
:11:19. > :11:29.happens we will do the whole show wearing nothing but our pants.
:11:29. > :11:39.
:11:39. > :11:47.Beautiful views over London. Great. John, you seem to have the best
:11:47. > :11:54.view of all. Yeah, beautiful. you will be there for a while. We
:11:54. > :12:02.have given you a bag as your lunch, a sandwich. Is that for me. Is it
:12:02. > :12:07.my favourite type? Tuna, cucumber. Is there butter on it. We forgot
:12:07. > :12:12.the butter. Plenty of butter. We will go down stairs and do the
:12:12. > :12:18.trick. Can you hang there for a while? This is not what I thought
:12:18. > :12:28.you meant by hanging around. Let's go. Why am I hanging around? No,
:12:28. > :12:30.
:12:30. > :12:35.We have left John up there. It is nothing to do with the trick. We
:12:35. > :12:40.don't want him down here. He is rubbish at magic. This is my trick.
:12:40. > :12:45.Trick Gregg this is. Most mobile phones out nowadays have a secret
:12:45. > :12:49.app that does something very weird. We will show you that in a moment.
:12:49. > :12:54.Get out your mobile phones. Take them out. Good. I want you to keep
:12:54. > :13:01.your eyes on this box. It's very, very important. This is integral to
:13:01. > :13:06.the whole magic trick. We need to borrow one person's phone. What is
:13:06. > :13:11.your name? Gemma. Is this your friend? My sister. The app can do a
:13:11. > :13:15.weird thing. That is it can make you look like your phone is in a
:13:15. > :13:20.different place. We will use that app to make it look like Gemma's
:13:20. > :13:25.phone is inside Gregg's box. volume button turns it down. You
:13:25. > :13:33.hold that for three second. What happens is that the phone just
:13:33. > :13:39.disappears. Oh, my God. It doesn't disappear. It transports all the
:13:39. > :13:43.way inside here. Listen. Can you hear it rattling? Inside the box,
:13:43. > :13:53.that Gregg has been holding the entire time... No. Is none other
:13:53. > :13:57.
:13:57. > :14:05.than... A sandwich. What? What? What's inside it? Between the
:14:05. > :14:12.layers of bread will you actually find it's... Tumna. That's John's
:14:12. > :14:20.sandwich, that's John's lunch. John, have you got my sandwich? We have
:14:20. > :14:23.it here. What have you got? I've got a phone. It's a phone. That
:14:23. > :14:29.could be anyone's phones. The only way to find out it's your phone is
:14:29. > :14:36.to call it. Do you know how to work that phone? Can you put it on
:14:36. > :14:45.speaker phone? Yes, loud speaker. Listen for it. Oh, it's ringing.
:14:45. > :14:50.John, answer it. Hello. Can you hear him? Is this your phone?
:14:50. > :15:00.Hold on for a second and I'll bring it down to you. There is only one
:15:00. > :15:08.
:15:08. > :15:18.way to get it to you. One second. Hello. Hi I'm Gemma. Tha your phone.
:15:18. > :15:18.
:15:18. > :15:22.That's my nephew. Pressed the volume button down three times and
:15:22. > :15:26.he just did it. It was amazing. He had it and then it was suddenly
:15:26. > :15:35.gone. My phone started calling from the sky. It's so strairching
:15:35. > :15:45.because it was all the way upstairs there. It was really good. I think.
:15:45. > :15:46.
:15:46. > :15:51.Ridiculous. I've never seen Jumping off buildings, stealing
:15:51. > :15:56.iPhones, a nice sandwich at the end. How will you top that? We asked the
:15:56. > :15:59.UK to help us with our grand illusion. How were they? Awesome.
:15:59. > :16:03.Tonight we're going to do something special for one person in this
:16:03. > :16:07.audience. Giving back to the UK. Getting everyone involved. I look
:16:07. > :16:12.forward to seeing it. You've seen the two acts go, what do you feel
:16:12. > :16:16.of the competition? Arlene was squished in a box, very good. John
:16:16. > :16:20.thrown off a building, bit hairy. You should see what we have in line
:16:20. > :16:29.tonight. It's good. You're not worried at all? A little bit
:16:29. > :16:35.nervous. Let's see if practise makes perfect, it's Latimer and
:16:35. > :16:40.Phil. It's not a race. Last weekend's
:16:40. > :16:45.episode Myleene was extremely brave. Not many people would attempt that.
:16:45. > :16:52.Of course I'm not happy doing the forefits. Next week, I'm coming
:16:52. > :16:58.back bigger. What up Phil. I don't like the look at that. I am Phil
:16:59. > :17:03.Tufnell. I used to play cricket. I was a spin bowler. They didn't know
:17:03. > :17:09.which way it was going. One of my big worries is that it's live.
:17:09. > :17:11.You'll be sending me a card. Next manipulating metals, other people's
:17:11. > :17:16.metals. We'll have fun going through the looking glass and then
:17:16. > :17:21.I hear you like art. I've seen some of the forefits, they look tricky.
:17:21. > :17:25.I think it's time Barry and Stuart do a forfeit. It's a lot to take it.
:17:25. > :17:33.But we're getting there. Risking life and limb isn't my idea of fun.
:17:33. > :17:35.I just hope I don't mess it up on the night.
:17:35. > :17:39.Latimer faced the forfeit for the second time last week. I'm sure
:17:39. > :17:41.he's had enough of them now. With the first trick of the night, up
:17:41. > :17:49.close and personal, here are Latimer and Phil!
:17:49. > :17:53.APPLAUSE Tonight we're going to do a card
:17:53. > :17:57.trick under impossible conditions, impossible test conditions to. Make
:17:57. > :18:00.it even more fair we need a random person from the audience. We're
:18:01. > :18:05.going to throw a ball into the aud why topbs find them. I have a
:18:05. > :18:10.cricket ball here. Whoever catches this can come down and give me a
:18:10. > :18:14.hand with the trick. Ready? OK, ready catch! They all want it. You
:18:14. > :18:19.know we wouldn't do, that it's a bit hard. Crikey, I've been hit on
:18:19. > :18:22.the head with them a couple of times. This is softer. This is
:18:23. > :18:27.where I will be, completely sealed from everybody at all times and in
:18:27. > :18:32.view at all times. Now we need a volunteer. Can someone hold this?
