:00:00. > :00:20.Here I am again, still not allowed near those chairs. Another brilliant
:00:21. > :00:24.show for you tonight. I will be having a catchup with Mr Hot stuff,
:00:25. > :00:31.Ricky Wilson. He will be bringing his posse with him, Christina Marie
:00:32. > :00:40.and Chris. Plus further expert analysis with superstar vocal coach
:00:41. > :00:44.Ali Tennant. Hello and welcome to The Voice: Louder on Two. Before we
:00:45. > :00:47.crack on, livly tonight, it's time to look at the world of news and
:00:48. > :00:52.social media for today's Daily Gossip. First up, exciting news. It
:00:53. > :00:57.seems like our singers are enjoying their very first taste of chart
:00:58. > :01:02.success. After Saturday's live show, no fewer than six acts made it into
:01:03. > :01:07.the download charts. Nice! Congratulations to all of them.
:01:08. > :01:12.Another craze that has swept the internet The Voice Meme. If you are
:01:13. > :01:19.like me and didn't know what a meme was, it's caption for a funny photo.
:01:20. > :01:26.Educate as well. You have been giving your captions for this lovely
:01:27. > :01:32.picture. Gaz said, "OK, who has put glue in my pockets?" It's better if
:01:33. > :01:39.you had a drink. Sandra from Copenhagen gave us, "where is Kylie!
:01:40. > :01:46.We're so doing that scene from Titanic." Better received. Another
:01:47. > :01:51.favourite was from Lisa from Milton Keynes with, "these new urinals
:01:52. > :01:55.aren't very private." Cheeky. That was the best one. If you want to get
:01:56. > :02:01.involved give us your caption ideas for this week's picture. It's Kylie
:02:02. > :02:05.and Jason Derulo. To have a look, all the details can be found online.
:02:06. > :02:12.I will reveal some of our favourites next week. That was your Daily
:02:13. > :02:16.Gossip, thank you. Over the course of the series a certain indi rocker
:02:17. > :02:21.has secured his place as the nation's latest sweetheart. Don't
:02:22. > :02:28.believe me, there is evidence. I really like Ricky. He is energetic.
:02:29. > :02:34.He's good -- it's good to have a rock star on the show. Fantastic.
:02:35. > :02:39.Brings a little bit more indi to the show. Is rather nice. I think he is
:02:40. > :02:47.gorgeous. # Something about the boy... #
:02:48. > :02:56.He has a great sense of humour. Funny, just cute as well. He always
:02:57. > :03:01.gets up and dance. They didn't do that before. He is quite a cool
:03:02. > :03:09.character. Did he leave you hanging? If I was on the voice I would choose
:03:10. > :03:12.Ricky, definitely. We like Ricky, northern and honest. I will play the
:03:13. > :03:17.game my way. I think he could win this year. He is backing all the
:03:18. > :03:25.way. Give it up for the delightful Mr Ricky Wilson. I'm clapping
:03:26. > :03:30.myself. Do that, it's bad. You are one of the new coaches, how has your
:03:31. > :03:33.experience been, has it been tougher than you anticipated? It has been
:03:34. > :03:37.tough. I found it quite rewarding, this is quite serious. I've learnt a
:03:38. > :03:41.lot more than I thought I would learn. Yeah, it has been great. I
:03:42. > :03:46.like the fact you are learning as well? I'm learning more than they
:03:47. > :03:51.are. This is brilliant. I'm taking a lot away from this. That is what we
:03:52. > :03:57.need. You had to make the big decision on Saturday, a Fast Pass,
:03:58. > :04:03.how tough was that? I can see them there. I can't tell the truth, can
:04:04. > :04:07.I? How tough was it? It was really tough. It it ruined the night for
:04:08. > :04:11.me. I wanted to enjoy it. All I was think being was this horrible thing
:04:12. > :04:18.I had to do. It turned out OK. Yeah, I think so. I'm pretty pleased with
:04:19. > :04:23.it. It was always on my mind for the week leading up to it. I didn't
:04:24. > :04:27.sleep much. It's a big decision. It is live. Is so important to them
:04:28. > :04:31.much you said that any of the team could have won it. Why do you think
:04:32. > :04:35.Emily went home that night particularly? That is, thankfully,
:04:36. > :04:40.is not my decision any more. That was the last decision I made was the
:04:41. > :04:45.Fast Track, after that it was the British public decided. It gave
:04:46. > :04:50.Christa real confidence boost when they verified him, in a way. Then
:04:51. > :04:55.unfortunately Emily didn't make it through. It doesn't mean she is not
:04:56. > :05:00.still around. She sent me her original stuff the other day. It's
:05:01. > :05:05.great. I know she will go on. She said up there, it's not the last you
:05:06. > :05:08.will see of her. It won't be. I strongly believe. That we will hear
:05:09. > :05:14.frommer later on in the show as well. Cool. You have been having fun
:05:15. > :05:18.on the show. It's emotional, how does it feel to get involved in
:05:19. > :05:23.these people's lives? I didn't think I would learn as much as I had done,
:05:24. > :05:28.I didn't think I would care as much as I do. You sign up to the TV show,
:05:29. > :05:32.it's fun, this big set. Centre of it is these people's lives. I didn't
:05:33. > :05:36.know that I was going to get that involved in it. And how these people
:05:37. > :05:41.would become... I would become that close to them and care so much.
