0:00:02 > 0:00:05Tonight, we have comedy from Josh Widdicombe!
0:00:05 > 0:00:09From the biggest comedy hit of the year, the star of Bridesmaids:
0:00:10 > 0:00:13And we have Jesse Wood, Glen Matlock, Ian McLagan,
0:00:13 > 0:00:17Kenney Jones, Ronnie Wood and Mick Hucknall - The Faces!
0:00:19 > 0:00:21Stay with me.
0:00:27 > 0:00:29- APPLAUSE - Good evening!
0:00:29 > 0:00:32Ho!
0:00:34 > 0:00:38Good evening, everybody. Welcome. Thank you. Welcome to the show.
0:00:38 > 0:00:41Look at this - a man wearing a vest indoors.
0:00:41 > 0:00:45That's always nice. It's not even an ITV2 documentary.
0:00:45 > 0:00:48Look at you and your... What's your name, sir?
0:00:48 > 0:00:50STAMMERS A Carl. Carl.
0:00:50 > 0:00:52Hi, I'm "A" Rob.
0:00:52 > 0:00:53Good to meet you, Rob.
0:00:53 > 0:00:55Ooh, is that a Welsh accent?
0:00:55 > 0:00:57- It is.- Where to are you from?
0:00:57 > 0:00:59- Merthyr Tydfil.- Merthyr Tydfil!
0:00:59 > 0:01:03- And are you with your partner? - This is Joanne, my fiancee.
0:01:03 > 0:01:05Let her speak, eh?
0:01:07 > 0:01:11- Hello, Joanne.- Hello. - Is it the ink that attracted you?
0:01:11 > 0:01:14That's the first thing I saw. I thought, "That man's got ink."
0:01:14 > 0:01:17That's what we say in tattooing circles.
0:01:17 > 0:01:21- I've not got ink.- Ahh!- No ink on me. - Really?- No.
0:01:21 > 0:01:26I've not even got a cheeky little one hidden away! I'm not inked.
0:01:26 > 0:01:30- Do you want one? - No, I don't want one, no.
0:01:30 > 0:01:33You look like a younger version of me.
0:01:33 > 0:01:36Shut up! What is it that you do?
0:01:36 > 0:01:39I'm... Now you're asking! Erm...
0:01:39 > 0:01:42- I do a few bits and pieces. - A few bits and pieces.
0:01:42 > 0:01:47Are you claiming benefits and working at the same time?
0:01:47 > 0:01:49APPLAUSE
0:01:50 > 0:01:52Very shifty!
0:01:52 > 0:01:55I'm also a part-time professional wrestler.
0:01:55 > 0:01:58Seriously?
0:01:58 > 0:02:00- Genuinely. - A professional wrestler?
0:02:00 > 0:02:05- Do you have a name as a wrestler? - I do. I'm known as Caiman.
0:02:05 > 0:02:06The Crocodile?
0:02:06 > 0:02:10Caiman "the Crocodilian Psycho" is my sub-name.
0:02:10 > 0:02:14- Caiman the Crocodilian Psycho. - LAUGHTER
0:02:14 > 0:02:19What was it that attracted you to Caiman the Crocodilian Psycho?
0:02:19 > 0:02:24I spotted you with your tattoos. I know we've got someone here who is into tattoos.
0:02:24 > 0:02:28They're training to be a tattooist. Is it you, sir?
0:02:28 > 0:02:30- Hello. What's your name?- Lee.
0:02:30 > 0:02:34Hello, Lee. A trainee tattooist.
0:02:34 > 0:02:38When are you going to make the leap and become a tattooist?
0:02:38 > 0:02:42Whoever's willing to lend me some skin.
0:02:42 > 0:02:48Well, I don't know if you've ever met Caiman the Crocodile Psycho!
0:02:48 > 0:02:51- How long have you been studying it? - Studying quite a while,
0:02:51 > 0:02:54but actually tattooing about three weeks.
0:02:54 > 0:02:58- LAUGHTER - I'll be honest with you, I wouldn't.
0:02:58 > 0:03:03I'd wait until he's got a bit more air miles under his belt.
0:03:03 > 0:03:06Thanks for coming on tonight.