:18:32. > :18:37.Can you catch that for me, love? There you go. Brilliant. Throw that
:18:37. > :18:45.into the middle section of the audience as hard as you can.
:18:45. > :18:49.Might need a little hand there. Big throw, Big throw. There you go.
:18:49. > :18:54.There you go. Someone else catch it. Throw it to someone else, someone
:18:54. > :19:04.else catch it. OK. Stop. Now, come down, well done. Round of applause.
:19:04. > :19:10.
:19:10. > :19:20.He's got a long way to come. Keep clapping.
:19:20. > :19:23.
:19:23. > :19:28.Here he comes. Over here, mate. I'm over here G man. -- good man. Put
:19:28. > :19:32.the ball down, fantastic. What's your name? Jake. Are you having a
:19:32. > :19:35.good time? Yes. Fantastic. This is a very, very good card trick. OK
:19:35. > :19:39.what I want you to do is put your what I want you to do is put your
:19:39. > :19:46.finger up like that. Pull the cards towards you and stop wherever you
:19:46. > :19:51.want. There, OK. Memorise your card. Got it? Everyone at home memorise
:19:51. > :19:55.the card. Got it? Fantastic. Hold those cards, Latimer's world record
:19:55. > :19:59.for this is 24 seconds. Hopefully, he's going to beat it for you
:19:59. > :20:02.tonight. Keep the hands like that, put your hand on top there,
:20:02. > :20:11.fantastic. I'm going transport that card over to Latimer over there.
:20:11. > :20:15.You ready? Yeah. Three, two, one... I felt it right there. One card.
:20:15. > :20:20.Nothing else in the pocket. I'm going to hold the card right here.
:20:20. > :20:26.Sir, keep an eye on this, make sure I don't switch it at any time. I
:20:26. > :20:29.thing I -- think I have your card. Did you feel the card go? Noi,. Now
:20:29. > :20:34.turn the cards over and fan through them and look for your card, young
:20:34. > :20:39.man. What was your card? Seven of diamonds. Fan through, seven of
:20:39. > :20:45.diamonds. Due bring your glasses? How long have we got? We're here
:20:45. > :20:49.for a good time not a long time. It's not there. Not there. Latimer,
:20:49. > :20:55.the seven of diamonds has gone. It's not there? It's not there.
:20:55. > :21:05.Because it's here! And that's magic! Thank you very much, mate.
:21:05. > :21:09.
:21:09. > :21:13.I am standing within ten metres of these guise, I was watching
:21:13. > :21:17.carefully. I have no idea how that was done. Very good trick. With
:21:17. > :21:21.that all our acts have performed their first trick. Now the phone
:21:21. > :21:31.lines are opener now -- for you at home. To save your favourite from
:21:31. > :21:53.
:21:53. > :21:56.There's plenty of tricks on there for you to learn, on the website F
:21:56. > :22:03.you've been impressed with the magic so far, check out what's
:22:03. > :22:12.still to come: Coming up, magic doesn't get much tougher than that
:22:12. > :22:17.for Barry and Stuart and John and Gregg. Will Latimer and Phil's work
:22:17. > :22:22.at art win your vote. And Pete and Arlene do donkey work to avoid the
:22:22. > :22:26.forfeit. All that and we have an amazing
:22:26. > :22:30.surprise for an unsuspecting member of our audience. One of you in here
:22:30. > :22:34.is going to get the surprise of a lifetime, folks, I promise you that.
:22:34. > :22:44.Next up we have hypnotic street magic. Welcome back Barry and
:22:44. > :22:53.
:22:53. > :22:59.For me and Gregg our passion is all about food and for Barry and Stuart
:22:59. > :23:06.it's all about magic. We've got something that combines both.
:23:06. > :23:11.and magic - fagic - it's a taste sensation. We need somebody from
:23:11. > :23:17.the audience. Put your hands up if you think we could never hypnotise
:23:17. > :23:24.you. I think you'd be perfect. What's your name? Kat. Sit here,
:23:24. > :23:27.please and look up at Gregg. hypnotism act of 1952 states we
:23:27. > :23:32.cannot show you the process of somebody being hypnotised, so we
:23:32. > :23:38.will have to wait for a bit. That will do. Deep breath in, three, two,
:23:38. > :23:46.one... That's it. Staying in that centre, just go. Do you miefpbd
:23:46. > :23:53.getting prepared. Stuart has a blind fold to place over Kat's eyes.
:23:53. > :24:01.Gregg has a blind fold as well. a moment Gregg and Kat will make a
:24:01. > :24:05.sensery connection. We are using chewing gum, Barry and chewart! I'm
:24:05. > :24:09.going to place in your hand a place of gum. Put it in your mouth and
:24:09. > :24:14.chew on the gum. I need help as well. You look like a nice person
:24:14. > :24:20.to help. What's your name? David. Behind us here, we have three
:24:20. > :24:26.courses and you are going to help me get my bald friend over there to
:24:26. > :24:35.taste the food and tell Kat what it tastes like. I want to point to one
:24:35. > :24:39.of these dishes for Gregg to taste. You can't say it outloud. There's a
:24:39. > :24:49.bald man with his mouth open there. Feed him some of that food. He's
:24:49. > :24:54.going to taste it. As Gregg concentrates on those
:24:54. > :24:59.flavours. Keep chewing the gum and tell us what flavours you have got.
:24:59. > :25:09.Just chewing gum As soon as you sense a flavour, say it outloud.
:25:09. > :25:09.
:25:09. > :25:15.Crispy. Crispy. Very good. Anything else. Vegetable. Maybe fried. Yes.
:25:15. > :25:21.Fried Crispy vegetables. You were eating vegetable tempura. That was
:25:21. > :25:31.excellent. Keep chewing on the gum. Now twice as many main courses.