:05:42. > :05:47.Every week a few of them have to go. This week is no exception. Someone
:05:48. > :05:51.has to go. Auto I've told them, you know, it's up to the public now. I
:05:52. > :05:54.promised them both I would take them as far as I could. I haven't gone
:05:55. > :06:01.back on my word on that. Exciting stuff. We are particularly loving
:06:02. > :06:09.your way with words. Are you? Yeah. Let us remind ourselves. Come to
:06:10. > :06:14.Ricky. He has 99 problems, but his pitch isn't one. I want you on my
:06:15. > :06:18.team. I think I would be in the lead if I had you. I feel I'm the closest
:06:19. > :06:25.to you artistically than anyone else here. You complete my team. You
:06:26. > :06:34.complete me. Ricky is getting tricky. I have no hope against Ricky
:06:35. > :06:41.and his dazzling blue eyes. I've fallen for. It I'll go Ricky. He
:06:42. > :06:45.seems like a ninja, it seems falls he has something up his sleeve all
:06:46. > :06:48.the time. I will not give up until you have won this. You are the
:06:49. > :06:59.reason I made the decision to come on this show. Ricky, Ricky. Ricky.
:07:00. > :07:04.Good pitch. You smooth operator. You should do the vt of the ones that
:07:05. > :07:08.said other names. There are a lot of them. We will do that. Obviously,
:07:09. > :07:11.there is a great sense of camaraderie between you and the
:07:12. > :07:16.other coaches, you get on great. It is a competition. How much do you
:07:17. > :07:20.want to beat the others? It's weird. It is changing. At first I really
:07:21. > :07:23.wanted to win, I was thinking about it from my point of view, that I
:07:24. > :07:28.wanted to win. The the more and more it goes on, and the more time I
:07:29. > :07:33.spend with my final two over there, it's not really - I know this sounds
:07:34. > :07:37.disingenuous, it's not about me any more, I want them to win. It's a
:07:38. > :07:41.nice side benefit, if they win, I win. It's not about the coaches any
:07:42. > :07:47.more. It's about the person who wins the whole thing. So much - For not
:07:48. > :07:55.answering that question properly. Well done. We chatted to the Chief
:07:56. > :07:56.it's time to meet the mini Kaisers, Christina Marie and Chris. Here's
:07:57. > :08:16.how they nailed it on Saturday. I know I say great a lot, but that
:08:17. > :08:22.was great! You sounded amazing. Thank you so much. Really. The
:08:23. > :08:23.person I'm taking through to the semi-finals next week is Christina
:08:24. > :08:35.Marie. # I see the light... #
:08:36. > :08:41.You were warm and your soulful voice, you keep giving. The song
:08:42. > :08:47.choice was brave. It you sang it amazing. You are a bona fide star
:08:48. > :08:49.tonight. The artist from Team Ricky with the most public votes is...
:08:50. > :09:05.It's Chris! Please welcome Christina Marie and
:09:06. > :09:07.Chris! Well done to both of you. Powerful stuff on Saturday night.
:09:08. > :09:11.Christina Marie I heard you were sick with nerves before going on the
:09:12. > :09:17.show. You would never know that watching you, how was it for you?
:09:18. > :09:21.Yeah. It was a massive, massive day. Unlike anything I'd ever done before
:09:22. > :09:24.musically and just... I was a little bit sick. That was the first time
:09:25. > :09:28.that happened to me. I was like, "what is happening to my body?"
