0:00:02 > 0:00:04It went out three nights a week live,
0:00:04 > 0:00:09with a live audience and everyone who was anyone dropping in,
0:00:09 > 0:00:13the great and the good, the bad and the ugly, and they called it Wogan.
0:00:14 > 0:00:15I never knew why!
0:00:15 > 0:00:18So, if you're sitting comfortably,
0:00:18 > 0:00:20I'll show you something I made earlier.
0:00:20 > 0:00:22God knows what they'll make of us in 25 years' time!
0:00:35 > 0:00:37Greetings.
0:00:37 > 0:00:40Today, we're focusing on big names from the small screen,
0:00:40 > 0:00:43the stars who spent an inordinate amount of time,
0:00:43 > 0:00:47almost as much as myself, being beamed into your living rooms
0:00:47 > 0:00:51and onto the box at which even now you are goggling,
0:00:51 > 0:00:56including Kylie Minogue, Dudley Moore, Leonard Nimoy,
0:00:56 > 0:00:58Colin Baker and Ade Edmondson.
0:00:59 > 0:01:04First of all, a bunch of doddery old fools obsessed with beating
0:01:04 > 0:01:08the Germans. No, not the heads of the English Football Association.
0:01:08 > 0:01:11It's the Home Guard heroes from Walmington-on-Sea,
0:01:11 > 0:01:16the cast of Dad's Army, in the shape of Clive Dunn, Bill Pertwee
0:01:16 > 0:01:20and that stupid boy Ian Lavender.
0:01:20 > 0:01:22APPLAUSE
0:01:38 > 0:01:40You're welcome.
0:01:40 > 0:01:44- It's a nice thing to celebrate, the 20th anniversary, isn't it?- It is.
0:01:44 > 0:01:46I know you've come from Portugal, Jonesey, to be with us.
0:01:46 > 0:01:49Yes, I'm not supposed to be here at all, really.
0:01:49 > 0:01:56I reckon that if I was alive today... I'd be 118!
0:01:59 > 0:02:04Now, Dad's Army brought together a very professional team of actors.
0:02:04 > 0:02:07Were you wary of each other in the way that actors are of each
0:02:07 > 0:02:12- other's professional skills? - I think probably yes, I think so.
0:02:12 > 0:02:17When I joined, I came from the other side of the fence.
0:02:17 > 0:02:20There's always a few from the other side!
0:02:20 > 0:02:22I'd done a lot of variety and summer shows.
0:02:22 > 0:02:24Clive had also done some variety,
0:02:24 > 0:02:28but I think the majority of the cast were a little bit wary of me.
0:02:28 > 0:02:30What has David brought this lunatic in for?
0:02:30 > 0:02:34- From variety rather than the theatre.- That's right.
0:02:34 > 0:02:36And of course, you were just out of acting school.
0:02:36 > 0:02:37Just, six months.
0:02:37 > 0:02:40That must have been fairly horrific for you,
0:02:40 > 0:02:42because these established performers...
0:02:42 > 0:02:45Horrific, no, but terrifying.
0:02:45 > 0:02:49I'd done six months in rep and I'd done one television play.
0:02:51 > 0:02:56I can truthfully say that I got the job, before David comes on,
0:02:56 > 0:03:00that I got the job because my agent was sleeping with the director.
0:03:00 > 0:03:03- Be quiet!- Good man. As good a reason as any.
0:03:03 > 0:03:06They've got six children and 35 grandchildren as well,
0:03:06 > 0:03:10but that was the start and how I met David and so on.
0:03:10 > 0:03:14I arrived for the filming on the first day
0:03:14 > 0:03:19and I was used to getting digs in rep and nobody had mentioned
0:03:19 > 0:03:21hotels, so I assumed we were going away for the day.
0:03:21 > 0:03:24I arrived at Television Centre, everybody's got a suitcase,
0:03:24 > 0:03:26so I had to go home again and get some clothes.
0:03:26 > 0:03:28And there they were, gods.
0:03:29 > 0:03:32Except for Bill Pertwee, he wasn't a god at all. He was from variety.
0:03:32 > 0:03:34Were they kind...?
0:03:34 > 0:03:37BLOWS BUGLE
0:03:39 > 0:03:41What are you blowing that for?!
0:03:41 > 0:03:43They don't work if you suck them!
0:03:47 > 0:03:49APPLAUSE
0:03:54 > 0:04:00- Did you...?- Pardon? What? - I feel like Captain Mainwaring now.
0:04:01 > 0:04:06Did you say yes to that part immediately, the part of Corporal Jones?
0:04:06 > 0:04:11Oh, no. I didn't say yes. No, no, I waited at least three minutes.
0:04:13 > 0:04:16No, to be honest I'd just been in a show that I wasn't very good in
0:04:16 > 0:04:19and thought, "I don't want to go in another show
0:04:19 > 0:04:23"I'm not very good in," so I waited a minute and asked my wife,
0:04:23 > 0:04:26because she tells me what to do, and then I asked John Le Mesurier
0:04:26 > 0:04:28and he said, "I think I'm going to do it,"
0:04:28 > 0:04:30and when he said he'd do it, I did it and we all done it.
0:04:32 > 0:04:34- And you all done it very well. - Can I play you a tune, please?
0:04:34 > 0:04:36I wish you wouldn't.
0:04:36 > 0:04:41- I didn't tell you about when I was in North Africa, did I?- No.
0:04:41 > 0:04:43No. Have you got an hour or two?
0:04:45 > 0:04:47Anyway, me and my friend,
0:04:47 > 0:04:49because I had a lot of friends out there, as you can imagine,
0:04:49 > 0:04:52we were in the place there with the desert
0:04:52 > 0:04:53and an officer came in and said,
0:04:53 > 0:04:57"General Gordon wants to be relieved!" And I thought,
0:04:57 > 0:04:59"That sounds like a nice job," so I said, "I'd like to
0:04:59 > 0:05:02"volunteer to relieve General Gordon." He said,
0:05:02 > 0:05:04"You'll have to join the Camel Corps."
0:05:04 > 0:05:06Well, that was bad news for me and my mate, because we didn't
0:05:06 > 0:05:10like camels, they dribble a lot and give you psoriasis of the elbows.
0:05:12 > 0:05:15He said, "You've got to have a medical exam..."
0:05:15 > 0:05:17I'm being as quick as I can!
0:05:18 > 0:05:21My friend went in and had a medical exam and the doctor said,
0:05:21 > 0:05:24"You needn't go in the Camel Corps." He came out and said,
0:05:24 > 0:05:27"I'm not going out because I have to wear this truss."
