:01:32. > :01:42.It's Saturday night. This is Tonight's The Night. Please welcome
:01:42. > :01:42.
:01:42. > :01:45.your host, on Barrowman. # I gotta feeling that tonight's
:01:45. > :01:47.gonna be a good night # That tonight's gonna be a good
:01:47. > :01:49.night # That tonight's gonna be a good
:01:49. > :01:52.good night # Tonight's the night night
:01:52. > :01:54.# Let's live it up # I got my money
:01:54. > :01:57.# Let's spend it up # Go out and smash it
:01:57. > :02:07.# Like Oh My God # Jump off that sofa
:02:07. > :02:16.
:02:16. > :02:24.# Let's get get OFF # I got a feeling.
:02:25. > :02:28.CHEERING AND APPLAUSE Good evening and welcome to
:02:28. > :02:38.Tonight's The Night. The show which makes dreams come true. It is the
:02:38. > :02:41.
:02:41. > :02:47.last show of the series already! Audience AH! SNL I STILL HAVE SO
:02:47. > :02:56.MANY I still have so many dreams to make come true. And the winner of
:02:56. > :03:01.best actor is... John Barrowman. CHEERING
:03:01. > :03:07.Thank you so much. I'd like to thank Mr Spielberg and my
:03:07. > :03:17.supporting cast, Brad, Tom, Colin. This is for you guys! What am I
:03:17. > :03:20.
:03:20. > :03:26.saying? It's for me! Me! Me! Me! Me... John, What? Hold on, did I
:03:26. > :03:36.just have one of my secret private dreams? Did you see it? Yeah.
:03:36. > :03:37.
:03:37. > :03:41.it the best actor one? Yes! Whoa! Thank goodness. Anyway... My dreams
:03:41. > :03:45.don't always come true but I have plenty that will for some very
:03:46. > :03:53.deserving people. Here's what's on the way. Top girl band The
:03:53. > :03:59.Saturdays are here with a brand new member. Dame Dame Kiri Te Kanawa
:03:59. > :04:07.makes operatic dream come true. Jodie Prenger goes to south Pacific
:04:07. > :04:13.with its star Samantha Womack. Plus, I'm Jay Sean. I'll be gate crashing
:04:13. > :04:18.a party to surprise is very special person. So stay where you are.
:04:18. > :04:23.Right now, we've all left something valuable in a taxi, haven't we?
:04:23. > :04:27.Just last week I left my bag, phone and personal items in the back of a
:04:27. > :04:31.cab. But I also left some hidden cameras and microphones in there
:04:31. > :04:39.too. You're about to see for the first time on national television,
:04:39. > :04:43.my pants being flashed in the back of a cab. Today, I'm in Guildford
:04:44. > :04:48.to surprise Connie Nash, a tower of strength to her friends and family.
:04:49. > :04:58.We're going to pick up Connie in our cab. Little does she know, it
:04:58. > :05:02.is hidden with cameras. When she gets into the cab, she'll notice my
:05:02. > :05:08.man bag's inside. My phone's in there, a wallet and other things.
:05:08. > :05:14.It is time now to go get Connie and make her dream come true. Connie
:05:14. > :05:21.has a passion for singing. She'll belt out a tune any time, place or
:05:21. > :05:26.anywhere. It can be hard rock, country naiing. Singing has always
:05:26. > :05:32.been her life. She sings in the old people in the village. She'll sing
:05:32. > :05:36.anywhere. Give her a stage and Mick row phone and she's away. When
:05:36. > :05:41.she's not singing, she's helping mum who has health problems. She
:05:41. > :05:45.runs the house and has everything they need. She's my brick. She's
:05:45. > :05:49.there for me. It is not just her family she's there for. Her best
:05:49. > :05:54.friend says Connie is the first person they'll turn to in their
:05:54. > :05:59.hour of need. Connie is so selfless. She'd do anything for anyone at any
:05:59. > :06:03.time. She's an amazing person. Because of that loyalty and support,
:06:03. > :06:06.I've arranged for Connie to sing live in the studio as a new member
:06:06. > :06:12.of the chart topping girl band, The Saturdays.
:06:12. > :06:16.I will be the proud est mother in the whole wild world when Connie
:06:16. > :06:20.appears on stage. I'm going to monitor everything from this
:06:20. > :06:23.vehicle. I can see what's happening in the cab on the screens. I can
:06:23. > :06:27.hear what's happening on this ear piece. I can also talk to the cab
:06:27. > :06:32.driver on this microphone. Connie thinks she's going out for a night
:06:32. > :06:38.out on the town. We're about to make they are dream come true. The
:06:38. > :06:43.taxi ace arrived. Connie and her friend will hit the town. You look
:06:43. > :06:51.beautiful. Thank you. Everything all right? Yes, thank you. What do
:06:51. > :06:55.you two do? Study? We study musical theatre. All singing and dancing?
:06:55. > :07:02.That's us. I ain't agot a dancing license in here tonight. Whatever
:07:02. > :07:09.you do. Oi!, Johnny, stick to the script. What's that on the back? Is
:07:09. > :07:14.that yours? Don't know. Is there a name or telephone number on it.
:07:14. > :07:20.Have you got the number there or anything? Hey, watch my lucky
:07:20. > :07:26.pants! Hello, I'm Connie, I'm in the taxi. I've found your bag and
:07:26. > :07:32.phone. Thank you so much. I left it. I can't believe I got out of a taxi
:07:32. > :07:40.and left it. Is there any way you can drop it off to me. I'll pay for
:07:40. > :07:50.your fare. Who's going to pay? You or them? Them. That's handy. I'm at
:07:50. > :07:51.
:07:51. > :07:55.guild for Castle. At the skal royal Oak. Thank you. He's American.
:07:55. > :08:05.Connie has no idea it is me calling. Until she starts snooping in my
:08:05. > :08:05.
:08:05. > :08:12.wallet. That can't be true! SCREAMING It is John Barrowman. I
:08:12. > :08:16.just spoke for John Barrowman on the phone. Who's he? He's famous.
