:00:10. > :00:16.feeling tonight's show may be a goodie. Will.i.am and his finalist
:00:17. > :00:21.Jermain are joining me. Plus, vocal virtuoso, Ali Tennant, is popping by
:00:22. > :00:33.for some more expert analysis. And, hour rein's back with another
:00:34. > :00:38.singing masterclass. You're watching The Voice: Louder on Two - help me!
:00:39. > :00:41.Hello welcome to The Voice: Louder on Two. The final is edging ever
:00:42. > :00:46.closer. Just four more sleeps until we find out who is going to be
:00:47. > :00:51.crowned the voice Champion 2014. After narrowly missing out last
:00:52. > :01:00.series, my first guest has his eyes firmly on the prize. He Is a
:01:01. > :01:04.superstar producer, pop innovator, dedicated follower of fashion and
:01:05. > :01:06.last, but not least, a highly skilled wordsmith. I can only of
:01:07. > :01:20.course be talking about Will.i.am. You have the crazy harmones. It was
:01:21. > :01:26.a sick beat. Sick describes someone who is suffering from nausea. Sick
:01:27. > :01:30.may describe the vomit itself. Let's go back to 1987 and skateboarding.
:01:31. > :01:34.In those days, well skateboarders would use the word "sick" to
:01:35. > :01:42.describe a stunt that really appealed or a crash that was quite
:01:43. > :01:53.horrendous! Totally sick, man! Sorry, I lost my balance. Gyles
:01:54. > :01:55.there. Give it up for Will.i.am. APPLAUSE
:01:56. > :02:02.Lovely to see you. We loved your show with Joanna Lumley. Isn't she a
:02:03. > :02:05.great Dame? Super dope. One woman can you use that term for.
:02:06. > :02:11.Saturday's show, to brilliant. Can you describe it using suffixes like
:02:12. > :02:15.brilliantly, superbly, like you were doing on Saturday? I was really sad
:02:16. > :02:21.because Sophie left. Yeah. At the same time I was thrilled that
:02:22. > :02:27.Jermain was there. It's like, this rollercoaster of emotion where
:02:28. > :02:31.you're happy for your finalist, but you're sad for someone who deserves
:02:32. > :02:37.to be there as well. It was kind of... I was kind of torn. Ed bag?
:02:38. > :02:41.Yeah. We can feel that will watching it with you. The great thing was you
:02:42. > :02:47.performed with Sophie May and Jermain and show off your fancy foot
:02:48. > :02:52.work up on the stage with Let's Dance. How difficult is to choose a
:02:53. > :02:57.song to suit such different voices, you you all have different voices?
:02:58. > :03:01.You do something to where you are thrown out of your comfort zone so
:03:02. > :03:08.everyone is uncomfortable. If you do that, and you are trying to make it
:03:09. > :03:12.a rememberable moment, then you go... You go at it that way. You
:03:13. > :03:17.don't want to favour one person's voice over the other. So, to have
:03:18. > :03:23.everyone uncomfortable, when you have that much diversity - It worked
:03:24. > :03:27.really well though. Yeah. We talked about Sophie May, her performance
:03:28. > :03:31.was encountriedible. They loved the homage to Metropolois and her head
:03:32. > :03:39.dress and the rings around her. I imagine that was your concept? Yeah
:03:40. > :03:43.I loved Metropolois. I was surprised that a 17-year-old would have
:03:44. > :03:47.knowledge of. I was like, really, do you want to go there, have you heard
:03:48. > :03:54.of Metropolois? She was like, no, the hotel next to Hide Park? I was
:03:55. > :04:01.like, no, not that Metropolois! ,,you impressed with her ninjas,
:04:02. > :04:06.will Jermain have stormtroopers or tumblers? Stormtroopers... I will
:04:07. > :04:12.leave that with you. You think about it. This show is about the Voice.
:04:13. > :04:20.Can you do many clever things with yours. I love beat boxing. Lucy!
:04:21. > :04:33.Like that. # Bring the action... #
:04:34. > :04:46.WILL BEATBOXING # Watch out now... #
:04:47. > :04:51.That sucked! He is saying - when did I do all that stuff? We have a treat
:04:52. > :04:56.for you. The other day when you were on we had hand bells. We have a game
:04:57. > :05:01.for you to play, have you heard of a glass harmonica, Will? I have. We
:05:02. > :05:06.have one in the studio for you. There are two kinds. Oh, yeah. The
:05:07. > :05:21.one where you use your finger. Ah, ha. Then you rev your finger up.
:05:22. > :05:48.Alasdair will play snippets of four songs. Take it away.