:25:31. > :25:34.Which dish would you like Gregg to taste? OK. Concentrate on the
:25:34. > :25:44.flavours Gregg. Do you sense any new changes in flavour in your
:25:44. > :25:52.mouth? Tomatoes? Yes there was tomato there. Fish... Salmon.
:25:52. > :25:55.Excellent. Ti, was the salmon fillet with tomato. Keep chewing on
:25:55. > :25:59.that gum. We're going to do something different for the dessert.
:25:59. > :26:09.So this is the dessert. I only have one. I'm not going to taste it. I
:26:09. > :26:10.
:26:10. > :26:20.want you to imagine a mouthful of this. Keep chewing on the gum. What
:26:20. > :26:21.
:26:21. > :26:31.are you tasting now. Yes. Meat. that's disgusting. It tastes like
:26:31. > :26:34.
:26:34. > :26:38.APPLAUSE I never thought I could be
:26:38. > :26:45.hypnotised at all. She tasted the ingredients, but I don't know how.
:26:45. > :26:50.It was amazing. APPLAUSE
:26:50. > :26:54.Now I can taste dog food. I quite like the taste. Is that weird? It
:26:55. > :26:58.probably is. Next up live and close up, it's the dame of dance Arlene
:26:58. > :27:04.and her mystical magic man Mr Pete Firman.
:27:04. > :27:08.APPLAUSE That's very nice. Lovely, thank you.
:27:08. > :27:13.I must admit, we're five weeks in and I'm get being a bit sick of
:27:13. > :27:17.this magic malarkey. Do you think we could get someone else to do the
:27:17. > :27:21.tricks? Latimer. We want to win. You're right. I'll see what I can
:27:21. > :27:27.do. I'm going to get you some help. Round up someone. I'm going to get
:27:27. > :27:37.somebody from the audience to come and help Pete with his tricks. Now
:27:37. > :27:39.
:27:39. > :27:45.let me see... Yes, what's your name? Angelie. Would you like to
:27:45. > :27:51.help Pete? He really needs help. Step up here and pop the mic on you.
:27:51. > :27:54.Up on stage and join sweet Pete. That's right sweet Pete. Come here,
:27:55. > :27:58.I want you to have a sit down. Sit yourself down there, very good.
:27:58. > :28:04.Basically, you're going to play the part of the magician. I'm going to
:28:04. > :28:10.be the unsuspecting puntser. That's the idea. Oh, are you all right.
:28:10. > :28:15.Pete, all you have to do is read these cue cards. I will tell you
:28:15. > :28:23.when, I'll guide you, so here we go. First card... Real when you're
:28:23. > :28:27.ready. Read them outloud. Sorry. That's fine. It's our fault, we
:28:27. > :28:31.picked you. It's not a secret. you look great this week. That's
:28:31. > :28:35.nice of you to say. I think everyone at home should pick up the
:28:35. > :28:38.phone and vote for you Arlene. agree. I tell you what, I
:28:38. > :28:44.appreciate the compliments, just read the cards, that would be nice.
:28:44. > :28:49.Would you like to see a card trick? Not really. Pete! Be nice. OK. I'm
:28:49. > :28:54.here any way, why not, yes. Do you have a pack of cards? Do I have a
:28:54. > :28:59.pack of cards? It is quite fortunate I do have a pack of cards.
:28:59. > :29:07.Anyone watching in high definition, don't be alarmed. I don't have the
:29:07. > :29:12.hands of an elf. This is a jumbo deck. Do you have a pack... Next
:29:12. > :29:20.one Arlene. Shuffle the cards. You do that very well. I find you very
:29:20. > :29:25.attractive. You just put this in here! I didn't, I didn't. I might
:29:25. > :29:32.have. Sorry. Just hand the cards to her and behave. Read on when you're
:29:32. > :29:36.ready. Pick a card, any card. like a pro. I'm going for one at
:29:36. > :29:45.like a pro. I'm going for one at the bottom. Reach into your pocket
:29:45. > :29:49.and remove a pen. I don't have a pen in my pocket. Yes, you do.
:29:50. > :29:59.I tots do! That's amazing. Sign your name on the card and show it
:30:00. > :30:03.
:30:03. > :30:08.Don't let her see it. Thank you. That is the card ladies and
:30:08. > :30:15.gentlemen. Shuffle the card into the deck. Shall I take that. I
:30:15. > :30:21.shuffle the card into the deck. To save time I will cut the pack like
:30:21. > :30:25.that. Say the magic words, "vote for Pete and Arlene" and the card
:30:25. > :30:29.has vanished. I don't believe it. Is the card in here? I'm looking
:30:29. > :30:33.for my card. Let's see if it's... You know what, I don't see the card.
:30:33. > :30:42.It really has disappeared. That's incredible.
:30:42. > :30:48.APPLAUSE Wow! Oh! What was your card?
:30:48. > :30:53.card was the five of hearts. are not going to believe this, and
:30:53. > :31:01.neither am I because... I am Because I am... She is building the
:31:01. > :31:08.drama. You can't knock her for it Sitting on it. You can't be. You
:31:08. > :31:13.are sitting on the card. Have a look at it. Show it to the audience.
:31:13. > :31:19.It's still warm! APPLAUSE
:31:19. > :31:22.That was amazing. I didn't know where he was going with that. Funny
:31:22. > :31:27.and talented. Wh a catch ladies. If you thought so too pick up the
:31:27. > :31:31.phone and vote for them so they avoid tonight's forfeit. Last week
:31:31. > :31:41.we invited you to take part in Latimer and Phil's location grand
:31:41. > :31:48.
:31:48. > :31:53.I'm in the heart of London. Here we are making a giant work of art with
:31:53. > :31:57.this 40 foot by 8 foot canvas. We provided paintbrushs in various
:31:57. > :32:02.colours to let you paint any shape and any colour your heart desires.
:32:02. > :32:06.Phil and I have made a prediction. It's right here. It's locked and
:32:06. > :32:16.bolted. It will not come down until this work of art is finished. All
:32:16. > :32:49.
