:00:10. > :00:15.On yesterday's show Bill Turnbull led a yoga class near the studio.
:00:16. > :00:21.Unfortunately, Aled got a bit carried away. It's me and Sara who
:00:22. > :00:27.will be guiding you through the highlights including Greg McHugh who
:00:28. > :00:39.is here to talk about a new drama series The A word. I bet Aled is
:00:40. > :00:41.fine, he is just wagging it APPLAUSE
:00:42. > :00:46.Hello and welcome. Of course, we were joking about the yoga. Aled is
:00:47. > :00:49.poorly. He is resting at home. We know he is watching. Get well soon,
:00:50. > :00:55.Aled. We love you. Well, we are fond of you. Coming up we are joined by a
:00:56. > :01:02.lady who has more talent than I have teeth and I am toothsome. She is an
:01:03. > :01:05.actor, singer, comedian, Queen of impersonations, she's Debra
:01:06. > :01:13.Stephenson and hereditary to talk us through the -- and is here to talk
:01:14. > :01:16.us through catchphrases. Another star will be telling us which
:01:17. > :01:21.legendary show she would like to bring back. Here is a clue, it
:01:22. > :01:27.starred a medical examiner who had a sidekick called Sam. And another
:01:28. > :01:32.show for you, we have professional warm-up artist Karl Lucas. Greg
:01:33. > :01:36.McHugh is here ahead of tonight's first episode of The A-Word. First,
:01:37. > :01:45.in other news there is going to be a Fawlty Towers stage show, girls and
:01:46. > :01:50.boys, isn't that exciting? Here is Stephen Hall introducing the new
:01:51. > :01:54.Basil. Fawlty Towers fact fans, in the 80s, America did their own
:01:55. > :02:00.version, they called it Amanda's by The Sea. Here is their Basil, a
:02:01. > :02:04.lady. Look at that lady face. She us a called Bea Arthur and of course is
:02:05. > :02:09.Dorothy in Golden girls. After saying hello to the new Basil we are
:02:10. > :02:15.saying bye to another classic TV character, Barbara Windsor. She
:02:16. > :02:22.started to film her final EastEnders scenes as Peggy Mitchell. Get out of
:02:23. > :02:26.my pub! The soap posted a photo right there of Dame Babs dressing
:02:27. > :02:30.room to she she is on set but not for long. Peggy will make a final
:02:31. > :02:33.appearance in late spring. She's been part of the cast for so many
:02:34. > :02:37.years now, I think it's going to be emotional. Of course, I don't
:02:38. > :02:41.believe she's going until I see BBC security Escort her off the premises
:02:42. > :02:51.of the set, I don't believe it. She is back and forth on it. Time to
:02:52. > :02:58.meet our first guest, Greg McHugh. He is a BAFTA nominated writer, and
:02:59. > :03:01.star of the Newham dra The A word, here is talking about his grandson.
:03:02. > :03:06.She had a follow-up at the hospital today. Stay out of their business.
:03:07. > :03:09.Don't be ridiculous, it's my grandson. It's my business too. It
:03:10. > :03:14.must be great being so certain about everything. Are you saying the boy
:03:15. > :03:21.is normal? Are you saying there is nothing wrong with him? Come on!
:03:22. > :03:26.Go absolutely bonkers for Greg McHugh!
:03:27. > :03:35.Thank you very much. Your people love you. Well, I love them.
:03:36. > :03:40.Two things. First, Christopher Eccleston playing a grandad makes me
:03:41. > :03:45.feel old. He is bt fitter than me. Lovely man. Can we talk about the
:03:46. > :03:51.leg? Yeah, we can talk about it. Crutches. It was one of those, when
:03:52. > :03:56.you do too many spins and you kick. It was like too many. It was one of
:03:57. > :04:00.those rotation ones. A street fight? It was a massive street fight. You
:04:01. > :04:08.should see the other 25 guys. We heard you slipped at a party. Did
:04:09. > :04:15.you? OK. All right. Tell us about The A word. There's been a kerfuffle
:04:16. > :04:19.about it. There is a buzz about it? A young guy has been diagnosed being
:04:20. > :04:23.on the autism spectrum. It's about how the family cope with the
:04:24. > :04:29.diagnosis and how the family discover their own communication is
:04:30. > :04:34.lacking and the impact that has. It's emotive but also has lovely
:04:35. > :04:37.moments of light and shade and comedy, not strict comedy, it's a
:04:38. > :04:42.mixture of things going on. You play uncle Eddie. What is he about? I
:04:43. > :04:45.play poor old Eddie. Eddie has come back into the family fold. His
:04:46. > :04:52.business in London is failing. His wife's had an affair. He is a lucky
:04:53. > :04:55.guy. Like myself. So, it's really an interesting piece because the main
:04:56. > :04:59.strand is the diagnosis of Joe, the character, but also the other
:05:00. > :05:05.strands of Eddie and his wife and what's happened. Stuff like that.