:09:29. > :09:31.Luckily, aisle managed to get through the day. Yes. It was good.
:09:32. > :09:35.It's really difficult dealing with nerves like that. What advice do you
:09:36. > :09:42.give them when they are nervous? I was harsh with you on the day I was
:09:43. > :09:46.- get on with it. Get a grip? There are times for just saying - look,
:09:47. > :09:50.get it together. She deals with her nerve Secretary of State well
:09:51. > :09:55.usually. This was the biggest thing. I think, to an extent sometimes, you
:09:56. > :10:00.bottle it up, that is why it came out like it did. I think you can use
:10:01. > :10:04.it more than you do. What people like about nerves is, if you are
:10:05. > :10:07.nervous it shows you care and it shows you want it to be good.
:10:08. > :10:12.Nothing wrong with that. Also, Chris, you were overcome with
:10:13. > :10:20.emotion out there. How was Saturday night for you? It was crazy. It was
:10:21. > :10:25.just like... Iowa -- I was so excited to gn October stage for the
:10:26. > :10:29.first time I wasn't nervous. In that spur-of-the-moment everything
:10:30. > :10:35.went... , I'm here, I'm doing. It after my performance I actually
:10:36. > :10:41.couldn't talk. Speechless. Did you have to have a lie down? I'm not at
:10:42. > :10:44.all surprised. Let us talk about Everlong. Let's remind ourselves of
:10:45. > :11:03.Saturday. Awesome. # For ever... #
:11:04. > :11:07.Kimberley said online, "it was like a moment out of a movie". It was
:11:08. > :11:12.huge. How much did you get swept up in the emotion of the song, of the
:11:13. > :11:16.frock, of the staging? It was just obviously you could see that the
:11:17. > :11:21.production of it was absolutely amazing. I felt like Cleopatra in
:11:22. > :11:24.that dress. Everything coming off of me and the projections. It was like
:11:25. > :11:28.something out of a movie. I got caught up in the emotion. I felt
:11:29. > :11:33.like I was singing the story of me, my journey. Yeah, it was very, very
:11:34. > :11:39.big moment. Were all caught up in it. I'm glad she did. Sometimes she
:11:40. > :11:42.is so professional and on, it you are flawless, sometimes you forget
:11:43. > :11:48.to use the emotion and the real stuff that is going on. On Saturday
:11:49. > :11:55.night she blew it away. That lovely moment, as you finished tomorrow
:11:56. > :12:01.turned to you... Was it like the seal of approval from Sir Tom. I'm
:12:02. > :12:08.always looking for approval. He gave it to me that night. Did. Chris,
:12:09. > :12:13.your Elbow classic. We will play a little bit of it and remind
:12:14. > :12:19.ourselves. Hair standing on end as we listen to. This Josh said, "your
:12:20. > :12:25.performance made him and his mum cry, you even had Ricky in tears".
:12:26. > :12:28.How did you feel? Going through the journey a lot of people have
:12:29. > :12:35.commented and intrigued about how I use the emotion and portray it in a
:12:36. > :12:41.song. I don't know how I do it. If I didn't I wouldn't tell anyone. It to
:12:42. > :12:46.yourself. It's overwhelming and nice to connect to the people. If you
:12:47. > :12:51.don't touch somebody when you are singing, you are only entertaining
:12:52. > :12:59.yourself. If you do, you get in trouble! You got a shout out at Old
:13:00. > :13:04.Trafford last night. I did. I got a call saying, "you have been on
:13:05. > :13:10.United's ground" - I was like "what." Semi-finals on Saturday. How
:13:11. > :13:14.did the rehearsals go today? I think they went rather well. I shouldn't
:13:15. > :13:18.say this, I will not say it then. I think it went... Leave it at that.
:13:19. > :13:24.Not compared to any other teams. All I can talk about is what I think
:13:25. > :13:29.about my team, I think it went well. Is secretly chuffed. Christina Marie
:13:30. > :13:37.you are are doing Bang Bang. Here is the David Guetta version that we can
:13:38. > :13:42.hear. It travelling the charts. Here is that version. This is Christina
:13:43. > :13:48.Marie in rehearsals. # Bang, bang, you shot me down
:13:49. > :13:57.# Bang, bang, I hit the ground # Bang, bang, that awful sound... #
:13:58. > :14:02.I am glad they didn't give too much away. Don't give too much away.
