:00:34. > :00:43.He hit it is Saturday night. But this is Tonight's The Night. Please
:00:43. > :00:46.welcome your host, John Barrowman! # I gotta feeling that tonight's
:00:46. > :00:48.gonna be a good night. # That tonight's gonna be a good
:00:48. > :00:58.night. # That tonight's gonna be a good,
:00:58. > :00:59.
:00:59. > :01:02.good night. # A feeling that tonight's gonna be
:01:03. > :01:08.a good night. # That tonight's gonna be a good
:01:08. > :01:18.night. # That tonight's gonna be a good,
:01:18. > :01:31.
:01:31. > :01:36.Good evening! Welcome to Tonight's The Night, the show that turns
:01:36. > :01:41.dreams into reality. In fact, this show reminds me of the one where a
:01:41. > :01:47.guy finds an ancient Lamp and rubs it, and then he is rich, right? Oh,
:01:47. > :01:52.that is the Antiques Roadshow, sorry. No, I'm in Aladdin. Think of
:01:52. > :01:56.me as the genie. I appear out of nowhere, make dreams come true,
:01:56. > :02:03.although I do not walk around in a turban, toppers with curly gold
:02:03. > :02:07.slippers. At least not on week nights. I thought it was funny. So,
:02:07. > :02:11.here is what is on the way. Surprising schemes and amazing
:02:11. > :02:15.dreams. I Andy Murray serves up an ace of a
:02:15. > :02:19.time for a deserving teenager. The Overtones make a dream come
:02:19. > :02:24.true for their number one fan. The one and only Melanie C gives
:02:24. > :02:28.someone a duet to remember. Plus: of I'm Debra Stephenson, and
:02:28. > :02:36.I'm on the Isle of Wight to help make a special teacher's dream come
:02:36. > :02:46.true. On with the dreams. I am a very
:02:46. > :02:46.
:02:46. > :02:53.quiet, retiring... Kind of person. I am also a wallflower. Oh, please!
:02:53. > :03:00.Those qualities made me perfect for this first surprise, a library.
:03:00. > :03:09.Would you like to see my impersonation of a librarian? Shh!
:03:09. > :03:13.Check this out. I am in Liverpool to meet Lisa
:03:13. > :03:17.Dalton, A special singing teacher. This is Lisa's local library, but
:03:17. > :03:21.today's visit will be like no other, because I am about to make a dream
:03:22. > :03:25.come true. When 29-year-old Lisa was as younger, she loved singing.
:03:25. > :03:28.Now she uses that passion to inspire others as a performing arts
:03:28. > :03:32.teacher. But her mum thinks Lisa still harbours a dream of
:03:32. > :03:41.performing in front of millions. She has always wanted to sing,
:03:41. > :03:44.especially on TV or with a band. That must be her dream. A Lisa's
:03:44. > :03:49.sister Sharon thinks that dream deserves to come true, because Lisa
:03:49. > :03:54.is a tower of strength to those closest to her. Her Lisa is so
:03:54. > :03:57.supportive. She is a fabulous sister. It was Lisa that Sharon
:03:57. > :04:02.turned to when she tragically lost her baby daughter three years ago.
:04:02. > :04:06.Lisa did a lot of nice things for me. She was always at the end of
:04:06. > :04:12.the telephone. She sang at my daughter's funeral. I don't know
:04:12. > :04:17.how she did it, but she was and still is amazing. That is why I
:04:17. > :04:20.wanted to thank her. So to thank this loyal Liver Bird for being an
:04:20. > :04:28.outstanding friend and sister, Sharon would like to arrange for
:04:28. > :04:35.Lisa's singing dream to come true. This has been her dream for so long,
:04:35. > :04:40.to sing on television and to be made a star for the day would be
:04:40. > :04:44.brilliant. She would be so happy. To help a spring a surprise on Lisa,
:04:45. > :04:49.we have commanded her local library. I am pretending to make a CBBC
:04:49. > :04:53.documentary. My sound man is going to have a problem, and Lisa will be
:04:53. > :05:00.left holding the boom. Sister Sharon and unsuspectingly so arrive
:05:00. > :05:03.at the library. Would you mind? before they begin browsing, we
:05:03. > :05:08.persuade them to take part in our programme.
:05:08. > :05:12.I am John Barrowman, and I am here for the library revolution for CBBC.
:05:12. > :05:19.Sharon is in on the act, but can I wrote this into topping out when
:05:19. > :05:28.our fake Sound man gets struck by fake food poisoning? John,
:05:28. > :05:34.something is not right. I have to go. Lisa looks concerned about our
:05:34. > :05:40.sound man, but will she help? Hi, I am John. Could you do me a
:05:40. > :05:46.favour? I am sorry to ask, but could you help? Keep this a hand's
:05:46. > :05:49.wit above my head. Bring it down a bit. Hold it there. I will be as
:05:49. > :05:53.quick as I can. I am going to talk about how
:05:53. > :05:58.important books are in my life, but will Lisa realise my memories are
:05:58. > :06:02.actually from her life? First, Lisa's favourite author as a child.
:06:02. > :06:08.My favourite author was Roald Dahl, and I had a brilliant time reading
:06:08. > :06:12.his books. Hint of recognition? How about her limited use of a Spanish
:06:12. > :06:19.Dictionary? I was in bad enough on one of my
:06:19. > :06:26.first trip to Spain. I only learnt have to ask where the Biro was.
:06:26. > :06:31.That worked. Will she now recognise her own showbiz biography?
:06:31. > :06:36.I won the north-west Variety Club North entertain of the year in 1997.
:06:36. > :06:39.It was amazing. Lisa looks like she has played! But
:06:39. > :06:44.does she know this story will end with the surprise of her life?
:06:44. > :06:50.It is not just about libraries, it is about you, Lisa. I am from
:06:50. > :06:56.Tonight's The Night, and I am here to make your dream come true.