0:05:27 > 0:05:29So I said, "Can I borrow it, please?"
0:05:29 > 0:05:33So he lent me the truss and I went in and the doctor said,
0:05:33 > 0:05:36"You've got to go in the Camel Corps." I said, "Why?" He said,
0:05:36 > 0:05:39"How long have you worn that?" So I told a little white lie, I said,
0:05:39 > 0:05:43"About six years." He said, "You're definitely going in the Camel Corps.
0:05:43 > 0:05:47"Anyone who can wear a truss upside down for six years can ride a camel!"
0:05:47 > 0:05:48APPLAUSE
0:05:48 > 0:05:50BLOWS BUGLE
0:05:52 > 0:05:55A blast from the past from Corporal Jones there.
0:05:55 > 0:05:59And now someone even more musically gifted than Clive Dunn...
0:06:00 > 0:06:01the wonderful Dudley Moore.
0:06:01 > 0:06:05Not only one of my favourite and funniest guests,
0:06:05 > 0:06:09but a terrific piano player. Real talent.
0:06:22 > 0:06:25HE PLAYS VARIATIONS OF THE COLONEL BOGEY MARCH
0:09:48 > 0:09:50APPLAUSE
0:10:04 > 0:10:06Wonderful.
0:10:12 > 0:10:141,000 different ways with Colonel Bogey.
0:10:16 > 0:10:18HE PANTS
0:10:19 > 0:10:20Yes, oh, yes.
0:10:20 > 0:10:26I can't... I wrote that 30 years ago, I can't believe I'm still playing it!
0:10:26 > 0:10:30- I must be nuts.- It's wonderful. Thank you for doing it for us.
0:10:30 > 0:10:32Thank you, it was fun.
0:10:32 > 0:10:33When you were in New York...
0:10:38 > 0:10:42This whole programme involves looking back in time, so we've
0:10:42 > 0:10:47obviously got to include TV's greatest time traveller, the Doctor.
0:10:47 > 0:10:52Who? Well, when the Tardis dropped into Shepherd's Bush,
0:10:52 > 0:10:55he had taken on the form of the sixth Doctor.
0:10:58 > 0:10:59APPLAUSE
0:10:59 > 0:11:01The Doctor!
0:11:01 > 0:11:05Doctor.
0:11:09 > 0:11:12- Number six... - AUDIENCE MEMBER SHOUTS
0:11:12 > 0:11:16Number six in the long 23-year-old line that started
0:11:16 > 0:11:20in black and white with William Hartnell. Colin Baker, Doctor Who.
0:11:27 > 0:11:30- Is this the planet Shepherd's Bush? - It is indeed, sir.
0:11:30 > 0:11:32- Good to see you. - I'll turn into me now.- Good man.
0:11:32 > 0:11:34Dressed for the occasion, Doctor.
0:11:34 > 0:11:37- You're not scared of monsters, are you?- No!
0:11:37 > 0:11:42- I've been to the BBC canteen. - Of course.- Nothing can frighten me.
0:11:42 > 0:11:43Are any of your family scared?
0:11:43 > 0:11:46Because I know you've got various little ones.
0:11:46 > 0:11:48Are they terrified of the monsters?
0:11:48 > 0:11:50Do they look out for you when you have to deal with them?
0:11:50 > 0:11:53The one who is most frightened, I have to say, is my own wife,
0:11:53 > 0:11:57who actually wouldn't come to the studio when we had the Daleks there.
0:11:57 > 0:11:58She's a grown woman and should know better,
0:11:58 > 0:12:00but she's terrified of Daleks.
0:12:00 > 0:12:02And I have told her that they're not always real.
0:12:02 > 0:12:06Occasionally, there is one with a little man running around inside.
0:12:06 > 0:12:08Why is the old Tardis a blue police box?
0:12:08 > 0:12:11Maybe there's some people who know the answer,
0:12:11 > 0:12:13but I've been watching it man and boy,
0:12:13 > 0:12:18and I've never really understood why it's a police callbox, the Tardis.
0:12:18 > 0:12:20Well, 23 years ago when it started,
0:12:20 > 0:12:23- when you were much too young to watch it...- No, I was there.
0:12:23 > 0:12:30..William Hartnell arrived in London in his police box, the Tardis,
0:12:30 > 0:12:33and it had a thing called the chameleon circuit which didn't work
0:12:33 > 0:12:38properly and it was supposed to make the outside of his time machine
0:12:38 > 0:12:40look exactly right in its surroundings,
0:12:40 > 0:12:44so in London, fine, police box, but then the chameleon circuit broke
0:12:44 > 0:12:46and it has been stuck like that ever since.
0:12:46 > 0:12:49I never knew the historical antecedence of it.
0:12:49 > 0:12:50So that's the reason.
0:12:50 > 0:12:53- In America, Doctor Who is a cult series, isn't it?- Yes.
0:12:53 > 0:12:56It's not known to the man in the street.
0:12:56 > 0:12:59I mean, I can walk down the street in New York and nobody will say,
0:12:59 > 0:13:01"Aren't you the Doctor?"
0:13:01 > 0:13:06But it's shown on the public service networks at 11 o'clock every night.
0:13:06 > 0:13:08I met a fellow on a plane last year, an American,
0:13:08 > 0:13:11who was a terrific fan of Doctor Who.
0:13:11 > 0:13:15There are Doctor Who conventions and things. Do you go over to America?
0:13:15 > 0:13:19- I do.- And greet them?- Those who watch it are absolutely potty about it.
0:13:19 > 0:13:22Here, you might get 1% of the people who watch the programme
0:13:22 > 0:13:25who are Fans, with a capital F, but over in the States,
0:13:25 > 0:13:2890% of those who watch it are besotted by it,
0:13:28 > 0:13:31so you go to conventions in the most extraordinary places,
0:13:31 > 0:13:34university towns, all over the States and thousands of people
0:13:34 > 0:13:37turn up to touch the hem of the Doctor's garment.
0:13:37 > 0:13:40Isn't it strange, though, after the sophistication of Star Wars
0:13:40 > 0:13:43and all the rest of it and special effects
0:13:43 > 0:13:48that are ultra-sophisticated on film, that this Doctor Who which,
0:13:48 > 0:13:53apart from the appearing and disappearing box, the effects
0:13:53 > 0:13:56aren't all that good? What do you think the real appeal is?
0:13:56 > 0:13:58I think that is part of the appeal, actually.
0:13:58 > 0:14:02It's the fact that it has always been very English,
0:14:02 > 0:14:05it's been Plasticine and bits of string
0:14:05 > 0:14:08and you can't summon up some piece of hi-tech equipment to get you
0:14:08 > 0:14:11out of a terrible situation, you have to rely on ingenuity.
