:00:10. > :00:14.Shss. They have let me in again. Don't tell anyone. Have I got a show
:00:15. > :00:19.for you. I will be chatting to Kylie minute owing. Her team members,
:00:20. > :00:26.Jamie and Lee will be dropping by and vocal coach, Yvie Burnett will
:00:27. > :00:36.be here to give her expert analysis. You are watching watching VOICEOVER:
:00:37. > :00:41.Voice - The Voice: Louder on Two. Welcome, welcome to The Voice:
:00:42. > :00:45.Louder on Two. Let me hear you. Another busy show tonight. Before we
:00:46. > :00:49.get started, time to find out what is new pussycat as we enjoy our
:00:50. > :00:55.first daily gossip. First up, an interesting headline. Now magazine
:00:56. > :01:00.reports rock Ericy Wilson's wild night in after The Voice. It seems
:01:01. > :01:08.when filming finishes, he legs it home for a crazy night full of old
:01:09. > :01:14.pier yoe repeats. It is like the '0s all over. -- Poirot.
:01:15. > :01:20.We next have to report on a new craze sweeping the internet
:01:21. > :01:26.# Glassface. I thank you. Aren't they beautiful. I'm keeping these.
:01:27. > :01:32.Ever the trendsetter. Will started it all off on Saturday. Then our
:01:33. > :01:36.Kylie had a go. Look, looking cuty. Then you all followed swiftly at
:01:37. > :01:42.hoe. Including Katie from Taunton who took this -- swiftly at home.
:01:43. > :01:50.Including Katie from Taunton who took this picture of her grandma,
:01:51. > :01:57.Barbara. And the number one fan, Abbey from Liverpool. This is Manal
:01:58. > :02:02.from Glasgow making use of some good old 3D glass. You can't see his
:02:03. > :02:09.face. Just his chin. And then my favourite, Rodney the dog, courtesy
:02:10. > :02:12.of Dustin from Cheltenham. Love him. Glasses models' own and apparently
:02:13. > :02:17.they don't make you look more intelligent. And a treat for fans of
:02:18. > :02:19.clumsy presenters. This is why I'm not allowed anywhere near the famous
:02:20. > :02:51.chairs, all right. Oh - oh my God. I'm fine but have I
:02:52. > :02:58.totally broken the chair? Oh, I tell you, I'm so sorry. I was going
:02:59. > :03:04.through there saying - nothing will stop me. That is Will in the little
:03:05. > :03:08.suit. In the background. What happened? Don't ask why invests that
:03:09. > :03:12.suit. If you have anything you want it share with us, our contact
:03:13. > :03:17.details are on the screen now that was today's daily gossip. I may have
:03:18. > :03:21.had a bit of strive with the rotating chair, but one lady that
:03:22. > :03:28.has no trouble spinning around, here is why we all heart Kylie.
:03:29. > :03:35.# La, la, la # La, la, la, la, la, la, la, la...
:03:36. > :03:40.# Our favourite coach is will.i. Am. I
:03:41. > :03:47.don't know, I love Kylie. Everyone loves Kylie. Just amazing. Like she
:03:48. > :03:54.can sing, dance. She is awesome and beautiful. One of a kind. I think
:03:55. > :04:02.she brings something new to the Voyce. You want to get reading, get
:04:03. > :04:08.sexy, get spectacles on. I loved it. It's all international. She is --
:04:09. > :04:16.all natural, she is so fun Everyone wants to go on Kylie's team. I'm
:04:17. > :04:22.going to go with Kylie I fancied Charlene since I was... She has
:04:23. > :04:29.everything going for her. Give it up for the gorgeous Kyle Kylie.
:04:30. > :04:35.Leo, oh, we miss you. Leo Lunge. We should do that on a workout video.