:06:56. > :07:00.thought it was weird! Oh, my goodness. Yes. I am going to stand
:07:00. > :07:07.over here. I know you have been a pillar of strength to your family,
:07:07. > :07:11.and in particular to Sharon. I know you love to sing. Yes, you do. I
:07:11. > :07:16.would like to take you to the Tonight's The Night studio, and I
:07:16. > :07:22.would like you to sing to an audience. But not just any audience.
:07:22. > :07:28.Not just the studio. I want you to sing to the nation on Saturday
:07:28. > :07:34.night prime-time BBC One, Tonight's The Night. Yes, please!
:07:34. > :07:44.I don't know what to say. I really am in shock. I am never usually
:07:44. > :07:45.
:07:45. > :07:49.speechless! Would you screen really To sing with a live band and meet
:07:49. > :07:53.John Barrowman and being a BBC studio, it is everything I have
:07:54. > :07:58.dreamed of. A couple of weeks later, Lisa is getting ready for her
:07:58. > :08:03.performance. But she will not sing alone. Lisa is a big fan of the
:08:03. > :08:11.Spice Girls, so average for her to sing a duet with fellow Liverpool
:08:11. > :08:19.last Melanie C. Oh, my goodness. I can't believe it. It has been
:08:19. > :08:26.surprise after surprise. I can't wait. She has given me some wise
:08:26. > :08:30.words. I will do my best to impress Mel and my family and friends.
:08:30. > :08:40.sounds fantastic. If she can keep that confidence tonight, she will
:08:40. > :08:45.
:08:45. > :08:49.blow everyone away. I know this means the world to you. Lisa was a
:08:49. > :08:54.fan of the Spice Girls when she was younger. So she is getting a two
:08:54. > :08:59.for one deal. Childhood dream, plus the dream of performing in front of
:08:59. > :09:04.the nation. How will she be feeling? She will be so excited. It
:09:04. > :09:11.is her dream come true, and it is a dream come true for me to see her.
:09:11. > :09:15.And mum? We are going to need a lot of tissues here tonight. She does
:09:16. > :09:22.not strike me as being someone who lets things stand in her away. She
:09:22. > :09:26.seems like a go-getter. Yes, but she is still nervous. It will give
:09:26. > :09:36.her the confidence she needs. tonight she is going to shine. Here
:09:36. > :09:38.
:09:38. > :09:41.with Melanie C, Lisa Dalton. Tonight's The Night.
:09:42. > :09:46.# I've been wandering around the house all night. Wondering what the
:09:46. > :09:54.hell to do. # Yeah, I'm trying to concentrate.
:09:54. > :09:59.# But all I can think of is you. # Well, the phone don't ring cos my
:09:59. > :10:02.friends ain't home. # I'm tired of being all alone.
:10:02. > :10:12.# Got the TV on. # Cos the radio's playing songs
:10:12. > :10:14.
:10:14. > :10:24.that remind me of you. Ladies and do come in, it gives me
:10:24. > :10:29.
:10:29. > :10:32.great pleasure to introduce least # Baby, when you're gone.
:10:32. > :10:39.# I realise I'm in love. # Days go on and on.
:10:39. > :10:47.# And the nights just seem so long. # Even food don't taste that good.
:10:47. > :10:53.# Drink ain't doing what it should. # Things just feel so wrong.
:10:54. > :10:59.# Baby, when you're gone. # I've been driving up and down
:10:59. > :11:02.these streets. # Trying to find somewhere to go.
:11:02. > :11:10.# Yeah, I'm looking for a familiar face.
:11:10. > :11:16.# But there's no one I know. # Oh, this is torture, this is pain.
:11:16. > :11:21.# It feels like I'm gonna go insane. # I hope you're coming back real
:11:21. > :11:25.soon. # Cos I don't know what to do.
:11:25. > :11:32.# Baby, when you're gone (When you're gone).
:11:32. > :11:39.# I realise I'm in love. # Days go on and on (On and on).
:11:39. > :11:47.# And the nights just seem so long. # Even food don't taste that good.
:11:47. > :11:57.# Drink ain't doing what it should. # Things just feel so wrong.
:11:57. > :12:15.
:12:15. > :12:18.Lisa, Sharon nominated you because you have been a pillar of strength
:12:18. > :12:23.and so supportive. Is there anything you would like to say to
:12:23. > :12:33.her? Her I would like to say, you are such an inspiration to me. You
:12:33. > :12:36.
:12:36. > :12:40.are the best sister. Thank you so much for being a great big sister.
:12:40. > :12:45.Many, you have had a lot of your dreams come true, so you know how
:12:45. > :12:50.she is feeling? She is amazing. All day, she has been singing
:12:50. > :12:52.fantastically. No matter how much experience you have, it is so
:12:52. > :13:02.nerve-racking to perform in front of this audience. She was
:13:02. > :13:10.incredible. Thank you! Many will be back later with her new single. But
:13:10. > :13:15.for now, ladies and gentlemen, Lisa Dalton!
:13:15. > :13:19.Well, we have a show fit to burst. Here is what is still on the way.
:13:19. > :13:24.Andy Murray surprises a tennis mad teenager.
:13:24. > :13:28.A dream from Cleveland sings with the Overtones.
:13:28. > :13:32.And Les Miserables start at Alfie Boe is here to make a West End
:13:32. > :13:36.dream come true. This next surprise takes place in a
:13:36. > :13:45.bingo hall, so eyes down for a full house and let's test you guys out.
:13:45. > :13:55.If I were to say... Kicker ticket, what would that be? 66! That's
:13:55. > :14:02.
:14:02. > :14:09.right. And if I said, two little Watch the teeth! And if I said two
:14:09. > :14:13.Fat Ladies? No, it would be politically incorrect! Talking of
:14:13. > :14:19.ladies, here comes the debut appearance of a rather attractive
:14:19. > :14:26.older woman. In a-type first, I finally got to put my stockings on.
:14:26. > :14:29.Talk about legs Eleven. I am in Stockton on Tees to
:14:29. > :14:33.surprise a very special lady, Lisa Campbell. She and her Mama on their
:14:33. > :14:36.way for a night of bingo. But she does not know that I have got her
:14:36. > :14:40.number and I am about to give her as the surprise of her life. Lisa
:14:40. > :14:44.has been singing and dancing since she was little, and mum and dad are
:14:44. > :14:48.her biggest fans. She has always performed since she was at school.