:08:16. > :08:25.For what? Musical theatre. So, what part of my life are they really
:08:25. > :08:35.interested?. Let's take pictures with his pants. They're taking
:08:35. > :08:41.
:08:41. > :08:48.pictures with my pants! Hilarious! Genius. They've put my sunglasses
:08:48. > :08:54.on. Are we drooping off now? We're nearly there. Are we going to meet
:08:54. > :08:59.John Barrowman? SCREAMING I'm so pleased. Thank you so much. Connie,
:08:59. > :09:04.I'm actual ji John Barrowman from BBC One's Tonight's The Night. I'm
:09:04. > :09:10.here to make your dream come true. You put on my sunglasses, took
:09:10. > :09:17.pictures with my pants! You're so busted! You're so busted! This has
:09:17. > :09:20.all been a set-up because I know that you've, you're a pillar of
:09:21. > :09:24.strength for your family. You do things to help out your mother in
:09:24. > :09:30.particular. We know you have a dream to sing in front of millions
:09:30. > :09:33.of people? Yes? Yes. Would you like to come to the studio and we'll get
:09:33. > :09:39.you up on the tonight's the night stage and you can sing to the
:09:39. > :09:47.nation. Awesome? Yes! Thank you very much. You're welcome! There
:09:47. > :09:53.you go. So surprised. Nothing like this ever happens to me. This is
:09:53. > :10:00.amazing. A complete dream come true. Can I say, these are not my pants!
:10:00. > :10:05.They are not my pants. Mine are much bigger! It's the day before
:10:05. > :10:12.her dream performance and Connie's in Manchester rehearsing her big
:10:12. > :10:15.number Higher. She's about to get some visitors. Much cos you keep on
:10:15. > :10:23.pushing # Like I need permission to be
:10:23. > :10:27.heard # Hi, When The Saturdays walked in, they were so friendly.
:10:28. > :10:33.Every one gave me a hug. They are really lovely girls. Maybe she
:10:33. > :10:39.should join the band. # When I keep listening
:10:39. > :10:47.# Cos you keep on pushing #... Snl She has a powerful voice. I think
:10:47. > :10:57.she will be really, really good. # I'm gonna lift it higher #
:10:57. > :10:59.
:10:59. > :11:03.When the doors open I'll be nervous. But it will be amazing.
:11:03. > :11:07.Connie's not just there for you but everybody, isn't she? She's always
:11:07. > :11:14.there for friends and family. Always goes that extra mile for
:11:14. > :11:20.them. Joanna, you guys look like you have a good time together?
:11:20. > :11:29.little bit. She's always up for a laugh. Put a smile on anyone's face.
:11:29. > :11:35.She's brilliant. Christopher, dad... I believe so! You believe so! A
:11:35. > :11:39.first on Tonight's The Night. I feel like I'm watching Trisha.
:11:39. > :11:44.Christopher, she's about to perform with Britain's biggest girl band.
:11:44. > :11:49.She has a lot of confidence but will she be nervous before walking
:11:50. > :11:53.on? She's bound to be. But she'll be bursting to get out there and go
:11:53. > :12:03.for it. Here with Britain's hottest girl band, The Saturdays singing
:12:03. > :12:09.
:12:09. > :12:14.one of their biggest hits, Higher, Connie Nash, Tonight's The Night.
:12:14. > :12:18.# I'm doing nothing # Kauz then at least I'm doing
:12:18. > :12:22.nothing wrong # And I'm staying on my own
:12:22. > :12:28.# Then turn off my telephone # If nothing's gained, nothing's
:12:28. > :12:34.# And you can tell them # # Yeah, you can say whatever I
:12:34. > :12:40.don't care # And if you wanna play it cool
:12:40. > :12:44.# Then I got news for you # It's getting hotter, hotter over
:12:44. > :12:49.here. Please welcome on stage our sixth
:12:49. > :12:58.Memon stage tonight, it's Connie. CHEERING AND APPLAUSE.
:12:58. > :13:03.# SO WHEN I KEEP LISTENING # AND YOU KEEP ON MESSING UP THE
:13:03. > :13:09.WORDS. # SO WHEN I SPEAK, LISTEN CAUSE YOU
:13:09. > :13:16.KEEP ON PUSHING # I'M GONNA LIFT YOU HIGHER.
:13:16. > :13:20.# I'M GONNA LIFT IT, LIFT IT HIGHER. # SO WHEN I SPEAK, LISTEN, THIS IS
:13:20. > :13:24.MY DECISION # AND YOU KEEP ON MESSING UP THE
:13:24. > :13:29.WORDS. # I'M GETTING CLOSER
:13:29. > :13:34.# I'M MOVING IN AND NEAR, I THINK YOU KNOW
:13:34. > :13:41.# COS I'M SICK OFF PLAYING GAMES # AND I'M NOT GONNA SAY NO NAMES
:13:41. > :13:44.# BUT YOU KNOW I KNOW WHO TO BLAME # SO YOU CAN TELL THEM
:13:44. > :13:50.# YEAH, YOU CAN GO AHEAD AND PUTTED IT STRAIGHT
:13:50. > :13:56.# I'M A FINISHING MYSELF # AND I DO NOT NEED YOUR HELP
:13:56. > :14:00.# I'M GONNA DO THIS TONIGHT. # SO WHEN I SPEAK, LISTEN
:14:00. > :14:04.# THIS IS MY DECISION # AND YOU KEEP ON MESSING UP THE
:14:04. > :14:08.WORDS. # SO WHEN I SPEAK, LISTEN CAUSE YOU
:14:08. > :14:14.KEEP ON PUSHING # LIKE I NEED PERMISSION TO BE
:14:14. > :14:21.HEARD. # I'M GONNA LIFT IT HIGHER.
:14:21. > :14:25.NING.$$NEWLINE # I'M GONNA LIFT IT HIGHER
:14:25. > :14:31.# So when I speak, listen, this is my decision.