:05:49. > :06:27.PLAYS GLASS HARMONICA Where's the love. Yeah, you got one.
:06:28. > :06:36.Alasdair, isn't he great! That is so wonderful. I want to play that. I'm
:06:37. > :06:45.sure he will have a go. He is part of an Oscar-winning team he played
:06:46. > :06:56.in the opening scene of Gravity. I thought I heard Miley Cyrus. It's
:06:57. > :07:09.not. It is I Should Be So Lucky. And Ruby Ruby Ruby, Kayser chiefs --
:07:10. > :07:17.Kaiser chiefs and It's Not Unusual. That is from Sir Tom Jones. We'll be
:07:18. > :07:30.chatting to Jermain in a moment, but first let's enjoy a special acoustic
:07:31. > :07:35.performance from the Sophie-isticated Miss Sophie May who
:07:36. > :07:44.came in earlier in the week. Here he is singing Royals.
:07:45. > :07:51.# In the town # It goes tripping in the bathroom
:07:52. > :08:00.# We don't care # We drive a Cadillac in our dreams
:08:01. > :08:05.# Tigers on a gold leash # We don't care
:08:06. > :08:11.# We're all caught up in your love affair
:08:12. > :08:16.# We'll never be royals # That ain't for us
:08:17. > :08:24.# We crave a different kind of buzz # Now, let me be your ruler
:08:25. > :08:31.# You can call me Queen Bee # Maybe I'll rule
:08:32. > :08:35.# Let me live that fantasy. # Sophie May. Will is having
:08:36. > :08:42.masterclass in how to play the glass harmonica. How is it going? Man, I
:08:43. > :08:48.suck! Thank you so much Alasdair for that. Did you enjoy that performance
:08:49. > :08:53.by Sophie May? I love Sophie May. We look forward to seeing what you two
:08:54. > :09:03.do in the future. We talked to the one man music factory, Will I Wonka.
:09:04. > :09:08.His act Jermain was handed a golden ticket to the final. Here's a little
:09:09. > :09:11.recap. # Without you... #
:09:12. > :09:20.You sound like a baritone when you are down there and like a tenor when
:09:21. > :09:28.you go up there. Fantastic. Super confident performance from Jermain.
:09:29. > :09:36.Keep on doing it. I loved that. I loved it. I needed a dance.
:09:37. > :09:50.APPLAUSE # Let's dance... #
:09:51. > :09:59.Team Will. The artist with the most view votes, securing them a place in
:10:00. > :10:06.next week's final is... Jermain! Please welcome back Jermain Jackman.
:10:07. > :10:10.Jermain, that was incredible. How are your family and friends about
:10:11. > :10:14.you going through to the final? How did you celebrate. What was the
:10:15. > :10:17.first thing you did? They are excited, so supportive. They are
:10:18. > :10:22.waiting to see what is to come in the finals. They are really positive
:10:23. > :10:25.and staying positive about it. The first thing I did was celebrate with
:10:26. > :10:30.my family and friends, but the Sunday morning I went to church to
:10:31. > :10:34.give thanks. You are a good boy, aren't you? That was a knockout
:10:35. > :10:39.performance that he gave there on Saturday. Were you part of the
:10:40. > :10:44.planning with the little mic trick at the end or was that a surprise
:10:45. > :10:54.for you as well? No, I was surprised with the volume swell and the hand
:10:55. > :11:02.automate manual wa, wa, the little technique he created. It is - He
:11:03. > :11:07.probably got that from the organ in the church with the spinner on it.
:11:08. > :11:12.# Wa, wa, wa... # You worked the audience up there. A
:11:13. > :11:17.vision in white, Jermain. You looked like you had been up there for
:11:18. > :11:25.every. Were you ever apprehensive or anxious or did you feel strong about
:11:26. > :11:29.the performance? I was nervous about my performance. I went into the zone
:11:30. > :11:33.where I converted the nerves into positive energy and let it shine
:11:34. > :11:41.through in my performance. He is good, isn't he? He is good! How was
:11:42. > :11:46.Let's Dance up there, your capetastic out fit with Sophie May
:11:47. > :11:51.and Will. We had so much fun on the stage. So much fun... It felt
:11:52. > :11:55.relaxing, very cool. The seriousness of performing. We had fun. The most
:11:56. > :12:00.important thing to me was having fun. Make sure you enjoy yourself.