:14:48. > :14:53.If there was a concert on, she would want to be in it. But five
:14:53. > :14:59.years ago, Lisa's life was turned upside down when she suffered
:14:59. > :15:03.complications during minor surgery. Lisa's medical problems started
:15:03. > :15:08.after a simple operation, and ended with blood clots on her lung. Then
:15:08. > :15:13.she had a further operation. She has to be careful, because she
:15:13. > :15:17.bleeds easily. But Lisa being Lisa, she has got on with life. Lisa's
:15:17. > :15:20.condition means she is on Mechan Dick -- medication for life and
:15:20. > :15:25.closely monitored by the hospital. It also means she has been forced
:15:25. > :15:28.to hang up her dancing stews, but she has remained positive and is an
:15:28. > :15:33.inspiration to her best friend, Rich Hall. It Lisa has been such a
:15:33. > :15:36.good friend to me. I think her medical problems have got her down
:15:36. > :15:41.sometimes, but she is a fighter and keeps coming back. This fighter
:15:41. > :15:44.deserves to have a dream come true. Lisa will be singing live in the
:15:44. > :15:48.tonight's the Night studio in front of millions, but she will not be
:15:48. > :15:54.alone. I have arranged for her to sing with her favourite band, the
:15:54. > :15:58.Overtones. She has always said, I would love to sing with the
:15:58. > :16:04.Overtones. She said they are her favourite band. She has suffered so
:16:04. > :16:07.much in such a short time that she deserves some good luck. She might
:16:07. > :16:11.be lucky at the bingo, but in life she is not the key. We have read
:16:11. > :16:14.the bingo hall with hidden cameras. Bad and Rachel are watching
:16:14. > :16:20.Upstairs, but there are a lot of Tonight's The Night fans in the
:16:20. > :16:30.hall. So disguising myself will not be enough. But I yourself a bit
:16:30. > :16:31.
:16:31. > :16:36.Bridge etd Jones eat your heart out. Does my bum look big in this.
:16:36. > :16:44.Pleased to make your acquaintence. I might look like a lady on the
:16:44. > :16:47.outside, but I'm all man inside. For get Mrs Doubtfire, more like
:16:47. > :16:51.Mrs Doubtful. Lisa's in her regular seat for what she think sz a
:16:51. > :17:01.regular Monday at the bingo. Let's see if Betty can put her off her
:17:01. > :17:02.
:17:02. > :17:08.game. Six and seven, 67. The year I was born. Oh, 11. Betty's lucky
:17:08. > :17:18.number. Eyes down for Full House. Lisa don't be put off by the mad
:17:18. > :17:18.
:17:19. > :17:27.woman behind you. Oh, no, now I've got the giggles. 41, as old as I am.
:17:27. > :17:33.62. That's more like it. 8 and -- Eight and one, 81. He's calling
:17:33. > :17:42.them very quick. �50 I could use a good 50. Now it's time for national
:17:42. > :17:46.bingo hall live link up. I'm about to announce a new game, Barrowman's
:17:46. > :17:51.big bingo bonanza. There will be a lucky winner. Welcome to Monday
:17:51. > :17:59.night at the bingo with me John Barrowman. He's very handsome isn't
:17:59. > :18:03.he? If I were to say to you, cup of tea, you say number? Three. Yeah
:18:03. > :18:09.you got. It brilliant. Here's a more difficult one. What do you
:18:09. > :18:12.call a Beatle who likes playing bingo? Bingo star. I don't write
:18:12. > :18:16.them. Tonight we're going it find one lucky player from the hundreds
:18:16. > :18:23.of bingo hall that's I'm talking to live right now. You could be that
:18:23. > :18:27.lucky person. Are you excited to find out? Yes! Good, so am I. This
:18:27. > :18:37.lucky person has an envelope taped to the bottom of their seat. So all
:18:37. > :18:45.of you look under your seats - now! Have a good dig. Come on. Do we
:18:45. > :18:50.have someone? Where are you? Awesome. Congratulations. Look out
:18:50. > :18:55.Lisa, Betty's on your tail and about to claim the big prize.
:18:56. > :19:00.What's your name? Lisa. Are you excited? I'm sorry dear, there's
:19:00. > :19:05.confusion. I was supposed to have that saet. I can have that ticket
:19:05. > :19:09.and I have another surprise for you because I'm actually John Barrowman
:19:09. > :19:18.from BBC One's Tonight's The Night. And Lisa, I'm here to make your
:19:18. > :19:23.dream come true. Bingo! APPLAUSE
:19:23. > :19:28.Lease ya, I know that you -- Lisa, I know that you have been through
:19:28. > :19:33.an awful lot in your life thus far. A few highs and a few lows, maybe a
:19:33. > :19:37.lot of lows. But you've always bounced back. How would you like to
:19:37. > :19:45.come to the Tonight's The Night studio and sing, for the nation,
:19:45. > :19:50.prime time Saturday night? Yes, please. Yes? Good. But that's not
:19:50. > :19:56.all. You'll be singing with The Overtones!
:19:56. > :20:02.APPLAUSE I've watched the last couple of
:20:02. > :20:06.series and always thought "I wish that was me." I'm a huge fan of
:20:06. > :20:10.John, seen him in concert. I think he's amazing. I love the work that
:20:10. > :20:14.he does. I think it's brilliant that he can help people like me.
:20:14. > :20:23.It's the day of her big performance. Lisa is in full swing. She's about
:20:23. > :20:28.to get some company. When The Overtones walked in, I was so
:20:28. > :20:32.shocked. I didn't expect them. I think it showed on my face. How are
:20:32. > :20:38.you? All right. Lisa might be star struck, but she wastes into time
:20:38. > :20:42.getting in practice with the boys. The most challenging part of the
:20:42. > :20:45.song is when I have to hit the high notes. I'm scared I won't do it on
:20:45. > :20:49.the night. Lisa has a beautiful voice. We told her to relax and
:20:49. > :20:59.have a good time. To perform with the overtones will be amazing.