0:03:06 > 0:03:11Later on, I will be chatting to Ronnie Wood and Mick Hucknall. They'll be here with The Faces.
0:03:11 > 0:03:15But first, he is the star of this year's biggest comedy film,
0:03:15 > 0:03:17and one of the country's favourite sitcoms.
0:03:17 > 0:03:20Please welcome Chris O'Dowd!
0:03:27 > 0:03:30- How are you?- Are you all right?
0:03:30 > 0:03:32- Chris O'Dowd, everybody. - CHEERING
0:03:33 > 0:03:36Now, straight away,
0:03:36 > 0:03:38- who's seen Bridesmaids? - THEY CHEER
0:03:38 > 0:03:42Virtually everybody in the audience.
0:03:42 > 0:03:47First of all, it's a brilliant film, but you play the romantic lead, don't you?
0:03:47 > 0:03:50Very, er...
0:03:50 > 0:03:52That's very true!
0:03:52 > 0:03:55You know, I think it is a very, very funny film.
0:03:55 > 0:03:58We improvised a lot, so it seems very natural
0:03:58 > 0:04:01and very, erm, fluid and flowing.
0:04:01 > 0:04:03Everybody else was so funny in it
0:04:03 > 0:04:06that I didn't feel like I needed to be funny,
0:04:06 > 0:04:09and that made it very easy to just be normal.
0:04:09 > 0:04:13The film's gone down just a treat. I know you're spending a lot of time in Los Angeles.
0:04:13 > 0:04:17"LA" I call it... Er...
0:04:19 > 0:04:22It's a good time to be British in Hollywood, isn't it?
0:04:22 > 0:04:25- Yes.- Who do you hang out -- And Irish.
0:04:25 > 0:04:26Yes. Oh!
0:04:26 > 0:04:31- AUDIENCE GASP - It's become very political! Ohh!
0:04:31 > 0:04:34Awkward moment for the edit!
0:04:34 > 0:04:37It's a good time to be Irish in Hollywood, isn't it?
0:04:37 > 0:04:42It is helpful that there are so many British comedy guys doing great.
0:04:42 > 0:04:47- Do you hang out together?- They don't know who I am. It's a different...
0:04:47 > 0:04:49Ricky and Russell would know you.
0:04:49 > 0:04:52Ricky looked at me twice and both times said,
0:04:52 > 0:04:55"Oh, the Big Bang guy!"
0:04:55 > 0:04:58- The sitcom? You're not in that, are you?- I'm not!
0:04:59 > 0:05:04And more embarrassingly, both times I said, "Yes!"
0:05:04 > 0:05:07- Just go with it. Just go with it. - "Sure I am, yes."
0:05:07 > 0:05:10So you've got English guys out there, you as an Irish guy...
0:05:11 > 0:05:15Is there room for a Welshman?
0:05:18 > 0:05:21It's been great talking to you, Chris. Er...
0:05:21 > 0:05:26Well, you know, I mean, er, I could...
0:05:26 > 0:05:28No, I could see it!
0:05:28 > 0:05:31If they went for... Don't sound so exasperated!
0:05:31 > 0:05:35- I mean, Dudley Moore.- Yes.- You know?
0:05:35 > 0:05:37Well, he was short.
0:05:37 > 0:05:41You've got a lot more against you than that!
0:05:41 > 0:05:44No! No, no!
0:05:47 > 0:05:48Hang on.
0:05:48 > 0:05:50I'm going to have a word with a friend of mine,
0:05:50 > 0:05:53he's the Caiman Crocodilian Psychopath.
0:05:53 > 0:05:56Yo, Carl. Erm...
0:05:56 > 0:05:59Officer O'Dowd here, I want you to take him down.
0:05:59 > 0:06:01After the show.
0:06:01 > 0:06:04- All right! - I'll make a few phone calls.
0:06:04 > 0:06:07No, I want you to hit him.
0:06:07 > 0:06:10Don't try and book him a holiday.
0:06:10 > 0:06:13APPLAUSE
0:06:13 > 0:06:18Have we lost you to Hollywood? Is it going to change you? Are you going to buff up?
0:06:18 > 0:06:21- Ricky Gervais is looking... - Yes, he is.