:05:06. > :05:12.Lucky to be part of it. I read it was a personal thing for the writer.
:05:13. > :05:18.Peter Bowker. Why is that? I think Peter had worked with people with
:05:19. > :05:21.special needs and people on the autism spectrum for around 12 years.
:05:22. > :05:24.He had obviously - it's something close to his heart and he has
:05:25. > :05:28.experience of that. He managed to get it into this form. You can
:05:29. > :05:34.really tell because the scripts are very heartfelt and it's a moving
:05:35. > :05:40.piece. Also the little boy Joe is played brilliantly by Max. It's a
:05:41. > :05:45.demanding role. It was, yeah. How did that work? He is phenomenal. He
:05:46. > :05:50.is a six-year-old boy. He is not on the autism spectrum but he is
:05:51. > :05:53.playing a boy who is. So, it took a lot of kind of explaining but not
:05:54. > :05:56.overexplaining to this young guy. You are playing this individual who
:05:57. > :06:01.has some difficulties or some positives... How did they do it?
:06:02. > :06:05.They said you have to look dreamy now, did they use different ways?
:06:06. > :06:10.There was all kinds of phrase to see get the performance out. Max had a
:06:11. > :06:14.really kind of bizarre and natural understanding of what he was doing.
:06:15. > :06:21.Yeah, you would have shortcuts to do. He is just mess meshic on the
:06:22. > :06:27.screen. He is six. Did he have days where he didn't feel like playing
:06:28. > :06:34.it? No. No, overall he was brilliant. Long days and obviously
:06:35. > :06:39.had the chaperone. It's still a challenging job. You filmed in the
:06:40. > :06:45.Lake District. Emma thinks I am daft asking this, did you do any
:06:46. > :06:55.canoeing? This is a serious interview! A bit of Orienteering? In
:06:56. > :07:00.November after a 12-hour day, anyone off for canoeking? I fancy that? We
:07:01. > :07:09.did go for walks and stuff. There wasn't that many hours of light. We
:07:10. > :07:15.did get out, it was the local pub. You have done writing yourself
:07:16. > :07:27.before. Yeah. With Gary Tank Commander. That could be the next
:07:28. > :07:31.one I do. There you are. I got quite excited. The uniform.
:07:32. > :07:37.The uniform and the crutches got you wild, didn't it? That's the ideal
:07:38. > :07:41.combination. What an insight. What do you prefer, do you prefer writing
:07:42. > :07:46.side or being an actor? No, being an actor is better. If you do the
:07:47. > :07:52.quality work that Peter is going to give you words for or Sam and Jessie
:07:53. > :07:59.from Fresh Meat to do those words is great. On your own, writing is like
:08:00. > :08:04.you have to get up and do it. That takes ages. More like proper work.
:08:05. > :08:08.When other actors are doing your script how do you feel about that?
:08:09. > :08:14.That's good, if they get it right. It's lovely. It's a real honour if
:08:15. > :08:17.someone else is doing your work. Overall, I enjoy writing but I
:08:18. > :08:21.prefer probably acting. Let's watch a little bit of Fresh Meat because I
:08:22. > :08:27.know fans are obsessed with you as Howard with a hairy face there.
:08:28. > :08:34.JP played by Jack Whitehall. Was it fun to film? Was there improv going
:08:35. > :08:39.on? Not a lot. Occasionally there is but the scripts are tightly written.
:08:40. > :08:44.Occasionally Jack and I did play a little bit but we were reined in and
:08:45. > :08:49.stick to the words, because they worked. Instead of just jazz it up.
:08:50. > :08:52.No, it's not as funny. Stick to it, sunshine! It's good and it works and
:08:53. > :09:00.they're brilliant writers. It works. People love it. It's about students
:09:01. > :09:05.at university. If you have not seen, it it's hugely popular. You can
:09:06. > :09:13.catch it. Howard, what do you say to me and your lovely brain table
:09:14. > :09:24.taking a study cruise down the historic aquatic? Let me guess. Just
:09:25. > :09:29.pure hard core study. JP, I will not be joining you on your ship of
:09:30. > :09:34.fools. Brilliant. Fresh Meat does come to
:09:35. > :09:39.an end I am afraid. The A word is just starting. We can't wait to
:09:40. > :09:43.watch it, it's BBC One 9.00pm tonight. Thank you so much, Greg!
