:00:18. > :00:25.Twist and half a somersault, unbelievable. He did not hold back.
:00:26. > :00:30.Coordination, acrobatics, you guys are ready for Las Vegas. Done with
:00:31. > :00:40.such confidence. There is a gymnast in you. It was a huge somersault and
:00:41. > :00:49.I loved it. Going head to head is Amelle and Emma. I am saving Amelle.
:00:50. > :00:57.Gymnastics needs to be extraordinary. It is all about the
:00:58. > :01:02.technique. You want to be amazed by a seamless performance. We want to
:01:03. > :01:08.be moved. This week, we will have to hammer it. Fight to stay out of the
:01:09. > :01:10.bottom two. I have been in the bottom two before. There is no way I
:01:11. > :01:33.want to do that before. -- again. Please welcome our Tumble
:01:34. > :01:35.professionals, with your host, Alex Jones! There it is Saturday night
:01:36. > :02:34.and this is Tumble! Good evening and welcome to Tumble,
:02:35. > :02:40.the show that gives your Saturday night a lift and then a backflip and
:02:41. > :02:42.hopefully a perfect landing. Tonight I'm our celebrities take on
:02:43. > :02:43.trampolining or rhythmic gymnastics for a
:02:44. > :02:46.I'm our celebrities take on trampolining or rhythmic place in
:02:47. > :03:03.next week's semifinal. No pressure. Please welcome our stars with their
:03:04. > :03:20.gymnastic partners. H and Holly Johnstone! Sarah Harding and Leon
:03:21. > :03:33.Fagbemi! Bobby Lockwood and Kristin Allen! Peter Duncan and Kate
:03:34. > :03:51.McWilliam! Lucy Mecklenburgh and Billy George! And Carl Froch, with
:03:52. > :03:56.Sita Bhuller! There they are, fighting fit and ready to go. But of
:03:57. > :04:02.course, at the end of the show, two of our stars will have to throw
:04:03. > :04:10.themselves straight of this. The vault. I am sure I can feel it
:04:11. > :04:15.looking at me. And facing the vault will be the two celebrities who get
:04:16. > :04:23.the lowest scores from this lot, our fantastic four, the Tumble judges!
:04:24. > :04:25.First up, it is John Partridge, whose relationship with the
:04:26. > :04:36.trampoline has literally had its ups and downs.
:04:37. > :04:47.How do we think we did at the weekend? I think we got away with
:04:48. > :04:51.it. There were minor mistakes, but you carried on with it. Should I
:04:52. > :04:58.stay or should I go? You should definitely stay. We managed to come
:04:59. > :05:01.second on the leaderboard. We have consistently developed, so if we can
:05:02. > :05:07.keep doing that this week, I will be happy. I am going to put it out
:05:08. > :05:12.there. I hate the trampoline! I can't bear it. I am terrible on the
:05:13. > :05:20.trampoline, really bad. I don't feel in control. I don't like some of the
:05:21. > :05:29.positions on the trampoline. I am awful at doing anything backwards.
:05:30. > :05:34.No flexibility. Me and trampoline are not friends. John has got a
:05:35. > :05:38.background in ballet, where he is used to pushing hard with his legs
:05:39. > :05:43.against a firm for. With the trampoline, it is different. You
:05:44. > :05:46.have to let the trampoline do the work, and at the moment, he is
:05:47. > :05:51.trying to push. I hated the trampoline because it makes me feel
:05:52. > :06:00.out of control. But as you become in control, the whole thing becomes
:06:01. > :06:05.more enjoyable. We have made him friends with the trampoline. He has
:06:06. > :06:12.got more confident. That is the best you have done. It was a big step in
:06:13. > :06:17.him starting to enjoy doing it. I like the trampoline now. After all I
:06:18. > :06:21.have to been through with the trampoline, I am going to enjoy it.
:06:22. > :06:29.I want the judges to enjoy it and I will enjoy it when it is all over.
:06:30. > :07:46.Good night, children, sweet dreams and put your toys away.
:07:47. > :08:01.What a start! John, looks as if you finally made friends with the
:08:02. > :08:08.trampoline. Very confident start. This is not easy, changing shape,
:08:09. > :08:19.the full turn in the straddled jump. Confidently done. He is in charge of
:08:20. > :08:23.the trampoline. His heart is going like the clappers, but that was
:08:24. > :08:29.perfect from where we were sitting. It is going to come out of your
:08:30. > :08:35.chest. You started, you hated the trampoline, then you loved it. How
:08:36. > :08:39.was it this evening? I loved it! That is what we love to hear. Head
:08:40. > :08:44.judge Nadia Comaneci, did Don start the show on a high? First of all,
:08:45. > :08:52.you are a great performer and you do the best splits I have ever seen.
:08:53. > :08:57.Beautiful form. New overrotates on the second somersault. That is where
:08:58. > :09:03.you can upgrade your skills, by packing the second one. We did try
:09:04. > :09:14.to do that the second week, but it did not work this time. It will work
:09:15. > :09:18.next time. What about you? I saw from the V2 that you were scared of
:09:19. > :09:22.the trampoline and in your routine, I could see that. The competition is
:09:23. > :09:34.hotting up for me, there was not enough difficulty in that routine,
:09:35. > :09:39.sorry. Seb, you don't agree, do you? I agree that you are great
:09:40. > :09:44.performer. The problem with that is that now we expect you to do amazing
:09:45. > :09:48.things, especially now, because we have had half of the competition
:09:49. > :09:52.already. I can definitely say that the trampoline is a big challenge
:09:53. > :10:06.for you and this week, compared to what we saw last time, it is a weak
:10:07. > :10:15.week. You are who you are, but for me, the artistry did not match the
:10:16. > :10:18.technique. Louis? John, you are very animated and you have got the
:10:19. > :10:24.performance side, but I agree with Craig. The difficulty was not there.