:20:59. > :21:08.
:21:08. > :21:11.They're my favourite group. It's a dream come true.
:21:11. > :21:15.Lisa has always put everyone first, hasn't she? She has. She's had to
:21:15. > :21:19.cope with so much over the years, where do you think she's got that
:21:19. > :21:24.strength from? She's got an iner is strength. Because she's had such a
:21:24. > :21:31.rough time with her health, but she always thinks of what's to come,
:21:31. > :21:36.the future. That's what this is all about, it's her future. Rachel, you
:21:37. > :21:41.said you're nervous, you're excited. How do you think she's feeling
:21:41. > :21:46.right now? I think she's probably going to be nervous as well. But
:21:46. > :21:51.she'll be more excited and happy that tonight's finally here. Mum,
:21:51. > :21:56.why do you think she likes The Overtones? She likes, she loves
:21:56. > :22:00.their type of music. She always says she'd love to sing with The
:22:00. > :22:04.Overtones and this would be her dream come true. Are you sure it's
:22:04. > :22:11.just the music. They're all pretty handsome, if you ask me. No, it's
:22:11. > :22:18.not just the music! I got the truth out of you finally. Performing Come
:22:18. > :22:28.Back My Love with her favourites, The Overtones, Lisa Campbell,
:22:28. > :22:28.
:22:28. > :22:35.Tonight's The Night! # Come back my love, don't go away
:22:35. > :22:42.# Come back my love, come back to stay.
:22:42. > :22:52.# I love you so, # Well I want you to know
:22:52. > :22:52.
:22:52. > :22:55.# I need your love so badly. # Du-da-wop, du-da-wang.
:22:55. > :22:58.# Du-da-wop, du-da-wang # Du-da-wop.
:22:58. > :23:03.# Oh, won't you come back my love, # Don't go away
:23:04. > :23:11.# I need your loving every day. # I love you so
:23:11. > :23:15.# Well I want you to know. # I need your love so badly.
:23:15. > :23:20.Ladies and gentleman, she's got her dancing shoes on. Please give it up
:23:20. > :23:24.for Lisa! # You said goodbye, I wonder why,
:23:24. > :23:30.# All because of those silly lies # I love you so,
:23:30. > :23:37.# And I want you to know # I need your love so badly.
:23:37. > :23:42.# Everybody makes big mistakes # In this game of romance.
:23:42. > :23:46.# I'm asking you darling # Why don't you come back and give
:23:46. > :23:51.me a chance? # Come back my love, yeah don't go
:23:51. > :23:54.away. # I need your loving every day
:23:54. > :24:03.# I love you so, # Well I want you to know
:24:03. > :24:09.# I need your love so badly. # Everybody makes big mistakes
:24:09. > :24:12.# In this game of romance. # Now I'm asking you darling
:24:12. > :24:15.# Why don't you come back and give me a chance?
:24:15. > :24:20.# Come back my love, yeah don't go away.
:24:20. > :24:28.# I need your loving everyday # I love you so,
:24:28. > :24:38.# Well I want you to know # I need your love so badly.
:24:38. > :24:51.
:24:51. > :24:56.# I need your love so badly # Guys, I have to ask, what did you
:24:56. > :25:00.make of that? I absolutely just have to say how well she has done
:25:00. > :25:04.from start today, to rehearsals, she was so, you know, grateful as
:25:04. > :25:08.well to meet a fan and come on a show and sing a song from the album
:25:08. > :25:16.has been amazing. Well done. It's Lisa and The Overtones now, isn't
:25:16. > :25:20.it? You said if you could have a moment like this, it would mean
:25:20. > :25:23.everything to you. Does it? means absolutely everything. I'm
:25:23. > :25:26.never going to experience this ever again. It's been amazing. Ladies
:25:26. > :25:36.and gentleman, big round of applause for the overtones and Lisa
:25:36. > :25:39.Campbell! APPLAUSE
:25:39. > :25:45.This show is all about fantastic surprises and amazing dreams.
:25:45. > :25:50.There's plenty more on the way. We bring the West End to our stage
:25:50. > :25:55.as Les Miserables star Alfie Bow gives that star a new leading man
:25:55. > :25:58.and we welcome back Melanie C. As you know for some of these
:25:58. > :26:04.surprises I have to go undercover. For this one I had to become a
:26:04. > :26:14.tennis coach, which meant finding my inner sportsman.
:26:14. > :26:18.Yes, so, ball one 15-0, ball two 30-0. Ball four, 40-0. Whoa, watch
:26:18. > :26:26.the face! What is it with the balls tonight!
:26:26. > :26:32.LAUGHTER I'm at a tennis centre in Edinburgh
:26:32. > :26:37.to serve up another dream for a brave young man called Phillip.
:26:37. > :26:43.13-year-old Phillip has always been tennis mad. Mum Jennie knows only
:26:43. > :26:47.too well. Ever since Phillip was a baby, he's been obsessed with
:26:47. > :26:52.tennis. Phillip sometimes go to -- goes to bed with his rack wet,
:26:52. > :26:56.seriously he does. Five years ago he was diagnosed with lieu keemya.
:26:56. > :27:00.His consultant remembers the sport that helped him cope with the
:27:00. > :27:04.treatment. It was tennis which kept him going through what is really a
:27:04. > :27:08.very difficult time. After recovering from leukaemia, Phillip
:27:08. > :27:12.decided to get involved with charity work with his coach.
:27:12. > :27:18.Phillip's done a great job fundraising. He's been fundraising
:27:18. > :27:22.to help other kids with leukaemia and other forms of cancer. To say
:27:22. > :27:26.thanks, his mum's asked me to arrange a special surprise, a face
:27:26. > :27:32.to face with his hero Andy Murray. When Phillip finds out the surprise
:27:32. > :27:37.in store for him, I think he will be, he will go through the roof.