:04:36. > :04:40.Saturday first lives for you, I imagine exhilarating but scary. Have
:04:41. > :04:46.you recovered yet? Just. Yeah. I watched it back when I got home. And
:04:47. > :04:50.- it was like an outer body experience. It was good to watch it
:04:51. > :04:55.back to know that it did actually happen. It did happen. I didn't
:04:56. > :05:00.dream it. It is good you watched it back. I can never watch anything
:05:01. > :05:04.back that I do. I get scared. Don't look, I'm on. Your team did so
:05:05. > :05:09.brilliantly. You had that very tough decision to make on Saturday night -
:05:10. > :05:14.who got your fast pass. You were saying you went hot and cold. Did
:05:15. > :05:20.you change your mind at the last minute? No. But, just in the moment
:05:21. > :05:25.of the decision I thought - I've been pretty cool up until now and I
:05:26. > :05:32.just kind of had that, like tingle throughout. And anyway, James got
:05:33. > :05:37.the fast pass. He did. Everyone rejoiced. It was fantastic. And you
:05:38. > :05:41.had to say goodbye to Rachael. Quite an emotional moment for everybody
:05:42. > :05:45.but it was lovely to see the support between your three acts and how much
:05:46. > :05:49.of a little family they have become. How much they love each other. Has
:05:50. > :05:54.that made your job easier as mentor? I tell you what has made it easiour,
:05:55. > :05:59.is people leave with so much -- easier is people leave with so much
:06:00. > :06:02.positivity. Rachael, OK I heard there were tears in the corridor
:06:03. > :06:07.afterwards. You have to let it go somewhere. But she was just excited
:06:08. > :06:12.about moving forward and, so excited about having done that performance
:06:13. > :06:17.and you know, she has a really good attitude and the world at her fee.
:06:18. > :06:24.I'm happy. She is so young, still. -- at her feet.
:06:25. > :06:28.Apart from goodbyes, have you enjoyed your Voice experience so
:06:29. > :06:32.far. From the beginning I have said it is amazing except for the parts I
:06:33. > :06:37.haven't loved because there's parts of the show where you have to say
:06:38. > :06:40.goodbye to people and constant decision-making and did you make the
:06:41. > :06:45.right decision. I'm only human like everyone else. You try to do what
:06:46. > :06:50.you think is right. But, overall, I have loved T let's hear it for The
:06:51. > :06:54.Voice family. APPLAUSE
:06:55. > :07:00.Let's big ourselves up. Don't know why I'm bigging myself up. It has
:07:01. > :07:04.taken me out of my comfort zone. I hope my acts feel that we are all
:07:05. > :07:08.doing something new and challenging but having fun along the way. You
:07:09. > :07:14.have been having plenty of fun. Let's check this out.
:07:15. > :07:28.# I'm spinning around... # Move out of my way... #
:07:29. > :07:41.# Better the devil you know... # # Come on come on, do the locomotion
:07:42. > :07:48.with me... # I'm feeling a bit out of breath.
:07:49. > :07:54.I'm not surprised after that. Has it been a tougher challenge than you
:07:55. > :07:59.expected being a mentor? Not so much the mentor part. Not working with
:08:00. > :08:03.the acts but just saying goodbye to acts. Really, really tough. We asked
:08:04. > :08:10.everybody at home to send us some questions of their own. Drumroll
:08:11. > :08:16.please. Get ready to play the lucky dip. It is like Saturday morning TV
:08:17. > :08:20.all over again. Going in, going in. Questions from you at hoe. Thank you
:08:21. > :08:24.for all your questions Rachael from Ripon - how do you think your
:08:25. > :08:28.experiences in the industry have experienced your decision on the
:08:29. > :08:35.show? Well, they all have, all my experiences make me who I am today.
:08:36. > :08:43.I think my experiences are - I hope they make me more understanding with
:08:44. > :08:47.my acts and really understand the mental acrobats that you have to do
:08:48. > :08:54.to build up to a performance. Time for one more. Go on. Too good. Koal
:08:55. > :08:57.from France - if you are a contestant, which of the other three
:08:58. > :09:05.judges would you pick? Good question. I like that. Oh - I can't
:09:06. > :09:12.just have three. Just the one. I would go with the Godfather, Tom
:09:13. > :09:14.Jones. Sir Tom, at a push. He will be well-chuffed. Thank you very
:09:15. > :09:20.much, Kylie. So, we have caught up with the CEO
:09:21. > :09:25.of Team Kylie. It is almost time to meet her junior members, Jamie and
:09:26. > :09:34.Lee. Here is how they both got on, on Saturday.
:09:35. > :09:42.You remind he me of me a little bit. Just a little bit but came out
:09:43. > :09:47.blazing and I loved that. You sing like the best of them. You
:09:48. > :09:58.are amazing. The person I'm taking through... Jamie.
:09:59. > :10:09.# I don't try to understand... I liked it. I loved it. It was
:10:10. > :10:15.ghostly. It really brought out the sensitive side. It was really nice.
