:00:28. > :00:37.It's Saturday night, this is Tonight's The Night, please welcome
:00:38. > :00:45.
:00:45. > :00:48.your host, John Barrowman! # I gotta feeling that tonight's
:00:48. > :00:50.gonna be a good night. # That tonight's gonna be a good
:00:50. > :00:52.night. # That tonight's gonna be a good,
:00:52. > :00:54.good night. # A feeling that tonight's gonna be
:00:54. > :00:56.a good night. # That tonight's gonna be a good
:00:56. > :00:58.night. # That tonight's gonna be a good,
:00:58. > :01:01.good night. # A feeling, woohoo, that tonight's
:01:01. > :01:03.gonna be a good night. # That tonight's gonna be a good
:01:03. > :01:13.night. # That tonight's gonna be a good,
:01:13. > :01:26.
:01:26. > :01:30.good night. Welcome to Tonight's The Night! You
:01:30. > :01:34.know how the show works. Along with my trusty team, I travel here,
:01:34. > :01:40.there and everywhere, hunting down people with big plans. When I find
:01:40. > :01:44.them, I eliminate them. No, sorry, that his Torchwood! On the show,
:01:44. > :01:48.along with my trusty team, I travelled here, there, and
:01:48. > :01:53.everywhere, hunting down people with big dreams, and I make those
:01:53. > :01:57.dreams come true. I do a lot of stuff in disguise so if you see me
:01:57. > :02:02.in a leather waistcoat and platform shoes, I am surprising somebody for
:02:02. > :02:07.the show, or I am off to a really good party. Let's see what
:02:07. > :02:12.surprises and despises are on the way. Sophie Ellis-Bextor joins us -
:02:12. > :02:18.- disguises. The band of Her Majesty's Royal Marines get a brand
:02:18. > :02:23.new conductor. Billy Elliott is back to boogie, and Matt Baker
:02:23. > :02:31.helps Glee pars biggest fan meet its biggest laugh. I am going to be
:02:31. > :02:40.springing a show -- ace of surprise on a special goal. Mad as a special
:02:40. > :02:49.Let's get on with our first surprise. We have all dealt with
:02:50. > :02:54.call centres, right? A call for you, John. Thanks! Press one if you wish
:02:54. > :02:59.to change and order. Pressed to if you have a question regarding
:02:59. > :03:04.delivery. Press three if you are a nightmare call with a list of
:03:04. > :03:10.impossible demands. That will be three, then. Here is what happened
:03:10. > :03:14.when I became that caller. We are here at a call centre in Newton
:03:14. > :03:18.Abbot, Devon, to surprise one of its telephone operators, 20-year-
:03:18. > :03:23.old Bobby Watts. I am in the warehouse of the call centre where
:03:23. > :03:27.Bobby works. She normally takes catalogue orders but today,
:03:27. > :03:32.Tonight's The Night is calling. Bobby could soon be court -- before
:03:32. > :03:37.she could walk. She loves all music and can belt out anything from
:03:37. > :03:41.classical numbers to golden oldies and pure pop. A mother is never far
:03:41. > :03:45.from a performance. She is always singing, she will sing in the
:03:45. > :03:48.supermarket, in any shop, any street. Bobby was set on going to
:03:48. > :03:52.college to study performing arts, but when her older brother was
:03:52. > :03:56.tragically killed in a road traffic accident, she lost her best friend
:03:56. > :04:00.and biggest supporter. No really encouraged with her singing because
:04:01. > :04:05.he would take care to all the auditions, he would find auditions
:04:05. > :04:09.were to go to, and support her. Bobby found the courage to sing
:04:09. > :04:14.that a brother's funeral, but his death left her dream shattered. A
:04:14. > :04:19.granddad noticed a big change. seemed to knock her sideways and
:04:19. > :04:23.took the wind completely out of the sales, she was devastated.
:04:23. > :04:27.years on, Bobby's family feels she is slowly getting back on track and
:04:28. > :04:32.could be ready to pursue her dream. All she needs is a confidence boost.
:04:32. > :04:37.It seems recently that the pack -- the Passion is there and the fire
:04:37. > :04:43.is coming back. She deserves to have it back. She gives so much to
:04:43. > :04:46.others, it is time to have it there. She takes orders for a gift
:04:47. > :04:51.catalogue. She is about to deal with some very eccentric customers,
:04:51. > :04:57.who are all me. Bobby has arrived at work, we have everything set up,
:04:57. > :05:05.she is ready to go, it is time to make a dream come true. How can I
:05:05. > :05:13.help you? I am looking at a turban. I have problems with my hair.
:05:13. > :05:20.have the page number? It is 19. I prefer the smile of the lady with
:05:20. > :05:25.the floral turban. The wrinkles on me, I can tell you. Not wrinkles!
:05:25. > :05:30.What are they? They show you have had a very fulfilling life. I have
:05:30. > :05:35.never thought of it that way. I hope that one day, you have a very
:05:35. > :05:40.wrinkly face! Thank you! I will take that as a compliment. I could
:05:40. > :05:43.talk with you all afternoon. Come round with a cup of tea and a nice
:05:43. > :05:48.Victoria sponge! A strong builder's tea, especially when it is
:05:48. > :05:52.delivered by a builder! Tell me about it, I wouldn't mind a good
:05:52. > :05:56.looking one coming about right now! Feisty! The first one has gone
:05:56. > :06:03.brilliantly, she has fallen for it, she has described the whole
:06:03. > :06:09.conversation to her boss. It seems like every on board in the
:06:09. > :06:15.UK is calling. -- every odd person in the UK. I don't move as quickly
:06:15. > :06:19.as I used to. Hold on! What she doesn't know is that I am a
:06:19. > :06:26.distraught caller, because I think that is my dog that has gone
:06:26. > :06:30.missing. The dog in their, that is my dog that has been missing for
:06:30. > :06:37.two months, it is Princess chocolate buttons! Can you bear
:06:37. > :06:42.with me one moment. What was your name? Gavin, Gavin Barker. She is
:06:42. > :06:47.talking to the supervisor. She is not sure what to do. This man is
:06:47. > :06:52.claiming that is his dog. Hello, Gavin. I am ever so sorry, I have
:06:52. > :06:59.spoken to my sales manager. I am afraid that is not your dog. We are
:06:59. > :07:09.told it is our breeders dog. Right, I feel very embarrassed. I am so
:07:09. > :07:11.
