Episode 2

Download Subtitles

Transcript

0:00:10 > 0:00:14Good afternoon and a very warm welcome to Points Of View,

0:00:14 > 0:00:17THE place to air your views on the BBC.

0:00:17 > 0:00:21And if ever there was a week of differing views, well, this is it,

0:00:21 > 0:00:24so hold on tight because this is going to be a contentious ride.

0:00:24 > 0:00:26It's just been announced

0:00:26 > 0:00:29that Baroness Thatcher has died this morning.

0:00:29 > 0:00:32On Monday, as news broke of the death of the former

0:00:32 > 0:00:34Prime Minister, Margaret Thatcher,

0:00:34 > 0:00:36schedulers were forced

0:00:36 > 0:00:39to reshuffle programmes to allow for extended news coverage.

0:00:39 > 0:00:43The one o'clock news on BBC One was extended by an extra 30 minutes,

0:00:43 > 0:00:45nearly becoming the two o'clock news.

0:00:45 > 0:00:48This is an extended BBC One News.

0:00:55 > 0:00:59And as the day went on, programmes were moved to later start times

0:00:59 > 0:01:03or off the schedules altogether to make way for the new story.

0:01:03 > 0:01:05'And in light of today's news,

0:01:05 > 0:01:09'we've some changes to our Monday afternoon schedule on BBC One.'

0:01:14 > 0:01:17The BBC confirmed that, because of the news,

0:01:17 > 0:01:20there were several amendments to the schedule.

0:01:20 > 0:01:24A special news programme moved BBC One daytime viewing out of kilter.

0:01:24 > 0:01:27Later, two shows, Panorama and another one, The Prisoners,

0:01:27 > 0:01:30were sidelined to make way for the obituary programme,

0:01:30 > 0:01:32Margaret Thatcher: Prime Minister.

0:01:36 > 0:01:39ANDREW MARR: Margaret Thatcher was Britain's only woman Prime Minister.

0:01:54 > 0:01:57It has been decided that Panorama and the documentary,

0:01:57 > 0:02:00The Prisoners, will now air tomorrow night.

0:02:00 > 0:02:03But it wasn't just the amount of time given to Baroness Thatcher.

0:02:03 > 0:02:06She was considered by many divisive in life,

0:02:06 > 0:02:10but how she's been remembered in death has split opinion, too.

0:02:40 > 0:02:44The final word on this goes to John Turner from Hamilton.

0:02:44 > 0:02:48He reckons he knows what the Iron Lady herself would've thought of it all.

0:02:53 > 0:02:57And while too much airtime dedicated to Baroness Thatcher

0:02:57 > 0:02:58has been driving some mad,

0:02:58 > 0:03:01others are simply mad at bad driving on their screens.

0:03:05 > 0:03:09BBC Three's Barely Legal Drivers reveals what teenagers get up to

0:03:09 > 0:03:11when left alone behind the wheel.

0:03:11 > 0:03:13And some of it is definitely illegal.

0:03:13 > 0:03:18Tommy, if you go 100, you're going to get a tenner.

0:03:18 > 0:03:19Just do it, just do it.

0:03:25 > 0:03:29100? Ryan, you owe Tommy a tenner.

0:03:29 > 0:03:31The programme ends with a judgement as to whether

0:03:31 > 0:03:35the teenager will be sent for advanced driving instruction

0:03:35 > 0:03:40or has earned the right to a new car paid for by the BBC.

0:03:40 > 0:03:42We've come to the decision that we're going to give you

0:03:42 > 0:03:44the money for another car.

0:03:47 > 0:03:48So, no more phones...

0:03:48 > 0:03:51You're making me upset now.

0:04:09 > 0:04:11A lot of anger on this one.

0:04:11 > 0:04:15We put your questions to the BBC's Commissioning Editor

0:04:15 > 0:04:17for documentaries, Charlotte Moore.

0:04:17 > 0:04:21The whole premise of Barely Legal Drivers is not to set

0:04:21 > 0:04:24a bad example or to suggest that dangerous driving

0:04:24 > 0:04:27is fine in any way, or to reward bad driving.

0:04:27 > 0:04:30Dangerous driving or bad habits are never shown

0:04:30 > 0:04:32without being commented on.

0:04:32 > 0:04:34Former traffic cop Judith Roberts is on hand throughout

0:04:34 > 0:04:37to offer practical advice, and it's her ultimate decision,

0:04:37 > 0:04:40not the parents' or the production company,

0:04:40 > 0:04:42as to whether the young person receives a car

0:04:42 > 0:04:44or advanced driving lessons.

0:04:44 > 0:04:47Because the series set out to encourage road safety

0:04:47 > 0:04:49and to make young people better drivers,

0:04:49 > 0:04:53this absolutely justifies the use of the programme budget

0:04:53 > 0:04:55to pay for the advanced driving lessons,

0:04:55 > 0:04:57or indeed the money towards a new car.

