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summary. I am back at ten o'clock. We continue now our series looking | :00:00. | :00:00. | |
back at 2013. Over the next 30 minutes we remember the achievements | :00:00. | :00:00. | |
of some of those we lost in the past year. | :00:00. | :00:19. | |
# Wild thing, you make my heart sing wild thing came up with these three | :00:20. | :00:37. | |
chords. It was probably the biggest record that we ever made. | :00:38. | :00:51. | |
# I feel it in my fingers, I feel it in my toes. #Love is all around... # | :00:52. | :01:16. | |
It's written in the wind, it's everywhere I go. | :01:17. | :01:25. | |
# you know I love you, I'll was well. # My mind is made up by the | :01:26. | :01:42. | |
way I feel. # There will be no beginning, there will be no end. | :01:43. | :01:52. | |
Hello, good evening and welcome. The man who hands you this card is an | :01:53. | :01:57. | |
air raid warden. Do not be alarmed, lie down and do exactly as he tells | :01:58. | :02:08. | |
you. I let down my friends, I let down .Mac the country. I let down | :02:09. | :02:20. | |
our system of government. --... Hallo, good morning and welcome to | :02:21. | :02:29. | |
good morning television. Ships to change direction. That ship did | :02:30. | :02:36. | |
change direction. On that day when the government said it change | :02:37. | :02:40. | |
direction many times, it only change direction once to go home. Do you | :02:41. | :02:48. | |
pray together? How do you mean? Do you say prayers together for world | :02:49. | :02:54. | |
peace, you and the President? He hopes for peace and I hope for peace | :02:55. | :02:55. | |
too. The reason sacred music continues as | :02:56. | :03:12. | |
because people have a thirst for tradition. I learned a bit about | :03:13. | :03:18. | |
Indian music, I learned a bit about Arabic music and then tried to | :03:19. | :03:22. | |
create a style out of these various traditions. When the end of life | :03:23. | :03:31. | |
comes and all the other longings we had in this life have disappeared, | :03:32. | :03:39. | |
then we are only left with that longing, long, long forgotten. | :03:40. | :04:16. | |
What happened? I swear I don't know. It was like magic. There is no such | :04:17. | :04:31. | |
thing as magic! Do not use that word. But you use it, sir. I do. You | :04:32. | :04:44. | |
are not supposed to hit, sir. What is this, Tim? I don't always | :04:45. | :04:49. | |
understand poetry. You don't always understand it? I never understand | :04:50. | :04:56. | |
it, but learn it now, no wet now and you will understand it whenever. We | :04:57. | :05:01. | |
are taking a late lunch at three. I am afraid we have to leave. Leave? | :05:02. | :05:07. | |
Didn't he tell you, we have to get back to sign on. Sign-on? It is | :05:08. | :05:16. | |
rather fashionable, actually. Surely you could for ago for just this one | :05:17. | :05:21. | |
occasion. I have come a long way to see you both. He invented swimming | :05:22. | :05:36. | |
to music with what he cold his Aqua kids. The big number I did in the | :05:37. | :05:46. | |
movie, no one did how to do these numbers in a movie. So we got a | :05:47. | :05:51. | |
choreographer and asked how do you do what you do? He said you are | :05:52. | :05:58. | |
going to need a lot of water. And they called me and they said, come | :05:59. | :06:03. | |
out and we want to talk to you about being in the movies. I said, you | :06:04. | :06:12. | |
people, I don't know. They called me for one solid year and I found out | :06:13. | :06:17. | |
something really valuable for show business. When you say no, they | :06:18. | :06:22. | |
really have to have you. Here goes Cliff Morgan. A superb try | :06:23. | :07:08. | |
the mix at 14-3. -- that makes it. Whether you are Welsh or black or | :07:09. | :07:12. | |
whether .Mac it does not matter in sport because it should be a | :07:13. | :07:22. | |
unifying force. This is brilliant stuff. Brilliant! John Williams, | :07:23. | :07:41. | |
Brian Williamson. The halfway line. Brilliant! A traumatic -- dramatic | :07:42. | :07:48. | |
run. He dropped his teeth. When he went | :07:49. | :08:35. | |
down to pick them up, he tripped over the pram, put his tin helmet | :08:36. | :08:48. | |
through the front door ex-man --! Next thing I know you will be | :08:49. | :08:51. | |
shipping me of two some old folks home. | :08:52. | :09:05. | |
When I called Gerald and 68, he was completely well. -- when I caught. | :09:06. | :09:16. | |
Whilst, I was livid. When I watch a bunch of old sketches, I know it is | :09:17. | :09:22. | |