:32:49. > :32:53.we need now is you and your Thank you so much for coming down
:32:53. > :32:58.here. We invited pretty much the entire city to help us out with
:32:58. > :33:05.what we've created. Now, we need one last element of randomness to
:33:05. > :33:09.make it fair. Young lady, can you take that ball for me. What is your
:33:09. > :33:17.nameAnce Stays ya. Come forward. want you to throw that ball over
:33:17. > :33:23.your head and behind. So after three. Wow! Throw it that way.
:33:23. > :33:31.Someone catch it. Throw it again. One more time. Miss, could you help
:33:31. > :33:35.us out? You're coming up now. is your name? Hannah. You will be
:33:35. > :33:40.involved. We have a picture frame here. I'm presenting it to you.
:33:40. > :33:45.Think of somewhere where you would like to place that randomly on that
:33:45. > :33:55.wall. Somewhere nice. Somewhere that you really like the look of.
:33:55. > :33:55.
:33:55. > :34:02.OK. Anywhere in the wall? Any or orientation. Anywhere. Fantastic.
:34:02. > :34:11.Brilliant. There you go. That's good. OK. I'm going to cut the
:34:12. > :34:17.painting out. I will burrow my way through the wall. All right. This
:34:17. > :34:27.is for you to hold on to, but no- one is going home empty-handed.
:34:27. > :34:30.
:34:30. > :34:34.Miss, what part do you want? Big piece, small piece? We are
:34:34. > :34:40.spreading art around the world. remember, our prediction has been
:34:40. > :34:50.locked up for three days and no-one has touched it. It's time now to
:34:50. > :34:50.
:34:50. > :35:00.bring down the prediction. Don't drop it. Otherwise they will have
:35:00. > :35:20.
:35:20. > :35:24.OK. This is our prediction. It's been signed from the very beginning.
:35:24. > :35:29.Listen, you were randomly picked by that lovely little girl over there.
:35:29. > :35:35.You had every chance to place that frame on that massive wall of art,
:35:35. > :35:40.anywhere you liked, didn't you? Are you happy that was completely
:35:41. > :35:46.ad hoc? Yes. Fantastic. Thank you very much for your time. No problem.
:35:46. > :35:47.A round of plaus. APPLAUSE
:35:47. > :35:54.-- applause. APPLAUSE
:35:54. > :36:04.Ready? Yes. Ladies and gentlemen, let's see how we did.
:36:04. > :36:09.
:36:09. > :36:19.You know what? What. I liked it so much, I got the phone cover? Wow!.
:36:19. > :36:19.
:36:20. > :36:29.No, no. I liked it so much... I got the cell phone covers and mugs
:36:29. > :36:33.printed of them. I had the T-shirt made!
:36:33. > :36:36.APPLAUSE Fantastic. Amazing. My daughter
:36:37. > :36:41.threw the ball. There was no control over where it went. She was
:36:41. > :36:44.a random girl in the audience. I could have caught the ball. I saw
:36:44. > :36:49.the butterfly in the corner of the wall I thought it might be more
:36:49. > :36:53.difficult to predict. I wanted it to be a challenge for him. When he
:36:53. > :36:58.revealed the painting I thought, that is fantastic. Down to the
:36:58. > :37:07.detail. When he brought out the T- shirt and phone cases and the mugs.
:37:07. > :37:13.I don't know how they did it. CHEERING AND APPLAUSE
:37:13. > :37:18.That was amazing. We are at the half way mark now. Two distribution
:37:18. > :37:24.down, two to go for each act. Have you picked your favourite yet?
:37:24. > :37:31.If you have at home, make sure you pick up the phone. To save Barry
:37:31. > :37:41.pick up the phone. To save Barry and Staurt and John and Gregg call:.
:37:41. > :37:45.
:37:45. > :37:50.To save Latimer and Phil you add02 For full terms and conditions visit
:37:50. > :37:54.bbc.co.uk/magicians. Lots more still to come including a very
:37:54. > :37:58.special surprise for someone right special surprise for someone right
:37:58. > :38:03.here in the audience We are back bringing magic to the studio. Grab
:38:03. > :38:13.your mobile phones at home everybody, this is live interactive
:38:13. > :38:14.
:38:14. > :38:18.closup magic with Barry and Staurt Thank you. Tonight we will do
:38:18. > :38:21.something right now. Something that everybody can take part in. If you
:38:21. > :38:26.want to take part, get out your mobile phone or a camera. We want
:38:26. > :38:33.you to take a photograph of your TV screen. The other thing is I have
:38:33. > :38:38.an item of food in this bag. canvas bag. John's bag for life,
:38:38. > :38:42.doing his bit. Think of an item of food. We will do that using this,
:38:42. > :38:49.our supermarket selection app. It will generate a football for --
:38:49. > :38:54.food for everybody. Choose any item of food at random. Gregg, choose
:38:54. > :39:01.one? Anyone. Yes. Cheese. From the cheese make two moves. You move
:39:01. > :39:07.around the chart in a clock wise direction starting with the next
:39:07. > :39:13.object you spell the name of the food you are thinking of. It's on
:39:13. > :39:17.the ham. From the object you end up on, spell the name of the newly
:39:17. > :39:25.landed object. Moving around the clock wise direction one move for
:39:25. > :39:35.each later. So HAM. Is it Biscuits. I like biscuits. I like the biscuit
:39:35. > :39:39.base. I like the buttery biscuit base! Yes Gregg likes biscuits. If
:39:39. > :39:44.we were doing this trick for real there would be lovely biscuits
:39:44. > :39:49.inside this bag. Biscuits are now completely sold out. Let's shuffle
:39:49. > :39:54.up our remaining products and everybody can get rid to do it on
:39:54. > :39:58.home. Can you touch your TV screens if you want to follow along. Select
:39:58. > :40:03.a food at random. Point to it. Make your first move. Starting with the
:40:03. > :40:09.next one spell your choosen food. Move around the board. One move for
:40:09. > :40:12.each letter. You are now all on a new object. So you make your second
:40:12. > :40:19.move. Spell the name of the new object, one move for each letter.
:40:19. > :40:23.All of you should have landed up on a completely random item of food.