:09:44. > :09:51.Thank you so much. Hope your leg gets better. Thanks.
:09:52. > :09:59.You are probably going to find a rice crispy when you take that off.
:10:00. > :10:03.A whole box I think. What links together Juliet Bravo, Worzel
:10:04. > :10:08.Gummidge and Blankety Blank? All your tattoos? Well done. It's also
:10:09. > :10:11.the three shows that our TMTV celebrities have said they want to
:10:12. > :10:25.bring back. Tonight it's Tim Vine's choice.
:10:26. > :10:38.My name's Tim Vine and I would like to bring back Quincey.
:10:39. > :10:42.The central character is called Quincy played by Jack Klugman.
:10:43. > :10:47.Possibly the best wig ever in television. He is very passionate
:10:48. > :10:51.about his job as a medical examiner. His job is when someone's died he
:10:52. > :10:54.looks at the body, what have they died of? We are looking at murder in
:10:55. > :10:58.the first degree. Most doctors deal with what's in front of them. And
:10:59. > :11:03.the stuff that's for the police is for the police. No one told Quincy
:11:04. > :11:11.that. He is hungry for justice and to hell with the rulebook. What
:11:12. > :11:15.about right or wrong? This man is a medical examiner and ends up almost
:11:16. > :11:23.always in a fist fight with a crook. I believe the show started in 1976
:11:24. > :11:27.tan ended in 1983, so about seven years and in that time did 148
:11:28. > :11:33.episodes. My parents and I once we discovered Quincy that was it. I
:11:34. > :11:36.love the fact he is almost always angry: You almost expect to see him
:11:37. > :11:39.shouting at his cereal in the morning. How long does it take to
:11:40. > :11:45.plan a lousy wedding? These things have to be checked and double
:11:46. > :11:50.checked! Always almost single case he is involved with he always ends
:11:51. > :11:56.up going to his superior. Inside, please! Whose name I don't know. He
:11:57. > :12:01.says... We are being used by Brady, by the politicians and big orpgs
:12:02. > :12:04.corporations. The sidekick, unnaturally placid Sam who pretty
:12:05. > :12:09.much takes everything on the chin. Do you have the death certificate
:12:10. > :12:15.made up? You are a ray of sunshine. What is he still doing working with
:12:16. > :12:19.Quincy? You always make an argument out of things. You throw into the
:12:20. > :12:24.mix a short policeman with white hair who really thinks police
:12:25. > :12:27.business is police business and it's none of Quincy's business. What's
:12:28. > :12:32.going on? One of the great things I love is the way it's filmed. That
:12:33. > :12:35.sort of everyone's dressed as though they're from the 70s. Because
:12:36. > :12:41.they're from the 70s. It's got a lovely look to it. At the end of
:12:42. > :12:44.every episode they all go to this pizza restaurant and go did you get
:12:45. > :12:49.the guy in the end? I did, yeah. There's something wrong with this
:12:50. > :12:53.pepperoni. Tell me about it. They all pause like that. Well, it's a
:12:54. > :12:56.freeze frame. These are the days they used to do a freeze frame at
:12:57. > :12:59.the end of the episode. You know, television takes itself too
:13:00. > :13:06.seriously now. Let's have more freeze frames before the credits.
:13:07. > :13:08.When you get a character that you really love you end up feeling a
:13:09. > :13:15.certain amount of affection for him. Really? So I love Quincy. It's a
:13:16. > :13:24.brilliant show. They should bring back Quincy.
:13:25. > :13:29.Ah! Wasn't that great everyone? Wasn't it good everybody?
:13:30. > :13:34.You lot need warming up, seriously guys. Luckily we have a man here who
:13:35. > :13:40.is great at that job. TV warm-up artist Karl Lucas is here.
:13:41. > :13:43.En Karl, you are a professional warm-up act for TV. For those who
:13:44. > :13:47.don't know what that means, can you tell us what you do.
:13:48. > :13:53.I come in and entertain a crowd of people watching a TV show. Sometimes
:13:54. > :13:57.on a TV show it takes three or four or five hours to record a one-hour
:13:58. > :14:01.or 45-minute show. This is live. This is great. You have a studio
:14:02. > :14:05.audience here, if you did, it would be better. A live show is brilliant.