:14:31. > :14:39.# And you keep on messing up the world.
:14:40. > :14:44.CHEERING AND APPLAUSE That was really awesome. Girls, how
:14:45. > :14:50.did you feel to have a sixth member? Amazing. She's so good.
:14:50. > :14:54.Connie, how was it standing behind those doors waiting to come on?
:14:54. > :15:01.Scared. I was really nervous but excited. I just wanted them to open.
:15:01. > :15:08.Girls, she looked and sounded the part? She did. Are you surprised?
:15:09. > :15:14.The girls said cos she's blonde, if I feel sick or want to leave she's
:15:14. > :15:18.in. If she's not pulling her weight! Do you need a brunette?
:15:18. > :15:26.Connie, make me a promise. If you do find a pair of pants in the
:15:26. > :15:30.backs of a taxi, don't put them on your head. That's a moment entoe!
:15:30. > :15:35.Thank you. Ladies and gentlemen, The Saturdays will be back later
:15:35. > :15:42.with their new single. For now, everybody, Connie Nash. CHEERING
:15:42. > :15:51.AND APPLAUSE We've only just begun. There's
:15:51. > :15:58.still plenty more on the way. R&B star Jay Sean gives one lady a
:15:58. > :16:03.party she'll never forget. Samantha Womack, the new star of South
:16:03. > :16:07.passiveic meets a crazy hairdresser. It can only happen on Tonight's The
:16:07. > :16:12.Night. Time to deliver another dream. I was born and raised in
:16:12. > :16:17.this city. I know very little about the countryside. The nearest I've
:16:17. > :16:22.been to a farm was playing the rear end of a pantomime cow! The pay was
:16:22. > :16:28.good but the view was lousey. So, for this next dream, I had to
:16:28. > :16:38.discover my rural side. Let's see how I do in the wild, Wild West...
:16:38. > :16:38.
:16:38. > :16:45.Of Somerset! I'm here at the royal Bath and West show. To see Teresa.
:16:45. > :16:49.She's no idea we're here to make her dreams come true. 19-year-old
:16:49. > :16:55.Theresa is here to sing for the Royal British Legion. According to
:16:55. > :16:59.her best friend Hannah, it is one of the meant charity gigs she does.
:16:59. > :17:05.Teresa loves singing. If she can sing and work at the same time, it
:17:05. > :17:09.is perfect for her. After performing, Teresa donates any fees
:17:09. > :17:14.to charity. And even sleeps on transfor the between gigs.
:17:14. > :17:19.gives up all of her time. She travels back and forth from London
:17:19. > :17:24.at her own expense to do things for the legion. She does it because she
:17:24. > :17:28.wants to, not because she wants anything out of it. Mum lily wants
:17:29. > :17:38.Teresa's dreams to come true so I've arranged for her to sing with
:17:38. > :17:43.her hero, the internationally famous Dame Kiri Te Kanawa. It will
:17:43. > :17:48.be shock initially. Then she'll scream and be excited. Performing
:17:48. > :17:54.on stage and on television would make her dreams come true. Back at
:17:54. > :17:58.the country show, Theresa is getting ready for her performance.
:17:58. > :18:06.I'm throwing myself into the rural ways. So I really am one of the
:18:06. > :18:16.skal village People. I'm getting to terms with this countryside. What
:18:16. > :18:21.
:18:21. > :18:26.do you think baa, bra. I never want to say I milked a performance!
:18:26. > :18:31.While Theresa takes the stage, I'll find out what dashing uniform the
:18:31. > :18:37.legion have for my disguise. I heard you've something for me. What
:18:37. > :18:43.is it? I have the British Legion poppy mascot. This is awesome.
:18:43. > :18:48.Let's get my poppy on. Thanks. Theresa has been told when she's
:18:48. > :18:52.finished, there will be a photocall with the poppy mascot. She's no
:18:52. > :19:02.idea it will be me inside the costume. I'm ready to go in. Poppy-
:19:02. > :19:05.
:19:05. > :19:15.power! Theresa's finished and here I come. This is really a long way
:19:15. > :19:16.
:19:16. > :19:22.from Captain Jack. CHEERING This is one hot and sweaty costume.
:19:22. > :19:27.It is stuck to me. I'll have to get Theresa to help me get it off. I'll
:19:27. > :19:34.not really a mascot. I'm John Parr Oman and I'm here to make your
:19:34. > :19:38.dream come true! Whoa. Hello. I would like you to come to the
:19:38. > :19:44.Tonight's The Night studio and sing on television to millions of people
:19:45. > :19:51.out there in the nation. Will you do that? Yeah! I tell you, the
:19:51. > :19:57.things I do for showbiz. This young lady does an incredible amount for
:19:57. > :20:02.charity in her local area and she's what I would call a self-less young
:20:02. > :20:06.lady. She's always offered to get paid for performances and you do
:20:06. > :20:11.what? Tell us? I do it for free because I love it. If she gets
:20:11. > :20:21.money, she gives it back to the community or charities but I've got
:20:21. > :20:22.
:20:22. > :20:29.a surprise for you, you will awe' be singing with Dame Kiri Te Kanawa,
:20:29. > :20:34.CHEERING I don't want to say I'll be star struck. That will be
:20:34. > :20:39.embarrassing. But I probably will be. Would your mum come up? Before
:20:39. > :20:45.she meets Dame Kiri, I've another surprise. Meeting Sophie, Countess
:20:45. > :20:51.of Wessex. Have you got over the shock yet? Yeah, this is just
:20:51. > :20:55.another one. I'm sorry to do this to you. She's getting to sing with
:20:55. > :21:02.dame Kiri. You'll have to tune in. I will definitely do that. It is
:21:02. > :21:10.such a pleasure to meet you are. Thank you, appreciate it. Thank you.
:21:10. > :21:13.Now we're down with the royals. You and me. Will and Kate look out. It
:21:13. > :21:19.is Theresa and John on their way. Watch this space. Thank you for
:21:19. > :21:23.making my dreams come true is all I can say. You're welcome, sweetheart.