:14:03. > :14:08.There is a lot more. Specially from you we would expect no less. , your
:14:09. > :14:14.turn. An absolute classic by Nat King Cole.
:14:15. > :14:18.# Smile though your heart is aching... #
:14:19. > :14:23.This will be a moment on Saturday night. Let's see you in rehearsals
:14:24. > :14:28.today. # Smile though your heart is aching
:14:29. > :14:35.# Smile even though it's breaking # When there are... #
:14:36. > :14:44.Josh, you and your mum will be in pieces again on Saturday. Stock up
:14:45. > :14:49.on tissues. We have another Over The Rainbow Moment. This time it will be
:14:50. > :14:55.me as an artist that you will see. You get up and sing together, the
:14:56. > :15:03.three of you! Ricky, what song have you choosen? We are doing The Kinks,
:15:04. > :15:08.You Really Got Me. Who starts? Moo me. To get it out of the way. I will
:15:09. > :15:13.stand back and go - all right. You have joked on the show that your
:15:14. > :15:19.acts might show you up? I haven't joked about it. I'm serious about
:15:20. > :15:23.it. Technically, I've never been to singing school, if there a singing
:15:24. > :15:28.school. It was learnt on the road. It was learnt over a long period of
:15:29. > :15:33.time. These guys are technically far superior than I will ever be. I bow
:15:34. > :15:39.down to that. I can't wait for you to hear it. Your face is making me
:15:40. > :15:44.excited. I have a treat for you. Here is your old team-mate, Emily,
:15:45. > :15:48.in the studio earlier on in the week with a swansong, acoustic
:15:49. > :15:54.performance of Happy. This is beautiful.
:15:55. > :16:05.# It must seem crazy what I'm about to say
:16:06. > :16:09.# She's here you can take a breath # I'm a hot air balloon that can go
:16:10. > :16:15.to space # With the air, like I don't care
:16:16. > :16:21.# Baby, by the way # Clap along if you feel like a room
:16:22. > :16:29.without a roof # Clap along if you feel happiness
:16:30. > :16:38.is a truth # Clap along if you know what
:16:39. > :16:51.happiness is to you clap along if you feel that's what you want to do
:16:52. > :16:58.# Give me all you got, and no holding back.
:16:59. > :17:08.# I should probably warn you, I'll be just fine
:17:09. > :17:22.# No thanks to you, don't waste your time
:17:23. > :17:27.# Ooo-ooo-ooo-ooh... # 48 minutes she held that note. I
:17:28. > :17:32.don't think that is the last we will hear from Emily. Ricky, good luck on
:17:33. > :17:38.Saturday night. Yeah. It will be spectacular. They don't need it. I
:17:39. > :17:43.need it. Ricky will be with his other band The Kaiser Chiefs on BBC
:17:44. > :17:53.Breakfast tomorrow morning. No staying up late. Give it up for Team
:17:54. > :18:01.Ricky. Some behind-the-scenes access for you now. It's time to meet the
:18:02. > :18:07.man who ensures every performance looks as good as it sounds. I'm
:18:08. > :18:11.Nathan Clarke the Creative Director and choreographer for the voice.
:18:12. > :18:15.It's my job to make Saturday night spectacular. Now we are into the
:18:16. > :18:21.live shows it's a whole new world. The stage is almost twice the size.
:18:22. > :18:25.We have dancers. We've got LED screens everywhere. It's big!
:18:26. > :18:29.Everything starts right here in this room. This is where the ideas come
:18:30. > :18:33.to life. The coaches have a lot of input in the creative process for
:18:34. > :18:39.their contestants. It's, basically, my job to make their vision come to
:18:40. > :18:44.life. It's something we work together on. Series three coaches,
:18:45. > :18:48.four very individual people, with very different ideas. Kylie, very
:18:49. > :18:54.straight-forward. She knows what she wants to see. Not dancers. Like
:18:55. > :18:59.facing the other way or doing something a bit more abstract. Ricky
:19:00. > :19:04.thinks bigger. Let's go for it. Big hair, exciting outfit. I think it
:19:05. > :19:08.needs to be a proper extreme. Tom likes a stripped back feel.