0:06:21 > 0:06:24Might you? You haven't yet.
0:06:24 > 0:06:28I like American breakfast too much, is the answer.
0:06:28 > 0:06:32Look at you, you're stick thin. You're in great shape.
0:06:32 > 0:06:36- There's a lot of stuff going on down here. - Which we don't want to know about!
0:06:36 > 0:06:38In Bridesmaids, there's a little kind of,
0:06:38 > 0:06:42sort of sexiness, it's not too raunchy, with you and Kristen.
0:06:42 > 0:06:47- How was that?- Sex stuff is weird because nobody wants to be doing it.
0:06:47 > 0:06:50The actors don't want to do it, the director finds it embarrassing,
0:06:50 > 0:06:54all of the crew are on their best behaviour.
0:06:54 > 0:06:59But I find it, without being, er, self-important about it,
0:06:59 > 0:07:04I think it... it does matter that
0:07:04 > 0:07:08the audience see non-sculpted figures more than they do,
0:07:08 > 0:07:11so that's why I try not to...
0:07:11 > 0:07:14..that's the only reason I don't have a six pack!
0:07:14 > 0:07:18I think it's important that we see proper human forms
0:07:18 > 0:07:21rather than these masquerading,
0:07:21 > 0:07:24nonsensical, bronzed statues.
0:07:24 > 0:07:29- And those scenes are usually very choreographed, aren't they? - Yes.
0:07:29 > 0:07:32"Put your hand here, turn your neck here."
0:07:32 > 0:07:34It's all about the bloody camera.
0:07:34 > 0:07:38I mean, luckily, that's how I usually do it.
0:07:38 > 0:07:43It's a natural progression from how it is at home!
0:07:43 > 0:07:47Dawn's here and she'll know that we spend... It's a lot of takes.
0:07:48 > 0:07:51- Where is Dawn?- In the audience. She's up there.
0:07:51 > 0:07:54- Hiya, Dawn!- Hi! - This is Dawn Porter, of course.
0:07:54 > 0:07:57Has he changed since Hollywood success has come along?
0:07:57 > 0:08:02I want to say something funny, but I'll be genuine and say no. His feet are firmly on the ground.
0:08:02 > 0:08:05Aww, isn't that nice?
0:08:05 > 0:08:08Who was that?
0:08:09 > 0:08:15Tell me about some of the big names you've worked with. Jon Hamm in Bridesmaids
0:08:15 > 0:08:18and Kristen Wiig, who's huge, from Saturday Night Live...
0:08:18 > 0:08:21Is it different when you work with somebody you've watched?
0:08:21 > 0:08:25You've worked with Jack Black. Give me some of the other names.
0:08:25 > 0:08:29- Who have we had?- Steve Carell!- Yes. - Dinner for Schmucks.- That's right.
0:08:29 > 0:08:33And Paul Rudd and Jason Segel and... A few of them.
0:08:33 > 0:08:36It's different, but a lot of them, particularly in that clan,
0:08:36 > 0:08:40the Judd Apatow kind of people, they're very similar to our sensibilities.
0:08:40 > 0:08:44- And you worked with Kerry Katona. - I did!
0:08:44 > 0:08:47What a wonderful end to that list!
0:08:49 > 0:08:53We did a show called Showbands, where I played...
0:08:53 > 0:08:57- Do you know what showbands are? - Like cabaret bands?- Kind of.
0:08:57 > 0:09:00They were these big bands in the '50s and '60s in Ireland
0:09:00 > 0:09:03that would tour around and, essentially, just do covers.
0:09:03 > 0:09:06Weird kind of music.
0:09:06 > 0:09:11Anyway, she played a singer in a band and I came back, almost as an Irish Dean Martin.
0:09:11 > 0:09:15You sang, didn't you? And you've got a lovely voice.
0:09:15 > 0:09:19- You've never seen it. - I've seen the clip. I haven't watched the whole thing!
0:09:19 > 0:09:23I saw the clip and, seriously, you've got a lovely voice.
0:09:23 > 0:09:26- I don't know about that. - You sang Danny Boy, didn't you?
0:09:26 > 0:09:30- I did.- Yes. - I don't like where this is going!
0:09:32 > 0:09:35You're clearing your throat as if you're about to sing!