:27:37. > :27:41.Meanwhile, my team of rigged up secret cameras at Phillip's local
:27:41. > :27:47.court. I'm rigged with a new nose to become a tennis star. Watch out
:27:47. > :27:51.for the balls! Fill p and his friends think they're coming to
:27:51. > :27:59.have a master class with that unknown Scottish tennis legend
:27:59. > :28:06.called John macaroni. That's me. I know nothing about tennis. Except I
:28:06. > :28:13.know how to make quite a racquet. So as the boys join me on court,
:28:14. > :28:22.it's safe to say this lesson starts bad and gets worse.
:28:23. > :28:27.Right in the Boris Beckers. John Macaroni has valuable tips. Lesson
:28:27. > :28:35.one the air guitar warm up. I want you to get a wee bit of air guitar
:28:35. > :28:43.going. Come on, there you go. You've got boring air guitars like
:28:43. > :28:51.that. Come on, get a bit like that. OK... Lesson two, how to become one
:28:51. > :28:56.with the ball. I'm going to stand, dead centre and blind fold. I want
:28:56. > :29:06.you to hit the ball to me, all right? Psychology will make sure I
:29:06. > :29:16.will connect with the ball. Here we go. Number three. Did I get it? Try
:29:16. > :29:19.
:29:19. > :29:24.again. Number two. Yes! Lesson three, using the coach for target
:29:24. > :29:33.practice. You request not be serious! That was out. It was so
:29:33. > :29:40.far all of them have been out. Come on, out. I'm winning. I'm winning.
:29:40. > :29:46.Come on try and hit me. Hit me. Oh, that was a beauty. Come on, here
:29:47. > :29:51.look. See this big smile, knock my teeth out. All right that's enough
:29:51. > :29:55.clowning around, it's time to say goodbye to Macaroni and hello to
:29:55. > :30:01.John Barrowman. I'm actually not really here to teach you how to
:30:01. > :30:04.volley, because my name is John Barrowman and I'm from BBC One's
:30:04. > :30:14.Tonight's The Night and I am here Phillip to make your dream come
:30:14. > :30:15.
:30:15. > :30:22.true. The person who is responsible for this is... Your mum Jennie.
:30:22. > :30:26.There she is. Give a big old hug. Guess what,
:30:26. > :30:31.we've got a very special treat for you. We're sending you to go meet
:30:31. > :30:36.up with Andy Murray. Can I say it's a yes for you to play tennis with
:30:36. > :30:43.Andy Murray? Yes. Awesome, high five. You're playing with Andy
:30:43. > :30:46.Murray, I was like "Oh, my God." An amazing surprise. 24 hours later,
:30:46. > :30:50.and Phillip's in Paisley. It's a community tennis day and the crowds
:30:50. > :30:55.are out for Andy Murray. But only Phillip is getting the privilege of
:30:55. > :31:00.having a hit with his hero. really excited. I'm quite shivers
:31:00. > :31:03.with the nerves. I'm not cool at all. I'm just really excited to see
:31:03. > :31:09.Andy and he's just over there, so I've never done anything like this.
:31:09. > :31:16.It will be a great opportunity for me. Hi. How are you doing? Are you
:31:16. > :31:23.all right? Good thanks. Big tennis fan? Yeah, huge. Where about do you
:31:23. > :31:27.play? Craig Lockert. I played there when I was growing up. Do you have
:31:27. > :31:31.advice? The most important thing is to enjoy it. Not to get too
:31:31. > :31:35.stressed out by it. To work hard and listen to your coaches. With so
:31:35. > :31:41.many fans about it's a struggle for Phillip and Andy to get on court.
:31:41. > :31:45.It's time to improvise and time for me to hand over to your commentator
:31:45. > :31:52.John Macaroni. Thanks there John. It's the Clash
:31:52. > :31:57.Of The Titans, on one side a Scots lad and the other the other Phillip.
:31:57. > :32:02.Here comes the ball and again and again. Andy's never played on dirt
:32:02. > :32:07.before. And it's game, set, good work Phillip. I just had a hit with
:32:07. > :32:12.Andy Murray. I was -- it was brilliant. Just a real le decent
:32:12. > :32:15.guy. It's great. He's obviously a very brave boy and a very good
:32:15. > :32:18.tennis player. He's a lot braver than I ever was, that's for sure.
:32:18. > :32:21.Can't wait to get back on the tennis court because today's been a
:32:21. > :32:31.real inspiration to me. And I've really enjoyed it. Thank you very
:32:31. > :32:35.
:32:35. > :32:44.Philip, come on. He said you were a better player than he was at that
:32:44. > :32:51.age. I love that you are speechless. Probably a first. Richard, you are
:32:51. > :32:55.bad. Why did you give up tennis a while back? Well, I thought I
:32:55. > :33:01.cannot hit them any more, so time for a new sport. More um, you must
:33:01. > :33:08.be proud of him. I am extremely proud. He has gone through an awful
:33:08. > :33:16.lot for a boy of his age. We love that you had a great day and got to
:33:16. > :33:21.meet your heroes. Ladies and gentlemen, give it up for Philip!
:33:21. > :33:26.Now, this is where we put one of you guys in the frame. I am looking
:33:26. > :33:29.for someone who is a theatre director. Someone who is putting on
:33:29. > :33:33.a touring direction of the Jersey Boys, someone looking for a new
:33:33. > :33:38.leading man. Not for the show, I am just generally looking for that
:33:38. > :33:43.person because I might want to do a gig! Back to business. I am
:33:43. > :33:48.actually looking for someone who is retired, someone who has been a
:33:48. > :33:55.charity fundraiser for years, someone who lives in Yorkshire. In
:33:55. > :33:59.fact, Wakefield, and that is you, Susan. But actually, Susan, I am
:34:00. > :34:09.not looking for you, I am looking for your husband, Terry. How are
:34:10. > :34:09.
:34:10. > :34:17.you? Find! A view are speechless like Philip! Well, I hear you have
:34:17. > :34:22.hung up your fund raising broods. Officially. You are wondering what
:34:22. > :34:29.we are talking about, so you guys, come with me. And the rest of you,
:34:29. > :34:34.look at this. We have been married 28 years. I
:34:34. > :34:41.would describe Terry as a very outgoing, very easy to talk to.