:10:25. > :10:32.What you did you took away from the momentum of the routine. I did not
:10:33. > :10:42.enjoy it this week, sorry. John, I'm disappointed for you. We all loved
:10:43. > :10:48.it. Warren will be happy with it. John and Kat, everyone. He was
:10:49. > :10:56.second last week. We know John will not be happy. It is going to be one
:10:57. > :11:12.of those weeks, is it? Scores for John and Kat? Six. Louis? Six.
:11:13. > :11:19.Nadia? Seven. And Craig? Seven. So a total of 26 out of 44 John and Kat.
:11:20. > :11:25.Now, after facing the vault last week, Amelle was at two proof that
:11:26. > :11:39.when the going gets tough, the tough get bouncing. Saturday did not go
:11:40. > :11:45.completely to plan. It started off shaky, but you got back into it. We
:11:46. > :11:50.need to forget that, bury it, put it in a box and throw it in the bin. I
:11:51. > :11:54.enjoy trampoline, but it is scary if you make one mistake. The last
:11:55. > :11:58.couple of sessions have been the worst I have seen. She is making a
:11:59. > :12:01.sick mistakes. Today I did get frustrated with the back
:12:02. > :12:06.somersault. I was not thrown myself into it like I normally do and
:12:07. > :12:15.enjoying it as much. My confidence had seeped away. This week, we can
:12:16. > :12:19.already see the nerves kicking in. I don't know what it is. I think
:12:20. > :12:25.Saturday rocked everything. You can do it. Everyone falls. But let's get
:12:26. > :12:29.up and get going. I would like to keep that back somersault in there.
:12:30. > :12:35.I would like to show the judges I can do some difficult moves. On show
:12:36. > :12:44.day, show what you are doing in training. Exactly. The rehearsal
:12:45. > :12:49.went all right today. I had a bit of a fall again, to be honest. I was
:12:50. > :12:52.going for a backward somersault. Halfway in the air, I was like, I
:12:53. > :12:57.should take another jump and nearly landed on my head. But I kept myself
:12:58. > :13:03.strong, because I am used to falling now. When I think about the routine
:13:04. > :13:08.tomorrow, I am a bit nervous. I don't want the same thing to happen
:13:09. > :13:13.like last week. It is in the back of my mind, but I am trying not to
:13:14. > :13:18.think about it. I am trying to get on with it. I know this routine. I
:13:19. > :14:54.am a fighter, so I am going to fight for this.
:14:55. > :15:01.A performance to Diamonds, to come straight from the Crown Jewels.
:15:02. > :15:06.Conquering the back somersault. Tiny adjustment there but brings it under
:15:07. > :15:10.control. Star lift superbly performed.
:15:11. > :15:19.Front somersault. She got away with that one as well. Nice little jump
:15:20. > :15:24.to bring it all under control. You had a huge crisis of confidence
:15:25. > :15:28.last week. Just tell us how hard it is to come out this week to get that
:15:29. > :15:33.routine right? How nervous were you sitting on that box earlier? Really,
:15:34. > :15:39.really nervous, it's something that creeps up in my head and I can't get
:15:40. > :15:45.rid of it, even though you're having a great time. It whispers in my
:15:46. > :15:49.head. I'm really proud of myself. You did well!
:15:50. > :15:55.So, OK then, Seb? What did you make of it? You have got to be proud
:15:56. > :15:58.because it's true that trampolining, it's a big challenge that makes you
:15:59. > :16:03.very nervous and that's how we see the difference from a performance to
:16:04. > :16:07.another one. I was missing the touch when you come on stage and go, yes,
:16:08. > :16:13.this is my land, you know, but although because of all the tricks
:16:14. > :16:17.you did a good job. Thank you. Louis, one of the hardest things of
:16:18. > :16:22.that routine was the back somersault. Did she do it well and
:16:23. > :16:25.land it well? After watching the training video, I think you had some
:16:26. > :16:28.serious guts going for the back somersault again. Most people would
:16:29. > :16:33.say, do you know what, I'm not going to do it and you took a serious
:16:34. > :16:37.tumble, no pun intended, but seriously, that was unbelievable,
:16:38. > :16:43.great hip rotation, you spotted the landing. I was impressed. There's a
:16:44. > :16:50.lot more to come from you. Nadia? You went backwards and
:16:51. > :16:55.forwards, a good complexity of skills. This is huge for you. I
:16:56. > :17:00.would pay attention to your legs. I thought you were going to say that,
:17:01. > :17:04.you know, I really did. I just look at details. That's important and I
:17:05. > :17:10.know you can do it. Thank you. I'll take that.
:17:11. > :17:14.What did you make of it, Craig? I'll forget about the details, you were
:17:15. > :17:17.an absolute diamond on that trampoline. Thank you so much. I was
:17:18. > :17:22.so impressed. You nearly wiped yourself out in the VT, I nearly
:17:23. > :17:26.fell off the chair, it takes so much guts when you do something to scary
:17:27. > :17:29.and terrifying, to gets back up and do it in a performance. You were
:17:30. > :17:35.magnificent well done. Thank you so much. The nicest thing Craig's ever
:17:36. > :17:42.said! Mel and Doug, you should be very proud of yourselves. Well done
:17:43. > :17:44.-- Ammelle and Doug. She'll be happy to make her mark on
:17:45. > :18:08.the score board. The scores: So, a total then of 29.5 out of 40
:18:09. > :18:11.for Ammelle and Doug. They are thrilled with that.