0:09:35 > 0:09:41Would you give us...? We've got The Faces, Ronnie Wood, Mick Hucknall coming on soon.
0:09:41 > 0:09:46They may spot you and offer you something big.
0:09:46 > 0:09:49- Yes.- Would you give us a little bit of Danny Boy?
0:09:49 > 0:09:51Yes, let's do it.
0:09:51 > 0:09:54# Oh, Danny Boy
0:09:54 > 0:09:59# The pipes, the pipes are calling
0:09:59 > 0:10:02# From glen to glen
0:10:02 > 0:10:07# And down the mountainside
0:10:07 > 0:10:11# The summer's gone
0:10:11 > 0:10:16# And all the flowers are dying
0:10:16 > 0:10:19# It's you, it's you
0:10:19 > 0:10:24# Must go and I must bide
0:10:24 > 0:10:28# But come the spring
0:10:28 > 0:10:34BOTH: # When summer's in the meadow
0:10:34 > 0:10:36# And all the hills
0:10:36 > 0:10:42- # Are plush and white with snow - ROB HARMONISES
0:10:42 > 0:10:47# 'Tis you, 'tis you
0:10:47 > 0:10:53# In sunshine or in shadow
0:10:53 > 0:10:56# Oh, Danny Boy
0:10:56 > 0:11:01# Oh, Danny Boy
0:11:01 > 0:11:06- # I love you - ROB HARMONISES
0:11:06 > 0:11:09# So... #
0:11:09 > 0:11:11APPLAUSE
0:11:21 > 0:11:25Chris will be answering your questions later on.
0:11:25 > 0:11:29But now it's time to meet two music legends, and I mean that.
0:11:29 > 0:11:33Please welcome Ronnie Wood and Mick Hucknall.
0:11:36 > 0:11:38APPLAUSE DROWNS OUT SPEECH
0:11:42 > 0:11:47Mick, lead singer with The Faces! How did that come about?
0:11:47 > 0:11:50- Incredible.- It's fantastic. - It's a thrill.
0:11:50 > 0:11:54You're kind of the same age as me, you must've been a fan as you grew up.
0:11:54 > 0:11:58Well, yes. I'd bought my first - sorry about this, Ron -
0:11:58 > 0:12:02I bought my first single when I was 13 in 1973,
0:12:02 > 0:12:05and I had a poster of him and Rod on my wall, and Kenney and Mac,
0:12:05 > 0:12:11so the notion that I would be in a band called The Faces is completely surreal.
0:12:11 > 0:12:14- With someone just one year older than you!- Yes, exactly!
0:12:16 > 0:12:19You're here tonight with The Faces, Ron, you're a Rolling Stone of course,
0:12:19 > 0:12:22so I'm assuming you've met everybody.
0:12:22 > 0:12:26Can I throw names at you and if it rings a bell,
0:12:26 > 0:12:29you can tell me the circumstances of the meeting.
0:12:29 > 0:12:32It might drop a clanger as well as ringing a bell!
0:12:32 > 0:12:34That's the excitement of it!
0:12:34 > 0:12:38- Johnny Cash?- The Man in Black. I only met him backstage
0:12:38 > 0:12:41at Bob Dylan's 40th anniversary at Madison Square Garden.
0:12:41 > 0:12:45- He came in with a whole team of other people dressed in black. - Really?
0:12:45 > 0:12:49Very tall, very, er, dominating kind of person.
0:12:49 > 0:12:53He said hello. But I was kind of shell-shocked
0:12:53 > 0:12:57because I realised I was sharing a dressing room with Stevie Wonder, as well,
0:12:57 > 0:13:02and he was practicing, not thinking anyone else was in the room.
0:13:02 > 0:13:06- And it blew my mind, you know? It was lovely.- Wow.
0:13:06 > 0:13:08Did you sneak up behind him?
0:13:08 > 0:13:13You could never catch him by surprise. He knew where everyone was in the room.
0:13:13 > 0:13:16One last name. Elvis Presley.
0:13:16 > 0:13:20- No. I never met him.- You didn't? I'd heard that you had.
0:13:20 > 0:13:26- I went to the hospital in Memphis where he was -- The hospital? - Yes. When he was on his way out.