:19:09. > :19:13.Everything needs to be easy and more about the emotion. It's tender
:19:14. > :19:19.there. You show a lot of emotion. Will, Will has some crazy ideas. You
:19:20. > :19:26.want to come out of a cake like Grace Jones. You want trampoline,,
:19:27. > :19:32.you can freak them out. Finding a balance with Will. What will work
:19:33. > :19:39.and what's just so crazy. You want to come out wrapped in a borrito,
:19:40. > :19:44.singing Mexican style. Now, it's crunch time this is the rehearsal
:19:45. > :19:48.day. The contestants seeing the dancers around them and getting a
:19:49. > :19:51.feel for their performances. It's tough trying to get the contestants
:19:52. > :19:55.into a situation they are not used to. They have to learn choreography
:19:56. > :19:59.and remember it. Go away and practice it. It isn't something they
:20:00. > :20:04.do every day. I don't know what I'm doing. I cannot dance. There is a
:20:05. > :20:09.difference between not being a dancer and not moving at all. Yeah.
:20:10. > :20:13.Little things like when the band are going
:20:14. > :20:21.# Bang, bang, bang... # You need to feel in your body. It
:20:22. > :20:27.comes naturally to some performers and that others. Everyone has left
:20:28. > :20:32.with a smile on their face. I will see you when you have the whole
:20:33. > :20:38.production. I'm excited. Rehearsesals going great. We are
:20:39. > :20:43.going to smash it. Feeling very nervous. This is the last day before
:20:44. > :20:49.the Live Finals. I have forgotten what to do with the walking bit.
:20:50. > :20:52.It's on the "i." As well as doing the choreography with the
:20:53. > :20:58.contestants and the dancers, I'm being looking at screen graphics,
:20:59. > :21:03.floor graphics, then lasers. If the raidsers are static, when it kicks
:21:04. > :21:15.in we need to go somewhere with it. We need to put everything together
:21:16. > :21:19.for the package I had in my mind. We are throwing them together in the
:21:20. > :21:24.mix for a one group number. Have the time of your lives. Mix the teams
:21:25. > :21:29.up. As excited as I am for the live shows I'm very nervous, but I just
:21:30. > :21:33.can't wait for it all to happen and sit back and see what these guys
:21:34. > :21:39.bring. They all love Nathan. He is a dude. Yesterday, the delightful Yvie
:21:40. > :21:48.Burnett talked me through soft of the weekend performances. Tonight we
:21:49. > :21:53.look through the Highs and the Lows of the remaining acts with the
:21:54. > :22:01.voice's other vocal coach. Ali Tennant. . With JLS and nurturing
:22:02. > :22:05.new stars from the rehearsal studio to the world stage. That is what
:22:06. > :22:14.it's about for me. Let's hear it for Ali. You are a one man music
:22:15. > :22:19.machine. You have worked with Labrinth. I'm flattered. Yes I
:22:20. > :22:25.worked with Labrinth. I've worked with JLS, with Jessie J. One
:22:26. > :22:30.Direction. A lot of others. They all speak very highly of you. You and
:22:31. > :22:34.Yvie work together. How do you decide who goes with who? What we
:22:35. > :22:39.do, after the blinds, what we do is we split them up down the middle.
:22:40. > :22:42.All the coaches, I get half, Yvie gets half. That is how it goes on
:22:43. > :22:49.throughout the show and through the stages. Have you ever tried to pinch
:22:50. > :22:56.someone? I tried. It doesn't work. We will start with Chris from Team
:22:57. > :23:01.Ricky. Let us remind ourselves of his performance.
:23:02. > :23:05.# So pull those curtains wide # One day a like this a year will
:23:06. > :23:10.see me right... # Such a great song to sing from
:23:11. > :23:17.Elbow. The big build at the end. Why is Chris so good at selling a song?
:23:18. > :23:23.First of all, I like to call him the Urban Buble. I love his voice. You
:23:24. > :23:28.know, Chris has the gift of being able to connect with a song
:23:29. > :23:32.immediately. He is one of the one that is you give him the piece of
:23:33. > :23:40.paper with the lyrics on, it he is like, yeah, I've got it. You feel
:23:41. > :23:46.it. It's a gift. He is great. He has a really big range as well. I don't
:23:47. > :23:52.know if that is the technical term - big range... He has got a great
:23:53. > :23:58.range to his voice. He goes from falsetto to his chest voice. We will
:23:59. > :24:04.explain some of that. This is you guys working on theon song together.
:24:05. > :24:09.# I see the light... # You are on chest at that point?