:40:23. > :40:27.If this has worked properly, what you are thinking of, the product
:40:27. > :40:32.you are thinking of will be in John's bag. You will never believe
:40:32. > :40:36.this. You all have a food in mind. Concentrate on it. Inside here we
:40:36. > :40:41.actually have the bar code for whatever you are thinking of.
:40:41. > :40:45.you go! APPLAUSE
:40:46. > :40:51.Thank you very much. I can see there is a look ever disbelief on
:40:51. > :40:57.your face. Here is the part you need to get out your cameras or
:40:57. > :41:02.mobile phones and take a picture. Take a photograph of this bar code.
:41:02. > :41:08.Everybody do that right now. Even though this looks like a normal bar
:41:08. > :41:13.code, it's not. Look at the picture you have taken on your mobile
:41:13. > :41:17.phones. Close one eye and tilt your phones away from you like. This
:41:17. > :41:22.even though you made your own moves and you are thinking of whatever
:41:22. > :41:31.food you could think of you will see this "you are thinking of
:41:31. > :41:41.cheese". Brilliant. What cheese would you
:41:41. > :41:42.
:41:42. > :41:48.use to get a bear out of the woods? Come-on-bear!
:41:48. > :41:54.CHEERING AND APPLAUSE That was great. I was thinking of
:41:54. > :42:03.cheese. It could be because I'm standing next to Pete Firman.
:42:03. > :42:07.lactose intolerant. And the lovely Arlene Phillips. You are the
:42:07. > :42:12.reigning champ. Have I mentioned that already? Yes. I mentioned it
:42:12. > :42:18.once or twice. You don't want to lose tonight? We can't lose. We are
:42:18. > :42:21.a winning team, the A-Team. have two live tricks out of the way.
:42:21. > :42:28.Now you remember, someone will shoot an arrow at my knead I lose
:42:28. > :42:33.and the pressure is on again? I have been Googleing trick that is
:42:33. > :42:38.have failed and The Telegraph tell trick has failed. I don't want to
:42:39. > :42:42.die. Let's hope you don't. It's not happened yet. Thank you. Fingers
:42:42. > :42:52.crossed. First time for everything. Let's see how they go the on with
:42:52. > :43:01.
:43:01. > :43:06.their location grand illusion in Nice ass Arlene. Thanks, Pete. This
:43:07. > :43:11.is Trigger. We are here in Weymouth. We will fulfill a life-long
:43:11. > :43:15.ambition, it's all about the rumble beach donkey. I want to say thank
:43:15. > :43:21.you to the people of Weymouth for joining us here and indeed the lord
:43:22. > :43:31.and lady mare es. Yes. Stpwh What will you do? We will make something
:43:32. > :43:33.
:43:33. > :43:38.disappear. Watch. Watch it. It's gone. Now, it's back. That is not
:43:38. > :43:43.good enough. Let us show you what we will do. Arlene, walk this way,
:43:43. > :43:48.please. Come on Trigger, you walk this way. Come on. Now, look at
:43:48. > :43:54.this construction. You can see through it, around it and above it.
:43:54. > :44:01.In just a moment, it will become a tent. Why don't you put up the
:44:01. > :44:10.sides. Very good. Come on, Trigger. All of Weymouth's finest fishermen
:44:10. > :44:14.here. Arlene why don't you walk in Trigger. 5, 6, 7, 8. Step touch,
:44:14. > :44:21.step touch. Fantastic hoof work, wonderful. In a moment, you are
:44:21. > :44:27.going to see while Trigger is one of Weymouth's fastest donkeys. Get
:44:27. > :44:30.him in, Arlene. Get him all the way in. Fantastic. Let's get this side
:44:31. > :44:36.in. Fantastic. Let's get this side up. Let me come out first.
:44:37. > :44:40.getting ahead of myself. Trigger. And around the front. OK. Remember,
:44:40. > :44:50.as Arlene said, you can see above it, you can see around. It you are
:44:50. > :44:58.
:44:58. > :45:04.not going to believe this. Are you He's gone! Lord Mayor, lady
:45:04. > :45:08.mayoress, come in. Have a look here. Have a look above us. Nothing there.
:45:08. > :45:13.Have a look around us. Check on the floor, it's just sand, not even a
:45:13. > :45:18.whiff of mule. It's incredible. wonder where he's gone. Absolutely.
:45:18. > :45:28.Have a look over there. There he is, Weymouth's fastest and finest, it's
:45:28. > :45:32.
:45:32. > :45:38.Trigger! The donkey disappeared from a box.
:45:38. > :45:48.It's crazy. I don't know how it happened. That was just amazing.
:45:48. > :45:52.
:45:52. > :45:57.How can a donkey get from there to That was amazing. I love how she
:45:57. > :46:02.could even make a donkey do the two step. I hear the next trick you're
:46:02. > :46:05.about to see will knock you for six. They will have to to avoid the
:46:05. > :46:13.forfeit with their live grand illusion. Give them roar ago plauz
:46:13. > :46:17.everybody, it's Latimer and Phil. APPLAUSE
:46:17. > :46:22.Tonight, we're going to go through the looking glass. That is a big
:46:22. > :46:26.piece of glass. This is a massive illusion. For someone in this
:46:26. > :46:31.audience, it will be a miracle. Right we need to find someone very
:46:31. > :46:37.special. Very special down here somewhere. Anyone fancy joining us
:46:37. > :46:44.on stage? Hello, hello Sir, what's your name? Andy. Who are you with
:46:44. > :46:49.tonight? My mum. What's your name. Vera. Hello Vera! You must get that
:46:49. > :46:56.all the time. Would you like to join us on the stage. Come on.
:46:56. > :47:04.Round of applause everyone - Andy and Vera! There we go. Up you come.
:47:04. > :47:08.Thank you for joining us. There you go. Now, you guys are going to be
:47:08. > :47:14.the eyes of the audience. I want you to take a lock at this mirror,
:47:15. > :47:19.from all angles. No elephants in there, no hidden, sort of like
:47:19. > :47:26.little animals doing anything? very good. Come round here. Vera,
:47:26. > :47:35.you stand there my love. OK. Now if you could, go ahead and make sure
:47:35. > :47:39.it's a solid, plate-glass mirror. Give it a good knock. Yes. Solid?