:10:16. > :10:28.The artist from team Kylie with the most public votes is... It's Lee.
:10:29. > :10:32.Please welcome Jamie and Lee. Hello, boys. Congratulations to you
:10:33. > :10:36.both. Jamie, first of all, well done. Pass, straight through to the
:10:37. > :10:41.semis on Saturday night. Thank you very much. Laura from Surrey got in
:10:42. > :10:46.touch online and said, "Incredible voice, incredible guy, magical." You
:10:47. > :10:51.seemed surprised to get that pass. I was really surprised. I know we were
:10:52. > :10:56.both worrying but I was worrying a lot. You are a worry pot. I was
:10:57. > :11:00.worrying all the time. I didn't think I would get it. That was about
:11:01. > :11:03.it. I didn't think I would get straight through to the semifinals.
:11:04. > :11:08.How long were you skipping for the rest of the night? So happy and
:11:09. > :11:12.obviously the night got finished even better. We will come to that
:11:13. > :11:17.later. Lee, welcome to the show. Jackie from London said, "Stunning,
:11:18. > :11:21.butedively performance from you." -- beautiful." Is it true you were
:11:22. > :11:27.convinced you were going to go home you packed your bags? Completely
:11:28. > :11:30.true this. Man will be my witness. I kind of anticipated two days before
:11:31. > :11:34.I was probably going to go home. It was something I thought in my head.
:11:35. > :11:38.I had this instinct. I packed my bags, got everything ready. It
:11:39. > :11:45.wasn't like - I wasn't moping around... You actually weren't. When
:11:46. > :11:49.the two guys and Rachael - hi Rachael - when they were all
:11:50. > :11:55.crouched behind my chair, I didn't know you guys were going to sing All
:11:56. > :12:00.the Lovers and Lee said - I'm ready I've packed my bags. I said - what
:12:01. > :12:06.are you talking about? I did, didn't I? I forgot. I tried to knock some
:12:07. > :12:11.sense into him. Is it easier now when you know someone else is going
:12:12. > :12:16.to choose, the public? Is it easier, maybe a little bit, yeah. To take
:12:17. > :12:19.the pressure off you, just a little bit. I have no idea what is going to
:12:20. > :12:24.happen. It is exciting that the public who have invested in the show
:12:25. > :12:29.throughout the series, now it is in their hands. And rightfully so.
:12:30. > :12:38.Let's talk about your performances. Jamie you performed, Vanessa
:12:39. > :12:41.Carlton's A Thousand Miles S am I right to think you weren't sure at
:12:42. > :12:47.the beginning? Yes, it is a woman's song N general, I didn't think I was
:12:48. > :12:51.going to be able to do it: -- it is a woman's song. In general I didn't
:12:52. > :12:55.think I was going to be able to do it. I wanted to play safe. I think
:12:56. > :13:00.it was the nerves. I would say it was a risk and I was worried about
:13:01. > :13:10.the song. Can I say your face - isn't it so beautiful? I love it.
:13:11. > :13:17.Really shiny. Just gorgeous. You sang Help Me Make It Through The
:13:18. > :13:21.Night Were you worried that the youngsters wouldn't know it? I know
:13:22. > :13:26.T That was probably my biggest fear. I didn't want to alienate any group
:13:27. > :13:30.of people and apeal to one group. I think we kind of modernised it
:13:31. > :13:36.enough to appeal to everyone. That's what we set out to do. The finished
:13:37. > :13:40.product I was happy with. It is your grandma's favourite song. You sang
:13:41. > :13:44.it to her. Was she pleased? She is not with us any more. Sorry,
:13:45. > :13:48.darling, I didn't know. It was her favourite song. I had her in mind.
:13:49. > :13:53.She would have been very proud of you. I think whichever song you
:13:54. > :13:57.would have chose, you would have been worried. There is so much
:13:58. > :14:02.pressure on you. Something else exciting that people don't know is
:14:03. > :14:08.you have all moved into flats. Guess who is sharing? Jamie and Lee. The
:14:09. > :14:14.Likely Lads. Have a look. Oh, I'm with you. Come on, man. Sweet. So
:14:15. > :14:22.glad it's Jamie. He has a single bed. He is not going to be happy.