0:13:26 > 0:13:28- Oh, lovely. - He was on his way out a few times,
0:13:28 > 0:13:34because of the drugs the so-called doctors that were hanging out with him were giving him.
0:13:34 > 0:13:37I went into reception and I chickened out.
0:13:37 > 0:13:41I didn't want to say, "I'm Ronnie Wood. Let me up to Elvis's room."
0:13:41 > 0:13:48And later on I found out he had Jimmy Page and Robert Plant up there in his room.
0:13:48 > 0:13:51- From Led Zeppelin. - They were exchanging rings.
0:13:51 > 0:13:55And he was giving away big gifts, Cadillacs and stuff.
0:13:55 > 0:13:57What were Led Zeppelin doing in his hospital room?
0:13:57 > 0:14:03- That's what I thought. - If it had been proper doctors, maybe he'd still be alive today!
0:14:03 > 0:14:09Look, I wondered... Let me just put this big boy there.
0:14:09 > 0:14:13I wondered if we could do a Faces track,
0:14:13 > 0:14:16because I've been desperately trying to learn this.
0:14:16 > 0:14:20I won't tell you what it is. I'm going to surprise you.
0:14:20 > 0:14:25- AUDIENCE GIGGLE - O ye of little faith!
0:14:25 > 0:14:28I'm not a guitarist. I'm a man who owns a guitar.
0:14:28 > 0:14:32- There is a difference. - He's lovely, isn't he? Ahh!
0:14:32 > 0:14:34Ready? See if you know what it is.
0:14:34 > 0:14:37Not yet.
0:14:37 > 0:14:41HE WHISTLES "Ooh La La" by The Faces
0:14:45 > 0:14:49- Home On The Range!- Don't look as though you don't know what it is! - You mean...
0:14:52 > 0:14:54Ahh, OK.
0:14:55 > 0:14:57AUDIENCE CLAP RHYMICALLY
0:15:01 > 0:15:04# Poor old Granddad
0:15:04 > 0:15:07# I laughed at all his words... Go on, Mick.
0:15:07 > 0:15:10# I thought he was a bitter man
0:15:10 > 0:15:13# He spoke of women's ways
0:15:13 > 0:15:17# They trap you and they use you
0:15:17 > 0:15:20# Before you even know
0:15:20 > 0:15:22# But love is blind
0:15:22 > 0:15:26# And you're far too kind Don't ever let it show
0:15:26 > 0:15:28ALL: # I wish that
0:15:28 > 0:15:32# I knew what I know now
0:15:32 > 0:15:33# When I was younger
0:15:33 > 0:15:35# I wish that
0:15:35 > 0:15:38# I knew what I know now
0:15:38 > 0:15:41# When I was stronger #
0:15:41 > 0:15:44- The can-can's such a pretty show! - ROB WHISTLES
0:15:55 > 0:15:57CHEERING
0:15:59 > 0:16:02- Thank you so much.- Thank you!
0:16:03 > 0:16:06The whole band are going to play later on.
0:16:06 > 0:16:11But now, in just a few years, this next guy has become one of the best stand-ups on the circuit.
0:16:11 > 0:16:15Please put your hands together for Josh Widdicombe.
0:16:15 > 0:16:17APPLAUSE
0:16:21 > 0:16:23Hello!
0:16:24 > 0:16:27It's very nice. It's very nice.
0:16:27 > 0:16:30It's nicer than my house.
0:16:30 > 0:16:34I don't live in a particularly nice area. I got burgled recently.
0:16:34 > 0:16:37When you get burgled, everyone says the same thing to you.
0:16:37 > 0:16:40"Do you know what the worst thing about being burgled is?
0:16:40 > 0:16:43"Knowing a stranger has been through your things."
0:16:43 > 0:16:46And you go, "No.
0:16:46 > 0:16:50"The worst thing about being burgled is knowing a stranger HAS my things."
0:16:50 > 0:16:54If they had just been browsing, I wouldn't have given a shit!
0:16:54 > 0:16:57If you offered me two options, one, my laptop is gone
0:16:57 > 0:17:02or, two, find a stranger in my room going, "I like this T-shirt,
0:17:02 > 0:17:05"but, er, have you got it in a large?"