0:14:11 > 0:14:14And because the budgets, quite frankly, aren't the size.
0:14:14 > 0:14:16I mean, a special effect in Star Wars would pay for an entire
0:14:16 > 0:14:19series of Doctor Who, but I think that can work to a programme's
0:14:19 > 0:14:22benefit and I think it would be a mistake now for Doctor Who to
0:14:22 > 0:14:25try and compete with the hi-tech series.
0:14:25 > 0:14:27More science fiction now.
0:14:27 > 0:14:32Prepare yourself for Spock in specs and without the pointy ears.
0:14:32 > 0:14:35The star of the Star Trek series and films
0:14:35 > 0:14:38beamed down to the Wogan studio in 1989
0:14:38 > 0:14:41and I promptly got his name wrong.
0:14:42 > 0:14:46Welcome, Lemon... Lemon?! Leonard Nimoy!
0:14:46 > 0:14:48APPLAUSE
0:15:02 > 0:15:05You'd think we didn't rehearse this show. Lemon Nimoy!
0:15:05 > 0:15:07- That is well done.- Leonard Nimoy.
0:15:08 > 0:15:11Do you mind us still seeing you as Spock?
0:15:11 > 0:15:16- No, I expect it will go on for as long as I live.- You don't resent it?
0:15:16 > 0:15:20I've gone through some good and bad times with it,
0:15:20 > 0:15:22but I've made peace with it.
0:15:22 > 0:15:25I haven't wanted for work ever since Spock came into my life,
0:15:25 > 0:15:26so I'm OK about it.
0:15:26 > 0:15:29But sometimes actors say, "Oh, I'm tied to this,"
0:15:29 > 0:15:32but of course, it's not true in your case.
0:15:32 > 0:15:36No, I've had a lot of other kinds of work
0:15:36 > 0:15:39and I've had the opportunity to start a directing career
0:15:39 > 0:15:42as a result of it, so I feel very comfortable with it.
0:15:42 > 0:15:43And I am still playing Spock.
0:15:43 > 0:15:46We just made Star Trek V just before I left the States.
0:15:46 > 0:15:49- Not another one?- Yeah, another one.
0:15:49 > 0:15:53How far do you think old Spock affected your personality?
0:15:53 > 0:15:54I think a lot.
0:15:54 > 0:16:01In terms of functioning logically, thinking logically, I think a lot.
0:16:01 > 0:16:05I think that I was much more emotionally directed rather
0:16:05 > 0:16:08than logically directed before I started playing the character.
0:16:08 > 0:16:11As a matter of fact, Spock, when I first started playing him
0:16:11 > 0:16:13was a much more emotional character than he is now.
0:16:13 > 0:16:17Great fun to do, of course, but as far as your emotions went, you still
0:16:17 > 0:16:21lost control of them, you weren't like Spock as far as that went?
0:16:21 > 0:16:23- Personally, you mean?- Yeah. - Only on Sunday.
0:16:23 > 0:16:26You called your autobiography I Am Not Spock,
0:16:26 > 0:16:30which would lead one to believe that you were trying to get away from it.
0:16:30 > 0:16:32It was a mistake, it was a mistake.
0:16:32 > 0:16:38Around the early '70s, I guess it was, I wrote this book,
0:16:38 > 0:16:41an autobiography, and during the course of writing it,
0:16:41 > 0:16:46I had an experience in an airport, San Francisco. A lady recognised me.
0:16:46 > 0:16:49She had with her a five- or six-year-old child and she
0:16:49 > 0:16:52brought him over in front of me and she said, "Johnny, look who is here.
0:16:52 > 0:16:55"This is the person you love, you watch him every week." And Johnny
0:16:55 > 0:16:58looked at me and I'm standing there looking much like this.
0:16:58 > 0:17:00And he's staring at me and there was no recognition.
0:17:00 > 0:17:03She said, "You know who that is, that's your favourite
0:17:03 > 0:17:07"person on television." He's looking at me and there's no response.
0:17:07 > 0:17:11She said, "That's Mr Spock!" And he wouldn't buy it,
0:17:11 > 0:17:14because I had the glasses and the hair was wrong and I didn't have the
0:17:14 > 0:17:17right clothes on and what would Spock be doing in San Francisco airport?
0:17:17 > 0:17:20- And the ears!- And the ears were wrong.- Not that much, though!
0:17:20 > 0:17:22You get the point.
0:17:24 > 0:17:27So she was right and she was wrong.
0:17:27 > 0:17:30What she was saying to him was this is the actor who plays Mr Spock.
0:17:30 > 0:17:32She was jumping in language, she'd made that leap,
0:17:32 > 0:17:35but he couldn't make that leap and he couldn't make the connection.
0:17:35 > 0:17:39So I wrote about this incident as a way of describing
0:17:39 > 0:17:42the difference between character identity,
0:17:42 > 0:17:45the reality between who I am and who this character is that I play,
0:17:45 > 0:17:47and when it came time to title the book,
0:17:47 > 0:17:49we thought we'd like to have Spock's name in the title
0:17:49 > 0:17:52so people would know it was about me and Star Trek and Spock,
0:17:52 > 0:17:56and I didn't think Spock And I was very exciting,
0:17:56 > 0:17:59or My Friend Spock, so I said to the publisher,
0:17:59 > 0:18:02"Why don't we use the title of that chapter I Am Not Spock
0:18:02 > 0:18:05"as the title of the book?" He said, "Books with negative titles
0:18:05 > 0:18:09"don't sell very well." I said, "What about Gone With The Wind?"
0:18:11 > 0:18:13"If that's what you want, that's what we'll do."
0:18:13 > 0:18:15So we titled it I Am Not Spock.
0:18:15 > 0:18:17A lot of people read the title, didn't read the book
0:18:17 > 0:18:20and assumed that what I was doing was rejecting the Spock character,
0:18:20 > 0:18:21which wasn't the case.
0:18:21 > 0:18:26Now Star Trek III and IV were tremendous blockbusters.
0:18:26 > 0:18:29Better than I and II, do you think?
0:18:29 > 0:18:32Star Trek I did extremely well. Star Trek II fell off somewhat.
0:18:32 > 0:18:36With Star Trek III and IV, we started climbing back up
0:18:36 > 0:18:38again. I think Star Trek IV has done the best of all of them.
0:18:38 > 0:18:40It's been terrific for you, hasn't it?
0:18:40 > 0:18:44Did you make it a condition that you wouldn't do III and IV
0:18:44 > 0:18:48- unless you were allowed to direct? - No, not really.
