We Remember

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:00:03. > :00:13.Now it is time to remind ourselves of some of those who died in 2012.

:00:13. > :00:26.

:00:26. > :00:34.We start with deep regret. -- we start when Dave Brubeck.

:00:34. > :00:40.Read them is an international language. Not melody, rhythm.

:00:40. > :00:50.said why don't you put up all -- why don't you pit and melody over

:00:50. > :00:51.

:00:51. > :01:01.what Joe was doing. And so Paul's assignment was to pit a melody over

:01:01. > :01:01.

:01:01. > :02:22.Apology for the loss of subtitles for 80 seconds

:02:22. > :02:32.a low read them. -- below were read I was tired of the sex image. It

:02:32. > :02:32.

:02:32. > :03:14.Apology for the loss of subtitles for 80 seconds

:03:14. > :03:21.was a role, but not who I was as a I thought everyone knew the story

:03:21. > :03:25.behind the song. But people still ask me. Is it that a mountain but

:03:25. > :03:35.it is the butter mountain burnt down? What I love about the song is

:03:35. > :03:35.

:03:35. > :04:17.Apology for the loss of subtitles for 80 seconds

:04:17. > :04:27.that if you want to know the story, That very night a forest route. And

:04:27. > :04:35.when you came to the police for the Wild Things Are up the roared their

:04:35. > :04:45.terrible roars. We are talking of the large moment in childhood which

:04:45. > :04:55.

:04:55. > :05:02.is getting through child it. -- So the out of my affairs. Use line,

:05:03. > :05:09.you make me sick set - but you make me sec. Which slot are you staying

:05:09. > :05:19.with tonight? Any one better than the one I'm looking at right now.

:05:19. > :05:25.

:05:25. > :05:32.We just clicked. I honestly think She once asked me if I wanted to do

:05:32. > :05:38.with her. I said no. As that I wanted to be a cowboy. Then I found

:05:38. > :05:44.out what real work was. That decided me.

:05:44. > :05:53.Two acres of sand for ritual! have done at this time. You sure

:05:53. > :06:02.how up. The secret of food and it is contained on videotape. -- of

:06:02. > :06:12.the whodunnit. It will not be given to the BBC until tomorrow morning.

:06:12. > :06:48.

:06:48. > :06:52.It was you! New shot deer. -- The press labelled as a

:06:52. > :07:02.manufactured band but like anything you make arrangements whether

:07:02. > :07:02.

:07:02. > :07:57.Apology for the loss of subtitles for 80 seconds

:07:57. > :08:05.you're a TV presenter already treat. That was all ought to let it all

:08:05. > :08:15.look, right across the board. -- the numbers ought to be living.

:08:15. > :08:15.

:08:15. > :09:12.Apology for the loss of subtitles for 80 seconds

:09:12. > :09:22.To the back, it's a try! Melvyn The evening, ladies and gentlemen.

:09:22. > :09:24.

:09:24. > :09:28.I and Queen but what I'm going to play a song that is 1,000 years old.

:09:28. > :09:34.I do not know what it is about the guitar but it is the loveliest

:09:34. > :09:44.instrument of all, to my mind. The violin, harp and cello are great, I

:09:44. > :09:44.

:09:44. > :10:42.Apology for the loss of subtitles for 80 seconds

:10:42. > :10:47.love those instruments, but the How was that's the line of years?

:10:47. > :10:51.have been taking up to the mind never. But I decided to take her on

:10:51. > :11:01.to the coast because she needs sold. I introduced it to the sea. It was

:11:01. > :11:06.a beautiful sunny day when I to go Gemini was more interested in the

:11:06. > :11:16.rough texture of the rocks when we started. Something else he was

:11:16. > :11:16.

:11:16. > :11:26.Bristol wanted to create a place for everyone to learn about the

:11:26. > :12:04.

:12:04. > :12:09."Maybe It's Because I'm A As I didn't charge starting very

:12:09. > :12:19.young. About 13 or 14 I decided I wanted to sing professionally. Me

:12:19. > :12:34.

:12:34. > :12:41.my mother went to the studio. "I Is that alcohol? Is it cocaine? Is

:12:41. > :12:51.it marijuana? It has been at times question -- it has been at times.

:12:51. > :12:51.

:12:51. > :13:47.Apology for the loss of subtitles for 80 seconds

:13:47. > :13:52.Come on, wake up. What has happened to you? Lots of people where these.

:13:52. > :13:57.In bed? It says for the swimmer to become acclimatised he must wear

:13:57. > :14:07.this for 20 minutes a day. Have your tea before it gets cold.

:14:07. > :14:10.

:14:10. > :14:14.is a tricky operation. Flippers, too? 25 years I was on the stage

:14:14. > :14:24.and I was deaf as opposed and they did not hear laughter for 25 years.

:14:24. > :14:29.

:14:29. > :14:34.Then I got those. I realised I had We are very honest. And very hard-

:14:34. > :14:43.working. I am Vidal Sassoon and if you don't look good, we don't look

:14:43. > :14:47.good. Are you going to cut my hair? When you came in, Linda, I noticed

:14:47. > :14:51.that your hair was killed back this way. It is more flattering. I

:14:51. > :14:58.wanted to go back from there. me one good reason. All you are

:14:58. > :15:03.worrying about his height? Not the fact that it goes back or forward?