0:17:05 > 0:17:10My mum said, "You know why you've been burgled and we haven't? We're in the Neighbourhood Watch."
0:17:10 > 0:17:13I said, "It's because you live in Devon, in a small village,
0:17:13 > 0:17:16"in the middle of mile upon mile of moorland.
0:17:16 > 0:17:21"No-one's going to burgle you because whatever they took wouldn't cover their petrol money."
0:17:21 > 0:17:25I don't understand Neighbourhood Watch. It's a club that you join,
0:17:25 > 0:17:30then if you see a crime being committed, you report it to the police.
0:17:31 > 0:17:35What were these people doing before they joined?
0:17:35 > 0:17:40"Oh, the Joneses are being burgled. If only there was something I could do about it!
0:17:40 > 0:17:45"I imagine there's a number I can phone, but I wouldn't know, I'm not in a club."
0:17:45 > 0:17:50From what I can tell, the only proactive thing they do is, once a month, have a meeting.
0:17:50 > 0:17:54All that does, it tells burglars, for one night out of every 30,
0:17:54 > 0:17:56all houses are empty and unwatched.
0:17:58 > 0:18:01There's this paranoia about crime back in Devon.
0:18:01 > 0:18:04I went back recently, I went into the local Co-op
0:18:04 > 0:18:07and there was a sign on the desk and the sign said,
0:18:07 > 0:18:12"Did you know we now do legal advice?"
0:18:12 > 0:18:14Obviously my first reaction was,
0:18:14 > 0:18:16"No.
0:18:16 > 0:18:20"To be honest, I was pleasantly surprised you did Sugar Puffs."
0:18:21 > 0:18:24Why has the Co-op started doing legal advice?
0:18:24 > 0:18:30Is there too many people coming in going, "I'll have 10 Silk Cut, a Viennetta,
0:18:30 > 0:18:33"and I've killed a man!"
0:18:34 > 0:18:36APPLAUSE
0:18:39 > 0:18:43I'm in my 20s now. It's difficult in your 20s.
0:18:43 > 0:18:48I keep getting invited to parties where my friends are trying to recapture their youth.
0:18:48 > 0:18:51They'll go, "I don't know if you want to come out tonight.
0:18:51 > 0:18:54"It's my birthday, we're all going to Laser Quest."
0:18:54 > 0:18:58"No, I don't. I can legally drink. I don't do that any more."
0:18:58 > 0:19:01Laser Quest, ice skating, bowling!
0:19:01 > 0:19:03It's my birthday in two weeks.
0:19:03 > 0:19:07"Good news. I've rented a sports hall and, er,
0:19:07 > 0:19:10"we're resitting our SATs.
0:19:12 > 0:19:16"Do bring a see-through pencil case, otherwise you will not get in!"
0:19:17 > 0:19:22I've not been to Laser Quest in years. We went and the first thing the guy said to us,
0:19:22 > 0:19:26"Guys, this is Laser Quest. This is the future of warfare."
0:19:26 > 0:19:28No, it isn't, mate.
0:19:28 > 0:19:32I won't turn on the TV in ten years and go, "More fighting in Basra.
0:19:32 > 0:19:35"Are they in a warehouse next to a bowling alley?
0:19:35 > 0:19:38"Is that dry ice? Are they listening to 2 Unlimited?
0:19:38 > 0:19:41"It's exactly like Laser Quest! He was right!"
0:19:41 > 0:19:46I struggle with being an adult because I can't do any of those things. Like, I can't mend a plug.
0:19:46 > 0:19:49I get lost a lot. I'm meant to have a sense of direction.
0:19:49 > 0:19:52When you're young you're told, "If you lose one of the senses
0:19:52 > 0:19:57"one of the others will improve to compensate." That's not true.
0:19:57 > 0:20:01I can't stand here and go, "I haven't got a sense of direction, but I tell you what,
0:20:01 > 0:20:04"my sense of occasion is awesome!"
0:20:04 > 0:20:09I don't know what that means. Presumably, I can turn up at a gathering and know what it is.
0:20:09 > 0:20:12"Is this a joint 37th birthday party?
0:20:12 > 0:20:16"How do I know? I've got an amazing sense of occasion actually.