:18:12. > :18:15.Great. So, next, our first rhythmic
:18:16. > :18:19.performance and it's Peter Duncan. Now, we are one week from the
:18:20. > :18:21.semi-finals and he knows he needs to get serious. Not easy when you are a
:18:22. > :18:39.grown man with a ribbon! I was a bit surprised by the leap
:18:40. > :18:44.there. It was my face, like "oh, oh! " Week one Kate the Ied the
:18:45. > :18:49.somersaults, week three you're doing them. As the show progresses, you
:18:50. > :18:54.have to be seen to be getting better and brave. I need to knock 20 years
:18:55. > :18:59.off and go for it! So today, you two are going to be businessmen. What
:19:00. > :19:06.does every businessman get out of their case? A ribbon. Ribbon, yeah!
:19:07. > :19:13.Ribbons! I was desperate to get ribbons. Two I hope. I was like a
:19:14. > :19:19.ballet dancer. I watch the swimming Olympics and the Commonwealth Games,
:19:20. > :19:25.I'm if ribbon heaven. They are very beautiful to look at. The first
:19:26. > :19:34.session was a bit of free form, you are experimenting. I invented the
:19:35. > :19:38.Duncan fairy. I may have invented a lot more. That actually looks really
:19:39. > :19:42.nice. Gymnastics is really strict and there are certain things you
:19:43. > :19:47.have to do, but this is much more free. Peter is thrilled to have the
:19:48. > :19:52.rhythm and he's a natural with it. Until he starts putting it into a
:19:53. > :19:57.routine. And then he's found out that it's not quite as easy as he
:19:58. > :20:03.thought it would be. It's not going straight. It's not like silk any
:20:04. > :20:12.more. Argh! Sit on that one. Clear it. Breathe. Argh... There have been
:20:13. > :20:15.times when Peter's got really frustrated which I don't think any
:20:16. > :20:20.of us saw coming. It's hard and you have to be angry with it to make it
:20:21. > :20:36.work better. It's not me, it's the ribbon!
:20:37. > :21:59.APPLAUSE Our city gent doing the business
:22:00. > :22:04.with his ribbons! What a performance from Peter!
:22:05. > :22:10.Look at this! Multitasking holding the balance and coiling the ribbon
:22:11. > :22:15.and the syncho was there as well. Great stuff. Look at this, accurate
:22:16. > :22:21.in the exchange. Great spot on catches.
:22:22. > :22:26.And a little bit of Duncan original. Here with the fairy, this is his
:22:27. > :22:32.very own move. Great routine Peter once again. You can't bribe the
:22:33. > :22:35.judges but you can bribe me, however. I'll just keep that for
:22:36. > :22:39.later. I loved your face when you first got hold of the ribbon, you
:22:40. > :22:44.were like yes, this is amazing dancing around. Were you happy with
:22:45. > :22:49.that? Yes, I missed the big one at the end but it was all right.
:22:50. > :22:55.Don't point out your mistakes, Peter. Sorry.
:22:56. > :23:02.Seb, what does it take to do a good rhythmic performance? Rhythmic when
:23:03. > :23:06.you use a prop, that prop has to be part of you too, so it's like you
:23:07. > :23:10.bring in another person. It has to be a movement all the time and you
:23:11. > :23:12.have to be moving around it and in control of it and it moves with you.
:23:13. > :23:24.So you did it. The thing with you, you were doing
:23:25. > :23:30.something unexpected, so great job. Basically it's really difficult.
:23:31. > :23:34.Louis? I'll be honest, right, when I found out you got the ribbon, like
:23:35. > :23:39.everyone else, I didn't really know what to expect. And I was thoroughly
:23:40. > :23:44.impressed. It was a good laugh. It was very difficult. And I'm actually
:23:45. > :23:48.feeling a lot better. I've been ill for a few days and I'm in a good
:23:49. > :23:53.mood now so thank you. You have really done it! Nadia? The dream of
:23:54. > :24:02.every gymnast is to do something nobody did before and they named it
:24:03. > :24:08.after you. No, it's good. The fact that you did that coil like not
:24:09. > :24:11.before, it's something that Tumble will remember. You did something
:24:12. > :24:14.nobody did before and you should remember that.
:24:15. > :24:18.Last but not least, Craig, what did you think? I guess out of all the
:24:19. > :24:21.performances every week, I really look forward to seeing what weird
:24:22. > :24:27.and whacky thing you are going to do. All I can say is, you delivered,
:24:28. > :24:37.that was bang on the money! Very good, Craig.
:24:38. > :24:46.Peter and Paige, well done! Always so much fun when Peter is involved.
:24:47. > :24:50.Obviously not paying Louis and Craig enough, because they have collected
:24:51. > :25:05.all the money off the floor. Scores, enough of the money. Seb?
:25:06. > :25:14.Wow. That's the total, 31 out of 40 for Peter and Kate. They are
:25:15. > :25:19.absolutely over the moon. Brilliant, well done. To hear what Peter and
:25:20. > :25:23.all the stars really think of the judges here and for more of what is
:25:24. > :25:35.happening behind-the-scenes, drop in on the Tumble social media site:
:25:36. > :25:42.So, he was on top of the score board last week. Let us see how he fares
:25:43. > :25:46.on top of a tramp lean this week. It's Bobby Lockwood.
:25:47. > :25:57.-- trampoline this week. Trying to figure out what is the
:25:58. > :26:01.product you are lacking. And you're not.