0:18:48 > 0:18:52I wasn't that crass about it, a little bit more gentle than that.
0:18:52 > 0:18:53You got your agent to say it?
0:18:55 > 0:18:58No, I had some very interesting conversations with the people
0:18:58 > 0:19:01at Paramount and what I said to them was, "You have two problems.
0:19:01 > 0:19:03"You need somebody to play Spock
0:19:03 > 0:19:05"and you need somebody to direct the picture
0:19:05 > 0:19:09"and I can solve both your problems." And that's the way it worked out.
0:19:09 > 0:19:13- It was OK.- That's very shrewdly put. You don't get one without the other.
0:19:13 > 0:19:15It can't be easy to direct yourself, though.
0:19:15 > 0:19:18- It must be virtually impossible. - It's hard.
0:19:18 > 0:19:21It's easier when you've been playing the character for many years
0:19:21 > 0:19:25and you know who this character is, but it's physically very hard.
0:19:25 > 0:19:28The Spock make-up takes two hours every morning,
0:19:28 > 0:19:31so if I had to be at work at 7am as the director of the picture,
0:19:31 > 0:19:34I had to report to work at 5am to start getting the make-up on,
0:19:34 > 0:19:36get out of the make-up chair at seven and become a director.
0:19:36 > 0:19:37It's a long day.
0:19:37 > 0:19:41Tell me why III and IV, do you think, from your point
0:19:41 > 0:19:45of view at least, why you thought they were more successful?
0:19:45 > 0:19:48I think when the first Star Trek movie was made, whenever it was,
0:19:48 > 0:19:531979, 1980, there was a sense that we could not have fun.
0:19:53 > 0:19:59It was the first time we were making Star Trek in something like 11 years
0:19:59 > 0:20:04and the sense was Stanley Kubrick made a very important film called 2001.
0:20:04 > 0:20:06If you want to be important, you've got to be serious
0:20:06 > 0:20:10and do it very ponderously, which we did.
0:20:10 > 0:20:12And it wasn't a heck of a lot of fun.
0:20:12 > 0:20:14We began to have fun again with Star Trek II,
0:20:14 > 0:20:16more with III and still more with IV.
0:20:16 > 0:20:19You've just done Star Trek V.
0:20:19 > 0:20:22Are there any surprises in that, any controversies?
0:20:22 > 0:20:24Well, it's called The Final Frontier, not
0:20:24 > 0:20:26because it's the final film, by any means.
0:20:26 > 0:20:28I think we'll be doing these films until we are in wheelchairs.
0:20:28 > 0:20:30You hope!
0:20:31 > 0:20:32Bill Shatner directed it
0:20:32 > 0:20:35and it's different from the ones we've done in the past.
0:20:35 > 0:20:36I think it's a lot of fun.
0:20:36 > 0:20:40He is a much more physical director, a much more physical guy than I am.
0:20:40 > 0:20:43I like to play Spock as a thoughtful person who doesn't have to do
0:20:43 > 0:20:46a lot of running and jumping and punching people.
0:20:46 > 0:20:51He pinches people's necks to avoid the slug-out.
0:20:51 > 0:20:55Shatner is a very physical guy, so you do a lot more running
0:20:55 > 0:20:57and jumping in a Shatner film.
0:20:57 > 0:20:59Well, we look forward to seeing Mr Spock jumping about.
0:20:59 > 0:21:02In the meantime, it's been a great pleasure to talk to you.
0:21:02 > 0:21:04- Leonard Nimoy.- Thank you.
0:21:04 > 0:21:06APPLAUSE
0:21:14 > 0:21:17Live long and prosper. That was Spock's catchphrase.
0:21:17 > 0:21:21And someone who clearly lives by the same motto is Lulu,
0:21:21 > 0:21:25a little lady with a big, big voice, who marked 25 years in showbiz
0:21:25 > 0:21:28with this marvellous medley of her biggest hits.
0:21:37 > 0:21:40# Don't have a lot, but with me that's fine
0:21:43 > 0:21:46# Whatever I got, well, I know it's mine
0:21:48 > 0:21:51# You know that I'm thinking about you, baby
0:21:54 > 0:21:57# You better know before you come along
0:21:57 > 0:22:00# The boat that I row won't cross no ocean
0:22:00 > 0:22:03# The boat that I row won't get me there soon
0:22:03 > 0:22:06# But I got the love and if you got the notion
0:22:06 > 0:22:08# The boat that I row's big enough for two
0:22:10 > 0:22:13# I'm a tiger, I'm a tiger
0:22:13 > 0:22:17# I'm a tiger, I'm a tiger
0:22:17 > 0:22:20# I'm a tiger, I'm a tiger
0:22:20 > 0:22:24# I'm a tiger, I'm a tiger
0:22:28 > 0:22:32# Oh, no, not me
0:22:32 > 0:22:36# I never lost control
0:22:36 > 0:22:40# You're face to face
0:22:40 > 0:22:44# With the man who sold the world
0:22:49 > 0:22:52# Those schoolgirl days
0:22:52 > 0:23:02# Of telling tales and biting nails are gone
0:23:02 > 0:23:07# But in the mind
0:23:07 > 0:23:13# I know they will still live on and on
0:23:13 > 0:23:16# Mm-hm-mm
0:23:16 > 0:23:20# But how do you thank someone
0:23:20 > 0:23:24# Who has taken you from crayons to perfume?
0:23:27 > 0:23:33# It isn't easy but I'll try
0:23:35 > 0:23:37# If you wanted the sky
0:23:37 > 0:23:42# I would write across the sky in letters
0:23:42 > 0:23:46# That would soar a thousand feet high
0:23:46 > 0:23:53# To sir, with love... #
0:23:56 > 0:23:57Here it comes!
0:23:57 > 0:24:01# Boom bang-a-bang, boom bang-a-bang when you are near
0:24:01 > 0:24:04# Boom bang-a-bang, boom bang-a-bang loud in my ear
0:24:04 > 0:24:08# Pounding away, pounding away, won't you be mine?
0:24:08 > 0:24:15# Boom bang-a-bang-bang all the time
0:24:18 > 0:24:24# We-e-e-e-e-ell!
0:24:24 > 0:24:26# Whoo!
0:24:26 > 0:24:28# You know you make me wanna shout
0:24:28 > 0:24:30- # Look, my hand's jumping - Shout!
0:24:30 > 0:24:32- # Look, my heart's thumping - Shout!
0:24:32 > 0:24:34- # Throw my head back - Shout!