:47:39. > :47:43.Yes. Everyone in the audience is counting on you. That's the front.
:47:43. > :47:51.Now let's look at the other side. mirror has two sides, just like a
:47:51. > :47:55.few people I know! If you would, Vera check out the back. Give it
:47:55. > :48:00.another knock Vera. Solid? Yes. right. This square represents where
:48:00. > :48:04.the magic is going to be taking place. It's a solid object. We've
:48:04. > :48:08.checked the front and back. Now I need something solid from you.
:48:08. > :48:11.you got a mobile phone or wallet, keys or something that's
:48:11. > :48:19.recognisable to you? So you will recognise that as your phone.
:48:19. > :48:26.Ladies and gentleman, the phone. Now we're going to pass a solid
:48:26. > :48:29.object through a solid object, ready? Yeah! There's only one of
:48:29. > :48:39.your phones in the world. It's your phone. It's going to come through
:48:39. > :48:40.
:48:40. > :48:48.right here. APPLAUSE
:48:49. > :48:50.Is that your phone? Yes. Do you want to go bigger? Something
:48:50. > :48:56.bigger? APPLAUSE
:48:56. > :49:06.You go bigger. Ladies and gentleman, Latimer will now pass himself
:49:06. > :49:10.
:49:10. > :49:15.through the mirror. Are you ready? Yes! Hold on, though. Hold on. We
:49:15. > :49:19.have one more trick up our sleeve. That's right. Vera you're not up
:49:19. > :49:25.here by random. You're here for a reason. In fact you're very special
:49:25. > :49:30.to Phil and I. Really? Yes. You have seven children. I have.
:49:30. > :49:38.have two boys living in America, one called Paul. Yeah. Idaho.
:49:38. > :49:42.Haven't seen him for a couple of years. 18 months ago. My husband's
:49:42. > :49:52.funeral. What if I told you this mirror could go all the way to
:49:52. > :50:08.
:50:08. > :50:15.Idaho? Is this your son Paul? Yeah! Fantastic. Well done.
:50:15. > :50:18.thank you. Ladies and gentleman, this is fantastic. Thank you. It's
:50:18. > :50:20.our pleasure. No worries. Well done. Thank you, ladies and gentleman.
:50:20. > :50:28.Thank you. Well done.
:50:28. > :50:30.Lovely. That was real magic, bringing
:50:30. > :50:35.family together. Latimer pulling at the heart strings. Each act has
:50:35. > :50:38.only one trick left to win your vote, otherwise they could end up
:50:38. > :50:42.as target practice at the end of the show. This is the last time you
:50:42. > :50:46.will see the numbers on the screen. Make note of them and get behind
:50:46. > :50:56.your favourites or they will face that. The phone lines close in
:50:56. > :51:06.It tastes like dog food. To save Barry and Stuart and John and Gregg
:51:06. > :51:14.
:51:14. > :51:19.You are thinking of cheese! It's not there. First he revealed the
:51:19. > :51:29.painting, I thought that's fantastic. I don't know how they
:51:29. > :51:32.
:51:32. > :51:42.did it. Is this your son Paul? You're sitting on it. You can't be.
:51:42. > :51:52.
:51:52. > :51:55.Get the bill payer's Persian before you call. For full terms and --
:51:55. > :52:02.bill payer's permission before you call. For full terms and conditions
:52:02. > :52:06.go to the website. We are 100% live tonight and that arrow could go
:52:06. > :52:16.horribly wrong. These guys had a donkey the last time. Now it's
:52:16. > :52:28.
:52:28. > :52:32.street magic time with Pete and You are in luck, today we are test
:52:32. > :52:38.driving a brand new product to have your jewellery looking like new
:52:38. > :52:44.again. Has anyone got a ring? Thank you. What a beautiful ring. That is
:52:44. > :52:49.lovely. Sort of a swirl on one side, that's really nice. Lovely. That's
:52:49. > :52:53.going to look perfect when it's puffed up with Pete's polish.
:52:53. > :52:56.Pete's polish for that shine every time. That's right Arlene, every
:52:56. > :53:02.single time. We have got some of the specially treated cotton balls.
:53:02. > :53:06.I'm going to buff up your ring like this. There we go. You might not
:53:06. > :53:10.notice the difference straight away. The chemical only fully reacts when
:53:10. > :53:18.you apply a bit of heat. I've got a lighter here. I'm going to bring
:53:18. > :53:24.this close to the ring. Crikey! I must have used a bit too much there
:53:24. > :53:29.Arlene. This is... A bit awkward. I don't know how we'll make it up to
:53:29. > :53:35.you. What do you think? The grand prize at the hook a duck stall?
:53:35. > :53:39.That's the only way. Come on. Used to be hook a swan, but you know,
:53:39. > :53:43.cut backs. Come on. I want to make sure you can see this. We're going
:53:43. > :53:48.to give you a chance to win a fabulous prize, equal to the value
:53:49. > :53:54.of your ring. We have lots of ducks here. Choose a duck. Take the stick,
:53:54. > :53:59.have you got one that takes your fancy. Hook the duck you like. I
:53:59. > :54:03.don't want to touch it. You bring the duck back towards yourself.
:54:03. > :54:08.I'll take the stick. You take the duck off the end. Look at the
:54:08. > :54:14.bottom and tell me what it says. It's a winner. Oh, wow. If you come
:54:14. > :54:20.down with me, if you look on the underside of the... Come and see
:54:21. > :54:25.this, all of the ducks in the tank are all losers. You have got the
:54:25. > :54:28.only winning duck, which means you have won the grand prize. This is
:54:28. > :54:32.very important, look, there's nothing in my hands, nothing
:54:32. > :54:38.between my fingers. I'm going to take your winning duck, listen to
:54:38. > :54:48.this... That's not gal stones. It's something very special. Arlene you
:54:48. > :54:52.
:54:52. > :55:02.have scissors. Yes. I'm going to cut this duck Thank you. Have a
:55:02. > :55:03.