:07:11. > :07:16.sorry. I am sorry for your loss. Hook, line and sinker! Now it is
:07:16. > :07:25.time to reveal who is really behind the phone! Good morning, what is
:07:25. > :07:30.your first name, please? John. your last name? Baron and. He --
:07:30. > :07:35.John Barrowman. I am right here, talking to you, because I am from
:07:35. > :07:44.Tonight's The Night and I am here to make your dream come true. It
:07:44. > :07:50.was all me! And everybody here is in on it! I have been hiding over
:07:50. > :07:54.there. We -- you have had a tough time of late. I am going to whisk
:07:54. > :08:00.you off, and you are going to go to the Tonight's The Night studio, and
:08:00. > :08:10.you are going to sing in front of the nation, on television... Prime
:08:10. > :08:11.
:08:11. > :08:15.A couple of weeks later, Bobby is in Glasgow rehearsing her big
:08:15. > :08:20.number and she has no idea she is singing with a pop idol, Sophie
:08:20. > :08:26.Ellis-Bextor. She is about to get the surprise of her life. I had to
:08:26. > :08:29.come and say hello. I will be singing with you later. Hello. Nice
:08:29. > :08:34.to meet you. I was going to ask you if you are nervous but you are
:08:34. > :08:38.clearly not, because your voice is incredible, it sounds amazing. I
:08:38. > :08:45.think we are going do have lots of fun. I hope you are excited. Yes, I
:08:45. > :08:53.am. I was extremely shocked to see surface -- Sophie Ellis-Bextor, it
:08:53. > :08:57.was a wicked surprise. I am really looking forward to tonight, we are
:08:57. > :09:02.going to have lots of fun. I knew that I love this song, it is really
:09:02. > :09:08.pretty, it has a wistfulness, it is optimistic. Now I know how good her
:09:08. > :09:18.voice is, I think she will steal the show. In a good way.
:09:18. > :09:23.
:09:23. > :09:28.Linda, you nominated body. We know you guys have had a tough time
:09:28. > :09:32.since you lost your son -- nominated Bobby. What will this
:09:32. > :09:37.mean to her? It will give her the confidence back and allow her to go
:09:37. > :09:42.forward in the future, so she can fulfil her other dreams. Dad, Bobby
:09:42. > :09:46.was really patient with those callers, is she normally like that?
:09:46. > :09:52.She is school with everything that goes on. She has that kind of
:09:52. > :09:56.patience -- she is cool. All the time. The moment is here. Dreaming
:09:56. > :10:06.a little dream with Sophie Ellis- Bextor, Bobby what's, tonight is
:10:06. > :10:15.
:10:15. > :10:17.# Stars shining bright above you. # Night breezes seem to whisper "I
:10:17. > :10:26.love you". # Birds singing in the sycamore
:10:26. > :10:33.tree. # Dream a little dream of me.
:10:33. > :10:38.# Say "nighty-night" and kiss me. # Just hold me tight and tell me
:10:39. > :10:48.you'll miss me. # While I'm alone and blue as can
:10:49. > :10:51.
:10:51. > :10:59.# Dream a little dream of me. It is my great honour to introduce,
:10:59. > :11:09.the hugely talented Bobby Watts, to the stage. # Stars fading but I
:11:09. > :11:13.linger on dear. CHEERING # Still craving your kiss.
:11:13. > :11:23.# I'm longing to linger till dawn dear.
:11:23. > :11:26.# Just saying this. # Sweet dreams till sun beams find
:11:26. > :11:32.you. # Sweet dreams that leave all
:11:32. > :11:42.worries behind you. # But in your dreams, whatever they
:11:42. > :12:14.
:12:14. > :12:18.Beautiful, it really beautiful. You have all the confidence in the
:12:18. > :12:26.world now. You came out there like a true star, you were absolutely
:12:26. > :12:32.shining. Mum and dad, everything you hope for? Absolutely. Proud?
:12:32. > :12:37.Very. How do you feel? I am over the moon, but I am shaking. It is a
:12:37. > :12:41.good shake. I loved it. Sophie, what can you say? She was
:12:41. > :12:45.magnificent. She came out there, you took your moment, I think you
:12:45. > :12:55.are going to be singing for the rest of your days. That voice is
:12:55. > :12:58.
:12:58. > :13:07.amazing. So good. I want a cuddle! Also! -- awesome! Please give it up
:13:07. > :13:12.for the always singing, Bobby What a great start to the show,
:13:12. > :13:20.there is more on the way. Band of Her Majesty's Royal Marines is here
:13:20. > :13:27.with a one night only conductor. Glee start Matthew Morrison has a
:13:27. > :13:32.dream day out for a deserving goal. And a Billy Elliot dance that will
:13:32. > :13:37.end the -- bring the house down. I can draw the line and a campaign
:13:37. > :13:41.myself into the corner, but that is far as might autistic -- artistic
:13:41. > :13:45.ability goes. I had to inspire young people to create fine art,
:13:45. > :13:55.and I had just the man for the job. From gloopy to, Countryfile and the
:13:55. > :13:59.