:21:23. > :21:30.Thank you. A few weeks later, Theresa is practising with the show
:21:30. > :21:40.when her duet partner props in for an unexpected rehearsal. # To be
:21:40. > :21:40.
:21:40. > :21:44.the best I can #... # If I win... # I was shocked when I heard her
:21:44. > :21:54.singing. I thought, oh, my God, it's the voice, the voice of Dame
:21:54. > :22:03.
:22:03. > :22:06.Kiri. Well done. Hello. Hello! Oh, God. This will be fun, isn't it?
:22:06. > :22:11.Thank you so much. I didn't think something like this could happen to
:22:11. > :22:19.me. It has been amazing. Absolutely amazing.
:22:19. > :22:23.CHEERING AND APPLAUSE I know you're nervous and he and excited. What
:22:23. > :22:27.kind of sacrifices has Theresa made for others? She does so much.
:22:27. > :22:33.She'll have parties of her own to go to her own social events. She'll
:22:33. > :22:37.give all that up to be there to sing at the charities. She will not
:22:37. > :22:44.put herself first, she always puts the charities first. She gives
:22:44. > :22:50.everything back to them. Epbg low, you're dad?, she's a one-off?
:22:50. > :22:58.proud of her. She's my little star. Theresa is now getting something
:22:58. > :23:08.for herself. Singing World In Union with Dame Kiri Te Kanawa, Theresa
:23:08. > :23:11.
:23:11. > :23:18.sings on Tonight's The Night. # There's a dream I feel so rare,
:23:19. > :23:28.so real # All the world in union
:23:29. > :23:30.
:23:30. > :23:40.# The world as one # Gathering together
:23:40. > :23:41.
:23:41. > :23:51.# One mind, one heart # Every creed, every colour
:23:51. > :24:01.# Once joined, never apart # Ladies and gentlemen, please
:24:01. > :24:10.
:24:10. > :24:20.welcome Theresa. CHEERING AND APPLAUSE
:24:20. > :24:25.
:24:25. > :24:32.# We must take our place in history # And live with dignity
:24:32. > :24:42.Just to be the best I can # Sets the goal for every man
:24:42. > :24:43.
:24:43. > :24:53.# If I win, lose or draw # It's a victory for all
:24:53. > :24:54.
:24:54. > :25:04.It's the world in union # The world as one
:25:04. > :25:20.
:25:20. > :25:30.# As we climb to reach our destiny # A new age has bee gun -- begun
:25:30. > :25:35.
:25:35. > :25:45.# It's the world in union # A new age has begun #
:25:45. > :25:49.
:25:50. > :25:56.CHEERING AND APPLAUSE That was amazing. Absolutely
:25:56. > :26:01.amazing. Theresa, this has been your dream for a long time. Come on.
:26:01. > :26:06.How does it feel now you've fulfilled it? Amazing. I want to do
:26:06. > :26:13.it again and again. I would scream but it's not good for my voice!
:26:13. > :26:17.Don't scream. For someone so young. What an instrument, what a voice.
:26:17. > :26:22.Lovely, but a lot of work to go forward with. The show's wonderful.
:26:22. > :26:30.Thank you very much for making this possible for her. Thank you. No,
:26:30. > :26:35.thank you. Mum, dad, it was also a dream for you. How do you feel?
:26:35. > :26:42.Absolutely so proud of her. Fantastic. Thank you. I'm coming
:26:42. > :26:50.over for pasta. Ladies and gentlemen, Dame Kiri Te Kanawa and
:26:50. > :26:54.Theresa DI i Roberto. Here I am again surrounded by the great and
:26:54. > :26:58.good but only one of you is in for a surprise tonight. Let's get
:26:58. > :27:02.searching. I'm looking for someone who's taken a whole new direction
:27:02. > :27:07.in their life. Loves the roar of the Grace paint, the smell of the
:27:07. > :27:17.crowd. Somebody who is a one- Mangham tuer dramatics group.
:27:17. > :27:19.
:27:19. > :27:29.Someone like you Keith Lee. that's not me. Someone like you,
:27:29. > :27:30.
:27:30. > :27:40.Keith Lee? No. Wait a minute. Let me just check something. You're
:27:40. > :27:41.
:27:41. > :27:51.like Keith Lea. Oh, it's someone who works in Keighley Yorkshire,
:27:51. > :27:53.
:27:53. > :27:57.like you, Peter Whitley! CHEERING You thought I'd messed up there,
:27:57. > :28:04.didn't you, Peter? Yes. You and your daughter come with me while
:28:04. > :28:10.the rest of you take a look at this. I've been married to Peter for 14
:28:10. > :28:15.years. He's very fun-loving. Always looks on the good side of things.
:28:15. > :28:20.My dad's special. He's always there for everybody else. Feeter as a
:28:20. > :28:25.father-in-law is qairing. Loves his kids and granddaughter. Recently
:28:25. > :28:31.he's done a concert, Help the Heroes. He does things for
:28:31. > :28:35.MacMillan cancer care. He's due to do a parachute jump. Over the years,
:28:35. > :28:39.Peter's raised thousands of pounds for his charities. New Year's Day,
:28:40. > :28:45.at 26 weeks pregnant, I was rushed into hospital. I didn't know what
:28:45. > :28:50.had happened until I woke up ten days later when I found out I'd
:28:50. > :28:55.Swine Flu. I had to ring Peter tell him there was always a chance he'd
:28:55. > :28:58.lose his granddaughter and daughter. He was extremely worried and
:28:58. > :29:04.anxious. Our priority was to support Hannah and to support Dan,
:29:04. > :29:08.her husband. Even though what he were going through, Peter was
:29:08. > :29:13.strong, always there for meself. Giving lifts to the hospital.