:26:02. > :26:06.That was the highest score so sort. We were absolutely over the moon. We
:26:07. > :26:10.are now at the top of the leaderboard. We have stay this
:26:11. > :26:14.because there's only one way to go. I'm really excited for next week. We
:26:15. > :26:18.have to come up with some great tricks if we are to impress the
:26:19. > :26:23.judges. Come on! Trampolining may look like a lot of fun but actually
:26:24. > :26:28.it takes a lot of skill. Knees have to be nice and tight, staying in
:26:29. > :26:34.line whilst keeping straight. Bobby is attempting a lot of difficult
:26:35. > :26:38.moves. The somersault is tricky. If the rotation goes wrong, you can
:26:39. > :26:47.land on your face. On top of that, he has to do the front somersault.
:26:48. > :26:53.It takes a lot of technique. It's hard to stay in the centre of the
:26:54. > :27:00.tramp. If you go to one side or the other, you can get thrown off, you
:27:01. > :27:05.can blow out your ankle or knees. Alex and Kristin do it lovely and
:27:06. > :27:09.graceful and elegant and I'm like fluffing my arms like a chicken. Do
:27:10. > :27:14.you feel like you don't know what to do with your arms? No, I'm
:27:15. > :27:19.panicking, I still worry. It's so frustrating. Bobby wants to stay at
:27:20. > :27:24.the top of the ledder board, he's trying moves even an experienced
:27:25. > :27:27.gymnast would find tricky. Fingers crossed we can do it. -- the
:27:28. > :29:02.leaderboard. APPLAUSE.
:29:03. > :29:06.Last week over the moon, this week on the moon and look at the quality
:29:07. > :29:11.of this performance. That was a challenge and boy, did he meet it! A
:29:12. > :29:17.little extra twist as well. And lack at the synchro here in the
:29:18. > :29:19.straight back semi. Bobby is in space!
:29:20. > :29:24.Out of this world with that performance.
:29:25. > :29:28.Brilliant stuff. Look guys, the first standing
:29:29. > :29:32.ovation of the series, they are all just sat down, honestly, they were
:29:33. > :29:34.on their feet! It's really hard for an audience to tell who is the pro,
:29:35. > :29:38.really good. an audience to tell who is the pro,
:29:39. > :29:42.So, Louis, the idea for this routine was to pack it full of content,
:29:43. > :29:49.wasn't it, so what did you make of it? One small step for man, one
:29:50. > :29:52.giant leap for Bobby and Kristin. That was unbelievable and I'm now
:29:53. > :30:04.going to go as far as saying, you are no longer a celebrity, you are a
:30:05. > :30:11.gymnast to me now! VAT You did much more than I expected. And everything
:30:12. > :30:21.you did from the beginning to the end was the best form and execution.
:30:22. > :30:26.It was excellent. I agree totally with that, but I would give you one
:30:27. > :30:29.bit of advice. When you build up to the big trick in the routine, you
:30:30. > :30:34.need to keep your concentration right to the finish. Just focus to
:30:35. > :30:43.the end, but that was magnificent. Well done. Awesome routine. That
:30:44. > :30:51.straight backflip that you did is a reflection of the work you put into
:30:52. > :31:06.in training, so it is brilliant. Group hug! Bobby and Kristin. Great
:31:07. > :31:08.quote from Louis. Nadia said it was not only a good performance, but
:31:09. > :31:40.also the execution. Your scores? So, the highest total so far for
:31:41. > :31:43.Bobby and Kristin. All our celebrities are desperate for a
:31:44. > :31:48.place in the semifinal, but the two with the lowest scores will face the
:31:49. > :31:53.vault tonight. Let's see how the scoreboard stands at the halfway
:31:54. > :32:11.point. What a gymnastics journey we have had so far.
:32:12. > :32:16.So, our tumbling celebrities have worked incredibly hard to achieve
:32:17. > :32:21.the poise and elegance of actual gymnasts. On the whole, they have
:32:22. > :32:28.pulled it off. Sometimes, things go a bit more like this. Gymnastics is
:32:29. > :32:37.definitely not for the faint-hearted. If there was an
:32:38. > :32:45.Olympic event for falling over, I think I would have won a gold by
:32:46. > :32:50.now. This is a whole new level of pain. You can't see the bruises
:32:51. > :33:08.because I have got so much fake tan on. Gymnastics is painful, period.
:33:09. > :33:16.It is impossible to look good when you are that high up in the air. I
:33:17. > :33:24.have hit the deck more in this show than in my whole back -- boxing
:33:25. > :33:31.career. It is the most undignified thing I have ever done. At the end
:33:32. > :33:43.of the day, you are either laughing or crying, so you might as well
:33:44. > :33:45.embrace it. What can I say? We have a good make-up department that
:33:46. > :34:00.covers the bruises. Next, Sarah Harding.
:34:01. > :34:11.We live to fight another day. You need to just enjoy it, give us a
:34:12. > :34:16.show. Do not worry about any other competitor. You need to run your own
:34:17. > :34:22.race. This week, we have slipped down and I am starting to get the
:34:23. > :34:29.fear. Positive mental attitude. No more tears. Just do it. Just as soon
:34:30. > :34:33.as I have managed to get my head around one thing, they throw in
:34:34. > :34:38.something else, the ball. I cannot tell you how hard the ball is if you
:34:39. > :34:43.don't throw it in exactly the right place. You can't reach it. If you
:34:44. > :34:50.drop it, there is no way back. It rolls and roles, and we have given
:34:51. > :34:57.it to Sarah and Leon. I hate this already. It is flipping difficult.
:34:58. > :35:03.What are you doing? I don't want this any more! We are slightly in
:35:04. > :35:08.Groundhog Day with Sarah. I am not a trained dancer or a gymnast, why am
:35:09. > :35:12.I doing this? Even when she gets something brilliantly, she still
:35:13. > :35:17.thinks it is not good enough. There has to be some point when she starts
:35:18. > :35:23.thinking she can do this. You are doing really good. We are giving you
:35:24. > :35:27.space to remember. But I am not remembering it. There is not
:35:28. > :35:31.enjoying this rhythmic routine. How many times have you practise? We
:35:32. > :35:39.will just have to deal with it. I looked like a duck. I know me and
:35:40. > :35:45.the ball have not been the best of buddies in the last week, but this
:35:46. > :35:48.week, we are going to fight to try and not get into that bottom two.