:12:01. > :12:06.We fed off each other, bonded as well going to the Savoy hotel. With
:12:07. > :12:12.your mums! This weekend you will do up to three songs. You are doing a
:12:13. > :12:17.new one which is Wrecking Ball, Miley Cyrus. Here is Miley. Here is
:12:18. > :12:23.how she sings it. We will forget that. We will hear it Jermain-style
:12:24. > :12:27.this is piano he hersals earlier on today.
:12:28. > :12:29.# Don't you ever say I just walked away
:12:30. > :12:36.# I will always want you # I can't live a lie... #
:12:37. > :12:43.We are loving it. Why is this a good song for Jermain? Will he be lifting
:12:44. > :12:48.a sledgehammer on the stage? You are going to give away my secrets. I in
:12:49. > :12:53.trouble? That was supposed to be a surprise. Man, we have to pick a new
:12:54. > :13:00.song. Maybe it's an Ape Fool. Yeah, yeah! I'm kidding. Don't tell him he
:13:01. > :13:04.you have to do it before noon or it doesn't count. You are doing a duet,
:13:05. > :13:14.can you tell hi anything about that? No. Google bought my brain for $40
:13:15. > :13:18.billion - Really? April Fools. You get to sing a favourite, which has
:13:19. > :13:25.been your favourite performance in your journey? I sing a favourite. I
:13:26. > :13:30.was saying this earlier on today, it meant a lot to me when I started
:13:31. > :13:37.performing publicly. Performing publicly! He was shy back then. The
:13:38. > :13:44.movie inspired me to do much more of my singing. What movie? Am I meant
:13:45. > :13:50.to give it away? Don't give it away! When I sang my song it was in a
:13:51. > :13:52.competition in my school. I won the competition. Won the competition.
:13:53. > :13:59.You heard that. Ladies and gentlemen, he won the competition!
:14:00. > :14:02.He always like that. He is the best coach. Are you going to do anything
:14:03. > :14:06.different on Saturday with your performances, or will you keep them
:14:07. > :14:13.as he has always done? The same thing we ask last week! Exactly. He
:14:14. > :14:16.is giving him the sweeties. Your family and your friends have been
:14:17. > :14:20.standing by you. They have seen you go through this journey. They have a
:14:21. > :14:27.few messages for you, Jermain. Enjoy this. Jermain as a son is brilliant.
:14:28. > :14:35.He is always there to help me. He's always there to give me advice. It's
:14:36. > :14:40.a pleasure to have Jermain as a son. As a twin brother Jermain is
:14:41. > :14:48.extremely supportive. And, honestly, I can always rely on him. He's
:14:49. > :14:53.always singing at home. Always - nonstop. First time I heard him sing
:14:54. > :15:00.everyone was blown away by his voice. Even I was. I never knew he
:15:01. > :15:13.was amazele He works so hard. Results come in time. Dream!
:15:14. > :15:21.# HA is still a chair... # When you hear him sing, you think, why is he
:15:22. > :15:27.standing in front of me, and not standing in front of 30,000 people?
:15:28. > :15:35.When Jermain sings, it gives me goose pimples. He's got a God gifted
:15:36. > :15:46.voice. Makes me very proud. # Still in love with me. It's Not
:15:47. > :15:53.your beautiful mother. She is wonderful. And your friend also.
:15:54. > :16:04.Saturday, how you feeling at this point before the final? I'm focused.
:16:05. > :16:09.I am focusing on the ending goal, and focusing on my performance, how
:16:10. > :16:14.to deliver that, and I'm focusing on the competition and how I can do
:16:15. > :16:20.what I need to do in order to make sure I get the top spot. You are so
:16:21. > :16:26.grown up. Have you heard from your cousin, Eddy Grant? He has given me
:16:27. > :16:32.words of wisdom so I fully appreciate them. Are you excited for
:16:33. > :16:40.Saturday? You are related to Eddy Grant? I didn't know that. You are
:16:41. > :16:45.learning a lot today. I'm Blake steady grant. April fool! Good luck
:16:46. > :16:51.for Saturday. Give it up Will.i.am and Jermain! Don't forget you can
:16:52. > :16:54.download Saturday's performances from Jermain and indeed all the
:16:55. > :16:57.finalists by heading to the Voice website. 20p from every download
:16:58. > :17:03.goes to the BBC performing arts charity. With a place in the coveted
:17:04. > :17:06.final at stake, all of the acts pulled it out of the bag with their
:17:07. > :17:11.performances on Saturday night. Here to sing their praises is vocal coach
:17:12. > :17:17.Ali Tennant. I've worked with some of the biggest names in pop, Jessie
:17:18. > :17:23.J, one direction, JLS. I love nurturing new stars. From the
:17:24. > :17:26.rehearsal studio, to the world stage for them that's what it's all about
:17:27. > :17:26.for me. Please welcome back Ali Tennant.