:29:13. > :29:19.Always at his daughter's bedside. Having dad there meant so much to
:29:19. > :29:24.me. He's a very special person. dad gets his energy from making
:29:24. > :29:28.other people smile. Other people happy. Peter, have a wonderful
:29:28. > :29:33.evening. I'm proud to know you. You're a very special person. I
:29:33. > :29:37.want you to enjoy tonight. I love you. Dad, I want to say a huge
:29:37. > :29:43.thank you for everything you do. Have a great night. Love you, love
:29:43. > :29:49.you granddad. CHEERING AND APPLAUSE N Hand in a,
:29:49. > :29:54.how much of a support was your dad through your illness? A huge
:29:54. > :29:59.support. He was there by my bedside while I were on life support and
:29:59. > :30:02.through my recovery. He was there for Dan and the rest of my family.
:30:02. > :30:08.Peter, throughout everything, you seem to be able to put a smile on
:30:08. > :30:15.people's faces. What makes you want to do that? Laughter's The Best
:30:15. > :30:19.Medicine for anybody. I just love making people laugh. I could sit
:30:19. > :30:25.with you all night and giggle. I could. I just like seeing people
:30:25. > :30:30.enjoy themselves. I get a lot of pleasure out of it. Peter, you've
:30:31. > :30:36.brought so many smiles to so many people. You've done so much for
:30:36. > :30:46.your family and community. I'd like to put a smile on your face tonight
:30:46. > :30:47.
:30:47. > :30:57.by singing this song just for you. # You know I can't smile without
:30:57. > :30:57.
:30:57. > :31:02.# I can't smile without you # I can't laugh and I can't sing
:31:02. > :31:11.# I'm finding it hard to do anything
:31:11. > :31:15.# You see I feel sad when you're # I feel glad when you're glad
:31:15. > :31:24.# If you only new what I'm going through
:31:24. > :31:29.# If I just can't smile without you # Some people say
:31:29. > :31:39.# Happiness takes # So very long to find
:31:39. > :31:40.
:31:40. > :31:44.# Well, I'm finding it hard leaving your love behind me
:31:44. > :31:48.# Peter, it's time to bring out some of the people who you made
:31:48. > :31:53.smile over the years. The people who love you, your friends and
:31:53. > :31:59.family, your colleagues. Come on over here, Peter. CHEERING AND
:31:59. > :32:09.APPLAUSE # YOU KNOW I CAN'T SMILE WITHOUT
:32:09. > :32:09.
:32:09. > :32:13.# I can't smile without you # I can't laugh and I can't sing
:32:13. > :32:19.# I'm finding it hard to do anything
:32:19. > :32:26.# You see I feel glad when you're glad
:32:26. > :32:36.# I feel sad when you're sad # If you only knew what I am going
:32:36. > :32:42.
:32:42. > :32:46.through # I just can't smile without you #
:32:46. > :32:55.CHEERING AND APPLAUSE Did you ever realise how much you
:32:55. > :33:00.mean to everybody? No. No, I didn't. I love everybody. Thank you.
:33:00. > :33:04.you suspect anybody was planning anything? Not a thing. Not a thing.
:33:04. > :33:08.Debbie didn't even tell me which shirt to wear! You were left on
:33:08. > :33:13.your own? Let me tell you, you made a good choice. Ladies and gentlemen,
:33:13. > :33:20.a big round of applause and a big smile for Peter Whitley.
:33:20. > :33:29.CHEERING AND APPLAUSE We've plenty more lined up. Here's
:33:29. > :33:35.what's on the way. R&B star Jay Sean makes a surprise for one lady.
:33:35. > :33:44.The cast of South Pacific are here and The Saturdays return. OK dudes.
:33:44. > :33:54.It is the last show of the series. Do you want to party? AUDIENCE: Yes.
:33:54. > :33:55.
:33:55. > :34:05.Can you feel it? Here we go. Get ready. It's coming. # I got you
:34:05. > :34:10.# I got you # Agadoo... #
:34:10. > :34:20.Guess I'm not street enough to be a super star DJ. For this next
:34:20. > :34:23.surprise, that was a good thing. I'm in London to meet mum z Taz.
:34:23. > :34:28.She's coming here for what she thinks is a regular gathering but
:34:28. > :34:32.I'm about to make it a party of a lifetime. And, of course, we've
:34:32. > :34:37.rigged that party with our sneaky secret cameras. What are we like?
:34:37. > :34:43.We all know a party isn't complete without a DJ. Calm down, ladies, it
:34:43. > :34:47.is DJ Roger with wheels of steel and pants the polyester. Feel that
:34:47. > :34:54.static electricity! And the party has another surprise. Performer on
:34:54. > :35:00.the way, international star Jay Sean. That's a gate-crasher she can
:35:01. > :35:05.deal W while Mumtaz arrives at what shis is a family get together Jay
:35:05. > :35:11.Sean is behind the scenes. It is especially for her and she deserves
:35:11. > :35:15.it. Since Mumtaz's dad died tragically in 2004, the 25-year-old
:35:15. > :35:21.care assistant's kept the family together. Her brother explains.
:35:21. > :35:25.father was the add heeive. Gelling figure. Mumtaz took on that. She's
:35:25. > :35:31.the first programme to help us resolve any problems. If we are sad,
:35:31. > :35:37.she's the first person to make us happy. She's the person we look to
:35:37. > :35:43.But Mumtaz has had struggles of her own since she was diagnosed with
:35:43. > :35:46.arthritis. It hasn't been easy. Mumtaz was diagnosed with arthritis
:35:46. > :35:50.for two years now. There are days when she can't moval ought. She's
:35:50. > :35:54.gone through tough times. So, now it is time for Mumtaz to become the
:35:54. > :35:58.centre of attention with a big thank you from sister and the rest
:35:58. > :36:02.of the family. Mumtaz Lynx to put others first rather than herself.