:13:59. > :14:04.one show, Matt Baker -- from Blue Welcome back. You have become an
:14:04. > :14:08.art expert for this whole thing. Well, yeah, I tried. Not very
:14:08. > :14:13.successfully. Were you able to use any of your experience from Blue
:14:13. > :14:18.Peter? That was about toilet roll tubes and sticky-back plastic and
:14:18. > :14:22.there was none of that, but I made use of my environment. Well, for
:14:22. > :14:26.this surprise, Matt had to pull off three things, to become a
:14:26. > :14:33.believable art teacher, to know his way around a canvas and to look
:14:33. > :14:37.cool in a goatee beard. Two out of three ain't bad!
:14:37. > :14:41.John has sent me to Bexhill in East Sussex, to surprise 12-year-old
:14:41. > :14:51.Lauren, who helps raise money for charity, despite having an her own
:14:51. > :14:52.
:14:52. > :15:00.problems to cope with, as her mum Lauren was bump with a lump on her
:15:00. > :15:04.back, it was diagnosed as spina bifida. The doctors told me she may
:15:04. > :15:08.never walk or walk with a disability. She has grown up with
:15:08. > :15:12.the lump on her back. Because she is aware she is different, this is
:15:12. > :15:18.why she likes to help other children. When Lauren is not
:15:18. > :15:22.raising money, her passions are singing, dancing and painting. I'm
:15:22. > :15:26.here to surprise Lauren, norpblly, she is taught art by her teacher,
:15:26. > :15:34.today she is being told that a special artist is in town to give
:15:34. > :15:39.her a very special lesson. Enter Felix. Into disguise. I'm starting
:15:39. > :15:46.to resemble a movie star. I look like the guy off Wayne's company
:15:46. > :15:52.World. I will do in a second shall I have red glasses somewhere. We
:15:52. > :15:56.rig the studio with hidden cameras and microphones. Now I'm nervous.
:15:56. > :16:01.My heart is racing. Lauren doesn't let her condition hold her back.
:16:01. > :16:05.She focuss on other children. She has helped to raise over �75,000
:16:05. > :16:11.for various good causes, including the Tree of Hope. Injury any from
:16:11. > :16:16.the charity thinks she is an inspiration for all. I have never
:16:16. > :16:21.met such a young girl with inner goodness and boundless energy. She
:16:21. > :16:28.is always helping to help in some way. One major events that she
:16:28. > :16:35.thought up herself was a glider flight. She raised �1500. She was
:16:35. > :16:41.oogt eight years old. If she thought the sky was the limit, she
:16:41. > :16:51.was wrong. As mum watches the art glass begins. It's not still life.
:16:51. > :17:01.What I never do, ever, is approach an a painting without warming up. A
:17:01. > :17:01.
:17:01. > :17:07.jog, around we go. And then, "ha, ha". Weirder than Van Gogh. Felix
:17:08. > :17:17.singles out lawyeren for his painting masterclass. Stop. I want
:17:18. > :17:18.
:17:18. > :17:28.silence. When I say, Felix, I want you to throw paint at the canvas.
:17:28. > :17:30.
:17:30. > :17:39.FELIX. Stop. APPLAUSE
:17:39. > :17:44.That is amazing. To conclude the lesson, Felix has brought along a
:17:44. > :17:53.special piece of art. What a piece of work it is. 1, 2, 3, reveal the
:17:53. > :17:58.masterpiece. That is... Do you know who that is? That's John Barrowman.
:17:58. > :18:04.Yeah. I'm not Felix at all. I'm actually Matt Baker from Tonight's
:18:04. > :18:09.The Night. We are here to make your dreams come true. John asked me to
:18:09. > :18:19.come along and surprise you. What do you think? Oh, my God. OK. Is it
:18:19. > :18:26.right you are a big fan of Glee? Yeah. Who is the singing teacher.
:18:26. > :18:33.Matthew Morrison. He wants to meet with you. One-on-one. I feel so
:18:33. > :18:37.excited and shocked. I didn't even know it was going on. I'm in
:18:37. > :18:42.amazement. Talk about Glee, Lauren doesn't doesn't have long to get
:18:42. > :18:51.over the shock before she is sent to London to see Matthew Morrison
:18:51. > :18:59.in concert. It's a quick stop off at a posh hotel. Hi. Hello. Hello.
:18:59. > :19:04.Can I give you a hug. All right. Very nice to meet you. Hi. You are
:19:04. > :19:13.crying already. Sit here. Why are you crying? I'm really happy.
:19:13. > :19:21.are a big Glee fan? Yeah. I have three favourite characters. You,
:19:21. > :19:31.Quin and Emma. Usually the standard answer is ear Fl ynn or Rachel. You
:19:31. > :19:35.are smarter than most people. Good taste too. Thank you. With Glee
:19:35. > :19:42.momentos she set up for the concert. She is invited backstage to help
:19:42. > :19:50.Matthew out with a sound check. How cool is that?! It's all happening.
:19:50. > :19:57.How are you? Hi. Good to see you. Welcome to the Hammersmith Appal
:19:58. > :20:03.owe Theatre. It's 3500 seats. So, have you been listening to the
:20:03. > :20:11.album? Yes. Any favourite songs on it? I have three. I like Summer
:20:11. > :20:19.Rain. My favourite. My Name. And sp somewhere Over The Rainbow.
:20:19. > :20:29.Fantastic. Do you want to sing with me. Yeah. Are you ready?
:20:29. > :20:32.