:35:49. > :37:22.Yes! Hard on herself. Tonight, Sarah
:37:23. > :37:28.found the performance side of her personality. This did not go quite
:37:29. > :37:34.to plan, but she caught up very quickly. And with the cartwheel,
:37:35. > :37:41.again, she improvised, a sign that she is confident. And this was
:37:42. > :37:49.great, she was under control, back in control of the ball. Sarah is
:37:50. > :37:58.desperate to chuck the ball. Go on, just do it. It is gone. End of your
:37:59. > :38:02.relationship. It is over. Nadia, what did you make of it? I like that
:38:03. > :38:05.you kept the ball moving from the beginning to the end. I like that
:38:06. > :38:10.you enjoyed the performance and did not worry about, what if I do
:38:11. > :38:17.something wrong? Even though you did something and almost forgot your
:38:18. > :38:23.routine, you enjoyed it. It is about positive mental attitude, and it is
:38:24. > :38:28.working. Previously, you have not looked like you were enjoying it. I
:38:29. > :38:37.had fun with this one. I could see it on your face. When you enjoy your
:38:38. > :38:39.performance, so will we. Well done. Yes, great connection with the ball
:38:40. > :38:46.and the music. That was very entertaining. I loved it. And Louis?
:38:47. > :38:55.It is tricky to handle these two balls. It is tricky. And I like the
:38:56. > :38:59.fact that you did not stop moving. There was a lot of choreography to
:39:00. > :39:06.remember, and you nailed the forward roll catch at the end. It was a
:39:07. > :39:13.success. Natalia is waiting for you. Well done. The judges are impressed.
:39:14. > :39:17.They noticed that the enjoyment is shining through at last, and it
:39:18. > :39:21.helped. The few mistakes did not really matter. A smile releases
:39:22. > :39:45.Sarah Harding. Your scores? Congratulations to them. Now, if you
:39:46. > :39:49.are craving something macho, how do you fancy a bit of Carl Froch
:39:50. > :40:05.walking out of the big motorbike tire? Thought so. You're welcome. He
:40:06. > :40:12.will have his top off, won't he? The start of the routine did not go
:40:13. > :40:17.well. From then on, you managed to rescue the routine. Started off a
:40:18. > :40:24.bit iffy, but as soon as you got into it, it was great. Nice to see
:40:25. > :40:28.you settle in. Joint third on the leaderboard. Feels good to be back
:40:29. > :40:34.on top. I am the champion, I don't want to be at the bottom of the
:40:35. > :40:38.squad. So, today you discover what your rhythmic is going to be. Do you
:40:39. > :40:51.ride a bike? Mm-hmm. Good, because we decided that your prop would be a
:40:52. > :40:57.bike tire. Sounds heavy. We felt a group would not really highlight his
:40:58. > :41:05.strength, so we gave him a tyre. He can do so much more with that. The
:41:06. > :41:14.tyre is an unusual prop, but this is Tumble. Try and put some sort of
:41:15. > :41:18.spin on it to make it fancy. When it gets thrown at you, it is awkward to
:41:19. > :41:24.catch because it is heavy and it is being mobbed at my face. If it hits
:41:25. > :41:29.me, it is going to hurt. We are going to do a move where she stands
:41:30. > :41:33.on my hand and I lifted her, and while this is going on, I have the
:41:34. > :41:37.tyre balancing around my knees. I love motorbikes. I have had one
:41:38. > :41:38.since I was a kid. I just hope that on Saturday, our routine does not
:41:39. > :43:21.crash and burn. Performing rhythmic the macho way,
:43:22. > :43:32.what else would we expect from our very own world champion boxer?
:43:33. > :43:39.Strength and timing is the key here. Look at that front somersault.
:43:40. > :43:46.Accurate and confident, as always. Big zero. Ambitious. He just
:43:47. > :43:54.overcooked it, but did well to keep the rhythm. What is going on here?
:43:55. > :43:58.Nadia has got the tyre. Is it heavy? Yes, it is. If somebody throws that
:43:59. > :44:07.at me, I don't know what I'm going to do with it. It is heavy. Now,
:44:08. > :44:13.Carl thought he might crash and burn during that routine. It didn't look
:44:14. > :44:17.like it. I was expecting maybe attract a tyre for a man of your
:44:18. > :44:21.strength. But it was amazing. You were kicking it off your feet. I was
:44:22. > :44:33.impressed. It will be a now, but well done. From a circus point of
:44:34. > :44:37.view, I don't know any act with tyres and juggling in the same
:44:38. > :44:45.routine, so I think you guys invented something. That means it is
:44:46. > :44:50.awesome. Louis, was up your street? When I think of a motorbike tyre and
:44:51. > :44:54.rhythmic gymnastics, they don't go, but that did. I was impressed. I
:44:55. > :44:58.have been nagging you for three weeks to show me some style, and I
:44:59. > :45:08.saw some style. I saw the handstand, mixed together. You have done a good
:45:09. > :45:12.bob with him. Well done. And Nadia? You remember when I gave you a hard
:45:13. > :45:16.time about the aerial that you have a great upper body and forget about
:45:17. > :45:24.your legs? You really improved on that. Congratulations. So good
:45:25. > :45:29.comments, Carl, you must be happy with that, right? Yes, very happy.