:34:41. > :34:44.Always happy. Terry is a joy to work with. When I walk into the
:34:44. > :34:48.office in the morning, Terry will immediately stop whatever he is
:34:48. > :34:55.doing and he will have a smile on his face. It gives a lift to the
:34:55. > :35:00.day. Terry puts the fun in fund- raising. In the last five years, he
:35:00. > :35:05.has raised approximately �1 million. That is testament to the fund-
:35:05. > :35:10.raising team. I have no idea how he does it. He seems to have endless
:35:10. > :35:14.amount of energy. He always encouraged us to take part in
:35:14. > :35:18.events at the hospice as nursing staff. He would not ask you to do
:35:18. > :35:21.anything he would not do himself. He is a great ambassador for the
:35:21. > :35:27.hospice movement. You only had to mention a coffee morning or an
:35:27. > :35:32.event in a pub, and he would be there. It just comes naturally.
:35:32. > :35:38.fund old lady in the town would give a pound, he would treat that
:35:38. > :35:42.person the same as if they gave �500. Everyone knows he does a good
:35:42. > :35:46.job, but something out of the blue will make him realise how much
:35:46. > :35:50.people think of him. Terry should enjoy tonight and be proud of his
:35:50. > :35:54.achievements. Dad, you have done brilliant work for the hospice.
:35:54. > :36:00.They will miss you. You have been a great dad. Enjoy tonight and enjoy
:36:00. > :36:03.your retirement. Pure good egg. have a nice night, Terry. You
:36:03. > :36:09.deserve it for the hard work and fund-raising you have done for the
:36:09. > :36:19.patients. Terry, I love you. deserve to a special night, because
:36:19. > :36:21.
:36:21. > :36:27.the people you touch, you make Don't start. You are going to make
:36:27. > :36:31.me go. Wonderful to hear. How do you feel when you hear stuff like
:36:31. > :36:36.that said about you? Amazing. They are all friends anyway, but I have
:36:36. > :36:45.worked with them for a long time. They are lovely to work with. For
:36:45. > :36:50.them to say that tonight is just... Of amazing. Susan, the hospice is
:36:50. > :36:55.Now 20 years old. How did Terry mark that event? It was last year
:36:55. > :37:00.and they wanted to do something special, so he had the idea of
:37:00. > :37:08.launching a rose. So they went to see a rose grower, him and another
:37:08. > :37:12.fund raiser. And they got the rose grown. It is called the Wakefield
:37:12. > :37:18.Hospice sun rise Rose, a beautiful rose. It is in the gardens of the
:37:18. > :37:23.hospice and also in Wakefield Park. Terry and Susan, many others think
:37:23. > :37:26.you deserve recognition for all you have done. We know how important
:37:26. > :37:36.the rose is to you and the hospice. So I would like to sing this song
:37:36. > :37:42.
:37:42. > :37:52.and dedicate it especially to you. # Some say love, it is a river.
:37:52. > :37:57.
:37:57. > :38:07.# That drowns the tender reed. # Some say love, it is a razor.
:38:07. > :38:12.
:38:12. > :38:22.# That leaves your soul to bleed. # Some say love, it is a hunger.
:38:22. > :38:27.
:38:27. > :38:37.# An endless aching need. # I say love, it is a flower.
:38:37. > :38:44.
:38:44. > :38:49.Terry, you have helped so many people. Some of them are here
:38:49. > :38:59.tonight. The ones that love you, your family, your friends and your
:38:59. > :39:01.
:39:01. > :39:08.fund-raising colleagues, come On Over! When the night has been too
:39:08. > :39:18.lonely. # And the road has been too long.
:39:18. > :39:22.
:39:22. > :39:32.# And you think that love is only. # For the lucky and the strong.
:39:32. > :39:37.
:39:37. > :39:45.# Just remember in the winter. # Far beneath the bitter snows.
:39:45. > :39:55.# Lies the seed that with the sun's love.
:39:55. > :40:14.
:40:14. > :40:24.Just for you. Terry, have you got anything you want to say to these
:40:24. > :40:29.people? No. I was out with her last night! They are sneaky, aren't
:40:29. > :40:36.they? I have to ask you one final question. Are you going to retire
:40:37. > :40:46.now, finally? Probably not. That is what I like to hear! Ladies and
:40:47. > :40:49.
:40:49. > :40:55.As you know, I make dreams come true all over the UK, but I can't
:40:55. > :40:58.be everywhere at once. So for this next surprise, my friend, Debra
:40:58. > :41:02.Stephenson from the impressions show became a school inspector on
:41:02. > :41:11.the Isle of Wight. Unfortunately for everyone, someone in the class
:41:11. > :41:16.was very disruptive. I am Debra Stephenson, and I have been sent on
:41:16. > :41:22.to the high seas - well, the Solent - on a special mission. I am on a
:41:22. > :41:26.ferry on my way to the Isle of Wight, home of award-winning
:41:26. > :41:31.beaches and singing maths teacher Paul Stephens. Paul is an aware
:41:31. > :41:37.that I am coming to give him the surprise of his life. So hoist the
:41:37. > :41:41.mainsail, Batten down the hatches, full steam ahead, captain. Do
:41:41. > :41:46.excuse me. Paul's classroom has been rigged with hidden cameras,
:41:46. > :41:49.and he will now be the one under examination. According to his wife,
:41:49. > :41:56.he has always dreamed of swapping writing on the board for treading
:41:56. > :42:00.the boards. Paul's biggest wish would be to sing with the cast of
:42:00. > :42:03.Les Miserables. He loves the show and all the songs. Poor's
:42:03. > :42:07.performing skills have raised thousands for local charities over
:42:07. > :42:13.the years. But since the tragic death of his son five years ago,
:42:13. > :42:18.Paul now gives his time to one main charity, cardiac risk in the young.