:36:02. > :36:06.She likes to see people smile. We think this time, we want to make
:36:06. > :36:11.her happy and give her a big surprise. So, after the family got
:36:11. > :36:20.in touch, I knew the surprise to give Mumtaz. A personal party
:36:20. > :36:27.performance from her idol, Jay Sean. Much Back at the social club, DJ
:36:27. > :36:35.Roger's working the crowd while Jay Sean watchs from upstairs. Over to
:36:35. > :36:40.you, R&B's top DJ. My name is Roger DJ by nature. I'm going to shout
:36:40. > :36:47.over everybody, all right? crowd wants some hot R&B but Roger
:36:47. > :36:53.has no idea what that is. Here we have a great R&B classic. Hit it me,
:36:53. > :36:58.man! # I am the one and only... # Oops, that seems to have cleared
:36:58. > :37:06.the dance floor. Surely Roger's singing will bring them back.
:37:06. > :37:13.# I am the one and only # DJ Roger decides to get Mumtaz involved.
:37:13. > :37:16.Time to get everyone on their feet for another R&B classic. Backstage,
:37:16. > :37:21.Jay Sean's horrified but not for the reasons you might think. He's
:37:21. > :37:27.gone and ruined it. I normally come out. This is my entrance song!
:37:27. > :37:32.on, Jay, you'll make your entrance soon. First, it is time for the DJ
:37:32. > :37:37.to give Mumtaz a surprise she'll never forget. Come over here, I'm
:37:37. > :37:47.John Barrowman from BBC One's Tonight's The Night. And I'm here
:37:47. > :37:47.
:37:47. > :37:51.to make your dreams come true! ALL WHOOP Your brother got in touch and
:37:51. > :37:55.wrote the letter because he loves you dearly. He thinks you're
:37:55. > :38:00.wonderful and the pillar of strength for your family and he
:38:00. > :38:06.thinks you deserve this. I know you like R&B music. How about a song
:38:06. > :38:16.you can dance to with Amran by a Jay Sean, is that all right? I've
:38:16. > :38:24.
:38:24. > :38:29.got a better idea. Because, I've brought Jay Sean here today.
:38:29. > :38:33.Whooping and cheering. It was lovely thinking, oh, my God, am I
:38:33. > :38:43.dreaming. I'm happy and proud to be a part of this dream come true. I
:38:43. > :38:43.
:38:43. > :38:47.hope you enjoy it. It is lovely to be here with you and all of you.
:38:48. > :38:52.# You ready for this? This song is especially for you.
:38:52. > :38:57.# So just let it be # Come on and bring your body next
:38:57. > :39:02.to me # I'll take you away, yeah
:39:02. > :39:07.# And I'll turn this place into a private get away
:39:07. > :39:15.# So leave it behind so we have a night to get away
:39:15. > :39:20.# He's so fit! He's so good looking. I want my son to turn out like him!
:39:20. > :39:26.I never thought I'd see him in real life. Today, he was in front of me,
:39:26. > :39:30.singing for me. It was unbelievable. # And even if the sky is falling
:39:30. > :39:36.down # You will be my only
:39:36. > :39:42.# There's no need to worry # Frplt this is my dream come true. I can't
:39:42. > :39:50.dream anything else apart from that. This is the best dream in my life.
:39:50. > :39:59.Thank you so much to everybody. Said, even if the sky is falling
:39:59. > :40:05.down # CHEERING AND APPLAUSE
:40:06. > :40:10.Mumtaz, that was a very welcome gate crashing, wasn't it? Yes, it
:40:10. > :40:15.was an amazing experience. I had a lovely time that day. Thank you for
:40:15. > :40:20.what everybody done for me. You're very welcome. The reason was your
:40:20. > :40:24.brother and when your father did die, Mumtaz was the glue that held
:40:24. > :40:29.you all together? Absolutely. My father loved his family. Loved
:40:29. > :40:34.everyone in his life. He was so self-less. We inherited that as a
:40:34. > :40:39.family. But Mumtaz inherited what my father was. We are very proud to
:40:39. > :40:43.have a sister like her. I believe every family should have a person
:40:43. > :40:49.like mum it is a. Ladies and gentlemen, a devoted sister,
:40:49. > :40:55.daughter and wife. Mumtaz. CHEERING AND APPLAUSE
:40:56. > :41:02.So far tonight, I've been a hope pls DJ and aspiring poppy.
:41:02. > :41:10.Sometimes I have to ask my mates to help. Welcome back my really good
:41:10. > :41:14.friend, Jodie Prenger. Jodie, I really need to check out your suit
:41:14. > :41:18.abimity for this hairdressing mission. We'll play a word game.
:41:18. > :41:28.I'll say a word. You respond, the first thing that comes into your
:41:28. > :41:37.mind. OK. I'm thinking of Bob, Monkhouse. Wedge, Heels. Curling?
:41:37. > :41:47.Team. Do you know anything about hairdressing? No! This should go
:41:47. > :41:48.
:41:48. > :41:53.perfect then! I'm here in Doncaster to surprise Jessica Bolton, a
:41:53. > :41:59.trainee hairdresser. Unsays pected Jessica's been roped into filming
:41:59. > :42:04.part of a documentary about me returning to my roots as a
:42:04. > :42:09.hairdresser. I don't know me Bob from my bow fant. I think it is
:42:09. > :42:14.time to get this pre tense on the road. She's a hairdresser by trade
:42:14. > :42:18.but Jessica's dad says her real passion since childhood has been
:42:18. > :42:24.the theatre. She lifls for the theatre, breathes it, sleeps it.
:42:24. > :42:27.When Jessica was ten, her mum had a serious fall. Jessica had to grow
:42:28. > :42:32.up quickly. My wife had an accident which left her disabled. She
:42:32. > :42:38.couldn't walk for a long time. Jessica had to do a lot of looking
:42:38. > :42:44.after her brother and sister. Jessica's friends think she has a
:42:44. > :42:50.childhood dream to fulfil. It would be to make it on to a West End
:42:50. > :42:57.stage, a Broadway stage, any stage. So, to thank Jessica for all she's
:42:57. > :43:01.done, she's asked her to sing with the star of South passiveic,
:43:01. > :43:06.Samantha Womack. This will be enormous for Jessica. It will be a
:43:06. > :43:12.real boost. She'll never forget it as long as she lives lives. She'll
:43:12. > :43:17.feel the most excited ever in the her entire life. She'll be shocked.