0:24:34 > 0:24:35# Come on now
0:24:35 > 0:24:38# Don't forget to say you will
0:24:39 > 0:24:43# Don't forget to shout, yeah, yeah, yeah, yeah, yeah
0:24:43 > 0:24:46# Say you will, throw your head back, baby
0:24:46 > 0:24:50# Say you will, come on, come on
0:24:50 > 0:24:52# Say you will
0:24:52 > 0:24:56- # Hey hey hey hey - Hey hey hey hey
0:24:56 > 0:25:00- # Hey hey hey hey - Hey hey hey hey
0:25:00 > 0:25:03- # Hey hey hey hey - Hey hey hey hey
0:25:03 > 0:25:07- # Hey hey hey hey - Hey hey hey hey
0:25:07 > 0:25:09# Shout now, jump up and shout now
0:25:09 > 0:25:13# Everybody shout now Everybody shout now
0:25:13 > 0:25:16# Everybody shout shout shout shout
0:25:16 > 0:25:18# Shout shout shout shout
0:25:18 > 0:25:20# Shout shout shout shout
0:25:20 > 0:25:22# Shout shout shout shout
0:25:22 > 0:25:36# Well, I feel a-a-a-all ri-i-ight! #
0:25:42 > 0:25:48My next guest is Mario Net. Strange, I don't remember him.
0:25:48 > 0:25:52Oh, hang on, my next guest IS a marionette.
0:25:52 > 0:25:57A puppet. Not just any puppet, though. Parker, Lady Penelope's
0:25:57 > 0:26:00right-hand man in Thunderbirds.
0:26:00 > 0:26:03The left hand was presumably pulling the strings.
0:26:04 > 0:26:08- Are you receiving me? - Hello?- Can you hear me?
0:26:08 > 0:26:14Testing, testing, one, two, three, four.
0:26:14 > 0:26:20- Are you receiving me?- Yes! We are receiving you loud and clear.
0:26:20 > 0:26:22The line from Rio is terrific.
0:26:22 > 0:26:24But tell me, it's been something like 20 years
0:26:24 > 0:26:26since we've seen you, over 20 years
0:26:26 > 0:26:29since you first held the nation in thrall of a Saturday morning.
0:26:29 > 0:26:31What have you been doing?
0:26:31 > 0:26:35After International Rescue broke up, I was asked to come out here
0:26:35 > 0:26:38and lie low to do a bit of undercover work.
0:26:38 > 0:26:43I've still got my contracts with those in high places, you know.
0:26:43 > 0:26:47- You mean the sort of people who pull the strings?- Oh, yes.
0:26:47 > 0:26:51I'm talking about the likes of Michael Grade, Billy Cotton
0:26:51 > 0:26:57and of course, Britain's most notorious wanted bloke.
0:26:57 > 0:27:00You don't mean to tell me that out of there in sunny Rio,
0:27:00 > 0:27:02lying on the beach, surrounded by pina coladas,
0:27:02 > 0:27:07you know the elusive Ronnie Biggs?
0:27:07 > 0:27:11No, no, I'm inferring to Dirty Den.
0:27:11 > 0:27:15I knew him when he was Disgusting Dennis, the snotty-nosed kid.
0:27:15 > 0:27:18And he had some horrible habits then.
0:27:18 > 0:27:21Well, if you don't mind, I think we'll draw a veil over that.
0:27:21 > 0:27:24Tell me, you've lived out in Rio all this time.
0:27:24 > 0:27:27The passing years seem to have treated you kindly.
0:27:27 > 0:27:29You've even got a tan from where I'm sitting,
0:27:29 > 0:27:31so why did you decide to re-emerge?
0:27:31 > 0:27:34Since they issued those new videos and put me
0:27:34 > 0:27:38and Thunderbirds back on the map, I've been thinking about writing
0:27:38 > 0:27:45a book, a "taking the lid off, now it can be revealed" sort of book.
0:27:45 > 0:27:48Well, that will be a racy tome, by the sound of it.
0:27:48 > 0:27:52A sort of what-the-chauffeur-saw in written form.
0:27:52 > 0:27:54You've hit the screw right on the nail, Mr Wogan.
0:27:54 > 0:27:56Let's have another forthright question,
0:27:56 > 0:27:59a question that must have crossed a million minds
0:27:59 > 0:28:01and even perhaps provoked the odd university thesis.
0:28:01 > 0:28:04In Thunderbirds, everyone was always saying F.A.B.
0:28:04 > 0:28:08You know, "Mission complete, F.A.B." What does it mean?
0:28:08 > 0:28:13Well, one night, Jeff Tracy, he liked a little drink, you know.
0:28:13 > 0:28:17Anyway, he's just got these people out of the pit of peril
0:28:17 > 0:28:25and he told me in conference that F.A.B. was short for fabulous.
0:28:27 > 0:28:28Fabulous? That's it?
0:28:28 > 0:28:31You mean, grown men have spent endless hours grappling with
0:28:31 > 0:28:34the meaning of F.A.B. and it's simply short for fabulous?
0:28:34 > 0:28:38I know, it's all been a bit of a storm in a teapot.
0:28:39 > 0:28:42But that's the way the biscuit disintegrates.
0:28:44 > 0:28:47You're a sly one, Parker. I'm beginning to see that now.
0:28:47 > 0:28:51Let's get down to the nitty-gritty. Lady Penelope, hmm?
0:28:51 > 0:28:54- Lady Penelope? Come on. - You know about that, do you?
0:28:54 > 0:28:57I'm hoping to be enlightened, actually.
0:28:57 > 0:29:00Lady Penelope, there she was, cool, aristocratic, beautiful,
0:29:00 > 0:29:07intelligent, rich, unattached, available, all woman, attractive,
0:29:07 > 0:29:11even to a humble chauffeur such as yourself, Parker, I suggest.
0:29:11 > 0:29:13Say no more, Mr Wogan.
0:29:13 > 0:29:20One night, at Lady P's mansion, it had been raining, I remember.
0:29:20 > 0:29:25Anyway, her ladyship slipped upstairs to have a bath.
0:29:26 > 0:29:28I'd put the Roller away
0:29:28 > 0:29:32and I'd just made myself a nice cup of cocoa when...
0:29:32 > 0:29:34- Yes? - PHONE RINGS
0:29:34 > 0:29:37Excuse me. Hello?
0:29:37 > 0:29:41Oh, it's you, milady.
0:29:41 > 0:29:43Yes, milady.
0:29:43 > 0:29:46No, milady.
0:29:46 > 0:29:50Home, milady?
0:29:50 > 0:29:52Now, milady?
0:29:52 > 0:29:56Yes, milady.
0:29:59 > 0:30:04- You'll never guess who that was, Mr Wogan.- I'll take a stab in the dark.