:17:27. > :17:34.APPLAUSE Hello, darling.
:17:35. > :17:39.Don't play any tricks on me. How much did you enjoy Saturday? How
:17:40. > :17:43.anxious do you get before they perform? I get super anxious because
:17:44. > :17:47.a lot of the time and the last person they see before they go
:17:48. > :17:52.upstairs onto the stage, and you give them so much energy over the
:17:53. > :17:55.week and it's like you are walking on with them so you get nervous and
:17:56. > :18:01.anxious. It's like your child, you know. And they don't let you down.
:18:02. > :18:05.They have all been so brilliant. Would you believe it, they are all
:18:06. > :18:14.fast passes? Who would have thought it. Who knew? It shows that they
:18:15. > :18:19.know what they're talking about. I don't know how it goes. It's a
:18:20. > :18:25.surprise but, at the same time, they were great. Let's have a closer look
:18:26. > :18:35.at your boys from Saturday. Here is Team Kylie and Jamie Johnson. # No,
:18:36. > :18:44.you won't, because I can't make you Love me # If you don't...
:18:45. > :18:51.It gets me every time watching him sing that. Tom Jones said
:18:52. > :18:55.afterwards, Jamie really sounded like he had lived that song. He
:18:56. > :19:03.threw those emotions. It's impossible because it's only 19. How
:19:04. > :19:07.do you help him? Zoe, I can't exactly help him with the emotion of
:19:08. > :19:17.a song. What I can help him with is the dynamic so it's loud to soft and
:19:18. > :19:23.soft too loud, which pulls you in. You got me, you got me. Sorry,
:19:24. > :19:29.sorry. Yeah, you know, it helps with pulling the listener in, and giving
:19:30. > :19:34.them the heart tug. It really does work. We've got a never- seen-before
:19:35. > :19:39.exclusive clip for you now. This is Jamie in the open auditions. Never
:19:40. > :19:45.seen before. Look, little Jamie. # I've got to change my answering
:19:46. > :19:49.machine. # Now that I'm alone. # Come to the phone # And I know it
:19:50. > :19:59.makes no sense... Can you see the changes in his voice
:20:00. > :20:03.since then? Big-time. There's a lot of pronunciation changes, breathing
:20:04. > :20:10.changes. He has got the full package now. Now we have thrown a lot of
:20:11. > :20:15.different genre that, rock, pop ballads. He has grown in a short
:20:16. > :20:19.period of time, so you can feel that now. Come on, Jamie. Now let's move
:20:20. > :20:37.on to Jermain from Team Will. Here he was on Saturday.
:20:38. > :20:46.Come on! So brilliant! A phenomenal ending. And of course, that trick
:20:47. > :20:49.with a microphone for some how tricky is that? First of all, the
:20:50. > :20:54.breathing technique you have to do is applied to do that, you have got
:20:55. > :21:00.to fill your lungs, control those notes from the diaphragm. You have
:21:01. > :21:08.some vocal lessons. I'm a long way from that, believe me. He had to
:21:09. > :21:16.control the diaphragm and use that. Really manage his breath and
:21:17. > :21:20.obviously, the trick that are used, it's the dynamics, again. Going from
:21:21. > :21:27.loud to soft just using the microphone. Luther Vandross used to
:21:28. > :21:34.do that. That's what he did. It was so impressive. We loved it. Here is
:21:35. > :21:45.Jermain in his first audition. # Walk on, walk on, with God in your
:21:46. > :21:49.heart # And you'll never walk alone...
:21:50. > :21:59.Nice. It's like you're standing in church there. How much has he
:22:00. > :22:06.changed? Big time. He has grown again. He is used to sing gospel
:22:07. > :22:14.stuff, singing classical records. Now we have thrown in a lot of R,
:22:15. > :22:18.up-tempo, so he has grown. In the clip, actually, his breathing is not
:22:19. > :22:24.as good as it is now, so we have definitely made him grow and we have
:22:25. > :22:29.pushed him. And they are all going to go out. Who will win? Good
:22:30. > :22:35.question. I don't know. I knew you would not say. Will you come back on
:22:36. > :22:40.the show on Friday? 100%. Thank you. We'll see you again on Friday. But,
:22:41. > :22:43.for now, Ali Tennant, everyone! Time now to put my singing under scrutiny
:22:44. > :22:51.with another masterclass from Maureen. Brace yourselves! This
:22:52. > :22:58.could get ugly! I am Maureen Scott, a singing teacher and a vocal coach.