:20:32. > :20:42.# Somewhere over the rainbow # Way up high
:20:42. > :20:49.
:20:49. > :20:58.# There's a land that I dreamed of once a lullaby... #
:20:58. > :21:01.Very good. Thank you. Thank you for singing with me. You are welcome.
:21:01. > :21:08.APPLAUSE That was absolutely amazing, wasn't
:21:08. > :21:12.it? Yes. I mean, they are not tears of sadness, they are tears of
:21:12. > :21:17.happiness. You are going to make me cry. I'm glad we could do this for
:21:17. > :21:22.you. Did you have a nice time? Amazing. It was amazing. Mum, you
:21:22. > :21:27.know, she's raised - She is starting me off. There is a tissue.
:21:27. > :21:32.Pass that on to Matt too. She raised so much money. Some of the
:21:32. > :21:37.things she has done is incredible. How proud are you of her? Very
:21:37. > :21:42.proud. The reaction? Incredible. You say tears of joy. You are very
:21:42. > :21:46.happy at the moment. Like you say, she does so many amazing things for
:21:46. > :21:50.so many children and she gets a treat for herself. It's well, well
:21:50. > :21:53.deserved. It definitely. Is you deserve it every single day. I hope
:21:53. > :21:58.all your dreams come true. Thank you. Ladies and gentlemen, let's
:21:58. > :22:04.hear it for Lauren! APPLAUSE
:22:04. > :22:10.And the surprises keep on coming. I have one right now for someone in
:22:10. > :22:15.the audience. But, who? Who, who? OK. So I need you to put your hand
:22:15. > :22:19.up if you have ever dreamed of meeting your favourite celebrity or
:22:19. > :22:24.star. Put your hand up if you have dreamed of that. Keep your hands up
:22:25. > :22:29.if you have dreamed of getting on stage and letting all your
:22:29. > :22:37.inhabitations go. That narrowed it down. Keep your hands up if you
:22:37. > :22:41.wanted to jump into a giant cream cake while singing - I guess that
:22:41. > :22:46.leaves me then. I'm looking for someone who is a pillar of the
:22:46. > :22:51.community. Yes. Someone who has organised everything from spring
:22:51. > :22:57.cleans to fun days, parades and tea dances. I'm surprised if they have
:22:57. > :23:02.time to do anything and be here tonight. I'm glad you came, Carol
:23:02. > :23:08.Hendry. How are you? Fine, now that you are here. Are you ready? You
:23:08. > :23:14.have to come with me. Hold on a second. I need you to come with me
:23:14. > :23:19.too. Yes, Kym. That is you. One more second. I need Mary. You are
:23:19. > :23:26.going to come with me also. Let's go, guys. Wait a minute, I need
:23:26. > :23:31.Anne, yeah. I need you all to come. I can't forget Clare. We can't
:23:31. > :23:41.leave out Fiona. Everybody. You guys come with me, while the rest
:23:41. > :23:44.
:23:44. > :23:49.of you watch this. Come on. About a year ago my wife Carol started the
:23:49. > :23:52.charity. I worked at the nursery class. They helped not only the
:23:52. > :24:02.nursery class but different. They have done different events to help
:24:02. > :24:07.people in the community. They gave out raffle prize, tided up --
:24:07. > :24:11.tidyed up the community. They done an event to help raise money for
:24:11. > :24:15.York Hill Hospital. One of the children from the nursery had
:24:15. > :24:22.leukaemia. When they found out what happened to Charlie they got
:24:22. > :24:31.together and said they would raise money for him. It restores your
:24:31. > :24:38.naith humanity. Amazing. I have known them for three years. I'm the
:24:38. > :24:44.local councillor. They offered their services and I accepted.
:24:44. > :24:49.of it is paid. It's their own time. They have 100% commitment. They do
:24:49. > :24:52.it for everyone. They are great for the community as well. Have a great
:24:52. > :24:55.night tonight. You really deserve it. Thank you so much for
:24:55. > :25:00.everything you have done for us as a family and Charlie and everything
:25:00. > :25:04.you have done for the community. Thank you so much. This is for you.
:25:04. > :25:08.I hope it is a big surprise for you. You and your girls deserve this. I
:25:08. > :25:18.love you. I hope have you a great time tonight. You deserve it.
:25:18. > :25:27.love you. Carol, how much money have you raised thus far? The first
:25:27. > :25:30.night we raised �28,500 for the Love of Charlie. Wow! If I were to
:25:30. > :25:35.ask who is the boss of the organisation, who would it be?
:25:35. > :25:41.There is no boss. Everybody is equal? Yeah. Nice to hear. Mary, is
:25:41. > :25:43.it rewarding for you to do this kind of stuff? Yes, very. What is
:25:43. > :25:47.your most favourite part of the whole thing? Being involved with
:25:47. > :25:51.the community and getting the community together. We had a Fun
:25:51. > :25:54.Day which was was attended by hundreds of people in the village.
:25:54. > :26:01.It was brilliant getting everybody involved. Somebody told me to ask
:26:01. > :26:10.you, what is the most ridiculous thing that you have ever done as a
:26:10. > :26:18.Hill Raiser? Don't give those secrets away? Santa Claus going
:26:18. > :26:21.around the village. We built a Santa sleigh and took it around the
:26:21. > :26:29.village. There is a sheltered housing complex near us. The snow
:26:29. > :26:33.was four or five feet deep much we got spades and dug it out. Then we
:26:33. > :26:38.delivered food around the village as well. That is what I like, good
:26:38. > :26:42.Samaritans. Laidiedies, I want to perform a song that sums up your
:26:42. > :26:47.conspire the and your drive and your commitment because it's ladies
:26:47. > :26:57.like that you that are heros to everybody. This song is for all of
:26:57. > :27:07.