0:30:04 > 0:30:11- Perhaps it was Lady Penelope? - Oh, no, that was the higher lady.
0:30:12 > 0:30:16She said something about the Official Secrets Act.
0:30:16 > 0:30:20Maybe I better forget about my book.
0:30:20 > 0:30:21I'll have to go now.
0:30:21 > 0:30:22Good night, Mr Wogan.
0:30:23 > 0:30:25Good night, everybody.
0:30:25 > 0:30:29And keep watching me on those Thunderbird videos.
0:30:29 > 0:30:32Well, as they say in Rio,
0:30:32 > 0:30:33buenas noches.
0:30:33 > 0:30:36LAUGHTER
0:30:36 > 0:30:40APPLAUSE
0:30:40 > 0:30:42Buenas noches.
0:30:43 > 0:30:46Now, a lady whose career could have been very different,
0:30:46 > 0:30:48if only she'd listened to me.
0:30:48 > 0:30:50When she came on the show,
0:30:50 > 0:30:54we knew her best as Charlene from Neighbours.
0:30:54 > 0:30:57But she had other ambitions. "Careful," I warned her.
0:30:57 > 0:30:59"A pop career can be very short-lived."
0:31:01 > 0:31:04Shows how much I know. Kylie Minogue.
0:31:04 > 0:31:07- Minogue is an Irish name, really, isn't it?- I think so.
0:31:07 > 0:31:10I think it might have originally come from France
0:31:10 > 0:31:12- and then moved to Ireland.- Really?
0:31:12 > 0:31:14And come to Australia in the potato famine.
0:31:14 > 0:31:16Who knows?
0:31:16 > 0:31:20- Most people have a hard enough time pronouncing it.- Kylie's a kind of...
0:31:20 > 0:31:23We're talking about doing the little trail with you.
0:31:23 > 0:31:25But Kylie is a kind of popular name for Australian girls.
0:31:25 > 0:31:30Yeah, it's an Australian name and, as I say, it means boomerang.
0:31:30 > 0:31:32I don't know if it was good or bad to admit that.
0:31:32 > 0:31:35But, yeah, I haven't heard anyone else in any other country
0:31:35 > 0:31:37- called Kylie.- Yeah.
0:31:37 > 0:31:40I think they're all kind of struck dumb, they're fascinated to see you.
0:31:40 > 0:31:42Because it is...
0:31:42 > 0:31:45I'm just going to ask the audience - it's kind of different when you see
0:31:45 > 0:31:47somebody in real life than when you see them on the telly?
0:31:47 > 0:31:49- YES!- Steady.
0:31:50 > 0:31:52I'm a constant source of disappointment.
0:31:52 > 0:31:54But I think they'll be quite pleased with you.
0:31:54 > 0:31:56- Oh, it's good to see you all here too.- Yeah.
0:31:56 > 0:31:58And good to see you, Kylie.
0:31:58 > 0:32:00APPLAUSE AND CHEERING
0:32:02 > 0:32:04How long have you been acting?
0:32:04 > 0:32:06I first acted when I was 11 years old,
0:32:06 > 0:32:09in a show called The Sullivans, which I believe you've had here.
0:32:09 > 0:32:11- That's right, we've seen it. - And, since then...
0:32:12 > 0:32:17- I used to like The Sullivans! What's the matter with you?- Oh, sure!- Yeah.
0:32:17 > 0:32:21- Yeah.- Who did I play?- Who did you play?- See, you don't know, do you?
0:32:21 > 0:32:24- I can't remember, no. - I played a Dutch girl called Carla.
0:32:24 > 0:32:26And then I did some more acting when I was about 16.
0:32:26 > 0:32:30- And from then on, I haven't really stopped.- Yeah. We've...
0:32:30 > 0:32:33Obviously the papers have been full of Neighbours
0:32:33 > 0:32:35and all the characters in it. And we've had a number
0:32:35 > 0:32:37of the characters... among them Jason Donovan,
0:32:37 > 0:32:40with whom you have a relationship on the screen.
0:32:40 > 0:32:42But off-screen as well?
0:32:42 > 0:32:47Yes, we do have a relationship, but not a loving, sexual relationship.
0:32:47 > 0:32:51- But...- Chums?- We're buddies.- Yeah.
0:32:51 > 0:32:54So we read a lot about you and he being more than friends
0:32:54 > 0:32:57- and "perhaps one day" and all that kind of thing.- Yes, we also read
0:32:57 > 0:33:00that I'm anorexic and that I've had an affair...
0:33:00 > 0:33:02Lots of things that you read.
0:33:02 > 0:33:07- Yeah. You're not anorexic. I mean, you're quite...- I'm not.
0:33:07 > 0:33:11No, you're not. You're quite well covered. You are. Can I...?
0:33:11 > 0:33:15No, you're not. You're petite, as you say.
0:33:15 > 0:33:17Bit like myself. You've just...
0:33:17 > 0:33:19LAUGHTER
0:33:19 > 0:33:21In the future, we read that you've left Neighbours,
0:33:21 > 0:33:24- that you're going to leave Neighbours.- Yes...
0:33:24 > 0:33:26But you're about 18 months in front of us in Australia?
0:33:26 > 0:33:28Yeah, so not for a while. I'm afraid
0:33:28 > 0:33:31you'll have to put up with me for a bit longer.
0:33:31 > 0:33:35I left about four weeks ago and I haven't been killed off, so...
0:33:35 > 0:33:36You could come back?
0:33:36 > 0:33:39Yes, it's open for me to return if I wish to do so.
0:33:39 > 0:33:42Do you feel that that's a wise thing for you to do?
0:33:42 > 0:33:46After all, it is the whole centre of your fame.
0:33:46 > 0:33:49I know you've made it as a singer and all that kind of thing.
0:33:49 > 0:33:52Do you think maybe if you give up Neighbours,
0:33:52 > 0:33:56- you'll slip away a bit? - I would hope not, but it's there for
0:33:56 > 0:34:00me to go back if I want to, which is nice and reassuring to know.
0:34:00 > 0:34:02At this stage, I'm really not sure.
0:34:02 > 0:34:04I'm concentrating on the next couple of months. But,
0:34:04 > 0:34:08- who knows, Charlene might...- You're concentrating on the singing?
0:34:08 > 0:34:11- Yeah.- But it's as an actress, really. Do you see yourself as a singer or an actress?
0:34:11 > 0:34:14- What do you want to be?- Both.
0:34:14 > 0:34:16Eventually you're going to have to come down and decide
0:34:16 > 0:34:19- to be one thing or the other? - Eventually...