:15:03. > :15:08.I have always had it like that. never do what you have always had.

:15:08. > :15:13.I wanted to go back to the basic angles of cut and showed. The Times

:15:13. > :15:21.newspaper brought out an article with nine pictures of how Mary

:15:21. > :15:26.Quant changed the 60s. I was fortunate enough to be there to

:15:26. > :15:33.help you, shall we say? Vidal Sassoon changed hair forever.

:15:33. > :15:37.will shame us all. Think how he was raised. God-fearing and pure.

:15:37. > :15:42.fearing? Have you forgotten 15 years that you were drunk and

:15:42. > :15:51.beating me with anything you could lay your drunken hands on? And now

:15:51. > :15:57.you are waving that bible. God- fearing and purity? I wish you to

:15:57. > :16:04.hell. # Guest there is no use in hanging

:16:04. > :16:12.round. # I will find some crowded Avenue,

:16:12. > :16:17.though it will be empty without you. # Can't get used to losing you no

:16:17. > :16:22.matter what I am fighting. # Got to live my whole life through

:16:23. > :16:29.loving you. I would much rather have played

:16:29. > :16:35.baseball than to be rehearsing after-school and singing on a radio

:16:35. > :16:45.show at 8 o'clock at night or 8 o'clock in the morning. I did not

:16:45. > :16:46.

:16:46. > :16:56.really enjoy singing until I started singing alone.

:16:56. > :16:56.

:16:56. > :17:58.Apology for the loss of subtitles for 80 seconds

:17:58. > :18:08.Houston, the Eagle Has landed. We are breathing again. Thanks very

:18:08. > :18:23.

:18:23. > :18:28.It is one small step for man. One The important achievement of Apollo

:18:28. > :18:32.was a demonstration that humanity is not forever changed to this

:18:32. > :18:36.planet and our visions go rather further than that and our

:18:36. > :18:46.opportunities are limited. Good evening. Burnham's Comet turned out

:18:46. > :18:59.

:18:59. > :19:09.That is the diamond ring, an incredible sight. That is the end

:19:09. > :19:17.

:19:17. > :19:23.of the eclipse of the century and This was simply a grassy bank. And

:19:23. > :19:31.now, look at it. They said it simply could not be built. Well, it

:19:31. > :19:41.was built, and here it is now. signals making the holes in the

:19:41. > :19:44.

:19:44. > :19:48.state have been processed by a computer. -- punched tape. There

:19:48. > :19:54.was no instrument in the country that could detect the rockets but

:19:54. > :19:59.Nick. So we connected one of our meteor transmitters to the

:19:59. > :20:09.telescope and within a few days we had the thrill of seeing what no

:20:09. > :20:14.man had yet seen. The radar echo from an enormous ballistic missile.

:20:14. > :20:20.This telescope, although it is working marvellously at the moment,

:20:20. > :20:26.obviously has a limited life. I think it's life will not be limited

:20:26. > :20:32.by the structure, but by its ability to cope with the new

:20:32. > :20:35.demands in astronomy. I thought 20 years ago that, for example, we

:20:35. > :20:42.knew all that we wanted to know about the structure and evolution

:20:42. > :20:50.of the universe. And now we know almost nothing.

:20:50. > :20:56.Don't panic! Don't panic! They don't like it up them, you see,

:20:56. > :21:02.Sir. It puts fear into the heart of the Bosch. They don't like it, Sir,

:21:02. > :21:07.especially up them. I thought the audience might find it a bit

:21:07. > :21:12.offensive to say they don't like it up them. But they loved it. Of

:21:12. > :21:19.course they love everything that is a bit rude, don't they!

:21:19. > :21:27.# Grandad, lovely. That is what we all think of you.

:21:27. > :21:32.Don't panic, don't panic. Don't panic!

:21:32. > :21:42.Whistle While You Work, Hitler is a twerp. He is half barmaid, so is

:21:42. > :21:46.

:21:46. > :21:51.his army. Your name will also go on the list. Don't tell him!

:21:51. > :21:56.You can't guarantee that you'll hit a vital spot. We have been here

:21:56. > :22:02.mums and it is but first time that we have ever set eyes on this

:22:02. > :22:07.creature. They cannot understand why it did not see us. Why is it so

:22:07. > :22:11.hot? It is a reptilian and presumably they have created an

:22:11. > :22:19.environment that suits them. wonder how many of them are thereof.

:22:19. > :22:29.On I wish I knew. I suppose you just happen to have one of them in

:22:29. > :22:42.

:22:42. > :22:45.your pocket? As a matter of fact I How did you know? He probably

:22:45. > :22:50.looked more convincing from the front. To convincing but there is

:22:50. > :23:00.no need to be smug about it. not smug. I know that expression

:23:00. > :23:38.

:23:38. > :23:48.We had a telephone call for Robert saying that Paramount was making a

:23:48. > :24:12.

:24:12. > :24:18.We are talking about two careers here, composer and artist. They go

:24:18. > :24:23.together, but they are separate as well. They are both very meaningful