:14:23. > :14:26.Oh, man. Look at that. Good. Have a look around. Oh, man, look at this
:14:27. > :14:29.place. You are going to love your room. You are going to love your
:14:30. > :14:35.room. This is actually my room. This is your room. You are joking. Not
:14:36. > :14:40.joking. Does it fold out. I bet you have a single bed at home? I have a
:14:41. > :14:44.double bed. No way, man, no way. Are you going to put the kettle on?
:14:45. > :14:51.I can't believe this, man. Dude, look at this. Obviously, I know it
:14:52. > :14:57.is just a tap but... Go on, give it a blast. Just getting my a
:14:58. > :15:05.essentials out. What have you got? I will show you. All my favourites.
:15:06. > :15:12.One of your five-a-day in there. That's the main things Apple pies.
:15:13. > :15:21.You have to saviour it. You can't have it all in one. Mm.
:15:22. > :15:25.# Cool the Simpsons Oh, yeah, it is
:15:26. > :15:32.mine and Lee's apartment. It is the best one. Look at that. We have our
:15:33. > :15:37.keys. So chuffed. I would love to see the state of that place now S it
:15:38. > :15:45.still looking like that? -- place now. Is it still looking like that?
:15:46. > :15:48.We need a catch up. Love the tap. Very flash. This weekend we are
:15:49. > :15:52.going to be listening now to the songs you will be singing. This is
:15:53. > :16:05.the song you are going to sing Jamie.
:16:06. > :16:12.# Here in the dark # In by the hour... #
:16:13. > :16:17.That's Bonnie rate's song. There will be tears. Your sister will be
:16:18. > :16:23.in tears She is easily crying anyway. I don't know what she will
:16:24. > :16:27.be like. Let's listen to the original Bonnie Raitt.
:16:28. > :16:32.I can't listen to much, I will be weeping buckets. Lee, your turn.
:16:33. > :16:43.Let's listen to Lee's song. Here we go.
:16:44. > :16:49.# Underline # Now listen... #
:16:50. > :16:55.I love the fact you are singing London Grammar. One of my favourite
:16:56. > :17:00.bands. They are the kind of band -- are they the kind of band you see
:17:01. > :17:05.yourself being up alongside? If we are looking at modern day bands, it
:17:06. > :17:08.is the kind of sound I want to portray. Looking at doing something
:17:09. > :17:12.modern this week to see the direction I can go in. It will be an
:17:13. > :17:17.incredible show. Also, you get to perform with Kylie. Up on the stage.
:17:18. > :17:26.You have been rehearsing. What song are you going to sing? ? Let's hear
:17:27. > :17:31.# Is it blue... #! We have harmonies. Are your voices
:17:32. > :17:34.blending nicely? You have all different voices? It is getting
:17:35. > :17:39.there. I'm giving them a hard time - it is like this, like this, like
:17:40. > :17:44.this. It is necessary. And it is really helpful having that, "It's
:17:45. > :17:51.like this", it makes you learn it properly. Well, live on TV with your
:17:52. > :17:55.mentor Kylie minute owing. It doesn't get better.
:17:56. > :17:59.We have a treat for you now. We are missing Rachael. She came in and
:18:00. > :18:10.recorded a special acoustic performance for us. Look at this.
:18:11. > :18:13.# Tell me are you feeling strong # Strong enough to love someone
:18:14. > :18:17.# And make it through the hardest storm
:18:18. > :18:21.# And bad weather # Will you pull me from the flames
:18:22. > :18:31.force fors # Hold me' til I feel no pain
:18:32. > :18:41.# And give me shelter from the rain # Forever
:18:42. > :18:44.# Where can I find her # She took the light and left me in
:18:45. > :18:48.the dark # She left me with a broken heart,
:18:49. > :19:00.yeah # Now I'm on my own
:19:01. > :19:04.# If anybody sees him... # Oh, give it up for Rachael. Part of
:19:05. > :19:12.Team Kylie. I feel you will be friends for life. Always. We hope
:19:13. > :19:16.so. Good luck. Give it up for Team Kylie, Jamie and Lee.
:19:17. > :19:21.APPLAUSE We need to work on that. Work on the
:19:22. > :19:27.group hugs. You can help Jamie and Lee and all the acts enjoy their
:19:28. > :19:31.first taste of chart success by downloading the performances. Head
:19:32. > :19:36.to the website. 20p goes to the BBC per performing arts charity.