0:05:19 > 0:05:23PRESENTER: Distracted by the argument, Bradley carelessly cruises

0:05:23 > 0:05:27through not just one but two sets of red traffic lights.

0:05:29 > 0:05:31There were very strict protocols around

0:05:31 > 0:05:33health and safety throughout the series

0:05:33 > 0:05:35for both the crew and the contributors.

0:05:35 > 0:05:37Unfortunately, on this one occasion,

0:05:37 > 0:05:41the crew made a bad judgement call and made the decision

0:05:41 > 0:05:44to follow the contributor and therefore jump red lights

0:05:44 > 0:05:45at the same time.

0:05:45 > 0:05:48The crew who made the film are very apologetic for this,

0:05:48 > 0:05:51and clearly we do not condone this at all.

0:05:51 > 0:05:54And an update on this from BBC Three -

0:05:54 > 0:05:56they have now re-edited the episode,

0:05:56 > 0:06:00removing the scene from any future repeat broadcast.

0:06:00 > 0:06:03So, we'll park driving there.

0:06:03 > 0:06:07Food and cookery shows should be a safer area for discussion,

0:06:07 > 0:06:10but their dominance in the schedules has led to many calls

0:06:10 > 0:06:12for the BBC to turn the oven off.

0:06:26 > 0:06:29# Food, glorious food... #

0:06:30 > 0:06:34'A little bit of what you fancy does you good.

0:06:34 > 0:06:37'But it reaches a point where you have a little bit more,

0:06:37 > 0:06:40'and then a little bit more, and then a lot more,

0:06:40 > 0:06:42'way over the top and makes you feel sick.

0:06:42 > 0:06:44'I love food,'

0:06:44 > 0:06:49but I don't want to watch 32.5 hours a week of food programmes.

0:06:49 > 0:06:52Bakers, there's one hour till I can sink my teeth into your buns.

0:06:52 > 0:06:54An hour and a half left.

0:06:54 > 0:06:56Sweetness, acidity, fruity.

0:06:56 > 0:06:57Spiced mango naan bread.

0:06:57 > 0:07:01That's something I really want to get stuck into.

0:07:01 > 0:07:04Going to start with some spicy roast chicken.

0:07:04 > 0:07:05First I just go at them with a rolling pin.

0:07:05 > 0:07:08- Wow.- Oop!

0:07:08 > 0:07:10Incredibly intensely flavoured.

0:07:10 > 0:07:12Oh, that's so delicious.

0:07:12 > 0:07:17Three to five hours per day is at present allocated

0:07:17 > 0:07:20to food programmes of one sort or another.

0:07:20 > 0:07:23Not forgetting his crucial sorrel leaf garnish.

0:07:23 > 0:07:26It's cooking, cooking, cooking.

0:07:26 > 0:07:29Obviously, tastes do vary, and I understand

0:07:29 > 0:07:31that some people do like cookery programmes.

0:07:31 > 0:07:35But what we need is more variety with the programmes.

0:08:03 > 0:08:08Basically, they're all about cooking and preparing food.

0:08:08 > 0:08:11There's nothing like relaxing at the end of the day,

0:08:11 > 0:08:15putting your feet up and watch a bit of television.

0:08:15 > 0:08:18But food, food, food.

0:08:18 > 0:08:20It's over the top.

0:08:20 > 0:08:23The good news for all of those who have complained about

0:08:23 > 0:08:27the great food feast is that this week the hours dedicated

0:08:27 > 0:08:29to cookery have reduced.

0:08:29 > 0:08:34We've only been able to count 22 hours from last Sunday to today.

0:08:34 > 0:08:37Maybe the BBC is putting itself on that diet

0:08:37 > 0:08:39you so badly think it needs.

0:08:39 > 0:08:41On the menu next, small portions.

0:08:41 > 0:08:45Now, that is the increasing trend of splitting stories

0:08:45 > 0:08:48and returning to them later in the same programme,

0:08:48 > 0:08:51designed to keep us interested, but leaving us

0:08:51 > 0:08:52feeling less than satisfied...

0:08:52 > 0:08:55OK, I'll stop with the food analogies now, I promise.

0:08:55 > 0:08:57I'll show you.

0:09:02 > 0:09:04Chronicle, please.

0:09:04 > 0:09:07That's 80p, please, buddy. Thank you very much.

0:09:07 > 0:09:08Can I give you that half later?

0:09:10 > 0:09:14- Morning, Richard.- Morning. - Pint of the usual, please.

0:09:15 > 0:09:19- There you go. I'll give you the other half later on.- OK.

0:09:19 > 0:09:22When I come in the pub and ask for a pint, I expect a whole pint,

0:09:22 > 0:09:23not three quarters of a pint.