0:34:19 > 0:34:21You see, pop singing and being a hit maker,
0:34:21 > 0:34:24- that can't last as long as being an actress.- No, true.
0:34:24 > 0:34:27I guess with acting you can only keep on learning
0:34:27 > 0:34:30and developing new skills. So I really don't know.
0:34:30 > 0:34:33I can only sort of think a week ahead.
0:34:33 > 0:34:36I'm enjoying what I'm doing at the moment
0:34:36 > 0:34:37and I'm concentrating on singing.
0:34:37 > 0:34:41I'll hopefully go back to acting after I've done the tour with
0:34:41 > 0:34:45- the album. And stay in work, mainly, is my aim.- Yeah.
0:34:45 > 0:34:49- You're 20 years of age, is that right?- Mm.
0:34:49 > 0:34:52It's very young to have achieved the kind of fame
0:34:52 > 0:34:54and fortune that you have achieved.
0:34:54 > 0:34:56Has it been hard to handle?
0:34:56 > 0:34:59Um, no, I don't think so.
0:34:59 > 0:35:02The greatest help I have is my family, who are always there for me.
0:35:02 > 0:35:07I still live at home. And they're very supportive and stabilising.
0:35:07 > 0:35:09And my friends are very close too.
0:35:09 > 0:35:12The main thing I've always remembered with this work is
0:35:12 > 0:35:15it's a job and it's great fun, it's great being on the shows and
0:35:15 > 0:35:19travelling around the world, but if it finishes, I'll do something else.
0:35:19 > 0:35:22It's an opportunity not many people get.
0:35:22 > 0:35:25- So I'm enjoying it.- You have to keep your feet on the ground.
0:35:25 > 0:35:28It will become increasingly hard to,
0:35:28 > 0:35:32because you're going to probably get more famous, not less so.
0:35:33 > 0:35:35- I hope so. - Apart from the little rule
0:35:35 > 0:35:37and having your family around you,
0:35:37 > 0:35:39who is the greatest inspiration to you?
0:35:39 > 0:35:42Who spurred you on to becoming an actress?
0:35:42 > 0:35:44I don't know.
0:35:44 > 0:35:47It's odd, I wasn't a kid of three years old that said,
0:35:47 > 0:35:51"I'm going to be an actor or a singer." I sort of fell
0:35:51 > 0:35:54into it by accident, really, and it's turned out for the best.
0:35:54 > 0:35:56I was about 10 or 11 years old
0:35:56 > 0:36:00and my mother was asked to take my younger sister in, Danielle,
0:36:00 > 0:36:03who is four years younger than me, to an audition.
0:36:03 > 0:36:05And, of course, I went too.
0:36:05 > 0:36:09Otherwise there'd be a bit of arguing in the household. So...
0:36:09 > 0:36:11And I got the part.
0:36:11 > 0:36:15So at that age I enjoyed it, but I didn't really know what I was doing.
0:36:15 > 0:36:18'There lies a tale of sibling rivalry.
0:36:18 > 0:36:20'But let's not get distracted.
0:36:20 > 0:36:24'After that little chat, we were treated to this...'
0:36:24 > 0:36:28# Everybody's doing a brand-new dance now
0:36:28 > 0:36:31# Come on, baby, do the loco-motion!
0:36:31 > 0:36:35# I know you'll get to like it if you give it a chance now
0:36:35 > 0:36:39# Come on, baby, do the loco-motion!
0:36:39 > 0:36:42# My little baby sister can do it with me
0:36:42 > 0:36:46# It's easier than learning your ABC
0:36:46 > 0:36:51# So come on, come on, do the loco-motion with me!
0:36:51 > 0:36:54# You gotta swing your hips now
0:36:55 > 0:36:56# Come on, baby
0:36:56 > 0:36:58# Jump up!
0:36:58 > 0:37:00# Ooh, jump back
0:37:00 > 0:37:04# Oh, well, I think you've got the knack
0:37:04 > 0:37:05# Oh-oh-oh
0:37:05 > 0:37:09# Now that you can do it, let's make a chain now
0:37:09 > 0:37:12# Come on, baby, do the loco-motion!
0:37:12 > 0:37:16# Chug-a, chug-a motion like a railway train now
0:37:16 > 0:37:20# Come on, baby, do the loco-motion!
0:37:20 > 0:37:23# Do it nice and easy, now don't lose control
0:37:23 > 0:37:27# A little bit of rhythm and a lot of soul
0:37:27 > 0:37:33# So come on, come on, do the loco-motion with me!
0:37:33 > 0:37:34# The loco-motion!
0:37:34 > 0:37:38# Come on, come on, the loco-motion!
0:37:38 > 0:37:42# Come on, come on, the loco-motion!
0:37:42 > 0:37:46# Come on, come on, come on, come on, come on!
0:37:46 > 0:37:49# Move around the floor in a loco-motion
0:37:49 > 0:37:53# Come on, baby, do the loco-motion!
0:37:53 > 0:37:57# Do it holding hands if you got the notion
0:37:57 > 0:38:00# Come on, baby, do the loco-motion!
0:38:00 > 0:38:04# There's never been a dance that's so easy to do
0:38:04 > 0:38:08# It even makes you happy when you're feeling blue
0:38:08 > 0:38:12# So come on, come on, do the loco-motion with me!
0:38:12 > 0:38:16# Come on, do the loco-motion
0:38:16 > 0:38:20# Come on, do the loco-motion
0:38:20 > 0:38:23# Come on, do the loco-motion
0:38:23 > 0:38:27# Come on, do the loco-motion
0:38:27 > 0:38:31# Everybody's doing a brand-new dance now
0:38:31 > 0:38:34# Come on, baby, do the loco-motion!
0:38:34 > 0:38:38# I know you'll get to like it if you give it a chance now
0:38:38 > 0:38:41# Come on, baby, do the loco-motion!
0:38:41 > 0:38:45# My little baby sister can do it with me
0:38:45 > 0:38:49# It's easier than learning your ABC
0:38:49 > 0:38:53# So come on, come on, do the loco-motion
0:38:53 > 0:38:56# Come on, come on, do the loco-motion
0:38:56 > 0:39:01# Come on, come on, do the loco-motion with me!
0:39:01 > 0:39:05# You've gotta swing your hips now
0:39:05 > 0:39:07# Yeah! #
0:39:07 > 0:39:11APPLAUSE AND CHEERING
0:39:19 > 0:39:23And finally, proof that it's a hard life being a chat-show host.
0:39:23 > 0:39:26It's not easy coming up with all those questions, you know.
0:39:26 > 0:39:28Especially when you're talking to Ade Edmondson
0:39:28 > 0:39:31and he's threatening to blow you up if he doesn't like them.