:19:37. > :19:40.Now, what is the one thing every mega famous superstar needs? Why, of
:19:41. > :19:50.course, it is your very own waxwork. Take a lack at this. -- take a look.
:19:51. > :19:56.We have Kylie minute owing. She is one of our most popular figures in
:19:57. > :20:01.the attraction. She is in the limelight a lot. So we like to keep
:20:02. > :20:09.her looking fresh. We have updated her this time to coincide with her
:20:10. > :20:14.being be The Voice. -- being on. There will be around about 20 people
:20:15. > :20:19.to produce a figure like Kylie. About ?150,000 to make. Generally we
:20:20. > :20:24.repaint the figures every now and then when they start to get really
:20:25. > :20:31.dirty or old or in Kylie's case she has been re-styled. New make-up,
:20:32. > :20:35.lipstick, eye shadow to match her new look. Of Putting loose curls
:20:36. > :20:38.into her hair. What people don't realise it is all human hair, so we
:20:39. > :20:42.can use the same equipment and were ducts that you would on a human.
:20:43. > :20:47.Each hair is individually inserted one by one. Depending on how much
:20:48. > :20:52.hair the person has. It can take up to four or five weeks to insert one
:20:53. > :20:57.head to get every detail the same. We have done all the final touch-ups
:20:58. > :21:08.on her and we are going to put her on the floor, looking beautiful.
:21:09. > :21:12.I think she's just amazing. She's really reinvented herself over the
:21:13. > :21:17.years so many times. You can't help stay engaged with her and love her.
:21:18. > :21:21.You can't get bored with her. I love Kylie on The Voice. She is so fresh
:21:22. > :21:26.and exciting. She looks so tiny in the chair but the personality is
:21:27. > :21:31.massive I love her honesty. It is great. Will.i. Am will be brilliant
:21:32. > :21:36.but I think Kylie is just kind of exciting and brings that fun factor
:21:37. > :21:42.to the whole show, which I like. Oh, Lee and Jamie are - can you imagine
:21:43. > :21:47.if we were waxes. We decided to make them out of Plasticine.
:21:48. > :21:52.While the acts made it easy on Saturday night, one woman knows how
:21:53. > :21:57.hard they worked. That woman is vocal coach extraordinaire, Yvie
:21:58. > :22:01.Burnett As a vocal coach and singing teacher, I train every type of
:22:02. > :22:05.singer. I'm all about the technique. When a singer realises their
:22:06. > :22:10.potential and can do things even they didn't know they can do, it is
:22:11. > :22:15.a special moment for me. Welcome Yvie to the show.
:22:16. > :22:22.Hello gorgeous lady. You have been a singer, a long, long time. An opera
:22:23. > :22:25.singer and a vocal coach for a belong time. How do you and Ali
:22:26. > :22:30.Tennant, who we will meet tomorrow, support the work of the coaches,
:22:31. > :22:36.Will and Tom and cably and Ricky? Well they have a vision from the
:22:37. > :22:39.singers musically. We back it up with technical support. Anything
:22:40. > :22:43.they want them to do, we can make sure they can achieve that. I have
:22:44. > :22:48.worked with Tom and Will for three years so it is a short-hand with
:22:49. > :22:51.them but Kylie and Ricky are lovely. It is a real team thing. We all work
:22:52. > :22:56.together to get the best out of them that we can. Loving the energy.
:22:57. > :23:01.Let's lack at the performances from Saturday starting with Christina
:23:02. > :23:03.Marie from Ricky's team. She closed the show with a very powerful take
:23:04. > :23:19.on the Foo Fighters. Oh I, it just makes me want to fling
:23:20. > :23:29.my arms into the air. If you are not aware, this is the original foo
:23:30. > :23:35.fighter's song, Dave Grohl. I'm impressed my mother knew that. For
:23:36. > :23:39.such a little lass and a huge Voyce, in Christina Marie, how does that
:23:40. > :23:42.work? You are born with it. It is all to do with the shape of your
:23:43. > :23:51.mouth where your cheekbones are. You are either lucky or not to have that
:23:52. > :23:58.God-given talent. Her idol is Maria. She has exercised singing to Maria
:23:59. > :24:03.all her life. She has exercised her own voice. Now we are learning text
:24:04. > :24:07.neeks about control, that self-taught singers don't teach
:24:08. > :24:12.themselves. Sometimes if you are self-taught, it comes out some days,
:24:13. > :24:17.others it doesn't. Team Tom, we will have a look at Sally and her
:24:18. > :24:24.beautiful performance from Saturday. # You don't know what it's like
:24:25. > :24:28.# Baby, you don't know what it's like
:24:29. > :24:34.# To love somebody... # Oh, the judges were all standing up.