:43:17. > :43:22.Back at the salon, Jess is primed. I've got me slap on. The cameras
:43:22. > :43:25.are in place. Our fake documentary about my hairdressing past is
:43:25. > :43:32.really to role. First up, we get a member of the production team to
:43:32. > :43:40.phone the salon. I get to perfect my telephone manner. Hiya. Good
:43:40. > :43:50.morning, Pan ach. How may be help you? 9.30am. Is that all right?
:43:50. > :43:51.
:43:51. > :43:57.We're not open then. 9.30 will be all right. We're not open.
:43:57. > :44:06.Afternoon. 4.00. OK. Booked. you get the name? The what?
:44:06. > :44:12.name. Do you know what they want? Jessica calms me down. Thanks to a
:44:12. > :44:22.hidden camera and mic I get to hear what she thinks of me so far. And,
:44:22. > :44:27.
:44:27. > :44:32.But we're watching you, Jessica. Things are about to get even more
:44:32. > :44:42.hair raising when one of the salon's regular customers is in on
:44:42. > :44:44.
:44:44. > :44:53.the secret. Don't worry, you're in safe hands. Careful with it. Sorry!
:44:53. > :44:58.Jodie! Keep your head back. Keep your head back. Let me swap this
:44:58. > :45:02.towel for you. After her free facial, it is time for our plan to
:45:02. > :45:09.get her prize locks trimmed. She only wants half an inch off but I'm
:45:09. > :45:19.not great with measurements. Like that? Without cutting your finger.
:45:19. > :45:29.I'll be fine. Just take a bit off. Just a tiny bit. About half an inch.
:45:29. > :45:34.
:45:34. > :45:40.Just about there. Yep. That's it. That's not half an inch. That's
:45:40. > :45:46.about four inches. That's about four inches off my hair. De pends
:45:46. > :45:51.what you're told an inch is. Can we make... Can we make it into hair
:45:51. > :45:57.extensions. Glue it back on. I'm going to give you... I'll let you
:45:57. > :46:01.hold that. With the boss left to deal with an unhappy customer, it
:46:01. > :46:07.is time to let me clear things up with Jessica. You probably gathered
:46:07. > :46:12.by now that I'm not here filming a documentary about me being a
:46:12. > :46:16.hairdresser. I was never ever a hairdresser. What I am here, I'm
:46:16. > :46:22.Jodie Prenger from the BBC and Tonight's The Night and John
:46:22. > :46:29.Barrowman has sent me to make your dream come true. So what we're
:46:29. > :46:34.going to do... Were you all in on this? What we're going to do, we've
:46:34. > :46:38.arrange it had all so you can go sing a big hit musical song from
:46:38. > :46:45.South Pacific in front of millions of viewers on Tonight's The Night.
:46:45. > :46:50.How do you feel? I'm so scared. won't be on your own. We've
:46:50. > :46:55.Samantha Womack, the star of South Pacific who will be singing a duet
:46:55. > :46:59.with you on the night. How's that? It's amazing. This is most
:46:59. > :47:06.definitely a dream come true. I never thought it would happen to me.
:47:06. > :47:10.I would like to thank everyone involved. Jessica, I heard how
:47:10. > :47:17.supportive and amazing you are to your family.Y ndz or clues as to
:47:17. > :47:22.who you think has arranged this dream come true for you? Dad?
:47:22. > :47:28.dad? Thank you. A week later, Jessica's in London learninging her
:47:28. > :47:33.song and dance routine I'm in lover with a Wonderful Guy from South
:47:33. > :47:43.Pacific. She'll perform with a professional cast and her duet
:47:43. > :47:46.
:47:46. > :47:50.partner Samantha woe mam. I've come to surprise you. Hello. How are
:47:50. > :47:56.you? I'm good, thank you. walked through the door. I couldn't
:47:56. > :48:01.continue. I've seen her on telly but to see her walk into the room
:48:01. > :48:06.was fantastic. Much I'm in love, in love with a
:48:06. > :48:10.Wonderful Guy # Jessica has a beautiful voice. I'm really excited
:48:10. > :48:14.about singing with Sam. Lots of rehearsals, dance row teens.
:48:14. > :48:18.Fingers crossed for that one. have a feeling Jessica under
:48:18. > :48:22.pressure, under the lights will do brill yapbltly. I'll probably fall
:48:22. > :48:26.to pieces. She looks really confident. I'm really excite about
:48:27. > :48:30.going on the show. Big audience will probably make me nervous but
:48:30. > :48:40.at the moment I'm buzzing, can't wait to do it.
:48:40. > :48:46.
:48:46. > :48:53.CHEERING AND APPLAUSE Jessica really stepped up to the plate
:48:53. > :48:58.after your accident? I don't know what I'd have done without her.
:48:58. > :49:04.She takes performing as an escape. Will she be excited about tonight?
:49:04. > :49:12.She will be excited. A little bit nervous but I think she'll love it.
:49:12. > :49:22.What was that again? Ooh ooh ooh nervous, like me! Are you guys
:49:22. > :49:22.
:49:23. > :49:26.nervous? Yeah. She'll be brilliant. Jodie, you are excited for her?
:49:26. > :49:36.is really tough but she will be fabulous. She is.
:49:36. > :49:37.
:49:38. > :49:43.We're all sitting here excited and a little ooooh! So, here's Jessica
:49:43. > :49:52.with Samantha Womack and the cast of South Pacific.
:49:52. > :49:56.# I'm as horny as can SAS in August # I'm as norming a as blueberry pie
:49:56. > :50:01.# No more a smart little girl with no heart
:50:01. > :50:06.# I have found me a Wonderful Guy # Imin a conventional dither
:50:06. > :50:11.# With a conventional star in my # And you will note there's a lump
:50:11. > :50:21.in my throat # When I speak of that Wonderful
:50:21. > :50:22.