:14:06. > :14:09.On a pre-recorded show, you can take a long time so you need an idiot
:14:10. > :14:15.like me to tell jokes, keep them all lively and have a good laugh. What
:14:16. > :14:20.shows have you done? The Voice, Strictly Come Dancing, X Factor,
:14:21. > :14:24.Loose Women is my favourite, ten years I have done that. Celebrity
:14:25. > :14:29.Juice. Loads of shows. We have a clip of you from this afternoon's
:14:30. > :14:34.Loose Women. This is what you do, you get them all excited about the
:14:35. > :14:37.show. This is before they come in? Basically, they coming in and you
:14:38. > :14:43.have to get them to a level where they are going to enjoy your show,
:14:44. > :14:46.have a laugh. It is great. I love a bit of backstage, behind-the-scenes
:14:47. > :14:53.of Loose Women. What are you doing there? It is like some sort of cult,
:14:54. > :15:01.almost! Yes. Were they shaking hands, meeting each other? It is
:15:02. > :15:04.like Butlin's. Not Butlin's. It is about having fun and let them know
:15:05. > :15:08.they can enjoy the show as much as the people at home. Is there a show
:15:09. > :15:13.that is tricky to do? A particularly type of show? The first show was the
:15:14. > :15:17.hardest, University Challenge. Tough crowd! Especially when they are
:15:18. > :15:24.clever. This lot will laugh at anything! It was tough. Half the
:15:25. > :15:28.audience were young people and half were, like, older people shipped in.
:15:29. > :15:36.And then I had to, like, do jokes across the barrier. It didn't work.
:15:37. > :15:40.I did get an old woman make Jeremy Paxman do a Bruce Forsyth
:15:41. > :15:48.impression. AS SIR BRUCE FORSYTH: Nice to see
:15:49. > :15:53.you, to see you nice! Other celebs, famous comedians, they started off
:15:54. > :15:58.doing your gig, like Peter Kay, Jimmy Carr, is it a good place to
:15:59. > :16:02.start? Most comedians want to try material out on an audience and get
:16:03. > :16:07.in there and start their career off. I'm a bit lazy. I enjoy doing
:16:08. > :16:12.warm-up. I'm more of an entertainer than a comedian. You are top of your
:16:13. > :16:18.game at doing this. I love doing it. Most move on. Peter did it on
:16:19. > :16:22.Parkinson, and then... Alan Carr was on Jonathan Ross. How did you get
:16:23. > :16:29.into it? I have always been an idiot. I like to show off. I like
:16:30. > :16:34.making people laugh. The idea of - I started at college, I did game shows
:16:35. > :16:42.in the break, I was hosting things. I went on to studios tours, a friend
:16:43. > :16:45.of mine saw me and said, "Come over and do University Challenge." We
:16:46. > :16:51.have some clips of you with your celebrity friends. We have a nice
:16:52. > :16:56.snapshot of you where you have grabbed hold of Sir Ian McKellen.
:16:57. > :17:01.Where was that? At Jonathan Ross. He was lovely. I did a game in that
:17:02. > :17:05.show, I do a game thing where I get all the women to stand up and say,
:17:06. > :17:08."Let's play the oldest woman in the audience game." The last oldest
:17:09. > :17:13.woman will say, "Your prize is, you get to stand for the rest of the
:17:14. > :17:16.show." He was, like, I was having a picture with him, he was, like, "Who
:17:17. > :17:23.was the oldest woman in the audience?" He was so nice. Thank you
:17:24. > :17:27.very much for joining us. You are a show pro. Go wild. We should applaud
:17:28. > :17:35.him! APPLAUSE Thank you. Our next guest was Shell
:17:36. > :17:39.in Bad Girls. She was Frankie in Corrie and she's been Davina McCall,
:17:40. > :17:41.Kylie Minogue, Joanna Lumley and Claudia Winkleman. It is
:17:42. > :18:00.impressionist, Debra Stephenson. AS CLAUDIA WINKLEMAN: He is really
:18:01. > :18:04.yummy if I can say that out loud. He does this thing. The other man, who
:18:05. > :18:15.has a red-head and no face, he's on the other side and he goes boom,
:18:16. > :18:18.crash! Someone goes no! How good is that? Welcome, Debra.