:55:03. > :55:13.good look at that. Is that your ring? Amazing. Fantastic. Arlene, I
:55:13. > :55:17.think you've got time for more. When I saw the ring disappear, I
:55:18. > :55:27.didn't think I'd see it again. When it came out of the duck, it was
:55:27. > :55:33.just, it was unbelievable. APPLAUSE
:55:33. > :55:43.Great trick there. Latimer is hoping to win tonight. With some
:55:43. > :55:48.
:55:48. > :55:55.ring magic of his own, it's Latimer Phil, are you ready to do magic?
:55:55. > :56:00.Yes, I have my glass and spoon. need a crowd. We do. Roll up, roll
:56:00. > :56:06.up! Ladies and gentleman, today me and my good friend Jason are going
:56:06. > :56:13.to perform a miracle you may never forget. It's an amazing feat of
:56:13. > :56:18.magic that uses no boxes and no -- and no glamorous assistants. Or h.
:56:18. > :56:22.It uses a wine glass, a spoon and an audience. Come a bit closer.
:56:22. > :56:25.Everybody needs to place their hands in the air. We need three
:56:25. > :56:31.pieces of jewellery. My love, can I borrow that ring. That's a lovely
:56:31. > :56:34.one. Pop it in there. Fantastic. Quite a few quid. Lovely. Can I
:56:34. > :56:39.borrow your ring, my dear? Thank you very much. Let's have that
:56:39. > :56:43.gentleman at the back. There you go, Sir. Thank you very much indeed.
:56:43. > :56:49.Three rings in a wine glass. Now please, ladies and gentleman, watch
:56:49. > :56:59.very carefully. I said to you earlier that you'll be seeing a
:56:59. > :57:00.
:57:00. > :57:05.miracle and I tell you something how about that?. That's not bad.
:57:05. > :57:10.That is a miracle. Thank you very much. Give them a tug my love, to
:57:10. > :57:17.make sure they're on. Yes, they're firm. You know what that means?
:57:17. > :57:27.Those three people are going home together! This first ring, whose is
:57:27. > :57:30.
:57:30. > :57:35.this one? Yours? Watch carefully. With a bit of magic... Is this your
:57:35. > :57:42.ring? You can see it passes through the other ring. I won't do anything
:57:42. > :57:52.tricky. I'm going to use one finger like this. Fantastic. That one's
:57:52. > :58:07.
:58:07. > :58:12.yours. Sir, watch this. This is APPLAUSE
:58:12. > :58:16.You are the world champion for a reason Sir, aren't you? Yep. Have
:58:16. > :58:21.they done all they can to stop Barry and Stuart winning the series
:58:21. > :58:24.or to save themselves from becoming a human dartboard? We'll see very
:58:25. > :58:28.shortly. We're going to close the phone lines in approximately five
:58:28. > :58:31.minutes. It's down to you at home minutes. It's down to you at home
:58:31. > :58:35.to decide which act wins tonight. And who faces the forfeit. Before
:58:35. > :58:38.that, we have one more trick up our sleeves. They've yet to face the
:58:38. > :58:42.forfeit this series. It could be their night tonight or maybe
:58:42. > :58:44.they'll take out the championship. Waiting nervously now to perform
:58:44. > :58:51.their live grand illusion it's Barry and Stuart with John and
:58:51. > :58:58.Gregg. We are shaking in our red
:58:58. > :59:02.monogramed pants. Tonight, we are going to let you in behind the
:59:02. > :59:07.secret behind a street con game called find the pea. We need
:59:07. > :59:11.someone to play this. The girl in the beige top there. You look like
:59:11. > :59:15.a perfect sucker for this game. If you don't mind coming up the stairs
:59:15. > :59:21.on stage. Give her a nice hand as she makes her way up here. Come
:59:21. > :59:27.over here. Hi. What's your name? Sarah. We're going to play this
:59:27. > :59:31.game using this giant sponge pea, game using this giant sponge pea,
:59:31. > :59:34.this crate and these three tins. Three empty tins. The pea goes
:59:35. > :59:39.under one tin, in this case the middle one. Barry will mix them up
:59:39. > :59:42.and you have to tell us where you think it is. In the middle. Most
:59:42. > :59:49.people would say that. They'd be wrong. The pea is actually over
:59:49. > :59:54.here! This is a congame. Thanks very much. We have something to
:59:54. > :00:00.admit to you now. We were cheating. Because we have another pea here
:00:00. > :00:06.and another one over here. You can win this game. But I know that a
:00:06. > :00:11.few people at the back couldn't see this properly. We will play it on a
:00:11. > :00:15.grander scale. Take a seat on the crate. It's great on the crate. We
:00:15. > :00:21.will supersize this and you can watch from nice and dlos make sure
:00:21. > :00:31.it's fair and above board. We will play with three giant tins here and
:00:31. > :00:34.
:00:35. > :00:40.CHEERING AND APPLAUSE I'm not very happy. Grumpy. We were
:00:40. > :00:48.going to punch him in the eye and call him a Black eyed pea. The BBC
:00:48. > :00:53.said that wouldn't be a good idea so you go got the other joke
:00:53. > :00:58.instead. Gregg are you happy? would be if I had a nice bit of
:00:58. > :01:05.cake. Keep your eye on the human pea. Tell us where do you think he.
:01:05. > :01:10.Is Is he under neath, number one, number two or number three? Number
:01:10. > :01:16.one. You would be absolutely right. He is under number one. For saying
:01:16. > :01:23.number one you also win money. weren't betting. What would you
:01:23. > :01:29.like to bet, your house. Very sensible. Let's do it. The stakes
:01:29. > :01:35.are high. Keep your eye on the pea. Where do you think he is? Under
:01:35. > :01:39.number one, two or three? Three. You are wrong. He is still
:01:39. > :01:44.underneath number one. You lost your house. What happened if you
:01:44. > :01:49.had bet number one, you would have been absolutely wrong. P you said
:01:49. > :01:53.number one he would have been under number three. No matter what you
:01:53. > :02:03.bet, you are always wrong. With he have Gregg underneath number three.
:02:03. > :02:09.
:02:09. > :02:13.We have Gregg underneath... Underneath number one.