:27:07. > :27:13.# Would you dance # If I asked you to dance?
:27:13. > :27:21.# Would you run, # And never look back?
:27:21. > :27:31.# Now, would you die # For the one you love
:27:31. > :27:34.
:27:34. > :27:44.# Hold me in your arms tonight # I can be your hero, baby
:27:44. > :27:47.
:27:47. > :27:57.# I can kiss away the pain # I will stand by you forever
:27:57. > :27:57.
:27:57. > :28:01.# You can take my breath away # Now, ladies you do so much for your
:28:01. > :28:05.community, here to say thank you are friends and family and people
:28:05. > :28:12.from your community. There are so many of them we could hardly fit
:28:12. > :28:20.them on the stage. Come on over. # I can be your hero, baby
:28:20. > :28:30.# I can kiss away the pain # Oh, yeah
:28:30. > :28:31.
:28:31. > :28:38.# I will stand by you forever # You can take my breath away
:28:38. > :28:48.# Oh, yeah # I can be your hero, baby
:28:48. > :28:50.
:28:50. > :29:00.# I can kiss away the pain # I will stand by you forever
:29:00. > :29:11.
:29:11. > :29:21.# You can take my breath away # I can be your hero #
:29:21. > :29:27.
:29:27. > :29:34.Are you a bit RMS? It is good. It must be hard to take this in -- a
:29:34. > :29:40.bit of a mess? It is very hard to take it in. Does it feel good? Yes.
:29:40. > :29:44.To know that everybody feels this way about you guys, it must make
:29:44. > :29:52.everything you do and the hard work worthwhile? It is nice to see the
:29:52. > :30:02.kids faces, that makes it for us. Everyone, the Halle razors! Who --
:30:02. > :30:06.Pichot is as busy as the M25 on bank holiday and this is what is
:30:06. > :30:10.still to come back - this show is as busy. Band of Her Majesty's
:30:10. > :30:12.Royal Marines are here with a new commander-in-chief. And Sophie
:30:12. > :30:18.Ellis-Bextor returns with a brand new single.
:30:18. > :30:22.For some of my surprise is, I am in disguise. For others, I go as
:30:22. > :30:27.myself. For this next one, although I was behind the scenes, I was
:30:27. > :30:34.still causing havoc. This is when I became a puppet-master, with no
:30:35. > :30:41.strings attached. I am in Wales, beautiful Lampeter, to meet Sally
:30:41. > :30:45.Sanders, a woman who loves to boogie. Since she was a little girl,
:30:45. > :30:49.Sally Sanders has been passionate about singing and dancing. Nowadays,
:30:49. > :30:55.she runs a choir and community dance school in her village. Her
:30:55. > :31:01.mum couldn't be more proud. She get so much joy from her dancing that I
:31:01. > :31:05.think she wanted to impart that, to give the children something to do.
:31:05. > :31:09.In between juggling her full-time teaching job and family of three,
:31:10. > :31:13.she also does volunteer work with the children special care unit.
:31:13. > :31:18.Sally gives so much time to everyone else that her friend Tina
:31:18. > :31:23.decided it was time her dreams came true, and she took centre-stage.
:31:23. > :31:27.She does a lot for the kids, and the community of lumber to. I
:31:27. > :31:34.thought it would be an ideal way for everybody to say thank you for
:31:34. > :31:37.her hard work. Her head mistress degrees. I think Sally diseuse this,
:31:37. > :31:42.because she works ever so hard and gives so much to the children, she
:31:42. > :31:46.deserves to get something back -- deserves this. She thinks she is
:31:46. > :31:50.coming for a special birthday meal but we have arranged for her to be
:31:50. > :31:57.served by this dancing fool, and it will be an experience she never
:31:57. > :32:01.forgets. It is my show! Actually, it is Sally's show now. Sally's
:32:01. > :32:06.friend Tina is in on the set up and hidden cameras will catch every
:32:06. > :32:13.member of the meal, with the worst waiter in Wales, Johnny. I am
:32:13. > :32:19.telling him what to do through my headset while I watched the mission.
:32:19. > :32:29.For starters, let sweat the appetite by messing up the order.
:32:29. > :32:33.
:32:33. > :32:41.The beef, please. Two, ducks, then? No, two, B. Two ducks. Two cows!
:32:41. > :32:49.Sallies hopes of a quiet relaxing lunch are about to be shattered.
:32:49. > :32:57.Sorry, sorry. This is surreal. really enjoying this, getting into
:32:57. > :33:03.the groove. Let's give Johnny some moves for the menu. Sorry about
:33:03. > :33:13.that. I forgot to ask you how you wanted it could, hot, medium or
:33:13. > :33:18.
:33:18. > :33:27.rare? No blood? Yeah! For you? done, yeah, please. OK, called! --
:33:27. > :33:31.cool! She thinks you're drinking! For the main course, they are
:33:31. > :33:41.finally getting their beef. One is on a pancake, but it is not rare,
:33:41. > :33:46.
:33:46. > :33:50.mistakes. This is to make up for the mistakes. Put it down, dance
:33:50. > :34:00.around their table like that, do some sexy dancing. Not too much
:34:00. > :34:15.
:34:15. > :34:25.Excuse me, that one is not well done, and it looks different to
:34:25. > :34:27.
:34:27. > :34:37.that one. That just looks raw. them away, and said, I'll get
:34:37. > :34:41.
:34:41. > :34:51.I think Sally has handled her sloppy say this with remarkable
:34:51. > :34:54.