:42:18. > :42:23.Daughter Lucy explains. Andrew suddenly died of a heart condition
:42:23. > :42:27.he did not know about. Since then, my dad has thrown himself into his
:42:27. > :42:31.singing, using that as therapy to help him with his loss. So the
:42:31. > :42:38.years, of Paul has sunk to help others. Now it is time to sing for
:42:38. > :42:41.himself. And when knows which song he will want to perform. Paul loves
:42:41. > :42:48.the song bring him home from Les Miserables. It is a very poignant
:42:48. > :42:53.song to him. A very emotional song. He will be so shocked that it is
:42:53. > :42:57.his turn. I don't think he has a clue that this is coming.
:42:57. > :43:01.secret cameras are in place and my wig is in place as I become
:43:01. > :43:09.hopeless school inspector and Jane Barrington. I feel like a young and
:43:09. > :43:16.Robinson. So, John, see me after the class. In fact, and Robinson
:43:16. > :43:20.may be preferable to Jane. At least Anne can do her job. And as wife
:43:20. > :43:28.when watches from a secret room next door, super klutz Jane tries
:43:28. > :43:34.to throw pour off his stride. -- tries to throw pour off his stride.
:43:34. > :43:40.Don't mind me. Thank you very much. Everyone is on their best behaviour
:43:40. > :43:44.for the inspector and does not react. How will they manage the
:43:44. > :43:51.next distraction, Scotch eggs and flattery? Would you like a Scotch
:43:51. > :43:56.egg? No, thanks. You should, you know. You could manage it with your
:43:56. > :44:01.figure. I shouldn't, on the other hand. Here is a quick IT lesson for
:44:01. > :44:05.you - expensive computers and liquids really don't mix. It wasn't
:44:05. > :44:10.very expensive equipment, was it? Only a few thousand pounds.
:44:10. > :44:17.Computer has often get bugs, so it is time for me to have one of my
:44:17. > :44:21.own. Aaagh! Sorry. It is not that I am allergic, I just don't like bees.
:44:21. > :44:28.In reality, there is no bumblebee, but I am about to give Paul the
:44:28. > :44:32.buzz of his life. I am really sorry to make such a fuss. It is just...
:44:32. > :44:37.Well, I think you are a great teacher. In fact, I know you are a
:44:37. > :44:43.great teacher. And I know that you do a lot for charity. And the
:44:43. > :44:48.reason that I know this is because... And Debra Stephenson
:44:48. > :44:56.from Tonight's The Night. And John Barrowman has sent me to help make
:44:56. > :45:00.your dreams come true. Right, yes? Yes. I understand that you are a
:45:00. > :45:04.big fan of the musical Les Miserables. How would you like to
:45:04. > :45:10.come down to the Tonight's The Night studio and sing a song from
:45:10. > :45:17.that musical on the show? Love to. I was hoping you would say that.
:45:17. > :45:27.I am frightened and excited and nervous. We will see how it goes.
:45:27. > :45:30.
:45:30. > :45:36.We've brought fuel London. It's prt place to inspire Paul ahead of his
:45:36. > :45:42.big performance. Who better to ask for tips, than the star of the show,
:45:42. > :45:47.Alfie Bow. Hello. Nice to meet you. Very nice to meet you indeed. Are
:45:47. > :45:52.you OK. Excuse me. I'm overwhelmed. Looking out there. What do you
:45:52. > :46:00.think. Give us a bit of a song, seriously. In front of you? Yeah,
:46:00. > :46:04.in front of millions as well. # God on high
:46:04. > :46:07.# Hear my prayer # In my need... #
:46:07. > :46:12.I thought Paul's voice was wonderful, very nice. I only heard
:46:12. > :46:16.a little bit, but I think he has a natural ability to sing. That song
:46:16. > :46:21.gets them going. It's a great song to sing. I know it's close to her
:46:21. > :46:27.heart and sentimental to you. yeah. I was going to ask you a
:46:27. > :46:33.favour, if you'd mind if I sang the song with you. I'll be there.
:46:33. > :46:38.I'm crying you can take over. give you the hard stuff to sing.
:46:38. > :46:43.I'll do the easy bit. When Alfie told me he was performing, that's
:46:43. > :46:47.amazing. I seem to be getting loads of surprises at the moment. With
:46:47. > :46:51.Paul's story, it's enough as it is, but with the song added and well as
:46:51. > :47:00.the sentiment behind the song and what it means for Paul, it's going
:47:00. > :47:04.to be a very, very special moment. APPLAUSE
:47:04. > :47:08.You're Paul's daughter, you must be very, very proud of your dad with
:47:08. > :47:11.all that he does. Yes, we're very proud of him. He's worked really,
:47:11. > :47:18.really hard. It's paying off because he sounds amazing. And he's
:47:18. > :47:22.a great dad as well. How's he been since he was surprised by Debra?
:47:22. > :47:28.He's been so excited. He hasn't stopped smiling. I think he can't
:47:28. > :47:31.believe he's actually going to sing on TV. We know Paul's son died
:47:31. > :47:37.tragically overseas. This is an important song for him. What does
:47:37. > :47:43.it mean to him to sing this song tonight? He's always loved the song,
:47:43. > :47:47.but obviously since an druep's death it's become more poignant.
:47:47. > :47:53.Every (Andrew's death) Time he sing it's now, I think he feels he's
:47:53. > :47:59.doing it for Andrew. It's curtain up on the performance of a life
:47:59. > :48:09.time. With Alfie Bow, and Bring Him Home, Paul Stevens, Tonight's The
:48:09. > :48:17.
:48:17. > :48:27.Night. # God on high
:48:27. > :48:30.
:48:30. > :48:40.# Hear my prayer. # In my need
:48:40. > :48:40.
:48:41. > :48:50.# You have always been there. Ladies and gentleman, please
:48:51. > :48:52.
:48:52. > :49:01.welcome Paul Stevens. APPLAUSE
:49:01. > :49:11.He is # He is young. # He's afraid
:49:11. > :49:14.
:49:14. > :49:24.# Let him rest. # Heaven blessed.
:49:24. > :49:24.