:24:35. > :24:39.Tears from Tom. What is it about Sally's Voyce that just connects
:24:40. > :24:45.with the audience and makes us so emotional -- Sally's voice? Everyone
:24:46. > :24:47.seems to be touched on Sally, if you read on Twitter. It is life
:24:48. > :24:52.experience. We know she has been through a lot, good times, bad
:24:53. > :24:57.times. She or trays that in her singing. It comes out. I say to her
:24:58. > :25:01.-- she portrays that. I say she is like an Oscar-winning be a tress.
:25:02. > :25:06.When you watch a film andp don't know somebody is acting and you get
:25:07. > :25:10.to the end and you think - oh, they were acting. That's like Sally. You
:25:11. > :25:17.think she is the character. She has not been too well, she has had
:25:18. > :25:21.sinusitis. How have you managed to work? Well, if you have something
:25:22. > :25:25.like that there is a lot of gunge, it is not easy, when you are a
:25:26. > :25:32.singing, you don't want, that you will get cracked notes. We have been
:25:33. > :25:42.working on that the nasal things. You put a towel over your head to
:25:43. > :25:46.inhail. Dr Yvie. Let's look at Bizzi from Team Tom.
:25:47. > :25:54.# If you really love me # Won't you tell me
:25:55. > :25:57.# And I won't have to be... # You worked with Stevie wonder. That
:25:58. > :26:00.was clever what he did there. We want to concentrate on one
:26:01. > :26:05.particular moment. If we look here, this is where he changed tempo - I
:26:06. > :26:11.have been told this is quite a tricky thing to do, Yvie, tell me
:26:12. > :26:15.why? Well, you have a your audience all up dancing with energy and
:26:16. > :26:19.suddenly you have turned the song into a ballad. You have to keep the
:26:20. > :26:25.intense yited. You don't have them going - -- intensity. You don't want
:26:26. > :26:32.them going - what is happening now? You have worked with Stevie wonder.
:26:33. > :26:42.We have Lee finally for Team Kyly and his passionate performance from
:26:43. > :26:46.Saturday. -- from Team Kylie.
:26:47. > :26:56.# I don't try to understand... # Kylie says he has one of the most
:26:57. > :27:02.unique voices. What is it that makes him so different? He has that sound,
:27:03. > :27:06.a fast braf atow. You know when you recognise a singer on the radio,
:27:07. > :27:11.they are all big superstars. Lee is like that. If we heard him, we know
:27:12. > :27:16.it is him. That's such a talent. He changes the songs. He does his own
:27:17. > :27:21.little twist, a dark melancholy thing going on, he does a little Lee
:27:22. > :27:26.footprint to each song that we recognise now. He does upwards bits
:27:27. > :27:29.and twists and we are beginning to see his style within all the songs
:27:30. > :27:36.he does. He is a clever guy, is our Lee. A clever boy. Let's look at the
:27:37. > :27:50.original to that song, his gland's favourite song, Chrisostomidis toff
:27:51. > :27:59.son. -- Kris Kristoffersen. A bit of country. You must find it
:28:00. > :28:05.hard to say goodbye to them. They must trust you Yes, they trust me,
:28:06. > :28:08.they have to sing in the room with me. So it is hard to say goodbye.
:28:09. > :28:13.Wep don't really say goodbye. We have already been speaking to the
:28:14. > :28:19.guys who have been out of the show this week. I'm still there for them.
:28:20. > :28:24.How are they going to dazzle in the semifinals? Well, more high notes,
:28:25. > :28:28.more risks, more everything. More dancing, pyrotecniques. They think
:28:29. > :28:33.this week they have had to bring it all but next week they'll have to
:28:34. > :28:39.come out with even more. So good. By the way, shoe alert. Look at those.
:28:40. > :28:45.We will be meeting Yvie's colleague, Ali Tennant tomorrow, to talk
:28:46. > :28:49.through the remaining semifinals. Yvie Burnett everybody.
:28:50. > :28:58.Thank you for joining us. Ricky will be here tomorrow with Christina
:28:59. > :29:01.Marie and Chris. We will see you then, good night. Force