:24:10. > :24:14.# I see... # # I see... #
:24:15. > :24:22.# I see the light... # Come back down to change.
:24:23. > :24:26.# The light... The light... # Chest.
:24:27. > :24:28.# The light, light... #. It's like being stroked when you
:24:29. > :24:33.hear that. What is the difference between a head and chest voice? OK.
:24:34. > :24:38.I want to get you to do it. Don't make me do it. It's horrific. You do
:24:39. > :24:44.it. You are the singer. The chest voice is an extension of your
:24:45. > :24:48.talking voice. If I were to go # And... #
:24:49. > :24:53.I'm talking. Working for me. Same voice. Your falsetto, your head
:24:54. > :24:59.voice. If I were to do an impression of a female opera singer I would go
:25:00. > :25:06.will being laaaaa... # That's in my head voice. OK. Do an
:25:07. > :25:13.impression of a female opera voice and that is your head voice. On to
:25:14. > :25:22.Team Will and a bit of treasure from Jermain.
:25:23. > :25:23.# You can make my wish come true... #
:25:24. > :25:30.He is something else, isn't he? Stunning. In there there had to be
:25:31. > :25:37.the Jermain moment. Absolutely. Let us remind ourselves.
:25:38. > :25:42.# Yeah, yeah... # You can see the effect it had on
:25:43. > :25:47.Will. How do you train a voice like that? I love a sing we are a great
:25:48. > :25:51.vocal range. He goes down to his baritone. Now, you have to train the
:25:52. > :26:02.full width of their range with that one. You have to do a lot of scales.
:26:03. > :26:07.A lot of stuff like that. To expand the bottom of his range. Then you
:26:08. > :26:12.get it. As long as you can pick the points in the song to give him that.
:26:13. > :26:20.When Jermain does that it makes my knees go funny. Jamie from Team
:26:21. > :26:26.Kylie. Here he is on Saturday. # If I could fall into the sky
:26:27. > :26:32.# Do you think time would pass me by # Because you know... #
:26:33. > :26:37.What a gorgeous boy. We have seen him doing R'n'B, rock and female
:26:38. > :26:43.pop. Is there anything he can't do? Which is he most suited to? He has
:26:44. > :26:48.done a range of songs. I think, you know, the shock of Jamie is when you
:26:49. > :26:57.see him do, you know, an Essex boy coming out doing a soul song. A
:26:58. > :27:01.soulful vocal. That is where his voice is really suited to. He can do
:27:02. > :27:05.anything with that range and that passion. I think that is part of the
:27:06. > :27:11.wonder of the show. You see the face, they sing, you didn't expect
:27:12. > :27:17.that. Sophie May for Team Will. Here is a reminder of her performance
:27:18. > :27:22.# Can I just have one more moon dance with you, my love
:27:23. > :27:30.# Can I just make some Morrow mans... #
:27:31. > :27:34.Jazz Sophie May does. It is about delivery, I'm informed. What make it
:27:35. > :27:44.is different as a style? With jazz you have to be behind the beat, but
:27:45. > :27:49.be on time. A lot of it has a drol to it. The annunciation --
:27:50. > :27:53.pronounceation is slurred. If you think of the performances of
:27:54. > :27:58.Winehouse wine, it was slurred, but at the same time you felt it. Jazz
:27:59. > :28:03.is very much behind time, but on time. Sophie had a head voice moment
:28:04. > :28:13.herself, did she? Absolutely. Here it is. Her head voice moment.
:28:14. > :28:19.# Ooooooo-oooh... # Beautiful. Difficult was that to do
:28:20. > :28:23.that? She is so young. She is 17. To know your voice like that. It take
:28:24. > :28:27.as lot of work and practice. She naturally has it. We had to work,
:28:28. > :28:31.coming from the chest voice, going up to the head voice. You know, it
:28:32. > :28:37.gave her more range to it. She went in and she did a great job. I love
:28:38. > :28:46.the faces you pull when you go to your head voice. Give it up for Ali.
:28:47. > :28:49.We will see you next week. Thank you so much for watching tonight and to
:28:50. > :28:52.all my guests, Ricky, Christina Marie, Chris and Ali. Tomorrow I
:28:53. > :28:57.will be joined by the great man himself, Sir Tom Jones, she will be
:28:58. > :29:02.bringing Sally and Bizzi with him. Good night.