a very good programme. I think it was brilliant. Another brilliant -- | :09:23. | :09:32. | |
double vodka. I love for films -- foreign. I don't | :09:33. | :09:40. | |
like them, all the writing underneath them. The subtitles? No, | :09:41. | :09:50. | |
I do not like all that stuff. Don't be daft. They don't have them over | :09:51. | :09:56. | |
there. Oh, I see. They have them in French over there. I see, right. And | :09:57. | :10:03. | |
all the actors begin English, then? Yeah, obviously. It wouldn't be a | :10:04. | :10:12. | |
foreign film otherwise. No. You have got a very sexy neck. You have never | :10:13. | :10:19. | |
seen my neck. I am looking at it now. | :10:20. | :10:27. | |
We cannot eat that. Of course we can. I played myself, highly | :10:28. | :10:45. | |
strung, nervous, rather stupid. Desperate to get things right than | :10:46. | :10:53. | |
getting them wrong. I speak not like a fool. You see not right, old man. | :10:54. | :11:17. | |
No prisoners! No prisoners! I was asked to write my autobiography. I | :11:18. | :11:29. | |
read an article where asked me what I was doing between... Johnny! I | :11:30. | :11:41. | |
cannot understand men like you, I was think you are laughing at me. | :11:42. | :11:52. | |
How did you know? Because I put it there. | :11:53. | :12:32. | |
I am playing all the right notes but not necessarily in the right order. | :12:33. | :12:44. | |
The very first joke I sold, I sold it to Charlie Chester and the joke | :12:45. | :12:48. | |
was, Hopalong Cassidy's Mather, when he was a little baby, she knew he | :12:49. | :12:54. | |
was going to be a cowboy because he always wore a nappy. I had half a | :12:55. | :12:59. | |
crown for that. I know something I haven't done for | :13:00. | :13:07. | |
a long time. We all know that! I was sat in front of that | :13:08. | :13:10. | |
typewriter with all those blank pages. That is when you realise they | :13:11. | :13:16. | |
were 24 million, 25 million people looking over your shoulder or | :13:17. | :13:17. | |
saying, make me laugh. We have got to put some jazz to it | :13:18. | :13:49. | |
and make it dark. And sure enough, this is what | :13:50. | :13:59. | |
happened. They are charming, aren't they? Or | :14:00. | :15:03. | |
if they are not, they jolly well ought to be because they are | :15:04. | :15:07. | |
students at a London charm school and they are being 25 guineas for a | :15:08. | :15:11. | |
course that should buy them a little extra charm. | :15:12. | :15:16. | |
We are in tropical Australia, halfway up the peninsula of Cape | :15:17. | :15:19. | |
York, the pointy bit at the top on the right-hand side. | :15:20. | :15:24. | |
A brash air-conditioned nightmare where we wait for ever and a neon | :15:25. | :15:30. | |
for a jackpot that never turns up. Most of Texas is now urban or | :15:31. | :15:35. | |
suburban and yet it is still the mirror in which fascinated Americans | :15:36. | :15:38. | |
see themselves reflected much larger than life. Texas is super American. | :15:39. | :15:44. | |
Welcome to another session of Juke Box Jury. | :15:45. | :15:50. | |
Welcome to Blackpool and the 1984 season of come dancing. | :15:51. | :15:57. | |
Good evening, this is David Jacobs. He poured all over, trickle, | :15:58. | :16:04. | |
trickle, and I shrieked with laughter. I could not stop. I was | :16:05. | :16:11. | |
asked to leave. All right. | :16:12. | :16:21. | |
And that, I am afraid, brings to an end the David Jacobs story. Until | :16:22. | :16:25. | |
then, it is good night from me, David Jacobs. | :16:26. | :17:02. | |
# I'm in the mood for dancing, romancing. # Whoo, giving it all, | :17:03. | :17:09. | |
tonight. # Dancing. | :17:10. | :17:14. | |
# I'm in the mood, babe. # So let the music play. | :17:15. | :17:20. | |
# Whoo, dancing. # I'm in the mood, babe. | :17:21. | :17:27. | |
# So get on up and let your body sway. | :17:28. | :17:36. | |
Do you get a badge for doing this? No, I don't think so. Pity, but we | :17:37. | :17:46. | |
should have something. Surely that is not the important thing, just | :17:47. | :17:50. | |
giving blood to help somebody is the important thing. I think we should | :17:51. | :17:55. | |
get a badge as well. The management has extended the | :17:56. | :17:59. | |
privilege of offering you the executive dining. Executive dining? | :18:00. | :18:07. | |
See you at lunch. It is still Mr Rumbold. Forgive me, the key to the | :18:08. | :18:15. | |
executive washroom went to my head. Get this cleared out at once! Get | :18:16. | :18:20. | |
these blokes out of here so I can carry on with my lecture! Are you | :18:21. | :18:25. | |