:18:19. > :18:28.I think it is such a brilliant skill to do impressions like that. In the
:18:29. > :18:32.meeting earlier on, we were like... That was brilliant. You have done
:18:33. > :18:35.all sorts of things. You do impressions, you have danced, you
:18:36. > :18:39.have sang. I want to go back to your acting. I loved Bad Girls. I loved
:18:40. > :18:44.you in it. I loved you in Corrie. How did it feel to be part of two of
:18:45. > :18:49.the biggest shows we have had on TV? Good, really. I feel very lucky. Bad
:18:50. > :18:52.Girls, in particular, was just great fun. We had no idea what it was
:18:53. > :19:00.going to be like, whether it was going to be a hit, or a massive
:19:01. > :19:08.miss, or what. There you are. It was really - it was a serious drama and
:19:09. > :19:21.it ended up with me running around in PVC with papier-mache. I didn't
:19:22. > :19:26.want to say too much about it... The kind of show this is and the kind of
:19:27. > :19:31.show that was! Let's leave that! Let's talk about your impressions.
:19:32. > :19:36.Incredible, we'd love to learn to do some. Is now the time? Or maybe
:19:37. > :19:42.after the show? I can give lessons. Where did it all start? Were you
:19:43. > :19:46.naturally a mimic around your family, could you take people off?
:19:47. > :19:53.It was a family thing. My dad used to do impressions. We watched Mike
:19:54. > :19:58.Yarwood. We had a shot at it. And I used to - he taught me how to do it.
:19:59. > :20:06.I would do Margaret Thatcher. AS MARGARET THATCHER: When I become
:20:07. > :20:11.Prime Minister. But I was six! It started from there. I used to listen
:20:12. > :20:17.to lots of music. The first sing I bought, or was bought for me was
:20:18. > :20:22.Kate Bush. So I have kept Kate Bush and the records that I used to
:20:23. > :20:26.listen to of my grans, Shirley Bassey, Cilla Black. I had the ear
:20:27. > :20:31.for it because of my dad's impressions. I have kind of held on
:20:32. > :20:35.to them all and... They are all in the act now. They are all the
:20:36. > :20:41.classic '80s ones, Margaret Thatcher, Cilla. You did Cilla
:20:42. > :20:51.earlier. I'm awful. I thought it was really good.
:20:52. > :20:55.AS CILLA BLACK: A lorra-lorra laughs... That was awful! You do it
:20:56. > :21:05.much better. AS CILLA BLACK: It is a tribute to
:21:06. > :21:09.Cilla... Lovely. Didn't you do Spitting Image when you were 16?
:21:10. > :21:19.That is incredibly young. You did so many voices. I sent a cassette in.
:21:20. > :21:23.Remember them? Yes! Kate Robbins, she was on there all the time, she
:21:24. > :21:29.was having a baby. They said, OK, come along and you can do a few
:21:30. > :21:34.voices in the show. Wow, really? What was your favourite? I got to do
:21:35. > :21:41.Esther Rantzen. AS ESTHER RANTZEN: Yes, That's Life.
:21:42. > :21:47.There's a vegetable, that we can't mention... We want to talk about TV
:21:48. > :21:50.catchphrases. As an impressionist, they are a gift, aren't they? I
:21:51. > :21:54.mean, not for you, but for people who were quite bad at impressions.
:21:55. > :21:59.If they can say a catchphrase, people know who they are trying to
:22:00. > :22:03.be. They do. Again, there is a bit of this in my act as well. I like to
:22:04. > :22:08.look back as well as coming forward to the really modern ones. We all
:22:09. > :22:12.love programmes that we remember, we remember them by their catchphrases,
:22:13. > :22:29.like... Hello, campers, hi-de-hi. I don't
:22:30. > :22:35.believe it! Surprise surprise! Ooh, Betty, I think I got it wrong again.
:22:36. > :22:47.Come here, there's more. Good God, Miss Jones. Oh Mr Rigsby! Wow! Stop
:22:48. > :22:52.messing about. That was my entire childhood in one moment! We have
:22:53. > :22:56.also got some of our favourites. First up is a comedian who wouldn't
:22:57. > :23:01.have made half the impact had he not come up with some of these
:23:02. > :23:10.catchphrases, it is Harry Hill. Sorry, Harry Enfield! Morning,
:23:11. > :23:15.morning, good morning young man! That is so unfair, I hate you.