0:20:16 > 0:20:20"I don't know any of you. Why am I here? I'm lost!"
0:20:22 > 0:20:27Better that than the other way, having an amazing sense of direction but no sense of occasion.
0:20:27 > 0:20:32You find your way to the funeral, but you'll dress for paintballing. No-one wants that.
0:20:32 > 0:20:37You have been lovely. Thanks for your time. My name is Josh Widdicombe. Cheers!
0:20:37 > 0:20:39CHEERING
0:20:42 > 0:20:44Josh Widdicombe, ladies and gentlemen. Fantastic.
0:20:46 > 0:20:51Now it's time for the audience to ask questions of you, sir.
0:20:51 > 0:20:53Where's Jamie Evans?
0:20:53 > 0:20:57What was the worst job you ever had before you made it big?
0:20:57 > 0:21:01Oh, God, I did a bunch of bad stuff.
0:21:01 > 0:21:03But, er...
0:21:03 > 0:21:07I was a Bob Geldof impersonator.
0:21:07 > 0:21:11- Really?- I think we should probably open with that.
0:21:11 > 0:21:14- In what capacity?- Do you know the Lord Mayor's parade?- Yes.
0:21:14 > 0:21:17I used to work for an events company
0:21:17 > 0:21:23and sometimes I'd be a waiter or do something else. I was the Easter Bunny one time.
0:21:23 > 0:21:29At the Lord Mayor's parade, they have all those floats and people are on the streets,
0:21:29 > 0:21:34and this one company, which was a scaffolding company, decided to have a float.
0:21:34 > 0:21:37Their theme was "Great Britons".
0:21:37 > 0:21:43And, erm, their three Great Britons were Churchill, fair enough, fine,
0:21:43 > 0:21:47Robin Hood, OK.
0:21:47 > 0:21:50Bob Geldof.
0:21:50 > 0:21:53Not even British. That's OK. Great guy.
0:21:53 > 0:21:57And I got the gig because I was Irish.
0:21:57 > 0:22:02Our job was to just kind of march behind these drummers
0:22:02 > 0:22:06and kind of wave and do the "Give us your money" kind of thing.
0:22:06 > 0:22:10And the costume that they'd given me was jeans,
0:22:10 > 0:22:13Live Aid T-shirt, fair enough, and a wig.
0:22:13 > 0:22:17But they had got it late, so the wig that they gave me
0:22:17 > 0:22:21was like a peroxide blond wig.
0:22:21 > 0:22:25Everybody on our thing thought that...
0:22:25 > 0:22:28..that I was Rick Parfitt...
0:22:29 > 0:22:32..from Status Quo.
0:22:32 > 0:22:35People were doing "Rocking all over the world"
0:22:35 > 0:22:38and for the first mile I was like, "No! Give us your money!"
0:22:38 > 0:22:41And then after that, I just went for it!
0:22:41 > 0:22:45I was like, "And I like it! I like it!" Why not?!
0:22:45 > 0:22:47So that was a weird job.
0:22:47 > 0:22:51James Bullock is here. Hiya, James. What's your question?
0:22:51 > 0:22:54I work in IT and a few of us in the office have been wondering,
0:22:54 > 0:22:57are we going to see another season of The IT Crowd?
0:22:57 > 0:23:00I hope we're going to do another one.
0:23:00 > 0:23:04I don't know when, but hopefully early in the New Year.
0:23:04 > 0:23:08James was worried that we might lose you to movies.
0:23:08 > 0:23:11I'm assuming you've shot some more since Bridesmaids.
0:23:11 > 0:23:16What have you got in the can, as we international actors say!
0:23:16 > 0:23:20I laughed too hard! Erm... LAUGHTER
0:23:20 > 0:23:23No, I've done another couple since.
0:23:23 > 0:23:26I've got a film called Friends With Kids,
0:23:26 > 0:23:31which is with a bunch of the same people, Kristen Wiig and Jon Hamm and Maya Rudolph.
0:23:31 > 0:23:34Maya and I are married in it, Jon and Kristen are married.
0:23:34 > 0:23:37- It's about a bunch of 30-somethings who start having children!- Right.