:34:54. > :34:58.grace, so let's not try the Sally... I'm John Barrowman. BBC
:34:58. > :35:04.One's Tonight's The Night, and I'm here to make your dream come true.
:35:04. > :35:09.I'm so sorry about the service tonight. I love meeting other
:35:09. > :35:13.people who have the passion to educate young people, not only
:35:13. > :35:18.through normal education, but through the arts. I know you
:35:18. > :35:23.believe that is important. You just want one night, a big performance.
:35:23. > :35:27.That would be amazing. I am going to give you that opportunity. You
:35:27. > :35:33.are going to come to the Tonight's The Night studio, you are going to
:35:33. > :35:38.get dolled up, you're going to put on your best Welsh glad rags, that
:35:38. > :35:44.is not all. You are not doing it alone. Because you will become, for
:35:44. > :35:54.that one night, an official cast member of the show Billy Elliott.
:35:54. > :35:57.Yes! I don't know what to say. do it. It is just the most surreal
:35:57. > :36:04.thing that has ever happened to me. I couldn't believe it when he
:36:04. > :36:09.walked through the door. Gobsmacked. Week, we sent Sally to London to
:36:09. > :36:14.see the show, in preparation for her big performance. It was amazing,
:36:14. > :36:18.really special. So inspirational, the amount of talent on the stage,
:36:18. > :36:24.particularly the youngsters. I can't wait to get my chance to be a
:36:24. > :36:28.tiny part of what I saw tonight. Time to rehearse for her big night,
:36:28. > :36:34.but apart won't be as tiny as she thinks. This is Tonight's The Night
:36:34. > :36:38.and we dream big. She will be singing the female lead. When I got
:36:38. > :36:42.told the song I was going to do and be part of Mrs Wilkinson, I was
:36:42. > :36:46.really excited that I would get the chance to sing and dance. Sally
:36:46. > :36:50.will be performing alongside her very own Billy, star of the West
:36:50. > :36:55.End show, Scott McKenzie. It has been years since she danced this
:36:55. > :36:58.intensely, but it looks like it has never left her. We are getting
:36:58. > :37:05.through quite Abbott, we have run the number a couple of times and it
:37:05. > :37:12.has been great -- quite a lot. I think she is fantastic. I think she
:37:13. > :37:16.I would say the only part is the stamina, it is so flat out from
:37:16. > :37:20.start to finish. Making sure I have enough lung capacity to hit the
:37:20. > :37:23.last note. It is hard to put it into words, how much I am looking
:37:23. > :37:33.forward to performing on the stage, and a chance to perform in front of
:37:33. > :37:37.
:37:37. > :37:43.an audience and my family and You are a sneaky best friend,
:37:43. > :37:49.aren't you? Yeah. I love you for that. How excited is Sally?
:37:49. > :37:53.can't wait. I can't wait to see it. I can't wait either. Mark, you are
:37:53. > :37:58.Sally's husband. Do you think she will be nervous? I am sure she will
:37:58. > :38:06.be a bit nervous. Are you? A little bit, for her. The kids, gave a
:38:06. > :38:11.thumbs up, or a wave. Awesome. Pam, you are mum, how proud are you
:38:11. > :38:17.going to be when she comes right through those doors? Gobsmacked.
:38:17. > :38:21.Thrilled to bits. Just feeling amazing. She has got the whole
:38:21. > :38:25.family with her. I may have been behind the scenes for Sally, but
:38:25. > :38:30.now she is in control. Dancing the dream with Billy Elliot Stark,
:38:30. > :38:40.Scott McKenzie, Sally Saunders, tonight is the night Matt Busby
:38:40. > :38:47.
:38:47. > :38:50.# We weren't born to stand still. # Ain't a question of will.
:38:50. > :38:53.# Gotta move it's a fact. # You were born to react.
:38:53. > :38:56.# You weren't made to behave. # Like you will in the grave.
:38:56. > :39:00.# Where music is played. # Oh the soul - will be swayed.
:39:00. > :39:05.# And your feet they will move. # As if only to prove.
:39:06. > :39:13.# That it wasn't by chance. # We were destined to dance.
:39:13. > :39:18.# We were born to boogie. # It ain't a puzzle.
:39:18. > :39:28.# Cos we're blood and muscle. # From the day of creation.
:39:28. > :39:33.
:39:34. > :39:36.# We were the dance sensation. # Come on and shake per bootie.
:39:37. > :39:42.# Cos we were born to boogie. # Anyone can get it.
:39:42. > :39:52.# Cos we're born kinetic. # We were Born To Boogie.
:39:52. > :40:05.
:40:05. > :40:15.# We are all Born To Boogie. # 5, 6, 7, 8.
:40:15. > :40:20.
:40:20. > :40:30.# We were Born To Boogie. # Boogie!
:40:30. > :40:49.
:40:49. > :40:56.How proud well her pupils be at the moment? Amazing, fantastic.
:40:56. > :41:02.have got a little speechless. Did you enjoy it? Yes, it definitely.
:41:02. > :41:09.Is it what you thought it was going to be? And so it -- so much more.
:41:09. > :41:15.It was amazing. Was the teacher as good as the people? Definitely,
:41:15. > :41:21.without a doubt. I think she is pretty good as well. Divvied up for
:41:21. > :41:26.Scott, and Sally Saunders! -- give it up for.
:41:27. > :41:35.As everybody laugh a band? I love a brass band -- does
:41:35. > :41:45.everybody loves a band. This is the story of a musical maestro who gets
:41:45. > :41:47.