:23:16. > :23:22.Lovely job. Loads of money! Alright, alright, calm down. We appear to be
:23:23. > :23:31.considerably richer than you! That was Harry Enfield! Next an
:23:32. > :23:37.entertainer who speaks almost entirely in catchphrases. He's been
:23:38. > :23:45.on TV since 1939. It is the legend that is Bruce Forsyth. Nice to see
:23:46. > :23:49.you, to see you... Nice! Over there, they are so appealing, OK, dollies,
:23:50. > :23:53.do your dealing! Alright my love? Alright my love? Didn't he do well?
:23:54. > :23:58.Didn't he do well? Didn't he do well? Oh, have a twirl, have a
:23:59. > :24:05.little twirl. Worth a twirl. You are my favourite! You are my favourite!
:24:06. > :24:13.Nice to see you, to see you... Nice! Keep dancing! Ah. Finally, a couple
:24:14. > :24:16.of comics whose sketch show was loaded with catchphrases, it is
:24:17. > :24:23.Walliams and Lucas in Little Britain. Look at my eyes. I am the
:24:24. > :24:31.only gay in this village and that is that! Everybody dance. Which one do
:24:32. > :24:39.you want to be? That one. Write the theme tune, sing the theme tune...
:24:40. > :24:47.Yeah, but, no, but... Computer says no. You are back in the room! I am
:24:48. > :24:52.still reeling from the mega mix! Some fantastic ones. If you get too
:24:53. > :24:57.good, you get people shouting them at you. Like the Richard Wilson.
:24:58. > :25:10.AS VICTOR MELDREW: I don't believe it! I'm a lady to David Walliams.
:25:11. > :25:15.Face bovvered? Thank you, Debra Stephenson. Now, then, it is time
:25:16. > :25:16.for the biggest decision of the day... What Are We Watching Tonight?
:25:17. > :25:34.! Something you might want to watch
:25:35. > :25:39.tonight is Channel 4 at 9.00pm, it is One Born Every Minute. 54 cameras
:25:40. > :25:46.rigged in a maternity ward capture the journey of an expectant mother
:25:47. > :25:51.through labour. This week, Jo and her parents get ready for a close
:25:52. > :26:03.encounter of the alien kind. Looks like an alien. Always reminds me of
:26:04. > :26:11.encounter of the alien kind. Looks that film Alien. They come out like
:26:12. > :26:18.aliens. Alright! Do you need to lie down? I might do in a minute. These
:26:19. > :26:22.are all new experiences for your dad. It is always the men who are
:26:23. > :26:30.moaning on this show. They need the gas and air! I was giving it a bit
:26:31. > :26:35.of that, was you? Keep moving! It is not for the faint-hearted. But it is
:26:36. > :26:39.still pretty magical when a baby arrives. I don't know about you, but
:26:40. > :26:45.I do get very, very emotional when I watch this. My other half leaves the
:26:46. > :26:56.room going, she is crying again! So far, 221 mums have been featured
:26:57. > :27:05.over 88 episodes. We will see the biggest baby born on the show
:27:06. > :27:12.weighing a hefty 11-pound 4-ounces. That is One Born Every Minute,
:27:13. > :27:19.Channel 4 at 9.00pm tonight. There is a brand-new series, we tried to
:27:20. > :27:26.tell you last week, it is on the History Channel at 10.00pm. It is
:27:27. > :27:35.called Black Sails. It's a swashbuckling series from the US! It
:27:36. > :27:43.stars Toby Stephens as Captain Flint from Treasure Island. Have a look.
:27:44. > :27:48.We control something so valuable. All of England wants it. There is an
:27:49. > :27:59.opportunity at hand. We just all need to agree to take it. There is
:28:00. > :28:05.no we. Partnership, between your crew and mine. We have gone too far
:28:06. > :28:10.to turn back. I think you are going to attack that beach and seize
:28:11. > :28:19.everyone... I intend to be a captain again. Did that swash your buckle?
:28:20. > :28:26.It did. Tonight is episode two of the series, so you can catch up. It
:28:27. > :28:31.is pretty good. Very good. That is all we have time for tonight. Before
:28:32. > :28:36.that, Greg, what TV theme tune are you playing for us tonight? Look at
:28:37. > :28:45.that. MUSIC: Crystal Maze Theme Tune
:28:46. > :28:52.The Crystal Maze. Join us tomorrow when we are joined by Emma Spitzer
:28:53. > :28:55.and Tony Rodd from Masterchef. Plus Jason Mohammad is here to talk
:28:56. > :29:00.Crimewatch. Till then, goodbye. Good night.
:29:01. > :29:05.You and I, we're going to change this country.
:29:06. > :29:09.You run, and hopefully win, elected office