0:23:37 > 0:23:41I went up at the end there because you've just had a child,
0:23:41 > 0:23:44not because children make me excited.
0:23:44 > 0:23:47And, er... LAUGHTER
0:23:49 > 0:23:52That, hopefully, will come out in the autumn.
0:23:52 > 0:23:56- Dominic Fraser. Hi, Dominic. - Hi there!- What's your question?
0:23:56 > 0:23:58- Hi, Chris.- Hi, Dominic. - Nice easy question.
0:23:58 > 0:24:01- You've got three older sisters? - I do.
0:24:01 > 0:24:02There we go.
0:24:05 > 0:24:09Have you kidnapped them?
0:24:09 > 0:24:13The next question is, "Would you like to see them alive again?"
0:24:13 > 0:24:17Did they used to play dressing-up with you?
0:24:19 > 0:24:21There was some dress-up, yes.
0:24:24 > 0:24:27Dominic?!
0:24:27 > 0:24:32- What sort of dress-up are we talking about?- They would do this, erm...
0:24:32 > 0:24:34When I was asleep!
0:24:34 > 0:24:38They would wake me up really late for school,
0:24:38 > 0:24:42so I didn't have time to have breakfast or shower or anything.
0:24:42 > 0:24:45And then I would get to school,
0:24:45 > 0:24:49presuming everything to be fine, apologise for being late and whatnot,
0:24:49 > 0:24:52and I would find that people were laughing at me a little.
0:24:52 > 0:24:56And I would then go into the bathroom
0:24:56 > 0:24:59and see that they'd put makeup on me during the night.
0:24:59 > 0:25:04- No!- And when they were being particularly cruel,
0:25:04 > 0:25:09they would put on like, erm, like a smoky eye,
0:25:09 > 0:25:13like, just little... very subtle,
0:25:13 > 0:25:17so it looked like it was a choice I had made.
0:25:17 > 0:25:23So it was nothing too tarty. Just some nice, light day makeup.
0:25:23 > 0:25:26Just like I was going through a phase.
0:25:26 > 0:25:29Ladies and gentlemen, please thank Chris O'Dowd.
0:25:31 > 0:25:34I also want to say a big thank you to Josh Widdicombe.
0:25:34 > 0:25:37But now, The Faces!
0:25:39 > 0:25:42MUSIC: "Stay With Me" by The Faces
0:26:22 > 0:26:25# In the morning
0:26:25 > 0:26:28# Don't say you love me
0:26:28 > 0:26:31# Cos I'll only kick you Out of the door
0:26:33 > 0:26:38# I know your name is Rita Cos your perfume's smelling sweeter
0:26:38 > 0:26:42# Since when I saw you there On the floor
0:26:43 > 0:26:46ALL: # Stay with me
0:26:46 > 0:26:48# Stay with me
0:26:48 > 0:26:53# For tonight You're gonna stay with me
0:26:54 > 0:26:56# Stay with me
0:26:56 > 0:26:58# Stay with me
0:26:58 > 0:27:02# For tonight You're gonna stay with me
0:27:04 > 0:27:06# Won't need too much persuading
0:27:06 > 0:27:09# I don't mean to sound degrading
0:27:09 > 0:27:13# But with a face like that You got nothing to laugh about
0:27:13 > 0:27:16# Red lips, hair and fingernails
0:27:16 > 0:27:19# I hear you're a mean old Jezebel
0:27:19 > 0:27:23# Let's go upstairs And read my tarot cards
0:27:23 > 0:27:24# Come on
0:27:24 > 0:27:27# Stay with me
0:27:27 > 0:27:29# Stay with me
0:27:29 > 0:27:33# For tonight You're gonna stay with me
0:27:34 > 0:27:37# Stay with me
0:27:37 > 0:27:39# Stay with me
0:27:39 > 0:27:43# For tonight You're gonna stay with me
0:27:55 > 0:27:56Yeah!
0:28:51 > 0:28:53APPLAUSE
0:28:55 > 0:28:59Yes! Fantastic.
0:28:59 > 0:29:02Guys, brilliant.
0:29:02 > 0:29:06The Faces! Good night, everybody!
0:29:06 > 0:29:09E-mail subtitling@bbc.co.uk