asking the Army to retreat? You have had plenty of practice recently. | :18:26. | :18:29. | |
Wright, Mainwaring, get outside! Between my finger and my firm, the | :18:30. | :19:09. | |
squat pen rests, snug as a gun. Long bedtime anthems of Ulster, | :19:10. | :19:13. | |
unwilling, unbeaten Protestant, Catholic, the Bible, the Beats, long | :19:14. | :19:20. | |
talks at Gables by moonlight, boots on the half, the small hours time | :19:21. | :19:28. | |
sweetly away so next thing it was. We are a society that has fallen | :19:29. | :19:33. | |
from grace. This is limbo land at best and at worst, the country of | :19:34. | :19:38. | |
the dammed. It has rode him to the" the loud | :19:39. | :19:45. | |
banquet every day in Hall. The heart being struck and the clear song of a | :19:46. | :19:49. | |
skilled poet telling with mastery of man's beginnings. | :19:50. | :19:55. | |
The possible future president of the United States four years ago was | :19:56. | :19:58. | |
talking about using an atom bomb quite casually. A conventional | :19:59. | :20:05. | |
weapon. What guarantee is there that another slightly off-balance General | :20:06. | :20:11. | |
Mike take the whole world into war? The two women were alone in a London | :20:12. | :20:16. | |
flat. Their friend came back from a telephone on the landing. The point | :20:17. | :20:21. | |
is, as far as I can see, everything is cracking up. | :20:22. | :20:28. | |
Have you heard the news? No. You have won the Nobel Prize for | :20:29. | :20:29. | |
literature. Oh, Christ. I don't think there will be a woman | :20:30. | :20:47. | |
Prime Minister in my lifetime. Where there is discord, may we bring | :20:48. | :20:51. | |
harmony. Where there is error, may we bring truth. Where there is | :20:52. | :20:57. | |
doubt, may we bring faith. It flies alongside the union Jack in | :20:58. | :21:04. | |
South Georgia. God save the Queen. Just rejoice at that news and | :21:05. | :21:08. | |
congratulate our forces and the Marines. | :21:09. | :21:13. | |
To those waiting with bated breath for that favourite media | :21:14. | :21:18. | |
catchphrase, they you turn, I have only one thing to say. You turn if | :21:19. | :21:20. | |
you want to. They had been neither freedom or | :21:21. | :21:40. | |
order in Britain if we had given in for violence. They would have been | :21:41. | :21:45. | |
no hope for any prosperous industry. The fact that we are gathered here | :21:46. | :21:50. | |
now, shocked but composed and determined is a sign not only that | :21:51. | :21:54. | |
this attack has failed but that all attempts to destroy democracy by | :21:55. | :21:57. | |
terrorism will fail. # I'm waiting for my man. | :21:58. | :22:33. | |
If it had not been for Andy, who knows whether we have had a chance | :22:34. | :22:38. | |
to do anything so I think I owe everything to Mr Warhol. | :22:39. | :23:08. | |
For me, any good song stimulator is some kind of emotion. And then what | :23:09. | :23:16. | |
other thing is that that makes people get up and dance? | :23:17. | :23:28. | |
# Feed animals in the zoo. # Then later a movie too, and then | :23:29. | :23:36. | |
home. # Oh, it's such a perfect day. | :23:37. | :23:50. | |
# I'm glad I spend it with you. It is a fantasy, perfect day. The | :23:51. | :23:54. | |
whole thing is not just about you are going to reap what you sow, | :23:55. | :24:00. | |
which is a cliche. I thought it was somebody good. I liked that. | :24:01. | :24:15. | |
There are many people who feel it is useless for us to continue with | :24:16. | :24:23. | |
peace and nonviolence against the government whose reply is only | :24:24. | :24:29. | |
savage attempts on an unarmed and defenceless people. | :24:30. | :24:35. | |
We are not combating the struggle against individual whites, we are | :24:36. | :24:39. | |
fighting the principal, fighting white domination and in the cause of | :24:40. | :24:46. | |
that struggle, we can even form friendships with people from the | :24:47. | :24:47. | |
other side. Take your guns, your knife and throw | :24:48. | :25:07. | |
them into the stream. I, Nelson Rottweiler Mandela, -- | :25:08. | :25:21. | |
Nelson Mandela, do hereby swear that the Republic of South Africa that | :25:22. | :25:27. | |
never and never again shall it be that this beautiful land will gain | :25:28. | :25:32. | |
experience the oppression of one by another. The sun shall never set on | :25:33. | :25:37. | |
so glorious a human achievement. Good morning and a very happy | :25:38. | :26:12. | |
Christmas. We have a much quieter day weather-wise. Having said that, | :26:13. | :26:18. | |
there are still showers across Wales. Away from | :26:19. | :26:19. |