:41:47. > :41:52.I am winging my way to Devon to surprise musical maestro Steve
:41:52. > :41:54.Graham. He eats and sleeps and breathes music. I am about to
:41:54. > :41:59.interrupt a dress rehearsal and given a surprise he will never
:41:59. > :42:03.forget. His friends say he is the ultimate music man. He lives for
:42:03. > :42:07.teaching music to kids and is an inspiration to everyone he meets.
:42:07. > :42:12.Steve has no idea how important he has been to people, as his ex-
:42:12. > :42:16.pupils explain. He doesn't realise how good a job he is doing and how
:42:16. > :42:21.many people he has helped. The amount of children he has taught...
:42:21. > :42:28.He is a bit of a local legend. is his special ingredients? His
:42:28. > :42:32.colleagues in casinos. He is great fun and the kids love him. -- his
:42:33. > :42:37.colleague thinks he knows. I don't think it would work at all if it
:42:37. > :42:41.wasn't for the fact he was up front. He is amazing. Steve has loved
:42:41. > :42:47.playing is it all his life and his talent was clear from a young age.
:42:47. > :42:50.Steve joined the Royal Marines band when he was 15. That was his life
:42:50. > :42:55.of music then. He came straight from the Marines and was teaching.
:42:55. > :42:58.He has never had a break from it. Steve has always loved playing with
:42:58. > :43:01.the Royal Marines, but his big dream would be to conduct them, and
:43:01. > :43:06.I am going to make that dream come true.
:43:06. > :43:10.Steve is a man who has dedicated his life to music. He is here to do
:43:10. > :43:15.a dress rehearsal of the musical, singing in the rain. He thinks the
:43:15. > :43:20.BBE here -- the BBC are here to film a documentary called John
:43:20. > :43:26.Barrowman, musicals and me! I really must have less caffeine in
:43:26. > :43:36.the morning! When I am that hyper, all I want to do is sing! Look, mum,
:43:36. > :43:36.
:43:37. > :43:40.it's me he! Really funny! We start filming our
:43:40. > :43:47.fake TV show and we are ready to film an interview with Steve, who
:43:47. > :43:50.has no idea it is a con. Hi, I am John Barrowman and welcome to my
:43:50. > :43:54.new show, John Barrowman, musicals and me Mack Hicks we are backstage
:43:54. > :44:04.at the moment at a theatre, the Pavilion Theatre, where they are
:44:04. > :44:06.
:44:06. > :44:12.doing the musical singing in the I have a minuscule amount of
:44:12. > :44:20.experience with the food. Would you teach me some of the music from the
:44:20. > :44:25.show? The Music man is teaching Caffeine has not worn off which
:44:25. > :44:29.means I have overlooked something crucial in my flute lesson. I am
:44:29. > :44:34.sitting here with Steve, and we are going to attempt to teach me how to
:44:34. > :44:40.play some of the music from singing in the rain. First, I have to put
:44:40. > :44:47.together my trusted flute, here. Make sure I have got the... See
:44:47. > :44:57.that, I lined it up. Like I know what I'm doing. Do you want to take
:44:57. > :45:04.
:45:04. > :45:08.I have left the cleaner in the middle. Excuse me. All right, all
:45:08. > :45:13.kidding aside, let's get the cast on stage and reveal to everybody
:45:13. > :45:22.why we are here. Do you mind coming up? Come up. Bring your flute with
:45:22. > :45:28.you. Let me, Steve, come on over here, I will position you over here.
:45:28. > :45:32.Time to give Steve a surprise he will never forget. It's not a show
:45:32. > :45:38.called John Barrowman Musicals And Me. I'm going to make your dreams
:45:38. > :45:43.to come. You will be on Tonight's The Night. Yeah. Yeah. I know that
:45:43. > :45:48.you love the Royal Marines. I did serve 25 years in the Royal Marines
:45:48. > :45:54.from the age of 15. Yes. I'm going to hook you back up with the Royal
:45:54. > :45:57.Marines, but you are going to come to the Tonight's The Night studio,
:45:57. > :46:01.you are going to perform with them in front of millions of people on
:46:02. > :46:11.the television, but you are not going to be playing. You are going
:46:12. > :46:12.
:46:12. > :46:17.to be conducting. Thank you. Thank you so much. You're welcome.
:46:17. > :46:22.never thought, in a million years, that I would be conducting the
:46:22. > :46:25.Royal Marines Band. It's an honour and a privilege to do so. With a
:46:25. > :46:35.week to go before Steve conducting in front of the nation he heads off
:46:35. > :46:41.
:46:41. > :46:46.to Fife to meet up with his old Steve, will need to conduct with
:46:46. > :46:51.military precision. There is no room for error according to the
:46:51. > :46:56.leftenanant. If he does it wrong it will fall apart and we will all
:46:56. > :47:05.look a fool. To be conducting after so many years of playing is a
:47:05. > :47:08.wonderful experience. I'm looking forward to the challenge. Good luck,
:47:08. > :47:17.Steve. APPLAUSE
:47:17. > :47:21.Lauren, how do you think Steve is feeling right now? Very nervous. He
:47:21. > :47:30.will be buzzing. I can't wait to see him out. There he'll love it.
:47:30. > :47:40.You are as excited as he is? Just about. Well, here, conducting The
:47:40. > :47:57.
:47:57. > :48:07.Band of Her Majesty's Royal Marines, MUSIC: A LIFE ON THE OCEAN AND
:48:07. > :48:07.
:48:07. > :50:29.Apology for the loss of subtitles for 142 seconds
:50:29. > :50:36.Thank you. Well done. Brilliant. Steve, it's been a long time coming.
:50:36. > :50:42.The dream came true. Was it worth it? Definitely worth it. Still a
:50:42. > :50:46.bit shakey. Fabulous. Amazing experience. You enjoyed yourself?