:49:24. > :49:34.# Bring him home. # Bring him home
:49:34. > :49:35.
:49:35. > :49:41.# Bring him home. # He's like the son I might have
:49:41. > :49:44.known # If God had granted me a son.
:49:44. > :49:50.# The summers die # One by one.
:49:50. > :50:00.# How soon they fly # On and on.
:50:00. > :50:08.
:50:08. > :50:12.# And I am old # And will be gone.
:50:12. > :50:22.# You can take. # You can give
:50:22. > :50:24.
:50:24. > :50:34.# Let him be. # Let him live
:50:34. > :50:46.
:50:46. > :50:56.# If I die, let me die. # Let him live
:50:56. > :51:06.# Bring him home. # Bring him home
:51:06. > :51:29.
:51:29. > :51:37.Paul, you've sung that song many times. Is it always an emotional
:51:37. > :51:42.thing to sing? Absolutely, yeah. It is now, yeah. You were magnificent.
:51:42. > :51:45.Thank you. If you could see everyone, they're in tears. Such a
:51:45. > :51:50.beautiful song. Alfie will you be able to sing it now knowing the
:51:50. > :51:57.story this man has behind it? was just incredible. He said he
:51:57. > :52:00.would come down to the West End and take over the role. Only one song.
:52:00. > :52:04.I'm glad you've enjoyed it and it was wonderful to have you here and
:52:04. > :52:08.able to make this dream come true and Alfie also. Ladies and
:52:08. > :52:15.gentleman, Alfie Bow and our West End dreamer, Paul Stevens!
:52:15. > :52:20.APPLAUSE It's been an amazing show. It's not
:52:20. > :52:30.over yet. On this stage the music doesn't stop. Back with her new
:52:30. > :52:31.
:52:31. > :52:36.single Think About It, it's Melanie # I know I shouldn't be doing this
:52:36. > :52:43.# Why can't I stop? # Butterfly's, bloodrush,
:52:43. > :52:48.everything'd telling me to run but I'm not
:52:48. > :52:56.# Only regret what you don't do. # Why don't we do what we want to
:52:56. > :53:04.now? # Don't give me time to back out.
:53:04. > :53:07.# Cause I don't wanna think about frikin up.
:53:07. > :53:09.# Trying to pretend that we didn't # What we're doing.
:53:09. > :53:12.# I don't wanna think about # Giving up.
:53:12. > :53:16.# Not tonight # I don't wanna think about anyone,
:53:16. > :53:24.anything, anyway. # If there's a chance or break.
:53:24. > :53:29.# I wanna smash into pieces # Let's make a big mistake.
:53:29. > :53:33.# But I don't wanna think about it # I don't wanna think about it.
:53:33. > :53:36.# My heart beats my head. # And I'm letting it
:53:36. > :53:44.# Take me over. # I got to keep going
:53:44. > :53:50.# Can't stop, can't sleep. # Cause tomorrow I'll be sober
:53:50. > :54:00.# You only regret what you don't do. # Why don't we do what we want to
:54:00. > :54:00.
:54:00. > :54:02.now? # Don't give me time to back out.
:54:02. > :54:05.# Cause I don't wanna think about frikin up
:54:05. > :54:08.# Trying to pretend that we didn't # What we're doing
:54:08. > :54:10.# I don't wanna think about. # Giving up
:54:10. > :54:17.# Not tonight. # I don't wanna think about anyone,
:54:17. > :54:25.anything, anyway # If there's a chance or break.
:54:25. > :54:34.# I wanna smash into pieces # Let's make a big mistake.
:54:34. > :54:39.# But I don't wanna think about it # I don't wanna think about it.
:54:39. > :54:46.# I want to feel something I've never felt before
:54:47. > :54:51.# And I don't care if it hurts # It's worth it.
:54:51. > :54:57.# I want to be someone I've never been before
:54:57. > :55:07.# So I'm gonna run. # I'm gonna close my eyes
:55:07. > :55:09.
:55:10. > :55:12.# I'm gonna jump into the fire. # I don't want to think about, not
:55:12. > :55:22.tonight # I don't want to think about
:55:22. > :55:27.anyone, anything, I don't want to think about it
:55:27. > :55:37.# You only do what you want to # You only regret the things thaw
:55:37. > :55:38.
:55:38. > :55:48.don't do, do, do # Let's do what we want to #
:55:48. > :55:49.
:55:49. > :55:52.APPLAUSE Ladies and gentleman, Melanie C! If
:55:52. > :55:57.you want to find out more about anything in tonight's show or just
:55:57. > :56:02.enjoy those dreams once more, then log on to bbc.co.uk/Tonight's The
:56:02. > :56:12.Night. I'm back next week for the final show of this series, when
:56:12. > :56:13.
:56:13. > :56:19.girl band the Saturdays get a new line up. Dame Town iri Tekanawa is
:56:19. > :56:29.here. And R&B sensation Jay Sean gate crashes a party for a special
:56:29. > :56:35.
:56:35. > :56:45.# Don't you feel it growin', day by # People gettin' ready for the news
:56:45. > :56:46.
:56:46. > :56:49.# Some are happy, some are sad # Woah, gotta let the music play.
:56:49. > :56:55.# What the people need is a way to make them smile
:56:55. > :57:03.# Ain't so hard to do if you know # Gotta get a message, get it on
:57:03. > :57:13.through # Oh now momma don't you ask me why.
:57:13. > :57:29.
:57:29. > :57:32.# Oh, oh, oh listen to the music, # When, I know you know baby,
:57:32. > :57:41.everything I say, # Meet me in the country for a day.
:57:41. > :57:51.# We'll be happy and we'll dance. # Oh, we're gonna dance our blues
:57:51. > :57:51.
:57:51. > :58:01.away. # Whoa, listen to the music,
:58:01. > :58:07.
:58:07. > :58:14.# Oh, oh, oh, listen to the music # All the time
:58:14. > :58:20.# Like a lazy flowing river. # Surrounding castles in the sky
:58:20. > :58:27.# And the crowd is growing bigger # Listening for the happy sounds