0:39:31 > 0:39:34- I've got a little surprise for you in my bag, actually.- That's great.
0:39:34 > 0:39:38- Thanks, Ade. Is this kind of making up for...- Sort of.
0:39:38 > 0:39:41..the rough time you gave me at the Grace Jones award and all,
0:39:41 > 0:39:43for being nasty to chat-show hosts? I can't wait to see it. Thank you.
0:39:43 > 0:39:45Well, it's actually a bloody big bomb, in case
0:39:45 > 0:39:48you ask any boring questions. LAUGHTER
0:39:48 > 0:39:52- OK? So, fire away and no more boring questions, Terry!- Right, so!
0:39:52 > 0:39:55So what have you been up to since we last saw you?
0:39:55 > 0:39:58- That's not boring. It's not boring. - It's really boring.
0:39:58 > 0:40:01- Just have to get that out here.- It's not a boring one. That wasn't...
0:40:01 > 0:40:03It was VERY boring.
0:40:03 > 0:40:06They always ask that. You ask that of everybody. One detonator.
0:40:08 > 0:40:11- One stick of dynamite. - Different tactic... Tell me...
0:40:11 > 0:40:13Which side's the heart?
0:40:16 > 0:40:18- OK, fire away and no more boring questions.- All right.
0:40:19 > 0:40:22So...
0:40:22 > 0:40:24Erm...
0:40:24 > 0:40:27I will proceed with a different tack, then, if I may. If I may?
0:40:27 > 0:40:30- What are you up to at the moment? - Ah, fascinating!
0:40:30 > 0:40:34Wonderfully interesting question. Lucky, lucky. Well...
0:40:34 > 0:40:38We've just finished a series for the BBC. Wonderful company.
0:40:38 > 0:40:41- Yes, they are.- You like them, don't you?- Nice people.
0:40:41 > 0:40:44- Nice people to do business with. - It's a series.
0:40:44 > 0:40:46It's a sitcom called Filthy, Rich And Cat Flap.
0:40:49 > 0:40:51It's rather a good title.
0:40:51 > 0:40:55It's about three characters called, ironically,
0:40:55 > 0:40:57Filthy, Rich and Cat Flap.
0:40:57 > 0:41:00There's Filthy. Ralph Filthy. Played by Nigel Planer.
0:41:00 > 0:41:04He's a sort of broken-down, pornographic theatrical agent.
0:41:04 > 0:41:06A little... No.
0:41:06 > 0:41:11There's Richie Rich, who... Filthy Ralph represents.
0:41:12 > 0:41:17And Richie Rich is a sort of broken-down celebrity has-been who
0:41:17 > 0:41:22never was. And there's me, Edward Cat Flap. And I play, well...
0:41:22 > 0:41:24No-one knows what I play, really.
0:41:24 > 0:41:27I just do all the "F rhyming with art" gags.
0:41:27 > 0:41:32- Yeah. But they're nice ones to do. It suits you.- Yes.
0:41:32 > 0:41:34The whole show is based on sort of celebrities,
0:41:34 > 0:41:37- like the people you have on your show.- You're a kind of minor
0:41:37 > 0:41:39- celebrity yourself, aren't you?- Yes.
0:41:39 > 0:41:43- A small celebrity.- Ours is more about celebrities like...
0:41:43 > 0:41:46- the golfers.- Yeah. - The golfing celebrities.
0:41:46 > 0:41:48Nicholas Parsons, you always give him a rough time.
0:41:48 > 0:41:52That vast army of ex-stand-up comedians who did one half-funny
0:41:52 > 0:41:55gag on Sunday Night At The London Palladium in the middle '60s
0:41:55 > 0:41:57and been earning a fortune doing game shows ever since.
0:41:57 > 0:42:00"Your name is Cynthia and you'd like me
0:42:00 > 0:42:03"to patronise and humiliate you on the chance of winning a Teasmaid."
0:42:03 > 0:42:09- Cheeky chappies. Blinking thingies, if you ask me.- Really? Blinking?
0:42:09 > 0:42:12Sorry. Faux pas! Terry used to do his own game show!
0:42:12 > 0:42:15Then, you were never funny in the first place, Terry.
0:42:15 > 0:42:18No, I'm sorry, you were never a comedian, sorry. I've got to be nice.
0:42:18 > 0:42:20I've got to be nice. No rude words. Carry on.
0:42:20 > 0:42:23- Now, you've had a number one, haven't you?- Yeah.
0:42:23 > 0:42:26Ooh-er, sounds a bit rude!
0:42:26 > 0:42:28- Haven't you done a record with Cliff?- Oh, yes, the record.
0:42:28 > 0:42:30I've had one of those as well.
0:42:30 > 0:42:34- But he seems a bit upset by the video, doesn't he?- Yes, apparently.
0:42:34 > 0:42:40- Another blasphemy charge.- Oh, no. - I don't quite follow it.
0:42:40 > 0:42:41Do you follow it?
0:42:41 > 0:42:44No, I'm trying to think of interesting questions for you.
0:42:44 > 0:42:49- You better. It's still here.- You've written this book.- I certainly have.
0:42:49 > 0:42:51What's it called, Terry?
0:42:51 > 0:42:54- I don't know what it's called. - They know what it's called.
0:42:54 > 0:42:56I know what it's called. I'm not going
0:42:56 > 0:42:58to have to say what it's called.
0:42:58 > 0:43:00No, because it's not a plugging show, this.
0:43:00 > 0:43:02No, of course it's not a plugging show.
0:43:02 > 0:43:05Of course it isn't. Plug, plug, plug. I'm here to plug my book.
0:43:05 > 0:43:08I'm not here for any other reason. Not any.
0:43:08 > 0:43:10Last time, did I get invited out to dinner? No!
0:43:10 > 0:43:12No chance getting friendly with Terry, is there?
0:43:12 > 0:43:15- It's "Come on and plug your book."- Can I...?
0:43:15 > 0:43:17I'll ask you probably the most interesting question.
0:43:17 > 0:43:19A lot of fun at the Edmondson household.
0:43:19 > 0:43:23Who makes the jokes, between you and Jennifer and everybody?
0:43:23 > 0:43:27- People would love to know that. - That's the boring question.
0:43:27 > 0:43:315, 4, 3, 2, 1!
0:43:31 > 0:43:33THE BOMB "DETONATES"
0:43:37 > 0:43:40LAUGHTER AND APPLAUSE
0:43:44 > 0:43:48Well, it's as good a cue as any. We're going out on a big bang.
0:43:48 > 0:43:51But I'll be back with more next time. I hope to see you then.