:50:47. > :50:52.Certainly have. Colonel, thank you for handing over your baton. You
:50:52. > :50:57.guys have been busy? We have been. A lot of the Royal Marines are
:50:57. > :51:02.currently on operations in Afghanistan, they are driving
:51:02. > :51:08.ambulances as well as giving musical support. We are at the
:51:08. > :51:13.Royal Edinburgh Military Ta too in August and we have a new album
:51:13. > :51:17.coming out... Well, it all sounds good. On behalf of the nation,
:51:17. > :51:20.thank you very much for looking after us, worldwide, we really
:51:20. > :51:27.appreciate everything that you guys do for us. Thank you, amazing.
:51:27. > :51:34.Ladies and gentlemen, The Band of Her Majesty's Royal Marines and
:51:34. > :51:40.their guest conductor, Steve Grant. Earlier she helped me make a dream
:51:40. > :51:50.come true. She's back to rip up the dancer, with her new single Off And
:51:50. > :51:50.
:51:50. > :51:54.# No, I can't get out # I'm trapped inside of it
:51:54. > :51:59.# I won't let go # Pain keeps driving it
:51:59. > :52:04.# I only hope and pray # That I can make you pay
:52:04. > :52:09.# Keep pushing, keep pushing on # I did the best I could
:52:09. > :52:16.# I learned to sacrifice # I've tried to make it work
:52:16. > :52:22.# This time away has done me good # It's a change from you
:52:22. > :52:27.# Keep switching me off and on be and off and on and off
:52:27. > :52:33.# I've put myself back together # You've been gone too long beyond,
:52:33. > :52:37.the love is gone # You thought I would feel forever
:52:37. > :52:42.# Keep switching me off and on and off and on and off
:52:42. > :52:46.# I've put myself back together # You've been gone too long beyond,
:52:46. > :52:52.the love is gone # I've got my life back together
:52:52. > :52:56.# No, I can't turn back # I'm sick and tired -- tired of it
:52:56. > :53:01.# The love broke down # I've rewired it
:53:01. > :53:04.# I'm om only human, babe # You let the feeling fade
:53:04. > :53:07.# Keep pushing # Till I've reached the other
:53:07. > :53:11.ground # I I've tried to make it back
:53:11. > :53:16.# Whenever door was closed # Your love is all I had
:53:16. > :53:21.# I tried to make an honest man, o- o-oh
:53:21. > :53:26.# I refuse # Keeping me switching me off and
:53:26. > :53:30.on and off and on and off # I've put myself back together
:53:30. > :53:33.# You've been gone too long beyond, the love is gone
:53:33. > :53:38.# You thought I would be free forever
:53:38. > :53:43.# Keep switching me off and on and off and on and off
:53:43. > :53:48.# I've put myself back together # You've been gone too long beyond,
:53:48. > :53:51.the love is gone # You thought I'd be free forever
:53:51. > :54:00.# Wired to the sun, like a laser beam
:54:00. > :54:05.# Power surge, come feel the energy # And I'm let ready to shine, shine,
:54:05. > :54:10.shine, and shine # And shine forever
:54:10. > :54:13.# Put myself back together # You've been gone too long beyond,
:54:13. > :54:18.the love is gone # You thought I'd be free forever
:54:18. > :54:24.# Keep switching me off and on and off and on and off
:54:24. > :54:31.# I've put myself back together # You've been gone too long and
:54:31. > :54:37.beyond, the love is gone # You thought I'd be free forever
:54:37. > :54:44.# I've put myself # I've Putin myself back together
:54:44. > :54:54.# You thought I'd be # You thought I'd be free forever...
:54:54. > :54:56.
:54:56. > :55:04.CHEERING AND APPLAUSE Thank you. Everyone, Sophie Ellis-
:55:04. > :55:09.Bextor. We have more wonderful wishes next Saturday night when
:55:09. > :55:19.Andy Murray putting a 13-year-old on Centre Court. Melanie C is here
:55:19. > :55:20.
:55:20. > :55:26.with a brand new singing partner. Until then, keep dreaming.
:55:26. > :55:30.# You ever feel like a plastic bag # Drifting through the wind
:55:31. > :55:33.# Wanting to start again # Do you ever feel, feel so paper
:55:33. > :55:39.thin # Like a house of cards
:55:39. > :55:41.# One blow from caving in # Do you ever feel already buried
:55:41. > :55:45.deep # Six feet under screams
:55:45. > :55:50.# But no-one seems to hear a thing # Do you know that there's still a
:55:50. > :55:57.chance for you # Cause there's a spark in you
:55:57. > :56:05.# You just gotta ignite the light # And let it shine
:56:05. > :56:12.# Just own the night # Like the 4th July
:56:12. > :56:16.# Cause baby you're a firework # Come on show them what you're
:56:16. > :56:23.worth # Make them go, high, high, high
:56:23. > :56:33.# As you shoot across the sky-y-y # Baby, you're a firework
:56:33. > :56:35.
:56:35. > :56:39.# Come on let your colours burst # Make them go oh, oh, oh
:56:39. > :56:43.# You're gonna leave them fallin down, down-own-own
:56:43. > :56:46.# Boom, boom # Even brighter than the moon, moon
:56:46. > :56:52.# It's always been inside of you, you, you
:56:52. > :56:56.# And now it's time to let it through, through
:56:56. > :57:04.# You've just got to ignite the light
:57:04. > :57:10.# And let it shine # Just own the night
:57:10. > :57:14.# Like the 4th July # Cause baby, you're a firework
:57:14. > :57:23.# Come on show them what you're worth
:57:23. > :57:30.# Make them go, oh, oh, oh # As you shoot across the sky-y-y