:45:30. > :45:33.I've been working very hard with Rob, he's taken a bit of praise
:45:34. > :45:39.there and he deserves it. Just as well they didn't give you a ribbon
:45:40. > :45:43.like Peter. Yes, he's getting a bit too much stick today, not happy with
:45:44. > :45:52.that. Great job both of you, well done.
:45:53. > :45:54.The judges scores - will they push him off his bike? We'll have to wait
:45:55. > :46:15.and see. So, a total then of 31 out of 40 for
:46:16. > :46:18.Carl and Sita. Robert particularly pleased with that score.
:46:19. > :46:22.Up until now, the fate of our celebrities has been entirely down
:46:23. > :46:29.to our judges here. But, from next week, we are opening the voting
:46:30. > :46:34.lines that you at home can take part in by voting for your favourite. How
:46:35. > :46:36.have things been in training for Lucy Mecklenburgh? She's been tying
:46:37. > :46:51.herself up in knots really. How do you feel? I'm starting to
:46:52. > :46:54.enjoy performing. I really did love that performance. I believe now
:46:55. > :47:01.there is a gymnast inside you waiting to get out. Well done. I
:47:02. > :47:05.wasn't expecting that to from Craig. Hoy does that A feck how you feel
:47:06. > :47:10.about going into this week? We need to put some skills in the routine.
:47:11. > :47:14.We'll work on that. Me and Billy are doing rhythmic which is gymnastics
:47:15. > :47:23.with a prop. Your prop today is the ribbon. Yes. I'm so happy about
:47:24. > :47:30.that. Let's grab your ribbons then. It just looks amazing. Snakes. Very
:47:31. > :47:36.girlie. I'm happy that she's happy about it. It's a rhythmic gymnastics
:47:37. > :47:43.piece of apparatus. Make sure the ribbon is really close. It's usually
:47:44. > :47:47.six metres long. It's quite hard now I've realised. Doesn't always do as
:47:48. > :47:52.it's told. This is a beast of a knot. If you are not careful it
:47:53. > :47:55.knots and when it knots that's kind of it, there's not much you can do,
:47:56. > :48:01.you have to stand there and unknot it. One minute...
:48:02. > :48:05.Because the judges picked up on Lucy having this inner gymnast, they are
:48:06. > :48:13.pushing this week to make sure we have some gymnastics within the
:48:14. > :48:20.routine. Katie's put a move in it which I had no idea what it was. The
:48:21. > :48:25.first foot down bends. It's a cart wheel into a walkover. It looks
:48:26. > :48:28.really cool. I feel like I need to keep raising the bar now. If she
:48:29. > :48:32.wants me to do a hard move, I'm going to do it, put my all into it.
:48:33. > :48:49.I don't want to go back down that leaderboard.
:48:50. > :50:03.APPLAUSE. Whatever stars she cast, it
:50:04. > :50:07.certainly worked with the audience. Can she do the same with the judges?
:50:08. > :50:15.She's really stepped up her skill level here. Such control there.
:50:16. > :50:23.Controlling the ribbon as well. Bhily became part of the apparatus
:50:24. > :50:28.-- Billy. And that move, she needn't have worried. Well done, Lucy.
:50:29. > :50:32.A really good performance and it's been lovely to see you blossom in
:50:33. > :50:36.this competition. How different did tonight feel compared to week one
:50:37. > :50:39.then? Completely different. I loved that routine and felt confident and
:50:40. > :50:43.I'm starting to enjoy the performance and get into character
:50:44. > :50:50.and we didn't get a knot in the ribbon, yay! Billy, for you, you are
:50:51. > :50:54.a great partnership, how does it feel for you seeing Lucy enjoying
:50:55. > :50:58.it? For somebody who 11 weeks ago couldn't do a forward roll, to be
:50:59. > :51:02.able to nail that tonight, I'm so overwhelmed. You did amazing. All
:51:03. > :51:08.right. Let's see what the experts thought. Seb? The ribbon, it's not
:51:09. > :51:14.easy because it changes shape all the time and, like you said, you
:51:15. > :51:22.guys have knots and I haven't seen any trouble or knots. I saw you
:51:23. > :51:26.moving and staying in the mode, it was great. Louis? It wasn't the most
:51:27. > :51:27.difficult routine, was great. Louis? It wasn't the most
:51:28. > :51:33.difficult but you showed good control of the ribbon throughout the
:51:34. > :51:38.routine. You carried yourself well and the performance side, it was
:51:39. > :51:41.very passionate, very see ductive also, very into it, I was, enjoyed
:51:42. > :51:46.it. Very see ductive.
:51:47. > :51:50.What did you make of it then, Nadia? I appreciate that you did that
:51:51. > :51:54.difficult move there and it's important to do it correctly
:51:55. > :52:00.otherwise your elbow can go out and that's not very pleasant. I think
:52:01. > :52:07.when you caught the ribbon, it was sometimes not exactly at the place
:52:08. > :52:17.where it was supposed to be caught, but, as Louis said, it could have
:52:18. > :52:23.been a little better. Still two weeks to go. Craig. What did you
:52:24. > :52:27.make of it? I'm sorry, I didn't get it at all. After last week, I was
:52:28. > :52:31.expecting so much more of a performance. It was a bit
:52:32. > :52:34.stop-start. It looked like you were concentrating to pick the ribbon up
:52:35. > :52:39.on the floor and things like that. I mean, these guys have their
:52:40. > :52:43.opinions, but it just wasn't for me this week, I'm sure. You didn't
:52:44. > :52:49.watch it. I did. It wasn't for me. Craig, what do you have to say,
:52:50. > :52:53.guys? I've got so many tricks I can work on, it was really hard that
:52:54. > :52:57.routine, it's so hard to use that rhythm, gets in a knot just like
:52:58. > :53:01.that, I was focussing so much not to get a knot and performed as best I
:53:02. > :53:08.could. I want to show you next week what more I can do. Back in your
:53:09. > :53:14.box, Craig! Lucy and Billy, everyone. Controversy from the
:53:15. > :53:19.judges. Craig and Seb at opposite ends of the spectrum.