:50:22. > :50:30.Guy # Ladies and gentlemen, Jessica.
:50:30. > :50:36.# I'm bromidic and bright # As a moon happy night on the due.
:50:36. > :50:40.# I'm as corny as Kansas in August # High as a tkphraing on the 4th
:50:40. > :50:50.July # If you'll excuse an expression I
:50:50. > :51:15.
:51:15. > :51:23.# I'm in love, I'm in love # I'm in love with a Wonderful Guy
:51:23. > :51:33.I'm as corny askance as in August # If you'll excuse and expression I
:51:33. > :51:47.
:51:47. > :51:57.# I'm in love, I'm in love # I'm in love with a Wonderful Guy
:51:57. > :51:59.
:51:59. > :52:04.CHEERING AND APPLAUSE Amazing. Take a deep breath. You
:52:04. > :52:09.can breathe now. Take a deep breath. How does it feel Jessica to stand
:52:09. > :52:14.centre stage? It's amazing. It's just a dream come true. It really
:52:14. > :52:20.is. Sam, to have that dream come true, it's a really big deal
:52:20. > :52:24.something like this? It's huge. We were all watching the VT backstage
:52:24. > :52:29.in tears. It was so moving. We're so glad to be able to help you make
:52:29. > :52:37.this dream come true. You're fantastic. Mum, dad, are you proud?
:52:37. > :52:42.Amazed. Really, really proud. this girl can cope with anything?
:52:42. > :52:51.She sure can. The West End would be proud to have you, girl, they
:52:52. > :52:57.really would. Ladies and gentlemen. Jessica Bolton.
:52:57. > :53:07.Earlier they made one girl's dream come true. Now they're back with
:53:07. > :53:07.
:53:07. > :53:12.their new single all fired up. It's The Saturdays.
:53:12. > :53:15.# Blow my mind # DJ blow my mind
:53:15. > :53:18.# Blow my mind # DJ blow my mind
:53:18. > :53:23.# I put my hand against the speakers
:53:23. > :53:28.# Singing blow my mind # DJ blow my mind
:53:28. > :53:33.# I put my head to the speakers # Singing blow my mind
:53:33. > :53:42.# DJ blow my mind # All fired up, I feel alive
:53:42. > :53:49.# I feel alive, I feel alive. # All fired up, all fired up
:53:49. > :53:51.# I feel alive. I feel alivele Rb we can make the party super
:53:51. > :53:56.naughty. # Dancing on the bar
:53:56. > :54:04.# We're dancing on the bar # We make the party super naughty
:54:04. > :54:08.# Dancing on the bar # We're all animal
:54:08. > :54:15.# We're all animal, animal, animal, animal
:54:15. > :54:24.# We're all animal # So put your claws out. Get your
:54:24. > :54:34.clause out # All fired up, I feel alive
:54:34. > :54:35.
:54:35. > :54:38.# We're so close to the edge of desire, we're so hot, hot got that
:54:38. > :54:41.fire # We're so close to the edge of
:54:41. > :54:44.desire # Feelts so hot, got that fire
:54:44. > :54:54.# We're so close to the edge of desire
:54:54. > :54:56.
:54:56. > :55:00.# Feels so hot, got that fire # Blow my pined, DJ blow my mind
:55:00. > :55:04.# Blow my mind # DJ blow my mind
:55:04. > :55:07.# I put my head against the speakers
:55:07. > :55:14.# Singing blow my mind # DJ blow my mind
:55:14. > :55:19.# I put my head to the speakers # Singing blow my mind
:55:19. > :55:29.# DJ blow my find ml # All fired up, I feel alive
:55:29. > :55:38.
:55:38. > :55:44.# All fired up, I feel alive # Give me keep me, keep me on your
:55:44. > :55:48.radar # Keep me, keep me, keep me on your
:55:49. > :55:58.radar # So keep me, keep me on your radar
:55:58. > :56:05.# Keep me, keep me on your radar N # Keep me, keep me on your radar
:56:05. > :56:14.# On your radar # CHEERING AND APPLAUSE
:56:14. > :56:20.Thank you. Ladies and gentlemen, The Saturdays.
:56:21. > :56:28.Unfortunately, that's it for tonight and for the series.
:56:28. > :56:32.AUDIENCE A w! If you want to re- live any of tonight's dreams go to
:56:32. > :56:37.our website. They say it is not over until the
:56:37. > :56:45.fat lady sings but in this case, I'll have to do. Until next time,
:56:45. > :56:55.thank you so much for watching and remember, please, keep dreaming.
:56:55. > :56:59.
:57:00. > :57:03.CHEERING AND APPLAUSE # If you wake up and don't want to
:57:03. > :57:07.smile # If I takes you just a little
:57:07. > :57:13.while # Open your eyes and look at the
:57:13. > :57:20.# You'll see things in a different # Don't stop thinking about
:57:20. > :57:26.tomorrow # Don't stop, it'll soon be here
:57:26. > :57:32.# It'll be better than before # Yesterday's gone, yesterday's
:57:32. > :57:36.gone # Don't stop thinking about
:57:36. > :57:40.tomorrow # Don't stop
:57:40. > :57:44.# Why not think about the times to come
:57:44. > :57:51.# And not about the things that you've done
:57:51. > :57:55.# If your life was bad to you # Just think what tomorrow will do
:57:55. > :58:02.# Don't stop thinking about tomorrow
:58:02. > :58:09.# Don't stop, it'll soon be here # It'll be better than before
:58:09. > :58:16.# Yesterday's gone, yesterday's gone
:58:16. > :58:20.# All I want is to see you mile # If it takes just a little while
:58:20. > :58:28.# I know you don't believe that it's true
:58:28. > :58:35.# I never meant any harm to you # Don't stop thinking about
:58:35. > :58:43.tomorrow # Don't stop, it'll soon be here
:58:43. > :58:46.# It'll be better than before # Yesterday's gone, yesterday's
:58:46. > :58:51.gone # Don't stop thinking about