:22:59. > :23:02.I have put loads of pop stars, people in major West End shows. The
:23:03. > :23:07.whole thing about teaching singing is rewarding. Please welcome back
:23:08. > :23:13.the incomparable Maureen Scott! APPLAUSE
:23:14. > :23:17.Thank you are coming back foot I have been practising my hamster
:23:18. > :23:24.face. And hopefully, let's have a recap of
:23:25. > :23:28.the basics. Left luggage alignment, make sure you're standing correctly.
:23:29. > :23:34.Straighten your knees of it. -- left luggage alignment. Put your hands on
:23:35. > :23:42.your tummy. Release it and breed. Well done. And again. Brilliant. And
:23:43. > :23:56.breed, and again. Fantastic. Now go VVVVV. VVVVV. And release, again.
:23:57. > :24:00.And silent. And release. I'm not sure where my tummy is meant to be
:24:01. > :24:05.going now. You will feel it going but it also holds for you. I will
:24:06. > :24:24.hold your tummy for you. It'd comforting? IIIIINNNNGGG. And again.
:24:25. > :24:31.IIIIINNNNGGG. And breed. Well done. I have to breathe through my mouth,
:24:32. > :24:36.not my nose. Puffy cheeks. OK, puffy cheeks. I can feel a connection down
:24:37. > :24:42.there for that what we going to learn today? Retraction, and opening
:24:43. > :24:53.up of the throat. It's like giggling, laughing. I love your face
:24:54. > :24:58.when you do it. What is that doing? One set of vocal folds sits on top
:24:59. > :25:04.of the windpipe and they move like this. The other set on top of those,
:25:05. > :25:09.OK, and these ones can squash those, and that's what happens when you're
:25:10. > :25:16.feeling strained. If you have not warmed up. Hitting higher notes and
:25:17. > :25:26.are not going properly. You have to giggle. With that face? Yes.
:25:27. > :25:34.CHEERING I did it, everyone. It takes people
:25:35. > :25:47.ages to do that. Let's do it. Can I sing now? That feeling, to the big
:25:48. > :25:58.wide shape here and go MEE MA MEE MA MEE. MEE MA MEE MA MEE. Very good.
:25:59. > :26:03.Go up a bit. The crew are shaking their heads. It was really good,
:26:04. > :26:14.folks at home, and it takes ages to get that. MEE MA MEE MA MEE. MEE MA
:26:15. > :26:21.MEE MA MEE. Now, to help you go up, what we can do is tilt. That means
:26:22. > :26:26.that this, your thyroid, your vocal folds are in, and when you whine
:26:27. > :27:03.like a puppy, quietly so you feel the muscles. So,
:27:04. > :27:10.for people at home, this takes practice and you need to practice it
:27:11. > :27:23.slowly. That's right. No sound at all? No sound, just feel the
:27:24. > :27:32.muscles. And now Syron to the top of the range. IIIIINNNNGGG. Big smile.
:27:33. > :27:41.IIIIINNNNGGG. I don't know what my face is doing. I apologise. Go.
:27:42. > :27:48.IIIIINNNNGGG. IIIIINNNNGGG. Very nice. You can sing up there as well.
:27:49. > :27:54.We are doing smiling and tilting. What will that give us? It makes us
:27:55. > :28:08.sound pretty. It goes higher in the range, so we will do that. Tilt
:28:09. > :28:14.silently. We will sing unchained Melody.
:28:15. > :28:25.# Whoa, my love. # My darling.
:28:26. > :28:33.# I hunger for your touch #. Go. OK, two seconds. Here we go. Tilt. OK,
:28:34. > :28:38.release your tummy. # Whoa, my love.
:28:39. > :28:44.# My darling. # I hunger for your touch #. Well
:28:45. > :28:50.done. APPLAUSE
:28:51. > :28:56.There goes my panto career. Thank you, Maureen. I'd like to say
:28:57. > :29:01.it's been a pleasure. It's been painful. The next time we see little
:29:02. > :29:06.beef from a very big performance from the two of us together. Give it
:29:07. > :29:13.up for Maureen Scott! Well done. Thank you. That's it for today.
:29:14. > :29:16.Thanks to all my guests. Tomorrow, the Voice godfather Tom Jones will
:29:17. > :29:20.be here so if you've got any questions for him, send them in.
:29:21. > :29:23.He'll be joined by his finalist Sally Barker. Plus vocal vixen Yvie
:29:24. > :29:25.Burnett is back to look at the remaining finalists. See you