:53:20. > :53:34.Katie is obviously pleased. Let's get your scores.
:53:35. > :53:45.So a total of 28 out of 40 for Billy and Lucy. Not bad at all. Now, our
:53:46. > :53:48.stars have taken to their props with varying degrees of success, but our
:53:49. > :53:55.last celebrity, H, is finding his a bit of a headache.
:53:56. > :54:03.How do you feel about this week? We got through it. You are injured.
:54:04. > :54:11.Notture best performance. Missing training and being injured. Rhythmic
:54:12. > :54:18.this week. I'm excited about it. I want to do skills, tricks and
:54:19. > :54:22.impress the judges. Because we are giving it full-on glamour, you are
:54:23. > :54:36.going to be in top hat and tails and your prop will be... Yeah! A cane.
:54:37. > :54:43.Even more exciting, your music will be
:54:44. > :54:48.# Rain on my parade... We are doing it to, don't rain on my
:54:49. > :54:55.parade. The cane because of the weight, it's not as easy as it
:54:56. > :55:04.looks. I've never worked with a prop like that before. Obviously good
:55:05. > :55:10.hand-eye coordination is needed. Argh...
:55:11. > :55:17.# All that jazz... Argh...
:55:18. > :55:21.Ice pack? Are you all right? As if throwing the cane isn't enough. Look
:55:22. > :55:26.at my cane, it's nice and shiny. Hard moves in the routine as well.
:55:27. > :55:29.Another one of the skills, it's a stand and tuck back. This is
:55:30. > :55:34.something that I real hi want to do in front of the judges -- I want him
:55:35. > :55:40.to do in front of the judges, so he can go, here I am, top hat, boom,
:55:41. > :55:53.yes. I'm going to sleep with it tonight and make friends with it.
:55:54. > :57:10.APPLAUSE Truly a glittering performance. He's
:57:11. > :57:14.full of joy and celebration. Gym mass ticks or cob ray, take your
:57:15. > :57:24.pick, he's brilliant at both. Look at this tuck back. Great technique.
:57:25. > :57:31.Dexterity with the apparatus. He went on and on. Great use of the
:57:32. > :57:37.apparatus. The cart wheel, super. Everything in his performance, great
:57:38. > :57:41.stuff. He can't breathe but that routine seemed to suit you down to
:57:42. > :57:47.the ground. Did you enjoy it as much as it looked like you did? It's been
:57:48. > :57:51.a hard week but we've come back with avengeance, we loved it. It showed.
:57:52. > :58:00.Louis good enough for you? I felt like I was at the West End. It was
:58:01. > :58:03.brilliant, you know, the energy was great, somersault, I think I can see
:58:04. > :58:07.how hard you've been working because you were so confident. To be like
:58:08. > :58:18.that, with a prop, on a Saturday night live television show, well
:58:19. > :58:22.done! Nadia, a lot of jazz, but was there enough gymnastic content in it
:58:23. > :58:29.There was enough but I was watching this and I thought I find myself at
:58:30. > :58:37.the Broadway Show, I was so entertained. I loved it. Your
:58:38. > :58:51.routine was a cross between Fred Astaire and Louis Smith. Thank you!
:58:52. > :58:55.Craig? What did you make of it? I was so impressed. What I liked about
:58:56. > :58:59.the start, it was so dynamic, a Bam somersault, you need quick arms,
:59:00. > :59:03.fast shins, knees, tug over, nail it, you did it! Didn't touch the
:59:04. > :59:12.floor. Didn't touch the floor this week. Great performance, well done.
:59:13. > :59:24.They all seemed to love it. Seb? It wasn't very good H, it was fantabla!
:59:25. > :59:28.It's true, on live television to go with a standing backflip opening
:59:29. > :59:32.like that, even those guys, I don't think they can still pull those kind
:59:33. > :59:38.of tricks... What you talking about... . What you talking about.
:59:39. > :00:02.We will challenge the three of you. You guys do it. Now?
:00:03. > :00:12.quickly. Three, two, one! Go! Back to your seats.
:00:13. > :00:22.So, after that little display, Holly and H, everybody! H plays on
:00:23. > :00:26.Broadway in the West End, according to the judges. A cross between Fred
:00:27. > :00:31.Astaire and Louis Smith. He certainly impressed everyone. Out of
:00:32. > :00:38.interest, Nadia, which of the boys was the best? Putting you on the
:00:39. > :00:43.spot. Come on. She won't do it, she is too professional. Anyway, now
:00:44. > :00:48.that all eight have performed and before we find out H's score, we can
:00:49. > :01:02.confirm that the celebrity definitely facing the vault is...
:01:03. > :01:08.John. Whilst in danger is also Lucy. But it could all change now. H, you
:01:09. > :01:12.need more than 28 points to avoid the vault. Judges, let's get H's
:01:13. > :01:45.scores. So, H, you are safe. No vaulting for
:01:46. > :01:51.you. Does go to the judges' scoreboard and see how it is
:01:52. > :01:53.looking, Mitch. For the second week in a row, Bobby is on top of the
:01:54. > :02:15.pile. We could never have predicted this.