0:09:23 > 0:09:25When I go and buy a newspaper,

0:09:25 > 0:09:29I expect all the extra supplements to be inside it.

0:09:29 > 0:09:34And when I sit down and watch a TV programme like Countryfile,

0:09:34 > 0:09:37I expect to see the whole story, not part of it.

0:09:37 > 0:09:41Later on, I'll be learning more about the Northumbrian dialect.

0:09:41 > 0:09:43Later on, I'll be finding out

0:09:43 > 0:09:46if there are any lessons we can learn from here.

0:09:47 > 0:09:50And it's not just Countryfile.

0:09:50 > 0:09:53It's become more and more, and it's, I think, with several programmes.

0:09:53 > 0:09:57The Hotel Aldeia is an accident waiting to happen.

0:09:57 > 0:10:01Later, we discover more danger in the deep.

0:10:01 > 0:10:05It's happening more and more. But Countryfile is definitely the worst.

0:10:05 > 0:10:08I think they should change the programme

0:10:08 > 0:10:12so we see one item at a time finished and then start the next item.

0:10:15 > 0:10:18Countryfile, at its best, is all about telling stories,

0:10:18 > 0:10:20and when you're telling a story,

0:10:20 > 0:10:24you don't necessarily want to get to the pay off too quickly.

0:10:24 > 0:10:28Countryfile's very lucky with the richness of the content that it has.

0:10:28 > 0:10:32We have the beauty of the locations,

0:10:32 > 0:10:35we have the insight into the farming year that we have

0:10:35 > 0:10:37with Adam's farm,

0:10:37 > 0:10:41and we have the rather harder-nosed journalistic investigations.

0:10:41 > 0:10:43So the trick, really,

0:10:43 > 0:10:47is to interweave all these elements into a satisfying mix

0:10:47 > 0:10:51that will give you a coherent story across the 60 minutes.

0:10:51 > 0:10:54And that's what we try to do.

0:10:54 > 0:10:55Rather than half stories,

0:10:55 > 0:10:59some feel that Doctor Who's been delivering half-hearted stories.

0:10:59 > 0:11:02Well, come on, then...

0:11:02 > 0:11:04Eat up!

0:11:06 > 0:11:08Are you full?

0:11:08 > 0:11:11The second episode of the current run,

0:11:11 > 0:11:13entitled The Rings of Akhenaten,

0:11:13 > 0:11:15didn't quite hit the spot.

0:11:36 > 0:11:39Let's hope the TARDIS is back on course next week.

0:11:39 > 0:11:43Graham Norton's return is certainly heading in the right direction,

0:11:43 > 0:11:47with an A-list line-up including Tom Cruise and Gerard Butler,

0:11:47 > 0:11:49the new series has earned itself an A+.

0:11:58 > 0:12:01And praise, too, for another returning series.

0:12:01 > 0:12:03In a week where news coverage has filled our mailbags,

0:12:03 > 0:12:07Have I Got News For You has been welcomed with open arms.

0:12:20 > 0:12:24The One Show is a series that never goes away, and for that reason

0:12:24 > 0:12:27we all get terribly familiar with its presenters.

0:12:27 > 0:12:30But is one of them a little overfamiliar

0:12:30 > 0:12:33when she talks about the part of the country she comes from?

0:12:46 > 0:12:48Take a look at this.

0:12:49 > 0:12:51- Dydd Gwyl Dewi hapus i chi i gyd!- Yeah!

0:12:51 > 0:12:54Do you have a favourite British accent? Say Welsh!

0:12:54 > 0:12:56I have to say the Welsh.

0:12:57 > 0:13:00Good luck to everybody with their teams in the Six Nations.

0:13:00 > 0:13:02Especially Wales.

0:13:02 > 0:13:05No-one's been more successful in doing so than the Welsh.

0:13:05 > 0:13:08Why is Wales going to smash England tomorrow?

0:13:08 > 0:13:09It is a brilliant Welsh accent.

0:13:09 > 0:13:13- Coming from you, that is a great compliment. You're Welsh, aren't you?- Well, yes.

0:13:13 > 0:13:17- I'm staying put in Wales. - Ah, the best place to be.

0:13:19 > 0:13:20Poor old Alex Jones.

0:13:20 > 0:13:23Now, if there's anything you're watching that you want

0:13:23 > 0:13:25to have your say on, please let us know.

0:13:25 > 0:13:28By post - new address, remember...

0:13:32 > 0:13:35By phone - the number is charged

0:13:35 > 0:13:37as a local rate call from any land line...

0:13:41 > 0:13:44Or join the many chatters on the message boards...

0:13:48 > 0:13:49Or by e-mail, of course...

0:13:51 > 0:13:54Next week we'll look at the bottom of the screen,

0:13:54 > 0:13:58at the subtitling. Goodbye.

0:13:58 > 0:14:02Subtitles by Red Bee Media Ltd