:02:13. > :02:17.APPLAUSE Let's suppose you got wise to our
:02:17. > :02:23.con and you put your bet across all three tins. Even then you would
:02:23. > :02:27.still lose. Even then he would not be underneath number one. He would
:02:28. > :02:33.not be underneath new two. He would not be Newcastle United neath
:02:33. > :02:38.number three. You think he is inside here. You would lose even
:02:38. > :02:46.then because inside here is John! CHEERING AND APPLAUSE
:02:46. > :02:50.So where's Gregg? Where's Gregg? Where's Gregg? Good question. Get
:02:50. > :02:59.off the crate you have been sitting on. You in never believe this
:03:00. > :03:03.because inside here is... It's Gregg! I got my cake. Thank you
:03:03. > :03:13.very much. Take a seat. Thank you for playing.
:03:13. > :03:18.
:03:18. > :03:28.Everybody Barry and Stuart and John and Gregg. Gregg, you got your cake
:03:28. > :03:34.and you can eat it too, didn't you? Did you enjoy yourself? I thought
:03:34. > :03:39.that was brilliant fun. You have two of the titles will this be a
:03:39. > :03:45.Championship winning third tonight? I hope. So we have four minds
:03:45. > :03:49.working on it tonight. 25% each. Tufnell you have had a ball,
:03:49. > :03:56.haven't snu Fantastic it. I love. It I will take that card trick down
:03:56. > :04:01.the pub and show all the boys. few free drinks. Definitely. Is he
:04:01. > :04:06.a great teacher? Been a blast. are not keen to do the forfeit, are
:04:06. > :04:10.you? No. Do you think have you done everything you can? I made a donkey
:04:10. > :04:16.disappear. Pete made me disappear. Could anyone get better than that?
:04:16. > :04:21.I don't think so. I really don't. We are about to find out. The lines
:04:21. > :04:24.have now closed everybody. Please don't call, your vote won't count
:04:24. > :04:29.and you may be charged. In a few minutes we will find out who has
:04:29. > :04:31.failed to secure your votes and who will be facing tonight's nasty
:04:31. > :04:35.nightmare. Whilst your votes are being counted we have a very
:04:35. > :04:42.special treat for you. I hope you guys aren't afraid of the dark. We
:04:42. > :04:50.have one of France's finest magical exports here, prepare to have your
:04:50. > :05:00.mind mystified. Put your hands together for Les Chapeaux Blancs.
:05:00. > :05:00.
:05:00. > :09:05.Apology for the loss of subtitles for 244 seconds
:09:05. > :09:09.CHEERING AND APPLAUSE That's Les Chapeaux Blancs
:09:09. > :09:19.everybody. OK, all the votes are now in. It's the moment of truth.
:09:19. > :09:20.
:09:20. > :09:27.Legs, May I have the results, please? Very graceful. Thank you
:09:27. > :09:31.very much. I would love to see her Moon Walk next week. OK. I can now
:09:31. > :09:41.reveal the act with the most votes tonight. The people definitely safe
:09:41. > :09:53.
:09:54. > :09:59.It's Latimer and Phil. It's us! Very well done. Thank you. It's two
:09:59. > :10:04.appease between Latimer and Barry and Stuart. It's bean Barry and
:10:04. > :10:08.Stuart John and Gregg and Pete and Arlene. The act with the fewest
:10:08. > :10:18.votes and will have to tackle the deadly task of having an arrow
:10:18. > :10:20.
:10:20. > :10:25.fired at them by a rotating archer is... It's Pete and Arlene.
:10:25. > :10:31.Congratulations John and Gregg and Barry and Stuart. Fantastic stuff.
:10:31. > :10:37.You really didn't want that, did you? No. You were having so much
:10:37. > :10:42.fun. I loved the show up until now. Compose yourself and say your last
:10:42. > :10:49.goodbyes. I will show the folks at home what nastly little trick we
:10:49. > :10:54.have in store in just a minute. -- nasty. The losing act will have to
:10:54. > :11:00.put their trust in a master archer as reenact the tale of William Tell.
:11:00. > :11:10.This time, it's for real. Our archer will be standing on a
:11:10. > :11:11.
:11:11. > :11:15.revolving platform. Let's hope they And under no circumstances should
:11:15. > :11:19.you attempt any of the forfeits at home, they are very, very dangerous,
:11:19. > :11:26.folks. To complete the final stunt, Pete has been briefed. I need you
:11:26. > :11:32.to pay very close attention to what he's saying. OK. Especially on this
:11:32. > :11:36.one. One inch either way could be deadly. If you trust in Pete I'm
:11:36. > :11:41.sure he will get you through it. Don't look at me Arlene, seriously,
:11:41. > :11:47.I have no idea. I will hand it over to you now. I will stay out of the
:11:47. > :11:50.way, I hope you don't mind. Let's meet the scary fella over here.
:11:50. > :12:00.Good luck, give them a round of applause.
:12:00. > :12:00.
:12:00. > :14:41.Apology for the loss of subtitles for 244 seconds
:14:41. > :14:47.You want me to hold it, yeah? OK. Is that all right? Yes. Yes. Looks
:14:47. > :14:53.like I'm home and free, Arlene. He doesn't say much, does he? No. My
:14:53. > :14:59.heart says a lot right now. Are you all right? Maybe he's not coming
:14:59. > :15:09.back. He's gone. That's all right. Fruit salad anyone? Oh, no, he's
:15:09. > :15:13.
:15:13. > :15:18.back. He's go the a very large bow, Are you all right? Yes. Deep
:15:18. > :15:28.breathes. My heart is going like I can't believe. Yeah, I'm with you
:15:28. > :15:38.all the way. It could go through my temple. You probably can't see,
:15:38. > :16:15.
:16:15. > :16:21.Ahh! Oh, my goodness. Are you all We made it. She's still alive.
:16:21. > :16:30.She's still alive. That was amazing. He's got my ring.
:16:30. > :16:35.CHEERING AND APPLAUSE We have great magic coming up next
:16:35. > :16:40.week on the show. Thank you to all the celebrites, to all the