:02:16. > :02:21.It is John versus Lucy. Guys, good luck. Go and prepare, and we will
:02:22. > :02:27.see you in the vault. Next week, it really will be Mission Gympossible,
:02:28. > :02:31.as our stars have to matter not one, but two disciplines. And if that was
:02:32. > :02:38.not enough, they will perform one of them on their own, without their
:02:39. > :02:50.partner. When the beam comes up, we will all have an opinion. Nadia? The
:02:51. > :02:53.beam, that is so scary. Men call it the Nutcracker. That is why we don't
:02:54. > :02:59.go on it. The beam is very difficult. Stay away from going
:03:00. > :03:06.down, because you can't cover it up, and then just go for it. The key
:03:07. > :03:12.thing about the parallel bars is to keep the movement flowing. The
:03:13. > :03:19.performers will have to demonstrate moves above the bars, under the bars
:03:20. > :03:24.and then somersault and do a controlled dismount. I definitely
:03:25. > :03:31.think it will be one of the hardest ones for the celebrities to pull off
:03:32. > :03:37.and make it look good. No, no, no! Yes, yes, yes! Now, if you have been
:03:38. > :03:41.enjoying the circus skills on Tumble, you will love what is coming
:03:42. > :03:46.next. An incredible performance from a very modern British circus
:03:47. > :06:33.troupe. Welcome to the wonderful world of Circulus.
:06:34. > :06:43.Circulus, everyone! So, two stars, one vault and a place in the
:06:44. > :06:50.semifinals up for grabs. Let's see how they have been getting on in
:06:51. > :06:56.training. I think it is daunting, whatever way you look at it. It just
:06:57. > :07:01.looks like, I am here, you will not pass! You are going to be so
:07:02. > :07:05.nervous. You will be sweating. Immense pressure, and I am not sure
:07:06. > :07:15.how I will cope. It is fight or flight. I don't like the vault,
:07:16. > :07:19.because it means you are in the bottom two. I was in week one and I
:07:20. > :07:23.don't want to feel like that again. I worry that I will not have enough
:07:24. > :07:27.power because of how nervous I am going to be. I'm sure it will not be
:07:28. > :07:36.very nice for up you just get one shot, and that is it. So, with me
:07:37. > :07:40.here are Kat and delete, Lucy and John's partners. Kat, I saw you
:07:41. > :07:44.giving John some advice. What did you say? I just told him to go for
:07:45. > :07:47.it and make sure he keeps his shoulders back so he can get a good
:07:48. > :07:54.flight. We don't want to lose anybody from the competition. How
:07:55. > :07:57.will you feel if this is the end of your Tumble journey? It will be
:07:58. > :08:02.disappointing, but I have had such a great time. It has been brilliant
:08:03. > :08:14.meeting you all. It is not over yet! Here we go. This is it. It is
:08:15. > :08:20.time for... The vault. So, both celebrities will now attempt their
:08:21. > :08:27.most impressive vault. First up, it is John. Well, we almost by now that
:08:28. > :08:33.vaulting is a really tough call. It is over in seconds. You have just
:08:34. > :08:58.got one chance to get it right. John, please prepare to vault.
:08:59. > :09:09.It was a difficult handspring from John. Did the coach touching? Very
:09:10. > :09:17.close. I don't think he touched. If he makes contact, he removes marks
:09:18. > :09:24.for it. It is a difficult fault. You are upside down, hard to know where
:09:25. > :09:38.you are. I can't bear it. Next to vault, it is Lucy. Lucy only has to
:09:39. > :10:03.focus on her own performance full of Lucy, please prepare to vault.
:10:04. > :10:19.It is a difficult vault. Bravely, she kept with it. The coach did not
:10:20. > :10:23.have to touch her. Well done, Lucy. Upside down, it is very hard to know
:10:24. > :10:30.where you are to keep the shape and focus. Great effort. A really good
:10:31. > :10:34.vault from both of you, but the decision lies only with our head
:10:35. > :10:42.judge, Nadia Comaneci. What was your verdict on John's vault? John did
:10:43. > :10:55.the handspring. You had a good flight. A little jump on the
:10:56. > :11:00.landing. Lucy, you did a good vault may he handspring. It was clean. The
:11:01. > :11:07.first flight was good. The second was a little short, close to the
:11:08. > :11:15.vaulting table. Well, it is decision time. So, based entirely on
:11:16. > :11:22.tonight's vault, who would you lie to save, John or Lucy?
:11:23. > :11:50.The celebrity I am saving tonight is... Lucy! Lucy, congratulations.
:11:51. > :11:55.You are still in the contest. Back you go to see Billy. Well done.
:11:56. > :12:01.John, I actually can't believe this is happening. I'm so sorry. Your
:12:02. > :12:08.Tumble Jenny ends here. Are you as shocked as I am? That is showbiz,
:12:09. > :12:13.baby. Here comes Kat. How has he been as a partner? He has come on so
:12:14. > :12:18.much. He really has, he is amazing. He is the hardest worker I have ever
:12:19. > :12:25.worked with, and he has helped me as well. I am sad he has not made it to
:12:26. > :12:33.the final. I love you. And Warren, as a coach, these two have come a
:12:34. > :12:38.long way. How proud are you of them? Massively proud. I have never seen
:12:39. > :12:42.anybody trained that hard. They have worked well as a team and performed
:12:43. > :12:49.so well every week. You have all been awesome. Go and say goodbye to
:12:50. > :12:59.your Tumble family. Warren, Kat and John, everybody. So, that is it for
:13:00. > :13:03.tonight. Thank you to our Tumble couples and coaches. Thank you also
:13:04. > :13:08.to head judge Nadia, Seb, Louis and Mitch. Join aspect we, when voting
:13:09. > :13:12.lines will be open for the first time and you will get the chance to
:13:13. > :13:16.vote for your favourite celebrity. Thanks for watching. See you next
:13:17. > :13:17.Saturday at the slightly earlier time of six o'clock. Until then,
:13:18. > :13:26.good evening and good night.